Champagnac, Corrèze, France, Nouvelle-Aquitaine, N 45 8' 8'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/champagnac-corrze-france-nouvelle-aquitaine-n-45-8-8-e-1-34-13-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445234679.html
RM2GTA5AF–Champagnac, Corrèze, France, Nouvelle-Aquitaine, N 45 8' 8'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wilbour-papyrus-papyrus-ink-middle-egypt-egypt-ca-1147-bce-dynasty-20-new-kingdom-glass-13-38-x-18-18-in-34-x-46-cm-image454283271.html
RM2HB2AXF–The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm
Inspired by The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-the-wilbour-papyrus-papyrus-ink-middle-egypt-egypt-ca-1147-bce-dynasty-20-new-kingdom-glass-13-38-x-18-18-in-34-x-46-cm-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264465.html
RF2HK58E9–Inspired by The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Ancient Altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all'intorno). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 9 1/2 × 13 3/4 in. (24.2 × 34.9 cm) Sheet: 13 1/4 × 19 7/16 in. (33.7 × 49.3 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ancient-altar-on-which-sacrifices-were-performed-in-antiquity-surrounded-by-other-ruins-ara-antica-sopra-la-quale-si-facevano-anticamente-i-sagrifizi-con-altre-ruine-allintorno-artist-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-plate-9-12-13-34-in-242-349-cm-sheet-13-14-19-716-in-337-493-cm-seriesportfolio-prima-parte-di-architettura-e-prospettive-part-one-of-architecture-and-perspectives-date-ca-1750-museum-metropolitan-museum-of-art-new-york-usa-image213148581.html
RMPANN59–Ancient Altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all'intorno). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Plate: 9 1/2 × 13 3/4 in. (24.2 × 34.9 cm) Sheet: 13 1/4 × 19 7/16 in. (33.7 × 49.3 cm). Series/Portfolio: Prima Parte di Architettura, e Prospettive (Part One of Architecture and Perspectives). Date: ca. 1750. Museum: Metropolitan Museum of Art, New York, USA.
N/A. English: Face of the mummy coffin of Pedusiri, in plastered, polychromed, and gilded wood, Egyptian late dynastic or early Greco-Roman period, circa 500 - 250 B.C.E. Milwaukee Art Museum, Wisconsin 84 x 30 3/4 x 13 3/4 in. (213.36 x 78.11 x 34.93 cm) :Purchase M1967.20 [1] . 31 December 2011. Jonathunder 544 FacePedusiri Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/na-english-face-of-the-mummy-coffin-of-pedusiri-in-plastered-polychromed-and-gilded-wood-egyptian-late-dynastic-or-early-greco-roman-period-circa-500-250-bce-milwaukee-art-museum-wisconsin-84-x-30-34-x-13-34-in-21336-x-7811-x-3493-cmpurchase-m196720-1-31-december-2011-jonathunder-544-facepedusiri-image209871913.html
RMP5CDND–N/A. English: Face of the mummy coffin of Pedusiri, in plastered, polychromed, and gilded wood, Egyptian late dynastic or early Greco-Roman period, circa 500 - 250 B.C.E. Milwaukee Art Museum, Wisconsin 84 x 30 3/4 x 13 3/4 in. (213.36 x 78.11 x 34.93 cm) :Purchase M1967.20 [1] . 31 December 2011. Jonathunder 544 FacePedusiri
IIIEME. VUÃàE DE LIVOURNE Author Dunker, Balthasar Anton 80.13.e. Place of publication: A Rome Publisher: chez George Hackert Graveur Place d'Espagne. Date of publication: [between 1778 and 1790] Item type: 1 print Medium: etching and engraving Dimensions: platemark 34.7 x 48.2 cm, on sheet 41.1 x 57.5 cm. Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/iiieme-vue-de-livourne-author-dunker-balthasar-anton-8013e-place-of-publication-a-rome-publisher-chez-george-hackert-graveur-place-despagne-date-of-publication-between-1778-and-1790-item-type-1-print-medium-etching-and-engraving-dimensions-platemark-347-x-482-cm-on-sheet-411-x-575-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401715718.html
RM2E9FMDX–IIIEME. VUÃàE DE LIVOURNE Author Dunker, Balthasar Anton 80.13.e. Place of publication: A Rome Publisher: chez George Hackert Graveur Place d'Espagne. Date of publication: [between 1778 and 1790] Item type: 1 print Medium: etching and engraving Dimensions: platemark 34.7 x 48.2 cm, on sheet 41.1 x 57.5 cm. Former owner: George III, King of Great Britain, 1738-1820
. Italiano: Vergine e Bambino - Museo Liechtenstein - Vienna Marmo, 40 x 34 cm - 1531 Liechtenstein Museum, Vienna . 22 April 2013, 13:30:59. Giovanni Giorgio Lascaris (–1531) Alternative names Pyrgoteles; Zuan Zorzi Lascaris; Zuan Zorzi Lascari Description Italian sculptor Date of birth/death September 1531 Work period 1496 Work location Venice, Padua, Verona and (?)Ferrara Authority control : Q16560001 VIAF: 295945797 ULAN: 500055029 WGA: LASCARIS, Giorgio GND: 131631608 RKD: 130120 793 Lascaris - Vergine e Bambino - Museo Liechtenstein - Vienna Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/italiano-vergine-e-bambino-museo-liechtenstein-vienna-marmo-40-x-34-cm-1531-liechtenstein-museum-vienna-22-april-2013-133059-giovanni-giorgio-lascaris-1531-alternative-names-pyrgoteles-zuan-zorzi-lascaris-zuan-zorzi-lascari-description-italian-sculptor-date-of-birthdeath-september-1531-work-period-1496-work-location-venice-padua-verona-and-ferrara-authority-control-q16560001-viaf295945797-ulan500055029-wgalascaris-giorgio-gnd131631608-rkd130120-793-lascaris-vergine-e-bambino-museo-liechtenstein-vienna-image185824378.html
RMMP90TX–. Italiano: Vergine e Bambino - Museo Liechtenstein - Vienna Marmo, 40 x 34 cm - 1531 Liechtenstein Museum, Vienna . 22 April 2013, 13:30:59. Giovanni Giorgio Lascaris (–1531) Alternative names Pyrgoteles; Zuan Zorzi Lascaris; Zuan Zorzi Lascari Description Italian sculptor Date of birth/death September 1531 Work period 1496 Work location Venice, Padua, Verona and (?)Ferrara Authority control : Q16560001 VIAF: 295945797 ULAN: 500055029 WGA: LASCARIS, Giorgio GND: 131631608 RKD: 130120 793 Lascaris - Vergine e Bambino - Museo Liechtenstein - Vienna
Beijing, China. 11th November, 2015. An electronic screen shows that the transaction volume of Tmall topping 20 billion yuan (about 3.2 billion dollars) in the first 34 minutes of the Singles Day at the National Aquatics Center in Beijing, capital of China, Nov. 11, 2015.The transaction volume of Tmall, a business-to-consumer marketplace of China's biggest e-commerce platform Alibaba, topped 10 billion yuan (about 1.6 billion dollars) in the first 13 minutes of the Singles Day which fell on Wednesday. Credit: Xinhua/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-beijing-china-11th-november-2015-an-electronic-screen-shows-that-the-89805788.html
RMF6305G–Beijing, China. 11th November, 2015. An electronic screen shows that the transaction volume of Tmall topping 20 billion yuan (about 3.2 billion dollars) in the first 34 minutes of the Singles Day at the National Aquatics Center in Beijing, capital of China, Nov. 11, 2015.The transaction volume of Tmall, a business-to-consumer marketplace of China's biggest e-commerce platform Alibaba, topped 10 billion yuan (about 1.6 billion dollars) in the first 13 minutes of the Singles Day which fell on Wednesday. Credit: Xinhua/Alamy Live News
. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/location-or-position-of-photographer-italy-brescia-via-dei-musei-81b-ganimede-deutsch-exponat-in-der-pinacoteca-tosio-martinengo-im-museo-di-santa-giulia-3-og-temporr-museo-di-santa-giulia-parent-institution-civic-museums-of-brescia-location-brescia-coordinates-4532227n-10134393e-established-1998-web-page-httpwwwbresciamuseicom-authority-control-q3868183-tosio-martinengo-gallery-native-name-pinacoteca-tosio-martinengo-parent-institution-civic-museums-of-brescia-location-brescia-italy-coordinates-453205n-101334e-image187594931.html
RMMW5K6Y–. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E
Ukiyo e. Nihonbashi Bridge in Tokyo. Woodcut (woodcut) by Utagawa Hiroshige (1833–34). Dimensions: H. 9 1/2 in. (24.1 cm); W. 13 7/8 in. (35.2 cm) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ukiyo-e-nihonbashi-bridge-in-tokyo-woodcut-woodcut-by-utagawa-hiroshige-183334-dimensions-h-9-12-in-241-cm-w-13-78-in-352-cm-image328193665.html
RF2A1XEA9–Ukiyo e. Nihonbashi Bridge in Tokyo. Woodcut (woodcut) by Utagawa Hiroshige (1833–34). Dimensions: H. 9 1/2 in. (24.1 cm); W. 13 7/8 in. (35.2 cm)
The IBM Chess Tournament at the RAI in Amsterdam 1st round. Ivkov vs Robert E Byrne, 1969 (E66) King's Indian, Fianchetto, Yugoslav Panno, 34 moves, 1/2-1/2 Annotation: marginals negative strip: nr. 13, 14: Stein Date: 15 July 1969 Location: Amsterdam, Noord-Holland Keywords: chess, Tournaments Personal Name: Institution Name: IBM Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-ibm-chess-tournament-at-the-rai-in-amsterdam-1st-round-ivkov-vs-robert-e-byrne-1969-e66-kings-indian-fianchetto-yugoslav-panno-34-moves-12-12-annotation-marginals-negative-strip-nr-13-14-stein-date-15-july-1969-location-amsterdam-noord-holland-keywords-chess-tournaments-personal-name-institution-name-ibm-image341834108.html
RM2AT3TW0–The IBM Chess Tournament at the RAI in Amsterdam 1st round. Ivkov vs Robert E Byrne, 1969 (E66) King's Indian, Fianchetto, Yugoslav Panno, 34 moves, 1/2-1/2 Annotation: marginals negative strip: nr. 13, 14: Stein Date: 15 July 1969 Location: Amsterdam, Noord-Holland Keywords: chess, Tournaments Personal Name: Institution Name: IBM
Album Page, 'Bergère' (Style Louix XV), no. 1, in Le Garde-Meuble (The Storehouse), 1839–85; Designed by Désiré Guilmard (French, 1810–1885); Lithographer: E. Olhon (French), Roger & Cie.; France; hand-colored lithograph on cream laid paper; 34 x 25.9 cm (13 3/8 x 10 3/16 in.); 1984-124-23-1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/album-page-bergre-style-louix-xv-no-1-in-le-garde-meuble-the-storehouse-183985-designed-by-dsir-guilmard-french-18101885-lithographer-e-olhon-french-roger-cie-france-hand-colored-lithograph-on-cream-laid-paper-34-x-259-cm-13-38-x-10-316-in-1984-124-23-1-image546078513.html
RM2PMC0M1–Album Page, 'Bergère' (Style Louix XV), no. 1, in Le Garde-Meuble (The Storehouse), 1839–85; Designed by Désiré Guilmard (French, 1810–1885); Lithographer: E. Olhon (French), Roger & Cie.; France; hand-colored lithograph on cream laid paper; 34 x 25.9 cm (13 3/8 x 10 3/16 in.); 1984-124-23-1
'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marin-bonnet-the-fine-musetioners-1775-chalk-manner-with-applied-gold-leaf-on-laid-paper-image-279-x-345-cm-11-x-13-916-in-sheet-314-x-375-cm-12-38-x-14-34-in-gift-of-ivan-e-and-winifred-phillips-in-honor-of-margaret-morgan-grasselli-200411-image559760021.html
RM2REK7H9–'Louis-Marin Bonnet, The Fine Musetioners, 1775, chalk manner with applied gold leaf on laid paper, image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.), Gift of Ivan E. and Winifred Phillips in honor of Margaret Morgan Grasselli, 2004.1.1'
BEIJING, Nov. 11, 2015 -- An electronic screen shows that the transaction volume of Tmall topping 20 billion yuan (about 3.2 billion dollars) in the first 34 minutes of the Singles Day at the National Aquatics Center in Beijing, capital of China, Nov. 11, 2015.The transaction volume of Tmall,a business-to-consumer marketplace of China s biggest e-commerce platform Alibaba,topped 10 billion yuan (about 1.6 billion dollars) in the first 13 minutes of the Singles Day which fell on Wednesday, setting a new record for its past marks, and its transaction volume in 4.5 hours passed its all-day volume Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/beijing-nov-11-2015-an-electronic-screen-shows-that-the-transaction-volume-of-tmall-topping-20-billion-yuan-about-32-billion-dollars-in-the-first-34-minutes-of-the-singles-day-at-the-national-aquatics-center-in-beijing-capital-of-china-nov-11-2015the-transaction-volume-of-tmalla-business-to-consumer-marketplace-of-china-s-biggest-e-commerce-platform-alibabatopped-10-billion-yuan-about-16-billion-dollars-in-the-first-13-minutes-of-the-singles-day-which-fell-on-wednesday-setting-a-new-record-for-its-past-marks-and-its-transaction-volume-in-45-hours-passed-its-all-day-volume-image563836692.html
RM2RN8YCM–BEIJING, Nov. 11, 2015 -- An electronic screen shows that the transaction volume of Tmall topping 20 billion yuan (about 3.2 billion dollars) in the first 34 minutes of the Singles Day at the National Aquatics Center in Beijing, capital of China, Nov. 11, 2015.The transaction volume of Tmall,a business-to-consumer marketplace of China s biggest e-commerce platform Alibaba,topped 10 billion yuan (about 1.6 billion dollars) in the first 13 minutes of the Singles Day which fell on Wednesday, setting a new record for its past marks, and its transaction volume in 4.5 hours passed its all-day volume
Imola, Italy. 21st Apr, 2022. Imola, Italy, 21/04/2022, 2022-04-21 13:03:34 IMOLA - Jos Verstappen on arrival at the Autodromo Enzo e Dino Ferrari in Imola prior to the F1 Grand Prix of Emilia Romagna. REMKO DE WAAL netherlands out - belgium out Credit: ANP/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imola-italy-21st-apr-2022-imola-italy-21042022-2022-04-21-130334-imola-jos-verstappen-on-arrival-at-the-autodromo-enzo-e-dino-ferrari-in-imola-prior-to-the-f1-grand-prix-of-emilia-romagna-remko-de-waal-netherlands-out-belgium-out-credit-anpalamy-live-news-image467941377.html
RM2J58G01–Imola, Italy. 21st Apr, 2022. Imola, Italy, 21/04/2022, 2022-04-21 13:03:34 IMOLA - Jos Verstappen on arrival at the Autodromo Enzo e Dino Ferrari in Imola prior to the F1 Grand Prix of Emilia Romagna. REMKO DE WAAL netherlands out - belgium out Credit: ANP/Alamy Live News
Archive image from page 194 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Est Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-194-of-cultural-chronology-and-change-as-cultural-chronology-and-change-as-reflected-in-the-ceramics-of-the-vir-valley-peru-culturalchronolo431coll-year-1955-n-c-fig-64-rim-profiles-of-gloria-polished-plain-rim-exteriors-to-the-right-x-04-the-castillo-jar-of-this-shape-from-burial-1-at-v-302-p-71-and-fig-34-e-has-a-lip-lug-with-two-reed-punctates-on-its-upper-surface-7-small-globular-jars-with-cambered-neck-and-flaring-rim-fig-63-h-rim-diameter-11-15-cm-mean-136-body-thickness-5-8-mm-mean-59-with-the-exception-of-two-sherds-from-the-est-image264049618.html
RMW9GDYE–Archive image from page 194 of Cultural chronology and change as. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru culturalchronolo431coll Year: 1955 ( n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Est
GULF OF OMAN (July 12, 2013) -- An E-2C Hawkeye assigned to the 'Wallbangers' of Carrier Airborne Early Warning Squadron (VAW) 117 gets ready to launch from the flight deck of the aircraft carrier USS Nimitz (CVN 68). Nimitz Strike Group is deployed to the U.S. 5th Fleet area of responsibility conducting maritime security operations, theater security cooperation efforts and support missions for Operation Enduring Freedom. (U.S. Navy photo by Mass Communication Specialist 3rd Class Chris Bartlett/Released) 13 July Batch 1 of 34 by USS NIMITZ (CVN 68) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-gulf-of-oman-july-12-2013-an-e-2c-hawkeye-assigned-to-the-wallbangers-174520355.html
RMM3X2DR–GULF OF OMAN (July 12, 2013) -- An E-2C Hawkeye assigned to the 'Wallbangers' of Carrier Airborne Early Warning Squadron (VAW) 117 gets ready to launch from the flight deck of the aircraft carrier USS Nimitz (CVN 68). Nimitz Strike Group is deployed to the U.S. 5th Fleet area of responsibility conducting maritime security operations, theater security cooperation efforts and support missions for Operation Enduring Freedom. (U.S. Navy photo by Mass Communication Specialist 3rd Class Chris Bartlett/Released) 13 July Batch 1 of 34 by USS NIMITZ (CVN 68)
Lisbon, Portugal. 13th May, 2017. May 13, 2017. Lisbon, Portugal. Benfica's midfielder from Portugal Pizzi (21), Benfica's head coach from Portugal Rui Vitoria, Benfica's defender from Portugal Andre Almeida (34), Benfica's forward from Argentina Franco Cervi (22), Benfica's midfielder from Portugal Andre Horta (8) and Benfica's goalkeeper from Brazil Ederson Moraes (1) celebrate after winning the championship Credit: Alexandre de Sousa/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stock-photo-lisbon-portugal-13th-may-2017-may-13-2017-lisbon-portugal-benficas-140760780.html
RMJ505PM–Lisbon, Portugal. 13th May, 2017. May 13, 2017. Lisbon, Portugal. Benfica's midfielder from Portugal Pizzi (21), Benfica's head coach from Portugal Rui Vitoria, Benfica's defender from Portugal Andre Almeida (34), Benfica's forward from Argentina Franco Cervi (22), Benfica's midfielder from Portugal Andre Horta (8) and Benfica's goalkeeper from Brazil Ederson Moraes (1) celebrate after winning the championship Credit: Alexandre de Sousa/Alamy Live News
Arrènes, Creuse, France, Nouvelle-Aquitaine, N 46 4' 20'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arrnes-creuse-france-nouvelle-aquitaine-n-46-4-20-e-1-34-13-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445277145.html
RM2GTC3F5–Arrènes, Creuse, France, Nouvelle-Aquitaine, N 46 4' 20'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/theatrical-male-character-with-sword-woodblock-color-print-japan-mat-13-716-x-9-116-in-341-x-23-cm-acting-actor-character-costume-edo-period-japan-japanese-kabuki-poetry-samurai-stage-sword-theatre-ukiyo-e-image454270323.html
RM2HB1PC3–Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e
Art inspired by The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-the-wilbour-papyrus-papyrus-ink-middle-egypt-egypt-ca-1147-bce-dynasty-20-new-kingdom-glass-13-38-x-18-18-in-34-x-46-cm-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573846.html
RF2HKKB3J–Art inspired by The Wilbour Papyrus, Papyrus, ink, Middle Egypt, Egypt, ca. 1147 B.C.E., Dynasty 20, New Kingdom, Glass: 13 3/8 x 18 1/8 in., 34 x 46 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Funerary Face Cover, 500 B.C.–A.D. 200, Gold, cast, 4.575 × 1.235 cm, 1.06 kg, 0.028 cm (1 13/16 × 1/2 in., 2.34 lb.), Made in Java, Indonesia, Java, Preclassic Period (ca. 500 B.C.E.–500 C.E.), Jewelry Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/funerary-facecover-500-bcad200-gold-cast-4575-1235-cm-106-kg-0028-cm-1-1316-12-in-234lb-made-in-java-indonesia-java-preclassic-period-ca-500-bce500-ce-jewelry-image393149865.html
RM2DRHEJH–Funerary Face Cover, 500 B.C.–A.D. 200, Gold, cast, 4.575 × 1.235 cm, 1.06 kg, 0.028 cm (1 13/16 × 1/2 in., 2.34 lb.), Made in Java, Indonesia, Java, Preclassic Period (ca. 500 B.C.E.–500 C.E.), Jewelry
Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista Piranesi architetto veneziano. Tomo quarto, contenente i ponti antichi, gli avanzi de' teatri, de' portici, e di altri monumenti di Roma), from the series 'Roman Antiquities' (Le Antichità Romane). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 20 1/2 x 13 3/4 in. (52.1 x 34.9 cm) Plate: 15 13/16 x 10 1/8 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/title-page-volume-iv-the-antiquities-of-rome-by-giambatista-piranesi-venetian-architect-volume-4-containing-the-ancient-bridges-the-remains-of-theaters-of-porticoes-and-of-other-monuments-of-rome-le-antichit-romane-di-giambatista-piranesi-architetto-veneziano-tomo-quarto-contenente-i-ponti-antichi-gli-avanzi-de-teatri-de-portici-e-di-altri-monumenti-di-roma-from-the-series-roman-antiquities-le-antichit-romane-artist-giovanni-battista-piranesi-italian-mogliano-veneto-1720-1778-rome-dimensions-sheet-20-12-x-13-34-in-521-x-349-cm-plate-15-1316-x-10-18-image213321092.html
RMPB1H6C–Title page: volume IV, 'The Antiquities of Rome by Giambatista Piranesi, Venetian Architect. Volume 4, containing the ancient bridges, the remains of theaters, of porticoes, and of other monuments of Rome' (Le antichità romane di Giambatista Piranesi architetto veneziano. Tomo quarto, contenente i ponti antichi, gli avanzi de' teatri, de' portici, e di altri monumenti di Roma), from the series 'Roman Antiquities' (Le Antichità Romane). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 20 1/2 x 13 3/4 in. (52.1 x 34.9 cm) Plate: 15 13/16 x 10 1/8
Improvement in Weights and Measures. - or - 'Sir John Seeclear Discovering e/y Ballance of e/y Flag' (from: Caricature, vol. 1), James Gillray, 1757–1815, British, 1798, Etching, hand-colored, Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/improvement-in-weights-and-measures-or-sir-john-seeclear-discovering-ey-ballance-of-ey-flag-from-caricature-vol-1-james-gillray-17571815-british-1798-etching-hand-colored-sheet-13-12-x-9-58in-343-x-244cm-image389768256.html
RM2DJ3DAT–Improvement in Weights and Measures. - or - 'Sir John Seeclear Discovering e/y Ballance of e/y Flag' (from: Caricature, vol. 1), James Gillray, 1757–1815, British, 1798, Etching, hand-colored, Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm
VEDUTA DELLA CITTAÃÄ E PORTO DI LIVORNO. Author Bardi, Giuseppe 80.13.g. Place of publication: [Florence] Publisher: in Firenze, presso Gius. Bardi, Date of publication: [between 1790 and 1800] Item type: 1 print Medium: hand-coloured etching and aquatint with gouache Dimensions: platemark 34.4 x 64.8 cm, on sheet 43.1 x 73.5 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/veduta-della-citta-e-porto-di-livorno-author-bardi-giuseppe-8013g-place-of-publication-florence-publisher-in-firenze-presso-gius-bardi-date-of-publication-between-1790-and-1800-item-type-1-print-medium-hand-coloured-etching-and-aquatint-with-gouache-dimensions-platemark-344-x-648-cm-on-sheet-431-x-735-cm-former-owner-george-iii-king-of-great-britain-1738-1820-image401715779.html
RM2E9FMG3–VEDUTA DELLA CITTAÃÄ E PORTO DI LIVORNO. Author Bardi, Giuseppe 80.13.g. Place of publication: [Florence] Publisher: in Firenze, presso Gius. Bardi, Date of publication: [between 1790 and 1800] Item type: 1 print Medium: hand-coloured etching and aquatint with gouache Dimensions: platemark 34.4 x 64.8 cm, on sheet 43.1 x 73.5 cm Former owner: George III, King of Great Britain, 1738-1820
Ōtsu-e of Uhō Dōji, Japan, Edo period (1615–1868), Date 17th century, Japan, Hanging scroll; ink, color, and woodblock print on paper, Image: 13 3/8 x 7 1/2 in. (34 x 19.1 cm), Overall: 22 1/8 x 11 7/16in. (56.2 x 29.1 cm), Paintings Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tsu-e-of-uh-dji-japan-edo-period-16151868-date-17th-century-japan-hanging-scroll-ink-color-and-woodblock-print-on-paper-image-13-38-x-7-12-in-34-x-191-cm-overall-22-18-x-11-716in-562-x-291-cm-paintings-image344590457.html
RM2B0HCJ1–Ōtsu-e of Uhō Dōji, Japan, Edo period (1615–1868), Date 17th century, Japan, Hanging scroll; ink, color, and woodblock print on paper, Image: 13 3/8 x 7 1/2 in. (34 x 19.1 cm), Overall: 22 1/8 x 11 7/16in. (56.2 x 29.1 cm), Paintings
. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/location-or-position-of-photographer-italy-brescia-via-dei-musei-81b-ganimede-deutsch-exponat-in-der-pinacoteca-tosio-martinengo-im-museo-di-santa-giulia-3-og-temporr-museo-di-santa-giulia-parent-institution-civic-museums-of-brescia-location-brescia-coordinates-4532227n-10134393e-established-1998-web-page-httpwwwbresciamuseicom-authority-control-q3868183-tosio-martinengo-gallery-native-name-pinacoteca-tosio-martinengo-parent-institution-civic-museums-of-brescia-location-brescia-italy-coordinates-453205n-101334e-image188893586.html
RMMY8RKE–. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E
AS08-13-2260 - Apollo 8 - Apollo 8 Mission image, Western Edge of Sea of Fertility; Scope and content: The original database describes this as: Description: Apollo 8,Moon,Western edge of Mare Fecunditatis (Sea of Fertility). Latitude 0.50 degrees North,Longitude 34 degrees East. Camera Tilt Mode: Near Vertical. Direction: South. Sun Angle: 02. Original Film Magazine was labeled E. Camera Data: 70mm Hasselblad; F-Stop: F-5.6; Shutter Speed: 1/250 second. Film Type: Kodak SO-3400 Black and White,ASA 40. Flight Date: December 21-27,1968. Subject Terms: Apollo 8 Flight, Lunar Photography, Crater Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/as08-13-2260-apollo-8-apollo-8-mission-image-western-edge-of-sea-of-fertility-scope-and-content-the-original-database-describes-this-as-description-apollo-8moonwestern-edge-of-mare-fecunditatis-sea-of-fertility-latitude-050-degrees-northlongitude-34-degrees-east-camera-tilt-mode-near-vertical-direction-south-sun-angle-02-original-film-magazine-was-labeled-e-camera-data-70mm-hasselblad-f-stop-f-56-shutter-speed-1250-second-film-type-kodak-so-3400-black-and-whiteasa-40-flight-date-december-21-271968-subject-terms-apollo-8-flight-lunar-photography-crater-image360702317.html
RM2BXRBDH–AS08-13-2260 - Apollo 8 - Apollo 8 Mission image, Western Edge of Sea of Fertility; Scope and content: The original database describes this as: Description: Apollo 8,Moon,Western edge of Mare Fecunditatis (Sea of Fertility). Latitude 0.50 degrees North,Longitude 34 degrees East. Camera Tilt Mode: Near Vertical. Direction: South. Sun Angle: 02. Original Film Magazine was labeled E. Camera Data: 70mm Hasselblad; F-Stop: F-5.6; Shutter Speed: 1/250 second. Film Type: Kodak SO-3400 Black and White,ASA 40. Flight Date: December 21-27,1968. Subject Terms: Apollo 8 Flight, Lunar Photography, Crater
Jack Fruit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jack-fruit-image237037032.html
RFRNHY48–Jack Fruit
Ceiling Paper (USA); Manufactured by F. E. James Co.; machine-printed paper, liquid mica; 88.5 x 47 cm (34 13/16 x 18 1/2 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ceiling-paper-usa-manufactured-by-f-e-james-co-machine-printed-paper-liquid-mica-885-x-47-cm-34-1316-x-18-12-in-image546111741.html
RM2PMDF2N–Ceiling Paper (USA); Manufactured by F. E. James Co.; machine-printed paper, liquid mica; 88.5 x 47 cm (34 13/16 x 18 1/2 in.)
'Louis-Marin Bonnet after François Boucher, Jupiter and Danaë, 1774, pastel manner on laid paper, plate: 34.1 x 41.1 cm (13 7/16 x 16 3/16 in.) sheet: 43.5 x 55.7 cm (17 1/8 x 21 15/16 in.), Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips, 2005.55.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marin-bonnet-after-franois-boucher-jupiter-and-dana-1774-pastel-manner-on-laid-paper-plate-341-x-411-cm-13-716-x-16-316-in-sheet-435-x-557-cm-17-18-x-21-1516-in-gift-of-ivan-e-and-winifred-phillips-in-memory-of-neil-phillips-2005551-image559760065.html
RM2REK7JW–'Louis-Marin Bonnet after François Boucher, Jupiter and Danaë, 1774, pastel manner on laid paper, plate: 34.1 x 41.1 cm (13 7/16 x 16 3/16 in.) sheet: 43.5 x 55.7 cm (17 1/8 x 21 15/16 in.), Gift of Ivan E. and Winifred Phillips in memory of Neil Phillips, 2005.55.1'
Sampler (Germany); silk and metal thread embroidery, linen foundation; Warp x Weft: 34 x 41 cm (13 3/8 x 16 1/8 in.); Bequest of Mrs. Henry E. Coe; 1941-69-110 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/sampler-germany-silk-and-metal-thread-embroidery-linen-foundation-warp-x-weft-34-x-41-cm-13-38-x-16-18-in-bequest-of-mrs-henry-e-coe-1941-69-110-image546246041.html
RM2PMKJB5–Sampler (Germany); silk and metal thread embroidery, linen foundation; Warp x Weft: 34 x 41 cm (13 3/8 x 16 1/8 in.); Bequest of Mrs. Henry E. Coe; 1941-69-110
. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Estero perio Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/cultural-chronology-and-change-as-reflected-in-the-ceramics-of-the-vir-valley-peru-pottery-viru-valley-peru-mounds-peru-viru-valley-viru-valley-peru-antiquities-n-c-fig-64-rim-profiles-of-gloria-polished-plain-rim-exteriors-to-the-right-x-04-the-castillo-jar-of-this-shape-from-burial-1-at-v-302-p-71-and-fig-34-e-has-a-lip-lug-with-two-reed-punctates-on-its-upper-surface-7-small-globular-jars-with-cambered-neck-and-flaring-rim-fig-63-h-rim-diameter-11-15-cm-mean-136-body-thickness-5-8-mm-mean-59-with-the-exception-of-two-sherds-from-the-estero-perio-image216318376.html
RMPFX488–. Cultural chronology and change as reflected in the ceramics of the Virú Valley, Peru. Pottery -- Viru Valley, Peru; Mounds -- Peru Viru Valley; Viru Valley, Peru -- Antiquities. n c Fig. 64. Rim profiles of Gloria Polished Plain; rim exteriors to the right. X 0.4. The Castillo jar of this shape from Burial 1 at V-302 (p. 71 and fig. 34, E) has a lip lug with two reed punctates on its upper surface. 7. Small, globular jars with cambered neck and flaring rim (fig. 63, H). Rim diameter 11-15 cm., mean 13.6; body thickness 5-8 mm., mean 5.9. With the exception of two sherds from the Estero perio
Embroidered Picture (England); Embroidered by Elizabeth Bryan; silk embroidery on wool; Warp x Weft: 34 x 26 cm (13 3/8 x 10 1/4 in.); Bequest of Mrs. Henry E. Coe; 1941-69-7 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/embroidered-picture-england-embroidered-by-elizabeth-bryan-silk-embroidery-on-wool-warp-x-weft-34-x-26-cm-13-38-x-10-14-in-bequest-of-mrs-henry-e-coe-1941-69-7-image546213028.html
RM2PMJ484–Embroidered Picture (England); Embroidered by Elizabeth Bryan; silk embroidery on wool; Warp x Weft: 34 x 26 cm (13 3/8 x 10 1/4 in.); Bequest of Mrs. Henry E. Coe; 1941-69-7
Imola, Italy. 21st Apr, 2022. Imola, Italy, 21/04/2022, 2022-04-21 13:22:34 IMOLA - Sergio Perez (Oracle Red Bull Racing) arriving at the Autodromo Enzo e Dino Ferrari in Imola ahead of the Emilia Romagna F1 Grand Prix. REMKO DE WAAL netherlands out - belgium out Credit: ANP/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/imola-italy-21st-apr-2022-imola-italy-21042022-2022-04-21-132234-imola-sergio-perez-oracle-red-bull-racing-arriving-at-the-autodromo-enzo-e-dino-ferrari-in-imola-ahead-of-the-emilia-romagna-f1-grand-prix-remko-de-waal-netherlands-out-belgium-out-credit-anpalamy-live-news-image467941003.html
RM2J58FEK–Imola, Italy. 21st Apr, 2022. Imola, Italy, 21/04/2022, 2022-04-21 13:22:34 IMOLA - Sergio Perez (Oracle Red Bull Racing) arriving at the Autodromo Enzo e Dino Ferrari in Imola ahead of the Emilia Romagna F1 Grand Prix. REMKO DE WAAL netherlands out - belgium out Credit: ANP/Alamy Live News
Archive image from page 171 of da xing an ling sen. da xing an ling sen lin zi yuan diao cha bao gao daxinglingsenlin04tezh Year: 1954-1955 80 æï¼å¹³åé« é½¡ï¼å¹³åç´å¾ 15126.1/28.6 174 -24.9/30.8 21026.9/34.9 20626.5/28.6 208 22.1/25.0 13 10.ne;iB 15 10/1+ B 16 lOHeiB 9 335 62.7/1 å6ï¼ 20400/ra (1-10) B 6.1 i08 75, n 6ji 20500/ra (1-10) B 6.1 500/ra Oc oji 8400/ra (1-10) 309 81.4/1 Jl 6.1 neSOO/ra (1-10) B 6ji 1900/ra /0.74 300 1970.7 244 73.1å « .1 6.1 9900/ra (1-10) B 6.1 1600/ ra 20(1-20) 83.6/1 .1 6ji ç´°ãa (1-10) å°ä½ç´ æ´»ç«æ¨ çå¯åº¦ æ¯ç«æ¨ æ èæ¸ 2 1 4 æ¦- å¹¼ æç æ¿å ï¼èª æ åº Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-171-of-da-xing-an-ling-sen-da-xing-an-ling-sen-lin-zi-yuan-diao-cha-bao-gao-daxinglingsenlin04tezh-year-1954-1955-80-151261286-174-249308-210269349-206265286-208-221250-13-10neib-15-101-b-16-loheib-9-335-6271-6-20400ra-1-10-b-61-i08-75-n-6ji-20500ra-1-10-b-61-500ra-oc-oji-8400ra-1-10-309-8141-jl-61-nesoora-1-10-b-6ji-1900ra-074-300-19707-244-731-1-61-9900ra-1-10-b-61-1600-ra-201-20-8361-1-6ji-a-1-10-2-1-4-image259466063.html
RMW23KH3–Archive image from page 171 of da xing an ling sen. da xing an ling sen lin zi yuan diao cha bao gao daxinglingsenlin04tezh Year: 1954-1955 80 æï¼å¹³åé« é½¡ï¼å¹³åç´å¾ 15126.1/28.6 174 -24.9/30.8 21026.9/34.9 20626.5/28.6 208 22.1/25.0 13 10.ne;iB 15 10/1+ B 16 lOHeiB 9 335 62.7/1 å6ï¼ 20400/ra (1-10) B 6.1 i08 75, n 6ji 20500/ra (1-10) B 6.1 500/ra Oc oji 8400/ra (1-10) 309 81.4/1 Jl 6.1 neSOO/ra (1-10) B 6ji 1900/ra /0.74 300 1970.7 244 73.1å « .1 6.1 9900/ra (1-10) B 6.1 1600/ ra 20(1-20) 83.6/1 .1 6ji ç´°ãa (1-10) å°ä½ç´ æ´»ç«æ¨ çå¯åº¦ æ¯ç«æ¨ æ èæ¸ 2 1 4 æ¦- å¹¼ æç æ¿å ï¼èª æ åº
ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andorra-la-vella-andorra-october-13-2018-liga-endesa-acb-game-between-morabanc-andorra-bc-and-baxi-manresa-at-poliesportiu-d-andorra-stadium-on-octubre-13-2018-in-andorra-la-vella-credit-martin-silva-cosentinoalamy-live-news-image222088634.html
RMPW908X–ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News
Tihen, Pas-de-Calais, France, Hauts-de-France, N 50 42' 10'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tihen-pas-de-calais-france-hauts-de-france-n-50-42-10-e-1-34-13-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445292749.html
RM2GTCRCD–Tihen, Pas-de-Calais, France, Hauts-de-France, N 50 42' 10'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
ELECTRICAL MACH I NERY 13 WOLVERINE' Gas and Gasoline Engines WOLVERINE MOTOR WORKS }Grand Rapids Mich. —MADE AT KEY W E ST) CORTEZ CIGAR CO KEY WEST. RESTFUL SLEEP 'Perfection' Air Mattresses MECHANICAL FABRIC CO PROVIDENCE R. I. ACETYLENE BURNERS. MARS EVIBOILER.EXPLOSIONS i WINTON MOTOR CARRIAGE Up Hill Columbia Chain less New Models $75 MOM E OrrIcE. HARTFORD CT. Automobile Patents Exploitation Company. Automobile Patents Exploitation Company Cristol's Patent Steel Belt Lacing. READY TO AMY RA1+4E0410 HAVE YOUR CYCLE - BRAKE YOU RIDE 50 MILES BUT PEDAL ONLY 35. OVER 100000 IN USE. ECLIPSE Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/electrical-mach-i-nery-13-wolverine-gas-and-gasoline-engines-wolverine-motor-works-grand-rapids-mich-made-at-key-w-e-st-cortez-cigar-co-key-west-restful-sleep-perfection-air-mattresses-mechanical-fabric-co-providence-r-i-acetylene-burners-mars-eviboilerexplosions-i-winton-motor-carriage-up-hill-columbia-chain-less-new-models-75-mom-e-orrice-hartford-ct-automobile-patents-exploitation-company-automobile-patents-exploitation-company-cristols-patent-steel-belt-lacing-ready-to-amy-ra14e0410-have-your-cycle-brake-you-ride-50-miles-but-pedal-only-35-over-100000-in-use-eclipse-image334344277.html
RM2ABXKF1–ELECTRICAL MACH I NERY 13 WOLVERINE' Gas and Gasoline Engines WOLVERINE MOTOR WORKS }Grand Rapids Mich. —MADE AT KEY W E ST) CORTEZ CIGAR CO KEY WEST. RESTFUL SLEEP 'Perfection' Air Mattresses MECHANICAL FABRIC CO PROVIDENCE R. I. ACETYLENE BURNERS. MARS EVIBOILER.EXPLOSIONS i WINTON MOTOR CARRIAGE Up Hill Columbia Chain less New Models $75 MOM E OrrIcE. HARTFORD CT. Automobile Patents Exploitation Company. Automobile Patents Exploitation Company Cristol's Patent Steel Belt Lacing. READY TO AMY RA1+4E0410 HAVE YOUR CYCLE - BRAKE YOU RIDE 50 MILES BUT PEDAL ONLY 35. OVER 100000 IN USE. ECLIPSE
Inspired by Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-theatrical-male-character-with-sword-woodblock-color-print-japan-mat-13-716-x-9-116-in-341-x-23-cm-acting-actor-character-costume-edo-period-japan-japanese-kabuki-poetry-samurai-stage-sword-theatre-ukiyo-e-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249563.html
RF2HK4HE3–Inspired by Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
A Nenbutsu Gathering at Ichiya, Kyoto, from the Illustrated Biography of the Monk Ippen and His Disciple Ta'a (Yugyo Shonin engi-e). Culture: Japan. Dimensions: Image: 13 3/4 × 21 1/8 in. (34.9 × 53.7 cm) Overall with mounting: 48 5/8 × 26 1/4 in. (123.5 × 66.7 cm) Overall with knobs: 48 5/8 × 28 1/8 in. (123.5 × 71.4 cm). Date: late 14th century. In this scene, people from all walks of life have gathered to hear the charismatic monk Ippen (1239-1289) perform a recitation of the Nenbutsu prayer invoking Amitabha. The crowd's anticipation nearly bursts from the page as they wait for his inca Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-nenbutsu-gathering-at-ichiya-kyoto-from-the-illustrated-biography-of-the-monk-ippen-and-his-disciple-taa-yugyo-shonin-engi-e-culture-japan-dimensions-image-13-34-21-18-in-349-537-cm-overall-with-mounting-48-58-26-14-in-1235-667-cm-overall-with-knobs-48-58-28-18-in-1235-714-cm-date-late-14th-century-in-this-scene-people-from-all-walks-of-life-have-gathered-to-hear-the-charismatic-monk-ippen-1239-1289-perform-a-recitation-of-the-nenbutsu-prayer-invoking-amitabha-the-crowds-anticipation-nearly-bursts-from-the-page-as-they-wait-for-his-inca-image213150203.html
RMPANR77–A Nenbutsu Gathering at Ichiya, Kyoto, from the Illustrated Biography of the Monk Ippen and His Disciple Ta'a (Yugyo Shonin engi-e). Culture: Japan. Dimensions: Image: 13 3/4 × 21 1/8 in. (34.9 × 53.7 cm) Overall with mounting: 48 5/8 × 26 1/4 in. (123.5 × 66.7 cm) Overall with knobs: 48 5/8 × 28 1/8 in. (123.5 × 71.4 cm). Date: late 14th century. In this scene, people from all walks of life have gathered to hear the charismatic monk Ippen (1239-1289) perform a recitation of the Nenbutsu prayer invoking Amitabha. The crowd's anticipation nearly bursts from the page as they wait for his inca
The Wilbour Papyrus The Wilbour Papyrus, ca. 1147 B.C.E. Papyrus, ink, Glass: 13 3/8 x 18 1/8 in. (34 x 46 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1147 B.C.E. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wilbour-papyrus-the-wilbour-papyrus-ca-1147-bce-papyrus-ink-glass-13-38-x-18-18-in-34-x-46-cm-egyptian-classical-ancient-near-eastern-art-ca-1147-bce-image504710404.html
RM2M93F7G–The Wilbour Papyrus The Wilbour Papyrus, ca. 1147 B.C.E. Papyrus, ink, Glass: 13 3/8 x 18 1/8 in. (34 x 46 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1147 B.C.E.
Rooster Perched on Mortar, c. 1720/36, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, hosoban, urushi-e, 34.0 x 15.8 cm (13 3/8 x 6 1/4 in Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/rooster-perched-on-mortar-c-172036-okumura-masanobu-japanese-1686-1764-japan-hand-colored-woodblock-print-hosoban-urushi-e-340-x-158-cm-13-38-x-6-14-in-image328626777.html
RM2A2J6PH–Rooster Perched on Mortar, c. 1720/36, Okumura Masanobu, Japanese, 1686-1764, Japan, Hand-colored woodblock print, hosoban, urushi-e, 34.0 x 15.8 cm (13 3/8 x 6 1/4 in
. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/location-or-position-of-photographer-italy-brescia-via-dei-musei-81b-ganimede-deutsch-exponat-in-der-pinacoteca-tosio-martinengo-im-museo-di-santa-giulia-3-og-temporr-museo-di-santa-giulia-parent-institution-civic-museums-of-brescia-location-brescia-coordinates-4532227n-10134393e-established-1998-web-page-httpwwwbresciamuseicom-authority-control-q3868183-tosio-martinengo-gallery-native-name-pinacoteca-tosio-martinengo-parent-institution-civic-museums-of-brescia-location-brescia-italy-coordinates-453205n-101334e-image188127639.html
RMMX1XM7–. location or position of photographer Italy > Brescia > Via dei Musei, 81/b Ganimede Deutsch: Exponat in der Pinacoteca Tosio Martinengo im Museo di Santa Giulia (3. OG) (temporär) Museo di Santa Giulia Parent institution Civic Museums of Brescia Location Brescia Coordinates 45° 32′ 22.7″ N, 10° 13′ 43.93″ E Established 1998 Web page http://www.bresciamusei.com/ Authority control : Q3868183 Tosio Martinengo Gallery Native name Pinacoteca Tosio Martinengo Parent institution Civic Museums of Brescia Location Brescia, Italy Coordinates 45° 32′ 05″ N, 10° 13′ 34″ E
Artist: Pierre Drevet, French, 1663–1738, After: Hyacinthe Rigaud, French, 1659–1743, Gasto de Rohan S.R.E. Cardinal, Engraving, 17 13/16 × 13 1/2 in. (45.3 × 34.3 cm), Made in France, French, 17th century, Works on Paper - Prints Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-pierre-drevet-french-16631738-after-hyacinthe-rigaud-french-16591743-gasto-de-rohan-srecardinal-engraving-17-1316-13-12-in-453-343cm-made-in-france-french-17thcentury-works-on-paper-prints-image393288273.html
RM2DRRR5N–Artist: Pierre Drevet, French, 1663–1738, After: Hyacinthe Rigaud, French, 1659–1743, Gasto de Rohan S.R.E. Cardinal, Engraving, 17 13/16 × 13 1/2 in. (45.3 × 34.3 cm), Made in France, French, 17th century, Works on Paper - Prints
Jack Fruit Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jack-fruit-image237037047.html
RFRNHY4R–Jack Fruit
Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, flowing, gaze, head wreath, innocent, painting, portrait, shoulder, woman artist Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/portrait-of-a-woman-adorned-with-a-wreath-of-leaves-jane-e-sloan-white-chalk-and-black-media-probably-oil-pastel-or-cont-over-graphite-on-wove-paper-drymounted-to-a-matboard-backing-19th-century-sheet-18-x-13-12-in-457-x-343-cm-19th-century-beauty-female-flowing-gaze-head-wreath-innocent-painting-portrait-shoulder-woman-artist-image454270211.html
RM2HB1P83–Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, flowing, gaze, head wreath, innocent, painting, portrait, shoulder, woman artist
'Louis-Marin Bonnet after Jean-Baptiste Greuze, Head of a Young Woman Wearing a Cap, before 1764, chalk manner printed in red ink, plate: 46.5 x 34.6 cm (18 5/16 x 13 5/8 in.) overall (outside framing line): 42.7 x 31.9 cm (16 13/16 x 12 9/16 in.), Gift of Ivan E. and Winifred Phillips, 1997.17.1' Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/louis-marin-bonnet-after-jean-baptiste-greuze-head-of-a-young-woman-wearing-a-cap-before-1764-chalk-manner-printed-in-red-ink-plate-465-x-346-cm-18-516-x-13-58-in-overall-outside-framing-line-427-x-319-cm-16-1316-x-12-916-in-gift-of-ivan-e-and-winifred-phillips-1997171-image559760001.html
RM2REK7GH–'Louis-Marin Bonnet after Jean-Baptiste Greuze, Head of a Young Woman Wearing a Cap, before 1764, chalk manner printed in red ink, plate: 46.5 x 34.6 cm (18 5/16 x 13 5/8 in.) overall (outside framing line): 42.7 x 31.9 cm (16 13/16 x 12 9/16 in.), Gift of Ivan E. and Winifred Phillips, 1997.17.1'
Artist: Utagawa Hiroshige, Japanese, 1797–1858, Wisteria at Kameido Tenjin Shrine from the series One Hundred Famous Views of Edo, Ukiyo-e: polychrome woodblock print, sheet: 13 7/16 × 8 3/4 in. (34.1 × 22.3 cm), In the 1660s, Kameido Tenjin was placed at the eastern bank of the Sumida River in order to protect a new urban expansion project from evil spirits. Here the shrine is merely suggested by one of the two bridges within the precincts that mark the path to the shrine. This particular bridge was one of two in Edo noted for their drum shape. Wisteria blossoms Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/artist-utagawa-hiroshige-japanese-17971858-wisteria-at-kameido-tenjin-shrine-from-the-series-one-hundred-famous-views-ofedo-ukiyo-e-polychrome-woodblock-print-sheet-13-716-8-34-in-341-223cm-in-the-1660s-kameido-tenjin-was-placed-at-the-eastern-bank-of-the-sumida-river-in-order-to-protect-a-new-urban-expansion-project-from-evil-spirits-here-the-shrine-is-merely-suggested-by-one-of-the-two-bridges-within-the-precincts-that-mark-the-path-to-the-shrine-this-particular-bridge-was-one-of-two-in-edo-noted-for-their-drum-shape-wisteria-blossoms-image393145598.html
RM2DRH966–Artist: Utagawa Hiroshige, Japanese, 1797–1858, Wisteria at Kameido Tenjin Shrine from the series One Hundred Famous Views of Edo, Ukiyo-e: polychrome woodblock print, sheet: 13 7/16 × 8 3/4 in. (34.1 × 22.3 cm), In the 1660s, Kameido Tenjin was placed at the eastern bank of the Sumida River in order to protect a new urban expansion project from evil spirits. Here the shrine is merely suggested by one of the two bridges within the precincts that mark the path to the shrine. This particular bridge was one of two in Edo noted for their drum shape. Wisteria blossoms
. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. IS. Februar 1903 |Wilterungs-Ãb ersieht Hutinn 1.11(1 Mittel | Hu. Hin N *«"E l -,in WlndMofigki ii 'â . W IT« i Wind- starke IUI. Be- wölk. â U â :. â .:â ] 34 1 vi âim 'i i 23 i 4 30 1 :: IS 44 i 13 i 8 i] 2 22 44 Ml 7.7 5.2 ISO- HO- 6ii- 50* 30' *Q- SO- 60' 10' 80' OilluJic 90' Linie W. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-nr-is-februar-1903-wilterungs-b-ersieht-hutinn-1111-mittel-hu-hin-n-quote-l-in-wlndmofigki-ii-w-it-i-wind-starke-iui-be-wlk-u-34-1-vi-im-i-i-23-i-4-30-1-is-44-i-13-i-8-i-2-22-44-ml-77-52-iso-ho-6ii-50-30-q-so-60-10-80-oillujic-90-linie-w-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-readability-coloration-and-appearance-of-these-illustrations-image215951223.html
RMPF9BYK–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. Nr. IS. Februar 1903 |Wilterungs-Ãb ersieht Hutinn 1.11(1 Mittel | Hu. Hin N *«"E l -,in WlndMofigki ii 'â . W IT« i Wind- starke IUI. Be- wölk. â U â :. â .:â ] 34 1 vi âim 'i i 23 i 4 30 1 :: IS 44 i 13 i 8 i] 2 22 44 Ml 7.7 5.2 ISO- HO- 6ii- 50* 30' *Q- SO- 60' 10' 80' OilluJic 90' Linie W. Please note that these images are extracted from scanned page images that may have been digitally enhanced for readability - coloration and appearance of these illustrations
Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New Kingdom, new york historical society collection, papyri, papyrus, XVIII Dynasty, Alabaster, Bowl, Dynastic Period, Egypt, Egyptia, Bronze, Deity, egypt, egyptian, Female, Goddess, Late Period, Left leg advanced, Metal, Nephthys, new york historical society collection, Sculpture, Standing, statue, Statuette, Walking Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-from-a-book-of-the-dead-papyrus-ink-ca-1539-1190-bce-early-to-mid-dynasty-18-new-kingdom-glass-12-316-x-13-12-in-31-x-343-cm-ancient-book-of-dead-book-of-the-dead-ceremonial-implements-dynasty-18-egypt-egyptian-fragments-heiroglyph-new-kingdom-new-york-historical-society-collection-papyri-papyrus-xviii-dynasty-alabaster-bowl-dynastic-period-egypt-egyptia-bronze-deity-egypt-egyptian-female-goddess-late-period-left-leg-advanced-metal-nephthys-new-york-historical-society-collection-sculpture-standing-statue-statuette-walking-image454283367.html
RM2HB2B1Y–Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New Kingdom, new york historical society collection, papyri, papyrus, XVIII Dynasty, Alabaster, Bowl, Dynastic Period, Egypt, Egyptia, Bronze, Deity, egypt, egyptian, Female, Goddess, Late Period, Left leg advanced, Metal, Nephthys, new york historical society collection, Sculpture, Standing, statue, Statuette, Walking
Textile (Italy); silk, gilt parchment wrapped around silk core; Warp x Weft (a): 35.3 x 32.3 cm (13 7/8 x 12 11/16 in.) Warp x Weft (b): 29.5 x 37.3 cm (11 5/8 x 14 11/16 in.) Warp x Weft (c): 26.5 x 34 cm (10 7/16 x 13 3/8 in.) Warp x Weft (d): 44.8 x 19.7 cm (17 5/8 x 7 3/4 in.) Warp x Weft (e): 4.8 x 19.5 cm (1 7/8 x 7 11/16 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/textile-italy-silk-gilt-parchment-wrapped-around-silk-core-warp-x-weft-a-353-x-323-cm-13-78-x-12-1116-in-warp-x-weft-b-295-x-373-cm-11-58-x-14-1116-in-warp-x-weft-c-265-x-34-cm-10-716-x-13-38-in-warp-x-weft-d-448-x-197-cm-17-58-x-7-34-in-warp-x-weft-e-48-x-195-cm-1-78-x-7-1116-in-image546122321.html
RM2PME0GH–Textile (Italy); silk, gilt parchment wrapped around silk core; Warp x Weft (a): 35.3 x 32.3 cm (13 7/8 x 12 11/16 in.) Warp x Weft (b): 29.5 x 37.3 cm (11 5/8 x 14 11/16 in.) Warp x Weft (c): 26.5 x 34 cm (10 7/16 x 13 3/8 in.) Warp x Weft (d): 44.8 x 19.7 cm (17 5/8 x 7 3/4 in.) Warp x Weft (e): 4.8 x 19.5 cm (1 7/8 x 7 11/16 in.)
A Will O' The Wisp, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Charles E. P. Motte, 1785–1836, French, Published by Thomas McLean, 1788–1875, British, 1831, Lithograph, hand-colored on moderately thick, smooth, beige wove paper, Sheet: 11 7/8 x 17 1/4 inches (30.1 x 43.8 cm) and Image: 8 7/8 x 13 11/16 inches (22.6 x 34.8 cm), bog, coats, illusion, lantern, men, parody, political, politicians, satire, sketches, star, wigs, will-o'-the-wisp Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/a-will-o-the-wisp-print-made-by-john-doyle-hb-17971868-irish-printed-by-charles-e-p-motte-17851836-french-published-by-thomas-mclean-17881875-british-1831-lithograph-hand-colored-on-moderately-thick-smooth-beige-wove-paper-sheet-11-78-x-17-14-inches-301-x-438-cm-and-image-8-78-x-13-1116-inches-226-x-348-cm-bog-coats-illusion-lantern-men-parody-political-politicians-satire-sketches-star-wigs-will-o-the-wisp-image389834837.html
RM2DJ6E8N–A Will O' The Wisp, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Charles E. P. Motte, 1785–1836, French, Published by Thomas McLean, 1788–1875, British, 1831, Lithograph, hand-colored on moderately thick, smooth, beige wove paper, Sheet: 11 7/8 x 17 1/4 inches (30.1 x 43.8 cm) and Image: 8 7/8 x 13 11/16 inches (22.6 x 34.8 cm), bog, coats, illusion, lantern, men, parody, political, politicians, satire, sketches, star, wigs, will-o'-the-wisp
Brétigny, Eure-et-Loir, France, Centre-Val de Loire, N 48 25' 14'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/brtigny-eure-et-loir-france-centre-val-de-loire-n-48-25-14-e-1-34-13-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image445248089.html
RM2GTAPDD–Brétigny, Eure-et-Loir, France, Centre-Val de Loire, N 48 25' 14'', E 1 34' 13'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andorra-la-vella-andorra-october-13-2018-liga-endesa-acb-game-between-morabanc-andorra-bc-and-baxi-manresa-at-poliesportiu-d-andorra-stadium-on-octubre-13-2018-in-andorra-la-vella-credit-martin-silva-cosentinoalamy-live-news-image222088633.html
RMPW908W–ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News
Art inspired by Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-theatrical-male-character-with-sword-woodblock-color-print-japan-mat-13-716-x-9-116-in-341-x-23-cm-acting-actor-character-costume-edo-period-japan-japanese-kabuki-poetry-samurai-stage-sword-theatre-ukiyo-e-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566495.html
RF2HKK1N3–Art inspired by Theatrical Male Character with Sword, Woodblock color print, Japan, mat: 13 7/16 x 9 1/16 in., 34.1 x 23 cm, Acting, Actor, Character, Costume, Edo Period, Japan, Japanese, Kabuki, Poetry, Samurai, Stage, Sword, Theatre, Ukiyo-e, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . eo I 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30 31. 32. 33. 34. 35. 12 4 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/e-fred-washburns-amateur-cultivators-guide-to-the-flower-amp-kitchen-garden-for-1880-eo-i-9-10-11-12-13-14-15-16-17-18-19-20-21-22-23-24-25-26-27-28-29-30-31-32-33-34-35-12-4-1-image178418718.html
RMMA7JW2–. E. Fred Washburn's amateur cultivator's guide to the flower & kitchen garden for 1880 . eo I 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30 31. 32. 33. 34. 35. 12 4 1
Mirror View of Sentinel Rock, Yosemite. Artist: Attributed to Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 13 1/4 × 10 1/2 in. (33.7 × 26.6 cm) Sheet: 16 5/8 × 13 7/16 in. (42.2 × 34.2 cm). Date: ca. 1872, printed ca. 1876. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/mirror-view-of-sentinel-rock-yosemite-artist-attributed-to-carleton-e-watkins-american-1829-1916-dimensions-image-13-14-10-12-in-337-266-cm-sheet-16-58-13-716-in-422-342-cm-date-ca-1872-printed-ca-1876-museum-metropolitan-museum-of-art-new-york-usa-image213173646.html
RMPAPW4E–Mirror View of Sentinel Rock, Yosemite. Artist: Attributed to Carleton E. Watkins (American, 1829-1916). Dimensions: Image: 13 1/4 × 10 1/2 in. (33.7 × 26.6 cm) Sheet: 16 5/8 × 13 7/16 in. (42.2 × 34.2 cm). Date: ca. 1872, printed ca. 1876. Museum: Metropolitan Museum of Art, New York, USA.
The Wilbour Papyrus The Wilbour Papyrus, ca. 1147 B.C.E. Papyrus, ink, Glass: 13 3/8 x 18 1/8 in. (34 x 46 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1147 B.C.E. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-wilbour-papyrus-the-wilbour-papyrus-ca-1147-bce-papyrus-ink-glass-13-38-x-18-18-in-34-x-46-cm-egyptian-classical-ancient-near-eastern-art-ca-1147-bce-image504710410.html
RM2M93F7P–The Wilbour Papyrus The Wilbour Papyrus, ca. 1147 B.C.E. Papyrus, ink, Glass: 13 3/8 x 18 1/8 in. (34 x 46 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1147 B.C.E.
Jack fruit seeds and flesh Kerala.The word 'jackfruit' comes from Portuguese jaca, which in turn is derived from the Malayalam language term chakka Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/jack-fruit-seeds-and-flesh-keralathe-word-jackfruit-comes-from-portuguese-jaca-which-in-turn-is-derived-from-the-malayalam-language-term-chakka-image237036971.html
RFRNHY23–Jack fruit seeds and flesh Kerala.The word 'jackfruit' comes from Portuguese jaca, which in turn is derived from the Malayalam language term chakka
Fragments, Le manteau royal; Company: Petitpierre et Cie; France; cotton; Warp x Weft (a): 101.5 × 97 cm (39 15/16 × 38 3/16 in.) Warp x Weft (b): 24.5 × 90.5 cm (9 5/8 × 35 5/8 in.) Warp x Weft (c): 32 × 52 cm (12 5/8 × 20 1/2 in.) Warp x Weft (d): 38 × 90.5 cm (14 15/16 × 35 5/8 in.) Warp x Weft (e): 24 × 93 cm (9 7/16 × 36 5/8 in.) Warp x Weft (f): 32 × 51.5 cm (12 5/8 × 20 1/4 in.) Warp x Weft (g): 34 × 53 cm (13 3/8 × 20 7/8 in.) Repeat H (pattern): 97.5 cm (38 3/8 in.); Bequest of Elinor Merrell; 1995-50-67-a/g Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-le-manteau-royal-company-petitpierre-et-cie-france-cotton-warp-x-weft-a-1015-97-cm-39-1516-38-316-in-warp-x-weft-b-245-905-cm-9-58-35-58-in-warp-x-weft-c-32-52-cm-12-58-20-12-in-warp-x-weft-d-38-905-cm-14-1516-35-58-in-warp-x-weft-e-24-93-cm-9-716-36-58-in-warp-x-weft-f-32-515-cm-12-58-20-14-in-warp-x-weft-g-34-53-cm-13-38-20-78-in-repeat-h-pattern-975-cm-38-38-in-bequest-of-elinor-merrell-1995-50-67-ag-image546215050.html
RM2PMJ6TA–Fragments, Le manteau royal; Company: Petitpierre et Cie; France; cotton; Warp x Weft (a): 101.5 × 97 cm (39 15/16 × 38 3/16 in.) Warp x Weft (b): 24.5 × 90.5 cm (9 5/8 × 35 5/8 in.) Warp x Weft (c): 32 × 52 cm (12 5/8 × 20 1/2 in.) Warp x Weft (d): 38 × 90.5 cm (14 15/16 × 35 5/8 in.) Warp x Weft (e): 24 × 93 cm (9 7/16 × 36 5/8 in.) Warp x Weft (f): 32 × 51.5 cm (12 5/8 × 20 1/4 in.) Warp x Weft (g): 34 × 53 cm (13 3/8 × 20 7/8 in.) Repeat H (pattern): 97.5 cm (38 3/8 in.); Bequest of Elinor Merrell; 1995-50-67-a/g
Stop Thief!, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Charles E. P. Motte, 1785–1836, French, Published by Thomas McLean, 1788–1875, British, 1831, Lithograph, hand-colored on moderately thick, smooth, beige wove paper, Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm), Image: 9 3/16 x 13 9/16 inches (23.3 x 34.5 cm), and Image: 9 1/16 x 13 9/16 inches (23 x 34.5 cm), bill, caricature, chancellor, chasing, exchequer, historical subject, hourglass, legislation, newspaper, parody, political, politician, running, sandglass, satire, satirical, scrolls, scythe, sketches, thief Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/stop-thief!-print-made-by-john-doyle-hb-17971868-irish-printed-by-charles-e-p-motte-17851836-french-published-by-thomas-mclean-17881875-british-1831-lithograph-hand-colored-on-moderately-thick-smooth-beige-wove-paper-sheet-11-34-x-17-38-inches-298-x-441-cm-image-9-316-x-13-916-inches-233-x-345-cm-and-image-9-116-x-13-916-inches-23-x-345-cm-bill-caricature-chancellor-chasing-exchequer-historical-subject-hourglass-legislation-newspaper-parody-political-politician-running-sandglass-satire-satirical-scrolls-scythe-sketches-thief-image389834813.html
RM2DJ6E7W–Stop Thief!, Print made by John Doyle ('H.B.'), 1797–1868, Irish, Printed by Charles E. P. Motte, 1785–1836, French, Published by Thomas McLean, 1788–1875, British, 1831, Lithograph, hand-colored on moderately thick, smooth, beige wove paper, Sheet: 11 3/4 x 17 3/8 inches (29.8 x 44.1 cm), Image: 9 3/16 x 13 9/16 inches (23.3 x 34.5 cm), and Image: 9 1/16 x 13 9/16 inches (23 x 34.5 cm), bill, caricature, chancellor, chasing, exchequer, historical subject, hourglass, legislation, newspaper, parody, political, politician, running, sandglass, satire, satirical, scrolls, scythe, sketches, thief
Fragment; silk; Warp x Weft (a): 58.4 x 34.3 cm (23 x 13 1/2 in.) Warp x Weft (b): 13.3 x 6.4 cm (5 1/4 x 2 1/2 in.) Warp x Weft (c): 10.8 x 5.1 cm (4 1/4 x 2 in.) Warp x Weft (d): 16.8 x 8.9 cm (6 5/8 x 3 1/2 in.) Warp x Weft (e): 19.1 x 6 cm (7 1/2 x 2 3/8 in.) Warp x Weft (f): 10.8 x 5.7 cm (4 1/4 x 2 1/4 in.) Warp x Weft (g): 5.7 x 2.2 cm (2 1/4 x 7/8 in.) Warp x Weft (h): 8.6 x 5.1 cm (3 3/8 x 2 in.) Warp x Weft (i): 4.4 x 3.8 cm (1 3/4 x 1 1/2 in.) Warp x Weft (j): 13 x 11.4 cm (5 1/8 x 4 1/2 in.) Warp x Weft (k): 6.7 x 2.5 cm (2 5/8 x 1 in.) Warp x Weft (l): 8.3 x 3.2 cm (3 1/4 x 1 1/4 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragment-silk-warp-x-weft-a-584-x-343-cm-23-x-13-12-in-warp-x-weft-b-133-x-64-cm-5-14-x-2-12-in-warp-x-weft-c-108-x-51-cm-4-14-x-2-in-warp-x-weft-d-168-x-89-cm-6-58-x-3-12-in-warp-x-weft-e-191-x-6-cm-7-12-x-2-38-in-warp-x-weft-f-108-x-57-cm-4-14-x-2-14-in-warp-x-weft-g-57-x-22-cm-2-14-x-78-in-warp-x-weft-h-86-x-51-cm-3-38-x-2-in-warp-x-weft-i-44-x-38-cm-1-34-x-1-12-in-warp-x-weft-j-13-x-114-cm-5-18-x-4-12-in-warp-x-weft-k-67-x-25-cm-2-58-x-1-in-warp-x-weft-l-83-x-32-cm-3-14-x-1-14-image546266021.html
RM2PMMFTN–Fragment; silk; Warp x Weft (a): 58.4 x 34.3 cm (23 x 13 1/2 in.) Warp x Weft (b): 13.3 x 6.4 cm (5 1/4 x 2 1/2 in.) Warp x Weft (c): 10.8 x 5.1 cm (4 1/4 x 2 in.) Warp x Weft (d): 16.8 x 8.9 cm (6 5/8 x 3 1/2 in.) Warp x Weft (e): 19.1 x 6 cm (7 1/2 x 2 3/8 in.) Warp x Weft (f): 10.8 x 5.7 cm (4 1/4 x 2 1/4 in.) Warp x Weft (g): 5.7 x 2.2 cm (2 1/4 x 7/8 in.) Warp x Weft (h): 8.6 x 5.1 cm (3 3/8 x 2 in.) Warp x Weft (i): 4.4 x 3.8 cm (1 3/4 x 1 1/2 in.) Warp x Weft (j): 13 x 11.4 cm (5 1/8 x 4 1/2 in.) Warp x Weft (k): 6.7 x 2.5 cm (2 5/8 x 1 in.) Warp x Weft (l): 8.3 x 3.2 cm (3 1/4 x 1 1/4
Arnsfeld, Germany, Saxony, N 50 34' 42'', E 13 7' 1'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/arnsfeld-germany-saxony-n-50-34-42-e-13-7-1-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image439376240.html
RM2GER8TG–Arnsfeld, Germany, Saxony, N 50 34' 42'', E 13 7' 1'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
13, Numazu: Fuji in Clear Weather after Snow, from the Ashigara Mountains, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 1/2 × 8 7/8 in. (34.3 × 22.5 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/13-numazu-fuji-in-clear-weather-after-snow-from-the-ashigara-mountains-1855-7th-month-utagawa-hiroshige-publisher-tsutaya-kichiz-japanese-1797-1858-13-12-8-78-in-343-225-cm-image-vertical-ban-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508504.html
RM2T91FXG–13, Numazu: Fuji in Clear Weather after Snow, from the Ashigara Mountains, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 1/2 × 8 7/8 in. (34.3 × 22.5 cm) (image, vertical ōban), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Inspired by Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, flowing, gaze, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-portrait-of-a-woman-adorned-with-a-wreath-of-leaves-jane-e-sloan-white-chalk-and-black-media-probably-oil-pastel-or-cont-over-graphite-on-wove-paper-drymounted-to-a-matboard-backing-19th-century-sheet-18-x-13-12-in-457-x-343-cm-19th-century-beauty-female-flowing-gaze-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459249377.html
RF2HK4H7D–Inspired by Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, flowing, gaze, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Drawing, Design for Wall Decoration for the South Wall of the Entrance Hall, Royal Pavilion, Brighton; Designed by Frederick Crace (English, 1779–1859); England; graphite on paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) 34 x 50.1 cm (13 3/8 x 19 3/4 in.) Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/drawing-design-for-wall-decoration-for-the-south-wall-of-the-entrance-hall-royal-pavilion-brighton-designed-by-frederick-crace-english-17791859-england-graphite-on-paper-mat-406-x-559-cm-16-x-22-in-34-x-501-cm-13-38-x-19-34-in-image546099364.html
RM2PMCY8M–Drawing, Design for Wall Decoration for the South Wall of the Entrance Hall, Royal Pavilion, Brighton; Designed by Frederick Crace (English, 1779–1859); England; graphite on paper; Mat: 40.6 x 55.9 cm (16 x 22 in.) 34 x 50.1 cm (13 3/8 x 19 3/4 in.)
Silhouette Portrait of John Marshall. Artist: William Henry Brown (American, Charleston, South Carolina 1808-1883 Charleston, South Carolina). Dimensions: image: 13 1/2 x 9 15/16 in. (34.3 x 25.3 cm) sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.4 cm). Lithographer: Lithographed and published by E. B. & E. C. Kellogg (American, active Hartford, Connecticut 1840-67). Sitter: John Marshall (American, 1755-1835). Date: 1844. Museum: Metropolitan Museum of Art, New York, USA. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/silhouette-portrait-of-john-marshall-artist-william-henry-brown-american-charleston-south-carolina-1808-1883-charleston-south-carolina-dimensions-image-13-12-x-9-1516-in-343-x-253-cm-sheet-16-78-x-12-38-in-428-x-314-cm-lithographer-lithographed-and-published-by-e-b-e-c-kellogg-american-active-hartford-connecticut-1840-67-sitter-john-marshall-american-1755-1835-date-1844-museum-metropolitan-museum-of-art-new-york-usa-image213326987.html
RMPB1TMY–Silhouette Portrait of John Marshall. Artist: William Henry Brown (American, Charleston, South Carolina 1808-1883 Charleston, South Carolina). Dimensions: image: 13 1/2 x 9 15/16 in. (34.3 x 25.3 cm) sheet: 16 7/8 x 12 3/8 in. (42.8 x 31.4 cm). Lithographer: Lithographed and published by E. B. & E. C. Kellogg (American, active Hartford, Connecticut 1840-67). Sitter: John Marshall (American, 1755-1835). Date: 1844. Museum: Metropolitan Museum of Art, New York, USA.
Archive image from page 156 of The cultivation of the native. The cultivation of the native grape, and manufacture of American wines cultivationofnat00husm Year: 1866 ( 1 1 -1 9 fO ti 12 13 74 13 6 17 la 19 20 21 Fig. 34. Fig.. 35. Fig. 36. invented the ncAV vaporimeter for the determination of the quantity of alcohol contained in wane. It is based on the same principle as Otto's, but differs altogether in its construction. It is composed of three parts, all made qf 1 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-156-of-the-cultivation-of-the-native-the-cultivation-of-the-native-grape-and-manufacture-of-american-wines-cultivationofnat00husm-year-1866-1-1-1-9-fo-ti-12-13-74-13-6-17-la-19-20-21-fig-34-fig-35-fig-36-invented-the-ncav-vaporimeter-for-the-determination-of-the-quantity-of-alcohol-contained-in-wane-it-is-based-on-the-same-principle-as-ottos-but-differs-altogether-in-its-construction-it-is-composed-of-three-parts-all-made-qf-1-image264046543.html
RMW9GA1K–Archive image from page 156 of The cultivation of the native. The cultivation of the native grape, and manufacture of American wines cultivationofnat00husm Year: 1866 ( 1 1 -1 9 fO ti 12 13 74 13 6 17 la 19 20 21 Fig. 34. Fig.. 35. Fig. 36. invented the ncAV vaporimeter for the determination of the quantity of alcohol contained in wane. It is based on the same principle as Otto's, but differs altogether in its construction. It is composed of three parts, all made qf 1
Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-from-a-book-of-the-dead-fragments-from-a-book-of-the-dead-ca-1539-1190-bce-papyrus-ink-glass-12-316-x-13-12-in-31-x-343-cm-egyptian-classical-ancient-near-eastern-art-ca-1539-1190-bce-image504703771.html
RM2M936PK–Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E.
ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz retains the ball and attacks the defense of Mora Banc Andorra. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andorra-la-vella-andorra-october-13-2018-alvaro-muoz-retains-the-ball-and-attacks-the-defense-of-mora-banc-andorra-liga-endesa-acb-game-between-morabanc-andorra-bc-and-baxi-manresa-at-poliesportiu-d-andorra-stadium-on-octubre-13-2018-in-andorra-la-vella-credit-martin-silva-cosentinoalamy-live-news-image222088505.html
RMPW9049–ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz retains the ball and attacks the defense of Mora Banc Andorra. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News
. Soutt^ Georgia South Africa 13 14 IS Total Length in metres Fig. 33. Sei whale. Males. Measurement No. 18. Length of flipper along curve of lower border. to 5 c s South Georg'id South Africa 13 14 15 16 Total Length In metres Fig. 34. Sei whale. Females. Measurement No. 18. Length of flipper along curve of lower border. 3-0- C 3 £ ^ E-e t 3 s? 1+ 03 tb ?-^.s. South Georgia South Africa 12 13 14 15 Total Length in metres Fig. 35. Sei whale. Males. Measurement No. 19. Greatest width of flipper. t i5^ 2S c 3 E en" 26 V 24 South Geongia South Africa 13 14 15 Total Length in metres Fig. 36. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/soutt-georgia-south-africa-13-14-is-total-length-in-metres-fig-33-sei-whale-males-measurement-no-18-length-of-flipper-along-curve-of-lower-border-to-5-c-s-south-georgid-south-africa-13-14-15-16-total-length-in-metres-fig-34-sei-whale-females-measurement-no-18-length-of-flipper-along-curve-of-lower-border-3-0-c-3-e-e-t-3-s-1-03-tb-s-south-georgia-south-africa-12-13-14-15-total-length-in-metres-fig-35-sei-whale-males-measurement-no-19-greatest-width-of-flipper-t-i5-2s-c-3-e-enquot-26-v-24-south-geongia-south-africa-13-14-15-total-length-in-metres-fig-36-image180022594.html
RMMCTMJA–. Soutt^ Georgia South Africa 13 14 IS Total Length in metres Fig. 33. Sei whale. Males. Measurement No. 18. Length of flipper along curve of lower border. to 5 c s South Georg'id South Africa 13 14 15 16 Total Length In metres Fig. 34. Sei whale. Females. Measurement No. 18. Length of flipper along curve of lower border. 3-0- C 3 £ ^ E-e t 3 s? 1+ 03 tb ?-^.s. South Georgia South Africa 12 13 14 15 Total Length in metres Fig. 35. Sei whale. Males. Measurement No. 19. Greatest width of flipper. t i5^ 2S c 3 E en" 26 V 24 South Geongia South Africa 13 14 15 Total Length in metres Fig. 36.
. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. IAO' ISO' 150' 1*0- Nr. 17. Januar 1903 Nr. 17. Januar 1903 no- Mtr iso- i»' Nr. 18. Februar 1903 unr no- MO*. Nr. IS. Februar 1903 |Wilterungs-Ãb ersieht Hutinn 1.11(1 Mittel | Hu. Hin N *«"E l -,in WlndMofigki ii 'â . W IT« i Wind- starke IUI. Be- wölk. â U â :. â .:â ] 34 1 vi âim 'i i 23 i 4 30 1 :: IS 44 i 13 i 8 i] 2 22 44 Ml 7.7 5.2 ISO- HO- 6ii- 50* 30' *Q- SO- 60' 10' 80' OilluJic 90' Linie W. Please note that these images are extracted from scanned page Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/deutsche-sdpolar-expedition-1901-1903-im-auftrage-des-reichsamtes-des-innern-gauss-ship-scientific-expeditions-iao-iso-150-10-nr-17-januar-1903-nr-17-januar-1903-no-mtr-iso-i-nr-18-februar-1903-unr-no-mo-nr-is-februar-1903-wilterungs-b-ersieht-hutinn-1111-mittel-hu-hin-n-quote-l-in-wlndmofigki-ii-w-it-i-wind-starke-iui-be-wlk-u-34-1-vi-im-i-i-23-i-4-30-1-is-44-i-13-i-8-i-2-22-44-ml-77-52-iso-ho-6ii-50-30-q-so-60-10-80-oillujic-90-linie-w-please-note-that-these-images-are-extracted-from-scanned-page-image215951229.html
RMPF9BYW–. Deutsche Südpolar-Expedition, 1901-1903, im Auftrage des Reichsamtes des Innern. Gauss (Ship); Scientific expeditions. IAO' ISO' 150' 1*0- Nr. 17. Januar 1903 Nr. 17. Januar 1903 no- Mtr iso- i»' Nr. 18. Februar 1903 unr no- MO*. Nr. IS. Februar 1903 |Wilterungs-Ãb ersieht Hutinn 1.11(1 Mittel | Hu. Hin N *«"E l -,in WlndMofigki ii 'â . W IT« i Wind- starke IUI. Be- wölk. â U â :. â .:â ] 34 1 vi âim 'i i 23 i 4 30 1 :: IS 44 i 13 i 8 i] 2 22 44 Ml 7.7 5.2 ISO- HO- 6ii- 50* 30' *Q- SO- 60' 10' 80' OilluJic 90' Linie W. Please note that these images are extracted from scanned page
Braunsdorf, Germany, Saxony, N 51 1' 0'', E 13 34' 19'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/braunsdorf-germany-saxony-n-51-1-0-e-13-34-19-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image439367352.html
RM2GEPWF4–Braunsdorf, Germany, Saxony, N 51 1' 0'', E 13 34' 19'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
No.34 Futakawa, 1837-1844, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 1/2 x 13 7/16 in. (21.6 x 34.2 cm) (image)8 1/2 x 13 7/16 in. (21.6 x 34.2 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no34-futakawa-1837-1844-utagawa-hiroshige-publisher-maruya-seijir-japanese-1797-1858-8-12-x-13-716-in-216-x-342-cm-image8-12-x-13-716-in-216-x-342-cm-sheet-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508634.html
RM2T91G36–No.34 Futakawa, 1837-1844, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 1/2 x 13 7/16 in. (21.6 x 34.2 cm) (image)8 1/2 x 13 7/16 in. (21.6 x 34.2 cm) (sheet), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
Inspired by Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New Kingdom, new york, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/inspired-by-fragments-from-a-book-of-the-dead-papyrus-ink-ca-1539-1190-bce-early-to-mid-dynasty-18-new-kingdom-glass-12-316-x-13-12-in-31-x-343-cm-ancient-book-of-dead-book-of-the-dead-ceremonial-implements-dynasty-18-egypt-egyptian-fragments-heiroglyph-new-kingdom-new-york-reimagined-by-artotop-classic-art-reinvented-with-a-modern-twist-design-of-warm-cheerful-glowing-of-brightness-and-light-ray-radiance-photography-inspired-by-surrealism-and-futurism-embracing-dynamic-energy-of-modern-technology-movement-speed-and-revolutionize-culture-image459264546.html
RF2HK58H6–Inspired by Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New Kingdom, new york, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Handy man's workshop and laboratory . Fig* 31—Construction of frame The tail-stock, E, is J1/* inches wide, to suit the width of thelathe-bed. The guide, a, is 1 inch thick by jy2 inches long. It issecured to the stock with screws, allowance being made forenabling the stock to slide, as stated above. It is 4 incheswide, there being but one wedge. The full height, including thetongue, which is the same as that of the head-stock, is 13 inches.The location of the plates, g, referred to elsewhere, will dependupon the size of the bearings, /, shown in detail in Fig. 34. The tool rest and clamp F, G Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/handy-mans-workshop-and-laboratory-fig-31construction-of-frame-the-tail-stock-e-is-j1-inches-wide-to-suit-the-width-of-thelathe-bed-the-guide-a-is-1-inch-thick-by-jy2-inches-long-it-issecured-to-the-stock-with-screws-allowance-being-made-forenabling-the-stock-to-slide-as-stated-above-it-is-4-incheswide-there-being-but-one-wedge-the-full-height-including-thetongue-which-is-the-same-as-that-of-the-head-stock-is-13-inchesthe-location-of-the-plates-g-referred-to-elsewhere-will-dependupon-the-size-of-the-bearings-shown-in-detail-in-fig-34-the-tool-rest-and-clamp-f-g-image339306167.html
RM2AM0MDB–Handy man's workshop and laboratory . Fig* 31—Construction of frame The tail-stock, E, is J1/* inches wide, to suit the width of thelathe-bed. The guide, a, is 1 inch thick by jy2 inches long. It issecured to the stock with screws, allowance being made forenabling the stock to slide, as stated above. It is 4 incheswide, there being but one wedge. The full height, including thetongue, which is the same as that of the head-stock, is 13 inches.The location of the plates, g, referred to elsewhere, will dependupon the size of the bearings, /, shown in detail in Fig. 34. The tool rest and clamp F, G
Tree Spirit Deity (Yakshi). Culture: India (Uttar Pradesh, Mathura region). Dimensions: H. 13 3/4 in. (34.9 cm); W. 12 1/2 in. (31.8 cm); D. 5 in. (12.7 cm). Date: 1st-2nd century. This double-sided bracket (vrksadevata) for a gateway (torana) is decorated on either side with a tree-spirit deity known as a yakshi, who holds a flowering tree as a symbol of her fecundity. Her pose is that of salabhanjika ('breaking a branch of the sala tree'): grasping a branch, she thus engages with the fertility of the earth, bringing the tree into flower. Such figures provided an auspicious presence at the e Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/tree-spirit-deity-yakshi-culture-india-uttar-pradesh-mathura-region-dimensions-h-13-34-in-349-cm-w-12-12-in-318-cm-d-5-in-127-cm-date-1st-2nd-century-this-double-sided-bracket-vrksadevata-for-a-gateway-torana-is-decorated-on-either-side-with-a-tree-spirit-deity-known-as-a-yakshi-who-holds-a-flowering-tree-as-a-symbol-of-her-fecundity-her-pose-is-that-of-salabhanjika-breaking-a-branch-of-the-sala-tree-grasping-a-branch-she-thus-engages-with-the-fertility-of-the-earth-bringing-the-tree-into-flower-such-figures-provided-an-auspicious-presence-at-the-e-image213082435.html
RMPAJMPY–Tree Spirit Deity (Yakshi). Culture: India (Uttar Pradesh, Mathura region). Dimensions: H. 13 3/4 in. (34.9 cm); W. 12 1/2 in. (31.8 cm); D. 5 in. (12.7 cm). Date: 1st-2nd century. This double-sided bracket (vrksadevata) for a gateway (torana) is decorated on either side with a tree-spirit deity known as a yakshi, who holds a flowering tree as a symbol of her fecundity. Her pose is that of salabhanjika ('breaking a branch of the sala tree'): grasping a branch, she thus engages with the fertility of the earth, bringing the tree into flower. Such figures provided an auspicious presence at the e
Art inspired by A Nenbutsu Gathering at Ichiya, Kyoto, from the Illustrated Biography of the Monk Ippen and His Disciple Ta'a (Yugyō Shōnin engi-e), late 14th century, Japan, Section of a handscroll mounted as a hanging scroll; ink and color on paper, Image: 13 3/4 × 21 1/8 in. (34.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-a-nenbutsu-gathering-at-ichiya-kyoto-from-the-illustrated-biography-of-the-monk-ippen-and-his-disciple-taa-yugy-shnin-engi-e-late-14th-century-japan-section-of-a-handscroll-mounted-as-a-hanging-scroll-ink-and-color-on-paper-image-13-34-21-18-in-349-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image462910616.html
RF2HW3B60–Art inspired by A Nenbutsu Gathering at Ichiya, Kyoto, from the Illustrated Biography of the Monk Ippen and His Disciple Ta'a (Yugyō Shōnin engi-e), late 14th century, Japan, Section of a handscroll mounted as a hanging scroll; ink and color on paper, Image: 13 3/4 × 21 1/8 in. (34.9, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-from-a-book-of-the-dead-fragments-from-a-book-of-the-dead-ca-1539-1190-bce-papyrus-ink-glass-12-316-x-13-12-in-31-x-343-cm-egyptian-classical-ancient-near-eastern-art-ca-1539-1190-bce-image504703764.html
RM2M936PC–Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E.
Art inspired by Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-portrait-of-a-woman-adorned-with-a-wreath-of-leaves-jane-e-sloan-white-chalk-and-black-media-probably-oil-pastel-or-cont-over-graphite-on-wove-paper-drymounted-to-a-matboard-backing-19th-century-sheet-18-x-13-12-in-457-x-343-cm-19th-century-beauty-female-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459566442.html
RF2HKK1K6–Art inspired by Portrait of a Woman Adorned with a Wreath of Leaves, Jane E. Sloan, White chalk and black media, probably oil pastel or conté over graphite on wove paper drymounted to a matboard backing, 19th century, Sheet: 18 x 13 1/2 in., 45.7 x 34.3 cm, 19th Century, beauty, female, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Archive image from page 84 of Density structure associated with salt. Density structure associated with salt fingers. densitystructure00lees Year: 1983 0-64 12.48 2.1 a UJ tr a X a. IJM 13.10 13.2 TEMP - SAL PLOT 13,34 13.62 13.04 o . p CD r> cd £ ftp â 03 C ft U ⢠H h s . 3 cu O Eh fclflCM ft h â¢H ftM &.. c 3 A cd P o c CD c p â¢H p .c CD cd p> U ft c cq CD 5 tniHtH p o CD O cd x: cd ftp ⢠H > CD CO A <+ 0) Eh CD O â p J 5 c P o CQ Q) ⢠H C fc CQ C o 0) 5 o CD â¢H Ch o â¢H A -P cd â¢fâ CQ Sh â¢H Q o p fc ft s cd O ,Q > 5 ⢠u E-t P CD «⢠rH ⢠5 < cd 0) U o ⢠Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-84-of-density-structure-associated-with-salt-density-structure-associated-with-salt-fingers-densitystructure00lees-year-1983-0-64-1248-21-a-uj-tr-a-x-a-ijm-1310-132-temp-sal-plot-1334-1362-1304-o-p-cd-rgt-cd-ftp-03-c-ft-u-h-h-s-3-cu-o-eh-fclflcm-ft-h-h-ftm-c-3-a-cd-p-o-c-cd-c-p-h-p-c-cd-cd-pgt-u-ft-c-cq-cd-5-tnihth-p-o-cd-o-cd-x-cd-ftp-h-gt-cd-co-a-lt-0-eh-cd-o-p-j-5-c-p-o-cq-q-h-c-fc-cq-c-o-0-5-o-cd-h-ch-o-h-a-p-cd-f-cq-sh-h-q-o-p-fc-ft-s-cd-o-q-gt-5-u-e-t-p-cd-rh-5-lt-cd-0-u-o-image259296937.html
RMW1RYTW–Archive image from page 84 of Density structure associated with salt. Density structure associated with salt fingers. densitystructure00lees Year: 1983 0-64 12.48 2.1 a UJ tr a X a. IJM 13.10 13.2 TEMP - SAL PLOT 13,34 13.62 13.04 o . p CD r> cd £ ftp â 03 C ft U ⢠H h s . 3 cu O Eh fclflCM ft h â¢H ftM &.. c 3 A cd P o c CD c p â¢H p .c CD cd p> U ft c cq CD 5 tniHtH p o CD O cd x: cd ftp ⢠H > CD CO A <+ 0) Eh CD O â p J 5 c P o CQ Q) ⢠H C fc CQ C o 0) 5 o CD â¢H Ch o â¢H A -P cd â¢fâ CQ Sh â¢H Q o p fc ft s cd O ,Q > 5 ⢠u E-t P CD «⢠rH ⢠5 < cd 0) U o â¢
ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz retains the ball and attacks the defense of Mora Banc Andorra. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andorra-la-vella-andorra-october-13-2018-alvaro-muoz-retains-the-ball-and-attacks-the-defense-of-mora-banc-andorra-liga-endesa-acb-game-between-morabanc-andorra-bc-and-baxi-manresa-at-poliesportiu-d-andorra-stadium-on-octubre-13-2018-in-andorra-la-vella-credit-martin-silva-cosentinoalamy-live-news-image222088508.html
RMPW904C–ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz retains the ball and attacks the defense of Mora Banc Andorra. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News
. The earthworms (lumbricidae and sparganophilidae) of Ontario . Fig. 31 The known Ontario distribution of Lumbncus festivus. CARLETON CO. *Ottawa-Carleton Rd 35, 2.42 km s of Leonard, under logs, 11 May 72. JWR. 1- 1-0. DUNDAS CO. *Hwy 31, 3.55 km n of Morrisburg, under lumber, 11 May 72, 0-1-0. GLEN- GARRY CO. *Hwy 34, 11.13 km n of Lancaster, under log, 11 May 72, 1-0-0. *Hwy 34. 5.65 km n of Alexandria, under log, 11 May 72, JWR, 0-0-1. NIPISSING DIST. *Hwy 17. 1.29 km e of Ver- ner, under paper in wet ditch, 13 May 72, JWR & JEM, 2-1-0. NORTHUMBERLAND CO. *Hwy 45. Baltimore, under jun Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-earthworms-lumbricidae-and-sparganophilidae-of-ontario-fig-31-the-known-ontario-distribution-of-lumbncus-festivus-carleton-co-ottawa-carleton-rd-35-242-km-s-of-leonard-under-logs-11-may-72-jwr-1-1-0-dundas-co-hwy-31-355-km-n-of-morrisburg-under-lumber-11-may-72-0-1-0-glen-garry-co-hwy-34-1113-km-n-of-lancaster-under-log-11-may-72-1-0-0-hwy-34-565-km-n-of-alexandria-under-log-11-may-72-jwr-0-0-1-nipissing-dist-hwy-17-129-km-e-of-ver-ner-under-paper-in-wet-ditch-13-may-72-jwr-amp-jem-2-1-0-northumberland-co-hwy-45-baltimore-under-jun-image178491399.html
RMMAAYGR–. The earthworms (lumbricidae and sparganophilidae) of Ontario . Fig. 31 The known Ontario distribution of Lumbncus festivus. CARLETON CO. *Ottawa-Carleton Rd 35, 2.42 km s of Leonard, under logs, 11 May 72. JWR. 1- 1-0. DUNDAS CO. *Hwy 31, 3.55 km n of Morrisburg, under lumber, 11 May 72, 0-1-0. GLEN- GARRY CO. *Hwy 34, 11.13 km n of Lancaster, under log, 11 May 72, 1-0-0. *Hwy 34. 5.65 km n of Alexandria, under log, 11 May 72, JWR, 0-0-1. NIPISSING DIST. *Hwy 17. 1.29 km e of Ver- ner, under paper in wet ditch, 13 May 72, JWR & JEM, 2-1-0. NORTHUMBERLAND CO. *Hwy 45. Baltimore, under jun
. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 66o DE L ETAT ACTUEL. 20 22 2.4 2.6 27 13.° Tabaqah. 17 20 / >r ^4 27 ij 31 33 34 â jS*. V J A al l4-e Tabaqah. 7 10 12 i4 17 i9 r ir * î4 ij.c Tabaqah. 14 17 ^ / â 9 L ir 24 2(5 28 30 3' i6.e Tabaqah. 4 7 9 L I I L 14 16 18 20 21 17.° Tabaqah. 1 l i, i4 a» 16 18 21 23 25 27 28. Please note that these images are extracted from scanned page images that may have been digitally enhanced for Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-natural-history-scientific-expeditions-music-66o-de-l-etat-actuel-20-22-24-26-27-13-tabaqah-17-20-gtr-4-27-ij-31-33-34-js-v-j-a-al-l4-e-tabaqah-7-10-12-i4-17-i9-r-ir-4-ijc-tabaqah-14-17-9-l-ir-24-25-28-30-3-i6e-tabaqah-4-7-9-l-i-i-l-14-16-18-20-21-17-tabaqah-1-l-i-i4-a-16-18-21-23-25-27-28-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-been-digitally-enhanced-for-image215996612.html
RMPFBDTM–. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française. Natural history; Scientific expeditions; Music. 66o DE L ETAT ACTUEL. 20 22 2.4 2.6 27 13.° Tabaqah. 17 20 / >r ^4 27 ij 31 33 34 â jS*. V J A al l4-e Tabaqah. 7 10 12 i4 17 i9 r ir * î4 ij.c Tabaqah. 14 17 ^ / â 9 L ir 24 2(5 28 30 3' i6.e Tabaqah. 4 7 9 L I I L 14 16 18 20 21 17.° Tabaqah. 1 l i, i4 a» 16 18 21 23 25 27 28. Please note that these images are extracted from scanned page images that may have been digitally enhanced for
Glashütte, Germany, Brandenburg, N 52 1' 37'', E 13 34' 42'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/glashtte-germany-brandenburg-n-52-1-37-e-13-34-42-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image439343944.html
RM2GENRK4–Glashütte, Germany, Brandenburg, N 52 1' 37'', E 13 34' 42'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
34, The Rest Area of Sarugababa, Futakawa, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 9/16 x 8 7/8 in. (34.4 x 22.6 cm) (image)14 1/4 x 9 5/8 in. (36.2 x 24.4 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/34-the-rest-area-of-sarugababa-futakawa-1855-7th-month-utagawa-hiroshige-publisher-tsutaya-kichiz-japanese-1797-1858-13-916-x-8-78-in-344-x-226-cm-image14-14-x-9-58-in-362-x-244-cm-plate-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508579.html
RM2T91G17–34, The Rest Area of Sarugababa, Futakawa, 1855, 7th month, Utagawa Hiroshige; Publisher: Tsutaya Kichizō, Japanese, 1797 - 1858, 13 9/16 x 8 7/8 in. (34.4 x 22.6 cm) (image)14 1/4 x 9 5/8 in. (36.2 x 24.4 cm) (plate), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
The elements of astronomy; a textbook . the fourth thetime may be a little over four hours. 238. The Solar Ecliptic Limits. — It is necessary, in order tohave an eclipse of the sun, that the moon should encroach on the coneACBD (Fig. 64), which envelopes the earth and sun. In this casethe true angular distance between the centres of the sun and moon,i.e., their distance as seen from the centre of the earth, would be theangle MES. This angle may range from 1° 34 13 to 1° 24 19,according to the changing distance of the sun and moon from theearth. The corresponding distances of the sun from the n Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/the-elements-of-astronomy-a-textbook-the-fourth-thetime-may-be-a-little-over-four-hours-238-the-solar-ecliptic-limits-it-is-necessary-in-order-tohave-an-eclipse-of-the-sun-that-the-moon-should-encroach-on-the-coneacbd-fig-64-which-envelopes-the-earth-and-sun-in-this-casethe-true-angular-distance-between-the-centres-of-the-sun-and-moonie-their-distance-as-seen-from-the-centre-of-the-earth-would-be-theangle-mes-this-angle-may-range-from-1-34-13-to-1-24-19according-to-the-changing-distance-of-the-sun-and-moon-from-theearth-the-corresponding-distances-of-the-sun-from-the-n-image339302713.html
RM2AM0G21–The elements of astronomy; a textbook . the fourth thetime may be a little over four hours. 238. The Solar Ecliptic Limits. — It is necessary, in order tohave an eclipse of the sun, that the moon should encroach on the coneACBD (Fig. 64), which envelopes the earth and sun. In this casethe true angular distance between the centres of the sun and moon,i.e., their distance as seen from the centre of the earth, would be theangle MES. This angle may range from 1° 34 13 to 1° 24 19,according to the changing distance of the sun and moon from theearth. The corresponding distances of the sun from the n
Ohashi Atake no yudachi Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no yudachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 13 3/8 x 9 1/2 in. (34 x 24.1 cm). Date: 1857. The heavens open. The sudden shower, a favorite subject of Edo haiku poets and ukiyo-e artists, is often depicted with a crisscrossing pattern of fine lines of rain--a difficult woodblock technique. Here, the netlike pattern is superimposed over an intensely focused image of Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/ohashi-atake-no-yudachi-sudden-shower-over-shin-ohashi-bridge-and-atake-ohashi-atake-no-yudachi-from-the-series-one-hundred-famous-views-of-edo-meisho-edo-hyakkei-artist-utagawa-hiroshige-japanese-tokyo-edo-1797-1858-tokyo-edo-culture-japan-dimensions-oban-13-38-x-9-12-in-34-x-241-cm-date-1857-the-heavens-open-the-sudden-shower-a-favorite-subject-of-edo-haiku-poets-and-ukiyo-e-artists-is-often-depicted-with-a-crisscrossing-pattern-of-fine-lines-of-rain-a-difficult-woodblock-technique-here-the-netlike-pattern-is-superimposed-over-an-intensely-focused-image-of-image212883777.html
RMPA9KC1–Ohashi Atake no yudachi Sudden Shower over Shin-Ohashi Bridge and Atake (Ohashi Atake no yudachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei). Artist: Utagawa Hiroshige (Japanese, Tokyo (Edo) 1797-1858 Tokyo (Edo)). Culture: Japan. Dimensions: Oban 13 3/8 x 9 1/2 in. (34 x 24.1 cm). Date: 1857. The heavens open. The sudden shower, a favorite subject of Edo haiku poets and ukiyo-e artists, is often depicted with a crisscrossing pattern of fine lines of rain--a difficult woodblock technique. Here, the netlike pattern is superimposed over an intensely focused image of
Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E. Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/fragments-from-a-book-of-the-dead-fragments-from-a-book-of-the-dead-ca-1539-1190-bce-papyrus-ink-glass-12-316-x-13-12-in-31-x-343-cm-egyptian-classical-ancient-near-eastern-art-ca-1539-1190-bce-image504703784.html
RM2M936R4–Fragments from a Book of the Dead Fragments from a Book of the Dead, ca. 1539-1190 B.C.E. Papyrus, ink, Glass: 12 3/16 x 13 1/2 in. (31 x 34.3 cm). Egyptian, Classical, Ancient Near Eastern Art ca. 1539-1190 B.C.E.
Art inspired by Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/art-inspired-by-fragments-from-a-book-of-the-dead-papyrus-ink-ca-1539-1190-bce-early-to-mid-dynasty-18-new-kingdom-glass-12-316-x-13-12-in-31-x-343-cm-ancient-book-of-dead-book-of-the-dead-ceremonial-implements-dynasty-18-egypt-egyptian-fragments-heiroglyph-new-classic-works-modernized-by-artotop-with-a-splash-of-modernity-shapes-color-and-value-eye-catching-visual-impact-on-art-emotions-through-freedom-of-artworks-in-a-contemporary-way-a-timeless-message-pursuing-a-wildly-creative-new-direction-artists-turning-to-the-digital-medium-and-creating-the-artotop-nft-image459573884.html
RF2HKKB50–Art inspired by Fragments from a Book of the Dead, Papyrus, ink, ca. 1539-1190 B.C.E., early to mid Dynasty 18, New Kingdom, Glass: 12 3/16 x 13 1/2 in., 31 x 34.3 cm, ancient, Book of Dead, Book of the Dead, Ceremonial Implements, Dynasty 18, egypt, egyptian, fragments, heiroglyph, New, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Archive image from page 824 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 8o INDEX GÃOGRAPHIQUE, OU LISTE GÃNÃRALE 12 . )>⢠12. 35- 12. 35- 12. 35- 12 . 35- 12, 34- 12. 34- 1 Z . 34- 12. 33- .2. 34- I Z , 35- .2. 35- T2. 35- .2. 35- I Z , 3J- 12 .' 36 rz , 3;- i a. 35- ! z . 34- 12 . 34- 12. 34- 12. 33- 13 , 34- i a. M- I 2 . â¢34- I Z , 38. ,3- 4- â 3- ;⢠>;;⢠;- â 3- ;⢠'3- 4- '3- 4- r3- 4- '3- 4- 3- 3 Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/archive-image-from-page-824-of-description-de-legypte-ou-recueil-description-de-legypte-ou-recueil-des-observations-et-des-recherches-qui-ont-ete-faites-en-egypte-pendant-lexpedition-de-larmee-francaise-descriptiondeleiifran-year-1809-8o-index-gographique-ou-liste-gnrale-12-gt-12-35-12-35-12-35-12-35-12-34-12-34-1-z-34-12-33-2-34-i-z-35-2-35-t2-35-2-35-i-z-3j-12-36-rz-3-i-a-35-!-z-34-12-34-12-34-12-33-13-34-i-a-m-i-2-34-i-z-38-3-4-3-gt-3-3-4-3-4-r3-4-3-4-3-3-image258701268.html
RMW0TT30–Archive image from page 824 of Description de l'Égypte, ou, Recueil. Description de l'EÌgypte, ou, Recueil des observations et des recherches qui ont eÌteÌ faites en EÌgypte pendant l'eÌxpeÌdition de l'armeÌe française DescriptiondelEIIFran Year: 1809 8o INDEX GÃOGRAPHIQUE, OU LISTE GÃNÃRALE 12 . )>⢠12. 35- 12. 35- 12. 35- 12 . 35- 12, 34- 12. 34- 1 Z . 34- 12. 33- .2. 34- I Z , 35- .2. 35- T2. 35- .2. 35- I Z , 3J- 12 .' 36 rz , 3;- i a. 35- ! z . 34- 12 . 34- 12. 34- 12. 33- 13 , 34- i a. M- I 2 . â¢34- I Z , 38. ,3- 4- â 3- ;⢠>;;⢠;- â 3- ;⢠'3- 4- '3- 4- r3- 4- '3- 4- 3- 3
ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz player of Baxi Manresa tries to score against the David Jelinek brand. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/andorra-la-vella-andorra-october-13-2018-alvaro-muoz-player-of-baxi-manresa-tries-to-score-against-the-david-jelinek-brand-liga-endesa-acb-game-between-morabanc-andorra-bc-and-baxi-manresa-at-poliesportiu-d-andorra-stadium-on-octubre-13-2018-in-andorra-la-vella-credit-martin-silva-cosentinoalamy-live-news-image222088581.html
RMPW9071–ANDORRA LA VELLA, ANDORRA - OCTOBER 13 2018: Alvaro Muñoz player of Baxi Manresa tries to score against the David Jelinek brand. LIGA ENDESA ACB game between Morabanc Andorra BC and BAXI MANRESA at Poliesportiu d´ Andorra Stadium on Octubre 13, 2018 in Andorra La Vella. Credit: Martin Silva Cosentino/Alamy Live News
. da xing an ling sen lin zi yuan diao cha bao gao. botany. 80 æï¼å¹³åé« é½¡ï¼å¹³åç´å¾ 15126.1/28.6 174 -24.9/30.8 21026.9/34.9 20626.5/28.6 208 22.1/25.0 13 10.ne;iB. 15 10/1+ B 16 lO^He^iB 9 335 62.7/1 å6ï¼! 20400/ra (1-10) B 6.1 i08 75, n 6ji 20500/ra (1-10) B 6.1 500/ra Oc oji 8400/ra (1-10) 309 81.4/1 Jl 6.1 neSOO/ra (1-10) B 6ji 1900/ra /0.74 300 1970.7 244 73.1å « .1 6.1 9900/ra (1-10) B 6.1 1600/ ra 20(1-20) 83.6/1 .1 6ji ç´°ãa (1-10) å°ä½ç´ æ´»ç«æ¨ çå¯åº¦ æ¯ç«æ¨ æ èæ¸ 2 1 4 æ¦- å¹¼ æç æ¿å ï¼èª æ åº. Please note that these images are extracted from scanned page images that may have bee Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/da-xing-an-ling-sen-lin-zi-yuan-diao-cha-bao-gao-botany-80-151261286-174-249308-210269349-206265286-208-221250-13-10neib-15-101-b-16-loheib-9-335-6271-6!-20400ra-1-10-b-61-i08-75-n-6ji-20500ra-1-10-b-61-500ra-oc-oji-8400ra-1-10-309-8141-jl-61-nesoora-1-10-b-6ji-1900ra-074-300-19707-244-731-1-61-9900ra-1-10-b-61-1600-ra-201-20-8361-1-6ji-a-1-10-2-1-4-please-note-that-these-images-are-extracted-from-scanned-page-images-that-may-have-bee-image216098343.html
RMPFG3HY–. da xing an ling sen lin zi yuan diao cha bao gao. botany. 80 æï¼å¹³åé« é½¡ï¼å¹³åç´å¾ 15126.1/28.6 174 -24.9/30.8 21026.9/34.9 20626.5/28.6 208 22.1/25.0 13 10.ne;iB. 15 10/1+ B 16 lO^He^iB 9 335 62.7/1 å6ï¼! 20400/ra (1-10) B 6.1 i08 75, n 6ji 20500/ra (1-10) B 6.1 500/ra Oc oji 8400/ra (1-10) 309 81.4/1 Jl 6.1 neSOO/ra (1-10) B 6ji 1900/ra /0.74 300 1970.7 244 73.1å « .1 6.1 9900/ra (1-10) B 6.1 1600/ ra 20(1-20) 83.6/1 .1 6ji ç´°ãa (1-10) å°ä½ç´ æ´»ç«æ¨ çå¯åº¦ æ¯ç«æ¨ æ èæ¸ 2 1 4 æ¦- å¹¼ æç æ¿å ï¼èª æ åº. Please note that these images are extracted from scanned page images that may have bee
Gallschütz, Germany, Saxony, N 51 11' 34'', E 13 1' 31'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/gallschtz-germany-saxony-n-51-11-34-e-13-1-31-map-timeless-map-published-in-2021-travelers-explorers-and-adventurers-like-florence-nightingale-david-livingstone-ernest-shackleton-lewis-and-clark-and-sherlock-holmes-relied-on-maps-to-plan-travels-to-the-worlds-most-remote-corners-timeless-maps-is-mapping-most-locations-on-the-globe-showing-the-achievement-of-great-dreams-image439356006.html
RM2GEPB1X–Gallschütz, Germany, Saxony, N 51 11' 34'', E 13 1' 31'', map, Timeless Map published in 2021. Travelers, explorers and adventurers like Florence Nightingale, David Livingstone, Ernest Shackleton, Lewis and Clark and Sherlock Holmes relied on maps to plan travels to the world's most remote corners, Timeless Maps is mapping most locations on the globe, showing the achievement of great dreams
No.1 Nihonbashi Bridge, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 9/16 x 13 11/16 in. (21.8 x 34.7 cm) (image)9 x 14 3/8 in. (22.9 x 36.5 cm) (sheet)14 x 17 15/16 in. (35.5 x 45.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century Stock Photohttps://www.alamy.com/licenses-and-pricing/?v=1https://www.alamy.com/no1-nihonbashi-bridge-1847-1852-utagawa-hiroshige-publisher-maruya-seijir-japanese-1797-1858-8-916-x-13-1116-in-218-x-347-cm-image9-x-14-38-in-229-x-365-cm-sheet14-x-17-1516-in-355-x-455-cm-mat-woodblock-print-nishiki-e-ink-and-color-on-paper-japan-19th-century-image573508575.html
RM2T91G13–No.1 Nihonbashi Bridge, 1847-1852, Utagawa Hiroshige; Publisher: Maruya Seijirō, Japanese, 1797 - 1858, 8 9/16 x 13 11/16 in. (21.8 x 34.7 cm) (image)9 x 14 3/8 in. (22.9 x 36.5 cm) (sheet)14 x 17 15/16 in. (35.5 x 45.5 cm) (mat), Woodblock print (nishiki-e); ink and color on paper, Japan, 19th century
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