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1770 1786 Stock Photos and Images

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1770 1786 Stock Photos and Images

Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree Stock Photo
RM2HB1NF9–Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree
Inspired by Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture Stock Photo
RF2HK4G42–Inspired by Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree, Reimagined by Artotop. Classic art reinvented with a modern twist. Design of warm cheerful glowing of brightness and light ray radiance. Photography inspired by surrealism and futurism, embracing dynamic energy of modern technology, movement, speed and revolutionize culture
Landscape with Temple Ruins, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and bistre on paper, Landscape view. The upper parts of the columns and the entablature of two sides are shown over the horizon. Mountainous country with a waterfall, beside which two men are shown, one on horseback., Italy, 1770–1786, architecture, Drawing Stock Photo
RM2DMRC89–Landscape with Temple Ruins, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and bistre on paper, Landscape view. The upper parts of the columns and the entablature of two sides are shown over the horizon. Mountainous country with a waterfall, beside which two men are shown, one on horseback., Italy, 1770–1786, architecture, Drawing
Drawing, Landscape with Bridge, 1770–1786 Stock Photo
RMWARJEX–Drawing, Landscape with Bridge, 1770–1786
Landscape with Bridge, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Mountainous country with a town at left in the middle ground. In the foreground is a brook, over which leads a bridge at left. Two persons approach it, a rider and a pedestrian are upon it. At right is a farm with trees in front., Italy, 1770–1786, landscapes, Drawing Stock Photo
RM2DMEAFW–Landscape with Bridge, Carlo Marchionni, Italian, 1702–1786, Pen and ink, brush and watercolor on paper, Mountainous country with a town at left in the middle ground. In the foreground is a brook, over which leads a bridge at left. Two persons approach it, a rider and a pedestrian are upon it. At right is a farm with trees in front., Italy, 1770–1786, landscapes, Drawing
St. Anne's, Kew Author Grignion, Charles 40.46.f. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1770-1786] Item type: 1 print Medium: etching Dimensions: platemark 20.8 x 14.0 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HRE4–St. Anne's, Kew Author Grignion, Charles 40.46.f. Place of publication: [London] Publisher: [unknown publisher] Date of publication: [1770-1786] Item type: 1 print Medium: etching Dimensions: platemark 20.8 x 14.0 cm Former owner: George III, King of Great Britain, 1738-1820
Fishermen in Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink with brown wash on off-white paper, lined, A scene framed by trees. A group of four men at the edge of a body of water. One stands in a boat spearing a fish. Two buildings visible on elevated land in the background., Italy, 1770–1786, landscapes, Drawing Stock Photo
RM2DN7H9G–Fishermen in Landscape, Carlo Marchionni, Italian, 1702–1786, Pen and brown ink with brown wash on off-white paper, lined, A scene framed by trees. A group of four men at the edge of a body of water. One stands in a boat spearing a fish. Two buildings visible on elevated land in the background., Italy, 1770–1786, landscapes, Drawing
A scene framed by trees. A group of four men at the edge of a body of water. One stands in a boat spearing a fish. Two buildings visible on elevated land in the background. Date: 1770-1786. Pen and brown ink with brown wash on off-white paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum. Stock Photo
RM2R6F0K8–A scene framed by trees. A group of four men at the edge of a body of water. One stands in a boat spearing a fish. Two buildings visible on elevated land in the background. Date: 1770-1786. Pen and brown ink with brown wash on off-white paper, lined. Museum: Cooper Hewitt, Smithsonian Design Museum.
Country road, Country road with walking figures and a farmstead, where a woman leans over the bottom door. In the background a wagon with two horses and on the right a church tower protrudes above the trees, road, path, four-wheeled vehicle drawn by two animals, parts of church exterior and annexes, Johan Antonie Kaldenbach, 1770 - 1786, paper, etching, h 174 mm × w 130 mm Stock Photo
RMW57M8R–Country road, Country road with walking figures and a farmstead, where a woman leans over the bottom door. In the background a wagon with two horses and on the right a church tower protrudes above the trees, road, path, four-wheeled vehicle drawn by two animals, parts of church exterior and annexes, Johan Antonie Kaldenbach, 1770 - 1786, paper, etching, h 174 mm × w 130 mm
Mr and Mrs Thomas Coltman 1770-2 by Joseph Wright 'of Derby' 1734 - 1797 United Kingdom, England, English, British, Britain, ( Thomas Coltman (1747 - 1826) of Hagnaby Priory, Lincolnshire, is shown with his first wife, Mary Barlow (1747 - 1786), whom he married in 1769. The house in the background is Gate Burton House, Lincolnshire. ) Stock Photo
RMJ44B7F–Mr and Mrs Thomas Coltman 1770-2 by Joseph Wright 'of Derby' 1734 - 1797 United Kingdom, England, English, British, Britain, ( Thomas Coltman (1747 - 1826) of Hagnaby Priory, Lincolnshire, is shown with his first wife, Mary Barlow (1747 - 1786), whom he married in 1769. The house in the background is Gate Burton House, Lincolnshire. )
Leda and the Swan, Claude Augustin Duflos, French, 1700–1786, François Boucher, French, 1703 – 1770, Etching on paper, Europe, France, 18th century, Print Stock Photo
RM2DM8J45–Leda and the Swan, Claude Augustin Duflos, French, 1700–1786, François Boucher, French, 1703 – 1770, Etching on paper, Europe, France, 18th century, Print
Voltaire and the peasants of Ferney, ca 1770. Creator: Huber, Jean (1721-1786). Stock Photo
RMTCXJ2X–Voltaire and the peasants of Ferney, ca 1770. Creator: Huber, Jean (1721-1786).
Interior and Exterior of the Little Theater, Haymarket, London, George Jones, 1786–1869, James Stow, 1770–after 1820, Etching, hand colored, England, 1815, theater, Print Stock Photo
RM2DMJW48–Interior and Exterior of the Little Theater, Haymarket, London, George Jones, 1786–1869, James Stow, 1770–after 1820, Etching, hand colored, England, 1815, theater, Print
N/A. Charles Messier, French astronomer, at the age of 40 . circa 1770. Ansiaume (1729—1786) 328 Charles Messier Stock Photo
RMP5TKB9–N/A. Charles Messier, French astronomer, at the age of 40 . circa 1770. Ansiaume (1729—1786) 328 Charles Messier
Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764); Francis Cotes, British, 1726 - 1770; 1754; Pastel on blue paper Stock Photo
RFECE8EE–Portrait of Joseph (1741-1786) and his Brother John Gulston (1750-1764); Francis Cotes, British, 1726 - 1770; 1754; Pastel on blue paper
N/A. English: Pendant portriat of Antoniio de la Torre, 37.5 x 31.5 inches, Oil on canvas . between 1770 and 1786. unknown 18th century Spanish artist 113 Antonio Ulloa yde la Torre-Guiral Stock Photo
RMP5KCKN–N/A. English: Pendant portriat of Antoniio de la Torre, 37.5 x 31.5 inches, Oil on canvas . between 1770 and 1786. unknown 18th century Spanish artist 113 Antonio Ulloa yde la Torre-Guiral
Pierre Testu-Brissy (1770 - 1829) was a pioneering French balloonist who achieved fame for making many flights astride animals, particularly horses. He made his first balloon ascent in 1785, and the first night ascent on June 18, 1786 in a hydrogen balloon. He made the world's first electrical observations on June 18, 1786 as he ascended into thunderclouds, and said that he drew remarkable discharges from the clouds by means of an iron rod, carried in the car. Stock Photo
RMT950WF–Pierre Testu-Brissy (1770 - 1829) was a pioneering French balloonist who achieved fame for making many flights astride animals, particularly horses. He made his first balloon ascent in 1785, and the first night ascent on June 18, 1786 in a hydrogen balloon. He made the world's first electrical observations on June 18, 1786 as he ascended into thunderclouds, and said that he drew remarkable discharges from the clouds by means of an iron rod, carried in the car.
. Die kurkölnische Ziegelei an der Rosenheimer Straße in München. Im Hintergrund St. Michael in Berg am Laim. 1770. Joseph Stephan  (1709–1786)   Description German painter Date of birth/death 1709 17 September 1786 Location of birth/death Munich Munich Work location Munich Authority control : Q1708038 VIAF: 121702906 ULAN: 500005017 GND: 120683660 SUDOC: 100521061 RKD: 75053 1283 Ziegelei 01 6 Stock Photo
RMMNYFXC–. Die kurkölnische Ziegelei an der Rosenheimer Straße in München. Im Hintergrund St. Michael in Berg am Laim. 1770. Joseph Stephan  (1709–1786)   Description German painter Date of birth/death 1709 17 September 1786 Location of birth/death Munich Munich Work location Munich Authority control : Q1708038 VIAF: 121702906 ULAN: 500005017 GND: 120683660 SUDOC: 100521061 RKD: 75053 1283 Ziegelei 01 6
Fire in London, c1808-1810. A print from 'The Microcosm of London', by William Henry Pyne (1770-1843). Illustrated by Thomas Rowlandson (1756-1827) and Auguste Charles Pugin (1762-1832). Albion Mills was a steam-powered flour mill situated on the southeastern side of Blackfriars Bridge in Southwark, London. Matthew Boulton (1728-1809), began plans for the mill as early as 1783; it was completed in 1786, and gutted by fire at 06:30 on 2nd March 1791. Stock Photo
RM2JFYDA6–Fire in London, c1808-1810. A print from 'The Microcosm of London', by William Henry Pyne (1770-1843). Illustrated by Thomas Rowlandson (1756-1827) and Auguste Charles Pugin (1762-1832). Albion Mills was a steam-powered flour mill situated on the southeastern side of Blackfriars Bridge in Southwark, London. Matthew Boulton (1728-1809), began plans for the mill as early as 1783; it was completed in 1786, and gutted by fire at 06:30 on 2nd March 1791.
. Baroness Ulrica Cedercreutz 1730-84 . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 1212 Ulrica Cedercreutz Stock Photo
RMMP3EXN–. Baroness Ulrica Cedercreutz 1730-84 . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 1212 Ulrica Cedercreutz
Art inspired by Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HKK14W–Art inspired by Peruche, de Gingi, François-Nicolas Martinet, French, 1739-after 1796, Hand-colored engraving, 1770-1786, sheet: 12 7/16 x 9 in., 31.6 x 22.9 cm, 18th Century, bird, green, parrot, tree, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Princess Sofia Albertina of Sweden, sister of King Gustav III . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 1130 Sofia-albertina Stock Photo
RMMNXCDE–. Princess Sofia Albertina of Sweden, sister of King Gustav III . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 1130 Sofia-albertina
Drawing, Landscape with Bridge, 1770–1786 Stock Photo
RMWARJEK–Drawing, Landscape with Bridge, 1770–1786
Art inspired by Spoon, 1770–1800, Made in New York, New York, United States, American, Silver, L. 9 1/8 in. (23.2 cm), Silver, John Burger (active ca. 1786–1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW2FEP–Art inspired by Spoon, 1770–1800, Made in New York, New York, United States, American, Silver, L. 9 1/8 in. (23.2 cm), Silver, John Burger (active ca. 1786–1807, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
View of Kilweston near Bath, the Seat of Sir Caesar Hawkins. Visual Material information: Title: View of Kilweston near Bath, the Seat of Sir Caesar Hawkins. 38.14.4.a. Date of publication: [between 1770-1786] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 17.1 x 26.2 cm Former owner: George III, King of Great Britain, 1738-1820 Stock Photo
RM2E9HP62–View of Kilweston near Bath, the Seat of Sir Caesar Hawkins. Visual Material information: Title: View of Kilweston near Bath, the Seat of Sir Caesar Hawkins. 38.14.4.a. Date of publication: [between 1770-1786] Item type: 1 drawing Medium: pen and black ink with watercolour Dimensions: sheet 17.1 x 26.2 cm Former owner: George III, King of Great Britain, 1738-1820
Art inspired by Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HTXPXY–Art inspired by Peasant Crossing Water, 1786, Etching and engraving, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Prints, William Wynne Ryland (British, baptized London 1732–1783 London), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
. Mattias von Hermansson 1716-89 . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 876 Mattias von Hermansson med ram Stock Photo
RMMP3EXR–. Mattias von Hermansson 1716-89 . 1770-talet. Gustaf Lundberg  (1695–1786)   Alternative names Lundberg; Gustav Lundberg Description Swedish portrait painter and pastellist Date of birth/death 17 August 1695 18 March 1786 Location of birth/death Stockholm Stockholm Work period from 1720s until 1770s Work location Paris, Stockholm Authority control : Q838499 VIAF: 25745822 ISNI: 0000 0000 6686 454X ULAN: 500027182 LCCN: n2006086273 WGA: LUNDBERG, Gustaf WorldCat 876 Mattias von Hermansson med ram
Art inspired by Firescreen, 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, 62 7/8 x 21 in. (159.7 x 53.3 cm), Furniture, With a history of descent in the family of General John Cadwalader (1742–1786), this finely carved rococo fire screen can be identified, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW24TM–Art inspired by Firescreen, 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, 62 7/8 x 21 in. (159.7 x 53.3 cm), Furniture, With a history of descent in the family of General John Cadwalader (1742–1786), this finely carved rococo fire screen can be identified, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Fisherman. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 13/16 in. (23 × 25 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAAJR0–Fisherman. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 1/16 × 9 13/16 in. (23 × 25 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.
. English: Claudius James Rich (1787–1820) Deutsch: Portrait Claudius James Rich (1786-1820) . posthum. English: Thomas Phillips (1770–1845) 114 Claudius James Rich Stock Photo
RMMY8824–. English: Claudius James Rich (1787–1820) Deutsch: Portrait Claudius James Rich (1786-1820) . posthum. English: Thomas Phillips (1770–1845) 114 Claudius James Rich
Portrait of Baroness Ulrica Fredrika Cedercreutz (1730-1784), ca 1770. Creator: Lundberg, Gustaf (1695-1786). Stock Photo
RMTCXY58–Portrait of Baroness Ulrica Fredrika Cedercreutz (1730-1784), ca 1770. Creator: Lundberg, Gustaf (1695-1786).
Mary, Lady Boynton (d. 1778), James Wilson, c.1735–c.1786, after Francis Cotes RA, 1726–1770, British, 1771, Mezzotint, Sheet: 12 3/8 x 9 13/16in. (31.4 x 24.9cm Stock Photo
RM2DHX5MX–Mary, Lady Boynton (d. 1778), James Wilson, c.1735–c.1786, after Francis Cotes RA, 1726–1770, British, 1771, Mezzotint, Sheet: 12 3/8 x 9 13/16in. (31.4 x 24.9cm
N/A. English: Portrait of Georg Strobel, abbot of the imperial abbey of Petershausen (1761-1786). The portrait, showing the abbot at age 45, now hangs in the Pfullendorf town hall. circa 1770. Unknown, painted c. 1770 55 Abt Georg Strobel (Petershausen 1761-1786) Stock Photo
RMP5YPG2–N/A. English: Portrait of Georg Strobel, abbot of the imperial abbey of Petershausen (1761-1786). The portrait, showing the abbot at age 45, now hangs in the Pfullendorf town hall. circa 1770. Unknown, painted c. 1770 55 Abt Georg Strobel (Petershausen 1761-1786)
Philippe Claude Tubières, Comte de Caylus, 1770, Jean Baptiste André Gautier d’Agoty, French, 1740-1786, France, Mezzotint on ivory laid paper, 296 × 240 mm (image), 318 × 259 mm (plate), 444 × 301 mm (sheet Stock Photo
RM2A2KWET–Philippe Claude Tubières, Comte de Caylus, 1770, Jean Baptiste André Gautier d’Agoty, French, 1740-1786, France, Mezzotint on ivory laid paper, 296 × 240 mm (image), 318 × 259 mm (plate), 444 × 301 mm (sheet
Art inspired by Side Chair, ca. 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, northern white cedar, 37 x 22 1/2 x 23 in. (94 x 57.2 x 58.4 cm), Furniture, Attributed to Thomas Affleck (1740–1795), This magnificently carved chair is part of a suite of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW1YJ4–Art inspired by Side Chair, ca. 1770, Made in Philadelphia, Pennsylvania, United States, American, Mahogany, northern white cedar, 37 x 22 1/2 x 23 in. (94 x 57.2 x 58.4 cm), Furniture, Attributed to Thomas Affleck (1740–1795), This magnificently carved chair is part of a suite of, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Portrait of Peter III of Portugal (1717-1786) circa 1760-1770. 971 PedroIIIpt Stock Photo
RMMNT3T3–Portrait of Peter III of Portugal (1717-1786) circa 1760-1770. 971 PedroIIIpt
Frederick II (1712-1786), aka Frederick the Great, King of Prussia, portrait miniature by unknown artist, 1750-1770 Stock Photo
RM2G2B07P–Frederick II (1712-1786), aka Frederick the Great, King of Prussia, portrait miniature by unknown artist, 1750-1770
1786 Playfair Chart of import and exports of England to and from all North America from the year 1770 to 1782 Stock Photo
RMJ9BT4F–1786 Playfair Chart of import and exports of England to and from all North America from the year 1770 to 1782
Hoelderlin, Friedrich, 20.3.1770 - 7.6.1843, German author / writer, portrait, sideface, at the age of 16, coloured drawing, 1786, , Stock Photo
RMCR72R6–Hoelderlin, Friedrich, 20.3.1770 - 7.6.1843, German author / writer, portrait, sideface, at the age of 16, coloured drawing, 1786, ,
Left top to bottom: Elector Frederick I (born 1371 , died 1440) , Elector Friedrich Wilhelm (born February 6, 1620 , died May 9, 1688 ), King Friedrich Wilhelm II (born September 25, 1744 , died November 16, 1797 ), Friedrich Wilhelm , Crown Prince of the German Empire and of Prussia (born October 18, 1831 ) . Middle top to bottom: King Frederick William I (b. August 14, 1688 , died May 31, 1740 ), King Frederick II (born January 24, 1712 , died August 17, 1786 ), King Friedrich Wilhelm III . (born August 3, 1770 , died June 7, 1840 ) . Right top to bottom: Elector Frederick II (born 1413 , di Stock Photo
RMR2TMRB–Left top to bottom: Elector Frederick I (born 1371 , died 1440) , Elector Friedrich Wilhelm (born February 6, 1620 , died May 9, 1688 ), King Friedrich Wilhelm II (born September 25, 1744 , died November 16, 1797 ), Friedrich Wilhelm , Crown Prince of the German Empire and of Prussia (born October 18, 1831 ) . Middle top to bottom: King Frederick William I (b. August 14, 1688 , died May 31, 1740 ), King Frederick II (born January 24, 1712 , died August 17, 1786 ), King Friedrich Wilhelm III . (born August 3, 1770 , died June 7, 1840 ) . Right top to bottom: Elector Frederick II (born 1413 , di
Elizabeth Chandler Putnam. This miniature of Elizabeth Putnam (1770-1820) is attributed to William Dunlap on stylistic grounds, and the artist apparently painted it several years after her death. She had married Ebenezer Putnam in 1786, and was the daughter of the Honorable John Chandler and Dorothy Paine. Stock Photo
RM2BF40MY–Elizabeth Chandler Putnam. This miniature of Elizabeth Putnam (1770-1820) is attributed to William Dunlap on stylistic grounds, and the artist apparently painted it several years after her death. She had married Ebenezer Putnam in 1786, and was the daughter of the Honorable John Chandler and Dorothy Paine.
Drawing, Landscape with Temple Ruins, 1770–1786 Stock Photo
RMWARJJ8–Drawing, Landscape with Temple Ruins, 1770–1786
Climbing trees. Aboriginal Australian man using a small axe to climb a tree, other men carrying spears standing at base of tree, flying fox overhead, possibly disturbed by climber. by Dubourg, M, fl 1786-1808, engraver. Clark, John Heaviside, ca 1770-1863, artist. Date: 1813. Stock Photo
RM2RWCW5Y–Climbing trees. Aboriginal Australian man using a small axe to climb a tree, other men carrying spears standing at base of tree, flying fox overhead, possibly disturbed by climber. by Dubourg, M, fl 1786-1808, engraver. Clark, John Heaviside, ca 1770-1863, artist. Date: 1813.
Zed, Hans Joachim of Eraser: Monogramist J.G.Dation: 1770/1786 Stock Photo
RM2F951A6–Zed, Hans Joachim of Eraser: Monogramist J.G.Dation: 1770/1786
Mrs Sophia Baddeley in the character of Clarissa in Isaac Bickerstaff’s Lionel and Clarissa, Drury Lane Theatre, 1770. Sophia Snow (1745-1786) was an English actress, singer and courtesan, married to the actor Richard Baddeley. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1781. Stock Photo
RM2C36RWC–Mrs Sophia Baddeley in the character of Clarissa in Isaac Bickerstaff’s Lionel and Clarissa, Drury Lane Theatre, 1770. Sophia Snow (1745-1786) was an English actress, singer and courtesan, married to the actor Richard Baddeley. Copperplate engraving by J. Thornthwaite after an illustration by James Roberts from Bell’s British Theatre, Consisting of the most esteemed English Plays, John Bell, London, 1781.
Rowland Holt of Redgrave, Suffolk between circa 1770 and circa 1786 by John Downman Stock Photo
RM2RF34FJ–Rowland Holt of Redgrave, Suffolk between circa 1770 and circa 1786 by John Downman
Art inspired by Fisherman, ca. 1753, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 13/16 in. (23 × 25 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW76W1–Art inspired by Fisherman, ca. 1753, Etching and engraving, Sheet (trimmed): 9 1/16 × 9 13/16 in. (23 × 25 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
Peasant Crossing Water. Artist: After François Boucher (French, Paris 1703-1770 Paris); William Wynne Ryland (British, baptized London 1732-1783 London). Dimensions: sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA9K9M–Peasant Crossing Water. Artist: After François Boucher (French, Paris 1703-1770 Paris); William Wynne Ryland (British, baptized London 1732-1783 London). Dimensions: sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm). Date: 1786. Museum: Metropolitan Museum of Art, New York, USA.
The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo
RMEFK8WD–The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014
Dancing Cossacks Dancing kozakken object type: drawing Object number: RP-T-00-1770 Manufacturer : draftsman: Louis Moritz Artist: Pieter Gerardus van Os Dating: 1783 to 1850 and / or 1786 - 1839 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 167 mm × W 309 mm Subject: (military) with tent camp group, or one (folk dancing) land forces (+ cavalry, horsemen) Stock Photo
RM2B6HFKN–Dancing Cossacks Dancing kozakken object type: drawing Object number: RP-T-00-1770 Manufacturer : draftsman: Louis Moritz Artist: Pieter Gerardus van Os Dating: 1783 to 1850 and / or 1786 - 1839 Physical characteristics: pen in brown material: paper Ink Technique: pen Dimensions: h 167 mm × W 309 mm Subject: (military) with tent camp group, or one (folk dancing) land forces (+ cavalry, horsemen)
Portrait of the painter François Boucher (1703-1770), 1741. Stock Photo
RMMPXFDG–Portrait of the painter François Boucher (1703-1770), 1741.
Print, Interior and Exterior of the Little Theater, Haymarket, London; After George Jones (1786–1869); Engraved by James Stow (1770–after 1820); England; etching, hand colored Stock Photo
RM2PMJ2PW–Print, Interior and Exterior of the Little Theater, Haymarket, London; After George Jones (1786–1869); Engraved by James Stow (1770–after 1820); England; etching, hand colored
Frontispiece, plate one from Vasi Invention, 1768, published 1770, Jean-Laurent Legeay, French, 1710-1786, France, Etching with drypoint on tan laid paper, 226 × 186 mm (image), 248 × 208 mm (plate), 309 × 228 mm (sheet Stock Photo
RM2A2KWH9–Frontispiece, plate one from Vasi Invention, 1768, published 1770, Jean-Laurent Legeay, French, 1710-1786, France, Etching with drypoint on tan laid paper, 226 × 186 mm (image), 248 × 208 mm (plate), 309 × 228 mm (sheet
Portrait of Count Carl Gustaf Tessin (1695-1770), 1761. Stock Photo
RMMPXK5P–Portrait of Count Carl Gustaf Tessin (1695-1770), 1761.
Castle in a Landscape, Alexander Cozens, 1717–1786, British, between 1770 and 1779, Brush and black ink on medium, slightly textured, cream laid paper, Sheet: 9 3/4 x 13 inches (24.8 x 33 cm), architectural subject, castle, hills, landscape, mountains, trees Stock Photo
RM2DJ7NDY–Castle in a Landscape, Alexander Cozens, 1717–1786, British, between 1770 and 1779, Brush and black ink on medium, slightly textured, cream laid paper, Sheet: 9 3/4 x 13 inches (24.8 x 33 cm), architectural subject, castle, hills, landscape, mountains, trees
Portrait of Thomas Robinson, 2nd Baron Grantham (1738-1786). circa 1770. Thomas Robinson 2nd Baron Stock Photo
RMMMTK40–Portrait of Thomas Robinson, 2nd Baron Grantham (1738-1786). circa 1770. Thomas Robinson 2nd Baron
After Joseph Vernet, The Old Fortress, After Joseph Vernet (French, Avignon 1714–1789 Paris), Jean Jacques Le Veau (French, Rouen 1729–1786 Paris), ca. 1770, Engraving, Sheet (Trimmed): 8 3/4 × 9 13/16 in. (22.3 × 25 cm), Prints Stock Photo
RM2B0M6X4–After Joseph Vernet, The Old Fortress, After Joseph Vernet (French, Avignon 1714–1789 Paris), Jean Jacques Le Veau (French, Rouen 1729–1786 Paris), ca. 1770, Engraving, Sheet (Trimmed): 8 3/4 × 9 13/16 in. (22.3 × 25 cm), Prints
Hoelderlin, Friedrich, 20.3.1770 - 7.6.1843, German poet, portrait, aged circa 16 years, profile, coloured drawing, 1786, Wuerttembergische Landesbibliothek (Wuerttembergian State Library), Stock Photo
RMBX6R2F–Hoelderlin, Friedrich, 20.3.1770 - 7.6.1843, German poet, portrait, aged circa 16 years, profile, coloured drawing, 1786, Wuerttembergische Landesbibliothek (Wuerttembergian State Library),
Nederlandsche vogelen: volgens hunne huishouding, aert, en eigenschappen, 1770-1829. Private Collection. Stock Photo
RMWWKDFB–Nederlandsche vogelen: volgens hunne huishouding, aert, en eigenschappen, 1770-1829. Private Collection.
Haye de Launay, Marc Antoine Andre de la, public contractor of indirect taxes in Prussia 1766 - 1786, portrait, copper engraving by Tassaert, circa 1770, Artist's Copyright has not to be cleared Stock Photo
RMC41YY9–Haye de Launay, Marc Antoine Andre de la, public contractor of indirect taxes in Prussia 1766 - 1786, portrait, copper engraving by Tassaert, circa 1770, Artist's Copyright has not to be cleared
Drawing, Fishermen in Landscape, 1770–1786 Stock Photo
RMWARF2A–Drawing, Fishermen in Landscape, 1770–1786
Friedrich II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with brother Heinrich & nephew Wilhelm, miniature on ivory by Anton König, circa 1770, Stock Photo
RMB45JNP–Friedrich II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with brother Heinrich & nephew Wilhelm, miniature on ivory by Anton König, circa 1770,
Jean Jacques Le Veau (Engraver) The judge, or the broken jug. Copper engraving, etching 1770-1786 , 1770/1786 Stock Photo
RM2T84C53–Jean Jacques Le Veau (Engraver) The judge, or the broken jug. Copper engraving, etching 1770-1786 , 1770/1786
Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with his brother Henry (right) and his nephew Frederick William (II), miniature on ivory, circa 1770, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared Stock Photo
RMCR75TE–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, with his brother Henry (right) and his nephew Frederick William (II), miniature on ivory, circa 1770, Bavarian National Museum, Munich, , Artist's Copyright has not to be cleared
Dr. Joseph Lemmon ca. 1770 by Benjamin Blythe, born Salem, MA 1746-died after 1786 Stock Photo
RM2R8C0XK–Dr. Joseph Lemmon ca. 1770 by Benjamin Blythe, born Salem, MA 1746-died after 1786
Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, homage of the Silesian Estates, Breslau, 7.11.1741, etching of Johann David Schleuen, 'Les actions glorieuses de Frederic le Grand', Berlin, circa 1770, Stock Photo
RMCP1YDP–Frederick II 'the Great', 24.1.1712 - 17.6.1786, King of Prussia 31.5.1740 - 17.6.1786, homage of the Silesian Estates, Breslau, 7.11.1741, etching of Johann David Schleuen, 'Les actions glorieuses de Frederic le Grand', Berlin, circa 1770,
The Little Shepherd. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA9D87–The Little Shepherd. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Earth, 18th century, Etching, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW76WJ–Art inspired by Earth, 18th century, Etching, Sheet (trimmed): 9 1/16 × 9 5/8 in. (23 × 24.4 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo
RMEFK1GP–The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014
Huzaar van de Rijngraaf van Salm in 1786 Een Hussaar van de RijnGrave van Salm in dienst van de Nieuw Constitutie van het Jaar 1786 (titel op object) the uniform of the hussars of the Rhine Count of Salm in 1786. Part of the second chapter on the new uniforms for the period 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writing dimensions Stock Photo
RM2B6W5P6–Huzaar van de Rijngraaf van Salm in 1786 Een Hussaar van de RijnGrave van Salm in dienst van de Nieuw Constitutie van het Jaar 1786 (titel op object) the uniform of the hussars of the Rhine Count of Salm in 1786. Part of the second chapter on the new uniforms for the period 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writing dimensions
A native building. DRAWINGS, in Indian ink, illustrative of Capt. Cook's first voyage, 1768 -1770, chiefly relating to Otaheite and New Zealand, by A. Buchan, John F. Miller, and others. 1786-1770. Source: Add. 15508 f.15, no.17. Stock Photo
RMR587HM–A native building. DRAWINGS, in Indian ink, illustrative of Capt. Cook's first voyage, 1768 -1770, chiefly relating to Otaheite and New Zealand, by A. Buchan, John F. Miller, and others. 1786-1770. Source: Add. 15508 f.15, no.17.
Print, Triomphe de Priape; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 51 x 25.5 cm (20 1/16 x 10 1/16 in.) Stock Photo
RM2PMD82J–Print, Triomphe de Priape; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 51 x 25.5 cm (20 1/16 x 10 1/16 in.)
Silhouette of Ludwig van Beethoven (1770-1827) a German composer and pianist. Dated 18th century Stock Photo
RMMR4W0N–Silhouette of Ludwig van Beethoven (1770-1827) a German composer and pianist. Dated 18th century
Print, Léda; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50.8 x 26.2 cm (20 x 10 5/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.) Stock Photo
RM2PMD4DR–Print, Léda; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50.8 x 26.2 cm (20 x 10 5/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.)
Portrait of Jakob Magnus Sprengtporten, 1727-1786. circa 1770-1780. Carl Fredrich Brander-Portrait of Jakob Magnus Sprengtporten Stock Photo
RMMMTBKM–Portrait of Jakob Magnus Sprengtporten, 1727-1786. circa 1770-1780. Carl Fredrich Brander-Portrait of Jakob Magnus Sprengtporten
Premier et Deuxième Recueil de Chiffres, 1770, Marillier, Clément Pierre (French, 1740-1808), after Charles Germaine de Saint-Aubin (French, 1721-1786), France, Suite of 13 etchings on ivory laid paper. Bound in contemporary half-calf over marbled boards, gilt edge, 387 × 253 mm Stock Photo
RM2A2KJTD–Premier et Deuxième Recueil de Chiffres, 1770, Marillier, Clément Pierre (French, 1740-1808), after Charles Germaine de Saint-Aubin (French, 1721-1786), France, Suite of 13 etchings on ivory laid paper. Bound in contemporary half-calf over marbled boards, gilt edge, 387 × 253 mm
John Heaviside Clark (c. 1770-1836) and Matthew Dubourg (act. 1786-1838) (engravers). Isaac pontoon bridge over the Neva River Stock Photo
RMBWP8GK–John Heaviside Clark (c. 1770-1836) and Matthew Dubourg (act. 1786-1838) (engravers). Isaac pontoon bridge over the Neva River
Fisherman. Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris) After Franзois Boucher (French, Paris 1703-1770 Paris) Date: ca. 1753. Etch Stock Photo
RF2TAND6X–Fisherman. Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris) After Franзois Boucher (French, Paris 1703-1770 Paris) Date: ca. 1753. Etch
An map of Essex scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions. Stock Photo
RM2B9KK5E–An map of Essex scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions.
Drawing, Landscape with Temple Ruins, 1770–1786 Stock Photo
RMWARJEY–Drawing, Landscape with Temple Ruins, 1770–1786
Portrait of Sophie Cottin (1770-1807). Private Collection. Stock Photo
RM2GPX0TW–Portrait of Sophie Cottin (1770-1807). Private Collection.
Jean Jacques Le Veau (Engraver) The judge, or the broken jug. Copper engraving, etching 1770-1786 , 1770/1786 Stock Photo
RM2T84C3E–Jean Jacques Le Veau (Engraver) The judge, or the broken jug. Copper engraving, etching 1770-1786 , 1770/1786
Glass Blower. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPAABEW–Glass Blower. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm). Date: ca. 1753. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by Glass Blower, ca. 1753, Etching and engraving, Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW76WK–Art inspired by Glass Blower, ca. 1753, Etching and engraving, Sheet (trimmed): 9 in. × 9 3/4 in. (22.9 × 24.8 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo
RMEFK8GN–The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014
Huzaar van de Rijngraaf van Salm in 1786 Een Curasier van de Rijn Grave van Salm in dienst van de Nieuw Burgers Constitutie van het Jaar 1786 (titel op object) the uniform of the cuirassiers of the Rhine Count of Salm in 1786. Part of the second chapter on the new uniforms for the period 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writ Stock Photo
RM2B6W5MB–Huzaar van de Rijngraaf van Salm in 1786 Een Curasier van de Rijn Grave van Salm in dienst van de Nieuw Burgers Constitutie van het Jaar 1786 (titel op object) the uniform of the cuirassiers of the Rhine Count of Salm in 1786. Part of the second chapter on the new uniforms for the period 1783-1787. In the sketch with color drawings of the uniforms worn by military personnel and members of the schutterij from the period 1770 to 1795-1796. Manufacturer : draftsman: S.G. Cast Insert preparation: Amsterdam Date: 1795 Physical characteristics: pen in brown ink color material: paper Technique: writ
Print, Rocaille; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50.5 x 25.8 cm (19 7/8 x 10 3/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.) Stock Photo
RM2PMDB7G–Print, Rocaille; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50.5 x 25.8 cm (19 7/8 x 10 3/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.)
7 Cécile Caroline Charlotte Vanhove (1770-1860) - Portrait original d'après nature gravé en 1786 par Charles Etienne Gaucher Stock Photo
RMMYX4PR–7 Cécile Caroline Charlotte Vanhove (1770-1860) - Portrait original d'après nature gravé en 1786 par Charles Etienne Gaucher
Jean-Baptiste Nini, Louis XV (1710–1774), French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 6 1/4 in. (15.9 cm), Sculpture-Miniature Stock Photo
RM2B0M45C–Jean-Baptiste Nini, Louis XV (1710–1774), French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 6 1/4 in. (15.9 cm), Sculpture-Miniature
A map of Devonshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions. Stock Photo
RM2B87Y5A–A map of Devonshire scanned at high resolution from a book published around 1786. This image is believed to be free of all copyright restrictions.
Drawing, Road in a Mountainous Country, 1770–1786 Stock Photo
RMWARX7F–Drawing, Road in a Mountainous Country, 1770–1786
Portrait of Countess Marie Walewska (1786-1817), c. 1810. Found in the Collection of the Musée de l'Armée, Paris. Stock Photo
RM2GPWRB3–Portrait of Countess Marie Walewska (1786-1817), c. 1810. Found in the Collection of the Musée de l'Armée, Paris.
Interior with figures for a judge, Jean Jacques André Le Veau, 1770 - 1786 print Interior with an old man with his daughter and an old woman with her son in front of a judge. Paris paper etching / engraving administration of justice, trial Stock Photo
RM2WE6KMH–Interior with figures for a judge, Jean Jacques André Le Veau, 1770 - 1786 print Interior with an old man with his daughter and an old woman with her son in front of a judge. Paris paper etching / engraving administration of justice, trial
Bringing Rope to the Prisoner. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 11/16 × 5 1/4 in. (6.8 × 13.3 cm). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA. Stock Photo
RMPA9993–Bringing Rope to the Prisoner. Artist: After François Boucher (French, Paris 1703-1770 Paris); Claude Augustin Duflos le Jeune (French, Paris 1700-1786 Paris). Dimensions: Sheet (trimmed): 2 11/16 × 5 1/4 in. (6.8 × 13.3 cm). Date: 1746-47. Museum: Metropolitan Museum of Art, New York, USA.
Art inspired by The Little Shepherd, ca. 1753, Etching and engraving, Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT Stock Photo
RF2HW76WR–Art inspired by The Little Shepherd, ca. 1753, Etching and engraving, Sheet (trimmed): 10 11/16 in. × 8 in. (27.2 × 20.3 cm), Prints, Claude Augustin Duflos le Jeune (French, Paris 1700–1786 Paris), After François Boucher (French, Paris 1703–1770 Paris, Classic works modernized by Artotop with a splash of modernity. Shapes, color and value, eye-catching visual impact on art. Emotions through freedom of artworks in a contemporary way. A timeless message pursuing a wildly creative new direction. Artists turning to the digital medium and creating the Artotop NFT
The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014 Stock Photo
RMEFK1GD–The City Parish Church of St. Blaise is the mother parish of all Catholic parishes in the city of Fulda and the last major building that was built in the Baroque period 1770 to 1786. Photo: Klaus Nowottnick Date: August 8, 2014
Print, Hommage Champètre; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50 x 25.5 cm (19 11/16 x 10 1/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.) Stock Photo
RM2PMD66D–Print, Hommage Champètre; Designed by François Boucher (French, 1703–1770); Print Maker: Claude Augustin Duflos (French, 1700–1786); Published by Nicolas de Larmessin IV (French, 1684 - 1755); France; etching and engraving on white laid paper; Platemark: 50 x 25.5 cm (19 11/16 x 10 1/16 in.) Sheet: 63.9 x 44.5 cm (25 3/16 x 17 1/2 in.)
. English: Joséphine de Lorraine with her sister Charlotte . circa 1770. Josephine de Lorraine (1753-1797) & Charlotte de Lorraine (1755-1786) Stock Photo
RMMMTN6M–. English: Joséphine de Lorraine with her sister Charlotte . circa 1770. Josephine de Lorraine (1753-1797) & Charlotte de Lorraine (1755-1786)
Jean-Baptiste Nini, Louis XV (1710–1774), French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 6 1/2 in. (16.5 cm), Sculpture-Miniature Stock Photo
RM2B0H7AA–Jean-Baptiste Nini, Louis XV (1710–1774), French, Chaumont-sur-Loire, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire), 1770, French, Chaumont-sur-Loire, Medallion: cast terracotta (terre de Chaumont); frame: gilt wood, Diameter (without frame): 6 1/2 in. (16.5 cm), Sculpture-Miniature
Print, Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens); Designed by François Boucher (French, 1703–1770); Engraved by Claude Augustin Duflos (French, 1700–1786); France; etching, engraving on white paper; 49.4 x 24.8 cm (19 7/16 x 9 3/4 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.) Stock Photo
RM2PMD9Y2–Print, Rocaille (rococo design), in Nouveaux morceaux pour des paravents (New concepts for screens); Designed by François Boucher (French, 1703–1770); Engraved by Claude Augustin Duflos (French, 1700–1786); France; etching, engraving on white paper; 49.4 x 24.8 cm (19 7/16 x 9 3/4 in.) Frame: 60.3 x 44.8 x 2.5 cm (23 3/4 x 17 5/8 x 1 in.) Mat: 55.9 x 40.6 cm (22 x 16 in.)
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