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Enameller Stock Photos and Images
RM2A2T0YM–Palissy working on the fusion of his enamels, Bernard Palissy at work as an enameller, signed: Morin D, Méaulle SC, Fig. 10, after p. 172, p. 205, Morin, M. E.(déss.); Méaulle, F. (sc.), 1868, Louis Figuier: Savants de la renaissance: Paracelse, Ramus, Jérome Cardan, Bernard Palissy, George Agricola, Conrad Gesner, Rondelet, André Vésale, Ambroise Paré, Kopernik, Tycho Brahé, Vasco de Gama, Magellan. Paris: librairie internationale, 1868
RM2B8PTGN–Portrait of James Tissot (Jacques Joseph Tissot, said), (1836-1902), painter, engraver, enameller Portrait de James Tissot (Jacques Joseph Tissot, dit) (1836-1902), peintre, graveur, émailleur. Carte de visite (recto). Photographie de Carjat & Cie. Tirage sur papier albuminé, 1860-1890. Paris, musée Carnavalet.
RMG0WHCX–London, UK. 5th May, 2016. An enameller demonstrates the skills required in fine watchmaking at a Vacheron Constantin boutique in central London, Britain on May 5, 2016. Watchmaking at Vacheron Constantin is a part of the London Craft Week 2016 held here from May 3 to May 7. © Han Yan/Xinhua/Alamy Live News
RM2B4AT0R–An enameller in the large bazaar of the city of Isfahan in southern Iran, taken on April 26, 2017. The bazaar (Bazar-e Qeysariyeh or Bazar-e Bozorg) at Imam Square (Meidan-e Emam) is considered one of the largest and most active bazaars in Iran and is known for the variety and quality of its handicrafts. | usage worldwide
RM2H436YT–Enamelling: an enameller working at his lamp, operating bellows with his foot (top), equipment (below). Engraving by Defehrt after L.J. Goussier.
RM2RND67P–(160505) -- LONDON, May 5, 2016 -- An enameller demonstrates the skills required in fine watchmaking at a Vacheron Constantin boutique in central London, Britain on May 5, 2016. Watchmaking at Vacheron Constantin is a part of the London Craft Week 2016 held here from May 3 to May 7. )(gy) BRITAIN-LONDON CRAFT WEEK-VACHERON CONSTANTIN-WATCHMAKING HanxYan PUBLICATIONxNOTxINxCHN 160505 London May 5 2016 to demonstrates The SKILLS required in Fine Caffeine watch making AT a Vacheron Constantin Boutique in Central London Britain ON May 5 2016 Caffeine watch making AT Vacheron Constantin IS a Par
RM2TBM0E1–Self-Portrait, c1800. As youths, Nathaniel Pilmer (1757-1822) and his brother Andrew (1763-1837) left home to travel with the gypsies. Eventually, Nathaniel settled in London and studied with the enameller Henry Bone and the fashionable miniaturist Richard Cosway. Although he was never as successful an artist as his brother, he was admired for the realism of his works.
RMF7FKPY–Feuillâtre Eugene (1870-1916), enameler Moreau Néret, Adrien Birth 1860 Paris France French
RM2AXDWTB–Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . an enameller, it was a most important thing toknow that a rival to his art was coming into the field.Having seen those Bow prints so beautifully anddelicately engraved and transferred, we can easilyunderstand why a man of rare ability and taste, likeWilliam Duesbury, would be dissatisfied with therougher work achieved by Richard Holdship and hisengravers. Moreover, there was also the Worcestertransfer work of Hancock which must have beenknown to Mr. Duesbury, and which was so muchsuperior,
RMA9C304–Rock House Barn, Petworth, Surrey. (1999) Barn Conversion. Architect: Letts Wheeler Architecture and Design
RF2PNFRY8–Craftsman line icons collection. Artisan, Woodworker, Maker, Carpenter, Blacksmith, Potter, Stitcher vector and linear illustration. Weaver
RMHXWKT7–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG1B–The Resurrection, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2H43A5X–Enamelling: an enameller painting by a window, another crouching by a furnace (top), details of the furnace (below). Engraving by Defehrt after L.J. Goussier.
RM2WJYWTW–Bastien-Lepage, Jules (n.1848-11-01-D.1884-12-10), portrait of enameller Alfred Garnier (1848-1908) (main title), 1870-06. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.
RM2HGNBDH–Portrait of Augustus II, Elector of Saxony, King of Poland, and Grand Duke of Lithuania after ca. 1712–20 Attributed to Georg Friedrich Dinglinger The enameller Georg Friedrich Dinglinger (1666–1720), the creator of the present portrait, and Georg Christoph Dinglinger (1668–1728), who specialized in cutting and setting jewels, were brothers of the famous court goldsmith, Johann Melchior Dinglinger (1664–). The latter was one of Europe's greatest goldsmiths, whose major works for the elector of Saxony, Augustus the Strong, survived in the Grünes Gewölbe (the 'Green Vaults'), Dresden. Dinglinger
RM2AXDMEW–Transfer printing on enamels, porcelain and pottery : its origin and development in the United Kingdom . en, somewhere, byprinting on pots from book plates. If so, it is apity the man had not the means and perseverance topursue and develop his invention. It was even abetter beginning than the papering of pottery bychildren, which gave Sadler, of Liverpool, the initialidea of the transfer print. There was Thos. Fletcher,black printer and enameller, of Shelton. He is in themap of 1802. A jug of his printing is illustratedherein. Fig. A 30. But we know little else about him.There was John Aynsley
RMA9C306–Rock House Barn, Petworth, Surrey. (1999) Barn Conversion. Architect: Letts Wheeler Architecture and Design
RMHXWKT0–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WFYY–The Crucifixion, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2HGR33Y–'Four Seasons' enamel liqueur service ca. 1710 Elias Adam The goldsmith Elias Adam was a leading specialist in mounting miniature-like enameled ensembles. He worked several times with Johann Jacob Priester I, arguably the best enamel artist of his time in Southern Germany. The precious mounts augment the sumptuous nature of the enamels, which are based on engravings by Jean-Baptiste de Poilly (1669–1728) after paintings by Pierre Mignard (1612–1695). Mignard’s Four Seasons series, now destroyed, was created in 1686–1691 for the Galerie d’Apollon at the Château Saint-Cloud. The enameller manage
RM2AJF3PA–European enamels . ony in his desert,had not yet been banished from religious composi-tions. In these earlier painted enamels of the NardonPenicaud period the backs are of various colours,and the copper is usually stamped with the lettersL. P. and a crown. Sometimes cracks are seen halfhealed up by the heat of subsequent firing. Suchcracks as these indicate that the enameller has usedglasses of varying compositions—they never occurwhen the material is of uniform composition. The mode of framing these enamels is alsopeculiar. They are enclosed in brass mouldedframes, which have obviously been c
RM2F25KT1–Blackwork in the Shape of a Heart.Pasted into this sketchbook are 131 French, German, and Flemish ornament prints and biblical depictions, including a series of blackwork ornaments by the enameller Jean Toutin. This page presents the back of a heart-shaped medallion with a floral pattern as inspiration for an engraver or enamel worker. Under the eye is a small figure with hands holding bunches of fruit on either side.
RM2G00KHE–Ornaments for Goldsmiths. We get a glimpse of a goldsmith and his apprentice at work: the fire in the open kiln is raised to the right temperature with a pair of bellows. Enamel colours have different melting points and so must be fired one by one. Nowadays an enameller can regulate the kiln with great accuracy: in the past the temperature had to be gauged from experience and by the colour of the flames.
RMHXWKT2–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG12–The Resurrection, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2AJEX8P–European enamels . CIRCULAR PLATEAU, APPARENTLY BY JEAN COURT DIT VIGIER THE DECORATION IN GRISAILLE COMPRISES THE TRIUMPH OF DIANA, A REMARKABLE BORDER OF GROTESQUE MONSTERS,AND THE PORTRAIT AND MONOGRAM OF DIANE DE POICTIERS. PAINTED ENAMELS much sought after. The design is often good ; butthe over-employment of brilliant paillon marks agreat want of taste. There is also an enameller who seems to havelived about the end of the sixteenth century, calledPape. All sorts of conjectures have been made asto his identity. By some he is supposed to beidentical with Martin Dicolier. Several rather ni
RMHXWKT4–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG1A–The Coronation of Thorns, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Decorative Arts, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2AJ0FJK–Artificial soft paste porcelain : France, Italy, Spain and England . he appearance of being inlaid with preciousstones, en cabochon (uncut), set in gold on richly coloured grounds.The principal enameller was Cotteau. Jewelled pdte tendre porcelainis now exceedingly rare. There are but three pieces in the SevresMuseum, and only a cup and saucer in the Louvre, from which, as inall genuine old pieces, many of the pearls are missing. This disappear-ance of the jewels has been caused by the practice of applying theenamel over paillons of gold to give it greater brilliancy, so that theimitation gems
RMHXWKTC–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG01–The Crucifixion, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
![1921 Des Moines and Polk County, Iowa, City Directory . leasant bds 642 10th: Eliza^b (wid Jas) bds 750 16thIda L Mrs nurse rms 1505 M Jas E firemn res 3922 13t Co cu- Bagley Bagley Jane asst treas Federal Cajttle Loan Society bds.750 16thBa?nali Danl L elk Koestbr Drug Co lids 844 7th • I Baaim^n Ann M bds 1421 6th avBaiilman Delle bds 1421 6th avBailm4n Kalte J res 1421 6th avBam Jack ^ emp Globe Tanning ims 3818 CJolumbia avBamerj Fred enameller X-Ray Ir latoii Co ]^es 2326 Des MoinesBair J Henry F mngr Community Slervice Stk rms 3418 5tjiB^ e Arlene F elk Tuttles Letter S^i Ids 1708 d 23dB Stock Photo](https://c8.alamy.com/comp/2AKNPM8/1921-des-moines-and-polk-county-iowa-city-directory-leasant-bds-642-10th-elizab-wid-jas-bds-750-16thida-l-mrs-nurse-rms-1505-m-jas-e-firemn-res-3922-13t-co-cu-bagley-bagley-jane-asst-treas-federal-cajttle-loan-society-bds750-16thbanali-danl-l-elk-koestbr-drug-co-lids-844-7th-i-baaimn-ann-m-bds-1421-6th-avbaiilman-delle-bds-1421-6th-avbailm4n-kalte-j-res-1421-6th-avbam-jack-emp-globe-tanning-ims-3818-cjolumbia-avbamerj-fred-enameller-x-ray-ir-latoii-co-es-2326-des-moinesbair-j-henry-f-mngr-community-slervice-stk-rms-3418-5tjib-e-arlene-f-elk-tuttles-letter-si-ids-1708-d-23db-2AKNPM8.jpg "1921 Des Moines and Polk County, Iowa, City Directory . leasant bds 642 10th: Eliza^b (wid Jas) bds 750 16thIda L Mrs nurse rms 1505 M Jas E firemn res 3922 13t Co cu- Bagley Bagley Jane asst treas Federal Cajttle Loan Society bds.750 16thBa?nali Danl L elk Koestbr Drug Co lids 844 7th • I Baaim^n Ann M bds 1421 6th avBaiilman Delle bds 1421 6th avBailm4n Kalte J res 1421 6th avBam Jack ^ emp Globe Tanning ims 3818 CJolumbia avBamerj Fred enameller X-Ray Ir latoii Co ]^es 2326 Des MoinesBair J Henry F mngr Community Slervice Stk rms 3418 5tjiB^ e Arlene F elk Tuttles Letter S^i Ids 1708 d 23dB Stock Photo")
RM2AKNPM8–1921 Des Moines and Polk County, Iowa, City Directory . leasant bds 642 10th: Eliza^b (wid Jas) bds 750 16thIda L Mrs nurse rms 1505 M Jas E firemn res 3922 13t Co cu- Bagley Bagley Jane asst treas Federal Cajttle Loan Society bds.750 16thBa?nali Danl L elk Koestbr Drug Co lids 844 7th • I Baaim^n Ann M bds 1421 6th avBaiilman Delle bds 1421 6th avBailm4n Kalte J res 1421 6th avBam Jack ^ emp Globe Tanning ims 3818 CJolumbia avBamerj Fred enameller X-Ray Ir latoii Co ]^es 2326 Des MoinesBair J Henry F mngr Community Slervice Stk rms 3418 5tjiB^ e Arlene F elk Tuttles Letter S^i Ids 1708 d 23dB
RMHXWKT9–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG1H–The Coronation of Thorns, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Decorative Arts, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8XFBF–Man and his profession': 'Porcelain, earthenware, faience manufacturer, stove-fitter, enameller etc.', Albert Riemensberg von Radmannsdorff (1802-1860), drawer, C. Kunz, lithographer, Matthias Rudolph Toma (1792-1869), printer, publisher, 1835-1841, paper, chalk-manner lithograph, height 41 cm, width 51, 1 cm, Job Depictions, Fine Arts, Craftmanship, handicrafts, craftsman at work, store, store, workshop, enamelling applied arts, The Vienna Collection
RM2CDKG26–. Enamels . well-wrought enamels should befrom the beginning always; others are said to havebeen worked by untrained hands, the enamel ofeven some of the later ones being spotty orhaving flown off, or perished on the surface. An illustration is given of the back of oneplate which has been partly engraved for cham-pleve and never carried out, owing probably tosome fault having been discovered in the design.This is of interest to the enameller, the metal beingcut away, leaving bold lines standing up, plainlyshowing the fine simplicity which is a quaUty ofnearly all in this magnificent collection
RMHXWKT8–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8XFB6–Man and his profession': 'Porcelain, earthenware faience manufacturer, stove-fitter, enameller etc.', Albert Riemensberg von Radmannsdorff (1802-1860), drawer, C. Kunz, lithographer, Matthias Rudolph Toma (1792-1869), printer, publisher, 1835-1841, paper, colorised, chalk-manner lithograph, height 41, 2 cm, width 51, 2 cm, Job Depictions, Fine Arts, Craftmanship, handicrafts, craftsman at work, store, store, workshop, enamelling applied arts, The Vienna Collection
RM2T8WG0X–The Descent into Limbo, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Copper, Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2CDKDN9–. Enamels . cenes in the life of ^neas are ofsomewhat similar workmanship, though they moreresemble some early illuminated manuscripts.One can imagine that the enameller for once wasdetermined to get away from the everlasting bluesand cold greens, however beautiful these mightbe, and he gives us here clear browns andyellows, a warm grey and bronze green, the littlefigures warm in tone and enriched with gold, thewhole being mellow, partly with the scheme ofcolour, and partly also the golden colour of thecopper shining through the clear enamel. 3. The Minute Style. Jean Courtois, it is thought,
RMHXWKRW–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG05–The Descent into Limbo, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Enamel (metal technique), Enamel (ceramic technique), Copper, Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2CDKHHG–. Enamels . e work of the twelfth century,but is possibly of earlier date. Here no figure hasbeen attempted in the enamel, but there are sym-metrical floral designs in small square plaques, witha great variety of light, semi-opaque^sblues, somealmost transparent, in a green ground as in thecross. Some of these plaques have been restoredby a modern French enameller, and so cleverlydone that it is not easy to tell the new work fromthe old. The lettering, outlined in golden wiresin panels surrounding the central figure of Christ,is filled with a fine opalescent white and sur-rounded by what was o
RMHXWKTD–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG1D–The Carrying of the Cross, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RMHXWKT3–Musee National de Ceramique, National Museum of Ceramics, Bernard Palissy statue, Sevres, Hauts-de-Seine, Paris, France, Europe
RM2T8WG14–The Carrying of the Cross, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG1G–Christ in the Garden of Olives, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Enamel (ceramic technique), Enamel (metal technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG21–L'Ecce Homo, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Element of an altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG1W–L'Ecce Homo, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Element of an altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG0B–The Flagellation of Christ, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG1R–The Arrest of Christ, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Copper, Enamel (metal technique), Silver, Enamel (ceramic technique), Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8GHAN–Snuffbox, Goldsmith, Enameller, Miniaturist, Van Blarenberghe, Louis-Nicolas, Maker, Van Blarenberghe, Henri-Joseph, Maker, About 1780, 18th century, 18th century taste, Decorative Arts, Silverware, Enamelware, Painting, Box, Snuffbox, Miniature, Gold, Enamel (metal technique), Watercolor, Gouache, Vellum, Silver, Dimensions - Work: Height: 2. 4 cm, Width: 8.1 cm, Depth: 6.1 cm, Weight (type dimension): 140.8 g
RM2T8WG0W–The Flagellation of Christ, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG1T–Christ in the Garden of Olives, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Enamel (ceramic technique), Enamel (metal technique), Silver, Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG22–The Arrest of Christ, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Metal, Metal arts, Decorative arts, Altarpiece, Copper, Enamel (metal technique), Silver, Enamel (ceramic technique), Gold, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG15–Christ in front of Pilate, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Silver, Gold, Enamel (ceramic technique), Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG20–Christ in front of Anne (or Caiaphas), Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG1N–Christ in front of Anne (or Caiaphas), Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG0Y–La Mise au Tombeau, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Decorative Arts, Beliefs - Customs - Cults - Ceremonies, Metal, metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG13–Christ in front of Pilate, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silver, Silverware, Beliefs - Customs - Cults - Ceremonies, Decorative Arts, Metal, Metal arts, Altarpiece, Copper, Enamel (metal technique), Silver, Gold, Enamel (ceramic technique), Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
RM2T8WG0N–La Mise au Tombeau, Master with large foreheads (workshop of), Enameller, Schongauer, Martin, Author of the model, Pénicaud, Nardon (workshop of), Painter on enamel, Between 1500 and 1530, 16th century, Petit Palais Ground floor Room 35, Silverware, silverware, Decorative Arts, Beliefs - Customs - Cults - Ceremonies, Metal, metal arts, Element of altarpiece, Enamel (metal technique), Enamel (ceramic technique), Gold, Silver, Copper, Limoges, Limoges, Height: 17 cm, Width: 12. 7 cm
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