RM2B0MJ8D–After Bernardo Buontalenti (Bernardo delle Girandole), Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine, After Bernardo Buontalenti (Bernardo delle Girandole) (Italian, Florence ca. 1531–1608 Florence), Orazio Scarabelli (Italian, active Florence, ca. 1589), Epifanio d'Alfiano (Italian, ca. 1581–1607), 1589–1592, Etching, Overall: 10 9/16 x 15 13/16 x 9/16 in. (26.8 x 40.1 x 1.4 cm
RM2DKRJJC–Italy, Tuscany, Florence. Palazzo Nonfinito (Unfinished Palace). Mannerist style. Bernardo Buontalenti designed it in 1593 for the Strozzi family. He built only the courtyard and the first floor. Additional construccion was added later by different architects. It houses the Anthropology and Ethnology section of the Museum of Natural History of Florence (National Museum of Mankind). Facade.
RM2DMEEY9–The Harmony of Spheres, from Intermezzo by Giovanni de'Bardi, Agostino Carracci, Italian, 1557 – 1602, Bernardo Buontalenti, Italian, ca. 1531 - 1608, Engraving and etching on paper, Italy, 1589, Print
RMF7AAG8–Medici Painted ceiling of the Chapel of the princes. Architect: Matteo Nagetti and Bernardo Buontalenti Medici Chapels, Florence
RM2A2P38A–Agostino Carracci, Italian, 1557-1602, after Andrea Boscoli, Italian, after Bernardo Buontalenti, Italian, The Harmony of the Spheres, between 1589 and 1592, etching and engraving printed in black ink on laid paper, Image: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm
RMW2DT64–'View of Florence from the Belvedere', 1890. Creator: Unknown.
RF2HE2RCF–December 2021 Florence, Italy: The Tribune of Bernardo Buontalenti in Uffizi Gallery. Uffizi indoors.
RFM68D3R–Florence, Italy - May 23, 2011: Fontana dello Sprone, one of the most famous fountains in Florence. Built in 1608 by Bernardo Buontalenti, and located
RMPB0H5H–Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence. Artist: Attributed to Cigoli (Ludovico Cardi) (Italian, Castello di Cigoli 1559-1613 Rome); after design by Bernardo Buontalenti (Bernardo delle Girandole) (Italian, Florence ca. 1531-1608 Florence). Dimensions: sheet: 16 1/2 x 15 in. (41.9 x 38.1 cm). Date: 1589. Museum: Metropolitan Museum of Art, New York, USA.
RM2PGB21C–Bernardo Buontalenti, or Bernardo delle Girandole, Italian stage designer, architect, painter, miniaturist, sculptor, military engineer and inventor of Italian gelato or ice cream, c.1531-1608. Self portrait holding a pair of compasses. Pittore, miniatore, scultore, architetto. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RMM6YKDX–Florence. Italy. The Tribuna of the Uffizi, designed by Bernardo Buontalenti (1536-1608), Galleria degli Uffizi.
RMKF0HER–Florentine Intermedi of 1589 - L'armonia della stere. Setting designed by Bernardo Buontalenti for the first intermedio from the 1589 Medici wedding: Harmony descends to earth (intermedi attempted to recreate what was believed to be the ancient world's integration of music, drama and staging).
RM2B03419–The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace fr
RMKF0J32–Florentine Intermedi of 1589 - L'armonia della stere. Setting designed by Bernardo Buontalenti for the first intermedio from the 1589 Medici wedding: Harmony descends to earth (intermedi attempted to recreate what was believed to be the ancient world's integration of music, drama and staging). Tinted version.
RM2E197XX–Italy, Tuscany: Florence (Firenze in Italian). The Tribuna degli Uffizi, an octagonal room designed by Bernardo Buontalenti in the Uffizi Gallery
RMKF0HEP–Florentine Intermedi of 1589 - Battaglia pitica. Setting designed by Bernardo Buontalenti for the third intermedio from the 1589 Medici wedding: Apollo' s descent from the clouds to defeat the dragon Python. (intermedi attempted to recreate what was believed to be the ancient world's integration of music, drama and staging).
RM2RB558C–Grotta grande. giardino di boboli. Florence. Tuscany
RMKF0J31–Florentine Intermedi of 1589 - Battaglia pitica. Setting designed by Bernardo Buontalenti for the third intermedio from the 1589 Medici wedding: Apollo' s descent from the clouds to defeat the dragon Python. (intermedi attempted to recreate what was believed to be the ancient world's integration of music, drama and staging). Tinted version.
RM2F5H7MW–Firenze (Via Cavour, 63) - Porta del Casino Mediceo, Bernardo Buontalenti. Carlo Brogi (Italian, 1850 - 1925)
RM2AHP3RG–Stefano della Bella. South Facade of the Villa and the Great Meadow, from Views of the Villa Pratolino. 1653–1655. Italy. Etching on cream laid paper This view is from a set of six signed and numbered etchings of the Villa Pratolino in Florence and its famous park, fountains, and grottoes. The villa, which was destroyed in 1822, was created around 1569-84 for Grand Duke Francesco I de’ Medici based on the designs of Bernardo Buontalenti and others. This set of plates was so popular that it continued to be printed into the 18th century.
RM2KFKJYD–Sketches of Tuscan Villas, n.d. Attributed to Bernardo Buontalenti.
RF2A4YMHN–Pistoia Tuscany Italy Saint Barbara old fortress of the town built by Bernardo Buontalenti with the main tower and brick walls
RM2GHRN6D–Grotta del Buontalenti, Grotto of the Buontalenti, 1583-1593, architect and sculptor Bernardo Buontalenti, Giardino di Boboli, Boboli Garden with
RF2H26F96–FLORENCE /ITALY
RM2PJ9N1M–Palazzo di Bianca Cappello with its unique facade decoration. Florence, Italy
RM2RW64DG–Restauro della Tribuna. A selection of marble figures on display in the Restauro della Tribuna (Restoration of the Tribune) an octagonal room at the
RF2HE2DRD–December 2021 Florence, Italy: La Tribuna ceiling in the Uffizi museum. Dome-ceiling
RM2T6CW7N–Bernardo Buontalenti, or Bernardo delle Girandole, Italian stage designer, architect, painter, miniaturist, sculptor, military engineer and inventor of Italian gelato or ice cream, c.1531-1608. Self portrait holding a pair of compasses. Pittore, miniatore, scultore, architetto. Copperplate engraving by Pietro Antonio Pazzi after Giovanni Domenico Campiglia after a self portrait by the artist from Francesco Moucke's Museo Florentino (Museum Florentinum), Serie di Ritratti de Pittori (Series of Portraits of Painters) stamperia Mouckiana, Florence, 1752-62.
RF2J9KWFN–Fortezza Nuova, fortress completed in 1604, in Scali della Fortezza Nuova, surrounded by boats in historic canal, Livorno, Tuscany, Italy
RMM6YKFB–Florence. Italy. The Tribuna of the Uffizi, designed by Bernardo Buontalenti (1536-1608), Galleria degli Uffizi.
RM2HHY1GM–Design for a Candelabra ca. 1550–80 Bernardo Buontalenti (Bernardo delle Girandole) Italian. Design for a Candelabra 625438
RM2B03416–The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace fr
RM2HYY87P–Oil Lamp. Manner of Bernardo Buontalenti (Italy, Florence, circa 1536-1608). Italy, circa 1575-1600. Furnishings; Lighting. Bronze
RF2M196T5–'Fontana dello Sprone', fountain designed in Mannerist-style by sculptor Bernardo Buontalenti in 17th century, Florence, Oltrarno quarter, Italy
RM2WEH6FC–Portret Van Bernardo Buontalenti, 1752 - 1766 print Text in Italian in the lower margin. Print is part of an album. paper engraving historical persons. portrait, self-portrait of painter
RM2HNHGJT–La Tribuna, The Tribune, Bernardo Buontalenti, Uffizi Gallery, State Museum of Florence, Tuscany, Italy, Europe
RM2HH37BW–Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine 1589–1592 After Bernardo Buontalenti (Bernardo delle Girandole) Italian The wedding celebrations of Francesco I, Grand Duke of Tuscany and Christine of Lorraine were held in Florence in 1589. Officially, they had already been married since 1586, but it was not until Christine travelled to Florence in 1589 that the wedding would be celebrated. The preparations required a full year and mobilized most of the artists and artisans in the c
RF2DG8E52–Posta Medicea or 'Osteria Grossa' designed by Grand Ducal architect Bernardo Buontalenti and located along the ancient path of the Via Francigena, a
RM2B6T5DG–Harmonie van de sferen Display of the first intermezzo during the performance of the play 'La Pellegrina' by Girolamo Bargagli: the atmosphere sitting and standing in rows on clouds. For the six intermezzi Giovanni Bardi machines and costumes were designed by Bernardo Buontalenti. This version was the occasion of the marriage of Ferdinando I de 'Medici and Christina of Lorraine in 1589. Manufacturer : printmaker: Agostino Carracci (listed property) to drawing: Andrea Boscolinaar design: Bernardo BuontalentiPlaats manufacture: printmaker Italy to drawing Florence to design: Florence Date: 1589
RM2HJ4RD8–A Fountain in a Grotto ca. 1598 Giovanni Guerra Italian During the 16th century, Italian nobles developed a taste for artificial grottoes in their gardens and sometimes even in their houses. Artists, such as Giambologna and Bernardo Buontalenti became very skilled in inventing landscapes of rocks and shells often inhabited by amphibians, invertebrates and other animals. The aquatic nature of most of these grottoes also lent itself well to the inclusion of fountains and statues of deities connected to water. In this design by Giovanni Guerra, a river god is seated on the rocks. He supports two
RF2A4YMGN–Pistoia Tuscany Italy Saint Barbara old fortress of the town built by Bernardo Buontalenti with the main tower and brick walls
RM2GHRN5X–Grotta del Buontalenti, Grotto of the Buontalenti, 1583-1593, architect and sculptor Bernardo Buontalenti, Giardino di Boboli, Boboli Garden with
RF2H26F8P–FLORENCE /ITALY
RM2PJ9P05–Palazzo di Bianca Cappello with its unique facade decoration. Florence, Italy
RM2RW6AAF–Restauro della Tribuna A selection of marble figures on display in the Restauro della Tribuna (Restoration of the Tribune) an octagonal room designed
RM2WFT2XX–Apollo en de Python, Agostino Carracci, After Andrea Boscoli, After Bernardo Buontalenti, 1589 - 1592 print Display of the third interlude during the performance of the play 'La Pellegrina' by Girolamo Bargagli: Apollo who beats the Python for a group of spectators in a forest. For the six intermezzi of Giovanni De'Bardi, the machines and costumes were designed by Bernardo Buontalenti. This performance was on the occasion of the marriage of Ferdinando I De'Medics and Christina van Lotharingen in 1589. print maker: Italyafter drawing by: Florenceafter design by: Florencepublisher: Siena paper e
RMPB6091–Album with Prints recording the Festivities and Decorations organized in Florence for the 1589 Wedding of Archduke Ferdinand de' Medici and Christine of Lorraine. Artist: Orazio Scarabelli (Italian, active Florence, ca. 1589); After Bernardo Buontalenti (Bernardo delle Girandole) (Italian, Florence ca. 1531-1608 Florence); Epifanio d'Alfiano (Italian, ca. 1581-1607). Dimensions: Overall: 10 9/16 x 15 13/16 x 9/16 in. (26.8 x 40.1 x 1.4 cm). Subject of book: About Ferdinando I de' Medici, Grand Duke of Tuscany (Italian, Florence 1548-1609 Florence); About Christine of Lorraine, Grand Duchess of
RF2J9KWGJ–Fortezza Nuova, fortress completed in 1604, in Scali della Fortezza Nuova, surrounded by boats in historic canal, Livorno, Tuscany, Italy
RMM6YKD0–Florence. Italy. The Tribuna of the Uffizi, designed by Bernardo Buontalenti (1536-1608), Galleria degli Uffizi.
RF2B93854–Agostino Carracci, Italian, 1557-1602, after Andrea Boscoli, Italian, after Bernardo Buontalenti, Italian, The Harmony of the Spheres, between 1589 and 1592, etching and engraving printed in black ink on laid paper, Image: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2B0342Y–The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace fr
RMF7ABHX–Painted ceiling of the Chapel of the princes. Architect: Matteo Nagetti and Bernardo Buontalenti Medici Chapels, Florence
RF2M196TJ–'Fontana dello Sprone', fountain designed in Mannerist-style by sculptor Bernardo Buontalenti in 17th century, Florence, Oltrarno quarter, Italy
RF2HW5EX9–Art inspired by Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence, 1589, Pen and brown ink, brush with brown and blue-green washes, sheet: 16 1/2 x 15 in. (41.9 x 38.1 cm), Drawings, Attributed to Cigoli (Ludovico Cardi) (Italian, Castello di Cigoli 1559–, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2HNHGJE–La Tribuna, The Tribune, Bernardo Buontalenti, Uffizi Gallery, State Museum of Florence, Tuscany, Italy, Europe
RMG89MW6–Buontalenti, Bernardo
RF2DG8EC4–Posta Medicea or 'Osteria Grossa' designed by Grand Ducal architect Bernardo Buontalenti and located along the ancient path of the Via Francigena, a
RM2B6B3DR–An Apollo the python Display of third interlude during the performance of the play 'La Pellegrina' by Girolamo Bargagli Apollo slaying python for a group of spectators in a forest. For the six intermezzi Giovanni Bardi machines and costumes were designed by Bernardo Buontalenti. This version was the occasion of the marriage of Ferdinando I de 'Medici and Christina of Lorraine in 1589. Manufacturer : printmaker: Agostino Carracci (listed property) to drawing: Andrea Boscolinaar design: Bernardo Buontalentiuitgever: Filippo Suchielli (listed object ) Place manufacture: print maker: Italy to draw
RFEWPXX2–The Forte di Belvedere or Fortezza di Santa Maria in San Giorgio del Belvedere is a fortification in Florence, Italy
RF2A4YMFJ–Pistoia Tuscany Italy Saint Barbara old fortress of the town built by Bernardo Buontalenti with the main tower and brick walls
RM2GHRN72–Grotta del Buontalenti, Grotto of the Buontalenti, 1583-1593, architect and sculptor Bernardo Buontalenti, Giardino di Boboli, Boboli Garden with
RF2H26F9H–FLORENCE /ITALY
RFRM9A8F–The Buontalenti Grotto seen from the interior of the first floor of the Pitti Palace in the city of Florence, Italy.
RM2X1B8DP–Buontalenti, Bernardo, - 19830422 PD139790 - Rechteinfo: Rights Managed (RM)
RM2WFT1M5–Harmonie Van de Sferen, Agostino Carracci, After Andrea Boscoli, After Bernardo Buontalenti, 1589 - 1592 print Display of the first interlude during the performance of the play 'La Pellegrina' by Girolamo Bargagli: the atmospheres sit and stand in rows on clouds. For the six intermezzi of Giovanni De'Bardi, the machines and costumes were designed by Bernardo Buontalenti. This performance was on the occasion of the marriage of Ferdinando I De'Medics and Christina van Lotharingen in 1589. print maker: Italyafter drawing by: Florenceafter design by: Florencepublisher: Siena paper engraving / etch
RMPAY0A2–A Fountain in a Grotto. Artist: Giovanni Guerra (Italian, Modena 1544-1618 Rome). Dimensions: maximum, corners cut to octagonal shape: 10 3/4 × 7 1/4 in. (27.3 × 18.4 cm). Date: ca. 1598. During the 16th century, Italian nobles developed a taste for artificial grottoes in their gardens and sometimes even in their houses. Artists, such as Giambologna and Bernardo Buontalenti became very skilled in inventing landscapes of rocks and shells often inhabited by amphibians, invertebrates and other animals. The aquatic nature of most of these grottoes also lent itself well to the inclusion of fountai
RF2J9KWGN–Fortezza Nuova, fortress completed in 1604, in Scali della Fortezza Nuova, surrounded by boats in historic canal, Livorno, Tuscany, Italy
RMTA6THJ–Villa Artimino, Tuscany, Italy
RMEJY968–The Tribuna in the Uffizi gallery, Florence, Italy.
RM2B0341A–The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace fr
RMF7AAER–Medici Painted ceiling of the Chapel of the princes. Architect: Matteo Nagetti and Bernardo Buontalenti Medici Chapels, Florence
RMKC9XY4–Drawing for Buontalenti's Model for the Facade of S. Maria del Fiore of Florence, Attributed to Cigoli, 1589
RMJEBYHD–Italy, Tuscany, Florence, Oltrarno, Giardino Tu Boboli, view about the town,
RM2HNHGK5–La Tribuna, The Tribune, Bernardo Buontalenti, Uffizi Gallery, State Museum of Florence, Tuscany, Italy, Europe
RMKC9P91–A Fountain in a Grotto, ca. 1598, Pen and brown ink, brush and brown wash, over traces of black and red chalk, maximum, corners
RF2DG8EC0–Posta Medicea or 'Osteria Grossa' designed by Grand Ducal architect Bernardo Buontalenti and located along the ancient path of the Via Francigena, a
RM2B6T5D6–Harmonie van de sferen Display of the first intermezzo during the performance of the play 'La Pellegrina' by Girolamo Bargagli: the atmosphere sitting and standing in rows on clouds. For the six intermezzi Giovanni Bardi machines and costumes were designed by Bernardo Buontalenti. This version was the occasion of the marriage of Ferdinando I de 'Medici and Christina of Lorraine in 1589. Manufacturer : printmaker: Agostino Carracci (listed property) to drawing: Andrea Boscolinaar design: Bernardo Buontalentiuitgever: Filippo Suchielli (listed object ) Place manufacture: print maker: Italy to dr
RMKCDJCW–Naumachia in the Court of Palazzo Pitti, from an Album with Plates documenting the Festivities of the 1589 Wedding
RF2A4YMYG–Pistoia Tuscany Italy main entrance to Saint Barbara old military fortress built by Bernardo Buontalenti under Medici family reign
RF2HTXBE0–Art inspired by A Fountain in a Grotto, ca. 1598, Pen and brown ink, brush and brown wash, over traces of black and red chalk, maximum, corners cut to octagonal shape: 10 3/4 × 7 1/4 in. (27.3 × 18.4 cm), Giovanni Guerra (Italian, Modena 1544–1618 Rome), During the 16th century, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2H26F8X–FLORENCE /ITALY
RF2HW5GT2–Art inspired by Naumachia in the Court of Palazzo Pitti, from an Album with Plates documenting the Festivities of the 1589 Wedding of Arch Duke Ferdinand I de’ Medici and Christine of Lorraine, 1589–1592, Etching, plate: 9 5/8 x 14 1/8 in. (24.5 x 35.8 cm), Orazio Scarabelli (Italian, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMBB0C0C–the tomb of lorenzo de medicis
RM2WFTK65–Harmonie Van de Sferen, Agostino Carracci, After Andrea Boscoli, After Bernardo Buontalenti, 1589 - 1592 print Display of the first interlude during the performance of the play 'La Pellegrina' by Girolamo Bargagli: the atmospheres sit and stand in rows on clouds. For the six intermezzi of Giovanni De'Bardi, the machines and costumes were designed by Bernardo Buontalenti. This performance was on the occasion of the marriage of Ferdinando I De'Medics and Christina van Lotharingen in 1589. print maker: Italyafter drawing by: Florenceafter design by: Florence paper engraving spheres heavens Flor
RMPNY2JC–ITALIA. FLORENCIA. Vista general del exterior del FORTE DI BELVEDERE, proyectado en 1590 por Bernardo BUONTALENTI. Fortaleza construida para defender la ciudad de sus enemigos, pero pronto se convirtió en refugio de los MEDICI. Alrededores de los Jardines di Boboli. La Toscana.
RM2HHX680–Wine jar (Orcio da vino) ca. 1597–1620 workshop of the Marmi family The only known examples of Montelupo ware with monochrome blue decoration on a near-white ground. That combination recalls the porcelain that had been the pride of Grand Duke Francesco I de’ Medici in Florence. Bernardo Buontalenti was in charge of that enterprise. These large jars, therefore, represent a prolongation of that local tradition, even though the material, size, and style differ. The latter can be associated with Buontalenti’s principal pupil, Giulio Parigi, who also worked for the Medici. Hence we are tempted to c
RM2CNJKBB–Court of Palazzo Pitti decorated with Candelabra, from an Album with Plates Documenting the Festivities of the 1589 Wedding of Ferdinand I and Christine of Lorraine, 1589-1592.
RMBA64H7–Exterior sign for the Uffizi Gallery, Florence, Italy
RM2B0340K–The Loggia dei Lanzi, also called the Loggia della Signoria, was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace fr
RMF7AAF3–Medici Painted ceiling of the Chapel of the princes. Architect: Matteo Nagetti and Bernardo Buontalenti Medici Chapels, Florence
RMDT9EA3–Sculpture in the Boboli Gardens
RFJ3JR25–The Old Coffee House built in 1775 at Boboli Gardens in Florence, Italy
RM2HNHGJJ–La Tribuna, The Tribune, Bernardo Buontalenti, Uffizi Gallery, State Museum of Florence, Tuscany, Italy, Europe
RMPWD8J2–The Arrotino, aka the Knife Grinder or the Sythian, marble sculpture on display in the Tribuna room in the Uffizi Gallery in Florence, Italy.
RF2DG8EAY–Posta Medicea or 'Osteria Grossa' designed by Grand Ducal architect Bernardo Buontalenti and located along the ancient path of the Via Francigena, a
RM2AHW5W4–Bernardo delle Girandole Buontalenti. Sketches of Tuscan Villas. 1556–1608. Italy. Pen and brown ink with brush and brown and pink wash, over traces of graphite, on ivory laid paper, pieced and laid down on ivory laid paper
RM2T481KG–Florence panorama
RMB5K9WF–View toward the Arno River from Uffizi gallery courtyard, Florence, Italy
RMEHGPAM–Stall in flea market in Logge di Banchi, Piazza XX Settembre, town centre, Pisa, Tuscany, Italy
RF2H26F8R–FLORENCE /ITALY
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