Quick filters:
Page 1 of 2
41 1 8 x 43 1 4 Stock Photos and Images
RM2B0MTFJ–Pierre Puvis de Chavannes, The Shepherd's Song, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris), 1891, Oil on canvas, 41 1/8 x 43 1/4 in. (104.5 x 109.9 cm), Paintings
RF2HW8J9E–Art inspired by The Shepherd's Song, 1891, Oil on canvas, 41 1/8 x 43 1/4 in. (104.5 x 109.9 cm), Paintings, Pierre Puvis de Chavannes (French, Lyons 1824–1898 Paris), Puvis adapted the pipe-playing shepherd and the draped female figures in this scene from a section of a mural that he, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMPAKTT5–Embroidered sampler. Culture: American. Dimensions: 17 1/4 x 16 1/4 in. (43.8 x 41.3 cm). Maker: Sally Cornelius (1792-1877). Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.
RF2HW2R4D–Art inspired by Embroidered sampler, 1806, Made in Somers, New York, United States, American, Embroidered silk on linen, 17 1/4 x 16 1/4 in. (43.8 x 41.3 cm), Textiles, Sally Cornelius (1792–1877, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMMNXMEK–. English: Netherlandish, painter active ca. 1515 Medium: Oil on wood Dimensions: Overall 41 x 28 1/4 in. (104.1 x 71.8 cm); painted surface 41 x 27 5/8 in. (104.1 x 70.2 cm) This painting was described as including depictions of persons with down syndrome by Starbuck, John M. (2011) 'On the Antiquity of Trisomy 21: Moving Towards a Quantitative Diagnosis of Down Syndrome in Historic Material Culture,' Journal of Contemporary Anthropology: Vol. 2: Iss. 1, Article 2. Available at: http://docs.lib.purdue.edu/jca/vol2/iss1/2 . 25 January 2014, 22:43:53. Follower of Jan Joest of Kalkar 1168 The Ad
RF2HW42GW–Art inspired by Limestone statue of a male votary, Cypro-Classical, first half of the 5th century B.C., Cypriot, Limestone, 41 1/4 x 17 x 10 in. (104.8 x 43.2 x 25.4 cm), Stone Sculpture, The figure carries an aryballos (a small oil bottle) in his left hand and wears a sword sheath at, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![MEREWORTH CASTLE IN KENT Author Green, William 17.42.c. Place of publication: [England] Publisher: [George Wood] Date of publication: [1800] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 38.3 x 43.8 cm, on sheet 41.7 x 50.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo](https://c8.alamy.com/comp/2E9H85R/mereworth-castle-in-kent-author-green-william-1742c-place-of-publication-england-publisher-george-wood-date-of-publication-1800-item-type-1-print-medium-aquatint-and-etching-with-hand-colouring-dimensions-platemark-383-x-438-cm-on-sheet-417-x-504-cm-former-owner-george-iii-king-of-great-britain-1738-1820-2E9H85R.jpg "MEREWORTH CASTLE IN KENT Author Green, William 17.42.c. Place of publication: [England] Publisher: [George Wood] Date of publication: [1800] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 38.3 x 43.8 cm, on sheet 41.7 x 50.4 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo")
RM2E9H85R–MEREWORTH CASTLE IN KENT Author Green, William 17.42.c. Place of publication: [England] Publisher: [George Wood] Date of publication: [1800] Item type: 1 print Medium: aquatint and etching with hand-colouring Dimensions: platemark 38.3 x 43.8 cm, on sheet 41.7 x 50.4 cm Former owner: George III, King of Great Britain, 1738-1820
RF2HK6A4K–Inspired by Pavise (Archer's Shield), Swiss, before 1467, Wood, painted leather, boar skin, and iron, Made in Switzerland, Europe, Arms & armor, wood, 41 x 17 1/8 x 4 3/4 in. (104.1 x 43.5 x 12.1 cm, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
RM2PMDRPD–Fragments; cotton; Warp x Weft (a): 41 × 70.5 cm (16 1/8 × 27 3/4 in.) Warp x Weft (b): 41.5 × 23 cm (16 5/16 × 9 1/16 in.); Bequest of Elinor Merrell; 1995-50-43-a,b
RF2HTYX0B–Art inspired by Column and Capital, 14th century, Made in Verona, probably the Veneto, Italy, North Italian, Stone (Broccato rosso di Verona), Overall: 107 x 17 x 16 1/4 in. (271.8 x 43.2 x 41.3 cm), Sculpture-Stone, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RMW9FECR–Archive image from page 35 of Current herpetology (2000). Current herpetology currentherpeto2012001niho Year: 2000 ( 34 Current Herpetol. 20(1) 2001 E M w: mmA F y ⢠- --«. . . . W wi ' G - '-â '-' '' ' f'i»A. V // ' m. H ⢠-- ''iS, .M X - ,.;,yr - 4 1 1 . MC -; Fig. 1. Phalangeal cross section of overwintered Rana catesbeiana tadpoles; (A) stage 39 (Gosner, 1960) with 39.8 mm body length (BL) collected on 25 July 1998, (B) stage 40 with 43.7 mm BL collected on 25 July 1998, (C) stage 41 with 38.4 mm BL collected on 25 July 1998, (D) stage 42 with 42.3 mm BL collected on 25 July 1
RF2HKMHMW–Art inspired by Pavise (Archer's Shield), Swiss, before 1467, Wood, painted leather, boar skin, and iron, Made in Switzerland, Europe, Arms & armor, wood, 41 x 17 1/8 x 4 3/4 in. (104.1 x 43.5 x 12.1 cm, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
![. Current herpetology. Reptiles; Herpetology. 34 Current Herpetol. 20(1) 2001. E M w: mmA F y ⢠^^^- --«%*. . *. W wi " G - '-â '-' "**^" " ^f"*i»A. V // " m. H ⢠^^-- "'iS, .M ^ X - ^ ,.;,yr *- 4 1 ^ 1 . MC -; Fig. 1. Phalangeal cross section of overwintered Rana catesbeiana tadpoles; (A) stage 39 (Gosner, 1960) with 39.8 mm body length (BL) collected on 25 July 1998, (B) stage 40 with 43.7 mm BL collected on 25 July 1998, (C) stage 41 with 38.4 mm BL collected on 25 July 1998, (D) stage 42 with 42.3 mm BL collected on 25 July 1998, (E) stage 43 with 4 Stock Photo](https://c8.alamy.com/comp/PFY6MD/current-herpetology-reptiles-herpetology-34-current-herpetol-201-2001-e-m-w-mma-f-y-w-wi-quot-g-quotquot-quot-fquotia-v-quot-m-h-quotis-m-x-yr-4-1-1-mc-fig-1-phalangeal-cross-section-of-overwintered-rana-catesbeiana-tadpoles-a-stage-39-gosner-1960-with-398-mm-body-length-bl-collected-on-25-july-1998-b-stage-40-with-437-mm-bl-collected-on-25-july-1998-c-stage-41-with-384-mm-bl-collected-on-25-july-1998-d-stage-42-with-423-mm-bl-collected-on-25-july-1998-e-stage-43-with-4-PFY6MD.jpg ". Current herpetology. Reptiles; Herpetology. 34 Current Herpetol. 20(1) 2001. E M w: mmA F y ⢠^^^- --«%*. . *. W wi " G - '-â '-' "**^" " ^f"*i»A. V // " m. H ⢠^^-- "'iS, .M ^ X - ^ ,.;,yr *- 4 1 ^ 1 . MC -; Fig. 1. Phalangeal cross section of overwintered Rana catesbeiana tadpoles; (A) stage 39 (Gosner, 1960) with 39.8 mm body length (BL) collected on 25 July 1998, (B) stage 40 with 43.7 mm BL collected on 25 July 1998, (C) stage 41 with 38.4 mm BL collected on 25 July 1998, (D) stage 42 with 42.3 mm BL collected on 25 July 1998, (E) stage 43 with 4 Stock Photo")
RMPFY6MD–. Current herpetology. Reptiles; Herpetology. 34 Current Herpetol. 20(1) 2001. E M w: mmA F y ⢠^^^- --«%*. . *. W wi " G - '-â '-' "**^" " ^f"*i»A. V // " m. H ⢠^^-- "'iS, .M ^ X - ^ ,.;,yr *- 4 1 ^ 1 . MC -; Fig. 1. Phalangeal cross section of overwintered Rana catesbeiana tadpoles; (A) stage 39 (Gosner, 1960) with 39.8 mm body length (BL) collected on 25 July 1998, (B) stage 40 with 43.7 mm BL collected on 25 July 1998, (C) stage 41 with 38.4 mm BL collected on 25 July 1998, (D) stage 42 with 42.3 mm BL collected on 25 July 1998, (E) stage 43 with 4
RF2HTYCMF–Art inspired by The Annunciation, ca. 1435, Tempera on wood, gold ground, Overall, with engaged (modern) frame, 30 x 17 1/8 in. (76.2 x 43.5 cm); painted surface 28 3/4 x 16 1/8 in. (73 x 41 cm), Paintings, Sassetta (Stefano di Giovanni) (Italian, Siena or Cortona ca. 1400–1450 Siena, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RM2B0BX9N–Unknown Artist, Lamp with Relief Decorations of Gladitorial Weapons, n.d., molded clay, 1 1/8 in. x 4 1/2 in. x 3 5/16 in. (2.8 cm. x 11.43 cm. x 8.41 cm.)
RMPB67CM–Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas. Artist: Master G.Z. (possibly Michele dai Carri, Ferrara, active by 1405-died 1441 Ferrara). Dimensions: Overall 45 7/8 x 43 5/8 in. (116.5 x 110.8 cm); painted surface 44 1/8 x 41 3/4 in. (112.1 x 106 cm). Date: ca. 1420-30. This altarpiece bears testimony to the level of naturalistic description achieved in the city of Ferrara in the early fifteenth century. The sky, which now appears almost black, would originally have been lighter in color. Pietro de' Lardi, who commissioned this important work, became deputy
RMMN025A–Painting; oil on canvas; overall: 104.8 x 87 cm (41 1/4 x 34 1/4 in.) framed: 128.91 x 111.13 x 11.43 cm (50 3/4 x 43 3/4 x 4 1/2 in.); Henry, Duke of Gloucester
RM2E9FKBP–DISSEGNO DELLA FABBRICA FATTA AD USO DELLE FIERE DI VERONA NELL' ANNO M.DCC.XXII. Visual Material information: Title: DISSEGNO DELLA FABBRICA FATTA AD USO DELLE FIERE DI VERONA NELL' ANNO M.DCC.XXII. 79.41.h. Place of publication: Verona Publisher: Pierantonio Berno forma in Verona, Date of publication: 1722. Item type: 1 print Medium: etching and engraving Dimensions: sheet 43.4 x 50.8 cm (trimmed) Former owner: George III, King of Great Britain, 1738-1820
RM2H101GJ–Side Chair, c. 1855. Charles H. White (American, 1796-1876). Rosewood, red silk damask; overall: 104.1 x 45.7 x 43.8 cm (41 x 18 x 17 1/4 in.).
RM2ANJ8H5–The Journal of experimental zoology . live: Tot., 72 mm., B.,25 mm.; fixed: Tot., 68 mm., B., 24.5 mm. Thymus, X 28. Two views of each gland to show the three dimensions. 46 A and B Thyroidless larva. 5/2 to 6/1/18. Alive: Tot., 41 mm., B.,18 mm.; fixed: Tot., 41 mm., B., 17 mm. 47 A and B Control larva. 4/30 to 6/4/18. Alive: Tot , 43 mm , B., 18.;fixed: Tot., 40 mm., B., 17 mm. 48 A and B Control frog (same as fig. 40). 49 A and B Thyroidless larva (same as fig. 35). Epithelioid (parathyroid) bodies, X 40.8. Ventral view of the two pairs fromeach animal 50 Control larva (same as fig. 29). 51
RM2H10X31–The Furnace, 1924. Carl Gaertner (American, 1898-1952). Oil on canvas; framed: 110.5 x 110.8 cm (43 1/2 x 43 5/8 in.); unframed: 88.9 x 104.8 cm (35 x 41 1/4 in.).
RMW275W5–Archive image from page 41 of The Danish Ingolf-Expedition (1921). The Danish Ingolf-Expedition danishingolfexpe0509ingo Year: 1921 34 ACTINIARIA Habitat nemathybomes capitu- lum tentacles n. sp. actinopharynx n (a) n (a) n (b) i) Vaderoame 2) Kristlneberg 3) Styrso 4) Varholmen 5) Drobalc 6) Bohuslan Zool. St. 7) Kattegat 8) - 9) Samso Belt 58-62 X 2.5fl 53-65 41-58 X 2.5 43-61 X 2 41-48 X 2 48 X 2 36-50 X 2 about 46 X 2 43-55 X 2 4S-81 X 4-511 48-86 41-72 X 4-5 46-67 X 3.5 (-5) 41-58 X 4 (5) 48-65 X 3.5-4-5 36-61 X 3.5-4 38-53 X 3.5-4 43-65 X 3.5 (5) 19-23 X 2fl 17-22 X 2(2.5) 14-17,' 14-1
RMPF9HP6–. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia. Herpetology; Herpetologists. N.Y. City, Phila., Conn,, New Jersey. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Sun rises 59 58 56 55 54 S3 52 51 49 48 47 46 45 44 43 42 41 40 39 39 38 37 36 36 35 34 34 33 32 32 31 Boston, New Eng'., New York, Mich., Wis. Sun Moon Mo. Wk. Sun Si 1 n isJ U XA sets sets rises 6 06 T 4 7 0 X. w. 4 54 Th 4 53 7 ^ 4 F. 4 52 • 0 D S. 4 51 7 J 7 1 6 4 49 7 7 2 7 M. 4 /I p. 7 ^! 7 S rises T. 4 7 7 7 4 8 31 Q w. 4 46 • 0 7 5 9 41 10 Th. 4 44 7 9 7 6 10 44 li F. 4 43 710 7 7 11
RF2HW8HHX–Art inspired by Madonna and Child with the Donor, Pietro de' Lardi, Presented by Saint Nicholas, ca. 1420–30, Tempera and gold on wood, Overall 45 7/8 x 43 5/8 in. (116.5 x 110.8 cm); painted surface 44 1/8 x 41 3/4 in. (112.1 x 106 cm), Paintings, Master G.Z. (possibly Michele dai, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2HW9K1P–Art inspired by Harquebusier's Armor of Pedro II, King of Portugal (reigned 1683–1706), ca. 1683 and later, London, British, London, Steel, gold, leather, textile, Wt. 43 lb. 5 oz. (19.6 kg); helmet: 14 x 11 x 15 1/4 in. (35.6 x 27.9 x 38.7 cm); Wt. 9 lb. 10 oz. (4354 g); breastplate, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
RF2B970N5–Secrétaire, Attributed to Jean-François Leleu (French, 1729 - 1807 (master 1764)), Paris, France, about 1770, Oak veneered with amaranth, bloodwood, tulipwood, and holly, gilt bronze mounts, steel fittings, breche d'Alep top, 106.4 x 120 x 43.8 cm (41 7/8 x 47 1/4 x 17 1/4 in.), Reimagined by Gibon, design of warm cheerful glowing of brightness and light rays radiance. Classic art reinvented with a modern twist. Photography inspired by futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture.
RM2B0NAX3–Jean Démosthène Dugourc, Part of a chair cover, French, Lyons, ca. 1797, French, Lyons, Silk, c) L. 16 1/4 x W. 14 1/2 inches, 41.3 x 36.8 cm, d) L. 35 1/4 inches, 89.5 cm, e) L. 19 3/4 inches, 50.2 cm, f) L. 17 inches, 43.2 inches, Textiles-Woven
RMPAAG0G–Stained Glass Panel with the Entombment. Culture: German. Dimensions: Overall (with 1 T-bar): 43 1/2 x 29 7/8 x 3/8 in. (110.5 x 75.9 x 1 cm) Overall (installation opening): 41 3/4 x 28 3/8 in. (106 x 72.1 cm) a: 21 13/16 x 29 3/8 x 3/8 in. (55.4 x 74.6 x 1 cm) b: 21 9/16 x 29 1/8 x 3/8 in. (54.8 x 74 x 1 cm). Date: 15th century. These panels were part of a window depicting the ancestry of Christ in the form of a Tree of Jesse (a complete example is shown opposite). The painter of these windows adopted an angular style of drapery folds and subtle color juxtapositions initiating a new styl
RM2DJ0PWT–Young's Night Thoughts, Page 43, 'Night the Third, Narcissa.', Print made by William Blake, 1757–1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 16 1/4 x 12 7/8 inches (41.3 x 32.7 cm), gown, literary theme, religious and mythological subject, serpent, snake, stars, text, women
RM2B0HDJF–Taki Katei, Deer by Mountain Stream, Japan, Meiji period (1868–1912), Taki Katei (Japanese, 1830–1901), dated January 1896, Japan, Hanging scroll; ink and color on silk, 43 1/16 x 16 3/8 in. (109.4 x 41.6 cm), Paintings
![. 20th century catalogue of supplies for watchmakers, jewelers and kindred trades. t. 2d, 3d or 4th Ilr-^®l ji Series, 70 Teeth ( 41 $1 oo with Pinion, 8:Leavs I 70Teeth f 42 4 60 WHEELS, 5th or Escape. jji«]p5^ ;No. Doz lJjLj? 1st, 2d, 3d or 4th Srs. / QQ^ leTeeth , 43 $2 5o ift-i With Pinion, 7 Leaves, I^^^15Teeth.. ) 44 5 00 m% WHEELS, Dial. wy# No. Doz ^«i5»^ Change, Ist Series, 36 Tth. 46 $1 00 fisH|Change, with Pinion, Ist I 0 <# Series, lo Lvs. 36 Teeth | 47 2 00 Change, with Pinion, 2d, 3d or I 4th Series, 7 Leaves, 26 Teeth... ( 47a 3 50 /^X Hour, 1st Series 40 Tth. 46 1 Ofl 1 O I Stock Photo](https://c8.alamy.com/comp/2AG6JYC/20th-century-catalogue-of-supplies-for-watchmakers-jewelers-and-kindred-trades-t-2d-3d-or-4th-ilr-l-ji-series-70-teeth-41-1-oo-with-pinion-8leavs-i-70teeth-f-42-4-60-wheels-5th-or-escape-jji-p5-no-doz-ljjlj-1st-2d-3d-or-4th-srs-qq-leteeth-43-2-5o-ift-i-with-pinion-7-leaves-i15teeth-44-5-00-m-wheels-dial-wy-no-doz-i5-change-ist-series-36-tth-46-1-00-fishchange-with-pinion-ist-i-0-lt-series-lo-lvs-36-teeth-47-2-00-change-with-pinion-2d-3d-or-i-4th-series-7-leaves-26-teeth-47a-3-50-x-hour-1st-series-40-tth-46-1-ofl-1-o-i-2AG6JYC.jpg ". 20th century catalogue of supplies for watchmakers, jewelers and kindred trades. t. 2d, 3d or 4th Ilr-^®l ji Series, 70 Teeth ( 41 $1 oo with Pinion, 8:Leavs I 70Teeth f 42 4 60 WHEELS, 5th or Escape. jji«]p5^ ;No. Doz lJjLj? 1st, 2d, 3d or 4th Srs. / QQ^ leTeeth , 43 $2 5o ift-i With Pinion, 7 Leaves, I^^^15Teeth.. ) 44 5 00 m% WHEELS, Dial. wy# No. Doz ^«i5»^ Change, Ist Series, 36 Tth. 46 $1 00 fisH|Change, with Pinion, Ist I 0 <# Series, lo Lvs. 36 Teeth | 47 2 00 Change, with Pinion, 2d, 3d or I 4th Series, 7 Leaves, 26 Teeth... ( 47a 3 50 /^X Hour, 1st Series 40 Tth. 46 1 Ofl 1 O I Stock Photo")
RM2AG6JYC–. 20th century catalogue of supplies for watchmakers, jewelers and kindred trades. t. 2d, 3d or 4th Ilr-^®l ji Series, 70 Teeth ( 41 $1 oo with Pinion, 8:Leavs I 70Teeth f 42 4 60 WHEELS, 5th or Escape. jji«]p5^ ;No. Doz lJjLj? 1st, 2d, 3d or 4th Srs. / QQ^ leTeeth , 43 $2 5o ift-i With Pinion, 7 Leaves, I^^^15Teeth.. ) 44 5 00 m% WHEELS, Dial. wy# No. Doz ^«i5»^ Change, Ist Series, 36 Tth. 46 $1 00 fisH|Change, with Pinion, Ist I 0 <# Series, lo Lvs. 36 Teeth | 47 2 00 Change, with Pinion, 2d, 3d or I 4th Series, 7 Leaves, 26 Teeth... ( 47a 3 50 /^X Hour, 1st Series 40 Tth. 46 1 Ofl 1 O I
RM2H10DDY–Tomb Guardian with Animal Head, early 700s. China, probably Shaanxi province, Xi'an, Tang dynasty (618-907). Glazed earthenware, sancai (three-color) ware; overall: 92.3 x 43.8 x 41.9 cm (36 5/16 x 17 1/4 x 16 1/2 in.).
RMW27192–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39
![. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo](https://c8.alamy.com/comp/PFE8G1/denkschriften-sterreichische-akademie-der-wissenschaften-22-a-hu-a-tek-1-abo-boer-beob-beobachter-argelander-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-PFE8G1.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 Stock Photo")
RMPFE8G1–. Denkschriften - Österreichische Akademie der Wissenschaften. 22 A. Hu a tek, 1. Abo. [Äboer Beob., Beobachter: Argelander.. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27
RF2B9GR9N–San Ildefonso Pueblo: Storage Jar, San Ildefonso Pueblo, c. 1780, Black-on-cream earthenware, Overall: 16 1/8 x 17 1/4 in. (41 x 43.8 cm)
RMPB1XF1–Stained Glass Panel with the Deposition. Culture: German. Dimensions: Overall (with 1 T-bar): 43 1/2 x 29 5/16 x 3/8 in. (110.5 x 74.5 x 1 cm) Overall (installation opening): 41 3/4 x 28 3/8 in. (106 x 72.1 cm) a: 21 7/8 x 29 1/4 x 3/8 in. (55.6 x 74.3 x 1 cm) b: 21 3/4 x 29 1/4 x 3/8 in. (55.2 x 74.3 x 1 cm). Date: 15th century. These panels were part of a window depicting the ancestry of Christ in the form of a Tree of Jesse (a complete example is shown opposite). The painter of these windows adopted an angular style of drapery folds and subtle color juxtapositions initiating a new styl
RM2B0KG4X–Bartolomeo di Tommaso, The Lamentation and the Entombment, Bartolomeo di Tommaso (Italian, Umbrian, active by 1425–died 1453/54), ca. 1445–50, Tempera on wood, gold ground, Overall 8 3/4 x 17 1/8 in. (22.2 x 43.5 cm); irregular painted surface 8 x 16 1/8 in. (20.3 x 41 cm), Paintings
RM2DHX471–Young's Night Thoughts, Page 43, 'Night the Third, Narcissa.', Print made by William Blake, 1757–1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 13 inches (41.9 x 33 cm), and Plate: 16 1/8 x 12 5/8 inches (41 x 32.1 cm), crowns, gown, literary theme, serpent, snake, stars, text, women
RM2HB2WGM–Pavise (Archer's Shield), Swiss, before 1467, Wood, painted leather, boar skin, and iron, Made in Switzerland, Europe, Arms & armor, wood, 41 x 17 1/8 x 4 3/4 in. (104.1 x 43.5 x 12.1 cm
RM2H111AA–Some Scenes of Parisian Life: Boulevard, 1899. Pierre Bonnard (French, 1867-1947), Published by Ambroise Vollard; Printed by Auguste Clot. Lithograph; sheet: 41 x 53 cm (16 1/8 x 20 7/8 in.); image: 17.4 x 43.5 cm (6 7/8 x 17 1/8 in.).
RMRY6K4T–Tomb Guardians, early 700s. China, probably Shaanxi province, Xi'an, Tang dynasty (618-907). Glazed earthenware, sancai (three-color) ware; part 1: 92.3 x 43.8 x 41.9 cm (36 5/16 x 17 1/4 x 16 1/2 in.); part 2: 88.9 x 41 x 50.8 cm (35 x 16 1/8 x 20 in
RMW2719A–Archive image from page 31 of Denkschriften - Österreichische Akademie der. Denkschriften - Österreichische Akademie der Wissenschaften denkschriftens871912akad Year: 1850 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55' 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77
RMKC71EH–The Annunciation, ca. 1435, Tempera on wood, gold ground, Overall, with engaged (modern) frame, 30 x 17 1/8 in. (76.2 x 43.5 cm
RM2AJED16–Handbook of thermodynamic tables and diagrams; a selection of tables and diagrams from Engineering thermodynamics . 0 50 100 150 20(1Temperature Degrees Fahr« 380 390 Am 240 51.4 54.2 5*4.6 ^^ ^^ 55.0i20 ^ SO ^ 200 210 220 360 370 Vertical^cale =iDensity, Pounds per Cu.Ft.HorizoataLScale ?= Temperature jaUr.ejiheit 42.6,43.2 ^li§-i=====3 4 ( Q 50 CO : I =- 1 ^ ( «- - e:: 59.6 1 1 1 1 1 1 1 r 1 1 1 1 111 1 1 IJJ ^ ^ ^ ^ .(= ^?^ ^ 1 00.0 ^ iJ ^ ^ n . ,^ r ^ -^ =- R-- ,«= ji-i -l ^ 580 590 SOO X 3 fr . -^ 1 41.0 --i X ; 0 ^0-^ : 0: ^ ^ r 4*8 3^....4 i 560- - 570 580 Chart 20.—Steam, Specific
RMW51D8R–Secrétaire, Attributed to Jean-François Leleu (French, 1729 - 1807 (master 1764)), Paris, France, about 1770, Oak veneered with amaranth, bloodwood, tulipwood, and holly, gilt bronze mounts, steel fittings, breche d'Alep top, 106.4 x 120 x 43.8 cm (41 7/8 x 47 1/4 x 17 1/4 in
RMPF9HP7–. Diary, July 16-August 30, 1906 while collecting in Virginia and West Virginia. Herpetology; Herpetologists. N.Y. City, Phila., Conn,, New Jersey. 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 4 Sun rises 59 58 56 55 54 S3 52 51 49 48 47 46 45 44 43 42 41 40 39 39 38 37 36 36 35 34 34 33 32 32 31 Boston, New Eng'., New York, Mich., Wis. Sun Moon Mo. Wk. Sun Si 1 n isJ U XA sets sets rises 6 06 T 4 7 0 X. w. 4 54 Th 4 53 7 ^ 4 F. 4 52 • 0 D S. 4 51 7 J 7 1 6 4 49 7 7 2 7 M. 4 /I p. 7 ^! 7 S rises T. 4 7 7 7 4 8 31 Q w. 4 46 • 0 7 5 9 41 10 Th. 4 44 7 9 7 6 10 44 li F. 4 43 710 7 7 11
RMR2MKF1–The Flight into Egypt, from The Life of the Virgin, Latin Edition, 1511. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 16 1/4 x 11 7/8 in. (41.3 x 30.2 cm) block: 11 3/4 x 8 1/8 in. (29.8 x 20.6 cm). Date: 1511. Museum: Metropolitan Museum of Art, New York, USA.
RM2H10FHN–Harbor of Boston, with the City in the Distance, c. 1846-1847. Fitz Henry Lane (American, 1804-1865). Oil on canvas; framed: 66 x 104.8 x 14 cm (26 x 41 1/4 x 5 1/2 in.); unframed: 43.2 x 68.6 cm (17 x 27 in.).
RM2AX9YAX–Army list . t. 1/7/41)(T/C«y«. 1/4/42) 1/7/41 Norton, C. A. (W.S./Lt. 1/10/42) 5/7/41 Marlow, D. H. (W.S./Lt. 1/10/42) 30/7/41 Pearson, J. W. (W.S./Lt. 1/10/42) (A/Capt. 12/1/43) 30/8/41 Edmiston, W. H. F. (W.S./Lt.1/10/42) 6/9/41 I398g—1400 Regular Army EmergencyCommissions—contd. 2nd Lieutenants—contd. Adams, R. McC. M. 13/9/41 Midwood, R. (W.S./Lt. 24/1/42)(A/Capt. 14/12/42) 24/1/42 Lloyd, R. (W.S./Lt. 4/10/42) 4/4/42 Cleuiinson, J. A. S. (W.S./Lt. 1/10/42) 31/5/42 Atkins, D. L. (W.S./Lt. 13/12/42) 13/6/42 Fogarty, T>. F. X. (W.S./Lt. 1/10/42) 28/6/42 Sinclair, I. H. 25/7/45 Bruce, K. (W
RM2DCB8BP–Henri Fantin-Latour, (artist), French, 1836 - 1904, Portrait of Sonia, 1890, oil on canvas, overall: 109.2 x 81 cm (43 x 31 7/8 in.), framed: 132.7 x 104.4 cm (52 1/4 x 41 1/8 in
![. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo](https://c8.alamy.com/comp/PFE8FW/denkschriften-sterreichische-akademie-der-wissenschaften-1824-jnner-20-jnner-26-jnner-28-jnner-29-mittlere-zeit-greenwich-amp-x-411-55quot-330-5-1-30-2-5-9-1-6-5-14-11-8-7-4-43-8-7-14-19-4-7-41-1-0-7-51-33-8-8-4-39-6-15-4-2-29-47-8-5-17-6-3-5-50-49-2-6-3-39-0-6-14-18-8-6-25-8-4-6-37-29-6-6-51-30-4-7-56-49-8-8-17-34-2-4-46-35-2-5-2-23-4-5-17-41-4-6-12-0-2-6-27-11-6-6-44-7-6-7-2-10-0-1-18550-19-10-22-50-25-39-39-26-42-47-19-22-54-09-19-22-57-98-29-71-4-77-36-27-12-25-41-77-16-62-0-28-56-5-41-41-6-31-55-1-57-27-1-37-71-1-19-21-40-16-59-10-2-56-8-95-34-94-2-57-76-3-23-25-3-3-PFE8FW.jpg ". Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3 Stock Photo")
RMPFE8FW–. Denkschriften - Österreichische Akademie der Wissenschaften. 1824 Jänner 20. Jänner 26. Jänner 28. Jänner 29. Mittlere Zeit Greenwich &- X 411 55" 33?0 5 1 30-2 5 9 1-6 5 14 11-8 7 4 43-8 7 14 19-4 7 41 1-0 7 51 33-8 8 4 39 • 6 15 4-2 29 47-8 5 17 6-3 5 50 49-2 6 3 39-0 6 14 18-8 6 25 8-4 6 37 29-6 6 51 30-4 7 56 49-8 8 17 34-2 4 46 35-2 5 2 23-4 5 17 41-4 6 12 0-2 6 27 11-6 6 44 7-6 7 2 10-0 1™ 18550 19-10 22-50 25-39 39-26 42-47 19-22 54-09 19-22 57-98 29-71 4-77 36-27 12-25 41-77 16-62 0 28-56 5 41-41 6 31-55 1 57-27 1 37-71 1 19-21 40-16 59-10 2-56 8-95 34-94 2 57-76 3 23-25 3 3
RMRY6K4J–Tomb Guardian with Animal Head, early 700s. China, probably Shaanxi province, Xi'an, Tang dynasty (618-907). Glazed earthenware, sancai (three-color) ware; overall: 92.3 x 43.8 x 41.9 cm (36 5/16 x 17 1/4 x 16 1/2 in
RM2DCEMM2–Jacopo Tintoretto, (painter), Venetian, 1518 or 1519 - 1594, Summer, c. 1546/1548, oil on canvas, overall: 105.7 x 193 cm (41 5/8 x 76 in.), framed: 139.07 × 224.16 × 11.43 cm (54 3/4 × 88 1/4 × 4 1/2 in
RMRENMYK–Ecce Homo, from the series The Large Passion. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: sheet: 16 1/4 x 12 1/16 in. (41.3 x 30.6 cm). Date: ca. 1498-99. Museum: Metropolitan Museum of Art, New York, USA.
RM2H10DE3–Sunny Autumn Day, 1892. George Inness (American, 1825-1894). Oil on canvas; framed: 111.4 x 137.5 x 12.1 cm (43 7/8 x 54 1/8 x 4 3/4 in.); unframed: 81 x 106 cm (31 7/8 x 41 3/4 in.); former: 101 x 127 x 7.6 cm (39 3/4 x 50 x 3 in.).
RM2AKY9HY–The American rowing almanac and oarsman's pocket companion, 1874 . Rises. Sets. Rises. X.York. H. M. H. M. H. M. H. M. 1 Tuesday ;, -j 7 6 33 9 29 11 58 •> Wednesday ., 28 6 31 10 9 ey. 55 3 Thursday 5 29 6 30 10 55 1 58 4 Friday :. 30 6 28 11 53 3 9 g Saturday 5 31 6 26 morn. 4 20 G :;ii :» 32 6 24 f) 55 5 25 7 Monday :, 33 6 23 2 3 6 20 8 Tuesday r. 34 6 21 3 9 7 8 ;i Wednesday. r, 35 6 19 4 12 7 4, Saturday 9 31 13 37 5 39 0 13 7 35 10 5 14 Monday :, 40 6 11 7 57 1(1 37 15 5 41 .-. 42 6 9 .5 7 8 238 50 11 16 16 Wednesday 12 (i 17 Thursday :. 43 6 5 26 morn. ISI.t 5 44 :. 44 ,; 46 2 10 12
RMPFFXNM–. Decapoda natantia of the coasts of Ireland. Decapoda (Crustacea). AND IRISH DECAPODA NATANTIA. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 o o -*3 'â *3 o o u (H < < <*- J >» ce d ^ ^ u (1 cS o o O o O O a u a a eg PQ ID ed ^ s eft fcf 9i a c8 C o m â¢So â¢^ <11 Oi a a 09 ^ in a et cn 5 73 -2 0) in d c3 ^ X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X X
RM2DCFFGT–Hieronymus Bosch, (artist), Netherlandish, c. 1450 - 1516, Death and the Miser, c. 1485/1490, oil on panel, overall: 93 x 31 cm (36 5/8 x 12 3/16 in.), framed: 105.9 x 43.5 x 5.4 cm (41 11/16 x 17 1/8 x 2 1/8 in
RMRENMRT–The Persian Sibyl; from the series of Prophets and Sibyls in the Sistine Chapel. Artist: After Michelangelo Buonarroti (Italian, Caprese 1475-1564 Rome); Giorgio Ghisi (Italian, Mantua ca. 1520-1582 Mantua). Dimensions: Sheet (Trimmed): 21 15/16 × 16 1/4 in. (55.8 × 41.3 cm). Date: 1570-75. Museum: Metropolitan Museum of Art, New York, USA.
RM2H12N83–Scharley in Oberschleisien, c. 1850. Carl Julius Rieden (German, 1802-1858), after Ernest William Knippel (German, 1811-1900). Lithograph hand-colored with gouache; sheet: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); image: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); mounted: 43.7 x 56.1 cm (17 3/16 x 22 1/16 in.).
RM2H0Y2HM–Resist-Dyed Hanging with Biblical Scenes, 500-550. Egypt, Byzantine period, 1st half of 6th century. Resist-dyed linen; plain weave; overall: 99.7 x 104.8 cm (39 1/4 x 41 1/4 in.); mounted: 111.1 x 114.3 x 2.5 cm (43 3/4 x 45 x 1 in.). This hanging belongs to an elite group featuring biblical scenes that early Christians would have recognized. The upper register on the left shows a cross-legged stool in a fragmentary Adoration of the Virgin; as a Coptic inscription indicates, the Magi approach from the right. The middle register on the left may depict the Baptism of Christ while the other thr
RM2H0XY46–Sketch for a Ceiling, 1750s. Giovanni Battista Tiepolo (Italian, 1696-1770). Oil on canvas; framed: 51.5 x 43 x 6.5 cm (20 1/4 x 16 15/16 x 2 9/16 in.); unframed: 41 x 34 cm (16 1/8 x 13 3/8 in.). This small, quickly painted picture is typical of the sketches Tiepolo made as studies for larger compositions. When completed full-scale on a ceiling, works like these give the impression of a massive window, through which one can see angels or mythological beings floating among the clouds. Although we know from the work's shape that it was a study for a ceiling painting, it is not related to any o
RM2AKGBBG–The Philosophical magazine; a journal of theoretical, experimental and applied physics . 94* 13 50 0-5 •be -9-5 259 210 54 x;-l 1 5 43 38 6-6 53-15 20 13 31-2 •44 -3-2 265 215 57 .^•2 1 6 43 46 39-3 53-29 • 19 41 50-5 •56 -3-7 266 154 Aur. 7-8 44 57 57-1 57-05* 28 53 42-3 •41* 5-7 272 Ori. 8 45 86 20 C-7 52-96 19 10 31-6 •28* -4-2 273 413 f39 Tail. 5-6 :46 23 47-4 55-75 25 54 51-5 •25 2-5 Catalogue of zodiacal Stars. 871 Synonyms. 279285287 296 300 304 306 30 308 317 3 325 328 329 332 33^ 340 344 350 B. FC.RI, 414 415 416 24278 245 10 25612 257141516 17 140 14164 1 62 2346 23534 tQ-i)(S) (Q.2
RM2DCG038–Giorgio Ghisi, (artist), Italian, 1520 - 1582, Michelangelo, (artist after), Florentine, 1475 - 1564, The Prophet Joel, Prophets and Sibyls, (series), early 1570s, engraving on laid paper, plate: 56 x 41.6 cm (22 1/16 x 16 3/8 in.), overall: 59.2 x 43.4 cm (23 5/16 x 17 1/16 in
RMPAC2YW–Sampler. Culture: Dutch. Dimensions: H. 17 1/4 x W. 16 1/2 inches (43.8 x 41.9 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.
RM2H0Y1HP–Tomb Guardians, early 700s. China, probably Shaanxi province, Xi'an, Tang dynasty (618-907). Glazed earthenware, sancai (three-color) ware; part 1: 92.3 x 43.8 x 41.9 cm (36 5/16 x 17 1/4 x 16 1/2 in.); part 2: 88.9 x 41 x 50.8 cm (35 x 16 1/8 x 20 in.). With their fierce expressions and exaggerated physical features, these two fantastic guardian creatures were intended to guard the entrance to a tomb, warding off evil as well as keeping the soul of the deceased from wandering. Known as 'earth spirits' or qitou, they are markedly different in appearance: one has an animal face and a pair of a
![Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl Stock Photo](https://c8.alamy.com/comp/2AN8KNT/physicians-catalogue-and-price-current-of-homoepathic-medicines-and-books-surgical-instruments-and-other-articles-pertaining-to-a-physicians-outfit-6-00-9-00-7-x-31-x-11-37-75-151-60-1075-11035-6-50-10-00-7-x-31-x-11-38-80-750-5-50-8-50-61x-2i-x-n-39-90-1035-7-50-12-00-7-x-3f-x-11-40-102-834-7-50-12-00-61-x-sk-x-if-high-potency-cases-41-30-635-2-25-3-75-4-1-x-42-60-518-3-75-5-50-u-x-43-60-635-4-00-7-00-4ix-44-80-630-5-00-8-50-5f-x-45-100-635-6-50-10-00-7-x-46-120-635-7-00-12-50-51-x-48-150-635-10-00-15-00-7-x-49-200-518-10-00-18-00-6-x-2-31-3-3i-3-3i-3i-x-tx-ix-ixlixhxljxl-2AN8KNT.jpg "Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl Stock Photo")
RM2AN8KNT–Physician's catalogue and price current of homoepathic medicines and books, surgical instruments, and other articles pertaining to a physician's outfit .. . 6 00 9 00 7. X 31 X 11 37 75 (15.1 60. 1075 11035] 6 50 10 00 7 X 31- X 11 38 80 750 5 50 8 50 61X 2i X n 39 90 1035 7 50 12 00 7 X 3f X 11 40 102 834 7 50 12 00 61 X Sk X If HIGH POTENCY CASES. 41 30 635 $2 25 $3 75 4-1 X 42 60 518 3 75 5 50 U X 43 60 635 4 00 7 00 4ix 44 80 630 5 00 8 50 5f X 45 100 635 6 50 10 00 7 X 46 120 635 7 00 12 50 51 X 48 150 635 10 00 15 00 7 X 49* 200 518 10 00 18 00 6 X 2 31 3 3i 3^- 3i 3i X tX iX IxlixHxljxl
RM2DCFP4M–Sir Peter Paul Rubens, (artist), Flemish, 1577 - 1640, Decius Mus Addressing the Legions, probably 1616, oil on hardboard, transferred from wood and canvas, overall: 80.7 x 84.7 cm (31 3/4 x 33 3/8 in.), framed: 105.1 x 109.2 x 12.7 cm (41 3/8 x 43 x 5 in
RMRXHKGM–Crucifix. Naples, Italy. Date: 1695-1740. Dimensions: 105.4 x 43.5 cm (41 1/2 x 17 1/8 in.). Gilt bronze, lapis lazuli. Origin: Naples. Museum: The Chicago Art Institute.
RM2DJ5HEK–New Mackrel, Luigi Schiavonetti, 1765–1810, Italian, after Francis Wheatley, 1747–1801, British, 1795, Aquatint, Sheet: 17 1/4 x 13 3/8 inches (43.8 x 34 cm), Plate: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Image: 14 1/8 x 11 1/8 inches (35.9 x 28.3 cm
RM2AM6W4P–L'illustration : journal universel . t. 0. II 7.-.H.II6 11,9 18,7 14,9 Couvert, pluie. 0. 14 756 in 15,0 IX X 46.x Couvert, pluie. 0. 15 757,99 41.1 19,0 44.9 Nuageux. NO. 16 759,70 9.8 19.1 14,2 Couvert o. NO. 17 71,11,51 9,3 21,7 45 0 Couvert. S. 0. 18 769,42 4 5,0 25,8 20,0 Nuageux. 0. 19 756,9» 43,0 23,2 I7,7 N. E. 20 755,115 11,5 2-2,0 16,4 Nuageux. N.N. E. 21 755,32 14,5 16.4 Beau. E. 22 755,37 42,3 20,1 45.9 Pluie. E. S. E. 25 751,26 13,0 22,2 17,2 Nuageux. 0. N. 0. 24 753,49 14.1 22,6 18,4 Couvert, ciel Irés-grta. N. E. m 755 12 45,1 2i.X 19 6 Très-nuageux et vapor. O.N.O. 16 756.52 4
RMPKR2K2–Portrait of Sonia. Dated: 1890. Dimensions: overall: 109.2 x 81 cm (43 x 31 7/8 in.) framed: 132.7 x 104.4 cm (52 1/4 x 41 1/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: HENRI FANTIN-LATOUR.
RM2DJ7HBF–Military School and Abbey Church of St Stephen at Caen, John Sell Cotman, 1782–1842, British, 1818, Graphite and brown wash on medium, slightly textured, cream wove paper, Sheet: 10 1/4 x 17 1/4 inches (26 x 43.8 cm) and Image: 7 1/2 x 16 1/8 inches (19.1 x 41 cm), architectural subject, school, Caen, France
RM2AGDNP8–. Annual report of the Town of Littleton, New Hampshire. 1/3 *E « fl o S « « ?sa^SsS^ +3 rt © fl ?, x: e« TO ^ ^ rH J3 ^N ^ g s 0 +3 A 0 *-> 0 -dfl-»1 43 OS Oh 73 fl 0. 0 0 fl 2 Pm fl 4^ i3 0 oo be fl bec a 2 CO fto m<oo 0 0 tH is £i Ol ;h n a ^M ft oa> flo fto xi 09 oSi a^mAV 00 f-i ^ o ^ W ^ )^ n fl ^ fl 5 -^ Q 2 ^ ^ ^ ^ -2 <i m <j pq >j ifl .^ a e8 4) S 0 0 *3 K 41 f4 2 -d -d ;> 09 pq 0 CS >» u eS fl a> a r« ^ >i -d ,fl 41 c« *>j w b « P3 fl s S oj O ft § 8 § S I I I S I I I U -o^ aU iSo 1^ S^ S^ >.I2 ^^ ^3 S&5 2£g l-Sfl 8«fl lis ^-Sfl g.Hfl ^;2§ ^^c ISg
RMPAA9W9–Album of Drawings. Artist: Filippo Juvarra (Italian, Messina 1678-1736 Madrid). Dimensions: Overall: 11 9/16 x 8 3/8 x 1 1/16 in. (29.4 x 21.2 x 2.7 cm). Date: 1678-1736. Museum: Metropolitan Museum of Art, New York, USA.
RM2DJ5HF0–Strawberries's Scarlet Strawberries, Giovanni Vendramini, 1769–1839, Italian, after Francis Wheatley, 1747–1801, British, 1795, Aquatint, Sheet: 17 1/4 x 13 5/8 inches (43.8 x 34.6 cm), Plate: 16 1/2 x 13 inches (41.9 x 33 cm), and Image: 14 1/4 x 11 1/8 inches (36.2 x 28.3 cm
RM2AGDP5B–. Annual report of the Town of Littleton, New Hampshire. flW flO te bflm^ fl^5^* fl.2 ^-H O— Si ?1^ f3 I a^s^js: ® CS J Si ZS Q ••-< TO O w 3 « 0) h ;. 1/3 *E « fl o S « « ?sa^SsS^ +3 rt © fl ?, x: e« TO ^ ^ rH J3 ^N ^ g s 0 +3 A 0 *-> 0 -dfl-»1 43 OS Oh 73 fl 0. 0 0 fl 2 Pm fl 4^ i3 0 oo be fl bec a 2 CO fto m<oo 0 0 tH is £i Ol ;h n a ^M ft oa> flo fto xi 09 oSi a^mAV 00 f-i ^ o ^ W ^ )^ n fl ^ fl 5 -^ Q 2 ^ ^ ^ ^ -2 <i m <j pq >j ifl .^ a e8 4) S 0 0 *3 K 41 f4 2 -d -d ;> 09 pq 0 CS >» u eS fl a> a r« ^ >i -d ,fl 41 c« *>j w b « P3 fl s S oj O ft § 8 § S
RMPKYAW1–Henry, Duke of Gloucester. Dated: c. 1653. Dimensions: overall: 104.8 x 87 cm (41 1/4 x 34 1/4 in.) framed: 128.91 x 111.13 x 11.43 cm (50 3/4 x 43 3/4 x 4 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: Adriaen Hanneman.
RM2DJ5HC2–Milk Below Maids, Luigi Schiavonetti, 1765–1810, Italian, after Francis Wheatley, 1747–1801, British, 1793, Aquatint, Sheet: 17 x 13 1/2 inches (43.2 x 34.3 cm), Plate: 16 3/8 x 13 inches (41.6 x 33 cm), and Image: 14 1/4 x 11 1/8 inches (36.2 x 28.3 cm
RM2AMYXJ7–The Great metropolis : or, guide to New-York for 1847 . sterd runs high.0 enters ft. 4 sets 10 23.St. George.Spica ITC south 117.St. Mark.D in apogee. Dft. S gr- elong. 9 sets 9 41. SUNRis. & Sets. North. Moon d Pla Y- m. b m. a s. 5 46 6 23 4 20 7 24 24 5 44 6 24 4 53 8 21 m 9 56 5 4.3 6 25 5 16| 9 19 m 10 27 5 41 0 20 5 39 10 16 nt 10 57 5 40 0 27 6 1 11 12 t 11 30 ) 38 6 28 6 24 mor. t ev. 3 5 36 6 29 6 47 0 5 3 0 43 5 35 6 30 7 9 0 56; VS 1 32 5 33 6 3J 32 1 42 2 31 5 32 6 32 54 2 25 3 52 5 30 6 33 8 10 3 5 5 14 5 28 0 34 8 3 3 43 X 6 29 5 27 0 35 9 0 4 2l! T 7 28 5 25 6 30 9 21 4 59 T
RMR33P4W–Decius Mus Addressing the Legions. Dated: probably 1616. Dimensions: overall: 80.7 x 84.7 cm (31 3/4 x 33 3/8 in.) framed: 105.1 x 109.2 x 12.7 cm (41 3/8 x 43 x 5 in.). Medium: oil on hardboard, transferred from wood and canvas. Museum: National Gallery of Art, Washington DC. Author: RUBENS, PETER PAUL. PETER PAUL RUBENS.
RM2DJ587G–Plains of Bengal, from above Siligoree, Edward Lear, 1812–1888, British, 1874, Watercolor, pen and brown ink, and gouache on moderately thick, moderately textured, cream wove paper, Mount: 11 9/16 x 17 1/8 inches (29.4 x 43.5 cm) and Sheet: 10 3/8 x 16 1/8 inches (26.4 x 41 cm), ferns, landscape, rivers, trees, vegetation, Asia, Bengal, Siliguri
RM2AWHK3A–Astronomie . 9 1 39 416 3 0 2.; 12 9 4 0 ^6 1 22 12 II 13 7 7 16 3 S î 1 48 2 6 13 8 14 5 7 16 2 2 É 2 282 41 14 9M 3 8 39 I 5 L. dans léq. i<?8 TRAIT Ë DU F L^U X Joursdu mois. Tempsde la haute mer. V I/IZ. H. M. p oa. 7 3 ^3 M 8 3 343 41 9 10 4 I 4 19 4 z8 4 3^ 11 5 î î IZ ^3 5 3°î 47é 3 6 11 14 6 37 7 ) M 7 2.3 8 I 16 8 z8 9 II 17 9 44 18 11 10 19 0 3 0 Z4 20 I 3I Z7 I ZI 1 Î7 2 Z4 I iZ z 4$3 10 A 13 3 z83 H lï ^4 4 104 40 lïli 15 4 59 5 15 i!li 26 5 43 6 8 17 é X46 ^6 x( i-delfus i. po. il. H. M po^ $10o45 II 9 10 9 5 8 3 6 8 é10 0 6 11z 6 36 910 4 6 9 69 6z 6 II 3i 3 1 97 796 z 68II o
RMPAXAE1–Part of a chair cover. Culture: French, Lyons. Designer: Jean Démosthène Dugourc (French, Versailles 1749-1825 Paris). Dimensions: c) L. 16 1/4 x W. 14 1/2 inches 41.3 x 36.8 cm d) L. 35 1/4 inches 89.5 cm e) L. 19 3/4 inches 50.2 cm f) L. 17 inches 43.2 inches. Date: ca. 1797. Museum: Metropolitan Museum of Art, New York, USA.
RM2DJ5HE5–Old Chair to Mend, Giovanni Vendramini, 1769–1839, Italian, after Francis Wheatley, 1747–1801, British, 1795, Aquatint, Sheet: 17 1/4 x 13 3/4 inches (43.8 x 34.9 cm), Plate: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Image: 14 1/4 x 11 1/8 inches (36.2 x 28.3 cm
RMRY4KBA–Sunny Autumn Day, 1892. George Inness (American, 1825-1894). Oil on canvas; framed: 111.4 x 137.5 x 12.1 cm (43 7/8 x 54 1/8 x 4 3/4 in.); unframed: 81 x 106 cm (31 7/8 x 41 3/4 in.); former: 101 x 127 x 7.6 cm (39 3/4 x 50 x 3 in
RM2DJ5HF4–A New Love Song only Ha' Penny a Piece, Anthony Cardon, 1772–1813, Flemish, after Francis Wheatley, 1747–1801, British, 1796, Aquatint, Sheet: 17 1/8 x 13 5/8 inches (43.5 x 34.6 cm), Plate: 16 1/2 x 13 inches (41.9 x 33 cm), and Image: 14 3/8 x 11 1/4 inches (36.5 x 28.6 cm
RMRY7YPT–Scharley in Oberschleisien, c. 1850. Carl Julius Rieden (German, 1802-1858), after Ernest William Knippel (German, 1811-1900). Lithograph hand-colored with gouache; sheet: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); image: 27.3 x 41.6 cm (10 3/4 x 16 3/8 in.); mounted: 43.7 x 56.1 cm (17 3/16 x 22 1/16 in
RM2DCCF9R–Albrecht Dürer, (artist), German, 1471 - 1528, Portrait of a Clergyman (Johann Dorsch?), 1516, oil on parchment on fabric, painted surface: 41.7 x 32.7 cm (16 7/16 x 12 7/8 in.), support: 43 x 33 cm (16 15/16 x 13 in.), framed: 60.5 x 51.3 x 4.4 cm (23 13/16 x 20 3/16 x 1 3/4 in
RM2DHXR5P–Ferry over the river Vulturnus, Sept.r 1790, Sir Richard Colt Hoare, 1758–1838, British, 1790, Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 16 3/16 x 22 1/4 inches (41.1 x 56.5 cm) and Contemporary drawn border: 17 1/8 x 23 1/4 inches (43.5 x 59.1 cm), ferry, genre subject, Grand Tour, landscape, river, Volturno
RM2AJ62N1–.. Handy notes and queries . — — i—i 1-16 2.88 1 1-16 49. 4.35 3 41 tf 5.75 .06 .056 X 52. 4.83 3 85 3-16 8.65 .134 .105 3-16 54 9 5.40 4.29 X 11.48 .235 .187 # 57 65 6. 4. 73 5-16 14.36 .375 .295 5-16 60.5 0.00 5.20 % 17.28 .54 .424 X 53.45 7.27 5.70 7-16 20.19 .735 .575 7-16 66.35 7.90 6 29 X 23.1 .960 .75 % 69.3 8.64 C.So 9-16 26. 1.21 .95 9-16 72.15 9 28 7.30 > & 28.85 1.51 1 17 % 75.1 10.15 8. 11-16 31.68 1.81 1.42 11-16 77 95 10.95 S.6 X 34.57 2.15 1 7 X 80.75 11.70 9.24 13-16 36.46 2.54 2. 13-16 83 60 12.60 9. So % 40.39 2.95 2.3 % 86.58 13.46 10.55, 15-6 43.27 , 3.37 2.64 15-16 09.4
RMR2PE5C–Christ in Limbo. Dated: c. 1550/1575. Dimensions: overall: 108.4 x 41.2 cm (42 11/16 x 16 1/4 in.) overall (with added strip): 109.7 x 42.9 cm (43 3/16 x 16 7/8 in.) framed: 125.1 x 58.1 x 7 cm (49 1/4 x 22 7/8 x 2 3/4 in.). Medium: oil on panel. Museum: National Gallery of Art, Washington DC. Author: Workshop of Hans Mielich.
RM2DHXR61–View on the river Vulturnus, Sept.r 1790, Sir Richard Colt Hoare, 1758–1838, British, 1790, Graphite and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 16 5/16 x 22 3/16 inches (41.4 x 56.4 cm) and Contemporary drawn border: 17 1/4 x 23 1/8 inches (43.8 x 58.7 cm), genre subject, Grand Tour, landscape, river, Volturno
RM2CRH742–. The railroad and engineering journal . %. -^3. I. The Arbel 40-ton hammer (fig. 20). Here we have :/ 4.8 X 59-4° 4- 13-6 X 45-8= -I- 3° X 43.4 - 46 X 41° 12 X 29.7 ^4.474. The bending moment will be as follows7° X 195 X 240 435 — 107 /> o7 P = R X 4,474 = 600 X 4,474 = 2,684,400, 2,684,400 P = ^-^— = 25,000. 107 ^ ^ The ratio between this load P and the weight of theworking parts is, then : 25,090 = 0,62725. 40,000 As there are two pillars, one on each side, this ratio be-comes 0.62725 X 2 = 1.2545—that is, the two uprightstogether should be able to support in this place, withoutexper
RMR370B3–Portrait of a Clergyman (Johann Dorsch?). Dated: 1516. Dimensions: painted surface: 41.7 x 32.7 cm (16 7/16 x 12 7/8 in.) support: 43 x 33 cm (16 15/16 x 13 in.) framed: 60.5 x 51.3 x 4.4 cm (23 13/16 x 20 3/16 x 1 3/4 in.). Medium: oil on parchment on fabric. Museum: National Gallery of Art, Washington DC. Author: Dürer, Albrecht. ALBRECHT DUERER.
RM2DHXR4N–View in Abruzzo, May 1791, Sir Richard Colt Hoare, 1758–1838, British, 1791, Graphite, pen and brown ink, and brown wash on moderately thick, moderately textured, cream laid paper mounted on medium, slightly textured, cream laid paper, Sheet: 16 5/16 x 22 9/16 inches (41.4 x 57.3 cm) and Contemporary drawn border: 17 1/8 x 23 1/2 inches (43.5 x 59.7 cm), castle, genre subject, Grand Tour, landscape, Abruzzo
RM2DCGGA9–German 16th Century, (artist), Hans Mielich, (related artist), German, 1516 - 1573, Christ in Limbo, c. 1550/1575, oil on panel, overall: 108.4 x 41.2 cm (42 11/16 x 16 1/4 in.), overall (with added strip): 109.7 x 42.9 cm (43 3/16 x 16 7/8 in.), framed: 125.1 x 58.1 x 7 cm (49 1/4 x 22 7/8 x 2 3/4 in
RM2CRH75E–. The railroad and engineering journal . %. -^3. I. The Arbel 40-ton hammer (fig. 20). Here we have :/ 4.8 X 59-4° 4- 13-6 X 45-8= -I- 3° X 43.4 - 46 X 41° 12 X 29.7 ^4.474. The bending moment will be as follows7° X 195 X 240 435 — 107 /> o7 P = R X 4,474 = 600 X 4,474 = 2,684,400, 2,684,400 P = ^-^— = 25,000. 107 ^ ^ The ratio between this load P and the weight of theworking parts is, then : 25,090 = 0,62725. 40,000 As there are two pillars, one on each side, this ratio be-comes 0.62725 X 2 = 1.2545—that is, the two uprightstogether should be able to support in this place, withoutexper
RMPAJNJR–Embroidered Sampler. Culture: American. Dimensions: 16 1/2 x 17 1/4 in. (41.9 x 43.8 cm). Maker: Rebekah White (1753-1823). Date: 1766. The pastoral courting scene embroidered beneath the lettering on this sampler relates to the more formal tent-stitch needlework pictures created by Boston girls during this decade. Salem samplers are characterized by long filling stitches made from untwisted silk floss. This early sampler is one of a small group made in the school of an unknown teacher who may have introduced this technique, which remained popular in Salem into the nineteenth century. Museum:
RM2DCFB7J–Gerard ter Borch the Younger, (painter), Dutch, 1617 - 1681, The Suitor's Visit, c. 1658, oil on canvas, overall: 80 x 75 cm (31 1/2 x 29 1/2 in.), framed: 110.8 x 106 x 12.7 cm (43 5/8 x 41 3/4 x 5 in.), Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger. His exquisite painting technique, which consisted of delicate touches with the brush and the use of thin glazes to suggest transparencies, allowed him to create realistic textural
Search Results for 41 1 8 x 43 1 4 Stock Photos and Images (145)
Page 1 of 2