Auguste hippolyte Stock Photos and Images

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Auguste hippolyte Stock Photos and Images

Vintage 1850's Paris France archive Vue du nouveau pont Saint-Michel à Paris. with Notre Dame Cathedral in background Isle de la Cité 1859. Pont Saint-Michel, River Seine Paris, France. 1859 albumen silver print Auguste Hippolyte Collard Stock Photo

RM2CB81TE–Vintage 1850's Paris France archive Vue du nouveau pont Saint-Michel à Paris. with Notre Dame Cathedral in background Isle de la Cité 1859. Pont Saint-Michel, River Seine Paris, France. 1859 albumen silver print Auguste Hippolyte Collard

Pont du Point du Jour; Auguste Hippolyte Collard, French, 1812 - 1885,1897, 1863,1866; Albumen silver print Stock Photo

RMPPWC9X–Pont du Point du Jour; Auguste Hippolyte Collard, French, 1812 - 1885,1897, 1863,1866; Albumen silver print

RM2BDY4NW–Locomotive Roundhouse

N/A. Français : Vue de l’ancien pont Saint-Michel, prise le 12 mai 1857, jour où la circulation est complètement interdite. 12 May 1857. Auguste Hippolyte Collard (1812–1893) Alternative names Hippolyte-Auguste Collard Description French photographer Date of birth/death 1811 1887 Location of birth/death Valençay Saint-Mandé Authority control : Q21169166 VIAF: 2674476 ISNI: 0000 0000 0886 1965 ULAN: 500040710 GND: 1050535960 SUDOC: 176422889 151 Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857 edit Stock Photo

RMP5F01G–N/A. Français : Vue de l’ancien pont Saint-Michel, prise le 12 mai 1857, jour où la circulation est complètement interdite. 12 May 1857. Auguste Hippolyte Collard (1812–1893) Alternative names Hippolyte-Auguste Collard Description French photographer Date of birth/death 1811 1887 Location of birth/death Valençay Saint-Mandé Authority control : Q21169166 VIAF: 2674476 ISNI: 0000 0000 0886 1965 ULAN: 500040710 GND: 1050535960 SUDOC: 176422889 151 Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857 edit

Pont du Point du Jour. Date/Period: 1863/1866. Print. Albumen silver. Height: 252 mm (9.92 in); Width: 354 mm (13.93 in). Author: Auguste Hippolyte Collard. Stock Photo

RMPMD7TC–Pont du Point du Jour. Date/Period: 1863/1866. Print. Albumen silver. Height: 252 mm (9.92 in); Width: 354 mm (13.93 in). Author: Auguste Hippolyte Collard.

Vue du nouveau pont Saint-Michel à Paris. 1859. 1859. N/A 151 Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859 Stock Photo

RMP5F024–Vue du nouveau pont Saint-Michel à Paris. 1859. 1859. N/A 151 Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859

Auguste-Hippolyte Collard - Pont de Grenelle, Paris Stock Photo

RMJ31M7F–Auguste-Hippolyte Collard - Pont de Grenelle, Paris

RMPGAWTJ–Auguste Hippolyte Ganneron.

Auguste Hippolyte Collard, Nouveau pont Saint Michel, 1859 Stock Photo

RMJ7W779–Auguste Hippolyte Collard, Nouveau pont Saint Michel, 1859

RMHKM7TJ–Auguste Hippolyte Ganneron

Auguste Hippolyte Collard, Ancien pont Saint Michel, 1857 Stock Photo

RMJ7W770–Auguste Hippolyte Collard, Ancien pont Saint Michel, 1857

A Marinoni rotary printing press for thumbnail prints and colour prints. Hippolyte Auguste Marinoni, 1823 -1904. From L'Univers Illustre, published Paris, 1859 Stock Photo

RM2J9G8KX–A Marinoni rotary printing press for thumbnail prints and colour prints. Hippolyte Auguste Marinoni, 1823 -1904. From L'Univers Illustre, published Paris, 1859

Auguste Hippolyte Collard, Nouveau pont Saint Michel, 1859 edit Stock Photo

RMJ7W77C–Auguste Hippolyte Collard, Nouveau pont Saint Michel, 1859 edit

Auguste-Hippolyte Collard (1812-1887) The Paris Commune: barricade in Castiglione street, near the rue Saint-Honoré May 20, 1871 B&W glass plate (12.8 x 17.8 cm) François Taponier collection credit:Photo12/Coll. Taponier Stock Photo

RMKFJK9A–Auguste-Hippolyte Collard (1812-1887) The Paris Commune: barricade in Castiglione street, near the rue Saint-Honoré May 20, 1871 B&W glass plate (12.8 x 17.8 cm) François Taponier collection credit:Photo12/Coll. Taponier

Auguste Hippolyte Collard, Ancien pont Saint Michel, 1857 edit Stock Photo

RMJ7W771–Auguste Hippolyte Collard, Ancien pont Saint Michel, 1857 edit

DEMOLITION Démolition. 1866-1887. Photographie de Auguste-Hippolyte Collard. Paris, musée Carnavalet. Stock Photo

RM2B9J887–DEMOLITION Démolition. 1866-1887. Photographie de Auguste-Hippolyte Collard. Paris, musée Carnavalet.

Auguste Hippolyte Collard Pont du Point du Jour Google Art Project Stock Photo

RMJ7TD1B–Auguste Hippolyte Collard Pont du Point du Jour Google Art Project

Station de Maisse, 1865, by Auguste Hippolyte Collard Stock Photo

RMDAKE3K–Station de Maisse, 1865, by Auguste Hippolyte Collard

Station d'Andrezieux. Auguste Hippolyte Collard (French, 1812 - 1885/1897) Stock Photo

RM2F5JEPG–Station d'Andrezieux. Auguste Hippolyte Collard (French, 1812 - 1885/1897)

Gare de Corbeil, 1865, by Auguste Hippolyte Collard Stock Photo

RMDAKE40–Gare de Corbeil, 1865, by Auguste Hippolyte Collard

Nevers Station; Auguste Hippolyte Collard, French, 1812 - 1885,1897, Paris, France, Europe; 1860 - 1863; Albumen silver print Stock Photo

RMPR0NCW–Nevers Station; Auguste Hippolyte Collard, French, 1812 - 1885,1897, Paris, France, Europe; 1860 - 1863; Albumen silver print

Auguste-Hippolyte Ganneron, model c. 1832/1835, cast 1929/1930. Stock Photo

RM2F3CN9G–Auguste-Hippolyte Ganneron, model c. 1832/1835, cast 1929/1930.

Art inspired by The Tuileries after the Commune, 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JE0–Art inspired by The Tuileries after the Commune, 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Marie Charlotte Hippolyte de Saujon, Countess of Boufflers, Marie-Antoinette, Queen of France, Maria Theresa of Savoy, Countess of Artois, with Dragoon officer and Royal Gendarme, reign of King Louis XVI. Baronne de Boufflers, la Reine, le Comte d'Artois, Corporal de Dragons, Gendarme du Roi. Sous Louis 16. Handcoloured lithograph by Godard after an illustration by Charles Auguste Herbé from his own Costumes Francais, Civils, Militaires et Religieux, French Costumes, Civil, Military and Religious, Maison Martinet, Paris, 1837. Stock Photo

RM2WKNK99–Marie Charlotte Hippolyte de Saujon, Countess of Boufflers, Marie-Antoinette, Queen of France, Maria Theresa of Savoy, Countess of Artois, with Dragoon officer and Royal Gendarme, reign of King Louis XVI. Baronne de Boufflers, la Reine, le Comte d'Artois, Corporal de Dragons, Gendarme du Roi. Sous Louis 16. Handcoloured lithograph by Godard after an illustration by Charles Auguste Herbé from his own Costumes Francais, Civils, Militaires et Religieux, French Costumes, Civil, Military and Religious, Maison Martinet, Paris, 1837.

Vue du nouveau pont Saint-Michel à Paris. 1859. 1859. N/A 151 Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859 edit Stock Photo

RMP5F023–Vue du nouveau pont Saint-Michel à Paris. 1859. 1859. N/A 151 Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859 edit

Inspired by Plaster models for sculptures at the Palais du Louvre: left De Brosse by Auguste Ottin and right Cassini by Hippolyte Maindron, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., Édouard Denis Baldus, Auguste Ottin, Paris, c. 1855 - c. 1857, paper, salted paper print, height 382, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo

RF2HKDF1Y–Inspired by Plaster models for sculptures at the Palais du Louvre: left De Brosse by Auguste Ottin and right Cassini by Hippolyte Maindron, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., Édouard Denis Baldus, Auguste Ottin, Paris, c. 1855 - c. 1857, paper, salted paper print, height 382, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture

Vue de l’ancien pont Saint-Michel, prise le 12 mai 1857, jour où la circulation est complètement interdite. 12 May 1857. N/A 151 Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857 Stock Photo

RMP5F01F–Vue de l’ancien pont Saint-Michel, prise le 12 mai 1857, jour où la circulation est complètement interdite. 12 May 1857. N/A 151 Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857

RMPGAXH0–Auguste-Hippolyte Collard - Pont de Grenelle, Paris.

. Français : Auguste Hippolyte Ganneron (1792-1847) . 1833. Honoré Daumier (1808–1879) Alternative names Honore Daumier; Daumier; Honoré-Victorin Daumier Description French painter, draftsperson, caricaturist, sculptor, lithographer and engraver Date of birth/death 26 February 1808 11 February 1879 Location of birth/death Marseille Valmondois Work location Paris Authority control : Q187506 VIAF:?96555949 ISNI:?0000 0001 2144 4928 ULAN:?500117998 LCCN:?n79089112 NLA:?35191103 WorldCat Auguste Hippolyte Ganneron Stock Photo

RMMMR974–. Français : Auguste Hippolyte Ganneron (1792-1847) . 1833. Honoré Daumier (1808–1879) Alternative names Honore Daumier; Daumier; Honoré-Victorin Daumier Description French painter, draftsperson, caricaturist, sculptor, lithographer and engraver Date of birth/death 26 February 1808 11 February 1879 Location of birth/death Marseille Valmondois Work location Paris Authority control : Q187506 VIAF:?96555949 ISNI:?0000 0001 2144 4928 ULAN:?500117998 LCCN:?n79089112 NLA:?35191103 WorldCat Auguste Hippolyte Ganneron

RMPGAXH5–Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859.

Art inspired by The Tuileries After Its Destruction by the Communards, 1871, Albumen silver print from glass negative, 20.8 x 27 cm (8 3/16 x 10 5/8 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JD3–Art inspired by The Tuileries After Its Destruction by the Communards, 1871, Albumen silver print from glass negative, 20.8 x 27 cm (8 3/16 x 10 5/8 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RMPGAXH2–Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857.

Portrait of Félix Hippolyte-Lucas by Pierre-Auguste Renoir. Stock Photo

RM2RYKN32–Portrait of Félix Hippolyte-Lucas by Pierre-Auguste Renoir.

Auguste Hippolyte Collard - Pont du Point du Jour - Stock Photo

RMPGAWTH–Auguste Hippolyte Collard - Pont du Point du Jour -

BRIDGE OF ALMA UPSTREAM, 7TH DISTRICT, PARIS Pont de l'Alma en amont. Paris (VIIème arr.), 1855-1866. Photographie d' Auguste-Hippolyte Collard (1812-1887). Paris, musée Carnavalet. Stock Photo

RM2B9JA5W–BRIDGE OF ALMA UPSTREAM, 7TH DISTRICT, PARIS Pont de l'Alma en amont. Paris (VIIème arr.), 1855-1866. Photographie d' Auguste-Hippolyte Collard (1812-1887). Paris, musée Carnavalet.

RMPGAXH3–Auguste-Hippolyte Collard, Nouveau pont Saint-Michel, 1859 edit.

Portrait of Jean Auguste Hippolyte Cartier (1810-1879), said Henri Villemessant journalist. Portrait de Jean Hippolyte Auguste Cartier (1810-1879), dit Henri de Villemessant, journaliste. Carte de visite (verso). Tirage sur papier albuminé, avant 1879-1879. Paris, musée Carnavalet. Stock Photo

RM2B8PTXK–Portrait of Jean Auguste Hippolyte Cartier (1810-1879), said Henri Villemessant journalist. Portrait de Jean Hippolyte Auguste Cartier (1810-1879), dit Henri de Villemessant, journaliste. Carte de visite (verso). Tirage sur papier albuminé, avant 1879-1879. Paris, musée Carnavalet.

RMPGAXH1–Auguste-Hippolyte Collard, Ancien pont Saint-Michel, 1857 edit.

Station de la Ferté-Alais, 1865, by Auguste Hippolyte Collard Stock Photo

RMDAKE3T–Station de la Ferté-Alais, 1865, by Auguste Hippolyte Collard

Auteuil, Pont du Point du Jour; Auguste Hippolyte Collard, French, 1812 - 1885,1897, about 1866; Albumen silver print Stock Photo

RMPPWC73–Auteuil, Pont du Point du Jour; Auguste Hippolyte Collard, French, 1812 - 1885,1897, about 1866; Albumen silver print

Barricades, Place de la Concorde, Paris, by Auguste Hippolyte Collard, 1871 Stock Photo

RM2PNKJK4–Barricades, Place de la Concorde, Paris, by Auguste Hippolyte Collard, 1871

RMEDYXYB–Nevers Station; Auguste Hippolyte Collard, French, 1812 - 1885/1897; Paris, France, Europe; 1860 - 1863; Albumen silver print

Stations of Feurs. Auguste Hippolyte Collard (French, 1812 - 1885/1897) Stock Photo

RM2F5MMA5–Stations of Feurs. Auguste Hippolyte Collard (French, 1812 - 1885/1897)

Portrait of Félix Hippolyte-Lucas by Pierre-Auguste Renoir. Original from Barnes Foundation. Stock Photo

RF2PWENA7–Portrait of Félix Hippolyte-Lucas by Pierre-Auguste Renoir. Original from Barnes Foundation.

Jean Hippolyte Auguste Delaunay de Villemessant, 1810–1879, French journalist the founder of Le Figaro Stock Photo

RM2B1RK4Y–Jean Hippolyte Auguste Delaunay de Villemessant, 1810–1879, French journalist the founder of Le Figaro

[The Tuileries After Its Destruction by the Communards]. Artist: Hippolyte-Auguste Collard (French, 1811-1887). Dimensions: 20.8 x 27 cm (8 3/16 x 10 5/8 in. ). Date: 1871. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo

RMPA995R–[The Tuileries After Its Destruction by the Communards]. Artist: Hippolyte-Auguste Collard (French, 1811-1887). Dimensions: 20.8 x 27 cm (8 3/16 x 10 5/8 in. ). Date: 1871. Museum: Metropolitan Museum of Art, New York, USA.

French actor Bocage or Pierre-Martinien Tousez as Philippe Auguste in Agnes de Maranie by Hippolyte Lazerges, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846. Stock Photo

RM2A8495R–French actor Bocage or Pierre-Martinien Tousez as Philippe Auguste in Agnes de Maranie by Hippolyte Lazerges, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

'rotary press from Marinoni, Marinoni press from 1883, Hippolyte Auguste Marinoni, 1823 - 1904, was a builder of rotary printing presses; most of which used the rotogravure process', digital improved reproduction from an original print from the 19th century, 1881 Stock Photo

RFP2CW8P–'rotary press from Marinoni, Marinoni press from 1883, Hippolyte Auguste Marinoni, 1823 - 1904, was a builder of rotary printing presses; most of which used the rotogravure process', digital improved reproduction from an original print from the 19th century, 1881

Ingres Jean Auguste Dominique - Hippolyte-François Devillers Stock Photo

RFPJ0F6J–Ingres Jean Auguste Dominique - Hippolyte-François Devillers

Art inspired by The Vendôme Column After Being Torn Down by the Communards, 1871, Albumen silver print from glass negative, 21.7 x 30.9 cm (8 9/16 x 12 3/16 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JDA–Art inspired by The Vendôme Column After Being Torn Down by the Communards, 1871, Albumen silver print from glass negative, 21.7 x 30.9 cm (8 9/16 x 12 3/16 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Auguste Rodin, Paris, c1862 by Charles Hippolyte Aubry Stock Photo

RMJ30XEG–Auguste Rodin, Paris, c1862 by Charles Hippolyte Aubry

RMHN23D8–Marinoni, Hippolyte Auguste

63 Pierre-Auguste Renoir - Portrait of Félix Hippolyte-Lucas - BF595 - Barnes Foundation Stock Photo

RMP7B23W–63 Pierre-Auguste Renoir - Portrait of Félix Hippolyte-Lucas - BF595 - Barnes Foundation

RMPGAXC5–Auguste Rodin, Paris, c1862 by Charles Hippolyte Aubry.

. M. Marinoni, du Petit Journal. Détail d'une série de photographies du panorama le 'Tout-Paris' peint par Charles Castellani et présenté lors de l'exposition universelle de 1889. 1889. 862 Marinoni, Hippolyte Auguste Stock Photo

RMMNTKRW–. M. Marinoni, du Petit Journal. Détail d'une série de photographies du panorama le 'Tout-Paris' peint par Charles Castellani et présenté lors de l'exposition universelle de 1889. 1889. 862 Marinoni, Hippolyte Auguste

RM2B8PTT0–Portrait of Jean Auguste Hippolyte Cartier (1810-1879), said Henri Villemessant journalist. Portrait de Jean Hippolyte Auguste Cartier (1810-1879), dit Henri de Villemessant, journaliste. Carte de visite (verso). Tirage sur papier albuminé, avant 1879-1879. Paris, musée Carnavalet.

[Collection Jules Beau. Photographie sportive] : T. 16. Années 1901 et 1902 / Jules Beau [Collection Jules Beau. Photographie sportive] : T. 16. Années 1901 et 1902 / Jules Beau : F. 19. Course de côte de Gaillon, 17 novembre 1901; 148 Hippolyte-Auguste Deschamps (à la côte de Gaillon 1902) Stock Photo

RMP296X3–[Collection Jules Beau. Photographie sportive] : T. 16. Années 1901 et 1902 / Jules Beau [Collection Jules Beau. Photographie sportive] : T. 16. Années 1901 et 1902 / Jules Beau : F. 19. Course de côte de Gaillon, 17 novembre 1901; 148 Hippolyte-Auguste Deschamps (à la côte de Gaillon 1902)

BRIDGE DURING TEMPORARY BRIDGE RECONSTRUCTION TO EXCHANGE 1859 1ST AND 4TH DISTRICTS, PARIS Passerelle provisoire pendant la reconstruction du Pont au Change, vers 1859. Paris (Ier et IVème arr.), 1858-1860. Attribué à Auguste-Hippolyte Collard (1812-1887). Paris, musée Carnavalet. Stock Photo

RM2B9JAFK–BRIDGE DURING TEMPORARY BRIDGE RECONSTRUCTION TO EXCHANGE 1859 1ST AND 4TH DISTRICTS, PARIS Passerelle provisoire pendant la reconstruction du Pont au Change, vers 1859. Paris (Ier et IVème arr.), 1858-1860. Attribué à Auguste-Hippolyte Collard (1812-1887). Paris, musée Carnavalet.

Hippolyte-Auguste Deschamps (à la côte de Gaillon 1902) Stock Photo

RMJ0B0AY–Hippolyte-Auguste Deschamps (à la côte de Gaillon 1902)

Portrait of Amiati (Maria Theresa Victoria Adelaide Abbiate, called), (1851-1889), (singer-hall) Auguste-Hippolyte Collard. Portrait d'Amiati (Marie-Thérèse Victoria-Adélaïde Abbiate, dite) (1851-1889), chanteuse de café-concert. Carte de visite (recto). Tirage sur papier albuminé. 1870-1890. Paris, musée Carnavalet. Stock Photo

RM2B8PYYN–Portrait of Amiati (Maria Theresa Victoria Adelaide Abbiate, called), (1851-1889), (singer-hall) Auguste-Hippolyte Collard. Portrait d'Amiati (Marie-Thérèse Victoria-Adélaïde Abbiate, dite) (1851-1889), chanteuse de café-concert. Carte de visite (recto). Tirage sur papier albuminé. 1870-1890. Paris, musée Carnavalet.

RMEE0295–Pont du Point du Jour; Auguste Hippolyte Collard, French, 1812 - 1885/1897; 1863/1866; Albumen silver print

RM2B8PTW2–Portrait of Jean Auguste Hippolyte Cartier (1810-1879), said Henri Villemessant journalist. Portrait de Jean Hippolyte Auguste Cartier (1810-1879), dit Henri de Villemessant, journaliste. Carte de visite (verso). Photographie de Legé & Bergeron (actif de 1864 à 1880). Tirage sur papier albuminé, avant 1879-1879. Paris, musée Carnavalet.

Vue de Sancerre, Prise des Loges; Auguste Hippolyte Collard, French, 1812 - 1885,1897, Paris, France; July 1862; Albumen silver Stock Photo

RMPR0NCR–Vue de Sancerre, Prise des Loges; Auguste Hippolyte Collard, French, 1812 - 1885,1897, Paris, France; July 1862; Albumen silver

municipal public works department of Paris / Bypass source valve / Bridge Arcueil Aqueduct / (Situation of Works to 1 May 1869). The construction of the Arcueil aqueduct bridge in May 1869. Service municipal des travaux publics de Paris. Dérivation des sources de la vanne. Vue de la construction du pont aqueduc d'Arcueil. Auguste-Hippolyte Collard (1812-1893). Tirage au gélatino-bromure d’argent. 1er Mai 1869. Paris, musée Carnavalet. Stock Photo

RM2B93WD5–municipal public works department of Paris / Bypass source valve / Bridge Arcueil Aqueduct / (Situation of Works to 1 May 1869). The construction of the Arcueil aqueduct bridge in May 1869. Service municipal des travaux publics de Paris. Dérivation des sources de la vanne. Vue de la construction du pont aqueduc d'Arcueil. Auguste-Hippolyte Collard (1812-1893). Tirage au gélatino-bromure d’argent. 1er Mai 1869. Paris, musée Carnavalet.

Chemin de Fer du Bourbonnais. Moret-Nevers-Vichy. 1860 - 1863. (cover title), Auguste Hippolyte Collard (French, 1812 - 1885/1897), Paris, France, 1860–1863, Albumen silver print Stock Photo

RMW51NG1–Chemin de Fer du Bourbonnais. Moret-Nevers-Vichy. 1860 - 1863. (cover title), Auguste Hippolyte Collard (French, 1812 - 1885/1897), Paris, France, 1860–1863, Albumen silver print

Honoré Daumier, Auguste-Hippolyte Ganneron, model c 1832-1835, cast 1929-1930 Auguste-Hippolyte Ganneron; model c. 1832/1835, cast 1929/1930 Stock Photo

RM2AEDY3T–Honoré Daumier, Auguste-Hippolyte Ganneron, model c 1832-1835, cast 1929-1930 Auguste-Hippolyte Ganneron; model c. 1832/1835, cast 1929/1930

Nevers Station. Auguste Hippolyte Collard (French, 1812 - 1885/1897) Stock Photo

RM2F5E5FG–Nevers Station. Auguste Hippolyte Collard (French, 1812 - 1885/1897)

RMP9HB20–French actor Bocage or Pierre-Martinien Tousez as Philippe Auguste in Agnes de Maranie by Hippolyte Lazerges, Theatre Royal de l'Odeon, 1846. Handcoloured lithograph after an illustration by Alexandre Lacauchie from Victor Dollet's Galerie Dramatique: Costumes des Theatres de Paris, Paris, 1846.

Art inspired by The Hötel de Ville after the Commune, 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887), Locals and tourists alike gawked at the remains of the Paris city hall, built beginning in 1532 and completed nearly a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JD5–Art inspired by The Hötel de Ville after the Commune, 1871, Albumen silver print from glass negative, Photographs, Hippolyte-Auguste Collard (French, 1811–1887), Locals and tourists alike gawked at the remains of the Paris city hall, built beginning in 1532 and completed nearly a, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

RFP2C9YW–'rotary press from Marinoni, Marinoni press from 1883, Hippolyte Auguste Marinoni, 1823 - 1904, was a builder of rotary printing presses; most of which used the rotogravure process', digital improved reproduction from an original print from the 19th century, 1881

RFPBB2AE–Ingres Jean Auguste Dominique - Hippolyte-François Devillers

Hippolyte Auguste Collard, Pont du Point du Jour Getty Museum Stock Photo

RMJ8EH29–Hippolyte Auguste Collard, Pont du Point du Jour Getty Museum

Jean-Auguste-Dominique Ingres - Hippolyte Fran Cois Devillers 1811 Stock Photo

RF2G2R5PR–Jean-Auguste-Dominique Ingres - Hippolyte Fran Cois Devillers 1811

Hippolyte-Auguste Collard, Pont du Point du Jour Stock Photo

RM2BGH9HK–Hippolyte-Auguste Collard, Pont du Point du Jour

Hippolyte-François Devillers 1811 by Jean Auguste Dominique Ingres Stock Photo

RM2REGRHF–Hippolyte-François Devillers 1811 by Jean Auguste Dominique Ingres

Pont du Point du Jour . English: The subject is the Viaduct of Auteuil, an elaborate, two-story, 1,073-meter-long viaduct with 151 arches that spanned the distance between the town of Auteuil and the Point-du-Jour bridge outside Paris. Although the absolute symmetry of the bridge and light posts is compelling and might have attracted another photographer, Hippolyte-Auguste Collard made a less obvious choice, positioning his camera at the end of the Point du Jour, slightly off-center and toward the middle of the right pedestrian arcade. This view establishes an unobstructed line of sight to a Stock Photo

RMP5MNHN–Pont du Point du Jour . English: The subject is the Viaduct of Auteuil, an elaborate, two-story, 1,073-meter-long viaduct with 151 arches that spanned the distance between the town of Auteuil and the Point-du-Jour bridge outside Paris. Although the absolute symmetry of the bridge and light posts is compelling and might have attracted another photographer, Hippolyte-Auguste Collard made a less obvious choice, positioning his camera at the end of the Point du Jour, slightly off-center and toward the middle of the right pedestrian arcade. This view establishes an unobstructed line of sight to a

Hippolyte-Auguste Collard - Paysage Pris du Viaduc de Chantilly. Stock Photo

RM2BGH9J4–Hippolyte-Auguste Collard - Paysage Pris du Viaduc de Chantilly.

Les Monuments du Midi (Monuments of the South of France) (Furnishing Fabric), France, c.1811. Designed by Hippolyte Lebas, engraved by Nicolas Auguste Leisnier after etchings by Bartolomeo Pinelli. Stock Photo

RM2H6AW0Y–Les Monuments du Midi (Monuments of the South of France) (Furnishing Fabric), France, c.1811. Designed by Hippolyte Lebas, engraved by Nicolas Auguste Leisnier after etchings by Bartolomeo Pinelli.

RM2BGH9HD–Hippolyte-Auguste Deschamps (à la côte de Gaillon 1902).

Jean-Auguste-Dominique Ingres - Madame Hippolyte Flandrin Born Aim Ee Caroline Ancelot Stock Photo

RF2HTFMMF–Jean-Auguste-Dominique Ingres - Madame Hippolyte Flandrin Born Aim Ee Caroline Ancelot

Portrait of Hippolyte Fortoul and Auguste Romieu. Illustration from 'Histoire d'un crime' ('The History of a Crime', written in 1852) and part of a set of engravings published in Victor Hugo's 'Oeuvres'. Book published in French by Eugène Hugues in 1879. Stock Photo

RM2T0112P–Portrait of Hippolyte Fortoul and Auguste Romieu. Illustration from 'Histoire d'un crime' ('The History of a Crime', written in 1852) and part of a set of engravings published in Victor Hugo's 'Oeuvres'. Book published in French by Eugène Hugues in 1879.

Portrait of Félix Hippolyte-Lucas - 1918 - Oil on canvas 31,5 x 29,5 cm - Renoir Auguste Stock Photo

RF2HGKHW9–Portrait of Félix Hippolyte-Lucas - 1918 - Oil on canvas 31,5 x 29,5 cm - Renoir Auguste

Barricades during the Paris Commune; near the Ministry of Marine and the Hotel Crillon.; 1871 Stock Photo

RM2RWCW9J–Barricades during the Paris Commune; near the Ministry of Marine and the Hotel Crillon.; 1871

Station de Villars, Auguste Hippolyte Collard (French, 1812 - 1885/1897), Villars, France, 1865, Albumen silver print, 25.1 × 36 cm (9 7/8 × 14 3/16 in Stock Photo

RMW51NW6–Station de Villars, Auguste Hippolyte Collard (French, 1812 - 1885/1897), Villars, France, 1865, Albumen silver print, 25.1 × 36 cm (9 7/8 × 14 3/16 in

RM2B6TDC0–Herdenkingsmedaille van de aanleg van het Viaduc d'Auteuil Left side of the coin with a face on the Viaduc d'Auteuil, the right front side with a portrait of Emperor Napoleon III. Manufacturer : Photographer: Auguste Hippolyte Collard (listed property) Place manufacture: Ile-de- France Date: on or after 1865 - or for 1868 Material: paper Technique: albumen print dimensions: photo: h 242 mm × W 403 mm Subject: bridge overpass historical persons (portraits and scenes from the life) (+ profile portrait) memorial medalWie Napoleon III Bonaparte (emperor France)

Pavillon de Marsan. Auguste Hippolyte Collard (French, 1812 - 1885/1897) Stock Photo

RM2F5FGHJ–Pavillon de Marsan. Auguste Hippolyte Collard (French, 1812 - 1885/1897)

Arcades de pont sur Vanne (Arcades, Bridge over the Vanne). Dated: 1873. Dimensions: overall: 31.5 x 42.8 cm (12 3/8 x 16 7/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: Hippolyte-Auguste Collard. Stock Photo

RMR37G95–Arcades de pont sur Vanne (Arcades, Bridge over the Vanne). Dated: 1873. Dimensions: overall: 31.5 x 42.8 cm (12 3/8 x 16 7/8 in.). Medium: albumen print. Museum: National Gallery of Art, Washington DC. Author: Hippolyte-Auguste Collard.

Art inspired by Barricades pres de Ministere de la Marine et l'Hötel Crillon, 1871, Albumen silver print from glass negative, 21.7 x 30.9 cm (8 9/16 x 12 3/16 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HW4JDT–Art inspired by Barricades pres de Ministere de la Marine et l'Hötel Crillon, 1871, Albumen silver print from glass negative, 21.7 x 30.9 cm (8 9/16 x 12 3/16 in. ), Photographs, Hippolyte-Auguste Collard (French, 1811–1887, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Hippolyte-François Devillers - 1811 - oil on canvas 96,5 x 78,5 cm - Ingres Jean Auguste Dominique Stock Photo

RF2HBTHDX–Hippolyte-François Devillers - 1811 - oil on canvas 96,5 x 78,5 cm - Ingres Jean Auguste Dominique

Art inspired by Plaster models for sculptures at the Palais du Louvre: left De Brosse by Auguste Ottin and right Cassini by Hippolyte Maindron, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., Édouard Denis Baldus, Auguste Ottin, Paris, c. 1855 - c. 1857, paper, salted paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo

RF2HKYKX3–Art inspired by Plaster models for sculptures at the Palais du Louvre: left De Brosse by Auguste Ottin and right Cassini by Hippolyte Maindron, Part of Réunion des Tuileries au Louvre 1852-1857, album 2., Édouard Denis Baldus, Auguste Ottin, Paris, c. 1855 - c. 1857, paper, salted paper, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT

Auguste Rodin wearing a top hat, c1862, Charles Hippolyte Aubry Stock Photo

RMJ2YFPG–Auguste Rodin wearing a top hat, c1862, Charles Hippolyte Aubry

France - Ile-De-France - Paris. Chaillot Palace. Designers Architects Jacques Carlu, Louis-Hippolyte Boileau, And Leon Azema, Stock Photo

RFCC477F–France - Ile-De-France - Paris. Chaillot Palace. Designers Architects Jacques Carlu, Louis-Hippolyte Boileau, And Leon Azema,

RMJHB0ED–Hippolyte-Auguste Collard - Paysage Pris du Viaduc de Chantilly

RM2RB0TM7–Hippolyte-François Devillers 1811 by Jean Auguste Dominique Ingres

Marinoni double printing press, vintage engraving. Old engraved illustration of Marinoni double printing press in the factory. Stock Photo

RFC7BTAW–Marinoni double printing press, vintage engraving. Old engraved illustration of Marinoni double printing press in the factory.

Rotary press machine invented by Marinoni in 1866 19th century France Edouard Rousseau Collection Stock Photo

RMHN2NEB–Rotary press machine invented by Marinoni in 1866 19th century France Edouard Rousseau Collection

Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric), France, 1816/18. Designed by Hippolyte Lebas, engraved by Nicolas Auguste Leisnier, manufactured by Christophe Philippe Oberkampf. Stock Photo

RM2H6AW0X–Les Monuments de Paris (The Monuments of Paris) (Furnishing Fabric), France, 1816/18. Designed by Hippolyte Lebas, engraved by Nicolas Auguste Leisnier, manufactured by Christophe Philippe Oberkampf.