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Boccaccio decameron Stock Photos and Images

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Boccaccio decameron Stock Photos and Images

The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival Stock Photo
RM2R656NA–The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival
The meal. Miniature from The Decameron by Giovanni Boccaccio. Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: ANONYMOUS. Stock Photo
RMR5MJ6G–The meal. Miniature from The Decameron by Giovanni Boccaccio. Museum: BIBLIOTHEQUE NATIONALE DE FRANCE. Author: ANONYMOUS.
The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival Stock Photo
RM2R656K0–The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival
Art inspired by Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings, James Gillray (British, Chelsea 1756–1815 London), Gillray here parodies a tale found in Boccaccio's Decameron and Dryden's Fables. While, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXED6–Art inspired by Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings, James Gillray (British, Chelsea 1756–1815 London), Gillray here parodies a tale found in Boccaccio's Decameron and Dryden's Fables. While, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The Decameron. Stock Photo
RMMPTBEF–The Decameron.
Louis Jourdan & Joan Fontaine Film: Decameron Nights (1958) Characters: Giovanni Boccaccio / Paganino / Guilio / Don Bertando, Fiametta / Bartolomea / Ginevra / Isabella Director: Hugo Fregonese 13 January 1953 **WARNING** This Photograph is for editorial use only and is the copyright of SUEVIA FILMS and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To SUEVIA FILMS is required. The Photographer should also be credited when known. No commercial use can be grante Stock Photo
RM2K807CT–Louis Jourdan & Joan Fontaine Film: Decameron Nights (1958) Characters: Giovanni Boccaccio / Paganino / Guilio / Don Bertando, Fiametta / Bartolomea / Ginevra / Isabella Director: Hugo Fregonese 13 January 1953 **WARNING** This Photograph is for editorial use only and is the copyright of SUEVIA FILMS and/or the Photographer assigned by the Film or Production Company and can only be reproduced by publications in conjunction with the promotion of the above Film. A Mandatory Credit To SUEVIA FILMS is required. The Photographer should also be credited when known. No commercial use can be grante
Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian. Stock Photo
RMMC2450–Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian.
Giovanni Boccaccio, 1313 – 1375, Italian poet Stock Photo
RM2GMPHF1–Giovanni Boccaccio, 1313 – 1375, Italian poet
Cover of the Deccameron by Giovanni Boccaccio, published in Venice, 1635. Stock Photo
RMP9GX9F–Cover of the Deccameron by Giovanni Boccaccio, published in Venice, 1635.
Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio, Stock Photo
RMD208ER–Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio,
Florentine noblewomen dancing at a fest, 15th century. In turbans and horned hats or escoffion. From the 10th tale in the Decameron. Dames Nobles, Italie, XVe siecle. From a MS of Giovanni Boccaccio's De Mulieribus Claris in the Bibliotheque de l'Arsenal. Chromolithograph by Ferdinand Sere after an illustration by Albert Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858. Stock Photo
RM2K98X99–Florentine noblewomen dancing at a fest, 15th century. In turbans and horned hats or escoffion. From the 10th tale in the Decameron. Dames Nobles, Italie, XVe siecle. From a MS of Giovanni Boccaccio's De Mulieribus Claris in the Bibliotheque de l'Arsenal. Chromolithograph by Ferdinand Sere after an illustration by Albert Racinet from Charles Louandre’s Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.
Gruppierungsversuche im Bereiche des ältesten Holzschnittes . 87188. Voltaire, Zadig ou la Destin^e. 89J90. Boccaccio, Decameron, Giornata ottava. 91. Leopardl, Pensieri. 92. Corneille, Le Menteur. 93. Boccaccio, Decameron, Giornata nona.94|9o, Brünette Latini, Tesoretto. 96|98. Balzac, Le Cabinet des Antiques. 991100. Boccaccio, Decameron, Giornata decima. 101. Boileau, Le Lutrin. 1021107. La Bruydre, Caract^res. 108. Maffei, Merope. 109. Goldoni, Locandiera. 1101111. Metastasio, Didone abbandonata. 1121114. Tillier, Belle-Plante et Cornelius. 1151116. Redi, Poesie Toscane. 117|118. B. de Sai Stock Photo
RM2AJM3D4–Gruppierungsversuche im Bereiche des ältesten Holzschnittes . 87188. Voltaire, Zadig ou la Destin^e. 89J90. Boccaccio, Decameron, Giornata ottava. 91. Leopardl, Pensieri. 92. Corneille, Le Menteur. 93. Boccaccio, Decameron, Giornata nona.94|9o, Brünette Latini, Tesoretto. 96|98. Balzac, Le Cabinet des Antiques. 991100. Boccaccio, Decameron, Giornata decima. 101. Boileau, Le Lutrin. 1021107. La Bruydre, Caract^res. 108. Maffei, Merope. 109. Goldoni, Locandiera. 1101111. Metastasio, Didone abbandonata. 1121114. Tillier, Belle-Plante et Cornelius. 1151116. Redi, Poesie Toscane. 117|118. B. de Sai
Quiet Street in Certaldo Alto Stock Photo
RMMPKXRG–Quiet Street in Certaldo Alto
N/A. Decameron . 1755. Gravelot, dessin - Noël Le Mire, sculpt. 214 BOCCACCIO Decamerone T2 N3 Gravelot-Le Mire 1755-2 Stock Photo
RMP5PD09–N/A. Decameron . 1755. Gravelot, dessin - Noël Le Mire, sculpt. 214 BOCCACCIO Decamerone T2 N3 Gravelot-Le Mire 1755-2
Isabella and the pot of Basil Chapter headpiece, design by English artist and illustrator Eleanor Fortescue-Brickdale in 1898 volume 13 of The Studio Stock Photo
RF2EADPP5–Isabella and the pot of Basil Chapter headpiece, design by English artist and illustrator Eleanor Fortescue-Brickdale in 1898 volume 13 of The Studio
'Boccaccio, Giovanni, 1313 - 21.12.1375, Italian author/writer, works, 'Decamerone', 1350 - 1353, woodcut, Italien issue 1492, Stock Photo
RMA6RNHR–'Boccaccio, Giovanni, 1313 - 21.12.1375, Italian author/writer, works, 'Decamerone', 1350 - 1353, woodcut, Italien issue 1492,
FILE - A file picture dated 11 November 2014 shows Italian playwright Dario Fo next to his painting 'La piacevole brigata del Decameron di Boccaccio' at the ABTART gallery in Stuttgart, Germany. Photo: Bernd Weissbrod/dpa Stock Photo
RMH3X6HX–FILE - A file picture dated 11 November 2014 shows Italian playwright Dario Fo next to his painting 'La piacevole brigata del Decameron di Boccaccio' at the ABTART gallery in Stuttgart, Germany. Photo: Bernd Weissbrod/dpa
Illustratie voor de Decamerone vam Boccaccio Illustration for the Decameron of Boccaccio, history L. Francisco and his wife are right to to talk. Richard is left pointing. The doorway is the horse to see Richard to Fransisco wants to offer, that he and his wife may praten. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material : paper Technique: etching dimensions: plate edge: h 75 mm × 78 b mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, Stock Photo
RM2B6W7H8–Illustratie voor de Decamerone vam Boccaccio Illustration for the Decameron of Boccaccio, history L. Francisco and his wife are right to to talk. Richard is left pointing. The doorway is the horse to see Richard to Fransisco wants to offer, that he and his wife may praten. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material : paper Technique: etching dimensions: plate edge: h 75 mm × 78 b mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre,
Green binding. Goatskin; Tooled in gold; Frame; Panel design. Il Decameron. Berlin, 1829. 146 x 89 x 34 mm. Source: C.29.c.4 upper cover / binding. Author: BOCCACCIO, GIOVANNI. Stock Photo
RMR5EJCE–Green binding. Goatskin; Tooled in gold; Frame; Panel design. Il Decameron. Berlin, 1829. 146 x 89 x 34 mm. Source: C.29.c.4 upper cover / binding. Author: BOCCACCIO, GIOVANNI.
ANDREA DEL CASTAGNO (b. 1423, Castagno, d. 1457, Firenze) Famous Persons: Giovanni Boccaccio c. 1450 Fresco transferred to wood, 250 x 154 cm Galleria degli Uffizi, Florence The picture shows one of the three Tuscan poets represented in the cycle. Giovanni Boccaccio (1313-1375), was an Italian poet and scholar, best remembered as the author of the earthy tales in the Decameron. With Petrarch he laid the foundations for the humanism of the Renaissance and raised vernacular literature to the level and status of the classics of antiquity. --- Keywords: -------------- Author: ANDREA DEL Stock Photo
RM2X43PDR–ANDREA DEL CASTAGNO (b. 1423, Castagno, d. 1457, Firenze) Famous Persons: Giovanni Boccaccio c. 1450 Fresco transferred to wood, 250 x 154 cm Galleria degli Uffizi, Florence The picture shows one of the three Tuscan poets represented in the cycle. Giovanni Boccaccio (1313-1375), was an Italian poet and scholar, best remembered as the author of the earthy tales in the Decameron. With Petrarch he laid the foundations for the humanism of the Renaissance and raised vernacular literature to the level and status of the classics of antiquity. --- Keywords: -------------- Author: ANDREA DEL
Corruption. Miniature from Le livre appellé Decameron by Giovanni Boccaccio. Museum: BIBLIOTHEQUE DE L'ARSENAL. Author: ANONYMOUS. Stock Photo
RMT9M8DK–Corruption. Miniature from Le livre appellé Decameron by Giovanni Boccaccio. Museum: BIBLIOTHEQUE DE L'ARSENAL. Author: ANONYMOUS.
The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival Stock Photo
RM2R656K5–The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival
Adolphe Joseph Thomas Monticelli (1824-1886) - Scene from 'The Decameron' (by Giovanni Boccaccio) Stock Photo
RM2WDY3Y5–Adolphe Joseph Thomas Monticelli (1824-1886) - Scene from 'The Decameron' (by Giovanni Boccaccio)
The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival Stock Photo
RM2R656JM–The Decameron is a 1971 film written and directed by Pier Paolo Pasolini, based on the homonymous work by Giovanni Boccaccio. It is the first episode of the so-called 'Trilogy of Life', continued with The Canterbury Tales (1972) and completed by The Flower of the Arabian Nights (1974). He had several problems with the censorship which seized and released the film and also opened a trial, which in the end saw the defendants (including the director himself) found not guilty. In Germany and most of Europe, however, the film was notable success and won the Silver Bear at the Berlin Film Festival
Edmund Blair Leighton How Liza Loved the King Stock Photo
RMKBYB9P–Edmund Blair Leighton How Liza Loved the King
Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian. Stock Photo
RMMC2451–Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian.
Giovanni Boccaccio, 1313 – 1375, Italian poet Stock Photo
RM2GMPHM8–Giovanni Boccaccio, 1313 – 1375, Italian poet
Print made by Thomas Watson, 1743–1781, British, Sigismunda, 1779. Mezzotint on moderately thick, moderatelly textured, cream laid paper. literary theme , princess , The Decameron (Boccaccio). Sigismunda Stock Photo
RM2E45N6N–Print made by Thomas Watson, 1743–1781, British, Sigismunda, 1779. Mezzotint on moderately thick, moderatelly textured, cream laid paper. literary theme , princess , The Decameron (Boccaccio). Sigismunda
Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio, Stock Photo
RMD2088M–Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio,
Giovanni Boccaccio, 1313 - 1375, an Italian writer, a Democrat, a poet of humanism, Decameron, historical portrait Stock Photo
RMDCHB9A–Giovanni Boccaccio, 1313 - 1375, an Italian writer, a Democrat, a poet of humanism, Decameron, historical portrait
Gruppierungsversuche im Bereiche des ältesten Holzschnittes . STRASSBURG J. H. Ed. Heitz (Heitz & Mündel) 1911 J. H. ED. HEITZ (HEITZ & MÜNDEL). BIBLIOTHECA HOMANICA. Preis jeder Nummer 40 Pfennige. Jedes Werk auch gebunden vorrätig. l. Moliöre, Le Misanthrope. 2 Moli6re, Les Femmes savantes. 3. Corneille, Le Cid. 4. Deecartes, Discours de la m^thode.5|6. Dante, Divina Commedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Calderon, La vida es sueno. 9. Restif de la Bretonne, Lan 2000.10. Camöes, Os Lusiadas: Canto I, 11.lt. Racine, Athalie. 12/15. Petrarca, Rerum vulgarium fragmenta Stock Photo
RM2AJM3W5–Gruppierungsversuche im Bereiche des ältesten Holzschnittes . STRASSBURG J. H. Ed. Heitz (Heitz & Mündel) 1911 J. H. ED. HEITZ (HEITZ & MÜNDEL). BIBLIOTHECA HOMANICA. Preis jeder Nummer 40 Pfennige. Jedes Werk auch gebunden vorrätig. l. Moliöre, Le Misanthrope. 2 Moli6re, Les Femmes savantes. 3. Corneille, Le Cid. 4. Deecartes, Discours de la m^thode.5|6. Dante, Divina Commedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Calderon, La vida es sueno. 9. Restif de la Bretonne, Lan 2000.10. Camöes, Os Lusiadas: Canto I, 11.lt. Racine, Athalie. 12/15. Petrarca, Rerum vulgarium fragmenta
Steel engraving, c. 1860, Giovanni Boccaccio, 1313 - 1375, an Italian writer, a Democrat, a poet of humanism, Decameron, Stock Photo
RMH9GBBX–Steel engraving, c. 1860, Giovanni Boccaccio, 1313 - 1375, an Italian writer, a Democrat, a poet of humanism, Decameron,
. Scene of the Narration of the Decameron . Deutsch: Motiv aus der Erzählung des Dekameron (Il Decamerone) von Giovanni Boccaccio . by 1906 280 Salvatore Postiglione Motiv aus dem Decamerone Stock Photo
RMP2BF14–. Scene of the Narration of the Decameron . Deutsch: Motiv aus der Erzählung des Dekameron (Il Decamerone) von Giovanni Boccaccio . by 1906 280 Salvatore Postiglione Motiv aus dem Decamerone
The Decameron by Giovanni Boccaccio, created by Joannes and Gregorius de Gregoriis, 1492 Stock Photo
RM2GMPJ4J–The Decameron by Giovanni Boccaccio, created by Joannes and Gregorius de Gregoriis, 1492
'Boccaccio, Giovanni, 1313 - 21.12.1375, Italian author/writer, works, 'Decamerone', 1350 - 1353, woodcut, Italien issue 1492, Stock Photo
RMA6RNHW–'Boccaccio, Giovanni, 1313 - 21.12.1375, Italian author/writer, works, 'Decamerone', 1350 - 1353, woodcut, Italien issue 1492,
Jean Boccace, frontispiece from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Jean Boccace, frontispiece from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2EPRN–Jean Boccace, frontispiece from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Jean Boccace, frontispiece from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history XLII. Pietro Boccamasso and his lover Angelina are overwhelmed by struikrovers. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 75 mm x b 80 mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, Stock Photo
RM2B6W7JE–Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history XLII. Pietro Boccamasso and his lover Angelina are overwhelmed by struikrovers. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material: paper Technique: etching Dimensions: plate edge: H 75 mm x b 80 mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699,
The gardener being welcomed at a door, by the owner. The gardener inside the garden holding the hand of a woman, and being led into an outbuilding. The Decameron of Boccaccio. Late 15th century. Source: Add.35322 f.121v. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent. Stock Photo
RMR50RDJ–The gardener being welcomed at a door, by the owner. The gardener inside the garden holding the hand of a woman, and being led into an outbuilding. The Decameron of Boccaccio. Late 15th century. Source: Add.35322 f.121v. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent.
Jean Boccace, frontispiece from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Jean Boccace, frontispiece from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2EPBG–Jean Boccace, frontispiece from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Jean Boccace, frontispiece from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
BOCCACCIO, Giovanni (Certaldo,1313-Certaldo,1375) Escritor italiano. 'EL DECAMERON', publicado hacia el 1350-1353. Detalle de una página iluminada de un manuscrito francés del año 1435. Biblioteca Nacional. París. Francia. Stock Photo
RMP5511T–BOCCACCIO, Giovanni (Certaldo,1313-Certaldo,1375) Escritor italiano. 'EL DECAMERON', publicado hacia el 1350-1353. Detalle de una página iluminada de un manuscrito francés del año 1435. Biblioteca Nacional. París. Francia.
Grisélidis, plate 10 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Grisélidis, plate 10 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2EPYE–Grisélidis, plate 10 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Grisélidis, plate 10 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
Sigismonda, Print made by John Blackmore, active 1740–1780, after Richard Cosway, 1742–1821, British, Print made by John Blackmore, active 1740–1780, between 1769 and 1771, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm), Plate: 15 1/2 x 10 7/8 inches (39.3 x 27.7 cm), and Image: 13 7/16 x 10 7/8 inches (34.2 x 27.7 cm), beaded, bracelets, cameo, castle, chalice, city, crying, curls, Day 4, Tale 1 (The Decameron), death, diadem, heart, jewelry, lady, literary theme, love, murder, necklace, poison, portrait, princess, robe, sashes Stock Photo
RM2DHWYT5–Sigismonda, Print made by John Blackmore, active 1740–1780, after Richard Cosway, 1742–1821, British, Print made by John Blackmore, active 1740–1780, between 1769 and 1771, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm), Plate: 15 1/2 x 10 7/8 inches (39.3 x 27.7 cm), and Image: 13 7/16 x 10 7/8 inches (34.2 x 27.7 cm), beaded, bracelets, cameo, castle, chalice, city, crying, curls, Day 4, Tale 1 (The Decameron), death, diadem, heart, jewelry, lady, literary theme, love, murder, necklace, poison, portrait, princess, robe, sashes
Grisélidis, plate 10 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Grisélidis, plate 10 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2EPA2–Grisélidis, plate 10 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Grisélidis, plate 10 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
Noble woman of Florence, 14th century. Stock Photo
RME605XR–Noble woman of Florence, 14th century.
Totalerg - Total Petrol station Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian. Stock Photo
RMMC245C–Totalerg - Total Petrol station Fiesole is a town on a scenic height above Florence, 8 kilometres (5 mi) northeast of that city. The Decameron by Giovanni Boccaccio is set in the slopes of Fiesole.Tuscany, Italy - Italian.
Le Péché Partagé, plate 1 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Péché Partagé, plate 1 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2ER50–Le Péché Partagé, plate 1 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Péché Partagé, plate 1 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
Giovanni Boccaccio 1313 –1375 Italian, writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote The Decameron and On Famous Women. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Odoardo Fantacchiotti Stock Photo
RMK8K04R–Giovanni Boccaccio 1313 –1375 Italian, writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote The Decameron and On Famous Women. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Odoardo Fantacchiotti
Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio, Stock Photo
RMD208E0–Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio,
Le Péché Partagé, plate 1 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Péché Partagé, plate 1 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2ERTM–Le Péché Partagé, plate 1 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Péché Partagé, plate 1 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
CERALDO, TUSCANY / ITALY, JUNE 20 2018: An outdoor cafe in the birthplace of Giovanni Boccaccio, author of Decameron, a medieval collection of tales s Stock Photo
RFRWG8KT–CERALDO, TUSCANY / ITALY, JUNE 20 2018: An outdoor cafe in the birthplace of Giovanni Boccaccio, author of Decameron, a medieval collection of tales s
Le Mariage Imprévu, plate 2 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Mariage Imprévu, plate 2 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2EPYB–Le Mariage Imprévu, plate 2 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Mariage Imprévu, plate 2 from 'The Decameron'. The Decameron. 1873. Etching; proof before letter. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
. English: Ghismunda (Personaggio di una novella del Decameron di Giovanni Boccaccio) . between 1650 and 1659. Bernardino Mei - Pinacoteca nazionale di Siena Ghismunda - Bernardino Mei Stock Photo
RMMMY2PA–. English: Ghismunda (Personaggio di una novella del Decameron di Giovanni Boccaccio) . between 1650 and 1659. Bernardino Mei - Pinacoteca nazionale di Siena Ghismunda - Bernardino Mei
The Pestilence at Florence, 14th century, theme from the Decamerone by Giovanni Boccaccio Stock Photo
RM2GMPJBP–The Pestilence at Florence, 14th century, theme from the Decamerone by Giovanni Boccaccio
Français : Boccace lisant le Décaméron à la reine Jeanne de Naples English: Boccaccio reading from the Decameron to Queen Johanna of Naples Nederlands: Boccaccio leest koningin Johanna van Napels de Decameron voor 1849. 1252 Wappers-boccace-Reine Jeanne Stock Photo
RMMP5068–Français : Boccace lisant le Décaméron à la reine Jeanne de Naples English: Boccaccio reading from the Decameron to Queen Johanna of Naples Nederlands: Boccaccio leest koningin Johanna van Napels de Decameron voor 1849. 1252 Wappers-boccace-Reine Jeanne
CORNIGLI, ITALY - May 27, 2020: The access road to the village of Corniglia in Italy to the place where cars are not allowed to continue with many tou Stock Photo
RF2FMNRJ6–CORNIGLI, ITALY - May 27, 2020: The access road to the village of Corniglia in Italy to the place where cars are not allowed to continue with many tou
. English: This fresco was originally located at the Roccabianca Castle (Italy). It is now visible at the Sforza Castle, Milan, Italy. The fresco cycle represents astrological images on the ceiling and an illustration of the Griselda story from the Decameron by Giovanni Boccaccio . between 1446 and 1460. an unknown author of the school of Niccolo' da Varallo 1044 Rb03 Stock Photo
RMMNTP5F–. English: This fresco was originally located at the Roccabianca Castle (Italy). It is now visible at the Sforza Castle, Milan, Italy. The fresco cycle represents astrological images on the ceiling and an illustration of the Griselda story from the Decameron by Giovanni Boccaccio . between 1446 and 1460. an unknown author of the school of Niccolo' da Varallo 1044 Rb03
Book II, chapter 1. Martellino, visiting the church as if to seek a cure for his pretended lameness, is attacked by two men. Text with decorated initial and borders. Decameron. Netherlands; circa 1475. Source: Add. 35322, f.43v. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent. Stock Photo
RMR5CGRX–Book II, chapter 1. Martellino, visiting the church as if to seek a cure for his pretended lameness, is attacked by two men. Text with decorated initial and borders. Decameron. Netherlands; circa 1475. Source: Add. 35322, f.43v. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent.
Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history LVI. Michiel Scalso discusses with a group mannen. Manufacturer : print maker: Romeyn the Hooghe To own design: Romeyn the Hooghe (attributed to) Place manufacture: The Netherlands Date: 1697 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 77 mm × b 78 mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732. Su Stock Photo
RM2B6W7MN–Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history LVI. Michiel Scalso discusses with a group mannen. Manufacturer : print maker: Romeyn the Hooghe To own design: Romeyn the Hooghe (attributed to) Place manufacture: The Netherlands Date: 1697 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 77 mm × b 78 mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732. Su
The Decameron. Museum: PRIVATE COLLECTION. Author: Postiglione. Stock Photo
RMRCMAAX–The Decameron. Museum: PRIVATE COLLECTION. Author: Postiglione.
Boccaccio in the Niches of the Uffizi Colonnade, Florence. Stock Photo
RFR36CN6–Boccaccio in the Niches of the Uffizi Colonnade, Florence.
Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) 1867 by Valentine Cameron Prinsep Stock Photo
RM2RKJ8TM–Lisa (possibly from Boccaccio's 'The Decameròn' IV. 5) 1867 by Valentine Cameron Prinsep
. Die Rundkapelle zu Altenfurt bei Nürnberg, ein Bauwerk des 12. Jahrhunderts; eine geschichtliche und bauwissenschaftliche Untersuchung . ntes. 3. Corneille, Le Cid. 4. Descartes, Discours de la möthode.5/6 Dante, Divina Coinmedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Caldepon, La vida es sueiio. 9. Restif de la Bretonne, Lan 2000. 10. Camoes, Os Lusiadas: Canto I, II. 11. Racine, .A.thalie. 12/15. Petrarca, Rerum vulgarium fragmenta. 16/17. Dante, Divina Commedia II: Purgatorio. 18,20. Tillier, Mon oncle Benjamin. 21/22. Boccaccio, Decameron, Seconda giornata. 23/21. Beauma Stock Photo
RM2CGWW2C–. Die Rundkapelle zu Altenfurt bei Nürnberg, ein Bauwerk des 12. Jahrhunderts; eine geschichtliche und bauwissenschaftliche Untersuchung . ntes. 3. Corneille, Le Cid. 4. Descartes, Discours de la möthode.5/6 Dante, Divina Coinmedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Caldepon, La vida es sueiio. 9. Restif de la Bretonne, Lan 2000. 10. Camoes, Os Lusiadas: Canto I, II. 11. Racine, .A.thalie. 12/15. Petrarca, Rerum vulgarium fragmenta. 16/17. Dante, Divina Commedia II: Purgatorio. 18,20. Tillier, Mon oncle Benjamin. 21/22. Boccaccio, Decameron, Seconda giornata. 23/21. Beauma
Young man of Florence, 14th century. Stock Photo
RME605XP–Young man of Florence, 14th century.
Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings Stock Photo
RMKC8G1R–Cymon and Iphigenia, 1796, Watercolor, pen and black ink over graphite, sheet: 8 7/16 x 9 5/8 in. (21.5 x 24.5 cm), Drawings
Sigismunda with the Heart of Guiscardo, 1645. Illustrates a scene from Boccaccio's Decameron. Stock Photo
RM2F3D4BJ–Sigismunda with the Heart of Guiscardo, 1645. Illustrates a scene from Boccaccio's Decameron.
Giovanni Boccaccio 1313 –1375 Italian, writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote The Decameron and On Famous Women. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Odoardo Fantacchiotti Stock Photo
RMK8K04Y–Giovanni Boccaccio 1313 –1375 Italian, writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Boccaccio wrote The Decameron and On Famous Women. Statue at the Uffizi Gallery in Florence, Tuscany Italy. by Odoardo Fantacchiotti
Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio, Stock Photo
RMD208BK–Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio,
Giovanni Boccaccio Florence Italy Italian Decameron Stock Photo
RMAHMP42–Giovanni Boccaccio Florence Italy Italian Decameron
CERALDO, TUSCANY / ITALY, JUNE 20 2018: A view of the village where Giovanni Boccaccio, author of Decameron, a medieval collection of tales set in in Stock Photo
RFRWG8KM–CERALDO, TUSCANY / ITALY, JUNE 20 2018: A view of the village where Giovanni Boccaccio, author of Decameron, a medieval collection of tales set in in
L'Enfer des Beautés Cruelles, plate 5 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. L'Enfer des Beautés Cruelles, plate 5 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2ERBW–L'Enfer des Beautés Cruelles, plate 5 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. L'Enfer des Beautés Cruelles, plate 5 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
Belt with Profiles of Half-Length Figures, ca. 1350–1400 Stock Photo
RMKCDC1R–Belt with Profiles of Half-Length Figures, ca. 1350–1400
Giovanni Boccaccio, 1313 - 1375, an Italian writer, democrat, humanist poet, author of the Decameron, Giovanni Boccaccio, 1313 - Stock Photo
RMEAJYFF–Giovanni Boccaccio, 1313 - 1375, an Italian writer, democrat, humanist poet, author of the Decameron, Giovanni Boccaccio, 1313 -
Giovanni Boccaccio engraved vector portrait with ink contours. Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist. Stock Vector
RF2G6G8P5–Giovanni Boccaccio engraved vector portrait with ink contours. Italian writer, poet, correspondent of Petrarch, and an important Renaissance humanist.
'Le Decameron' de Boccace pour quadrille. Lithographie, 19e siecle. Stock Photo
RM2A8NB6Y–'Le Decameron' de Boccace pour quadrille. Lithographie, 19e siecle.
. English: Giovanni Boccaccio and Florentines who have fled from the plague Contents: Giovanni Boccaccio, Le Decameron. Translated from the Italian by Laurent de Premierfait Place of origin, date: Bruges, Master of 1482 and follower (illuminators); c. 1485 Material: Vellum, ff. 440, 457x334 (289x202) mm, 37 lines, littera hybrida, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 7 two-column miniatures (220/205x220/200 mm) with decorated initials; penwork initials with pen-flourishes (only ff. 2r-16v) Provenance: Philip of Cleves (d. 1528; signat Stock Photo
RMMY5Y8N–. English: Giovanni Boccaccio and Florentines who have fled from the plague Contents: Giovanni Boccaccio, Le Decameron. Translated from the Italian by Laurent de Premierfait Place of origin, date: Bruges, Master of 1482 and follower (illuminators); c. 1485 Material: Vellum, ff. 440, 457x334 (289x202) mm, 37 lines, littera hybrida, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 7 two-column miniatures (220/205x220/200 mm) with decorated initials; penwork initials with pen-flourishes (only ff. 2r-16v) Provenance: Philip of Cleves (d. 1528; signat
Book VI, chapter 1. The Knight rides with Oretta, telling his story to the people following them on foot. Text with decorated initial. Decameron. Netherlands; circa 1475. Source: Add. 35323, f.1. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent. Stock Photo
RMR58824–Book VI, chapter 1. The Knight rides with Oretta, telling his story to the people following them on foot. Text with decorated initial. Decameron. Netherlands; circa 1475. Source: Add. 35323, f.1. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent.
Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history LXXIII. Calandrin loaded with stenen. Manufacturer : print maker: Romeyn the Hooghe To own design: Romeyn the Hooghe (attributed to) Place manufacture: The Netherlands Date: 1697 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 72 mm × b 79 mmToelichtingIllustratie for: Contes Florentin et nouvelles the Bocace. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732. Subject (scenes Stock Photo
RM2B6W7N8–Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history LXXIII. Calandrin loaded with stenen. Manufacturer : print maker: Romeyn the Hooghe To own design: Romeyn the Hooghe (attributed to) Place manufacture: The Netherlands Date: 1697 Physical characteristics: etching material: paper Technique: etching dimensions: plate edge: h 72 mm × b 79 mmToelichtingIllustratie for: Contes Florentin et nouvelles the Bocace. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732. Subject (scenes
PAGINA DE 'EL DECAMERON'. Author: GIOVANNI BOCCACCIO. Stock Photo
RM2B7N9CK–PAGINA DE 'EL DECAMERON'. Author: GIOVANNI BOCCACCIO.
Statue of Giovanni Boccaccio at the Uffizi Gallery in Florence, Tuscany Italy Europe EU Stock Photo
RMK6ENH2–Statue of Giovanni Boccaccio at the Uffizi Gallery in Florence, Tuscany Italy Europe EU
Art inspired by Belt with Profiles of Half-Length Figures, ca. 1350–1400, Italian, Basse taille enamel, silver-gilt, mounted on textile belt, 69 x 1 x 11/16 in. (175.3 x 2.5 x 1.7 cm), Enamels-Basse taille, Extravagant girdles used to cinch the fall of clothing at the waist were often, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW9037–Art inspired by Belt with Profiles of Half-Length Figures, ca. 1350–1400, Italian, Basse taille enamel, silver-gilt, mounted on textile belt, 69 x 1 x 11/16 in. (175.3 x 2.5 x 1.7 cm), Enamels-Basse taille, Extravagant girdles used to cinch the fall of clothing at the waist were often, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Die Rundkapelle zu Altenfurt bei Nürnberg, ein Bauwerk des 12. Jahrhunderts; eine geschichtliche und bauwissenschaftliche Untersuchung . bibuotheque^ francaise^ b^blioteca^Tt^ 7YlBLI0TECA^ESPAN0LA^WBUOrECA PÖRTUGUESA Erschieneti sind: 1. Moli^Fe, Le Misanthrope. 2. Moliere, Les Femmes savantes. 3. Corneille, Le Cid. 4. Descartes, Discours de la möthode.5/6 Dante, Divina Coinmedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Caldepon, La vida es sueiio. 9. Restif de la Bretonne, Lan 2000. 10. Camoes, Os Lusiadas: Canto I, II. 11. Racine, .A.thalie. 12/15. Petrarca, Rerum vulgarium Stock Photo
RM2CGWXBW–. Die Rundkapelle zu Altenfurt bei Nürnberg, ein Bauwerk des 12. Jahrhunderts; eine geschichtliche und bauwissenschaftliche Untersuchung . bibuotheque^ francaise^ b^blioteca^Tt^ 7YlBLI0TECA^ESPAN0LA^WBUOrECA PÖRTUGUESA Erschieneti sind: 1. Moli^Fe, Le Misanthrope. 2. Moliere, Les Femmes savantes. 3. Corneille, Le Cid. 4. Descartes, Discours de la möthode.5/6 Dante, Divina Coinmedia I: Inferno. 7. Boccaccio, Decameron, Prima giornata. 8. Caldepon, La vida es sueiio. 9. Restif de la Bretonne, Lan 2000. 10. Camoes, Os Lusiadas: Canto I, II. 11. Racine, .A.thalie. 12/15. Petrarca, Rerum vulgarium
Rocca di Radicofani, Tuscany, Italy Stock Photo
RF2H53N2R–Rocca di Radicofani, Tuscany, Italy
Northern gate of the hilltop Rocca above Radicofani southern Tuscany Stock Photo
RFAFFRBA–Northern gate of the hilltop Rocca above Radicofani southern Tuscany
Ghismonda, Guiscardo, and the Prince of Salerno, from The Decameron, before 1534. Stock Photo
RM2DCBDX0–Ghismonda, Guiscardo, and the Prince of Salerno, from The Decameron, before 1534.
Cymon and Iphigenia, painting by Benjamin West, 1766 Stock Photo
RM2E2TKG9–Cymon and Iphigenia, painting by Benjamin West, 1766
Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio, Stock Photo
RMD208AX–Engraving showing the Tenth day of the Decameron. The Decameron is a 14th-century medieval allegory by Giovanni Boccaccio,
'Isabella and the Pot of Basil', c1867. Artist: William Holman Hunt Stock Photo
RMW7CA65–'Isabella and the Pot of Basil', c1867. Artist: William Holman Hunt
Boccaccio in the Niches of the Uffizi Colonnade, Florence. The niches beneath the porticos of the Uffizi Gallery were originally designed by Vasari pu Stock Photo
RFKPFG0B–Boccaccio in the Niches of the Uffizi Colonnade, Florence. The niches beneath the porticos of the Uffizi Gallery were originally designed by Vasari pu
Le Cordelier de Venise, plate 4 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Cordelier de Venise, plate 4 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints Stock Photo
RM2T2ER0T–Le Cordelier de Venise, plate 4 from 'The Decameron' Engraver Léopold Flameng French Author Giovanni Boccaccio Italian 1873 View more. Le Cordelier de Venise, plate 4 from 'The Decameron'. The Decameron. 1873. Etching. Léopold Flameng (French (born Belgium), Brussels 1831–1911 Paris). Prints
'Sigismonda, with the heart of her husband', 1833. Artist: TW Shaw Stock Photo
RMW7DAT3–'Sigismonda, with the heart of her husband', 1833. Artist: TW Shaw
Stack of Leather Bound Books Stock Photo
RMAW7DRT–Stack of Leather Bound Books
'Sigismunda', 1808, (1827). Creator: Thomas Cook. Stock Photo
RMT0J798–'Sigismunda', 1808, (1827). Creator: Thomas Cook.
A commemorative circulated two euro coin issued by Italy in 2013 and commemorating the anniversary of birth of the Italian poet Stock Photo
RFGD4RTX–A commemorative circulated two euro coin issued by Italy in 2013 and commemorating the anniversary of birth of the Italian poet
. English: Giovanni Boccaccio and Florentines who have fled from the plague Contents: Giovanni Boccaccio, Le Decameron. Translated from the Italian by Laurent de Premierfait Place of origin, date: Bruges, Master of 1482 and follower (illuminators); c. 1485 Material: Vellum, ff. 440, 457x334 (289x202) mm, 37 lines, littera hybrida, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 7 two-column miniatures (220/205x220/200 mm) with decorated initials; penwork initials with pen-flourishes (only ff. 2r-16v) Provenance: Philip of Cleves (d. 1528; signat Stock Photo
RMMW337E–. English: Giovanni Boccaccio and Florentines who have fled from the plague Contents: Giovanni Boccaccio, Le Decameron. Translated from the Italian by Laurent de Premierfait Place of origin, date: Bruges, Master of 1482 and follower (illuminators); c. 1485 Material: Vellum, ff. 440, 457x334 (289x202) mm, 37 lines, littera hybrida, Binding: 18th-century brown leather; gilt; with coat of arms of Stadholder William V Decoration: 7 two-column miniatures (220/205x220/200 mm) with decorated initials; penwork initials with pen-flourishes (only ff. 2r-16v) Provenance: Philip of Cleves (d. 1528; signat
Dedicatory prologue. The Duc de Berry receives the book from the translator; a corridor full of courtiers and a courtyard above. Text with decorated initial and borders. Decameron. Netherlands; circa 1475. Source: Add. 35322, f.1. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent. Stock Photo
RMR570AP–Dedicatory prologue. The Duc de Berry receives the book from the translator; a corridor full of courtiers and a courtyard above. Text with decorated initial and borders. Decameron. Netherlands; circa 1475. Source: Add. 35322, f.1. Language: French. Author: BOCCACCIO, GIOVANNI. Master of the Harley Froissart. Premierfait, Laurent.
Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history XVIII. The Count of Angers kisses the hand of the king of Frankrijk. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 76 79 mm × b mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732 Stock Photo
RM2B6W7JF–Illustratie voor de Decamerone van Boccaccio Illustration for the Decameron of Boccaccio, history XVIII. The Count of Angers kisses the hand of the king of Frankrijk. Manufacturer : printmaker: Romeyn de Hooghe To own design: Romeyn de Hooghe (attributed to) Place manufacture: Netherlands Date: 1697 Physical features: etching material: paper Technique: etching Dimensions: plate edge: h 76 79 mm × b mmToelichtingIllustratie for: Contes et nouvelles the Bocace Florentin. Traduction libre, 2 parts, Amsterdam, George Gallet, 1697. Subsequent editions of the same illustrations from 1699, 1702, 1732
The Decameron. Museum: Liechtenstein Museum. Author: Winterhalter, Franz Xavier. Stock Photo
RMRCF6T3–The Decameron. Museum: Liechtenstein Museum. Author: Winterhalter, Franz Xavier.
'Sigismunda Mourning over the Heart of Guiscardo', 1759. Artist: William Hogarth. Stock Photo
RMW7F1GP–'Sigismunda Mourning over the Heart of Guiscardo', 1759. Artist: William Hogarth.
Certaldo, Tuscany, Italy - December 2019: View of the main cobbled street in the medieval town of Certaldo, Tuscany, Italy Stock Photo
RF2AYHYYF–Certaldo, Tuscany, Italy - December 2019: View of the main cobbled street in the medieval town of Certaldo, Tuscany, Italy
. Six thousand years of history. -bed for the propagation of fever in its mostdeadly form. The visitation of Italy by the pest in 1348has been vividly described by Boccaccio in his introductionto the Decameron. There was no country in which atleast one-third of the inhabitants were not destroyed. Thepopulation of England, as far as can be judged, was about4,000,000, and of these one-half were swept away. Thecrops were left to rot for want of laborers to cut them,and town and country were full of desolation, mourning,and woe. Travelers in Germany found cities and villageswithout a living inhabi Stock Photo
RM2AFWP3T–. Six thousand years of history. -bed for the propagation of fever in its mostdeadly form. The visitation of Italy by the pest in 1348has been vividly described by Boccaccio in his introductionto the Decameron. There was no country in which atleast one-third of the inhabitants were not destroyed. Thepopulation of England, as far as can be judged, was about4,000,000, and of these one-half were swept away. Thecrops were left to rot for want of laborers to cut them,and town and country were full of desolation, mourning,and woe. Travelers in Germany found cities and villageswithout a living inhabi
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