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£5.00 ISSUE <strong>50</strong> | 2008<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
<strong>50</strong><br />
THE UK’s CONSUMER ELECTRONICS TRADE JOURNAL<br />
Marantz<br />
Looking even<br />
stronger in 2008<br />
1
2<br />
We wish you only<br />
www.marantz.com | Marantz 01753 287696<br />
www.marantz.com<br />
‘the best’ for 2008!<br />
HI-FI CHOICE<br />
Gold: Marantz DV6001, best DVD/Universal Player under £<strong>50</strong>0<br />
Gold: Marantz PM7001, best Stereo Amplifi er up to £<strong>50</strong>0<br />
Gold: Marantz SA-7S1, best CD Player £2000 – £<strong>50</strong>00<br />
Silver: Marantz SA7001, best CD Player up to £<strong>50</strong>0<br />
Bronze: Marantz DV9006, best DVD/Universal Player £1000 – £2000<br />
Bronze: Marantz ST7001, best Radio Tuner under £<strong>50</strong>0<br />
Bronze: Marantz DV7001, best DVD/Universal Player £<strong>50</strong>0 – £1000<br />
WHAT HI-FI?<br />
Best CD Player under £300: Marantz CD6002<br />
Product of the year, DVD & HD Players: Marantz DV7001<br />
HI-FI NEWS<br />
Best Projector under £10,000: Marantz VP-11S1<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
<strong>50</strong><br />
Editorial Director <strong>Malcolm</strong> <strong>Steward</strong><br />
Contributors<br />
James Clarke<br />
Paul Messenger<br />
Publisher Philippa <strong>Steward</strong><br />
Advertising Sales<br />
Keith Burden +44 (0) 020 7871 2331<br />
Mobile +44 (0) 07973 908870<br />
Skype: The <strong>BAJ</strong><br />
Diana Shepherd<br />
Mobile: +44 (0) 7979 487 510<br />
Events / Business Development<br />
Dennis Poole +44 (0) 7872 127 054<br />
Published by Graffix Publishing Ltd.,<br />
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Editorial Tel: +44 (0) 1428 717400<br />
E-mail: enquiries@thebaj.com<br />
Printed by Scottish County Press,<br />
Edinburgh<br />
The <strong>BAJ</strong> is published on the Internet at www.The<strong>BAJ</strong>.com.<br />
Printed copies are available bi-monthly in February, April,<br />
June, August, October & December. Subscriptions: Free<br />
to qualifying readers in the UK. Please see our website for<br />
overseas subscriptions.<br />
© The <strong>BAJ</strong> 2007. All rights reserved. Any unauthorised editing,<br />
copying, reselling or distribution of the whole or part of this<br />
publication is prohibited. The views expressed in any articles<br />
in this magazine should be taken as those of the author or<br />
the person quoted unless indicated to the contrary. While The<br />
<strong>BAJ</strong> endeavours to ensure the accuracy of the information<br />
contained in this publication, its accuracy cannot be<br />
guaranteed and Graffix Publishing Limited accepts no liability<br />
for any use of, reliance on or the accuracy of such information.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
EDITOR’s letter<br />
THE HIGH DEFINITION FORMAT WAR SEEMS HAVE HEATED UP AND<br />
VIRTUALLY FIZZLED OUT IN VERY SHORT NOTICE. AT THE END OF LAST YEAR<br />
TOSHIBA WAS OFFERING ITS ENTRY-LEVEL HD-A2 DVD PLAYER THROUGH<br />
BEST BUY AND WAL-MART STORES IN THE USA FOR JUST $98.87 – LESS THAN<br />
£<strong>50</strong>. THIS WAS A DRAMATIC MOVE, ONE HAS TO ADMIT, ALBEIT ONE THAT<br />
DID LOOK A BIT LIKE A FIRE-SALE. THEN, AROUND THE TIME OF CES, WARNER<br />
BROTHERS ENTERTAINMENT ANNOUNCED THAT IT WAS ABANDONING ITS<br />
SUPPORT FOR HD DVD FORMAT IN FAVOUR OF BLU-RAY, SAYING THAT AFTER<br />
MAY IT WOULD RELEASE MOVIES SOLELY IN THE BLU-RAY FORMAT.<br />
<strong>50</strong><br />
In the week ending January 12, Blu-ray hardware captured 90 per cent<br />
of the market, according to data collected by market analysts, the NPD<br />
Group. Toshiba slashed the prices of its players the next day so that<br />
consumers could have one for about half the cost of a Blu-ray machine.<br />
Toshiba vice president of marketing for digital audio and video products,<br />
Jodi Salley said at CES “It is difficult to read pundits declaring HD DVD dead...<br />
but we’ve been declared dead before.” I guess we’ll know when we see<br />
whether studios who still back HD-DVD exclusively, such as Paramount and<br />
DreamWorks, will continue to do so or will follow Warner Brothers’ lead.<br />
There’s good news, however, from my wife and Dennis Poole about their<br />
Luxury Living and Home Entertainment Show. They’ve struck publicity<br />
deals with several publishers, including those of the most exclusive lifestyle<br />
magazine in Surrey, which is delivered to a strictly targeted audience around<br />
the show venue: more than 10,000 people earning in excess of £100,000<br />
a year, with homes costing over £800,000. If you’d like to be exposed to<br />
this sort of high net worth individual make sure you book your spot at the<br />
show. The editorial was published by the title in its January 2008 <strong>issue</strong> and<br />
the magazine will continue to promote the show. In fact, its April <strong>issue</strong> will<br />
contain the show guide. The show is also being publicised in national highend<br />
journals Lusso and UPStreet, as well as in local publications.<br />
Philippa has been telling me how very different it is dealing with<br />
companies outside our industry: there’s none of the “We’ll think about it<br />
and let you know in six months” attitude evident; it’s a simple case of “That<br />
sounds like a great idea. Here’s the cheque!” One can only assume that other<br />
industries are more successful at making profits than we are and want to<br />
increase them further. And there’s something I find fascinating: what’s so<br />
much more attractive about a £4,000 garden seat or a £22,000 greenhouse<br />
than a decent hi-fi or AV system?<br />
Parts of our industry outwardly seem quite content going to hell in a<br />
hand-basket. And why should that be so? It’s a poor state of affairs if we<br />
cannot bring far more satisfaction into people’s lives than the makers of<br />
‘designer’ garden furniture?<br />
Regardless, let me wish you a happy, healthy, prosperous and<br />
successful 2008.<br />
<strong>Malcolm</strong> <strong>Steward</strong><br />
Editor<br />
3
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INTERACTIVE FLOORS Exhibitions | Trade Fairs | Events | Product Launches | Roadshows<br />
Awards Ceromonies | Summer Balls | Conferences | Sporting Events | Festivals | Education<br />
Contents<br />
5 INDUSTRY NEWS<br />
The usual pot pourri of news and happenings<br />
around the industry<br />
6 LETTERS TO THE EDITOR<br />
7 EDITOR’S RANT<br />
Russ Andrews joins the editor to have a moan<br />
16 THE AUTUMN SHOWS<br />
Are we bothered? It doesn’t look like it<br />
18 AN EVEN STRONGER<br />
MARANTZ IN 2008<br />
2008 will see a deluge of new designs from<br />
Marantz, each aiming to set new standards at<br />
their respective prices<br />
20 NEW PRODUCTS<br />
24 MESSENGER AT LARGE<br />
Power and headroom: important when you are<br />
6’ 5” like Mr Messenger<br />
26 THE HI-FI CHOICE AWARDS<br />
The Hi-Fi Choice team with the low down on<br />
their extremely enjoyable but low key awards<br />
28 RADIO, RADIO<br />
James Clarke investigates internet radio<br />
30 DON’T LOOK BACK IN ANGER<br />
<strong>Malcolm</strong> <strong>Steward</strong> with a personal reflection on<br />
the events covered by <strong>50</strong> <strong>issue</strong>s of the <strong>BAJ</strong><br />
33 DIRECTORY<br />
33 Recruitment<br />
34 Manufacturers & distributors<br />
39 Other useful contacts<br />
40 www directory<br />
42 Events<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Sennheiser’s Dave Smith and Phil Massey<br />
flank the Tangent Quattro internet radio.<br />
Sennheiser to Distribute<br />
Tangent<br />
TANGENT OF DENMARK HAS APPOINTED<br />
SENNHEISER UK AS THE EXCLUSIVE<br />
DISTRIBUTORS OF ITS LINE OF TABLE RADIOS.<br />
Tangent radios are noted for their<br />
excellent sound quality, clean styling<br />
and wide choice of finishes. Currently<br />
four ranges cover the DAB, Internet, FM and<br />
clock radio markets.<br />
Dave Smith, the consumer sales manager<br />
at Sennheiser UK said: “We are delighted to be<br />
distributing Tangent table radios. This type of<br />
fast-selling quality product is a perfect match<br />
for our Sennheiser sales force and we anticipate<br />
doing a lot of business during the 2007/8<br />
season.”<br />
Telephone: +44 (0)1372 729 995<br />
Fax: +44 (0)1372 729 771<br />
Visit our new website www.awe-europe.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
Green Light for Hi-Def BBC<br />
THE BBC’S PROPOSALS FOR A HIGH DEFINITION<br />
TELEVISION CHANNEL, BBC HD, THE UK’S FIRST<br />
FREE-TO-AIR, MIXED-GENRE, PUBLIC SERVICE, HDTV<br />
CHANNEL, HAVE BEEN APPROVED BY THE BBC TRUST<br />
FOLLOWING A PUBLIC VALUE TEST.<br />
Mark Thompson, the BBC Director-General,<br />
said: “The BBC has pioneered high definition<br />
broadcasting in the UK, setting industry<br />
standards and defining the HD viewing experience for<br />
audiences. The Trust concluded that such a channel<br />
would create significant public value and benefit<br />
licence fee payers.”<br />
Jana Bennett, Director of BBC Vision, said: “BBC HD<br />
will be available on cable, satellite and – in due course<br />
– on digital terrestrial and the internet. It will showcase<br />
a rich mix of the BBC’s programmes from across its<br />
channel portfolio in true, native, high definition.<br />
Audiences can look forward to the likes of Earth –<br />
Power Of The Planet, Cranford, Torchwood, Hammonds<br />
Heroes, Diary Of Anne Frank, Around The World In 80<br />
Gardens and Live At The Apollo in extraordinary sound<br />
and vision.”<br />
The approval of the BBC’s HD channel follows the<br />
Trust’s decision in April 2007 to approve Freesat, a joint<br />
venture between the BBC and ITV which will provide<br />
a free standard and high definition-enabled digital<br />
satellite platform, with launch anticipated for spring<br />
2008. BBC HD will be part of the channel line-up.<br />
The launch of the BBC’s new HD channel on Digital<br />
Terrestrial Television (including Freeview) is subject to<br />
a review by the BBC Trust in 2008 when there should<br />
be greater clarity on HD broadcast standards and<br />
spectrum capacity available for the channel.<br />
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NEWS<br />
5
LETTERS<br />
6<br />
Letters to the Editor<br />
Dear <strong>Malcolm</strong>,<br />
I<br />
write in response to the feature on MP3 that<br />
was written recently by James Clark. I get the<br />
impression that Mr Clark is not a seasoned<br />
audiophile.<br />
His article is a bit like writing to the world’s top<br />
chefs and telling them that if their meat is off just<br />
add a load of spices and your customers will not be<br />
able to taste the difference. He could quote tests<br />
that were paid for by the Spice and Chilli marketing<br />
board!<br />
The effect of masking I do perceive but not<br />
completely. Take the example of a baby crying in a<br />
crowded noisy room - the mum will be able to hear<br />
it, when your MP3 algorithm would happily deny<br />
its existence. So to state with such certainty about<br />
the limits of our ears is simply incorrect.<br />
I would like to say that I have just had the<br />
pleasure of the latest DCS CD player - the Scarlatti.<br />
We demo’d it to a client who, like myself, could not<br />
believe how good it was (and, yes, he bought one.)<br />
I never thought I’d hear such subtle detail and<br />
sense of reality from a CD source. I’m still not going<br />
to sell my vinyl, but I can be absolutely certain that<br />
should I compress that CD to MP3 and play it back<br />
again I would not be remotely interested in paying<br />
a fortune for it and I’d go out and buy a new Ducati<br />
1098 as it makes a better sound than most hi-fis.<br />
I find the sound from MP3 rather like a piece of<br />
wet string compared to the CD original on a hi-fi.<br />
Of course it’s fine for portable players and the like,<br />
but all information discarded from a CD is audible,<br />
as the CD standard is set so low that there is no<br />
margin for error, without hearing it. Of course you<br />
have to be very interested to care about these<br />
differences.<br />
So it’s a shame to read from the <strong>BAJ</strong> an article<br />
that effectively closes the door to the wonders of<br />
Human Aural Perception, reminding me of scientist<br />
from the 19<strong>50</strong>’s who commented that “if your eyes<br />
were as perceptive as your ears you’d be able to see<br />
the craters on the moon with the naked eye”.<br />
All the best<br />
Chris Adair<br />
The Cornflake Shop<br />
Hey, Chris, we don’t ask that you agree with<br />
everything we put into print: just that you give it a bit<br />
of thought. We don’t pretend that any opinions we<br />
express are the inarguable truth. The whole point of<br />
our features is to be thought-provoking, and James<br />
clearly succeeded here.<br />
Dear <strong>Malcolm</strong>,<br />
I<br />
read with astonishment Martin Colloms’ humble<br />
request that the audio trade should feel duty<br />
bound to subscribe to his publication.<br />
Surely market forces are at work here,<br />
subscribers voting with their pockets as to what<br />
constitutes added value to their hobby or work.<br />
If articles in HIFICRITIC are ‘genuinely<br />
independent’ the implication is that articles<br />
elsewhere by the same authors are not. This<br />
is closer to the truth and surely with a more<br />
intellectual consumer explains why all audio<br />
publications are seeing revenues dropping.<br />
Why should the audio trade feel obliged to<br />
support the declining incomes of authors who<br />
have brought this situation on themselves,<br />
no doubt profiting from less than genuinely<br />
independent articles?<br />
Is this the last stand of the dinosaur press or will<br />
we soon be asked to purchase a testimonial copy<br />
of this publication?<br />
Regards,<br />
Conrad Mas<br />
Managing Director, Avid HiFi Ltd.<br />
You talk of “authors who have brought this situation<br />
on themselves” as though authors exercise total<br />
control over what appears bearing their name. That<br />
is infrequently the case. Authors are briefed and<br />
have to write to a magazine’s guidelines. If they fail<br />
to satisfy the title’s requirements then their copy is<br />
adjusted accordingly by the sub-editor. Writers tend<br />
not to complain about this too vociferously because<br />
it is hard enough to earn a living as a writer in this<br />
industry at the best of times without upsetting those<br />
who employ you.<br />
Believe me, this is a much deeper and more<br />
convoluted <strong>issue</strong> than my reply suggests, and one<br />
about which much more could – and may well – be<br />
written.<br />
If you would like to comment<br />
on anything you’ve read in the <strong>BAJ</strong><br />
please email<br />
malcolm@the<strong>BAJ</strong>.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
Ideas Above Our Station<br />
SO MANY PEOPLE COMMENTED FAVOURABLY ON THE RANT IN THE LAST ISSUE THAT I’M<br />
DOING IT AGAIN… WITH A LITTLE HELP FROM MY FRIENDS.<br />
AS FAR AS I’M CONCERNED THE WHOLE POINT OF<br />
AWARDS CEREMONIES OUGHT TO BE TO ENABLE US<br />
TO CELEBRATE OUR FINE INDUSTRY IN THE COMPANY<br />
OF OUR FRIENDS AND ASSOCIATES, PREFERABLY WITH<br />
A GLASS OF ALE IN HAND – AND WINE OR A FRUIT-<br />
BASED DRINK FOR THE LADIES!<br />
Forget the torment of sitting at a very expensive<br />
table surrounded by your dealers and office team,<br />
being entertained by some witless celebrity who<br />
is earning more in this hour than your sales reps take<br />
home in a year. Forget fretting to see if you’ve won a<br />
gong. If your business is structured such that getting a<br />
prize is crucial to its success, then one has to ask what<br />
you are doing in business in the first place. If, of course,<br />
you regard getting an award as the icing on your cake<br />
because it brings in a few more orders, then that is<br />
different and the best of luck to you.<br />
I often feel that there’s a degree of dubious<br />
mutual benefit about such awards but I can’t figure<br />
out who is the prime mover when you get the “Best<br />
4mm loudspeaker connector of the Year under £10<br />
– not gold-plated” sort of category. Is it the awards<br />
organisers making some sort of inclusivity statement or<br />
is it the plug makers demanding the same recognition<br />
as afforded to those producing loudspeakers? Of<br />
course, the organisers might just be just opening the<br />
net wider so as to put more bums-on-seats.<br />
And that is not as daft a consideration as one might<br />
think when one considers the expense involved in<br />
staging some of these events. For example, check out<br />
the going rate for celebrity co-hosts these days: if you<br />
wanted Gordon Ramsey at your event – and I can’t<br />
think why one would – you would probably be looking<br />
at a fee of £25,000 or more. And if you really wanted<br />
to impress the diners, you could ask Davina McCall or<br />
Graham Norton to attend: they’re both PoACs (Price<br />
on Application Celebrities) so it’s a fair bet that they’re<br />
costlier than the potty-mouthed cook. Assuming<br />
you’re happy with someone from the lower echelons<br />
of stardom, you’ll still need to sell 1<strong>50</strong> seats at £100<br />
a pop just to pay them for gracing your stage and<br />
demonstrating that they know nothing and care even<br />
less about you, your guests and the industry every time<br />
they open their mouth.<br />
While I probably seem very negative about award<br />
events, I freely admit to having thoroughly enjoyed one<br />
such bash last year – the Hi-Fi Choice Awards held at<br />
the Windsor Castle public house in North West London.<br />
Now this demonstrates what an awards event really<br />
should be like.<br />
Although the official ceremony takes place in a<br />
private area upstairs, it generally isn’t too long before<br />
people decamp to the ground floor bar where the<br />
good-natured good-naturedness inevitably continues<br />
until the hour arrives when discretion becomes the<br />
better part of valour and taxis are hailed.<br />
The informality of the Hi-Fi Choice awards is a major<br />
part of what makes the event a success. No dinner<br />
jackets, no loathsome celebrities, burgers and ribs<br />
instead of haute cuisine, no seating plans laying out<br />
the organisers’ perception of guests’ status – in fact<br />
very few seats at all. (If you can’t stand and drink then<br />
perhaps you really ought to stop drinking.) This is the<br />
way to celebrate our industry’s greatness: our industry<br />
is built on and is all about personal relationships and<br />
passion rather than high-flying corporate shenanigans.<br />
Let’s not get ideas above ourselves: we sell people<br />
music playing systems and we make a few million<br />
quid each year between us. None of us is in Microsoft’s<br />
league and able to drop £120 million to buy a 1.6 per<br />
cent stake in social networking site, Facebook. None<br />
of us is in Apple’s league, having shifted 100 million<br />
iPods since launching it in 2001. And that’s still small<br />
change when you consider that sales of smart phones<br />
over the past 12 months are in excess of £80 million.<br />
Nokia’s sales, by the way, account for nearly <strong>50</strong> per cent<br />
of those.<br />
Before we, and our awards event organisers, get too<br />
far up our own derrières, let us remind ourselves of just<br />
how insignificant we are in terms of global commerce.<br />
And while our efforts may benefit the human condition<br />
of a fortunate few, we have not invented the cure for<br />
cancer. So let’s keep a firm grasp on reality and have<br />
some fun competing with Sainsbury’s from the comfy<br />
confines of our friendly little corner shop.<br />
<strong>Malcolm</strong> <strong>Steward</strong><br />
And now I’ll hand the microphone<br />
to Mr Russ Andrews…<br />
The hi-fi industry has faced many challenges in the<br />
near 40 years I’ve been in it. Even in that glorious<br />
Golden Age of the hi-fi boom in the 1970s, we<br />
faced the abolition of RPM, decimalisation, VAT and the<br />
oil crisis. Back then, a hi-fi system was number three on<br />
most people’s want list. Now, it is so far down ordinary<br />
EDITOR’S RANT<br />
7
NEWS<br />
8<br />
non-enthusiast’s wish lists that it might as well not<br />
exist. Back then, our industry’s only real competition<br />
was the house and the car. Now it is everything from<br />
foreign holidays to iPods and cappuccino machines.<br />
What have we done in the past to keep hi-fi high on<br />
the list? Nothing. What are we doing now? Nothing.<br />
All we have done is to treat each other in the<br />
industry as a competitor and the ‘enemy’ instead of<br />
working together to overcome the industry’s real<br />
competitors. Are we all completely stupid or what?<br />
As an industry we do nothing to promote it, and<br />
individually, we do everything to undermine it. As<br />
manufacturers, we promote price and functionality<br />
over performance. As retailers, we give cash<br />
discounts instead of good service, hold little stock<br />
and treat customers with contempt and arrogance.<br />
As magazines we talk exclusive jargon and give only<br />
comparative reviews with no reference standard. We<br />
run small, annoyingly competitive exhibitions with low<br />
attendances when we should have one, all-industry big<br />
blockbuster show at the NEC. We have allowed hi-fi to<br />
become just another commodity.<br />
What kind of shambles are we? No wonder we<br />
are now a ridiculed minority; a niche, hobbyist and<br />
snobbish elite. Are we completely stupid or what? Do<br />
we have a death wish? With the sales of hi-fi separates<br />
down <strong>50</strong> per cent in the last two years, the writing is<br />
no longer ‘on the wall’, it’s on our P45s. Are we going<br />
to wake up to anything, never mind the coffee? Are we<br />
going to wake up?<br />
Chris Tuck Joins Eclipse<br />
ECLIPSE UK HAS ANNOUNCED THE APPOINTMENT<br />
OF CHRIS TUCK AS UK SALES MANAGER FOR THE<br />
ECLIPSE TIME DOMAIN RANGE OF LOUDSPEAKERS AND<br />
AMPLIFIED DESKTOP SYSTEMS.<br />
I’m not ranting. I’m sending out an SOS. Is there<br />
anybody out there listening? I hope so because this is<br />
our Last Chance Texaco.<br />
Can we stop fighting each other long enough to<br />
see the outside threat and do something about it? Can<br />
we work together towards a common objective? Can<br />
we see that we are in the same boat and need to row<br />
together?<br />
On a positive note, we’ve taken the first step. We’ve<br />
noticed that sales are down and we’re standing around<br />
moaning about it at every hi-fi get-together, on the<br />
phone and in e-mails. Excellent!<br />
The next step is to put our house in order. Let’s deal<br />
with all the failings I have identified:<br />
• Deliver on the promise: improve the sound of<br />
everything we make; improve the sound of every<br />
demonstration we do.<br />
• Improve the service we deliver at every opportunity.<br />
Be professional in every aspect of our businesses.<br />
Stop talking down to our customers.<br />
• Write about hi-fi in language that non-buffs can<br />
understand. Write honest, meaningful reviews and<br />
rate performance to references.<br />
Then we can market the industry effectively and turn<br />
this impending shipwreck around. Can we do it alone<br />
or do we need The Man with the Star* to make it<br />
happen? (*You do remember Rickie Lee Jones?)<br />
Russ Andrews<br />
Tuck, who has spearheaded the KEF Reference<br />
operation for the last three years, is widely<br />
respected as probably the best high-end<br />
loudspeaker salesman in the UK industry and is one of<br />
the few who has a comprehensive knowledge of both<br />
the field and of the product he sells. He also has wide<br />
expertise in the custom install market and has set up a<br />
number of successful product training programmes.<br />
Before joining KEF, Tuck worked in senior positions<br />
in retail and was part of the Management team in the<br />
Bristol Habitat store.<br />
Hideto Watanabe, the General Manager at Eclipse<br />
UK commented: “We’ve had great sales success in<br />
some channels, but the UK specialist retailer is hard<br />
to crack, even with Five Star reviews and attractive<br />
unique products. With Chris’ help we plan wider but<br />
tightly controlled distribution in the UK and an increase<br />
in our overall sales.” Tuck observed: “Eclipse products<br />
are like no other and should be looked at by retailers<br />
as additional business, not just another speaker. I am<br />
certain that once I convince the UK’s better dealers and<br />
installers to listen and then look at the business model,<br />
they will bite.”<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Gary Mardell Joins KEF<br />
as Marketing Manager<br />
KEF UK HAS ANNOUNCED THAT GARY MARDELL<br />
HAS JOINED THE COMPANY AS ITS MARKETING<br />
MANAGER, BASED AT ITS MAIDSTONE OFFICES.<br />
A<br />
well known and popular figure<br />
in the industry, Mardell began<br />
his career 18 years ago as an<br />
industrial designer for Mordaunt-<br />
Short and then moved into product<br />
and marketing management. After<br />
spells at Gamepath and Jamo he<br />
relocated to France and worked for<br />
Harman as the marketing manager<br />
for JBL Home products.<br />
Taking a break from consumer electronics he<br />
spent 2005 living in Italy where he gained a Masters<br />
in Food Culture: Communicating Quality Products,<br />
from the University of Gastronomic Sciences in<br />
Colorno.<br />
Commenting on his new appointment, Mardell<br />
said “KEF is one of the true pioneers of acoustic and<br />
design excellence. I consider myself fortunate to be able<br />
to play my part in the future of this great brand.”<br />
New CEO at Alphason<br />
ALPHASON DESIGNS HAS APPOINTED CHRIS<br />
EMERSON TO THE NEWLY CREATED POSITION OF<br />
CHIEF OPERATING OFFICER. HE WILL BE BASED AT THE<br />
COMPANY’S ATHERTON FACTORY.<br />
Although a newcomer to the<br />
industry Chris brings a wealth of<br />
experience to this new position:<br />
he was previously the managing<br />
director of a data systems company for<br />
five years.<br />
Before that he was sales director<br />
for Northgate Information Solutions,<br />
one of the largest data centres in the<br />
UK, responsible for managing information for many<br />
government departments and hospitals around the<br />
country.<br />
Emerson, who lives close to the factory in<br />
Stockport, is looking forward to the challenge<br />
presented by his new position: “It’s a fantastic brand<br />
and culture where the customer is always king. I look<br />
forward tremendously to playing my part in further<br />
promoting Alphason as the first choice for retailers<br />
wanting top quality AV furniture.”<br />
John Reddington, Alphason’s former CEO left<br />
the company before Christmas and subsequently<br />
brought his JR Associates consultancy business out of<br />
retirement. He can be reached by telephone on + 44<br />
(0) 118 983 3523 and + 44 (0) 7767 435934 or by email<br />
at john.reddington@virgin.net.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
The Multi-Room Company<br />
Expands and Moves<br />
THE MULTI-ROOM COMPANY, THE CHELTENHAM<br />
BASED DISTRIBUTOR OF HI-FI AND CUSTOM<br />
INSTALLATION PRODUCTS, CONTINUES ITS<br />
EXPANSION WITH A MOVE INTO MUCH LARGER<br />
PREMISES. FORMED IN 2000, THE COMPANY MOVED<br />
INTO ITS ORIGINAL FACILITY NEAR THE CENTRE OF<br />
CHELTENHAM IN 2003, BUT RECENT PERSONNEL<br />
EXPANSION AND THE ADDITION OF NEW BRANDS<br />
TO ITS PORTFOLIO HAVE NOW NECESSITATED A<br />
SECOND MOVE TO A NEW OFFICE, WAREHOUSE AND<br />
DISTRIBUTION CENTRE.<br />
Staverton Technology Park is situated just off<br />
junction 11 of the M5 between Cheltenham and<br />
Gloucester, and provides excellent transport<br />
and communications links to enable customers<br />
to be served more effectively. At four times the<br />
size of the old facility, the new building provides<br />
the company with facilities to expand its training<br />
and development, with dedicated training rooms<br />
available for multi-zone systems, home cinema, hi-fi<br />
and IP based products.<br />
The training function has further been expanded<br />
through the employment of IT specialist, Adam<br />
Brinton, a Microsoft Certified Professional, who will<br />
be heading up the company’s network-focussed<br />
training programmes.<br />
Paul Dall’Occo has also joined<br />
the company after more than 13<br />
years with KEF. Starting his career<br />
in audio at Laskys, he joined KEF as<br />
a field sales manager before being<br />
promoted to UK sales manager.<br />
Latterly he was in charge of global<br />
business development for KEF’s<br />
custom installation products.<br />
One of the most respected and<br />
recognised sales professionals in the UK industry,<br />
Dall’Occo brings to The Multi-Room Company a<br />
vast knowledge of the UK and overseas markets for<br />
custom installation products. His responsibilities<br />
will be focused on the development of business<br />
opportunities for the entire range of products<br />
distributed by The Multi-Room Company.<br />
The physical expansion of the business comes<br />
as the number of brands being distributed also<br />
expands. Already established distributors for<br />
Russound, Centralite, Leviton, Atlantic Technology<br />
and Inteset among others, during 2007 the company<br />
was appointed as the official distributor for<br />
AudioQuest cables, Ceratec loudspeakers and, most<br />
recently, the Flying Mole range of digital amplifiers.<br />
Further brand expansion is planned for early 2008.<br />
The Multi-Room Company Ltd., can now be<br />
found at: Unit B, Staverton Technology Park,<br />
Cheltenham GL51 6TQ.<br />
NEWS<br />
9
NEWS<br />
10<br />
Optimum<br />
Expansion<br />
OPTIMUM INTERNATIONAL HAS<br />
STRENGTHENED ITS FOOTHOLD<br />
IN THE AV FURNITURE MARKET<br />
WITH A NEW APPOINTMENT TO<br />
ITS SALES TEAM. THE YORKSHIRE<br />
FIRM IS ONE OF THE UK’S LEADING<br />
SUPPLIERS OF STYLISH, PURPOSE<br />
DESIGNED AV FURNITURE, AND IS<br />
DEDICATED TO DELIVERING TOP<br />
QUALITY PRODUCTS AND THE<br />
BEST IN SERVICE TO ELECTRICAL<br />
RETAILERS NATIONWIDE.<br />
Andrew Middleton recently<br />
joined the company as<br />
an Area Sales Manager,<br />
covering the Midlands, Wales<br />
and South East of England. The,<br />
34-year-old has worked in the<br />
electrical retail industry for eleven<br />
years. His previous experience<br />
includes roles for JVC, Marantz and<br />
Philips, as well as AV sales for the<br />
John Lewis Partnership.<br />
In his new role, Middleton<br />
is supporting Optimum’s core<br />
customer base of over 800 electrical<br />
retailers. He is also driving sales<br />
and developing new business<br />
opportunities, as the company<br />
targets further growth in the UK<br />
market.<br />
Optimum’s Managing Director<br />
John Ogden said: “We welcome<br />
Andrew on board at an exciting<br />
time for Optimum. We’re continuing<br />
to invest in new products and new<br />
people to increase our foothold<br />
in the AV furniture market. Our<br />
main aim is to boost profit margins<br />
for electrical retailers and give<br />
consumers wider, more varied<br />
choice.”<br />
New Marketing Director at Armour Home<br />
ARMOUR HOME HAS ANNOUNCED THAT ADRIAN WARREN HAS BEEN<br />
APPOINTED TO THE POST OF MARKETING DIRECTOR (DESIGNATE). ALTHOUGH<br />
NEW TO CONSUMER ELECTRONICS, WARREN BRINGS WITH HIM A PROVEN<br />
RECORD OF SUCCESS, WITH MORE THAN 10 YEARS PROFESSIONAL SALES<br />
AND MARKETING EXPERIENCE, HAVING WORKED AT SENIOR LEVEL IN THE<br />
AUTOMOTIVE, TRAVEL AND TOURISM INDUSTRIES.<br />
Asked to comment Warren stated, “Naturally, I’m extremely pleased to be<br />
joining Armour’s industry-leading team. The company’s positive, ‘cando’<br />
reputation is clearly well deserved. I’ve been told I’ll have to ‘hit the<br />
ground running’ and I’m really looking forward to the challenge.”<br />
Glenn McClelland, Armour Home’s Managing Director added, “We’re<br />
delighted to welcome Adrian to the firm. Our expanding product portfolio means<br />
the Marketing Director’s role is key to Armour’s future success. The whole board is<br />
confident that, with his impressive record and fresh new ideas, Adrian will lead the<br />
marketing team to scale new heights.”<br />
Fred Clayton is Back with Electrocompaniet<br />
AFTER THE UNFORTUNATE DEMISE OF CASTLE LOUDSPEAKERS, THE MUCH LIKED<br />
AND WIDELY RESPECTED INDUSTRY STALWART, FRED CLAYTON IS BACK ON THE<br />
RADAR LOOKING AFTER SALES FOR HANWELL-BASED EC DISTRIBUTION LTD.,<br />
WHICH HAS ASSUMED THE DISTRIBUTION RIGHTS FOR ELECTROCOMPANIET IN<br />
BOTH THE UK AND IRELAND.<br />
The new company is a wholly-owned subsidiary of its Norwegian parent,<br />
which has been producing high end audio for more than 30years.<br />
Mikal Dreggevik, the UK company’s Managing Director said: “The last<br />
year has seen Electrocompaniet grow by more than 130 per cent. It now has quality<br />
distribution in more than 40 countries world-wide, so now is the right time for us to<br />
make this major move into Europe’s largest consumer market.”<br />
An innovative sales promotion programme is being launched to encourage<br />
more dealers to support the brand. A major advertising campaign to support the<br />
re-launch will appear in the specialist hi-fi titles. In addition, a full programme of<br />
reviews is planned for 2008 covering all the products. This sales drive will be fully<br />
supported by the company from Norway but with the UK subsidiary carrying all<br />
stock requirements and with a fully staffed service and repair department in the<br />
UK through Simond Matharu at NSS Ltd.<br />
Electrocompaniet also looks forward to building a larger and stronger<br />
network for its customers in the UK and Ireland with a newly dedicated service<br />
department, more retail locations, more outstanding products at various price<br />
points, and sensible delivery times for the products.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
PMC Helps Tim<br />
Win with Love<br />
TIM YOUNG AND METROPOLIS MASTERING RECEIVED THEIR<br />
SECOND TEC (TECHNICAL EXCELLENCE & CREATIVITY)<br />
AWARD IN NEW YORK LAST MONTH, FOR THE 5.1 SURROUND<br />
SOUND MASTERING OF THE BEATLES ‘LOVE’ ALBUM. THE<br />
HIGH-RESOLUTION 5.1 SURROUND MIX WAS MONITORED ON<br />
PMC’S BB5 XBD-ACTIVE LCR AND MB2 REARS, PROVIDING<br />
THE ULTIMATE SURROUND SOUND MIX FOR MUSIC<br />
ENTHUSIASTS AND AUDIOPHILES ALIKE.<br />
PMC and Metropolis have worked together for many<br />
years supplying some of the world’s most famous<br />
artists with superb quality recording and mastering.<br />
PMC is represented throughout all divisions of the vast<br />
West London complex, from recording and mixing to<br />
mastering. (BB5 XBD Active Stereo system, LB1 5.1 Surround<br />
monitoring system, IB1S Stereo system and DB5.1 Surround<br />
Monitoring).<br />
Earlier this year, Metropolis expanded its surround<br />
mastering capabilities by constructing a forty square<br />
metre state of the art, no compromise, surround mastering<br />
room including PMC’s large-scale high definition surround<br />
monitoring system. A room of this proportion required the<br />
definitive system, consisting of the free standing BB5 XBD<br />
Active L, C, R & MB2 XBD-Active rear left and right.<br />
Established in 1985, the Technical Excellence &<br />
Creativity Awards is the foremost program recognizing the<br />
achievements of audio professionals. Presented annually<br />
by the Mix foundation for Excellence in Audio, the Awards<br />
honour the individuals, companies and technical innovations<br />
behind the sound of recordings, films, TV shows and live<br />
performances.<br />
JVC Joins BADA<br />
JVC (UK) LTD IS THE LATEST<br />
MANUFACTURER TO JOIN<br />
BADA, THE UK’S LEADING HI-<br />
FI AND HOME CINEMA TRADE<br />
ASSOCIATION.<br />
JVC (UK) Ltd. is the UK subsidiary of<br />
the Victor Company of Japan (JVC),<br />
the multi-national manufacturer<br />
of consumer electronics whose<br />
turnover exceeds £8.7bn. Currently<br />
known primarily in the UK for flat<br />
panel TVs, projectors, home cinema<br />
systems and camcorders, hi-fi<br />
enthusiasts will eagerly remember<br />
the many hi-fi products previously<br />
sold in the UK by JVC. The company<br />
has signalled a return to higher<br />
end hi-fi for the UK market.<br />
JVC has confirmed its<br />
commitment to supporting the<br />
BADA Demcraft initiative, which<br />
aims to improve standards of<br />
product demonstration and<br />
customer service within the<br />
independent retail sector.<br />
Ian Anderson, chairman of<br />
BADA, said: “The approach made<br />
to BADA by JVC for membership<br />
underlines and endorses the work<br />
BADA is doing to help the industry<br />
raise its standards in the face of<br />
tough competition. JVC is one of<br />
the world’s largest manufacturers<br />
of consumer electronics with<br />
vast experience in leading edge<br />
technology and training. As such we<br />
welcome them to the ever growing<br />
number of manufacturers who<br />
are choosing to join the UK’s most<br />
progressive and proactive trade<br />
association.”<br />
Neil ManÊais, general marketing<br />
manager at JVC (UK) said: ìOur<br />
wish to join BADA underlines our<br />
long term strategy to introduce<br />
high quality audio visual product<br />
to the UK market. BADA and its<br />
members are of key importance to<br />
this aim. In addition we have always<br />
considered knowledgeable sales<br />
staff to be key to<br />
any successful sales<br />
strategy, and are<br />
therefore delighted<br />
to support the<br />
Demcraft initiative.”<br />
NEWS<br />
11
NEWS<br />
12<br />
Consumers Prefer<br />
Independents<br />
INDEPENDENT ELECTRICAL<br />
RETAILERS SCORED HIGHLY<br />
IN A RETAIL SATISFACTION<br />
SURVEY CONDUCTED BY<br />
CONSUMER MAGAZINE WHICH?<br />
INDEPENDENTS WERE PLACED<br />
FOURTH IN THE SURVEY OF 77 UK<br />
RETAILERS, WHO WERE JUDGED<br />
ON CONVENIENCE, CUSTOMER<br />
SERVICE, EXPERIENCE, PRICING<br />
AND PRODUCT.<br />
Many consumers said<br />
they were impressed by<br />
independents’ “excellent<br />
knowledge of products and<br />
good customer service.” The only<br />
retailer ranked higher in the<br />
survey than independents was<br />
John Lewis, who achieved second<br />
place.<br />
Further down the table, Argos<br />
ranked 33rd, with Tesco and ASDA<br />
close behind in 37th and 38th<br />
place. Comet, Currys, PC World<br />
and Currys.digital fared badly,<br />
with rankings of 66, 70, 72 and 74<br />
respectively.<br />
Which? concluded that the<br />
results showed consumers<br />
are prepared to pay extra for<br />
quality service and an enjoyable<br />
shopping experience.<br />
The findings have been<br />
warmly welcomed by the<br />
electrical retailers’ association,<br />
retra. Bryan Lovewell, Chief<br />
Executive said: “We are delighted<br />
with the findings of the Which?<br />
magazine survey. It shows what<br />
independent electrical retailers<br />
have known for years - that<br />
expertise and a commitment to<br />
good customer service are key to<br />
building lasting relationships with<br />
consumers.<br />
“We urge the industry to<br />
take note of these results and<br />
seek to engage with the UK’s<br />
independent channel at every<br />
opportunity. With their support,<br />
independents can only improve<br />
on these achievements, which<br />
will be for the benefit of all<br />
concerned.”<br />
Armour Aims to Aid Independents<br />
ARMOUR HOME HAS ANNOUNCED AN IMPORTANT NEW INITIATIVE AIMED AT<br />
HELPING INDEPENDENT RETAILERS DURING THE CURRENTLY DIFFICULT TRADING<br />
TIMES.<br />
The company – which took over AV furniture brand, Alphason Designs in<br />
February 2006 – is offering its independent customers additional financial<br />
credit if they open a new account with Alphason. The dealer’s credit limit on<br />
their new Alphason account will be exactly equal to that of their existing Armour<br />
limit. This means, if they have a 20K limit with Armour, they’ll also enjoy a £20k<br />
limit with Alphason.<br />
Likewise Alphason’s customers, who<br />
do not currently deal with Armour,<br />
are being offered the same deal in<br />
reverse. It they open a new Armour<br />
account, they’ll receive an instant<br />
credit limit equivalent to their<br />
Alphason limit, as well as access to<br />
Armour’s comprehensive range of<br />
brands including QED, Systemline,<br />
Goldring, Grado, NAD and Tivoli.<br />
Armour’s Managing Director, Glenn<br />
McClelland said: “We appreciate the<br />
Armour welcomes retra to its Bishops Stortford premises.<br />
Left to right are: Alphason Designs chief operating officer,<br />
Chris Emerson; Retra CE, Bryan Lovewell; Retra Alert<br />
Editor, Jerry Yates; and Armour MD, Glenn McClelland.<br />
market has slowed recently, not least<br />
for the independents, so we hope<br />
that by providing dealers with instant<br />
credit facilities such as these, we are<br />
giving them more flexibility to expand their businesses and make much-needed extra<br />
margin. This is another example of Armour’s constant striving to enhance the ‘Total<br />
Service’ we provide for our customers.”<br />
Breakfast in America Keighley<br />
NEIL RAMSDEN, PROPRIETOR OF THE DEN IN KEIGHLEY, CONTINUES WITH HIS SERIES<br />
OF VERY SUCCESSFUL PROMOTIONAL MUSIC IN THE LOCAL PUB NIGHTS.<br />
November 2007 saw the culmination of the Yorkshire retailer’s 21st Anniversary<br />
celebrations and The Cricketer’s Arms, also in Keighley, provided the venue<br />
for an evening of Jazz with Creme Anglaise, fronted by ex- Supertramp<br />
saxophonist and long-standing customer of The Den, John Helliwell. The renowned<br />
line up also included Ben Bryant on drums, Geth Griffith on double bass and guitarist<br />
Mike Walker.<br />
The ticket-only event attracted a<br />
capacity crowd who enjoyed two sets<br />
of outstanding music and the odd<br />
beer or four.<br />
Sound was handled by Neil Ramsden<br />
using Chord Company’s Cream<br />
Instrument leads and speaker cable.<br />
At the end of the gig John Helliwell<br />
publically observed ‘’It’s like playing in<br />
a giant hi-fi’’. Internationally acclaimed<br />
guitarist Mike Walker has now<br />
officially endorsed Cream instrument cable in partnership with The Den.<br />
A number of hi-fi products were ordered by customers during the course of the<br />
evening and Neil Ramsden pronounced himself ‘’extremely satisfied ‘’ with the entire<br />
event. He added that The Den will continue to sponsor more live music in 2008.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Alphason Window Dressing<br />
ALPHASON HAS URGED RETAILERS TO BOOK THEIR SLOTS FOR<br />
THE 2008 WINDOW DISPLAY COMPETITION AS PLACES ARE<br />
ALREADY FILLING FAST.<br />
Said the company’s sales and marketing director, Paul<br />
Dawes: “This is one of the most successful promotions we<br />
have run with participants reporting between 20 and 40<br />
per cent increases in AV furniture sales over the display period.<br />
Retailers know a good thing when they see it!”<br />
The competition is now in its fourth year. This year’s prize<br />
for the winner is either a trip for two aboard the Orient Express<br />
to Venice or a cruise on the QE2 to New York. The second prize<br />
is a trip to Paris for two and the third is accommodation and<br />
registration at the 2008 Retra Conference in Portugal.<br />
“It [the 2008 competition] will be even better than 2007,”<br />
promised Dawes “and due to the success of past years will be<br />
expanded to cover even more aspects of the Alphason support<br />
for retailers.”<br />
He continued: “An eye-catching and impactful window<br />
display will continue to be a key element especially as it’s<br />
definitely a win-win situation. Not only do participating retailers<br />
report significant increases in sales, they also receive £1000 worth<br />
of stock for the display which they end up keeping.”<br />
Retailers who would like to take part are encouraged to<br />
contact their local Alphason sales representative as soon as<br />
possible to ensure entry into the 2008 competition.<br />
For the latest news visit<br />
www.the<strong>BAJ</strong>.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
New Trade-Only Show<br />
for 2009<br />
THE NEW CONTECH EVENT, BILLED AS “THE FIRST<br />
INTERNATIONAL TRADE-ONLY EXHIBITION TO BE<br />
HELD IN THE UK COVERING THE VAST ARRAY OF<br />
CONSUMER TECHNOLOGY PRODUCTS RANGING<br />
FROM AUDIO AND OTHER HOME ENTERTAINMENT<br />
SYSTEMS TO HOME MEDIA AND INFORMATION AND<br />
COMMUNICATION DEVICES” IS TO BE HELD ON 10–11<br />
FEBRUARY 2009 AT THE BUSINESS DESIGN CENTRE,<br />
ISLINGTON, LONDON. THE EVENT WILL BE STRICTLY<br />
FOR THE TRADE MEMBERS OF THE CONSUMER<br />
ELECTRONIC, INFORMATION TECHNOLOGY AND<br />
COMMUNICATIONS INDUSTRIES.<br />
Event Director, Richard Milbourn, who was<br />
formerly with Centaur Media, has over 20 years<br />
experience in organising and promoting a wide<br />
range of exhibitions at top venues throughout the UK.<br />
He says that the Business Design Centre was selected<br />
to host the exhibition as it is one of London’s most<br />
stylish venues and ideally suited for hosting specialist<br />
trade exhibitions. Located in Islington, it is easily<br />
accessible for all exhibitors and attendees from the<br />
UK and overseas, something that Milbourn regards<br />
as a major priority having discussed the location with<br />
potential overseas exhibitors.<br />
“The objective,” Milbourn said, “is to make<br />
CONTECH all-embracing with the widest possible<br />
range of different products being on display to reflect<br />
the increasing use of consumer electronic and digital<br />
gadgets in the home for entertainment, business,<br />
communication and education.” The maximum stand<br />
size is therefore being limited to 36 square metres<br />
in order to cater for more exhibitors to ensure that<br />
there will be many more different products, services<br />
and systems featured and so that exhibitors can<br />
compete on a ‘level playing field’ and not on the size<br />
of their marketing budget.<br />
UK and overseas suppliers will be displaying<br />
a wide range of equipment that will include<br />
everything from TV and hi-fi through digital imaging<br />
devices, computer games and memory solutions, to<br />
mobiles and navigation technology.<br />
CONTECH is described as an extremely cost<br />
effective marketing and sales opportunity. A wide<br />
variety of sizes and shapes of shell stands and<br />
space-only stands are available and an early bird<br />
discount of 20 per cent is available to exhibitors that<br />
book space before 31 May 2008. Stands are being<br />
allocated on a first-booked, first-allocated basis.<br />
For further information contact Richard Milbourn on<br />
0844 561 1230 or email richard.milbourn@carnah.co.uk<br />
NEWS<br />
13
NEWS<br />
14<br />
PURE Sells a Quarter of a Million ONEs<br />
PURE DIGITAL HAS SOLD MORE THAN A QUARTER<br />
MILLION UNITS OF THE ONE RADIO IN JUST 18<br />
MONTHS MAKING IT THE FASTEST SELLING DAB<br />
PORTABLE RADIO EVER.<br />
As the first premium brand sub-£<strong>50</strong> DAB radio,<br />
ONE was designed to be the radio for everyone.<br />
PURE appears to have achieved this aim as ONE<br />
has become the top selling radio in the UK (DAB and<br />
analogue combined).<br />
ONE is also now a member of the PURE EcoPlus<br />
range and has been re-designed to minimise its<br />
environmental impact, with a standby power<br />
consumption of less than 1W, support for a<br />
rechargeable ChargePAK battery, packaging made<br />
from a minimum of 70 per cent recycled material,<br />
finished with water based varnish, and documentation<br />
printed with Soya-based ink on 100 per cent recycled<br />
paper.<br />
Ian Dickens, chief executive of the Digital Radio<br />
Development Bureau said: “PURE Digital was the<br />
first company to bring affordable, high quality DAB<br />
products to market and, in a short period, has become<br />
a trusted consumer electronics brand. We congratulate<br />
them on achieving sales of a quarter-million with the<br />
ONE – a milestone for both PURE and DAB digital radio.”<br />
Despite costing just £49.99 (SRP) ONE is fully<br />
featured and delivers everything users would expect<br />
from a PURE DAB radio including station selection by<br />
name, scrolling text display, and one-touch tuning<br />
along with FM with RDS, kitchen and sleep timers, USB<br />
upgradeability, and 20 combined DAB and FM presets.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Fantastic Publicity for Luxury Living Show<br />
WITH MY GLOOMY COMMENTS ELSEWHERE<br />
CONCERNING SHOWS IT IS PLEASANT TO BE ABLE<br />
TO REPORT SOME RATHER MORE UPLIFTING NEWS<br />
REGARDING THE LUXURY LIVING AND HOME<br />
ENTERTAINMENT SHOW THAT PHILIPPA STEWARD<br />
AND DENNIS POOLE ARE ORGANISING. THE SPACE<br />
IS SELLING AT AN ENCOURAGINGLY STEADY RATE,<br />
THOUGH, IT HAS TO BE SAID THAT THE REST OF THE<br />
LUXURY GOODS MARKET IS SHOWING A CLEAN<br />
PAIR OF HEELS TO OUR INDUSTRY AT THE MOMENT<br />
WHEN IT COMES TO BOOKING SPACE RATHER THAN<br />
PREVARICATING ABOUT IT. MOST OF THE SPACE<br />
ALLOCATED FOR EXHIBITORS OUTSIDE OUR INDUSTRY<br />
HAS BEEN SNAPPED UP AND OTHER AREAS AT THE<br />
VENUE HAVE HAD TO BE PRESSED INTO SERVICE TO<br />
ACCOMMODATE THEM.<br />
The good news doesn’t stop there. The organisers<br />
have added some prestigious media partners<br />
to the event. GU Premier, a magazine that is<br />
distributed exclusively to those earning over £100,000<br />
a year and who live in a £800,000+ house with a<br />
GU postcode, has come on board and featured the<br />
show in its January <strong>issue</strong>. In fact, the magazine will<br />
be producing the show guide and including it in the<br />
relevant <strong>issue</strong>, which will coincide with the publication<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
extending its reach to yet another post code area. That<br />
should bring in a few more high-net-worth visitors!<br />
Add this to upcoming articles in the local Life in<br />
series of community lifestyle magazines, which will<br />
generate yet more local interest and the pre-show<br />
publicity is off to a flying start.<br />
As we went to press two more publishing houses<br />
joined the throng: Lusso and UPStreet are two very<br />
up-market titles that will be publicising the Luxury<br />
Living and Home Entertainment Show to their readers<br />
and attending the show. Lusso has promised that<br />
some of its team will bring their cars along to display<br />
at the event: as one of them currently has a £810,000<br />
Bugatti Veyron on order the petrol-heads among us<br />
cannot wait.<br />
There is still space available in the home<br />
entertainment section of the show, even though that<br />
is now being used to cater to companies outside our<br />
industry. Remember that this is a show at which you<br />
can sell so it is fine if you want to have a dealer or<br />
installer promote your equipment.<br />
For further information about the event please contact<br />
Philippa <strong>Steward</strong> on 01428 717400 or Dennis Poole on<br />
07872 127 054. The show also has a new website, which<br />
you can visit at www.luxurylivingshow.co.uk.<br />
NEWS<br />
15
SHOWS<br />
16<br />
The Autumn Shows<br />
MALCOLM STEWARD CONTEMPLATES THE AUTUMN HI-FI SHOWS AND WONDERS WHY WE BOTHER<br />
HAVING THEM NOWADAYS WHEN NOBODY SEEMS WILLING TO SUPPORT THEM PROPERLY.<br />
THIS IS THE SECOND TIME I’VE WRITTEN ABOUT THE<br />
2007 HEATHROW SHOW. ON THE FIRST OCCASION I<br />
HAD TO PROVIDE A REPORT FOR THE READERS OF HI-FI<br />
CHOICE, WHICH WAS A SIMPLE TASK GIVEN THAT MY<br />
BRIEF WAS TO CONCENTRATE ON EQUIPMENT RATHER<br />
THAN POLITICS. GOD FORBID THAT I SHOULD RISK<br />
BEING OVERLY CRITICAL OF ANY ELEMENT WITH SUCH<br />
AN AUDIENCE: WE NEED EVERY SINGLE, SOLITARY<br />
ONE OF THOSE WONDERFUL PEOPLE WHO BUY THE<br />
EQUIPMENT WE MANUFACTURE AND SELL TO KEEP US<br />
ALL IN GAINFUL EMPLOYMENT. AT THE SAME TIME, I<br />
HAD TO BE HONEST AND OBSERVE THAT THE LIST OF<br />
THOSE NOT EXHIBITING AT THE EVENT TOLD AS MUCH<br />
OF A STORY AS THE LIST OF ATTENDEES DID.<br />
And the biggest buzz I heard at the<br />
November What Hi-Fi?/Stuff show<br />
wasn’t about hi-fi but a £200<br />
laptop computer. Everybody was asking<br />
excitedly if I’d seen it. The answer<br />
was that I hadn’t as I’d gone straight<br />
from the hotel entrance to a reception in<br />
the Mordaunt-Short room. I was late and if I<br />
showed my face on the show floor or in the<br />
bar I can guarantee that someone would’ve collared<br />
me and I’d have been chatting – and becoming even<br />
later still – for at least 10 precious minutes. I was<br />
never much good at being business-like and brusque,<br />
and my ability to be abrupt with people lessens as I<br />
become older.<br />
With no competition from the Hi-Fi News show over<br />
the road at the Renaissance hotel, the Chester Group<br />
had the opportunity to clean up on the September<br />
Heathrow slot. The only ‘opposition’ came from highend<br />
distributor, Audiofreaks, who had hired a couple<br />
of rooms at the former HFN venue in which to present<br />
just its own brands.<br />
Unfortunately, I guess that many companies<br />
adopted a wait and see attitude towards the Park<br />
Inn show. Sadly that seemed, to me at least, to knock<br />
much of the wind out of its sails. While the show<br />
was enjoyable, from my perspective, with plenty of<br />
interesting stuff to see, I don’t think it had sufficient ‘big<br />
names’ to draw in mainstream customers. With respect<br />
to the companies that I am now about to infer are<br />
‘smaller’, the only ‘big’ names present were Meridian,<br />
Naim, and Pioneer. And of those, only Pioneer is likely<br />
be known to a ‘civilian’. Where, I wondered, were Arcam,<br />
Cyrus, Linn, Marantz, KEF, Wharfedale and their ilk?<br />
Some of these made an appearance at the Novotel<br />
in November. I apologise to them for not visiting<br />
them but I wasn’t able to spend much time<br />
at that show this year. I did, though, as I<br />
mentioned earlier, manage to get there for<br />
an hour one evening to attend a Mordaunt-Short<br />
post-show gathering to celebrate the company’s 40 th<br />
anniversary at which founder, Rodney Short was the<br />
primary guest. I wasn’t going to miss the chance of<br />
shaking the hand of one of the people whose designs<br />
first got me interested in hi-fi all those years ago. And<br />
the meal at Chez Kristof that followed was thoroughly<br />
enjoyable, too.<br />
In one respect – navigation – both shows struck<br />
me as being equally poor. Finding my way round the<br />
Novotel always confuses me and the lack of signage<br />
and division of rooms at the Park Inn meant that half<br />
the exhibits were far too easy to miss. Without having<br />
been to the show before one might not have realised<br />
that there were many rooms on the ‘other’ side of the<br />
hotel – the side most distant from the main entrance.<br />
The most pleasing element of the Chester Group<br />
show was its being primarily focussed on music not<br />
AV – oh the sheer, unadulterated joy of walking into a<br />
room and hearing music rather than being plummeted<br />
into darkness and having one’s senses battered by<br />
some subwoofer-sodden blockbuster. Not to mention<br />
the inevitable whinging after the show report is<br />
published: “Why didn’t you print a photograph of my<br />
room?” Do you think the fact that the room was in<br />
total darkness with just a cartoon image on the screen<br />
might have had any influence on our decision?<br />
I have to say that all the rooms I visited would have<br />
satisfied me had I been a regular ‘punter’. In fact, a<br />
few would have transported me to delirium central:<br />
Transcriptors, for example, where one could see the<br />
turntable – the Hydraulic Reference – of the same<br />
vintage that Stanley Kubrick used in the movie A<br />
Clockwork Orange. Just how cool was that?<br />
Other chilled things I experienced on my way to<br />
find 10 items to titillate my HFC readers included:<br />
Clearaudio’s outstanding dedication to vinyl, perhaps<br />
best characterised by the over-sized lap-top style<br />
device that turned out to be a ‘trouser press’ for<br />
flattening your warped LPs. Naim was one of myriad<br />
companies exhibiting a new phono stage: yes there<br />
were pre-pre-amps there to suit every budget and<br />
design taste. Equally, there were turntables to plug<br />
into them everywhere you looked. Creek’s first<br />
turntable looked well-sorted for a debut model<br />
and Clearaudio had a roomful of serious looking<br />
decks. Origin Live, Transcriptors, The Funk Firm, and<br />
Townshend were all showing new models. In fact,<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
the turntable scene was looking positively healthy<br />
considering that vinyl ‘died’ 25 years ago!<br />
The London Sound and Vision Show 2007 wasn’t<br />
the ideal September show… but it so easily could have<br />
been. Given more support from the trade and better<br />
organisation in some respects the show could have<br />
been far better, and that’s just what this industry needs.<br />
Then we need to increase the number of visitors,<br />
both trade and public. We need much broader<br />
publicity in media other than hi-fi magazines, most of<br />
whose readers are predisposed to attend anyway.<br />
I hate to keep banging on about the Munich High<br />
End show but that is a hugely successful event that<br />
puts the UK shows – every single one of them – to<br />
shame. That show isn’t organised by magazines or<br />
events companies; it’s put together by the industry<br />
under the banner of the High End Society. It is a<br />
marvellous event and it is a damned shame that we in<br />
Britain cannot stage anything to compare with it. Mind<br />
you, The M.O.C in Munich is a wonderful venue: it’s not<br />
perfect but it makes the NEC and ExCeL look extremely<br />
unattractive by comparison.<br />
It’s about time that UK show organisers realised<br />
that the key element in any show is the visitor, and<br />
that satisfying those people who pay to come to your<br />
show – and don’t forget to factor in the ‘hidden’ costs<br />
they might encounter as well as the entry-fee – is vital.<br />
Failing to satisfy the visitor put paid to the HFN show:<br />
all those foreign brands that were enticed in to exhibit<br />
at the show might have put money into the organiser’s<br />
coffers but they also should have put products onto UK<br />
dealers’ shelves. In the last year of that show I visited<br />
one such company who, despite having won a Hi-Fi<br />
News award for its amplifier, didn’t have a single UK<br />
dealer. I’d ask where’s the point, but where’s the point?<br />
A couple of years before that I’d encountered a new<br />
speaker brand at the show: I say brand when I doubt<br />
if the one man-band had the slightest notion what a<br />
brand was. He was showing a prototype loudspeaker<br />
that was possibly the ugliest thing I’d ever seen<br />
with the exception of another hideous, grotesque<br />
loudspeaker that was being shown. “How much are<br />
they?” I asked. “£35,000,” came the reply. I wouldn’t<br />
have given him £35 for a pair even if they’d been goldplated<br />
and had Angelina Jolie bent over them.<br />
Those days are, perhaps, one can<br />
only hope, gone but there’s still a fill-thespace-at–any-cost<br />
mentality evident at<br />
most shows that I visit… with the<br />
possible exception of Munich. But<br />
there I go banging on about Munich<br />
again. As we go to press I am told that<br />
rumour has it that one London show might<br />
move next year to ExCeL. One can only hope<br />
that’s not true if the organisers don’t want to kill it. The<br />
move to Docklands’ desolation might have worked for<br />
the CEDIA Expo but I can’t see the same happening for<br />
any consumer-based hi-fi and gadgets event.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
A photo of Max<br />
Townsend in<br />
original Rock<br />
days keeps<br />
guard over the<br />
latest iteration<br />
of his distinctive<br />
turntable.<br />
Crazy but<br />
eye-catching<br />
turntable from<br />
the Funk Firm.<br />
Who else would<br />
put blue fibre<br />
optics inside<br />
a turntable<br />
plinth?<br />
The let’s have<br />
a party , best,<br />
literally, of<br />
British approach<br />
to fuelling a<br />
record cleaning<br />
machine by the<br />
pint-meisters at<br />
Loricraft Audio.<br />
The iconic<br />
Transcriptor<br />
Hydraulic<br />
Reference: still<br />
looking fabulous<br />
after all those<br />
decades. It’s<br />
more than 40<br />
years since this<br />
design first saw<br />
the light of day<br />
and it still looks<br />
fabulous.<br />
17
18<br />
An Even Stronger<br />
Marantz In 2008<br />
FOLLOWING ON FROM THE HUGE CRITICAL AND<br />
COMMERCIAL SUCCESS OF LAST YEAR’S PRODUCT<br />
INTRODUCTIONS, MARANTZ, AMAZINGLY, IS SET<br />
TO UNVEIL AN EVEN STRONGER LINE-UP FOR THE<br />
FORTHCOMING TWELVE MONTHS. 2008 WILL SEE A<br />
VERITABLE DELUGE OF NEW DESIGNS, EACH AIMING<br />
TO SET NEW STANDARDS AT THEIR RESPECTIVE PRICE<br />
POINTS, WITH MANY IMPLEMENTING TECHNOLOGY<br />
FIRST DEVELOPED FOR THE COMPANY’S REVERED<br />
AND RECENTLY INTRODUCED FLAGSHIP LEGENDARY<br />
SYSTEM.<br />
And, as with last year, Marantz has one aim in<br />
mind. The company’s UK managing director,<br />
Jason Dear, says, “Driving business to the retailer is<br />
our absolute priority for the future - they must come first.<br />
Our sole objective with our new introductions is to deliver<br />
the consumer to the store. We then aim to make sure the<br />
dealer has all the tools needed to make the sale.”<br />
Heading the new product charge is the magnificent<br />
SA-11S2 Super Audio CD player. Fundamental to the<br />
SA-11S2’s engineering philosophy was a desire to<br />
incorporate as much of the acclaimed technology of<br />
the iconic SA-7S1 flagship disc spinner as possible and<br />
maintain its high standards of sonic ability. Moreover,<br />
the R&D team has implemented a plethora of new<br />
features and internal components for exceptional<br />
sound quality. The SA-11S2 hopes to rewrite the rules<br />
for £2<strong>50</strong>0 machines.<br />
To compliment the SA-11S2 is the first mid-priced<br />
pre/power amplifier combination from Marantz in<br />
nearly twenty-five years. And the SC-11S1 and SM-<br />
11S1 are well worth the wait. The new models - £<strong>50</strong>00<br />
for the pair - will amply fill the quite significant gap<br />
between Marantz’s flagship amplifier set-up – the<br />
£15,000 Legendary trio – and the next model down<br />
– the more modestly priced £2000 PM-11S1 integrated<br />
design. And again, as much as cost considerations<br />
would allow, the SC-11S1 and SM-11S1 implement<br />
technology found in Marantz’s flagship Legendary<br />
models.<br />
The trio of components hope to continue the good<br />
form shown by other recently introduced Marantz<br />
hi-fi electronics, which have been receiving rapturous<br />
reviews. Products such as the modestly priced CD6002<br />
CD player show that you don’t need to spend a fortune<br />
to enjoy the acclaimed Marantz sound. The former<br />
picked up the coveted Best CD Player Under £300 prize<br />
at the recent What Hi-fi? Sound and Vision Awards. Just<br />
as impressively, together with the matching PM6002,<br />
it recently won What Hi-fi? Sound and Vision’s Best<br />
System Under £1000 award. Unsurprisingly this has<br />
made the budget combo something of a hot potato.<br />
The pairing has become hugely successful, with<br />
incredibly strong sales. And as Jason Dear states, “The<br />
really important thing for us about the 6002 system is not<br />
that it has been selling into stores in such large numbers<br />
but, more significantly, it is that it has been selling out just<br />
as strongly.”<br />
Critical success is one reason the brand’s retailer<br />
partners are very positive about the recent strategy<br />
and products. As Dave Spears, a senior manager at<br />
Practical Hi-Fi, says: ”The Award for the CD6002 is great<br />
news. You always get extra interest from consumers<br />
after such an accolade and its great to see such a strong<br />
product getting the respect it deserves.” He continues: “I<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
have nothing but praise for the company at the moment.<br />
They don’t sell on the Internet, which is great because,<br />
providing the sale goes right, the customer buys from us<br />
directly. I really wish other manufacturers would do the<br />
same thing.”<br />
This view is reinforced by Amit Patel, from Unilet<br />
Sound and Vision, “Reviews are important; they do<br />
generate interest, although it does not mean that people<br />
will automatically buy: that is up to us. But positive<br />
reviews help to keep the brand awareness on the up.”<br />
That said, Amit feels there is another strong factor<br />
behind Marantz’s recent success, “The great thing is that<br />
the company has decided that it is quality that matters.<br />
Whether you are talking about a product like the CD6002<br />
or the SA-7S1, it has listened to the dealers and given us<br />
strong products that deliver value for money.”<br />
The SA-11S2 system<br />
Using the same pair of powerful mono DACs as found<br />
in the flagship SA7-S1 for both DSD and 24-bit PCM<br />
audio playback, the SA-11S2 employs a fully balanced<br />
dual-differential audio circuit, again identical to<br />
the SA-7S1, which provides superb stereo image by<br />
ensuring perfect symmetry between the right and left<br />
channels.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
To achieve the best possible sonic performance<br />
circuit topology is short and direct. It is packed<br />
with high precision metal-film resistors, chip mica<br />
capacitors and Marantz’s proprietary HDAMs - Hyper<br />
Dynamic Amplifier Module.<br />
Another feature central to the SA-11S1’s classleading<br />
sound is the SACDM-1 mechanism module.<br />
Developed for SA-7S1 it features a 10mm case of<br />
extruded aluminium for rock-solid, vibration-free<br />
build. It guarantees only a supreme, pure digital<br />
signal will feed the digital filters and the D/A<br />
converters.<br />
Internal wiring is channelled into separate circuits<br />
eliminating interference between circuits, while the<br />
high-capacity Super Ring toroidal transformer is<br />
entirely shielded by an aluminium shorting ring and<br />
a copper-plated case to keep unwanted magnetic<br />
radiation away from internal parts. This is the same<br />
solution as found in the SA-7S1.<br />
This orgy of engineering is housed on a full-metal<br />
chassis that employs a double-layer bottom plate, a<br />
5mm thick aluminium cover, and substantial shockabsorbing<br />
feet to virtually eliminate sound-degrading<br />
vibration. The case is even completely copper-plated<br />
to guard against electrical interference and, thanks<br />
FEATURE<br />
19
For further information<br />
please contact<br />
Marantz UK<br />
Kingsbridge House<br />
Padbury Oaks<br />
575 - 583 Bath Road<br />
Longford<br />
UB7 0EH<br />
T: +44 (0) 1753 680868<br />
F: +44 (0) 1753 680428<br />
www.marantz.co.uk<br />
20<br />
to unique engineering, no screws are visible. The<br />
result is a model delivering clean, minimalist lines<br />
to match its pure sound.<br />
The SM-11S1 is a fully balanced stereo power<br />
amplifier capable of producing a very conservatively<br />
estimated 200W into 8 Ohms. As the amp adheres<br />
to Marantz’s intelligent parallel layout topology,<br />
it doesn’t suffer from any left/right channel<br />
interference, resulting in a separation equal to that of<br />
mono designs. As an upgrade path the SM-11S1 can<br />
also switch to mono operation, doubling its power<br />
output in the process.<br />
Obviously, the quality of the power supply in a<br />
power amp is extremely important. The SM-11S1<br />
follows the design concept of the flagship MA-9S2,<br />
using an identical massive toroidal transformer with<br />
double core, acoustic isolation plates, coring of<br />
silicon steel sheets, housed in an<br />
aluminium case.<br />
Class-leading components include<br />
Schottky diodes, customised<br />
Marantz block capacitors and Blue<br />
Star cap film capacitors, while<br />
the display can be turned off to<br />
improve performance further.<br />
Two pairs of low impedance WBT<br />
speaker terminals only add to the<br />
already impressive quality.<br />
Meanwhile, the £2000 SC-11S1<br />
is a fully balanced, two-channel control amp.<br />
Unparalleled attention to detail in the design and<br />
development of the input/output, volume and<br />
power supply circuits means the SC-11S1 leads the<br />
field in sound quality.<br />
Completing the package on both designs is the<br />
usual Marantz tank-like build quality, with a doublelayer<br />
bottom plate and substantial shock-absorbing<br />
feet to virtually eliminate sound-degrading vibration,<br />
while a 5mm thick copper-coated aluminium lid tops<br />
off the casework.<br />
PMC + Legends Get The i<br />
PMC HAS ANNOUNCED THE LAUNCH OF THE I<br />
SERIES, A RANGE OF LOUDSPEAKERS THAT DIRECTLY<br />
REPLACES THE LEGENDARY DB1+, TB2+, GB1, FB1+<br />
AND OB1 MODELS AND THEIR CENTRE CHANNEL<br />
DERIVATIVES.<br />
The PMC R&D team has introduced three major<br />
technical upgrades in the new models. First,<br />
a new precision built SOLONEX soft dome<br />
tweeter with a custom dispersion plate, which has<br />
been born out of a collaboration with the Norwegian<br />
acoustic specialists, SEAS. Detail, power handling and<br />
superior off axis response are the main attributes of<br />
the unit.<br />
To keep pace with the enhanced<br />
top end performance the mid/bass<br />
units have also improved with the<br />
introduction of the new PMC designed<br />
drivers displaying higher power<br />
handling and a flatter, lower distortion<br />
mid range. The hand-built and matched<br />
high order crossovers that feature<br />
French SOLEN capacitors have also been<br />
optimised for the introduction and<br />
integration of the new drive units. The combination<br />
of these technical innovations produces a greater<br />
soundstage with a more tangible vocal character and<br />
faster, cleaner edged bass.<br />
To reflect the increase in sonic performance<br />
the hand-finished exterior has also undergone an<br />
extensive makeover with the cabinet veneered on all<br />
surfaces and a deeper and finer sheen level applied to<br />
the timber portion as well as the plinth. To complete<br />
the sumptuous finely honed look and feel, the i series<br />
sports a solid, metal hand-polished badge, which<br />
would be equally at home on an exotic supercar – if it<br />
were manufactured by PMC.<br />
The UK Retail Pricing follows: please note that the<br />
speakers are priced as pairs with the exception of<br />
centre channels, which are priced as single units.<br />
DB1i ................................. £770.00<br />
DB1M-Ci (Centre) ....... £425.00<br />
TB2i .................................. £9<strong>50</strong>.00<br />
TB2M-Ci (Centre) ........ £<strong>50</strong>0.00<br />
GB1i ...............................£1275.00<br />
FB1i ................................£18<strong>50</strong>.00<br />
OB1i ...............................£29<strong>50</strong>.00<br />
CB6i (Centre) ..............£1<strong>50</strong>0.00<br />
For further information please<br />
contact Samantha Thomas at<br />
PMC Ltd<br />
43-45 Crawley Green Road<br />
Luton<br />
LU2 0AA<br />
T: +44 (0) 870 4441044<br />
F: +44 (0) 870 4441045<br />
sam@promonitor.co.uk<br />
www.pmc-speakers.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Monster Introduces the World’s Only<br />
Speed-Rated HDMI Cables<br />
MONSTER HAS ANNOUNCED THE INTRODUCTION OF<br />
THE WORLD’S FIRST AND ONLY SPEED-RATED HDMI<br />
CABLES THAT OFFER A DEMONSTRABLE DIFFERENCE<br />
IN HIGH-DEF IMAGE QUALITY. THE INTRODUCTION IS<br />
BEING ACCOMPANIED BY A CONSUMER “NEED FOR<br />
SPEED” EDUCATION CAMPAIGN THAT THE COMPANY IS<br />
LAUNCHING IN ORDER TO HELP CLEAR UP CONFUSION<br />
ABOUT THE QUALITY DIFFERENCES AND BENEFITS OF<br />
SPEED-RATED CABLES.<br />
According to Noel Lee, the Head Monster, much<br />
of the confusion stems from the advent of<br />
HDMI 1.3 Category 2 standards with even<br />
higher speed capabilities than conventional HDMI.<br />
Most important to understand, he notes, is that speed<br />
is dramatically affected by cable length. Consumers<br />
and installers alike have many questions about<br />
which HDMI cable will best suit any particular set of<br />
requirements and circumstances.<br />
To help answer these questions and bring a new<br />
level of quality to HDMI viewing, Monster introduced<br />
its Speed Rated HDMI cables with five different levels<br />
of HDMI performance, including Standard Speed,<br />
High Speed, Advanced High Speed, Ultra High Speed,<br />
and Ultimate High Speed.<br />
As additions to the M Series® line, Monster’s<br />
highest performance cable will be designated<br />
Ultimate High Speed and will feature advanced<br />
new technologies that maintain its incredible<br />
performance, even over long lengths. The model<br />
name for this cable is Monster M1000 HD.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
The Ultra High Speed cables – M8<strong>50</strong> HD, MC<br />
1000 HD and U3 V1000 HD – are ready to deliver not<br />
just everything available today but all the amazing<br />
technologies that are right around the corner.<br />
Advanced High Speed cables – M6<strong>50</strong> HD, MC 800<br />
HD and U3 V8<strong>50</strong> HD – are for those who want better<br />
performance from today’s technologies, such as<br />
advanced colour and lossless audio.<br />
High Speed cables – models MC 700 HD and U3<br />
V600 HD – deliver today’s high definition picture and<br />
sound at a price everyone can afford.<br />
HD Standard Speed cables offer entry level high<br />
definition connection for HDTV buyers on a budget.<br />
The model names for these cables are MC <strong>50</strong>0 HD and<br />
U3 V<strong>50</strong>0 HD.<br />
All of the cables in the Core, Monster<br />
Ultra Home Theater, and M Series<br />
line will be clearly identified with the<br />
Monster Speed Medallion System and<br />
Performance Bars on the package. The<br />
performance bars will identify cables as<br />
to their capability with higher refresh<br />
rates, advanced colour, and other HDMI<br />
features, prominently on the packaging.<br />
Monster’s advanced speed-rated<br />
HDMI cables are designed to bring out the best of<br />
today’s high-definition home entertainment devices,<br />
as well as those of tomorrow. To back up this promise,<br />
Monster’s 1000 level cable in all lines will carry<br />
Monster’s Cable for Life replacement offer, so if the<br />
cable is ever outstripped by the technologies of the<br />
displays or sources, Monster will replace the cable at<br />
no charge.<br />
For pricing and further<br />
details, please contact:<br />
Monster Europe Ltd<br />
Wenta Business Centre<br />
Colne Way<br />
Watford<br />
WD24 7ND<br />
T: +44 (0)1923 693766<br />
F:+44 (0) 870 870 0892<br />
www.monstercable.com<br />
NEW PRODUCTS<br />
21
NEW PRODUCTS<br />
Denon’s SMART<br />
Music and<br />
Home Cinema<br />
Systems<br />
22<br />
THE S-302 IS A STATE-OF-THE-ART, ONE-BOX, DVD<br />
SYSTEM BLENDING DENON’S SKILLS IN HI-FI, HOME<br />
CINEMA AND NETWORKS INTO ONE EASY-TO-USE,<br />
FAMILY FRIENDLY SYSTEM. DESIGNED TO BE USED<br />
WITH FLAT TVS, IT FEATURES HDMI, 1080P FULL-<br />
HD UPSCALING AND CONVERSION, WI-FI, TOTAL<br />
CONNECTIVITY AND REMARKABLE LEVELS OF AUDIO<br />
AND VIDEO QUALITY, ALL BUILT INTO IN A STYLISH<br />
COMPACT CHASSIS. IT IS A MASSIVE UPGRADE ON ITS<br />
PREDECESSOR, THE S-301, YET SELLS AT THE SAME<br />
PRICE.<br />
Denon has packed the S-302 with advanced<br />
technologies that dramatically enhance both<br />
sound and video quality. The video section<br />
will upscale everything to a crystal clear 1080p image<br />
and up-convert all video sources to HDMI, allowing<br />
the use of just one cable to the screen.<br />
For enhanced audio performance, the S-302<br />
features new Audyssey Bass-XT and Audyssey<br />
Dynamic EQ for greater bass response from the<br />
included subwoofer, which is 20 per cent smaller<br />
than previous designs, and extended dynamics at all<br />
volume levels. The S-302 boasts an amplifier section<br />
with <strong>50</strong> watts per channel, a 100 watt amplifier for<br />
the subwoofer and two flat profile, three driver, twoway<br />
speakers which can be stand or wall mounted.<br />
The powerful Wi-fi networking, borrowed from<br />
Denon’s new AVR line allows the S-302 to stream<br />
music wirelessly from Macs, PCs, NAS and Internet<br />
Radio. The USB port allows the use of USB hard drives,<br />
USB memory sticks and USB MP3 players. The system<br />
has the ability to decode not just popular MP3 and<br />
WMA formats but also AAC, m4a, WAV, WMA Lossless<br />
and FLAC (Free Lossless Audio Codec). A 3.5mm<br />
input on the front panel caters for all other portable<br />
devices and a special iPod lead or optional iPod dock<br />
bring full iPod integration and control.<br />
The S-302 delivers a stunning new 1080p colour<br />
on-screen interface (GUI), with a set-up wizard that<br />
makes getting going easy. One unified colour screen<br />
lets users view cover art and info from iPod, USB and<br />
all streaming media sources.<br />
Denon uses technologies and components<br />
that have already proved reliable in their full-size<br />
components including the ultra-robust DVD drive<br />
from the £6<strong>50</strong> DVD-2930. Despite the confined<br />
space available, the audio/video circuits are<br />
constructed with top-quality,<br />
discrete components and all of<br />
Denon’s hi-fi and home cinema<br />
knowledge have been bought to<br />
bear. Denon’s own AL24 processing,<br />
for example, further improves stereo<br />
reproduction.<br />
The full Denon Smart S-302<br />
2.1-channel system retails at<br />
around £12<strong>50</strong>.<br />
For further information<br />
please contact Denon<br />
Moorbridge House<br />
Padbury Oaks<br />
579 Bath Road<br />
Longford<br />
UB7 0EH<br />
T: +44 (0) 1753 680568<br />
F: +44 (0) 1753 689697<br />
www.denon.co.uk<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
NAD’s Budget Reference CD Player<br />
NAD ELECTRONICS HAS INTRODUCED THE C515BEE<br />
CD PLAYER, A HIGHLY AFFORDABLE PLAYER WITH<br />
THE FEATURES AND PERFORMANCE OF FAR COSTLIER<br />
COMPONENTS. WITH THE C515BEE, THE DESIGN<br />
TEAM HAS SUCCESSFULLY LOWERED ITS COST WHILE<br />
RETAINING THE FEATURES CONSUMERS MOST WANT,<br />
ALONG WITH THE PROPRIETARY TECHNOLOGY TO<br />
DELIVER ACCURATE, NATURAL SOUNDING MUSICAL<br />
PERFORMANCES.<br />
Compact and understated in appearance, the<br />
C515BEE is a breakthrough in both performance<br />
and value, perfectly matching the equally slimline<br />
C315BEE Integrated Amplifier. Carefully engineered<br />
circuit layouts ensure the least possible noise and<br />
distortion. Multiple regulated low-noise power supply<br />
circuits and individual circuit boards guarantee the<br />
delicate digital audio circuitry is well isolated from<br />
motor and display demands. Analogue and digital<br />
circuits have their own isolated supplies. Every element<br />
of the C515BEE’s circuitry has been carefully selected<br />
— from the 24-bit/192kHz D/A converters, chosen for<br />
low noise and excellent linearity, to the audio-specific<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
analogue OP Amps, which provide accurate musical<br />
sound. The C515BEE provides a complete roster of<br />
navigation and control functions, as well as more<br />
advanced features that appeal to serious music lovers.<br />
Repeat and Repeat A-B, for example, allow careful<br />
study of musical passages, making them favourite<br />
features of musicians. Users can easily custom program<br />
the C515BEE to play only the desired tracks on a CD, or<br />
toggle through different display modes to show total<br />
playback time, time remaining, time per track, and any<br />
programmed function.<br />
The C515BEE also plays MP3 and WMA files, using<br />
the latest, best sounding decompression algorithms.<br />
This allows playback of CD-Rs burned on a PC, with up<br />
to 10 hours of play on a single disc. NAD’s superb D/A<br />
conversion and analogue amplification stages ensure<br />
the maximum possible sound quality for compressed<br />
music files. Additional features include an informative<br />
display, a dimmer for the display, coaxial and optical<br />
digital outputs, and a full-function remote control.<br />
The NAD C515BEE will retail in the UK at around<br />
£165. It is available in NAD’s Grey or new Titanium<br />
finishes.<br />
For further information<br />
please contact<br />
Armour Home<br />
Units 7 - 8<br />
Stortford Hall Industrial Park<br />
Bishops Stortford<br />
CM23 5GZ<br />
T: +44 (0) 1279 <strong>50</strong>1111<br />
www.armourhe.co.uk<br />
http://nadelectronics.com<br />
23
in association with<br />
24<br />
Messenger at Large<br />
WE CAN THANK MUSICAL FIDELITY’S ANTONY<br />
MICHAELSON AND HIS SUPERCHARGER INITIATIVE<br />
FOR PUTTING POWER FIRMLY BACK ON THE HI-FI<br />
AGENDA, AND WHILE I DON’T ENTIRELY AGREE WITH<br />
EVERYTHING HE SAYS, I THINK IT’S A TOPIC THAT WELL<br />
DESERVES A FRESH AIRING.<br />
Michaelson’s basic contention is that we need<br />
to be able to generate realistic levels – i.e.<br />
something close to the live experience – to<br />
consider our systems ‘good quality’. And in order to<br />
do so we need to be able to generate peak levels of at<br />
least 106dB at our listening seat, which requires more<br />
than 300W of power with average (88dB) sensitivity<br />
speakers.<br />
That proposition is arguably implied in the word<br />
‘fidelity’, but it also raises interesting questions about<br />
how we want to enjoy music in our homes. Are we<br />
really trying to recreate the live experience? Or are<br />
we merely trying get the most out of our music, in an<br />
environment that’s very different from the concert<br />
for your home<br />
for your garden<br />
hall or rock venue? I would argue that either objective<br />
is equally valid, and that our personal relationship<br />
with our chosen hi-fi system is as individualistic as our<br />
particular (or peculiar) tastes in music.<br />
Some listeners may indeed want to try to recreate<br />
a concert hall experience, which for a good seat in an<br />
orchestral performance probably does reach 106dB or<br />
thereabouts, a reasonably realistic target. But the levels<br />
at a rock concert are going to be a whole lot louder<br />
still, maybe as much as 10dB, and there’s no way you’re<br />
going to generate those with anything short of a PA rig.<br />
(And if you do, there’s allegedly a real risk of permanent<br />
hearing damage.)<br />
However, the home experience is very different from<br />
the live concert for a number of reasons. At a classical<br />
concert you’re expected to sit quietly and respectfully,<br />
not attempt to communicate with your nearest and<br />
dearest in the next seat (barring perhaps a hushed<br />
whisper in the ear). Interpersonal communication is<br />
not discouraged at a rock concert, but it’s neither easy<br />
nor effective, usually involving a brief monosyllabic<br />
for your entertainment<br />
for you<br />
Branksome Place, Haslemere, Surrey, 19–20 April 2008<br />
www.luxurylivingshow.co.uk<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
“get off my foot” shouted into someone’s ear.<br />
When I’m listening to music at home, it’s different<br />
on a number of levels. Because the listening room is<br />
so much smaller and more confined than the concert<br />
hall, it doesn’t let the low bass ‘breathe’ in anything like<br />
the same way. For me at least, whereas the concert is<br />
essentially a focused and essentially private experience,<br />
home listening is a much more casual and social affair,<br />
usually punctuated by discussion and conversation.<br />
And if you want to try to hold a conversation, you don’t<br />
want the music peaking up at around 106dB.<br />
There is one qualification here, which is that classical<br />
music has a much higher peak-to-mean ratio than rock<br />
material, and solo piano is the most extreme example<br />
of this. And while the mean level of the music is the<br />
part that determines the perceived loudness, it’s the – and one ex-editor of Hi-Fi Choice used Martin<br />
peak level that decides how big the amplifier has to loudspeakers at home!), I reckon most people will be<br />
be to avoid clipping. Ironically perhaps – or against reasonably happy with systems that are capable of<br />
superficial expectations at least – a bigger amplifier is reaching 100dB, a level which will require just <strong>50</strong> watts<br />
needed to achieve the same mean levels for classical per channel of amplifier power with average (88dB)<br />
than rock music reproduction. (In practice, of course, sensitivity speakers.<br />
classical music doesn’t need to match rock’s mean level That in turn helps explain why a typical push-pull<br />
to sound realistically loud.)<br />
valve amplifier does in fact deliver enough power<br />
At this juncture I decided it was time to get out the for most practical purposes – the more so when one<br />
sound level meter and start checking a few figures. other important factor is taken into account. That’s<br />
(I can’t guarantee this meter’s accuracy, but see no the behaviour of an amplifier when it’s overdriven.<br />
reason to doubt it either.) A little to my surprise, even Some amps sound quite nasty if/when they go into<br />
100dB peaks sounded very loud indeed, and one<br />
clipping; others (especially valve examples) do so<br />
still needed to raise one’s voice quite substantially to gracefully, indeed almost unnoticeably. This is a very<br />
converse when music was peaking at around 90dB. worthwhile bonus, as an ability to handle a momentary<br />
Indeed, at this level on the meter, the music was about overload without losing control effectively means that<br />
as loud as I found comfortable; push the volume any an amplifier can behave as if it’s more powerful than<br />
harder and the music somehow seemed to be getting its voltage rail or current capability actually implies. It<br />
a bit too loud for the room.<br />
won’t necessarily maintain full accuracy when doing<br />
However, it’s impossible to come up with hard<br />
this, true, but this does mean its mean level can be<br />
and fast rules as the ‘maximum comfort level’ varies pushed a little harder than its measured power rating<br />
considerably from one source to another, from one suggests. And since it’s necessary to double amplifier<br />
type of music to another, and perhaps most of all from power for just 3dB extra loudness, that can be quite<br />
one individual recording to another. With the limited important in making well behaved lower powered<br />
equipment I have available, it’s also virtually impossible amps more practical than one might expect.<br />
to tell whether I’m accurately monitoring peak as well So, while I don’t in any way dispute Michaelson’s<br />
as mean levels. However, it’s generally accepted that opinions about the desirability of high power<br />
a peak excess of between 6dB and 10dB is desirable, amplification and the attendant advantages of ample<br />
which takes the desirable system loudness capability headroom, I still think it’s possible to enjoy a hi-fi<br />
up into the general vicinity of Michaelson’s figure. system with the right sort of lower power amplifier in<br />
That said, aside from disco loving party throwers the real world. And I still believe that the first Watt is by<br />
(who would probably do better with a PA system<br />
far the most important one.<br />
<strong>BAJ</strong>_EV-1S_maple_qtr-strip_[Jan08].qxp 01/02/2008 17:02 Page 1<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
Luxury DAB Digital &<br />
FM portable radio<br />
PURE EVOKE-1S<br />
January 08<br />
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0845 3376637<br />
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COMMENT<br />
25
26<br />
Hi-Fi Choice Awards<br />
WE EXTEND OUR THANKS TO THE TEAM<br />
AT HI-FI CHOICE FOR PROVIDING US<br />
WITH ALL THE DETAILS ABOUT THE<br />
MAGAZINE’S 2007 AWARDS. WE WERE<br />
THERE, OF COURSE, BUT, IN KEEPING<br />
WITH THE EVENT’S CASUAL AMBIANCE,<br />
WE LEFT OUR NOTEBOOKS BACK AT THE<br />
OFFICE AND SO COULDN’T JOT DOWN<br />
THE WINNERS AS THEY WERE ANNOUNCED.<br />
AT LEAST, THAT’S OUR STORY AND WE ARE<br />
STICKING WITH IT!<br />
All the hi-fi magazines seem intent on creating<br />
awards frenzy… and Hi-Fi Choice is no<br />
exception, with 123 award winning products in<br />
41 separate categories. These span the full gamut of<br />
hi-fi equipment, yet this year the number of products<br />
that would technically qualify as ‘home cinema’ gear<br />
has been substantially reduced.<br />
In 2007, Hi-Fi Choice returned to its two-channel<br />
roots. Multi-channel loudspeaker packages and<br />
amplification systems were not included in the roll call<br />
of awards products. The Apple iPod and other MP3<br />
players were also not included, although hard-disk<br />
music recorders were. DVD and universal disc players<br />
were featured, but the reason for this was purely their<br />
audio performance (both as CD and as SACD or DVD-<br />
Audio players).<br />
The awards themselves followed a distinct order, as<br />
ever. Individual categories were sub-divided into price<br />
levels that fitted the particular products. So, in the CD<br />
player category, for example, the awards were further<br />
divided into the best player up to £<strong>50</strong>0, between £<strong>50</strong>0<br />
and £1,000, between £1,000 and £5,000 and over<br />
£5,000. In each division there was a Gold, Silver and<br />
Bronze winner.<br />
In the CD players’ class, the Gold medalist for best<br />
CD players up to £<strong>50</strong>0 was Cambridge Audio’s Azur<br />
740C. The company also picked up a second Gold<br />
medal for CD players in the £<strong>50</strong>0 to £1,000 category for<br />
its Azur 840C. In the CD players priced between £1,000<br />
and £2,000, Gold went to Rega for a second year for its<br />
Saturn CD player. Having been called the Best Ever CD<br />
on the cover of an earlier <strong>issue</strong>, it’s not surprising that<br />
the Marantz SA-7S1 picked up the Gold medal for CD<br />
players between £2,000 and £5,000, while the Chord<br />
Red Reference CD picked up a Gold medal in the CD<br />
players over £5,000 class.<br />
There were four sub-divisions in the DVD/Universal<br />
player category. The sub-£<strong>50</strong>0 division was produced<br />
in association with Hi-Fi Choice’s sister title What Video<br />
and High Definition TV. Between them, they chose the<br />
Marantz DV6001 as Gold medallist. Between £<strong>50</strong>0 and<br />
£1,000, the DVD/Universal Gold award went to NAD’s<br />
T585. No change at all for players between £1,000<br />
and £2,000, with Denon’s DVD-3930 picking up Gold<br />
a second year running, while the new Accustic Arts<br />
Surround-Player 1 won Gold in the DVD/Universal<br />
players over £2,000 category.<br />
The turntables category is always a<br />
surprisingly hotly contended one, divided<br />
up into four sub-classes as it had been in<br />
the previous year. The Funk Firm beat off<br />
stiff competition for a second year running,<br />
with the Funk Firm Funk taking the Gold in<br />
turntables under £<strong>50</strong>0. Funk also picked<br />
up the Gold gong for best turntable<br />
between £<strong>50</strong>0-£1,000 for the Funk<br />
Vector, while Clearaudio’s Performance<br />
took Gold in the £1,000 to £3,000<br />
turntables class, and SME’s Model 20/12A<br />
took Gold in turntables over £3,000.<br />
In the five stereo amplifiers categories, Marantz<br />
took Gold for the second year running in the sub-£<strong>50</strong>0<br />
group for its PM7001. Cambridge Audio’s Azur 840A v2<br />
achieved a Gold in the £<strong>50</strong>0 to £1,000 stereo amplifier<br />
class, and the Cyrus Pre vs2 and 6 power took Gold in<br />
the £1,000 to £2,000 class. Naim Audio won Gold for the<br />
SUPERNAIT in the £2,000 to £5,000 class, while there was<br />
no change at the top of the top amps, this year, with the<br />
Krell FBI holding Gold in the £5,000+ class.<br />
Swabbing up the rest of the electronics, in the<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
tuners category, the Onkyo T-4555 DAB won Gold in interconnect and there was also no change for the<br />
the sub-£<strong>50</strong>0 class, while the Magnum Dynalab MD- best mains product with IsoTek’s Sigmas power<br />
90T retained its Gold in the over £<strong>50</strong>0 tuner category. conditioner picking up the Gold laurels again.<br />
The Imerge SoundServer S3000 beat the Cambridge<br />
The headphones category saw Beyerdynamic’s<br />
Audio Azur 640H (the previous year’s Gold winner) DT880 pick up Gold under £200 and Grado’s excellent<br />
to take the best hard disk audio component. And, for GS1000 collect the Gold medal in the £200-and-<br />
another year running, the Primare CDi10 won Gold for over class. Partington’s excellent Minim equipment<br />
the best one-box CD system.<br />
support picked up a Gold gong in the sub-£<strong>50</strong>0<br />
In the loudspeakers category, once again the Q<br />
equipment support category, while Custom Design’s<br />
Acoustics 10<strong>50</strong> won Gold for the best loudspeaker up Icon Signature Acoustic narrowly beat Townshend’s<br />
to £<strong>50</strong>0. In the £<strong>50</strong>0 to £1,000 class, Gold went to the VSSS for the Gold in equipment supports over £<strong>50</strong>0.<br />
B&W 683, while the Focal Chorus 836V took Gold in the Custom Design also picked up a Gold award for the<br />
£1,000 to £2,000 class and Quad’s ESL 2805 won Gold in best speaker stand under £1<strong>50</strong>, while Partington also<br />
the £2,000 to £5,000 category. Those £5,000 and beyond picked up another Gold award, this time with the Heavi<br />
speakers were topped by last year’s Gold winner again, II being judged the best speaker stand over £1<strong>50</strong>.<br />
the B&W 802D. In the subwoofer categories, REL’s T1<br />
Unlike more established awards ceremonies like<br />
picked up Gold, while Wilson Benesch’s Torus won Gold the What Hi-Fi awards, Hi-Fi Choice’s awards luncheon<br />
in the £1,000+ subwoofer class.<br />
is a far more low-key affair. There is no expensive<br />
Then came the cables, with Kimber picking up host, no penguin suits and no £100-a-head Park Lane<br />
Gold for its 8PR in the under £10/m speaker cable dinner tabs. Just a pub, some grub and lots and lots<br />
class. Once more, Townshend Isolda DCT achieved of booze. A quick speech from Hi-Fi Choice’s Editor,<br />
Gold in the over-£10/m speaker cable category.<br />
Dan George and a table full of framed certificates<br />
Moving over to interconnect cables, Clearer Audio are all that separate the awards lunch from complete<br />
Copper-Line Alpha claimed Gold in the sub-£100 debauchery. Except that, by the time most people<br />
group and Crystal Cable Connect Piccolo did the have spent an entire afternoon in the pub, those lines<br />
14695 Ducks same Ad for 134x186AW:Layout the over £100 category. 1 11/2/08 Meanwhile, 09:24 Kimber Page 1of<br />
distinction are becoming blurry and the certificates<br />
Select KS2020 retained its Gold award for best digital are forgotten.<br />
GET YOUR DUCKS IN A ROW<br />
Whatever business you are in, you need to ‘get your<br />
ducks in a row‘ to enable you to make the right<br />
strategic moves and to gain the competitive edge.<br />
This is not always easy, so why not let JR Associates<br />
help you to achieve your goals.<br />
JR Associates is headed by John Reddington, one of<br />
the CE market’s most experienced professionals,<br />
with a formidable 35 year industry reputation for<br />
business excellence.<br />
Whether your company is large or small, you<br />
can benefit from this wealth of business<br />
experience and knowledge, by working with us<br />
to help ensure your future success.<br />
Management<br />
Recruitment<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
Sales<br />
Training<br />
Interim<br />
Management<br />
Business<br />
Consultancy<br />
Sales &<br />
Marketing<br />
From devising a new Business Plan to writing a Sales<br />
and Marketing Strategy. From recruiting the right<br />
people to providing training to ensure their success.<br />
We can help with both the planning and the<br />
implementation.<br />
With our experience in acquisitions and divestment,<br />
we could be the right vehicle for you to explore these<br />
opportunities for your business.<br />
Whatever ‘Ducks’ you need, why not call<br />
us today and start on the road to real success.<br />
Telephone 01189 833523<br />
email: john.reddington@virgin.net<br />
Sales<br />
Conferences<br />
Mystery<br />
Shopping<br />
National Account<br />
Accompaniment<br />
Acquisition &<br />
Divestment<br />
CHOICE AWARDS<br />
27
Radio, Radio!<br />
UNTIL NOW, LISTENING TO INTERNET RADIO HAS BEEN A RELATIVELY NICHE ACTIVITY. WITH<br />
THE STEADILY-IMPROVING AVAILABILITY AND SPEED OF RESIDENTIAL BROADBAND INTERNET<br />
CONNECTIONS, HOWEVER, AND THE INCREASING NUMBER OF “INTERNET RADIO READY”<br />
PRODUCTS COMING TO THE MARKET, INTERNET RADIO APPEARS TO BE READY TO HIT THE<br />
MAINSTREAM. DO WE NEED YET ANOTHER WAY OF LISTENING TO THE RADIO, THOUGH?<br />
JAMES CLARK INVESTIGATES…<br />
28<br />
INTERNET RADIO IS A SIMPLE CONCEPT: A RADIO<br />
PROGRAMME, RECEIVED OVER THE INTERNET. THE<br />
INTERNET IS USED AS THE MEDIUM OF DELIVERY FOR<br />
THE RADIO STATION. THIS CAN BE CONTRASTED WITH<br />
MORE CONVENTIONAL ‘OVER THE AIR’ METHODS OF<br />
FM, DAB, OR SATELLITE BROADCASTING. THUS, THE<br />
‘RADIO’ LABEL IS ACCURATE, IN THAT PROGRAMME IS<br />
DELIVERED IN A CONTINUOUS STREAM TO THE USER,<br />
JUST LIKE ANY OTHER RADIO TYPE.<br />
Internet radio is not something new – not in the<br />
timescales of the internet, at least – since the first<br />
internet radio stations started to appear around<br />
1994. However, and this is the reason that The <strong>BAJ</strong>,<br />
which prides itself on bringing cutting-edge news and<br />
views to its readers, is carrying this article: Internet<br />
Radio is now going mainstream. Technology that has<br />
been fairly challenging to use and largely confined to<br />
a PC is being put into easy-to-use boxes and given a<br />
makeover. Does your Mum need a new kitchen radio<br />
this Christmas? The one you buy may well be ‘internet<br />
radio ready’.<br />
World music<br />
So why do we need another way of listening to radio?<br />
I can already receive more radio stations than I can<br />
possibly listen to, through FM, through DAB, through<br />
Freeview and through my satellite receiver. Additionally,<br />
What Internet Radio is not<br />
I have noticed that Internet Radio is sometimes confused<br />
with other things. Let us look briefly at what internet radio<br />
is not.<br />
Internet radio is not the same as “podcasting”. Podcasting<br />
involves downloading an entire radio programme to a<br />
computer, which can then be played back, paused, skipped, etc.,<br />
later. Podcasting is more like popping into HMV and buying a<br />
recording of a radio programme.<br />
Internet radio is not the same as on-demand file sharing. File<br />
sharing is the practice of making files available to other users<br />
to download. File sharing allows the user to select exactly the<br />
music (or other content) that is downloaded, and when. This<br />
is different to Internet Radio, which is a continuous stream of<br />
information, and where the user (listener) has no control over<br />
the content.<br />
since many Internet Radio stations are tied to existing<br />
broadcasters, such as the BBC, the programme content<br />
through the internet is the same as listening to the<br />
station through any other means. The internet, in this<br />
case, is just a different form of delivery for the same<br />
programme material. Why do we need it?<br />
The restriction with FM, DAB, etc., is that they are all<br />
more-or-less local. Sure, I can receive national stations,<br />
even some European and Asian stations by satellite,<br />
but, basically, I am restricted to listening to the stations<br />
that are broadcast in the area I happen to be in. That is<br />
fine until I change location; then I cannot listen to my<br />
favourite station any more.<br />
Radio through the internet does not have this<br />
restriction. For example: where I live in the UK, even<br />
using the large antenna on my roof, I cannot receive<br />
KBUL 98FM, broadcast from Reno, Nevada (‘Today’s<br />
Best Country and The All Time Favourites’). Internet<br />
Radio allows me to do this, though, at home or<br />
anywhere else that an internet connection can be<br />
established. I am no longer restricted to the radio<br />
stations that happen to be broadcast in my locality; I<br />
can listen to any radio station in the world. This is the<br />
power of Internet Radio.<br />
Good Thing<br />
So, Internet Radio is a life-enhancing development. It<br />
allows access to otherwise unobtainable radio stations<br />
and music from around the world. In my evangelistic<br />
moments, I can argue that it has the power to promote<br />
inter-cultural understanding and harmonisation<br />
(although I am brought down to earth again with the<br />
realisation that world-spanning short-wave radio never<br />
managed this). Internet Radio is a good thing.<br />
It is not without problems, though. The first problem<br />
is the quality of the audio – to get a measure, let us<br />
compare the audio quality with that of DAB radio. As<br />
a reader of The <strong>BAJ</strong>, you are probably interested in<br />
improving the quality of audio – trying to deliver the<br />
most life-like audio experience to your end-user or<br />
customer. You will know there has been much wailing<br />
and gnashing-of-teeth in our community over the low<br />
bit-rate, highly-compressed audio that is DAB radio. A<br />
typical station has a bit-rate of 128-192kbps (kilobits<br />
per second). It is not CD-quality, and it is deemed by<br />
many to be unacceptable.<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Typically, Internet Radio stations provided by<br />
the BBC (a representative measure, I think), stream<br />
at 64kbps; 32kbps and less is common from other<br />
providers. While it is true to say that this is only an<br />
approximate comparison with the quality provided<br />
by DAB (since different audio codecs (compression<br />
algorithms) are used in DAB and Internet Radio),<br />
there is no codec in existence that, at 64kbps, comes<br />
anywhere close to CD-quality audio. Internet Radio is,<br />
with very few exceptions, very low quality audio.<br />
Would this problem not be solved simply by getting<br />
service providers to increase the bit-rate? Well, the<br />
difficulty with Internet Radio, from the point-of-view of<br />
the service-provider, is that it is not actually broadcast;<br />
each connection is point-to-point. Take BBC Radio 2,<br />
for example: to cover the entire U.K. on the FM band,<br />
the space from 87 to 89MHz is used. It does not matter<br />
whether all or no radios in the country are tuned to<br />
Radio 2; there is no impact on the amount of radio<br />
spectrum used.<br />
On the internet, this is different. Radio 2 is broadcast<br />
on the internet at a bit-rate of 64kbps; to service one<br />
listener, 64kbps is streamed between the server at the<br />
BBC and the listener. If a second listener tunes in, the<br />
BBC has to stream 128kbps (2x64kbps), and so on. With<br />
internet radio, the bandwidth required to service all<br />
listeners increases with each additional listener.<br />
This might seem a bit of a “so what” <strong>issue</strong> – it is a<br />
problem for the BBC, not the listener, right? However,<br />
it gives rise to problem number 2: the audio stream<br />
from Internet Radio stations tends to be unreliable.<br />
As a listener, you are competing with other listeners<br />
for the bandwidth coming from the station provider;<br />
you are competing with all other internet users for<br />
the bandwidth between the station provider and your<br />
location. Sometimes you will lose that competition,<br />
the audio data you need will be delayed or lost, and<br />
the station you are listening to will disappear for a<br />
few seconds, or completely. This is very annoying. This<br />
problem will get worse (at least in the short term), if<br />
the use of Internet Radio increases dramatically and<br />
more people compete for the available bandwidth.<br />
Long term<br />
Internet Radio is now reaching the mass-market, in an<br />
easy-to-use, low-price format. Its strength is to make<br />
stations from other areas, other countries, as easy to<br />
tune in and enjoy as any radio station in your locality.<br />
For ex-pats wanting to stay in touch with their homeland,<br />
for businessmen on trips abroad and to people<br />
wanting to explore the music that other countries<br />
have to offer, Internet Radio provides a useful, and very<br />
welcome, service. It can be a lot of fun tuning into radio<br />
stations from abroad, listening to what is going on.<br />
However, audio quality tends to be low and<br />
audio drop-outs or complete connection loss are<br />
not uncommon. These are big problems. Network<br />
capacity and speed are improving all the time, though,<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
which should lead to fewer drop-outs and, ultimately,<br />
higher quality audio. I hope that the, potentially, poor<br />
experience in the short term does not lead to the<br />
rejection of a useful, exciting and, importantly, fun<br />
technology for the long term.<br />
Useful links<br />
If you want to learn more about Internet Radio<br />
(particularly its history), a good starting point is<br />
Wikipedia, at http://en.wikipedia.org/wiki/internet_<br />
radio.<br />
KBUL 98-FM, “Today’s Best Country and The All Time<br />
Favourites”, can be found here: http://www.kbul.com.<br />
A good starting point for exploring the possibilities<br />
of internet radio on your computer, with around 11,000<br />
stations listed, is VTuner: http://www.vtuner.com.<br />
Scanning the ether<br />
Since radio stations on the internet are not actually<br />
broadcast, it is not possible to find stations by “scanning<br />
the ether”, as might be done with a conventional radio. An<br />
Internet Radio receiver has to use a different mechanism for<br />
determining the availability and location of radio stations.<br />
The usual mechanism for obtaining this information is for<br />
the receiver to contact an on-line database of internet-radio<br />
service-providers (the manufacturer of the receiver typically pays<br />
a “lifetime” subscription fee for their product – the end user is not<br />
involved). An example of such a database is “VTuner”, found at<br />
VTuner.com; several others exist, too.<br />
The number of internet radio stations is already in the<br />
thousands (and is only increasing), so it is not practical simply to<br />
supply the user with a list of stations, as might be done on a DAB<br />
radio. (Imagine scrolling through an alphabetical list of 10,000<br />
stations, looking for the one that matches your interests.) Instead,<br />
it is normal for the user to specify the type of stations they are<br />
interested in – by location, for example, by music type, or by<br />
language. The on-line database is queried automatically by the<br />
receiver and the results are returned. The user can then, of course,<br />
choose one of the stations, or specify different criteria.<br />
Although this system works, it does suffer from two problems.<br />
Firstly, the database can become a single point-of-failure. This<br />
means that, if the database should fail or become unavailable<br />
somehow, the Internet Radio devices that rely on that database<br />
will become unusable. The second problem is that, if a desired<br />
station is not entered into the database, the station cannot be<br />
selected by the user.<br />
TECHNOLOGY<br />
29
30<br />
Don’t Look Back In Anger…<br />
AS THIS IS THE <strong>50</strong> TH ISSUE OF THE <strong>BAJ</strong>, WE THOUGHT WE’D TAKE A LOOK BACK AND SEE<br />
WHAT HAS HAPPENED DURING THE JOURNAL’S 10-YEAR HISTORY WITH, PERHAPS, JUST<br />
A HINT OF PERSONAL BIAS…<br />
THE BRITISH AUDIO JOURNAL, AS IT WAS WHEN IT<br />
BEGAN, GOT OFF TO A FLYING START WITH ITS FIRST<br />
ISSUE, SEPTEMBER/OCTOBER 1998, COINCIDING WITH<br />
THE ARRIVAL OF AN EXCITING NEW COMPANY IN THE<br />
INDUSTRY. TAG MCLAREN AUDIO, HEADED UP BY THE<br />
ENIGMATIC DR UDO ZUCKER, STARTED OUT IN LIFE BY<br />
PURCHASING AUDIOLAB’S ASSETS, THEN WENT ON<br />
TO BUILD SOME HIGHLY RESPECTED, QUITE HIGH-END<br />
AV PROCESSORS, DVD PLAYERS, AMPLIFICATION AND<br />
LOUDSPEAKERS FROM ITS CUSTOM BUILT FACTORY<br />
AND HEADQUARTERS (NOW OWNED BY MERIDIAN<br />
AUDIO) IN HUNTINGDON.<br />
<strong>50</strong><br />
However, by the time we<br />
were preparing <strong>issue</strong> 27 the<br />
writing seemed to be on the<br />
wall for the company and<br />
it <strong>issue</strong>d, on 28 July 2003, a<br />
statement saying that it had<br />
ceased the development<br />
of new products and was undertaking a full strategic<br />
review of its participation in the audio market. TMA<br />
subsequently announced that it would be carrying<br />
on business as usual and that the company would be<br />
“down-sized to reflect its shift in focus to purely home<br />
cinema products.” Shortly after it was no more.<br />
In the second <strong>issue</strong>, Arcam announced that it had<br />
become the first specialist UK manufacturer to launch<br />
a DAB radio. In an interview with Paul Messenger the<br />
company’s then MD, John Dawson noted “Done well<br />
it’s a very acceptable system and in most cases I would<br />
suggest it’s better than FM.”<br />
January/February 1999 saw us running the cover<br />
line “MP3 Death to the Record Industry?”, which, given<br />
the ubiquity of on-line ‘record stores’ today and the<br />
popularity of the iPod, which hadn’t yet been invented<br />
then seemed almost clairvoyant . The following <strong>issue</strong><br />
featured two ‘cover models’ talking about Europe<br />
and its effects upon the CE industry. Neither of those<br />
people is still with the industry: my dear friend Julian<br />
Vereker was to die from cancer within a year while<br />
Dr Bernhard Steiner left loudspeaker giant Mission<br />
– and it was a giant in those days – to join Clean Diesel<br />
Technologies, an eco-friendly diesel-fuel technology<br />
concern. I reckon Julian would have appreciated that,<br />
even though he never would have admitted as much<br />
to Bernhard!<br />
It was interesting to note the companies that had<br />
arrived on and departed from the scene in what is a<br />
relatively short space of time. TAG McLaren Audio came<br />
and went. Tannoy was bought by Danes; TDL simply<br />
disappeared; and Samuel Johnson Audio emerged and<br />
then ceased to be. It wasn’t all failure, though, with,<br />
as an example, PURE Digital growing from VideoLogic<br />
to become hugely successful and a dominant market<br />
leader, and Mordaunt-Short being rescued by Audio<br />
Partnership having been hived off from TGI along with<br />
Epos, which Creek picked up and has enjoyed success<br />
with. Consolidation seemed to be the buzzword of the<br />
new millennium with companies acquiring others at an<br />
alarming rate. The trend appeared to be kicked off by<br />
the Chinese-owned IAG operation which has hoovered<br />
up Wharfedale, QUAD, Audiolab, Mission and Castle as<br />
it has made the move from being, among other things,<br />
a manufacturer of loudspeakers to being a full-scale<br />
electronics and lighting manufacturer. Denon and<br />
Marantz fell under the banner of D&M, retaining their<br />
own identities while sharing resources. D&M then<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
acquired McIntosh, under the same sort of we-ownyou-but-carry-on-as-before<br />
kind of arrangement. Jamo<br />
was bought by Klipsch along with API’s brands –<br />
Energy, Mirage, Athena, Sound Dynamics and Spherex.<br />
I’m sure you can come up with many more examples<br />
but, frankly, I find it all rather too depressing.<br />
In July/August 2000 we made perhaps the most<br />
noticeable change to the title, literally. We became<br />
simply The <strong>BAJ</strong> because, among a variety of other<br />
reasons, we felt that ‘British’ and ‘Audio’ in the title were<br />
too narrowing. Everybody seemed to refer to the Journal<br />
as ‘<strong>BAJ</strong>’ or ‘badge’ so it seemed foolish and stuffy for me<br />
to insist that people call it by its ‘proper’ title.<br />
In January/February 2001 I had the pleasure of<br />
interviewing The Right Honourable Margaret Beckett<br />
MP in Las Vegas and presenting her with some tricky<br />
questions that had been posed by members of our<br />
industry. Despite having to be very careful about how<br />
she answered them she proved to be very forthcoming<br />
and surprisingly frank – much to the chagrin of the<br />
British Consul-General who was trying to introduce an<br />
element of PR and encourage her to pussyfoot around<br />
several of the topics we raised. In the same <strong>issue</strong> I<br />
also interviewed Linn founder, Ivor Tiefenbrun MBE<br />
to whom I’d not spoken at any length for a decade.<br />
That was a fascinating chat – as it always is with the<br />
voluble and eloquent Mr T – and I guess I’ll have to fly<br />
up to Glasgow and do it again in 2011 if we’re both still<br />
around.<br />
Going back through <strong>50</strong> <strong>issue</strong>s it is amazing that the<br />
dissatisfaction with hi-fi shows – the German High End<br />
Show being the sole exception – has been brewing<br />
for most of that period. Smaller events such as Noel<br />
Cloney’s Dublin Show and David Campbell’s (Kronos)<br />
Belfast Show seemed far better received and more<br />
enthusiastically attended than the ‘big’ events. Live!<br />
was the classic example of a show starting with a bang<br />
and going out with a whimper. No matter what the<br />
organisers did to try to rescue it they never managed<br />
to capture the buzz of the inaugural London event.<br />
Moving it to the NEC in Birmingham, in my opinion<br />
the worst venue for shows of that sort in the land, was<br />
the final resuscitation attempt that proved to be its<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
downfall. In March/April 2002 I asked the rhetorical<br />
question “What is the value of a show that doesn’t make<br />
our industry a better, more secure, more profitable and<br />
more enjoyable place to be?” I clearly wasn’t the only<br />
person thinking that because Live! soon wasn’t.<br />
May/June 2002 saw me interviewing the very-rarelyinterviewed<br />
Canadian owner of Bowers and Wilkins<br />
– or B&W as it was then – the delightfully down to<br />
earth Joe Atkins. Let me say from the outset that he<br />
was one of the most charming people I have had the<br />
pleasure of interviewing. Completely free of bullshit<br />
and so straightforward it was alarming, he also had an<br />
impish side that I found delightful. In those days I was a<br />
heavy smoker and when we sat down to have our chat<br />
I asked if he would mind if I smoked. He replied that<br />
he too enjoyed a cigarette and summoned one of his<br />
entourage to bring ashtrays. He then told me the tale<br />
of the first time he walked into B&W’s premises and lit a<br />
cigarette in reception. “Excuse me, Sir,” the receptionist<br />
said, “But you are not allowed to smoke in this facility.”<br />
Without so much as a raised eyebrow, Atkins turned to<br />
her and said “You should know that I own this facility.<br />
In fact, I own this company. That being so I shall smoke<br />
wherever I ****ing please.” While that is probably a<br />
reprehensible attitude in these politically correct, treehugging<br />
times, it struck a resounding chord with me.<br />
Mr Atkins also talked a whole lot of sense, which was<br />
rewarding given some of the PR-driven interviewees<br />
I’d faced over the years. That he bore a striking<br />
resemblance to the moustachioed Ferrari-driving<br />
private TV detective – Magnum – was irrelevant and<br />
merely unfortunate!<br />
In December 2002/January 2003 I reported on<br />
the most memorable of very memorable but entirely<br />
different press trips courtesy of Marantz and JBL. The<br />
first, organised by Marantz, was a trip from Krakow,<br />
Poland to the concentration camp at Aushwitz<br />
Birkenhau. Though it was quite the most unpleasant,<br />
harrowing place I have ever visited, I remain indebted<br />
to Marantz, and to its dear MD at the time, Terry<br />
O’Connell, God bless her, for the experience, which will<br />
remain with me till I die. The second trip, a far more<br />
agreeable experience in every sense and sponsored<br />
ISSUE <strong>50</strong><br />
<strong>50</strong><br />
31
32<br />
by JBL, was to New York to see The Who play live with<br />
Robert Plant as the support act. That was a particularly<br />
sweet trip as the invitees – aside from the corporate<br />
types who’d been invited but left during the concert<br />
because it was too loud or the seats weren’t sufficiently<br />
comfortable for their delicate backsides – were all close<br />
buddies: Steve N Harris who had paid for his own flight<br />
to NY, JBL’s Gary Mardell (now back working in the<br />
UK after several years in France), Paul Messenger and<br />
Andrew Everard. I can’t think of a better bunch of guys<br />
with whom to spend a weekend in New York.<br />
On another personal note, I must mention that<br />
the April/May 2003 <strong>issue</strong> carried an obituary for one<br />
of the prime movers –THE prime mover, in truth – in<br />
my becoming involved with this industry, Roger<br />
Macer of the Söund Örganisation. Dear Roger, who<br />
consumed so much Jack Daniels that his local, The<br />
Market Porter in Southwark, won a prize for selling<br />
the largest quantity in Greater London – and Roger<br />
was the only person in the place who drank JD – sadly<br />
died in Poland where he was working and living at<br />
the time. Not many people today will recognise that<br />
Roger near single-handedly and quite inadvertently<br />
founded an industry: there would probably be no<br />
equipment support business had not Roger invented<br />
the SÖ turntable table. His original Dexion confection<br />
gave birth to a business from which several folks have<br />
Helping<br />
your<br />
business<br />
stand out<br />
from the<br />
crowd...<br />
made, and probably continue to make, millions of<br />
pounds. So, if you manufacture support furniture, the<br />
next time you’re in the pub, please raise a respectful<br />
glass to Roger.<br />
October/November 2003 was our last ‘personality’<br />
cover. Our next <strong>issue</strong> carried the headline “From<br />
Geek to Sleek. The PC becomes the centre of home<br />
entertainment”, in which we introduced the concept<br />
of the Media Centre as a device that didn’t need<br />
any special installation because it was effectively a<br />
mainstream commodity before it started. This heralded<br />
the growth of hard disk-based components and<br />
the arrival of other DIY client/server devices such as<br />
the popular Sonos music system and Slim Devices’<br />
Transporter. The world of home entertainment would<br />
never be the same again…<br />
<strong>50</strong><br />
Contact Dennis on 07872 127 054 dennis@graffixmedia.com<br />
or Philippa on 01428 717400 philippa@graffixmedia.com<br />
EVENTS • CONTRACT PUBLISHING • ADVERTISING • COPYWRITING • BROCHURES • NEWSLETTERS<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
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Sonos_job_ad.indd The <strong>BAJ</strong> ISSUE 1 <strong>50</strong> | 2008<br />
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33
DIRECTORY<br />
MANUFACTURERS & DISTRIBUTORS<br />
34<br />
1 LIMITED<br />
St John’s Innovation Centre<br />
Cowley Road<br />
Cambridge CB4 0WS<br />
Contact: David Lewis<br />
T: 01223 422290<br />
F: 01223 422291<br />
david.lewis@1limited.com<br />
www.1limited.com<br />
AANVILAUDIO<br />
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Woodvale<br />
Heath Road<br />
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Bury St Edmunds IP30 9RU<br />
T: 01359 240687<br />
M: 07721 926384<br />
sales@aanvilaudio.com<br />
www.aanvilaudio.com<br />
ABSOLUTE SOUNDS<br />
KRELL/AUDIO RESEARCH/ MCINTOSH/<br />
COPLAND/KOETSU/JADIS/THETA<br />
DIGITAL/SONUS FABER/TRANSPARENT/<br />
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58 Durham Road<br />
London SW20 0TW<br />
Contact: Ricardo Franassovici<br />
T: 020 8971 3909<br />
F: 020 8879 7962<br />
ricardo@absolutesounds.com<br />
ACA-APEX<br />
Unit 21<br />
Harmill Industrial Estate<br />
Grovebury Road<br />
Leighton Buzzard<br />
Bedfordshire LU6 2EL<br />
T: 01525 379933<br />
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ACOUSTIC ENERGY<br />
16 Bridge Road<br />
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ACOUSTIC REPRODUCTION<br />
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ACOUSTIC SOLUTIONS<br />
4a Corporation Road<br />
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T: 01245 601 816<br />
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Contact: Ian Hartnall<br />
T: 08444-774878<br />
enquiries@actionhardware.co.uk<br />
www.actionhardware.co.uk<br />
ACTIV DISTRIBUTION<br />
ISOTEK<br />
Unit 16 Plantaganet House<br />
Kingsclere Industrial Centre<br />
Kingsclere RG20 4SW<br />
T: 01635 291357<br />
F: 01635 291356<br />
isotek@activdistribution.com<br />
www.isoteksystems.com<br />
ALDOUS SYSTEMS<br />
The Chestnuts<br />
28 Bishopstone<br />
Aylesbury HP17 8SF<br />
Tel: 0870 240 1162<br />
www.aldoussystems.co.uk<br />
ALGAR DISTRIBUTION<br />
SONUS SYSTEMS / CUSTOM DESIGN<br />
/ PURESONIC / TECHLINK / B-TECH &<br />
ACCESSORIES<br />
25 Bay Tree Close<br />
Newton Longville<br />
Bucks MK17 0DT<br />
T: 01296 615239<br />
F: 01296 368024<br />
enquires@algar-distribution.<br />
fsnet.co.uk<br />
www.algar-distribution.com<br />
ALPHASON DESIGNS<br />
Alphason House<br />
Bolton Road<br />
Atherton M46 9AW<br />
T: 01942 885600<br />
F: 01942 876955<br />
sales@alphasondesigns.com<br />
www.alphasondesigns.com<br />
AMX UK<br />
Auster Road<br />
Clifton Moor<br />
York YO30 4GD<br />
Contact: Kate Coulson<br />
T: 01904 343100<br />
F: 01904 343101<br />
kate_coulson@amx.co.uk<br />
www.amx.com<br />
ANATEK AUDIO<br />
76a Summer Street<br />
Slip End<br />
Nr Luton<br />
LU1 4BN<br />
Contact: Rob Lambert<br />
T: 07817 681402<br />
sales@nice.i12.com<br />
www.anatek-audio.co.uk<br />
ANDERS+KERN UK<br />
Norderstedt House<br />
James Carter Road<br />
Mildenhall IP28 7RQ<br />
Contact: Derek Kuziw<br />
T: 01638 510900<br />
F: 01638 510901<br />
sales@anders-kern.co.uk<br />
www.anders-kern.co.uk<br />
ANTHONY GALLO UK<br />
NETWORX Ltd<br />
4 Smyllum House<br />
Lanark ML11 7ER<br />
Contact: Colin Urie<br />
T: 01555 666 444<br />
colin@anthonygallo.co.uk<br />
www.anthonygallo.co.uk<br />
ANTIFERENCE<br />
Eastern Avenue<br />
Lichfield WS13 7SB<br />
T: 01543 267160<br />
info@ntiference.co.uk<br />
www.antiference.co.uk<br />
ANVIL SOUND DISPLAY<br />
Office 34<br />
Derwentside Business Centre<br />
Consett Business Park<br />
Villa Real, Consett<br />
County Durham. DH8 6BP<br />
T: 0800 043 1207<br />
sales@anvilsound-display.co.uk<br />
www.anvilsound-display.co.uk<br />
API UK LTD<br />
8, Marchmont Gate<br />
Boundary Way<br />
Hemel Hempstead HP2 7BF<br />
T: 01442 233853<br />
F: 01442 231860<br />
info@audioproducts.co.uk<br />
APOLLO HI-FI FURNITURE<br />
Castle Works<br />
High Street<br />
Tipton DY8 4HJ<br />
T: 0121 520 <strong>50</strong>70<br />
F: 0121 522 2055<br />
sales@apollohifi.co.uk<br />
www.apollohifi.co.uk<br />
ARCAM<br />
Pembroke Avenue<br />
Denny Industrial Centre<br />
Waterbeach<br />
Cambridge CB25 9QR<br />
Contact: Geoff Meads<br />
T: 01223 203200<br />
F: 01223 863384<br />
geoffm@arcam.co.uk<br />
www.arcam.co.uk<br />
ARMOUR HOME<br />
ELECTRONICS<br />
CINEMAX / GOLDRING/ GRADO / MILTY /<br />
MYRYAD / NAD / NEVO / Q ACOUSTICS /<br />
SOUNDSTYLE / SYSTEMLINE / TIVOLI<br />
Units 7 & 8<br />
Stortford Hall Industrial Park<br />
Dunmow Road<br />
Bishops Stortford CM23 5GZ<br />
T: 01279 <strong>50</strong>1111<br />
F: 01279 <strong>50</strong>1080<br />
info@armourhe.co.uk<br />
www.armourhe.co.uk<br />
ARTCOUSTIC<br />
LOUDSPEAKERS<br />
1 Liverpool Street<br />
London EC2M 7QD<br />
Tel: 01245 400904<br />
Fax: 1245 400910<br />
salesuk@artcoustic.com<br />
www.artcoustic.com<br />
ATACAMA AUDIO<br />
Winston Avenue<br />
Croft<br />
Leicester LE9 3GQ<br />
Contact: Carl Sambell<br />
T: 01455 283251<br />
F: 01455 283908<br />
carl@atacama-audio.co.uk<br />
www.atacama-audio.co.uk<br />
ATC LOUDSPEAKER<br />
TECHNOLOGY<br />
Gypsy Lane<br />
Aston Down<br />
Stroud GL6 8HR<br />
Contact: Robert Polley<br />
T: 01285 760561<br />
F: 01285 760683<br />
bob@atc.gb.net<br />
www.atc.gb.net<br />
ATLAS CABLES<br />
Unit 1, Block 11<br />
Glenfield Place<br />
Glencairn Industrial Estate<br />
Kilmarnock KA1 4AZ<br />
T: 0800 731 1140<br />
Contact: John Carrick<br />
john@atlascables.com<br />
www.atlascables.com<br />
AUDICA<br />
The Manor House<br />
Hilton<br />
Cambridgeshire<br />
PE28 9NA<br />
T: 01480 839239<br />
F: 01480 830582<br />
info@audica.co.uk<br />
www.audica.co.uk<br />
AUDIO AGENCY EUROPE<br />
PO Box 4601<br />
Kiln Farm<br />
Milton Keynes MK14 5JP<br />
T: 01908 510123<br />
F: 0121 522 2055<br />
www.audioagencyeurope.com<br />
AUDIO NOTE<br />
Unit C Peacock Ind Est<br />
Lyon Close<br />
Hove BN3 1SG<br />
T: 01273 220 511<br />
F: 01273 731<br />
info@audionote.co.uk<br />
www.audionote.co.uk<br />
AUDIO PARTNERSHIP<br />
Gallery Court<br />
Hankey Place<br />
London SE1 4BB<br />
T: 0207 940 2200<br />
www.audiopartnership.com<br />
AUDIO SYNTHESIS<br />
PO Box <strong>50</strong><br />
Nottingham NG9 1DZ<br />
T: 0115 922 4138<br />
F: 0115 922 9701<br />
salesinfo@audiosynthesis.co.uk<br />
technical@audiosynthesis.co.uk<br />
www.audiosynthesis.co.uk<br />
AUDIO-TECHNICA (UK)<br />
Technica House<br />
Royal London<br />
Industrial Estate<br />
Old Lane<br />
Leeds LS11 8AG<br />
T: 0113 277 1441<br />
F: 0113 270 4836<br />
sales@audio-technica.co.uk<br />
www.audio-technica.co.uk<br />
AUDIO VISUAL MATERIAL<br />
AVM House<br />
Hawley Lane<br />
Farnborough GU14 8EH<br />
T: 0870 990 5671<br />
www.avmltd.co.uk<br />
THE AUDIOPHILE CLUB<br />
AUDIO AERO / AESTHETIX / BC<br />
ACOUSTIQUE / EARMAX / PHONOMAX<br />
/ ARCICI / SOLILOQUY / SOTA / BLACK<br />
DIAMOND RACING / SYNERGISTIC<br />
RESEARCH<br />
PO Box 6477<br />
London N13 4AY<br />
T: 020 8882 2822<br />
F: 020 8372 3772<br />
sales@audiophileclub.co.uk<br />
www.audiophileclub.co.uk<br />
AUDIOVECTOR UK<br />
29 Robyns Way<br />
Sevenoaks TN13 3EB<br />
Contact: Phil Tindale<br />
T/F: 01732 451938<br />
M: 07799 146002<br />
pt@audiovector.com<br />
www.audiovector.com<br />
AUDUSA<br />
AUDUSA EUPEN / AUDUSA OOM<br />
/ LAT INT’L / ACOUSTIC SOLID /<br />
BOSENDORFER / THRESHOLD<br />
4 Arundel Road<br />
Kingston Upon Thames<br />
Surrey KT1 3RZ<br />
T: 020 8241 9826<br />
or 020 8264 0249<br />
F: 020 8241 0999<br />
admim@audusa.com<br />
www.audusa.com<br />
AUTOMATED FURNITURE<br />
Units 37/41 Faircharm Trading<br />
Estate<br />
Evelyn Drive<br />
Leicester LE3 2BU<br />
T: 01162 827209<br />
sales@automated-furniture.co.uk<br />
www.automated-furniture.co.uk<br />
AV INTERNATIONAL<br />
Suite 7 Lightpill Mill<br />
Bath Road Trading Estate<br />
Stroud GL5 3QF<br />
T: 01453 752656<br />
F: 01453 752777<br />
ashley@avihifi.com<br />
www.avihifi.com<br />
AVANCE ENGINEERING<br />
36 Rue Des Hayeps<br />
93100 Montreuil<br />
France 793100<br />
Contact: Patrice Congard<br />
T: +33 1 49 88 04 66<br />
F: +33 1 49 88 04 73<br />
AVID<br />
Unit 52, 137 North Gate<br />
Alconbury Airfield<br />
Alconbury<br />
Huntingdon PE28 4WX<br />
Contact: Conrad Mas<br />
T: 01480 457300<br />
F: 01480 457057<br />
info@avidhifi.co.uk<br />
www.avidhifi.co.uk<br />
AVF GROUP LIMITED<br />
Road 30<br />
Hortonwood Industrial Estate<br />
Telford TF1 7YE<br />
T: 01952 670009<br />
F: 01952 606205<br />
www.avf.co.uk<br />
AWE EUROPE<br />
B1 Longmead Business Centre<br />
Longmead Business Park<br />
Blenheim Road<br />
Epsom KT19 9QQ<br />
Contact: Stuart Tickle<br />
T: 01372 729 777<br />
F: 01372 729 767<br />
www.awe-europe.co.uk<br />
AXCELLE DISTRIBUTION<br />
Unit 5, Silicon Business Centre,<br />
26 Wadsworth Road<br />
Perivale UB6 7JZ<br />
T: 020 8991 9200<br />
F: 020 8997 4060<br />
info@wireworldaudio.co.uk<br />
www.wireworldaudio.co.uk<br />
B-TECH INTERNATIONAL<br />
Vulcan House<br />
Vulcan Way<br />
New Addington<br />
Croydon CR0 9UG<br />
T: 01689 848535<br />
F: 01689 841087<br />
info@b-tech-int.com<br />
www.b-tech-int.com<br />
B&W GROUP<br />
(UK SALES) LTD<br />
Dale Road<br />
Worthing<br />
BN11 2BH<br />
T: 01903 221<strong>50</strong>0<br />
F: 01903 221<strong>50</strong>1<br />
www.bwspeakers.com<br />
www.rotel.com<br />
www.classeaudio.com<br />
www.i-command.com<br />
BBG DISTRIBUTION<br />
Unit 3, Watford Interchange<br />
Colonial Way<br />
Watford<br />
WD24 4WP<br />
T: 01923 205600<br />
F: 01923 205601<br />
info@bbg.eu.com<br />
www.bbg.eu.com<br />
BANDOR MINIATURE<br />
LOUDSPEAKERS<br />
11 Penfold Cottages<br />
Penfold Lane<br />
Holmer Green HP15 6XR<br />
T: 01494 714 058<br />
F: 01494 715 903<br />
www.bandor.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
BANG & OLUFSEN<br />
UK LTD<br />
Unit 630<br />
Wharfedale Road<br />
Winnersh Triangle<br />
Wokingham RG41 5TP<br />
T: 0118 969 2288<br />
www.bang-olufsen.com<br />
BEAUHORN<br />
LOUDSPEAKERS<br />
Songlines<br />
Fourteen Acre Lane<br />
Three Oaks<br />
Hastings TN35 4NB<br />
Contact: Eric Thomas<br />
T: 01424 813888<br />
info@beauhorn.com<br />
www.beauhorn.com<br />
BENQ UK<br />
Spectra House<br />
Boundary Way<br />
Hemel Hempstead HP2 7SU<br />
T: 01442 301000<br />
F: 01442 301099<br />
sales@BenQ.co.uk<br />
www.BenQ.co.uk<br />
BEYERDYNAMIC<br />
GB LTD<br />
17 Alberts Drive<br />
Burgess Hill<br />
West Sussex RH15 9TN<br />
Contact: Jon Stanley<br />
01444 258 258<br />
01444 258 444<br />
jonstanley@beyerdynamic.co.uk<br />
www.beyerdynamic.co.uk<br />
BLACK RHODIUM<br />
6 Derwent Business Centre<br />
Clarke Street<br />
Derby DE1 2BU<br />
Contact: Graham Nalty<br />
T: 01332 342233<br />
F: 01332 342373<br />
enquiries@blackrhodium.co.uk<br />
www.blackrhodium.co.uk<br />
BOSE UK<br />
1 Amberley Green<br />
Gillingham Business Park<br />
Gillingham ME8 0NJ<br />
T: 0870 741 4<strong>50</strong>0<br />
F: 0870 741 4545<br />
www.bose.com<br />
C.S.E<br />
INFOCUS/LEXICON/PARASOUND/<br />
PRIMARE/BOSTON/GENELEC/REL/<br />
LIBERTY/NORDOST/STRAIGHTWIRE/<br />
SPEAKERCRAFT/XANTECH/LIVING<br />
CONTROL<br />
Unit 9 Centre Park Holdings<br />
Tockwith<br />
York YO26 7QF<br />
T: 01423 359054<br />
F: 01423 359058<br />
info@csesolutions.co.uk<br />
www.csesolutions.co.uk<br />
CABLETIME<br />
64 Greenham Road<br />
Newbury<br />
Berkshire RG14 7HX<br />
T: 01635 35111<br />
F: 01635 35913<br />
sales@cabletime.com<br />
www.cabletime.com<br />
CAMBRIDGE AUDIO<br />
Gallery Court<br />
Hankey Place<br />
London SE1 4BB<br />
T: 0845 090 2288<br />
www.cambridge-audio.com<br />
CAMPAIGN AUDIO DESIGN<br />
Ty-Mawr Road<br />
Cardiff CF3 3BS<br />
T: 02920 779 401<br />
F: 02920 255 151<br />
cad.cables@virgin.net<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
CANTON<br />
Unit D7 Heritage Business Park<br />
Gunners Way<br />
Gosport<br />
Hampshire<br />
T: 023 92<strong>50</strong> 1888<br />
F: 023 92<strong>50</strong> 1999<br />
CARDIO UK<br />
5 Broadway Market<br />
Fencepiece Road<br />
Barkingside IG6 2JT<br />
Contact: Jeanette Jones<br />
T: 0208 <strong>50</strong>1 1197<br />
F: 0208 <strong>50</strong>0 0699<br />
info@cardiouk.com<br />
www.cardiouk.com<br />
CARFRAE LOUDSPEAKERS<br />
Ashleigh<br />
Kingsbridge Hill<br />
Totnes TQ9 5SZ<br />
Contact: Jim Carfrae<br />
T: 01803 868461<br />
info@carfrae.com<br />
www.carfrae.com<br />
CARRICK MARKETING<br />
13 Mossgiel Avenue<br />
Kilmarnock KA3 7DN<br />
Contact: John S Carrick<br />
T/F: 01563 524320<br />
john@hifi.org.uk<br />
www.hifi.org.uk<br />
CHAPTER AUDIO LTD<br />
42 Thornton Hill<br />
Exeter EX4 4NS<br />
Contact: Mike Gregory<br />
T: 01392 686797<br />
F: 01392 686795<br />
sales@chapteraudio.com<br />
www.chapteraudio.com<br />
THE CHORD COMPANY<br />
LIMITED<br />
Chord Company House<br />
The Millsway Centre<br />
Amesbury<br />
Salisbury SP4 7RX<br />
Contact: Nigel Finn<br />
T: 01980 625700<br />
F: 01980 62<strong>50</strong>70<br />
nigel.finn@chord.co.uk<br />
rob.noble@chord.co.uk<br />
www.chord.co.uk<br />
CHORD ELECTRONICS<br />
The Pumphouse<br />
Farleigh Bridge<br />
East Farleigh ME16 9NB<br />
Contact: Alan Porter<br />
T: 01622 721444<br />
F: 01622 721555<br />
sales@chordelectronics.co.uk<br />
www.chordelectronics.co.uk<br />
CKS ENTERTAINMENT<br />
SYSTEMS LTD<br />
Highview House<br />
Charles Square<br />
Bracknell<br />
Berkshire RG12 1DG<br />
T: 01344 307788<br />
F: 01344 456710<br />
avsales@cksgroup.co.uk<br />
www.cksgroup.co.uk<br />
COMFORT HOME<br />
CONTROLS<br />
Carlton House<br />
Carlton Avenue<br />
Chester CH4 8UE<br />
T: 01244 680675<br />
F: 01244 671455<br />
info@comfort.org.uk<br />
www.comfort.org.uk<br />
COMM-TEC (UK)<br />
6 James Way<br />
Denbigh West<br />
Milton Keynes MK1 1SU<br />
T: 01908 270970<br />
sales@comm-tec.co.uk<br />
www.comm-tec.co.uk<br />
CONNECTRONICS<br />
Warminster<br />
Wiltshire BA12 6AG<br />
T: 07000-4-CABLE (422253)<br />
F: 01747 830759<br />
www.connectronics.co.uk<br />
CONVERGENCE<br />
TECHNOLOGY GROUP<br />
Convergence Solutions Ltd<br />
Cawood House<br />
17 The America<br />
Sutton<br />
Ely CB6 2NY<br />
T: 01353 777277<br />
F: 01353 776384<br />
sales@ctg-homenet.com<br />
www.ctg-homenet.com<br />
CONVERGENT-AV LTD<br />
8 Fraser Drive<br />
Blackwood<br />
South Lanarkshire ML11 9YP<br />
T/F: 01555 890120<br />
info@convergent-av.co.uk<br />
www.convergent-av.co.uk<br />
COOPER SECURITY<br />
Security House<br />
Xerox Business Park<br />
Mitcheldean GL17 0SZ<br />
Contact: David Rimmer<br />
T: 01594 545 400<br />
F: 01594 545 401<br />
david.rimmer@<br />
coopersecurity.co.uk<br />
www.coopersecurity.co.uk<br />
CRANE AUDIO<br />
Enterprise House<br />
Ocean Village<br />
Southampton SO14 3XB<br />
Contact: Peter Crane<br />
T: 0870 444 1056<br />
sales@craneaudio.com<br />
www.craneaudio.com<br />
CREEK AUDIO<br />
12 Avebury Court<br />
Mark Road<br />
Hemel Hempstead HP2 7TA<br />
Contact: Giles Devlin<br />
T: 01442 260146<br />
F: 01442 243766<br />
giles@creekaudio.co.uk<br />
www.creekaudio.co.uk<br />
CRESTRON (UK)<br />
Neptune House<br />
2 Portsmouth Road<br />
Kingston-Upon-Thames<br />
KT1 2LU<br />
Contact: Robin Van Meeuwen<br />
T: 020 8439 7272<br />
F: 020 8439 7273<br />
rvanmeeuwen@crestron.co.uk<br />
www.crestron.com<br />
CRT DISPLAYS<br />
16 Campbell Court<br />
Campbell Road<br />
Bramley RG26 5EG<br />
Contact: Andy Read<br />
T: 01256 880055<br />
F: 01256 880044<br />
andy.read@crt-displays.co.uk<br />
CUSTOM DESIGN<br />
(Newcastle)<br />
Unit 11, Bath Streeet Industrial<br />
Estate<br />
Newcastle upon Tyne NE6 3PH<br />
T/F: 0191 2624646<br />
sales@customdesign.co.uk<br />
www.customdesign.co.uk<br />
CYRUS<br />
ELECTRONICS LTD<br />
Spitfire Close<br />
Ermine Business Park<br />
Huntingdon PE29 6XY<br />
Contact: Peter Bartlett<br />
T: 01480 435577<br />
F: 01480 437715<br />
p.bartlett@cyrusaudio.com<br />
www.cyrusaudio.com<br />
DNM DESIGN<br />
18 Hartford Road<br />
Huntingdon<br />
Cambridgeshire PE29 3QD<br />
T: 01480 457989<br />
F: 01480 457989<br />
denis.m@dnm.co.uk<br />
www.dnm.co.uk<br />
DALI UK<br />
1 Orchard Cottages<br />
North Wraxall<br />
Chippenham SN14 7PY<br />
T: 0845 644 3537<br />
M: 07992 2073208<br />
info@dali-uk.co.uk<br />
www.dali.com<br />
DATA CONVERSION<br />
SYSTEMS LTD<br />
Mull House<br />
Great Chesterford Court<br />
Great Chesterford<br />
Saffron Walden CB10 1PF<br />
Contact: David Steven<br />
T: 01799 531999<br />
F: 01799 531681<br />
dsteven@dcsltd.co.uk<br />
www.dcsltd.co.uk<br />
DEFINITIVE AUDIO<br />
7 Harrington Mills<br />
Leopold Street<br />
Long Eaton NG104QE<br />
Contact: Lynn Scott<br />
T: 0115 973 3222<br />
F: 0115 973 3666<br />
shout@definitiveaudio.co.uk<br />
www.definitiveaudio.co.uk<br />
DEMION<br />
17 Woodland Avenue<br />
Wokingham RG41 3HL<br />
Contact: Jerry Prince<br />
T: 0118 9774085<br />
F: 0118 9785<strong>50</strong>7<br />
www.demion.co.uk<br />
DENON UK<br />
Moorbridge House<br />
Padbury Oaks<br />
579 Bath Road<br />
Longford UB7 0EH<br />
Contact: Mike O’Mahony<br />
T: 01753 680568<br />
F: 01753 689697<br />
info@denon.co.uk<br />
DESIGN E<br />
9 Bellevue Lane<br />
Emsworth PO10 7PX<br />
T: 01243 377899<br />
sales@designe.freeserve.co.uk<br />
www.designe.co.uk<br />
DIGITAL FUTURE<br />
SOLUTIONS<br />
7 Somerton Grange<br />
Coleraine<br />
Co. Londonderry<br />
N. Ireland BT51 3GB<br />
T: 02870 358894<br />
info@digitalfuturesolutions.co.uk<br />
www.digitalfuturesolutions.co.uk<br />
DKT<br />
Roseland<br />
Lanner Moor<br />
Lanner<br />
Redruth TR16 6JA<br />
T: 01209 216912<br />
info@dktgroup.com<br />
www.dktgroup.com<br />
DOLBY LABORATORIES<br />
Interface Business Park<br />
Wootton Bassett SN4 8QJ<br />
Contact: Robin Dyer<br />
T: 01793 842100<br />
F: 01793 842101<br />
dkf@dolby.co.uk<br />
www.dolby.co.uk<br />
DRAWMER ELECTRONICS<br />
Coleman Street<br />
Park Gate<br />
Rotherham S62 6EL<br />
tech@drawmer.com<br />
www.drawmer.com<br />
DYNALITE EUROPE LTD<br />
Lodges Wood Oast<br />
Goodley Stock Road<br />
Westerham<br />
Kent TN16 1TW<br />
T: 0870 608 1101<br />
F: 0870 608 1102<br />
info@dynalite.eu<br />
www.dynalite-online.com<br />
DYNAUDIO UK<br />
PO Box 1010<br />
Maidstone ME14 4WZ<br />
T: 020 7378 1810<br />
F: 087 0112 3945<br />
info@dynaudio.co.uk<br />
www.dynaudio.co.uk<br />
EAR YOSHINO LTD<br />
Coombe Farm Farm<br />
Ermine Way<br />
Arrngton<br />
Bedford SG8 0AL<br />
T: 01223 208877<br />
F: 01223 208761<br />
earyoshino@aol.com<br />
www.ear-yoshino.com<br />
E.C.T. PROJECTION SCREENS<br />
& ACCESSORIES<br />
PO Box 4020<br />
Pangbourne<br />
Reading RG8 8TX<br />
Contact: Adam Flawn Thomas<br />
T: 01189 841141<br />
F: 01189 841847<br />
adam@ect-av.com<br />
www.ect-av.com<br />
E.J. JORDAN DESIGNS<br />
The DAK<br />
Manorbier<br />
Pembrokeshire SA70 8QR<br />
Contact: Denise Jordan<br />
T: 01834 871 209<br />
F: 01834 871 770<br />
ejj@ejjordan.co.uk<br />
www.ejjordan.co.uk<br />
ES LAB<br />
41 Penlands Vale<br />
Steyning BN44 3PL<br />
T: 01903 814618<br />
ECLIPSE TD (UK)<br />
LOE House<br />
159 Broadhurst Gardens<br />
London NW6 3AU<br />
T: 020 7328 4499<br />
F: 020 7624 6384<br />
enquiry@eclipse-td.co.uk<br />
www.eclipse-td.co.uk<br />
EDWARDS AUDIO<br />
Camberley<br />
Surrey GU15 1LW<br />
T: 08456 123388<br />
info@edwardsaudio.co.uk<br />
www.edwardsaudio.co.uk<br />
ELAN SYSTEMS UK<br />
Unit 4 Pumpfields Road<br />
Liverpool L3 6BA<br />
T: 0151 236 1832<br />
F: 0151 255 1194<br />
info@elansystemsuk.com<br />
www.elanhomesystems.com<br />
ELTAX U.K.<br />
The Old Granary<br />
Sycamore Yard<br />
Blakesley<br />
Towcester NN12 8QY<br />
T: 01327 860789<br />
F: 01327 861058<br />
Contact the sales office<br />
uk@eltax.com<br />
www.eltax.com<br />
EPOS ACOUSTICS<br />
12 Avebury Court<br />
Mark Road<br />
Hemel Hempstead HP2 7TA<br />
Tel: 01442 260146<br />
Fax: 01442 243766<br />
info@epos-acoustics.com<br />
www.epos-acoustics.com<br />
EXPOSURE ELECTRONICS<br />
The Works<br />
59 North Street<br />
Portslade BN41 1DH<br />
T: 01273 423877<br />
F: 01273 430619<br />
service@exposurehifi.com<br />
www.exposurehifi.com<br />
FALCON ACOUSTICS LTD<br />
Unit 12, Damgate Lane<br />
Industrial Estate, Damgate<br />
Lane, Acle<br />
Norwich NR13 3DJ<br />
T: 01493 751100<br />
F: 01493 751155<br />
sales@falcon-acoustics.co.uk<br />
www.falcon-acoustics.co.uk<br />
FERGUSON HILL STUDIOS<br />
Central London Studios<br />
178 Royal College Street,<br />
Camden, London NW1 0SP<br />
T: 0207 284 0969<br />
info@fergusonhill.co.uk<br />
www.fergusonhill.co.uk<br />
FRYER SALES &<br />
MARKETING<br />
Unit 4 The Nelson Centre<br />
Portfield Road<br />
Portsmouth PO3 5SF<br />
T: 023 9269 0999<br />
F: 023 9269 0666<br />
custserv@fryersales.com<br />
www.fryersales.com<br />
FI-RAX<br />
Springfield Mills<br />
Spa Street<br />
Ossett<br />
Wakefield WF5 OHW.<br />
T: 01924 277626<br />
F: 01924 270759<br />
info@firax.co.uk<br />
www.firax.co.uk<br />
FOCAL-JM LAB UK LTD<br />
Jesson House<br />
Tower Street<br />
Coventry CV1 1JN<br />
T: 0845 660 2680<br />
F: 0845 660 2690<br />
info@focal-jmlab.co.uk<br />
www.focal-jmlab.co.uk<br />
THE FUNK FIRM<br />
27 Verdant Lane<br />
Catford<br />
London SE6 1JD<br />
T: 020 8697 2706<br />
info@thefunkfirm.co.uk<br />
www.thefunkfirm.co.uk<br />
FUTRONIX<br />
Futronix House<br />
143 Croydon Road<br />
Caterham CR3 6PF<br />
T: 01883 373 333<br />
F: 01883 373 335<br />
sales@futronix.info<br />
www.futronix.info<br />
FUTURE AUTOMATION<br />
Unit 2 Kimpton Enterprise Park,<br />
Claggy Road<br />
Kimpton SG4 8HP<br />
T: 01438 833577<br />
info@futureautomation.co.uk<br />
www.futureautomation.co.uk<br />
FUTUREGLASS<br />
1a Anglia Way<br />
Braintree CM7 3RG<br />
T: 0137 633 0300<br />
reception@futureglass.co.uk<br />
www.futureglass.co.uk<br />
DIRECTORY<br />
MANUFACTURERS & DISTRIBUTORS<br />
35
DIRECTORY<br />
MANUFACTURERS & DISTRIBUTORS<br />
36<br />
FX FURNITURE<br />
The Old Vicarage<br />
Church Lane<br />
Clarborough DN22 9NA<br />
T: 01777 869809<br />
GECKO INC<br />
M&K/TRIAD/SUNFIRE/LYNGDORF/<br />
RUNCO/AUDYSSEY<br />
Cherry Cottage<br />
Galley Lane<br />
Headley RG19 8LJ<br />
T: 0845 262 2882<br />
F: 0845 262 2992<br />
rob@gecko.uk.com<br />
www.homecinema.uk.com<br />
GINSBURY ELECTRONICS<br />
1 Exeter House<br />
Beaufort Court<br />
Sir Thomas Longley Road<br />
Rochester ME2 4FE<br />
T: 01634 298900<br />
F: 01634 290904<br />
sales@ginsbury.co.uk<br />
www.ginsbury.co.uk<br />
GLAIVE LIMITED<br />
INSERT AUDIO/SUPRA<br />
Unit 7, Wren Industrial Estate<br />
Coldred Road<br />
Maidstone ME15 9YT<br />
T: 01622 66 40 70<br />
sales@glaive.co.uk<br />
www.glaive.co.uk<br />
G T AUDIO<br />
ALLAERTS CARTRIDGES / AVANTGARDE<br />
ACOUSTIC / DPS TURNTABLES /<br />
J C VERDIER / LINDEMANN / LYS<br />
GYRASCOPE / PHY-HP / SCHRODER<br />
TONEARMS / TRON / ZYX CARTRIDGES<br />
Cherry Hollow<br />
5 Upper Road<br />
Higher Denham UB9 5EJ<br />
T: 01895 833099<br />
sales@gtaudio.com<br />
www.gtaudio.com<br />
HAMA<br />
Unit 4 Cherrywood<br />
Chineham Business Park<br />
Basingstoke RG24 8WF<br />
T: 01256) 374 700<br />
F: 01256) 374 749<br />
sales@hama.co.uk<br />
www.hama.co.uk<br />
HARBETH AUDIO LIMITED<br />
3 Enterprise Park<br />
Lewes Road<br />
Lindfield RH16 2LH<br />
T: 01444 487483 DL<br />
F: 01444 487629<br />
sound@harbeth.co.uk<br />
www.harbeth.co.uk<br />
HARMAN<br />
CONSUMER UK<br />
HARMAN-KARDON/INFINITY/JBL<br />
Harman International Industries<br />
Limited,<br />
The Dutch Barn,<br />
The Hyde, Woodcock Hill,<br />
Off Coopers Green Lane,<br />
St Albans<br />
AL4 9HJ<br />
T: 01707 728100<br />
www.harmankardon.com<br />
www.infinitysystems.com<br />
www.jbl.com<br />
HAROPA PRODUCTS<br />
Alma Works<br />
Darlaston Road<br />
Darlaston WS10 7TG<br />
T: 0121 526 6435<br />
F: 0121 526 2477<br />
sales@haropa.co.uk<br />
www.haropa.co.uk<br />
HARPERS AV<br />
3 Woking Business Park<br />
Albert Drive<br />
Woking GU21 5JY<br />
sales@harpersav.com<br />
www.harpersav.com<br />
HARVARD<br />
TECHNOLOGY GROUP<br />
Unit C<br />
Lombard Business Park<br />
20-26 Purley Way<br />
Croydon CR0 3JP<br />
T: 020 8664 8833<br />
F: 020 8665 1333<br />
www.harvardtechnologygroup.com<br />
HELVAR MERCA<br />
Lighting Control Systems<br />
Hawley Mill<br />
Hawley Road<br />
Dartford DA2 7SY<br />
T: 01322 222211<br />
F: 01322 282216<br />
www.helvar.co.uk<br />
HENLEY DESIGNS<br />
ORTOFON/PROJECT/VIENNA/ROKSAN/<br />
AUDIOQUEST/BEYERDYNAMIC<br />
Unit 11, Moorbrook<br />
Southmead Industrial Park<br />
Didcot OX11 7HP<br />
T: 01235 511166<br />
F: 01235 511266<br />
sales@henleydesigns.co.uk<br />
www.henleydesigns.co.uk<br />
HIAUDIO DISTRIBUTION<br />
ACOUSTIC SOLID / HFC HADCOCK<br />
/ USHER AUDIO / GRAHAM SLEE /<br />
THE CARTRIDGE MAN / NUFORCE /<br />
METAVISION UK / INVIDEO / BLACK<br />
RHODIUM<br />
3 St Fort Place<br />
Wormit<br />
Newport on Tay DD6 8NT<br />
Scotland<br />
T/F: 00 44 (0)845 0 525259<br />
M: 00 44 (0)7968 272614<br />
hugh@hiaudio.co.uk<br />
Skype: hiaudio_skype<br />
www.hiaudio.co.uk<br />
HIDDEN WIRES<br />
216a Gipsy Road<br />
London SE27 9RB<br />
T: 020 8761 1042<br />
www.hiddenwires.co.uk<br />
HIRSCHMANN<br />
ELECTRONICS<br />
4303 Waterside Centre<br />
Solihull Parkway<br />
Birmingham Business Park<br />
Birmingham B37 7YN<br />
T: 0121 329 <strong>50</strong>00<br />
F: 0121 329 <strong>50</strong>01<br />
enquiry@hirschmann.co.uk<br />
www.hirschmann.co.uk<br />
HITACHI EUROPE<br />
Whitebrook Park<br />
Lower Cookham Road<br />
Maidenhead SL6 8YA<br />
T: 01628 58<strong>50</strong>00<br />
enquiries@hitachi-eu.com<br />
www.hitachi-eu.com<br />
HOME NETWORK<br />
SCIENCES<br />
43-45 Salthouse Road<br />
Brackmills<br />
Northampton NN4 7EX<br />
Contact: Neil Weatherley<br />
T: 01604 706633<br />
F: 01604 705454<br />
info@homecabling.co.uk<br />
HORIZON GLOBAL<br />
ELECTRONICS LTD<br />
Unit 1, 8 Kinetic Crescent<br />
The London & Office Science<br />
Park, Enfield EN3 7XH<br />
T: 020 8344 8230<br />
F: 020 8344 8235<br />
sales@horizonhge.com<br />
www.horizonhge.com<br />
ICON AUDIO<br />
351 Aylestone Road<br />
Leicester LE2 8TA<br />
T: 07787 158791<br />
F: 0116 2440593<br />
iconaudio@ntlworld.com<br />
www.iconaudio.co.uk<br />
IF DESIGNS<br />
143 Huddersfield Road<br />
Huddersfield HD8 8LB<br />
T/F: 01484 606 900<br />
innovation@ifdesigns.co.uk<br />
www.ifdesigns.co.uk<br />
IKON AVS<br />
Unit 238, Ikon Estate<br />
Droitwich Road<br />
Hartlebury DY10 4EU<br />
T: 01299 2<strong>50</strong>991<br />
F: 01299 2<strong>50</strong> 983<br />
sales@ikonavs.com<br />
www.ikonavs.com<br />
ILIGHT LIMITED<br />
Unit 4<br />
Enterprise Centre<br />
Penshurst<br />
Tonbridge TN11 8BG<br />
T: 01892 870072<br />
F: 01892 870074<br />
www.ilight.co.uk<br />
IMERGE<br />
Unit 6<br />
Bar Hill Business Park<br />
Saxon Way<br />
Bar Hill<br />
Cambridge CB3 8SL<br />
T: 01954 783600<br />
F: 01954 783601<br />
www.imerge.co.uk<br />
INTEGRATED<br />
ENGINEERING SOLUTIONS<br />
RENAISSANCE AMPLIFICATION /<br />
LAMM INDUSTRIES / METRONOME<br />
TECHNOLOGIE<br />
Solent Business Centre<br />
Millbrook Road West<br />
Southampton SO15 OHW<br />
T: 023 8090 <strong>50</strong>20<br />
F: 023 8070 4073<br />
email info@highendaudio.co.uk<br />
www.highendaudio.co.uk/<br />
INVISION UK<br />
Unit 5<br />
Woodlands Business Park<br />
Rougham Industrial Estate<br />
Bury St Edmonds<br />
Suffolk IP30 9ND<br />
T: 01359 270280<br />
F: 01359 270281<br />
info@invisionuk.com<br />
www.requestuk.com<br />
IPHOMENET.COM<br />
Showroom and offices<br />
1045 Stratford Road<br />
Hall Green<br />
Birmingham B28 8AS<br />
T: 0121 778 6300<br />
F: 0121 778 1117<br />
sales@iphomenet.com<br />
www.iphomenet.com<br />
IXOS<br />
8 Dormer Road<br />
Thame Industrial Estate<br />
Thame OX9 3UD<br />
Contact: Matt Towland<br />
T: 01844 219000<br />
F: 01844 219099<br />
sales@path.co.uk<br />
www.ixoscable.com<br />
ISOBLUE LIMITED<br />
41-43 Derby Road<br />
Draycott<br />
Derbyshire DE72 3NJ<br />
Contact: Chris Bampton<br />
T: 01332 875700<br />
chris@isoblue.com<br />
www.isoblue.com<br />
J.A.MICHELL<br />
ENGINEERING<br />
2 Theobald Street<br />
Borehamwood WD6 4SE<br />
T: 0208.953.0771<br />
F: 0208.207.4688<br />
info@michell-engineering.co.uk<br />
www.michell-engineering.co.uk<br />
JVC (UK) LIMITED<br />
JVC House<br />
JVC Business Park<br />
Priestley Way<br />
London NW2 7BA<br />
T: 020 84<strong>50</strong> 3282<br />
F: 020 8208 3038<br />
www.jvc.co.uk<br />
KALEIDESCAPE<br />
T: 07921 187956<br />
ken.weller@kaleidescape.com<br />
www.kaleidescape.com<br />
KEF AUDIO (UK)<br />
Eccleston Road<br />
Tovil<br />
Maidstone ME15 6QP<br />
T: 01622 672261<br />
F: 01622 7<strong>50</strong>653/68101<br />
www.kef.com<br />
KLEGG AUDIO UK<br />
PO Box 34949<br />
London SW8 5XN<br />
T: 0870 075 5344<br />
www.klegg-audio.co.uk<br />
KONNECTSON UK LTD,<br />
Cirrus House<br />
Glebe Road<br />
Huntingdon PE29 7DL<br />
T: 01480 434441<br />
F: 01480 433312<br />
sales@konnectson.co.uk<br />
www.konnectson.co.uk<br />
www.vanptc.com<br />
www.exactpower.com<br />
KRAMER ELECTRONICS UK<br />
Unit 21 Farmborough Close<br />
Aylesbury Vale Industrial Park<br />
Aylesbury HP20 1DQ<br />
T: 01296 330011<br />
F: 01296 330055<br />
info@kramerelectronics.com<br />
www.kramerelectronics.com<br />
LAMBA PLC<br />
Unit 1 Southfields Road<br />
Dunstable LU6 3EJ<br />
T: 01582 690600<br />
F: 01582 690400<br />
info@lambaplc.com<br />
www.lambaplc.com<br />
LAWTON<br />
22 Willow Court<br />
Sandwell Business Park<br />
Crystal Drive<br />
Smethwick B66 1RD<br />
T: 0121 511 1128<br />
F: 0121 544 6877<br />
sales@lawtontrade.co.uk<br />
www.lawtontrade.co.uk<br />
LEAX LIGHTING<br />
CONTROLS<br />
Unit 11 Mandeville Courtyard<br />
142 Battersea Park Road<br />
London SW11 4NB<br />
T: 020 7<strong>50</strong>1 0880<br />
F: 020 7<strong>50</strong>1 0890<br />
www.leax.co.uk<br />
LEEMA ACOUSTICS<br />
The Foxes, Mochdre lane<br />
Mochdre, Newtown<br />
Powys SY16 4JF<br />
T/F: 01470 511248<br />
info@leema-acoustics.com<br />
www.leema-acoustics.com<br />
L.G. ELECTRONICS UK<br />
LG House<br />
2<strong>50</strong> Bath Road<br />
Slough SL1 4DX<br />
T: 01753 491 <strong>50</strong>0<br />
F: 01753 693 061<br />
ukhelpdesk@lge.com<br />
uk.lge.com<br />
LIBRA SYSTEMS<br />
15b Avenue Road<br />
Teddington TW11 0BT<br />
T/F: 020 8977 0422<br />
info@librasys.com<br />
www.librasys.com<br />
LIGHTNING DESIGN<br />
Unit 3, Area 9<br />
Headley Road East<br />
Woodley<br />
Berkshire RG5 4SE<br />
T: 0118 969 9099<br />
F: 0118 969 9088<br />
sales@lightning-design.com<br />
www.lightning-design.com<br />
LINN PRODUCTS<br />
Glasgow Road<br />
Eaglesham G76 OEQ<br />
Contact: Ross O’Donnell<br />
T: 0141 307 7777<br />
F: 0141 644 4262<br />
Ross.O’Donnell@linn.co.uk<br />
www.linn.co.uk<br />
LIVING CONTROL<br />
Unit 2<br />
The Flyers Way<br />
Westerham TN16 1DE<br />
T: 01959 569995<br />
F: 01959 569996<br />
mail@livingcontrol.com<br />
www.livingcontrol.com<br />
LIVING VOICE<br />
LOUDSPEAKERS<br />
Stanhope House<br />
Leopold Street<br />
Long Eaton<br />
Nottingham NG10 4QE<br />
T: 0115 9733 222<br />
F: 0115 9733 666<br />
shout@definitiveaudio.co.uk<br />
shout@livingvoice.co.uk<br />
www.definitiveaudio.co.uk<br />
www.livingvoice.co.uk<br />
LOGIC EUROPE<br />
Unit 39<br />
Cumberland Business Park<br />
Cumberland Avenue<br />
Park Royal<br />
London NW10 7RT<br />
Tel: +44 (0)20 8961 0101<br />
Fax: +44 (0)20 8961 7191<br />
sales@logiceurope.com<br />
www.logiceurope.com<br />
LLORICRAFT AUDIO<br />
4 Big Lane<br />
Goose Green<br />
Lambourn RG16 7XQ<br />
Contact: Terry O’Sullivan<br />
T: 01488 71307<br />
F: 01488 72267<br />
terry@garrard<strong>50</strong>1.com<br />
www.garrard<strong>50</strong>1.com<br />
LUTRON E A<br />
6 Sovereign Close<br />
London E1W 3JF<br />
Contact: John Niebel<br />
T: 0207 702 0657<br />
F: 0207 480 6899<br />
jniebel@lutron.com<br />
www.lutron.com/resi<br />
M J ACOUSTICS<br />
9 Venture Court<br />
Boleness Road<br />
Wisbech PE13 2XQ<br />
T: 08707 44<strong>50</strong>80<br />
F: 08707 469380<br />
Contact: John Jefferis<br />
trade@mjacoustics.co.uk<br />
www.mjacoustics.co.uk<br />
MARANTZ UK<br />
Kingsbridge House<br />
Padbury Oaks<br />
575-583 Bath Road<br />
Longford UB7 0EH<br />
T: 01753 680868<br />
F: 01753 680868<br />
www.marantz.com<br />
MARATA VISION<br />
20 Greenhill Crescent<br />
Watford Business Park<br />
Watford WD18 8XD<br />
Contact: Bob Wheeler<br />
T: 01923 495595<br />
F: 01923 495599<br />
info@marata.co.uk<br />
www.marata.co.uk<br />
MARTEK (UK)<br />
Unit 1 Shephards Grove<br />
Industrial Estate West<br />
Stanton<br />
Suffolk IP31 2AR<br />
Contact: <strong>Malcolm</strong> Wixley<br />
T: 01359 253555<br />
F: 01359 258005<br />
mkw@martekuk.co.uk<br />
www.martekuk.co.uk<br />
MAVERICK PRESENTATION<br />
PRODUCTS<br />
Wellington Ind. Estate<br />
Spencer’s Wood<br />
Reading RG7 1AW<br />
T: 0118 988 6266<br />
F: 0118 988 6233<br />
www.maverick-world.com<br />
THE MAX DISTRIBUTION<br />
The Old Bakery<br />
39 High Street<br />
East Malling<br />
Kent ME19 6AJ<br />
T: 01732-840845<br />
sales@the-max.co.uk<br />
www.the-max.co.uk<br />
MAXELL EUROPE LTD<br />
UK Sales<br />
Multimedia House<br />
High Street<br />
Rickmansworth WD3 1HR<br />
T: 01923 494400<br />
F: 01923 494410<br />
sales@maxell.eu.com<br />
www.maxell.eu.com<br />
MERCANTILE AND<br />
GENTRY LIMITED<br />
UK Marketing Office<br />
4 Victoria Avenue<br />
Harrogate HG1 1BL<br />
T: 01423-858196<br />
F: 01423-858198<br />
www.mercantilegentry.com<br />
MERIDIAN AUDIO<br />
Latham Road<br />
Huntingdon PE29 6YE<br />
T: 01480 445678<br />
F: 01480 445686<br />
www.meridian-audio.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
MISSION<br />
IAG House<br />
Sovereign House<br />
Ermine Business Park<br />
Huntingdon PE29 6XU<br />
T: 0845 458 0011<br />
or T: 01480 447700<br />
F: 01480 413403<br />
www.mission.co.uk<br />
MITSUBISHI ELECTRIC<br />
Visual Information Systems<br />
Division<br />
Travellers Lane<br />
Hatfield AL10 8XB<br />
T: 01707 278684<br />
F: 01707 278541<br />
www.mitsubishi.co.uk<br />
MODE LIGHTING<br />
(UK) LIMITED<br />
The Maltings<br />
63 High Street<br />
Ware SG12 9AD<br />
T: 01920 462121<br />
sales@modelighting.com<br />
www.modelighting.com<br />
MOLDED CHORDS AND<br />
CABLES<br />
Unit 15 The Western Centre<br />
Western Road<br />
Bracknell RG12 1RW<br />
T: 01344 868200<br />
F: 01344 868208<br />
info@mcc-cables.com<br />
sales@mcc-cables.com<br />
www.mcc-cable.com<br />
MONITOR AUDIO<br />
24 Brook Road<br />
Rayleigh SS6 7XL<br />
T: 01268 740580<br />
F: 01268 740589<br />
info@monitoraudio.co.uk<br />
www.monitoraudio.co.uk<br />
MONSTER EUROPE<br />
Wenta Business Centre<br />
Colne Way<br />
Watford WD24 7ND<br />
T: 01923 693766<br />
F: 0870 870 0892<br />
www.monstercable.com<br />
MORDAUNT-SHORT<br />
Gallery Court<br />
Pilgrimage Street<br />
London SE1 4LL<br />
T: 0845 128 3951<br />
www.mordaunt-short.com<br />
MORGAN AUDIO SYSTEMS<br />
Unit 4<br />
Pumpfields Road<br />
Liverpool L3 6BA<br />
Contact: Peter Harper<br />
T: 0151 255 0946<br />
F: 0151 258 1614<br />
harper@morgan-audio.co.uk<br />
www.morgan-audio.co.uk<br />
MOTH GROUP<br />
10 Dane Lane<br />
Wilstead<br />
Bedford MK45 3HT<br />
Contact: Mike Harris<br />
T: 01234 741152<br />
F: 01234 742028<br />
info@mothgroup.com<br />
www.mothgroup.com<br />
THE MULTI-ROOM<br />
COMPANY<br />
RUSSOUND/ATLANTIC TECHNOLOGY/<br />
CENTRALITE/HAI/LEVITON<br />
4 Churchill House<br />
Churchill Road<br />
Cheltenham GL53 7EG<br />
T: 01242 539100<br />
F: 01242 539300<br />
info@multi-room.com<br />
www.multi-room.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
MUSIC FIRST<br />
Unit 13<br />
Britannia Enterprise Centre<br />
Waterworks Road<br />
Hastings TN34 1RT<br />
Contact: Harry O’Sullivan<br />
T: 01424 439315<br />
E.info@mfaudio.co.uk<br />
www.mfaudio.co.uk<br />
THE MUSICAL DESIGN<br />
COMPANY<br />
P.O. Box 4146<br />
Epping CM16 6HJ<br />
T: 01992 573030<br />
F: 01992 574030<br />
enquiries@mdc-hifi.co.uk<br />
www.mdc-hifi.co.uk<br />
MUSONIC (UK) LTD<br />
Unit 13<br />
The Wenta Business Centre<br />
Colne Way<br />
Watford WD24 7ND<br />
T: 01923 213344<br />
F: 01923 213355<br />
websales@musonic.co.uk<br />
www.musonic.co.uk<br />
NAIM AUDIO<br />
Southampton Road<br />
Salisbury SP1 2LN<br />
Contact: Doug Graham<br />
T: 01722 332266<br />
F: 01722 412034<br />
doug.graham@naim-uk.com<br />
www.naim-audio.com<br />
NEAT ACOUSTICS<br />
Unit 1 Stainton Grove Industrial<br />
Estate<br />
Barnard Castle DL12 8UJ<br />
Contact: Bob Surgeoner<br />
T: 01833 631021<br />
F: 01833 630022<br />
bob@neat.co.uk<br />
www.neat.co.uk<br />
NEVER CONNECTED PSU<br />
(Fenson Limited)<br />
Frisby House<br />
Church Road<br />
Castle Morton<br />
Malvern WR13 6BE<br />
T: 01684 833446<br />
info@never-connected.com<br />
www.never-connected.com<br />
NU-WORLD UK LTD<br />
Prima House<br />
7 Maple Park<br />
Lowfields Avenue<br />
Leeds L12 6HH<br />
T: 0844 581 <strong>50</strong>00<br />
F: 0844 581 <strong>50</strong>02<br />
mail@prima-international.com<br />
www.primainternational.com<br />
NXT PLC<br />
(New Transducers Ltd)<br />
Cygnet House<br />
Hinchingbrooke Bus Park<br />
Huntingdon PE29 6FW<br />
T: 01480 846100<br />
F: 01480 846190<br />
enquiries@nxtsound.com<br />
www.nxtsound.com<br />
O’HEOCHA DESIGN UK &<br />
IRELAND LTD<br />
Manor House<br />
Baile an tSagairt<br />
Spiddal<br />
Co Galway<br />
Republic of Ireland<br />
T: + 353 (0)91 55 80 30 (ROI)<br />
F: + 353 (0)91 55 80 65<br />
enquiries@oheocha.com<br />
www.oheocha.com<br />
OBELISK AUDIO DESIGNS<br />
32 Stapleford Close<br />
Romsey<br />
Hants. SO51 7HU<br />
T: 01794 <strong>50</strong>1235<br />
www.obeliskaudio.com<br />
ONKYO UK<br />
Suite 1, Gregories Court<br />
Gregories Road<br />
Beaconsfield HP9 1HQ<br />
T: 01494 681515<br />
onkyo@onkyo.co.uk<br />
www.onkyo.co.uk<br />
OPTIMUM<br />
INTERNATIONAL LTD<br />
Kensington House<br />
Westminster Place<br />
York Business Park<br />
York YO26 6RW<br />
T: 01904 528090<br />
fF: 01904 789719<br />
info@optimuminternational.co.uk<br />
www.optimuminternational.co.uk<br />
OPTOMA EUROPE<br />
42 Caxton Way<br />
Watford Business Park<br />
Watford WD18 8QZ<br />
Contact: Bob Johnson<br />
T: 01923 691809<br />
F: 01923 691888<br />
b.johnson@optoma.co.uk<br />
OPUS TECHNOLOGIES<br />
Gallery Court<br />
Pilgrimage Street<br />
London SE1 4LL<br />
T: 0845 090 2266<br />
info@opus-technologies.co.uk<br />
www.opus-technologies.co.uk<br />
ORIGIN LIVE<br />
Unit 5<br />
362b Spring Road<br />
Southampton SO19 2PB<br />
T: 02380 578877<br />
F: 02380 578877<br />
originlive@originlive.com<br />
www.originlive.com<br />
OVERKILL AUDIO<br />
1 Field Close<br />
Grafham<br />
Huntingdon PE28 0AY<br />
Contact: Derek Wilson<br />
T: 01480 811279<br />
derek@overkillaudio.com<br />
www.overkillaudio.com<br />
PACE MICRO TECHNOLOGY<br />
PLC<br />
Victoria Road<br />
Saltaire<br />
Shipley BD18 3LF<br />
T: 01274 532000<br />
PANASONIC<br />
Panasonic House<br />
Willoughby Road<br />
Bracknell RG12 4PF<br />
T: 01344 862444<br />
F: 01344 861656<br />
www.panasonic.co.uk<br />
PARADIGM AUDIO VISUAL<br />
Swan Works<br />
Box End Road<br />
Bromham<br />
Bedford MK43 8LT<br />
T: 01234 843388<br />
F: 01234 854477<br />
info@rearpro.com<br />
www.rearpro.com<br />
PARTINGTON & CO.<br />
Orchard Farm<br />
Fawkham Road<br />
Longfield DA3 7QP<br />
T: 01474 709299<br />
F: 01474 709295<br />
PEAR AUDIO LIMITED<br />
7 Prospect Place<br />
Alnmouth<br />
Northumberland NE66 2RL<br />
T: 01665-830862<br />
F: 01665-830051<br />
john@pearaudio.com<br />
www.pearaudio.com<br />
PHILEX ELECTRONIC<br />
Philex House<br />
Kingfisher Wharf<br />
London Road<br />
Bedford MK42 0NX<br />
Contact: Jim Edwards<br />
T: 01234 263 737<br />
F: 01234 267 400<br />
sales@philex.com<br />
www.philex.com<br />
PHILIPS<br />
The Philips Centre<br />
420-430 London Road<br />
Croydon CR9 3QR<br />
T: 020 8781 8699<br />
www.philips.com<br />
PIONEER (GB) LTD<br />
Pioneer House<br />
Hollybush Hill<br />
Stoke Poges SL2 4QP<br />
Contact: Jim Catcheside<br />
T: 01753 789789<br />
F: 01753 789528<br />
jim_catcheside@pgb.pioneer.co.uk<br />
www.pioneer-eur.com<br />
PMC<br />
43-45 Crawley Green Road<br />
Luton LU2 0AA<br />
T: 0870 444 1044<br />
F: 0870 444 1045<br />
sales@promonitor.co.uk<br />
www.pmc-speakers.com<br />
POLARON CONTROLS LTD<br />
26 Greenhill Crescent<br />
Watford Business Park<br />
Watford WD18 8XG<br />
Contact: Charlie Madsen<br />
T: 01923 495495<br />
F: 01923 228796<br />
controlsales@polaron.co.uk<br />
www.polaron.com<br />
PRESENCE AUDIO<br />
Woodside<br />
Spronketts Lane<br />
Bolney<br />
Haywards Heath RH17 5SA<br />
Contact: Brian Smith<br />
T: 01444 461611<br />
F: 01444 461510<br />
Presence@bdlrs.freeserve.co.uk<br />
www.presenceaudio.com<br />
PRISMA EUROPE LTD<br />
Unit 16 Aston Fields Ind Estate<br />
Bromsgrove B60 3EX<br />
T: 01527 556300<br />
F: 01527 556301<br />
www.prisma-europe.co.uk<br />
PROAC<br />
Highpoint House<br />
Riding Road<br />
Buckingham Road Industrial<br />
Estate<br />
Brackley NN13 7BE<br />
T: 01280 700147<br />
F: 01280 700148<br />
www.proac-loudspeakers.com<br />
PROGRESSIVE CONSUMER<br />
ELECTRONICS LTD<br />
SLIM DEVICES<br />
Unit 2 Pulborough Way<br />
Hounslow TW4 6DE<br />
Contact: Paul Hanley<br />
T: 0871 871 9747<br />
F: 0871 871 9757<br />
sales@progressiveav.com<br />
www.progressiveav.com<br />
PULSE MARKETING<br />
25b Hockerill Street<br />
Bishops Stortford CM23 2DH<br />
Contacts: Mike Beatty<br />
T: 01279 655955<br />
F: 01279 656004<br />
info@pulsemarketing.org<br />
www.pulsemarketing.org<br />
PURE DIGITAL<br />
Home Park Estate<br />
Kings Langley WD4 8LZ<br />
T: 01923 260511<br />
F: 01923 270188<br />
sales@pure-digital.com<br />
www.pure-digital.com<br />
QUAD ELECTROACOUSTICS<br />
IAG House<br />
Sovereign House<br />
Ermine Business Park<br />
Huntingdon PE29 6XU<br />
T: 0845 458 0011<br />
or T: 01480 447700<br />
F: 01480 413403<br />
www.quad-hifi.co.uk<br />
QUADRASPIRE LIMITED<br />
27 Burnett Business Park<br />
Gypsy Lane<br />
Burnett BS31 2ED<br />
T: 0117 9863228<br />
F: 0117 9860798<br />
sales@quadraspire.co.uk<br />
REDLINE DISTRIBUTION<br />
MOON/VELODYNE/EICHMANN<br />
Unit 11b<br />
72 Newhaven Road<br />
Edinburgh EH6 5QG<br />
T: 0131 555 3922<br />
info@red-line.co.uk<br />
www.red-line.co.uk<br />
REFLEX LIMITED<br />
1 Bennet Court<br />
Bennet Road<br />
Reading RG2 0QX<br />
info@reflex.co.uk<br />
www.reflex.co.uk<br />
REGA RESEARCH LIMITED<br />
119 Park Street<br />
Westcliff-on-Sea SS0 7PD<br />
T: 01702 333071<br />
F: 01702 432427<br />
service@rega.co.uk<br />
www.rega.co.uk<br />
REL ACOUSTICS LTD<br />
North Road<br />
Bridgend Industrial Estate<br />
Bridgend CF31 3TP<br />
Contact: Richard Lord<br />
T: 01656 768777<br />
F: 01656 766093<br />
sales@rel.net<br />
www.rel.net<br />
RESTEK UK<br />
159 Dominion Road<br />
Worthing BN14 8LD<br />
T: 01903 207634<br />
F: 01903 236119<br />
tony@restek.co.uk<br />
www.restek.co.uk<br />
RGB COMMUNICATIONS<br />
2 Lowesden Business Park<br />
Lambourn Woodlands<br />
Hungerford RG17 7RY<br />
Contact: Gordon Innocent<br />
T: 01488 73366<br />
F: 01488 73377<br />
gordoni@rgbcomms.co.uk<br />
www.rgbcomms.co.uk<br />
RINGMAT DEVELOPMENTS<br />
PO Box 200<br />
Brentwood CM15 9FB<br />
T: 01277 200 210<br />
F: 01277 201 225<br />
email@ringmat.com<br />
www.ringmat.com<br />
ROKSAN AUDIO LIMITED<br />
Unit 6<br />
Northfield lndustrial Estate<br />
Beresford Avenue<br />
Alperton HA0 1NW<br />
T: 020 8900 6801/6802<br />
F: 020 8900 0734<br />
info@roksan.co.uk<br />
www.roksan.co.uk<br />
ROTHWELL<br />
AUDIO PRODUCTS<br />
87-89 Lever Street<br />
Bolton BL3 2AB<br />
Contact: Andrew Rothwell<br />
T: 01204 366133<br />
office@rothwellaudioproducts.co.uk<br />
www.rothwellaudioproducts.co.uk<br />
RUARK ACOUSTICS<br />
RUARK/TIVOLI RADIO<br />
59 Tailors Court<br />
Temple Farm Industrial Estate<br />
Southend-on-Sea SS2 5TH<br />
Contact: Neil Adams<br />
T: 01702 601410<br />
F: 01702 601414<br />
neil@ruark.co.uk<br />
www.ruark.net<br />
RUSS ANDREWS<br />
ACCESSORIES<br />
2b Moreland Court<br />
West Moreland Bus. Park<br />
Sharp Road<br />
Kendal LA9 6NS<br />
T: 01539 797300<br />
F: 01539 797325<br />
www.russandrews.com<br />
SABRE ACCESS CONTROL<br />
SYSTEMS<br />
Security House<br />
24 Wedgwood Gate<br />
Wedgwood Way<br />
Stevenage SG1 4QF<br />
T: 0870 2413838<br />
F: 01438 354099<br />
sales@sabreaccess.com<br />
www.sabreaccess.com<br />
SAMSUNG ELECTRONICS<br />
(UK)<br />
Samsung House<br />
1000 Hillswood Drive<br />
Chertsey KT16 0PS<br />
T: 01932 45<strong>50</strong>00<br />
F: 01932 87<strong>50</strong>30<br />
www.samsungelectronics.co.uk<br />
SANYO EUROPE<br />
Sanyo House<br />
Otterspool Way<br />
Watford WD25 8JX<br />
T: 01923 246363<br />
F: 01923 817410<br />
sales@sanyo.co.uk<br />
www.sanyo.co.uk<br />
SAXON AUDIO<br />
Camberley<br />
Surrey GU15 1LW<br />
T: 08456 123388<br />
info@saxonaudio.com<br />
www.saxonaudio.com<br />
SCC CONVERGENCY<br />
Unit 6 , Dacre Industrial Estate<br />
Fieldings Road<br />
Cheshunt EN8 9TJ<br />
Contact: Rob Butler<br />
T: 01992 7896<strong>50</strong><br />
F: 01992 789651<br />
robbutler@sccdistribution.co.uk<br />
www.scc-convergency.co.uk<br />
www.sccdistribution.co.uk<br />
SEFOUR LIMITED<br />
214A Wellsbach House<br />
3-9 Broom Hill Road<br />
London SW18 4JQ<br />
T: 0870 460 3431<br />
F: 0870 460 3432<br />
info@sefour.com<br />
www.sefour.com<br />
DIRECTORY<br />
MANUFACTURERS & DISTRIBUTORS<br />
37
DIRECTORY<br />
MANUFACTURERS & DISTRIBUTORS<br />
38<br />
SENNHEISER UK<br />
3 Century Point<br />
Halifax Road<br />
High Wycombe<br />
HP12 3SL<br />
T: 01494 551 531<br />
F: 01494 551 5<strong>50</strong><br />
info@sennheiser.co.uk<br />
www.sennheiser.co.uk<br />
SHARP ELECTRONICS<br />
4 Furzeground Way<br />
Stockley Park<br />
Uxbridge UB11 1EZ<br />
T: 020 8734 2000<br />
www.sharp.co.uk<br />
SI-FI<br />
463 Harrow Road<br />
London W10 4RG<br />
T: 020 8962 0700<br />
F: 020 8964 2696<br />
simon@si-fi.com<br />
www.si-fi.com<br />
SILENT GLISS<br />
Unit 325<br />
Business Design Centre<br />
Upper Street<br />
Islington<br />
London N1 0QH<br />
Contact: Jeff Alexander<br />
T: 020 7288 6100<br />
F: 020 7288 6103<br />
info@silent-gliss.co.uk<br />
www.silent-gliss.co.uk<br />
SIM2 UK LTD<br />
Steinway House<br />
Worth Farm<br />
Little Horsted<br />
Uckfield TN22 5TT<br />
T: 01825 7<strong>50</strong>8<strong>50</strong><br />
F: 01825 7<strong>50</strong>851<br />
info@sim2.co.uk<br />
www.sim2.co.uk<br />
SMART-E LTD<br />
Ranmore Manor<br />
Ranmore Common<br />
Dorking RH5 6SX<br />
T: 01483 283365<br />
F: 01483 281511<br />
info@smart-e.co.uk<br />
www.smart-e.co.uk<br />
SMARTKONTROLS<br />
8 - 9 Horsted Square<br />
Bellbrook Industrial Park<br />
Uckfield TN22 1QQ<br />
Contact: Dave Robinson<br />
T: 01825 769812<br />
F: 01825 769813<br />
daver@smartkontrols.co.uk<br />
www.smartkontrols.co.uk<br />
SME LIMITED<br />
Mill Road<br />
Steyning BN44 3GY<br />
T: 01903 814321<br />
F: 01903 814269<br />
info@sme.ltd.uk<br />
www.sme.ltd.uk<br />
SNELL & WILCOX<br />
6 Old Lodge Place<br />
St Margarets<br />
Twickenham TW1 1RQ<br />
T: 020 8917 4300<br />
F: 020 8607 9466<br />
info@snellwilcox.com<br />
www.snellwilcox.com<br />
SONNETEER<br />
PO Box 163c<br />
Esher KT10 0HY<br />
T: 01483 566990<br />
F: 0870 0511109<br />
info@sonneteer.co.uk<br />
www.sonneteer.co.uk<br />
SONUS SYSTEMS<br />
Unit 3a<br />
Coassall Industrial Estate<br />
Coronation Road<br />
Ilkeston DE7 5UA<br />
Contact: Darren Rodgers<br />
T: 0115 944 <strong>50</strong>27<br />
F: 0115 944 5126<br />
darren@sonus.co.uk<br />
www.sonus-systems.co.uk<br />
SONY UNITED KINGDOM<br />
The Heights<br />
Brooklands<br />
Weybridge KT13 0XW<br />
Contact: Scott Dunn<br />
T: 01932 816000<br />
F: 01932 817000<br />
scott.dunn@eu.sony.com<br />
www.sony.co.uk<br />
SONY BROADCAST &<br />
PROFESSIONAL<br />
The Heights<br />
Brooklands<br />
Weybridge<br />
Surrey KT13 0XW<br />
Contact: Marc Cross<br />
T: 01932 816308<br />
F: 01932817011<br />
helen.sheldrake@sonybpe.com<br />
SOUND BY DESIGN<br />
VECTEUR<br />
70 Brae Court<br />
Kingston Hill<br />
Kingston-Upon-Thames<br />
KT2 7QH<br />
Contact: Predrag Savic<br />
T: 020 8404 4343<br />
F: 020 8974 8329<br />
psavic@soundbyd.com<br />
www.soundbyd.com<br />
SPENDOR AUDIO SYSTEMS<br />
Apex Way<br />
Hailsham BN27 3WA<br />
Contact: John Baxter<br />
T: 01323 843474<br />
F: 01323 442254<br />
info@spendoraudio.com<br />
www.spendoraudio.com<br />
STANDESIGN UK<br />
Unit D7 Heritage Business Park<br />
Gunners Way<br />
Gosport<br />
Hampshire<br />
T: 023 92<strong>50</strong> 1888<br />
F: 023 92<strong>50</strong> 1999<br />
info@standesign.com<br />
www.standesign.co.uk<br />
STANDS UNIQUE<br />
70 Higham Road<br />
Rushden NN10 6DD<br />
T: 01933 412227<br />
F: 01933 412215<br />
info@standsunique.com<br />
www.standsunique.com<br />
STELJES TRADE<br />
12 Syon Gate Way<br />
Brentford TW8 9DD<br />
Contact: Paul O’Reilly<br />
T: 020 82132100<br />
F: 020 8213 2121<br />
paul.oreilly@steljes.co.uk<br />
www.steljes.co.uk<br />
STEVENS & BILLINGTON<br />
Music First Audio<br />
Unit 13<br />
Britannia Enterprise Centre<br />
Waterworks Road<br />
Hastings TN34 1RT<br />
T: 01424 439315<br />
F: 01424 439325<br />
info@mfaudio.co.uk<br />
www.mfaudio.co.uk<br />
STIL-STAND<br />
Stilexo Industrial UK Limited<br />
Penallta Industrial Estate<br />
Ystrad Mynach<br />
Mid Glamorgan CF82 7QZ<br />
Contact: Roger Ogden UK Sales<br />
Manager<br />
T: 01443 816 777<br />
F: 01443 816 373<br />
roger_ogden@stilexo.co.uk<br />
www.stil-stand.co.uk<br />
STRAND EUROPE<br />
Strand House<br />
Galway Road<br />
Blackbushe Business Park<br />
Yateley GU46 6GE<br />
T: 01252 861000<br />
F: 01252 861006<br />
sales@strandeurope.com<br />
www.strandeurope.com<br />
SYMMETRY<br />
Suite 5, 17 Holywell Hill<br />
St Albans AL1 1DT<br />
T/F: 01727 865488<br />
sales@symmetry-systems.co.uk<br />
www.symmetry-systems.co.uk<br />
TALK ELECTRONICS<br />
Camberley<br />
Surrey GU15 1LW<br />
T: 08456 123388<br />
Contact: Kevin Edwards<br />
info@talkelectronics.com<br />
www.talkelectronics.com<br />
TANNOY<br />
Rosehall Industrial Estate<br />
Coatbridge ML5 4TF<br />
Contact: Tim Lount<br />
T: 01236 420199<br />
F: 01236 428230<br />
timlou@attglobal.net<br />
www.tannoy.com<br />
TATUNG (UK)<br />
Stafford Park 10<br />
Telford TF3 3AB<br />
T: 01952 290 111<br />
sales@tatung.co.uk<br />
www.tatung.co.uk<br />
TEAC UK<br />
Units 19-20 The Courtyards<br />
Hatters Lane<br />
Croxley Business Park<br />
Watford WD18 8TE<br />
T: 0845 130 2511<br />
info@teac.co.uk<br />
www.teac.co.uk<br />
TECH+LINK<br />
Unit 8<br />
Bat & Ball Enterprise Centre<br />
Bat & Ball Road<br />
Sevenoaks TN14 5LJ<br />
T: 01732 779 400<br />
F: 01732 779 344<br />
salesdesk@techlink.uk.com<br />
www.techlink.uk.com<br />
TEKLINK DISTRIBUTION<br />
POLK AUDIO<br />
68 St John Street<br />
Clerkenwell<br />
London EC1M 4DT<br />
T: 020 7702 5277<br />
info@teklinkdistribution.com<br />
www.polkaudio.com<br />
TOPODIS UK<br />
PROFIGOLD<br />
3a Portland Industrial Estate<br />
Hitchin Road<br />
Arlesey SG15 6SG<br />
T: 0845 8<strong>50</strong> 3633<br />
F: 0845 8<strong>50</strong> 3300<br />
sales@bandridge.co.uk<br />
www.bandridge.nl<br />
TOSHIBA INFORMATION<br />
SYSTEMS (UK)<br />
Toshiba Court<br />
Weybridge Business Park<br />
Addlestone Road<br />
Weybridge KT15 2UL<br />
T: 0870 444 8944<br />
www.toshiba.co.uk<br />
TOWNSHEND AUDIO<br />
7 Bridge Road<br />
Hampton Court<br />
East Molesey<br />
Surrey KT8 9EU<br />
Contact: Sue Townshend<br />
T: 020 8979 2155<br />
F: 020 8979 3787<br />
M: 07808 789 002<br />
sales@townshendaudio.com<br />
www.townshendaudio.com<br />
TRICHORD RESEARCH<br />
Granville Cottage<br />
Blackmore End<br />
Hanley Swan WR8 0EE<br />
Contact: Graham Fowler<br />
T: 01684 311600<br />
F: 01684 311928<br />
sales@trichordresearch.com<br />
www.trichordresearch.co.uk<br />
TRISKOM SALES<br />
25 Popin Business Center<br />
South Way<br />
Wembley HA9 0HF<br />
T: 020 8900 2000<br />
F: 020 8900 2030<br />
sales@triskom.co.uk<br />
www.triskom.co.uk<br />
TSOURCE LTD<br />
The Loft Studio<br />
9 Knowles Hill Road<br />
Newton Abbot TQ12 2PH<br />
T: 01803 226104<br />
F: 01803 226109<br />
studio@tsource.co.uk<br />
www.tsource.co.uk<br />
TRUE COLOURS<br />
INDUSTRIES<br />
Unit 263<br />
Lisburn Enterprise Centre<br />
Ballinderry Road<br />
Lisburn BT28 2SA<br />
T: 07710 196949<br />
F: 0870 120 5923<br />
support@true-colours.com<br />
www.true-colours.com<br />
TVC EUROPE<br />
Unit A, Chiltern Commerce<br />
Centre<br />
Asheridge Road<br />
Chesham HP5 2PY<br />
T: 01494 794770<br />
F: 01494 794772<br />
www.tvcinc.com<br />
U K D<br />
23 Richings Way<br />
Iver<br />
Bucks SL0 9DA<br />
T: 01753 652669<br />
F: 01753 654531<br />
mail@ukd.co.uk<br />
www.ukd.co.uk<br />
UNICOL<br />
Green Road<br />
Oxford OX3 8EU<br />
T: 01865 767676<br />
F: 01865 767677<br />
sales@unicol.com<br />
www.unicol.com<br />
UNIQUE SOLUTIONS<br />
DISTRIBUTION LIMITED<br />
NIKO / SCION TECHNOLOGY / ART<br />
SOUND<br />
26 High Street<br />
Toddington<br />
Bedfordshire LU5 6BY<br />
info@usd.uk.com<br />
www.usd.uk.com<br />
VERTEX AQ LTD<br />
Unit 6<br />
Old Town Hall Workshops<br />
Temple Street<br />
Llandrindod Wells<br />
Powys LD1 5DU<br />
T: 01597 825993<br />
info@vertexaq.com<br />
web www.vertexaq.com<br />
VIBE<br />
Tech House<br />
Reddicap Trading Estate<br />
Sutton Coldfield B75 7BU<br />
T: 0121 311 9090<br />
F: 0121 311 9001<br />
info@vibeaudio.co.uk<br />
www.vibeaudio.co.uk<br />
VIVADI<br />
Unit 38 Shrivenham Hundred<br />
Business Park<br />
Swindon SN6 8TZ<br />
Contact: Paul Roberts<br />
T: 01793 780033<br />
paul.roberts@vivadi.com<br />
VIVANCO (UK) LTD.<br />
Maxted Court<br />
Maxted Road<br />
Hemel Hempstead HP27DE<br />
T: 01442 403020<br />
F: 01442 403030<br />
sales@vivanco.co.uk<br />
www.vivanco.com<br />
VIVID AUDIO<br />
3 Marlborough Rd<br />
Lancing Business Park<br />
Lancing<br />
West Sussex BN15 8UF<br />
T: 01903 530005<br />
F: 01903 530005<br />
info@vividspeakers.com<br />
www.vividspeakers.com<br />
THE WALNUT HOUSE<br />
COMPANY<br />
Walnut House<br />
West Meon GU32 1LQ<br />
T: 01962 732803<br />
F: 01962 733154<br />
www.thewalnuthouse.co.uk<br />
WAVELENGTH<br />
DISTRIBUTION<br />
AUDIOVECTOR/BOCCHINO AUDIO<br />
PO Box 364<br />
Maidstone ME15 9FE<br />
T: 01622 201 983<br />
F: 01622 761 560<br />
sales@bocchino-audio.co.uk<br />
www.bocchino-audio.co.uk<br />
WHARFEDALE<br />
IAG House<br />
Sovereign House<br />
Ermine Business Park<br />
Huntingdon PE29 6XU<br />
T: 0845 458 0011<br />
or T: 01480 447700<br />
F: 01480 413403<br />
www.wharfedale.co.uk<br />
WILMSLOW AUDIO<br />
<strong>50</strong> Main Street<br />
Broughton Astley<br />
Leicester LE9 6RD<br />
T: 01455 286 603<br />
F: 01455 286 605<br />
www.wilmslow-audio.co.uk<br />
WILSON BENESCH<br />
Falcon House<br />
Limestone Cottage Lane<br />
Sheffield S6 1NJ<br />
Contact: Craig Milnes<br />
T: 0114 285 2656<br />
F: 0114 285 2657<br />
info@wilson-benesch.com<br />
www.wilson-benesch.com<br />
XIXIN LTD<br />
Cabinet enclosure manufrs<br />
Hartington House<br />
Bilton Way<br />
Luton LU1 1UU<br />
T: 01582 400340<br />
F: 01582 481498<br />
YAMAHA ELECTRONICS<br />
(UK)<br />
200 Rickmansworth Road<br />
Watford WD18 7GQ<br />
T: 01923 233166<br />
F: 01923 810410<br />
info@yamaha-audio.co.uk<br />
www.yamaha-audio.co.uk<br />
ZEBRA DISTRIBUTION<br />
79 Dunlop Commercial Park<br />
Balloo Link<br />
Bangor BT19 7HJ<br />
Contact: Worthington McGrath<br />
T: 028 9147 7744<br />
F: 028 9147 7755<br />
sales@zebradistribution.com<br />
www.zebradistribution.com<br />
ZETEX SEMICONDUCTORS<br />
Zetex Technology Park<br />
Chadderton<br />
Oldham OL9 9LL<br />
Contact: Dave Brotton<br />
T: 0161 622 4460<br />
F: 0161 622 4469<br />
dbrotton@zetex.com<br />
www.zetex.com/audio<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
PR & MARKETING<br />
GRAFFIX MEDIA<br />
8 Seymour Road<br />
Headley Down<br />
Hants GU35 8JX<br />
01428 717400<br />
Dennis: 07768 557373<br />
dennis@graffixmedia.com<br />
www.graffixmedia.com<br />
RED SHEEP<br />
14 milton Road<br />
Wimbledon<br />
SW19 8SE<br />
Contact: Phil Hansen<br />
T: 0208-543-8175<br />
M: 07813-893525<br />
phil@redsheep.co.uk<br />
www.redsheep.co.uk<br />
RS PR MEDIA SOLUTIONS<br />
Rogers Wood<br />
Whitebread Lane<br />
Beckley<br />
Rye<br />
East Sussex TN31 6UA<br />
T: 01797 260 882<br />
F: 01797 260 853<br />
M: 07974 926 157<br />
richard@rspr.co.uk<br />
rspr@btconnect.com<br />
www.rspr.co.uk<br />
MAGAZINES<br />
THE <strong>BAJ</strong><br />
Graffix Publishing Ltd<br />
8 Seymour Road<br />
Headley Down GU35 8JX<br />
Editor: <strong>Malcolm</strong> <strong>Steward</strong><br />
T: 01428 717400<br />
Advertising: 07793 018309<br />
F: 0870 054 2991<br />
enquiries@thebaj.com<br />
www.The<strong>BAJ</strong>.com<br />
DIGITAL VIDEO<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
DVD REVIEW<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
HI-FI+<br />
Unit 12, Albany Business Park<br />
Cabot Lane<br />
Poole BH17 7BX<br />
T: 01202-659380<br />
F: 01202-659540<br />
sales@hifiplus.com<br />
www.hifiplus.co.uk<br />
HI-FI CHOICE<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
Editor: Dan George<br />
dan.george@futurenet.co.uk<br />
T: 020 7042 4000<br />
HI-FI NEWS<br />
IPC Focus Network<br />
Focus house<br />
Dingwall Avenue<br />
Croydon CR9 2TA<br />
Editor: Steve Harris<br />
T: 020 8774 0846<br />
F: 020 8774 0940<br />
hi-finews@ipcmedia.com<br />
www.ipcmedia.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
HI-FI WORLD<br />
Audio Publishing<br />
Suite G4, Argo House<br />
The Park Business Centre<br />
Kilburn Park Road<br />
London NW6 5LF<br />
Editor: Simon Pope<br />
T: 020 7625 3134<br />
F: 020 7328 1844<br />
Advertising: 020 8864 4760<br />
editorial@hi-fiworld.co.uk<br />
www.hi-fiworld.co.uk<br />
HOME CINEMA CHOICE<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
WHAT HDTV<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
WHAT HI-FI?<br />
SOUND & VISION<br />
38–40 Hampton Road<br />
Teddington TW11 0JE<br />
T: 020 8267 <strong>50</strong>00<br />
F: 020 8267 <strong>50</strong>19<br />
Advertising: 020 8267 <strong>50</strong>92<br />
www.whathifi.com<br />
WHAT HOME CINEMA<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
WHAT PLASMA & LCD TV<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
WHAT SATELLITE AND<br />
DIGITAL TV<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
WHAT VIDEO & HIGH-<br />
DEFINITION TV<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
USA & CANADA<br />
AUDIO IDEAS GUIDE<br />
12860 Dufferin Street<br />
King City ON L7B 1K5<br />
Canada<br />
Editor/Publisher: Andrew<br />
Marshall<br />
T: (905) 833-7177<br />
andrew@audio-ideas.com<br />
www.audio-ideas.com<br />
HOME THEATER BUILDER<br />
MAGAZINE<br />
P.O. Box 552<br />
Stow, MA 01775<br />
Editorial: 001 978 897 6982<br />
Subs: 001 978 461 0441<br />
www.hometheaterbuilder.com<br />
SOUND & VISION<br />
1633 Broadway<br />
New York NY 10019<br />
Editor: Judy Koutsky<br />
T: 001 212 767 6000<br />
F: 001 212 767 5615<br />
www.soundandvisionmag.com<br />
STEREOPHILE<br />
110 Fifth Avenue<br />
New York NY 10011<br />
T: 001 212 886 3600<br />
F: 001 212 886 2810<br />
www.stereophile.com<br />
T3<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
T3 HOME<br />
Future Publishing<br />
2 Balcombe Street<br />
London<br />
NW1 6NW<br />
T: 020 7042 4000<br />
THE ABSOLUTE SOUND<br />
Absolute Multimedia<br />
Suite 100<br />
8121 Bee Caves Road<br />
Austin TX 78746<br />
Editor-in-Chief: Robert Harley<br />
T: 001 512 479 4661<br />
www.theabsolutesound.com<br />
THE PERFECT VISION<br />
Absolute Multimedia<br />
8121 Bee Caves Road<br />
Suite 100<br />
Austin TX 78746<br />
Editor: Johnathan Valin<br />
T: 001 512 479 4661<br />
www.theperfectvision.com<br />
ULTRA HIGH FIDELITY<br />
PO Box 6<strong>50</strong>85<br />
Place Longueuil<br />
Longueuil<br />
Quebec J4K 5J4<br />
Editor: Gerard Rejskind<br />
T: (4<strong>50</strong>) 651 5720<br />
uhfmail@uhfmag.com<br />
www.uhfmag.com<br />
VACUUM TUBE VALLEY<br />
PO Box 1499<br />
Lakeport CA 95453<br />
T: 001 707 263 5881<br />
F: 001 707 263 7648<br />
triode@vacuumtube.com<br />
TESTING &<br />
CERTIFICATION<br />
NEMKO LTD<br />
15 Chelsea Fields Estate<br />
Western Road<br />
London SW19 2QA<br />
T: 020 8646 8383<br />
F: 020 8646 8099<br />
marketing@nemko.co.uk<br />
www.nemko.co.uk<br />
TRADE<br />
ASSOCIATIONS<br />
THE ADVERTISING<br />
STANDARDS AUTHORITY<br />
Brook House<br />
2 Torrington Place<br />
London WC1E 7HW<br />
T: 020 7580 5555<br />
www.asa.org.uk<br />
AUDIO ENGINEERING<br />
SOCIETY INC.<br />
International Headquarters<br />
60 East 42nd Street<br />
Room 2520<br />
New York 10165-2520<br />
T: +1 212 661 8528<br />
F: +1 212 682 0477<br />
HQ@aes.org<br />
www.aes.org<br />
THE BRITISH AUDIO<br />
DEALERS ASSOCIATION<br />
(BADA)<br />
248 Lee High Road<br />
London SE13 5PL<br />
T: 020 81<strong>50</strong> 6741<br />
info@bada.co.uk<br />
www.bada.co.uk<br />
BRITISH<br />
ELECTROTECHNICAL<br />
APPROVALS BOARD<br />
(BEAB)<br />
1 Station View<br />
Guildford<br />
Surrey GU1 4JY<br />
T: 01483 455466<br />
info@beab.co.uk<br />
www.beab.co.uk<br />
THE BRITISH FEDERATION<br />
OF AUDIO (BFA)<br />
PO Box 365<br />
Farnham<br />
Surrey GU10 2BD<br />
T: 01428 717599<br />
F: 01428 717599<br />
info@british-audio.org.uk<br />
www.british-audio.org.uk<br />
THE BRITISH INTERIOR<br />
DESIGN ASSOCIATION<br />
1-4 Chelsea Harbour Design<br />
Centre<br />
Chelsea Harbour<br />
London SW10 0XE<br />
T: 020 7349 0800<br />
enquiries@bida.org<br />
www.bida.org<br />
THE BRITISH SECURITY<br />
INDUSTRY ASSOCIATION<br />
Security House<br />
Barbourne Road<br />
Worcester WR1 1RS<br />
T: 01905 21464<br />
F: 01905 613625<br />
info@bsia.co.uk<br />
www.bsia.co.uk<br />
CONFEDERATION OF<br />
AERIAL INDUSTRIES LTD<br />
Fulton House Business Centre<br />
Fulton Road<br />
Wembley Park HA9 0TF<br />
T: 020 8902 8998<br />
www.cai.org.uk<br />
THE CUSTOM<br />
ELECTRONIC DESIGN<br />
AND INSTALLATION<br />
ASSOCIATION (CEDIA)<br />
Unit 2, Phoenix Park<br />
St Neots<br />
PE19 8EP<br />
T: 01480 213744<br />
F: 01480 213469<br />
info@cedia.co.uk<br />
www.cedia.co.uk<br />
ELECTRICAL<br />
CONTRACTORS’<br />
ASSOCIATION<br />
34 Palace Court<br />
London W2 4HY<br />
T: 020 7313 4800<br />
F: 020 7221 7344<br />
electricalcontractors@eca.co.uk<br />
www.eca.co.uk<br />
THE EUROPEAN<br />
CONFEDERATION FOR<br />
COMMERCE & INDUSTRY<br />
Incorporating the<br />
Confederation of Trade<br />
& Industry<br />
Confederation House<br />
34b The Square<br />
Earls Barton NN6 0NA<br />
T: 01604 812268<br />
INTELLECT<br />
Russell Square House<br />
10-12 Russell Square<br />
London WC1B 5EE<br />
T: 020 7331 2000<br />
F: 020 7331 2040<br />
www.intellectuk.org<br />
FEDERATION OF MASTER<br />
BUILDERS<br />
Gordon Fisher House<br />
14-15 Great James Street<br />
London WC1N 3DP<br />
T: 020 7242 7583<br />
F: 020 7404 0296<br />
www.fmb.org.uk<br />
FEDERATION OF SMALL<br />
BUSINESSES<br />
Whittle Way<br />
Blackpool Business Park<br />
Blackpool<br />
T: 01253 336000<br />
F: 01253 348046<br />
ho@fsb.org.uk<br />
www.fsb.org.uk<br />
THE GUILD OF MASTER<br />
CRAFTSMEN<br />
Castle Place<br />
166 High Street<br />
Lewes BN7 1XU<br />
T: 01273 478449<br />
INSTITUTE OF ACOUSTICS<br />
77A St Peter’s Street<br />
St Albans AL1 3BN<br />
T: 01727 848195<br />
F: 01727 8<strong>50</strong>553<br />
ioa@ioa.org.uk<br />
www.ioa.org.uk<br />
INSTITUTE OF SOUND<br />
& COMMUNICATIONS<br />
ENGINEERS<br />
PO Box 7966<br />
Reading RG6 7WY<br />
T/F: 0118 9542175<br />
General Enquiries:<br />
Ros@isce.org.uk<br />
Technical Enquiries:<br />
tech@isce.org.uk<br />
www.isce.org.uk<br />
THE LEAGUE OF<br />
PROFESSIONAL<br />
CRAFTSMEN<br />
10 Village Way<br />
Rayners Lane<br />
Pinner HA5 5AF<br />
T: 020 8866 6116<br />
NATIONAL APPROVAL<br />
COUNCIL FOR SECURITY<br />
SYSTEMS (NACOSS)<br />
Queensgate House<br />
14 Cookham Road<br />
Maidenhead SL6 8AJ<br />
T: 0870 20 <strong>50</strong>000<br />
F: 01628 773367<br />
nacoss@nacoss.org<br />
www.nacoss.org<br />
NATIONAL ASSOCIATION<br />
OF SHOPFITTERS<br />
NAS House<br />
411 Limpsfield Road<br />
Warlingham<br />
Surrey CR6 9HA<br />
T: 01883 624961<br />
www.shopfitters.org.uk<br />
NATIONAL<br />
HOUSEBUILDING<br />
COUNCIL (NHBC)<br />
Buildmark House<br />
Chiltern Avenue<br />
Amersham HP6 5AP<br />
T: 01494 434477<br />
www.nhbc.co.uk<br />
NATIONAL INSPECTION<br />
COUNCIL FOR ELECTRICAL<br />
INSTALLATION<br />
CONTRACTING<br />
Vintage House<br />
37 Albert Embankment<br />
London SE1 7UJ<br />
T: 020 7564 2323<br />
F: 020 7564 2370<br />
enquiries@niceic.org.uk<br />
www.niceic.org.uk<br />
OFFICE OF FAIR TRADING<br />
Fleetbank House<br />
2-6 Salisbury Square<br />
London EC4Y 8JX<br />
T: 020 7242 2858<br />
F: 020 7269 8800<br />
Consumer Information Line<br />
T: 0345 224499 (local call rates<br />
apply)<br />
PROFESSIONAL LIGHTING<br />
AND SOUND ASSOCIATION<br />
(PLASA)<br />
38 St Leonards Road<br />
Eastbourne BN21 3UT<br />
T: 01323 410335<br />
F: 01323 646905<br />
www.plasa.org<br />
RADIO, ELECTRICAL AND<br />
TELEVISION RETAILERS’<br />
ASSOCIATION (RETRA)<br />
RETRA House<br />
St John’s Terrace<br />
1 Ampthill Street<br />
Bedford MK42 9EY<br />
T: 01234 269110<br />
F: 01234 269609<br />
retra@retra.co.uk<br />
www.retra.co.uk<br />
ROYAL INSTITUTE OF<br />
BRITISH ARCHITECTS<br />
66 Portland Place<br />
London W1N 4AD<br />
T: 020 7307 3700<br />
www.architecture.com<br />
SECURITY SYSTEMS AND<br />
ALARMS INSPECTION<br />
BOARD<br />
6 Northumberland Place<br />
North Shields NE30 1QP<br />
T: 0191 296 2667<br />
F: 0191 296 3242<br />
ssaib@ssaib.co.uk<br />
www.ssaib.co.uk<br />
DIRECTORY<br />
PR & MARKETING, MAGAZINES & TRADE ASSOCIATIONS<br />
39
DIRECTORY<br />
WWW ADDRESSES<br />
40<br />
1 Limited ................................................www.1limited.com<br />
AAD Loudspeakers .......................... www.aadsound.com<br />
Aanvil Audio .................................. www.aanvilaudio.com<br />
ABC Soundlab .................................. www.abcsoundlab.pl<br />
Absolute Sounds ................ www.absolutesounds.com<br />
ACA-Apex ............................................ www.aca-apex.com<br />
Accuphase ........................................ www.accuphase.com<br />
Acoustic Energy .................www.acoustic-energy.co.uk<br />
Acoustic Reproduction Technology<br />
.................................................... www.loudspeaker-art.com<br />
Acoustic Research ........... www.acoustic-research.com<br />
Acoustic Sciences Corp. ..................www.tubetrap.com<br />
Acoustic Signature ........ www.acoustic-signature.com<br />
Acoustic Solutions ....... www.acoustic-solutions.co.uk<br />
Acoustic Sounds .................. www.acousticsounds.com<br />
Action Hardware .................www.actionhardware.co.uk<br />
Acurus ...... www.mondialdesigns.com/acuhomef.htm<br />
Adcom .......................................................www.adcom.com<br />
AES .......................................................................www.aes.org<br />
Aiwa .............................................................. www.aiwa.co.uk<br />
Akai .................................................................. www.akai.com<br />
AKG ............................................... www.akg-acoustics.com<br />
Akura ............................................................ www.akura.com<br />
Alban Electronics ...............www.albanelectronics.co.uk<br />
Aldous Systems ..................... www.aldoussystems.co.uk<br />
Alema .................................................www.hi-fidelity.co.uk<br />
Algar Distribution ............ www.algar-distribution.com<br />
Aliante ........................................................www.aliante.com<br />
Alón ............................................. www.alonbyacarian.com<br />
Alpha-Core Inc. ................................ www.alphacore.com<br />
Alphason Designs ............ www.alphasondesigns.com<br />
ALR/Jordan ........................................www.alr-jordan.com<br />
Altec Lansing ......................................www.altecmm.com<br />
Ambiance Acoustics ...........................www.calcube.com<br />
AMC ..................................................... www.amchome.com<br />
American Power & Light Inc ....................................... www.<br />
americanpowerlight.com<br />
American Technology Corp ..................www.atcsd.com<br />
Amphion .................................................... www.amphion.fi<br />
Amplifier Technologies Inc. ..............www.ati-amp.com<br />
AMX .................................................................www.amx.com<br />
Anatek Audio ........................... www.anatek-audio.co.uk<br />
Anders + Kern UK ..................... www.anders-kern.co.uk<br />
Anthony Gallo UK ...................www.anthonygallo.co.uk<br />
Antiferance ................................... www.antiferance.co.uk<br />
Apollo .................................................www.apollohifi.co.uk<br />
Apple iPod ...................................... www.apple.com/ipod<br />
Aragon ...... www.mondialdesigns.com/arahomef.htm<br />
Arcam ....................................................... www.arcam.co.uk<br />
Arcaydis ................................................ www.arcaydis.co.uk<br />
Armour Group ................................www.armourhe.co.uk<br />
Artcoustic ............................................www.artcoustic.com<br />
Atacama ..................................www.atacama-audio.co.uk<br />
ATC ................................................................. www.atc.gb.net<br />
Athena Technologies .........www.athenaspeakers.com<br />
Atlantic Technology ......www.atlantictechnology.com<br />
Atlas Cables .................................... www.atlascables.com<br />
Audace ................................................... www.audace.co.uk<br />
Audio Agency Europe www.audioagencyeurope.com<br />
Audio Analogue .................... www.audioanalogue.com<br />
Audio Artistry ..............................www.audioartistry.com<br />
Audio Atmosphere .........www.audioatmosphere.com<br />
Audio Authority .................... www.audioauthority.com<br />
Audio Concepts Inc. .............................www.audioc.com<br />
Audio Control .............................www.audiocontrol.com<br />
Audio Note ......................................www.audionote.co.uk<br />
Audio Partnership ........... www.audiopartnership.com<br />
Audio Power Industries ............ www.audiopower.com<br />
Audio Prism ................................... www.audioprism.com<br />
Audio Research .......................www.audioresearch.com<br />
Audio Synthesis ...................www.audiosynthesis.co.uk<br />
Audio Technica ........................www.audiotechnica.com<br />
Audio Visual Material ..........................www.avmltd.co.uk<br />
Audionet ..................................................www.audionet.de<br />
Audiophile Club .................. www.audiophileclub.co.uk<br />
Audioquest .....................................www.audioquest.com<br />
Audiovector UK ..........................www.audiovector.co.uk<br />
Audire Inc. .................................................www.audire.com<br />
Audusa .....................................................www.audusa.com<br />
Aura Home Entertainment ......www.aurasystems.com<br />
AutoPatch Europe ..........................www.autopatch.com<br />
Avalanche .................................................www.flinkstone.fi<br />
Avantegarde-USA ..............www.avantegarde-usa.com<br />
AVI ...............................................................www.avihifi.co.uk<br />
Avid .........................................................www.avidhifi.co.uk<br />
AVM ..........................................................www.avmltd.co.uk<br />
AWE Europe ................................ www.awe-europe.co.uk<br />
Ayon Audio ...................................... www.ayonaudio.com<br />
Ayre Acoustics .............................................www.ayre.com<br />
B&K Components ...............................www.bkcomp.com<br />
B&W ..................................................www.bwspeakers.com<br />
BADA ........................................................... www.bada.co.uk<br />
Balanced Audio Technology .........www.balanced.com<br />
Bandor Loudspeakers .........................www.bandor.com<br />
Bandridge .............................................. www.bandridge.nl<br />
Bang & Olufsen ..........................www.bang-olufsen.com<br />
Barco ............................................................ www.barco.com<br />
Basisaudio ........................................www.basisaudio.com<br />
BBG Distribution ................................... www.bbg.eu.com<br />
Beauhorn ............................................www.beauhorn.com<br />
Bel Canto Design ................. www.belcantodesign.com<br />
BenQ ............................................................ www.benq.co.uk<br />
beyerdynamic ........................www.beyerdynamic.co.uk<br />
BFA ..............................................www.british-audio.org.uk<br />
Billy Bags .............................................. www.billybags.com<br />
Black Rhodium ....................... www.blackrhodium.co.uk<br />
Blaupunkt ..........................................www.blaupunkt.com<br />
Blue Circle Audio .............................www.bluecircle.com<br />
Blueroom .............................................. www.minipod.com<br />
Blu-Ray ......................................................www.ibluray.com<br />
Bocchino Audio ..................www.bocchino-audio.co.uk<br />
Boltz .............................................................. www.boltz.com<br />
Bose ................................................................www.bose.com<br />
Boston Acoustics ................www.bostonacoustics.com<br />
Boulder Amplifiers .................... www.boulderamp.com<br />
Bryston ........................................................ www.bryston.ca<br />
B-Tech International ...................... www.b-tech-int.com<br />
Burmester Audiosysteme ............... www.burmester.de<br />
Cabasse Haute Fidelite ......................www.cabasse.com<br />
Cabletime .......................................... www.cabletime.com<br />
Cairn ......................................................www.cairn-ezo.com<br />
Cambridge Audio .............. www.cambridgeaudio.com<br />
Cambridge Soundworks ............................ www.hifi.com<br />
Canford Audio plc ............................. www.canford.co.uk<br />
Canton Loudspeakers .............................www.canton.de<br />
Cardas ........................................................ www.cardas.com<br />
Cardio ....................................................www.cardiouk.com<br />
Carfrae .......................................................www.carfrae.com<br />
Carrick Marketing ..................................... www.hifi.org.uk<br />
Cary Audio .........................................www.caryaudio.com<br />
Casio .............................................................www.casio.co.uk<br />
Castle Acoustics ...................www.castleacoustics.co.uk<br />
CEDIA (UK site) ........................................www.cedia.co.uk<br />
CEDIA (USA site) ..........................................www.cedia.net<br />
Celestion .............................................www.celestion.co.uk<br />
Celtic Audio .................................... www.celticaudio.com<br />
CEMA (USA) .......................................... www.cemacity.org<br />
Cemac .......................................................www.cemac.co.uk<br />
Centasound International Inc. www.centasound.com<br />
Cerwin Vega .................................. www.cerwinvega.com<br />
CES .............................................................. www.cesweb.org<br />
Channel Vision ......................... www.channelvision.com<br />
Chapter Audio ...........................www.chapteraudio.com<br />
Chelmer Valve Company ...... www.chelmervalve.com<br />
Chesky Records ......................................www.chesky.com<br />
Chord Electronics ............www.chordelectronics.co.uk<br />
Classé Audio .................................. www.classeaudio.com<br />
Clipsal ....................................................... www.clipsal.co.uk<br />
Comfort Home Controls ................ www.comfort.org.uk<br />
Comm-Tec ..............................................www.comm-tec.uk<br />
Connectronics ....................... www.connectronics.co.uk<br />
Conrad-Johnson Design ....www.conradjohnson.com<br />
Convergence Technology Group ..www.ctg-homenet.<br />
com<br />
Cooper Security ...................www.coopersecurity.co.uk<br />
Creative Labs ................................ www.creativelabs.com<br />
Creek Audio .................................. www.creekaudio.co.uk<br />
Crestron .................................................www.crestron.com<br />
Crystal AudioVideo ....................www.crystalaudio.com<br />
CSE .................................................www.csesolutions.co.uk<br />
Cyrus ................................................. www.cyrusaudio.com<br />
Dali ........................................................................www.dali.dk<br />
Data Conversion Systems .................. www.dcsltd.co.uk<br />
Davis Acoustics ...................... www.davis-acoustics.com<br />
Definitive Audio .................. www.definitiveaudio.co.uk<br />
Definitive Technology ............www.definitivetech.com<br />
Demion .................................................www.demion.co.uk<br />
Denon ...................................................... www.denon.co.uk<br />
Densen ........................................................ www.densen.dk<br />
Design e ................................................www.designe.co.uk<br />
Diapason ..................................www.diapason-italia.com<br />
DiAural .......................................................www.diaural.com<br />
Digital Fidelity ............................www.digitalfidelity.com<br />
Digital Future Solutions ..www.digitalfuturesolutions.<br />
co.uk<br />
Diverse Vinyl ................................. www.diversevinyl.com<br />
DKT .........................................................www.dktgroup.com<br />
DNM Design .............................................. www.dnm.co.uk<br />
Dolby Laboratories Inc. ......................... www.dolby.com<br />
Drawmer .............................................www.drawmer.co.uk<br />
Dreamvision ...................................www.dreamvision.net<br />
DTS ........................................................ www.dtsonline.com<br />
Dynalite ................................................... www.dimtek.co.uk<br />
Dynaudio ............................................ www.dynaudio.com<br />
Dynavector .....................................www.dynavector.com<br />
EAR Yoshino ...................................www.ear-yoshino.com<br />
Earthquake Sound Corp www.earthquakesound.com<br />
Eclipse TD .........................................www.eclipse-td.co.uk<br />
Ecosse ......................................www.referencecables.com<br />
ECT ............................................................... www.ect-av.com<br />
Eichmann Technologies ...www.eichmanncables.com<br />
EISA ..................................................................eisa.techlink.gr<br />
EJ Jordan Designs ..............................www.ejjordan.co.uk<br />
Elac Phonosysteme .................................... www.elac.com<br />
Elan Systems UK .............. www.elanhomesystems.com<br />
Electrocompaniet ............... www.electrocompaniet.no<br />
Eltax Electronic UK ....................................www.eltax.com<br />
Eminent Technology .............. www.eminent-tech.com<br />
Energy Loudspeakers ....... www.energy-speakers.com<br />
Epos Acoustics ........................www.epos-acoustics.com<br />
E-Vision UK ............................................www.e-vision.co.uk<br />
Eventus Audio ........................... www.eventusaudio.com<br />
Everything But The Box www.everything-but-the-box.<br />
com<br />
Excel Audio ....................................www.excelaudio.co.uk<br />
Exposure ....................................... www.exposurehifi.com<br />
Fairlight ..................................................www.fairlight.co.jp<br />
Falcon Acoustics ............... www.falcon-acoustics.co.uk<br />
Fanfare ...................................................... www.fanfare.com<br />
Faroudja .................................................www.faroudja.com<br />
Ferguson Hill ...............................www.fergusonhill.co.uk<br />
Fi-Rax ............................................................www.firax.co.uk<br />
Flatdisplays ................................... www.flatdisplays.co.uk<br />
Focal-JM Lab ................................. www.focal-jmlab.co.uk<br />
Forté Sounds ................................ www.fortesounds.com<br />
FSM Audio .......................................... www.fryersales.com<br />
Fujitsu ........................................www.fujitsugeneral.co.uk<br />
Futronix ......................................... www.futronix-info.com<br />
Future Automation ........www.futureautomation.co.uk<br />
Futureglass ................................... www.futureglass.co.uk<br />
Garden Light & Audio ............................. www.glaa.co.uk<br />
Garrard .............................................www.garrard<strong>50</strong>1.com<br />
Gekko Flat Speakers ...................www.gekkoaudio.com<br />
Genelec .................................................. www.genelec.com<br />
Gershman Acoustics ....www.gershmanacoustics.com<br />
Ginsbury Electronics ......................www.ginsbury.co.uk<br />
Glaive .........................................................www.glaive.co.uk<br />
Goldmund ........................................ www.goldmund.com<br />
Goodmans Digital ............ www.goodmansdigital.com<br />
Gradient .......................................................www.gradient.fi<br />
Grado .................................................. www.gradolabs.com<br />
Graff Electronics ................. www.graffelectronics.co.uk<br />
Graham Slee .....................................www.gspaudio.co.uk<br />
Grand Prix Audio ................. www.grandprixaudio.com<br />
Groove Tubes ..............................www.groovetubes.com<br />
Grundig .................................................. www.grundig.com<br />
Gryphon Audio Designs ..... www.gryphon-audio.com<br />
GT Audio .................................................www.gtaudio.com<br />
Gutwire Cables .....................................www.gutwire.com<br />
Hafler ........................................................... www.hafler.com<br />
Hama .......................................................... www.hama.co.uk<br />
Harbeth .................................................www.harbeth.co.uk<br />
Harman International ........................www.harman.com<br />
harman/kardon ..................... www.harmankardon.com<br />
Harmonic Technology .......... www.harmonictech.com<br />
Haropa .................................................... www.haropa.co.uk<br />
Harpers AV .........................................www.harpersav.com<br />
Harvard Technology ................................................................<br />
..................................www.harvardtechnologygroup.com<br />
Hauppauge .................................. www.hauppauge.co.uk<br />
Hellermann Tyton ...................www.homecabling.co.uk<br />
Helvar Merca ........................................... www.helvar.co.uk<br />
Henley Designs .....................www.henleydesigns.co.uk<br />
Heybrook .........................www.heybrookspeakers.co.uk<br />
Hidden Wires ...............................www.hiddenwires.co.uk<br />
Hirschmann Electronics ..........www.hirschmann.co.uk<br />
Hitachi ................................................ www.hitachi-eu.com<br />
HNE Systems ...............................................www.hne.co.uk<br />
Hollman Audio ........................ www.hollmanaudio.com<br />
Home Network Sciences ......www.homecabling.co.uk<br />
Hovland Company .......... www.hovlandcompany.com<br />
Hsu Research ................................ www.hsuresearch.com<br />
Icon Audio .........................................www.iconaudio.co.uk<br />
if designs ............................................www.ifdesigns.co.uk<br />
ILight ........................................................... www.ilight.co.uk<br />
Imaging Science Foundation ...............................................<br />
.....................................................www.imagingscience.com<br />
Imerge .................................................... www.imerge.co.uk<br />
Infinity ...................................... www.infinitysystems.com<br />
Insert Audio ................................ www.insert-audio.co.uk<br />
Integra Research ...................www.integra-research.net<br />
Intelligent Audio Systems .....................................................<br />
.................................... www.intelligentaudiosystems.com<br />
Invision ............................................... www.requestuk.com<br />
Ixos .........................................................www.ixoscable.com<br />
JA Michell ....................www.michell-engineering.co.uk<br />
Jadis .........................................www.jadis-electronics.com<br />
Jamo .............................................................. www.jamo.com<br />
Jamo UK ......................................................www.jamo.co.uk<br />
Japan Audio Society ................. http://plaza2.mbn.or.jp<br />
JBL ....................................................................... www.jbl.com<br />
Jeff Rowland .................................. www.jeffrowland.com<br />
Job Electronics Inc. ................................www.jobsys.com<br />
Joule Electra ................................www.joule-electra.com<br />
JPS Labs ................................................... www.jpslabs.com<br />
JPW Loudspeakers ......... www.jpwloudspeakers.co.uk<br />
JVC .................................................................... www.jvc.co.uk<br />
KEF ..................................................................... www.kef.com<br />
Kenwood .............................................www.kenwood.com<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
Kimber ...................................................... www.kimber.com<br />
Klegg Audio .................................. www.klegg-audio.com<br />
KLH www.klhaudio.com<br />
Klipsch Inc. .............................................. www.klipsch.com<br />
Koss .................................................................www.koss.com<br />
Kramer Electronics ......... www.kramerelectronics.com<br />
Krell Industries Inc ......................... www.krellonline.com<br />
Krix Loudspeakers ................................. www.krix.com.au<br />
Kuzma .......................................................... www.kuzma.net<br />
Lafayette Electronics ........www.lafayette-europe.com<br />
Lamba PLC ..........................................www.lambaplc.com<br />
Lamm Industries .................. www.lammindustries.com<br />
LC Audio ..................................................www.lcaudio.com<br />
Legacy Audio ............................. www.legacy-audio.com<br />
Legend Audio Design ..............www.legendaudio.com<br />
Lenbrook ........................................... www.lenbrook.co.uk<br />
Lexicon .....................................................www.lexicon.com<br />
LG ....................................................................... www.lge.com<br />
Liberty Wire ...................................www.libertycable.com<br />
Libra Systems ........................................ www.librasys.com<br />
Linn Products ..............................................www.linn.co.uk<br />
Living Control .............................www.livingcontrol.com<br />
Loewe .............................................................www.loewe.de<br />
Logic Europe ................................ www.logiceurope.com<br />
Longbow .................................... www.longbow-sp.co.uk<br />
Loricraft Audio ............................... www.garrard<strong>50</strong>1.com<br />
Lutron ......................................................... www.lutron.com<br />
Lynx Products ............................ www.lynxproducts.com<br />
Madrigal ............................................... www.madrigal.com<br />
Magnan Cables Inc. ............................www.magnan.com<br />
Magnepan ....................................... www.magnepan.com<br />
Magnum Dynalab ............www.magnumdynalab.com<br />
Mana Audio ............................................. www.mana.co.uk<br />
Manley Laboratories ................... www.manleylabs.com<br />
Marantz ..................................................www.marantz.com<br />
Marata Vision ....................................... www.marata.co.uk<br />
Mark Levinson .......................... www.marklevinson.com<br />
Martek UK ......................................... www.martekuk.co.uk<br />
Martin Logan Ltd. ...................... www.martinlogan.com<br />
Master Sound .............................www.mastersoundsas.it<br />
Maverick Presentations ..... www.maverick-world.com<br />
Max Distribution, The .......................www.the-max.co.uk<br />
Maxell .................................................. www.maxell.eu.com<br />
McIntosh ..................................... www.mcintoshlabs.com<br />
Meridian .................................. www.meridian-audio.com<br />
Merlin Cables ..............................www.merlincables.com<br />
Merlin Music Systems ...............www.merlinmusic.com<br />
Mesa Engineering ..................... www.mesaboogie.com<br />
Meta4 Designs ....................... www.meta4designs.co.uk<br />
Metaxas ..................................................www.metaxas.com<br />
Miller & Kreisel Corporation ......... www.mksound.com<br />
Mirage .....................................www.miragespeakers.com<br />
Mission .................................................. www.mission.co.uk<br />
Mitsubishi ....................................... www.mitsubichi.co.uk<br />
MJ Acoustics ..................................www.mjacoustics.com<br />
Mobile Fidelity Sound Lab ..................... www.mofi.com<br />
Mode Lighting UK ....................www.modelighting.com<br />
Molded Chords & Cables ...........www.mcc-cables.com<br />
Mondial Designs Limited . www.mondialdesigns.com<br />
Monitor Audio ........................www.monitoraudio.co.uk<br />
Monster Cable ..........................www.monstercable.com<br />
Mordaunt-Short .................. www.mordaunt-short.com<br />
Moth Group ................................... www.mothgroup.com<br />
MSB Technology ................................www.msbtech.com<br />
MTX ...................................................... www.mtxaudio.com<br />
Multi-Room Company, The ....... www.multi-room.com<br />
Muse Electronics .................www.museelectronics.com<br />
Musical Fidelity .................... www.musical-fidelity.co.uk<br />
Musonic UK ........................................ www.musonic.co.uk<br />
Myryad .................................................. www.myryad.co.uk<br />
NAD ................................................................www.nad.co.uk<br />
Nagra ...........................................................www.nagra.com<br />
Naim Audio .................................... www.naim-audio.com<br />
Nakamichi .........................................www.nakamichi.com<br />
NCT (Gekko loudspeakers) .......www.gekkoaudio.com<br />
NEAR .............................................www.nearspeakers.com<br />
Nearfield Acoustics ........www.nearfieldacoustics.com<br />
Neat Acoustics ...........................................www.neat.co.uk<br />
NEC ................................................................. www.nec.co.uk<br />
Nemko .....................................................www.nemko.co.uk<br />
Never Connected .............www.never-connected.com<br />
NHT ............................................................. www.nhthifi.com<br />
Niles .....................................................www.nilesaudio.com<br />
Nirotek ............................................................. http://niro.net<br />
Nirvana Audio ............................www.nirvanaaudio.com<br />
Nordost ...................................................www.nordost.com<br />
Nova ..................................................... www.NovaUSA.com<br />
NXT ....................................................... www.nxtsound.com<br />
O’Heocha Design ...............................www.oheocha.com<br />
Ohm Speakers .......................... www.ohmspeakers.com<br />
One Click ................................. www.oneclickpower.co.uk<br />
Onkyo ........................................................ www.onkyo.co.jp<br />
Opera Loudspeakers ...www.operaloudspeakers.com<br />
Optimum International ........www.optimum2000.com<br />
Optoma .................................................www.optoma.co.uk<br />
Opus ................................. www.opus-technologies.co.uk<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
Oracle ............................................. www.oracle-audio.com<br />
Orelle ......................................................... www.orelle.co.uk<br />
Origin Live ...........................................www.originlive.com<br />
Ortofon ........................................................www.ortofon.dk<br />
Pace Microtechnologies ........................ www.pace.co.uk<br />
Panasonic ........................................www.panasonic.co.uk<br />
Paradigm ................................................ www.paradigm.ca<br />
Parasound Products Inc. .............www.parasound.com<br />
Pass Laboratories Inc. ....................... www.passlabs.com<br />
Path Premier .......www.path.co.uk/path_premier.html<br />
Pathos Acoustics ................. www.pathosacoustics.com<br />
Peak Consult ................................... www.peak-consult.dk<br />
Pear Audio ..........................................www.pearaudio.com<br />
Perreaux ............................................... www.perreaux.com<br />
Phase Technology ......................... www.phasetech.com<br />
Philex .......................................................... www.philex.com<br />
Philips ...................................................www.sv.philips.com<br />
Pickering Cartridges ...................www.pickeringuk.com<br />
Pioneer ............................................www.pioneer-eur.com<br />
Plasa ................................................................www.plasa.org<br />
Plinius .............................................www.pliniusaudio.com<br />
PMC ............................................. www.pmc-speakers.com<br />
Polaron Controls ................................www.polaron.co.uk<br />
Polk Audio ......................................... www.polkaudio.com<br />
Polyfusion Audio ................www.polyfusionaudio.com<br />
Prima ................................ www.prima-international.com<br />
Primare ....................................www.primaresystems.com<br />
Prisma Europe .......................www.prisma-europe.co.uk<br />
ProAc ................................www.proac-loudspeakers.com<br />
Proceed ...................................... www.proceedaudio.com<br />
Proficient Audio Systems .........www.proficientuk.com<br />
Profigold ..............................................www.profigold.com<br />
PSB Speakers ............................... www.psbspeakers.com<br />
Pulse Marketing .....................www.pulsemarketing.org<br />
PURE Digital ...................................www.pure-digital.com<br />
Purist Audio Design .......www.puristaudiodesign.com<br />
QED .................................................................www.qed.co.uk<br />
Quad ................................................... www.quad-hifi.co.uk<br />
Quadral ...................................................www.quadral.com<br />
Quadraspire .................................www.quadraspire.co.uk<br />
RadioScape Ltd ............................. www.radioscape.com<br />
RCA .................................................................... www.rca.com<br />
Recoton ...................................................www.recoton.com<br />
Redline Distribution ......................... www.red-line.co.uk<br />
Reflex Ltd .................................................. www.reflex.co.uk<br />
Rega ..............................................................www.rega.co.uk<br />
REL ........................................................................ www.rel.net<br />
ReQuest Mulitmedia ..................... www.requestuk.com<br />
Reson ...............................................................www.reson.de<br />
Restek ....................................................... www.restek.co.uk<br />
Revel Corporation ................... www.revelspeakers.com<br />
Revolver ....................................www.revolveraudio.co.uk<br />
Revox ...............................................................www.revox.de<br />
Revox (Service) ............................www.revox.freeuk.com<br />
RGB Communications ................www.rgbcomms.co.uk<br />
Ringmat Developments ................... www.ringmat.com<br />
Rockford Corporation ............. www.rockfordcorp.com<br />
Rockford Fosgate .................www.rockfordfosgate.com<br />
Rogue Audio ................................. www.rogueaudio.com<br />
Roke Manor Research .............................www.roke.co.uk<br />
Roksan ..................................................... www.roksan.co.uk<br />
Rotel ............................................................... www.rotel.com<br />
Rothwell Audio .... www.rothwellaudioproducts.co.uk<br />
Royd ............................................................... www.royd.com<br />
Ruark ...............................................................www.ruark.net<br />
Runco International ................................www.runco.com<br />
Russ Andrews Accessories ..... www.russandrews.com<br />
Russound .............................................www.russound.com<br />
Samsung .............................................. www.samsung.com<br />
Samsung UK ................www.samsungelectronics.co.uk<br />
Sanyo .......................................................www.sanyotv.com<br />
SAP ..................................................www.sap-highend.com<br />
SCC Convergency .............www.scc-convergency.co.uk<br />
Schneider ......................................www.schneideruk.com<br />
See Hear ................................................ www.seehear.co.uk<br />
Sennheiser ....................................www.sennheiser.co.uk<br />
Sequence Design ..............www.sequencedesign.co.uk<br />
Sharp .......................................................... www.sharp.co.uk<br />
Sherwood ................................... www.sherwoodusa.com<br />
Shure ............................................................ www.shure.com<br />
Silent Gliss ...................................... www.silent-gliss.co.uk<br />
Silverline Audio Technology www.silverlineaudio.com<br />
SIM2 .............................................................. www.sim2.co.uk<br />
Simaudio .............................................www.simaudio.com<br />
SmartKontrols .........................www.smartkontrols.co.uk<br />
SME ................................................................www.sme.ltd.uk<br />
Snell & Wilcox ................................. www.snellwilcox.com<br />
Snell Acoustics ..........................www.snellacoustics.com<br />
Sonance .................................................www.sonance.com<br />
Sonic Design ...............................www.sonicdesign.co.uk<br />
Sonic Frontiers Inc. ..................www.sonicfrontiers.com<br />
Sonique ............................................ www.sonique.com.au<br />
Sonneteer. ........................................www.sonneteer.co.uk<br />
Sonus Faber .................................... www.sonusfaber.com<br />
Sonus Systems ...................... www.sonus-systems.co.uk<br />
Sony .............................................................. www.sony.com<br />
Sony UK ....................................................... www.sony.co.uk<br />
Soundlab ......................... www.soundlab-speakers.com<br />
SoundStyle ........................................www.soundstyle.net<br />
Spectron ................................... www.spectronaudio.com<br />
Spendor ..................................... www.spendoraudio.com<br />
SRS Labs ....................................................www.srslabs.com<br />
Standesign .....................................www.standesign.co.uk<br />
Stands Unique ..........................www.standsunique.com<br />
Stax ..................................................................www.stax.co.jp<br />
Stefan Audio Art ...................www.stefanaudioart.com<br />
Steljes ....................................................... www.steljes.co.uk<br />
Stereovox ...........................................www.stereovox.com<br />
Stewart Filmscreen - UK ......... www.anders-kern.co.uk<br />
Stewart Filmscreen ......................www.stewartfilm.com<br />
Straight Wire ................................. www.straightwire.com<br />
Strand Europe ......................... www.strandeurope.co.uk<br />
Sunfire .......................................................www.sunfire.com<br />
Superspikes ...................................www.superspikes.com<br />
Supra .............................................www.supracables.co.uk<br />
TAD Home Audio ..................www.tadhomeaudio.com<br />
TAG McLaren Audio ......... www.tagmclarenaudio.com<br />
Talk Electronics ....................... www.talkelectronics.com<br />
Tannoy ...................................................... www.tannoy.com<br />
Tara Labs ................................................ www.taralabs.com<br />
Tatung ..................................................... www.tatung.co.uk<br />
TDK ....................................................www.tdk-europe.com<br />
TEAC ................................................................www.teac.com<br />
Tech+Link ........................................ www.techlink.uk.com<br />
Techsan ...................................................www.techsan.com<br />
Terratec ................................................. www.terratec.co.uk<br />
Tetra Speakers ......................... www.tetraspeakers.com<br />
Texas Instruments ...........................................www.ti.com<br />
The Cable Company ........................... www.fatwyre.com<br />
The Chord Company ............................www.chord.co.uk<br />
The Musical Design Co ...................www.mdc-hifi.co.uk<br />
Theme Scene ......................................www.optoma.co.uk<br />
Theta Digital Corporation ........ www.thetadigital.com<br />
Thiel ..................................................... www.thielaudio.com<br />
Thomson Multimedia ..... www.thomson-europe.com<br />
Thor Audio ....................................... http://thoraudio.com<br />
Thorens ...................................................www.thorens.com<br />
Thule ....................................................www.thule-audio.dk<br />
THX ....................................................................www.thx.com<br />
Titan Hi-Fi loudspeakers ....... www.titanloudspeakers.<br />
co.uk<br />
TiVo ..................................................................www.tivo.com<br />
Tivoli Audio ...................................... www.tivoliaudio.com<br />
Toshiba ...................................................www.toshiba.co.uk<br />
Townshend Audio ............ www.townshednaudio.com<br />
Transparent Audio Inc. ... www.transparentcable.com<br />
Triad .............................................. www.triadspeakers.com<br />
Triangle .............................................. www.triangle-fr.com<br />
Trichord Research .............www.trichordresearch.co.uk<br />
Triskom ................................................. www.triskom.co.uk<br />
True Colours Industries ............www.true-colours.com<br />
TVC Europ .................................................. www.tvcinc.com<br />
UK Distribution ...........................................www.ukd.co.uk<br />
Ultimate Sonics .................... www.ultimate-sonics.com<br />
Ultra Linear ....................................... www.ultralinear.com<br />
Universal Remote ....... www.hometheatremaster.com<br />
van den Hul .....................................www.vandenhul.com<br />
Vandersteen ................................ www.vandersteen.com<br />
Vantage Controls ................www.vantagecontrols.com<br />
Veda Products .................................... www.veda-uk.co.uk<br />
Velodyne Acoustics Inc. ..................www.velodyne.com<br />
Verity Audio ....................................www.verityaudio.com<br />
Vibe Technologies .........................www.vibeaudio.co.uk<br />
Videologic ........................................ www.videologic.com<br />
Vidikron ..................................................www.vidikron.com<br />
Vity Technology ............................................ www.vity.com<br />
Vivadi .......................................................... www.vivadi.com<br />
Vivanco ....................................................www.vivanco.com<br />
VTL ..................................................................... www.vtl.com<br />
Wadia .......................................................... www.wadia.com<br />
Walnut House Company www.thewalnuthouse.co.uk<br />
Welborne Labs .......................... www.welbornelabs.com<br />
Well Tempered Labs ........ www.welltemperedlab.com<br />
Western Electric Audio Products ............................ www.<br />
westernelectric.com<br />
Wharfedale ...................................www.wharfedale.co.uk<br />
Wilmslow Audio .................www.wilmslow-audio.co.uk<br />
Wilson Audio Specialties Inc. .www.wilsonaudio.com<br />
Wilson Benesch. ...................www.wilson-benesch.com<br />
Wireworld ...............................www.wireworldaudio.com<br />
Wisdom Audio ..........................www.wisdomaudio.com<br />
X10 Pro .................................................... www.x10pro.com<br />
Xantech .................................................. www.xantech.com<br />
Yakov Aronov Audio Lab Inc .www.aronovaudio.com<br />
Yamaha .....................................www.yamaha-audio.co.uk<br />
YBA ..........................................www.phlox-electronique.fr<br />
Yello GB ................................................... www.yellogb.com<br />
Zebra Distribution ............www.zebradistribution.com<br />
Zenith .........................................................www.zenith.com<br />
DIRECTORY<br />
WWW ADDRESSES<br />
41
DIRECTORY<br />
EVENTS<br />
42<br />
FEBRUARY 2008<br />
22 – 24 SOUND & VISION - THE BRISTOL SHOW<br />
February Marriott City Centre Hotel, Bristol<br />
Organiser: The Sound & Vision Partnership<br />
Contact: Tony Revelle 029 2023 6100<br />
show@audio-excellence.co.uk<br />
_____________________________________________________<br />
www.bristolshow.co.uk<br />
10 AUDIOJUMBLE 2008<br />
February 10.30am - 4.30pm<br />
The Angel Leisure Centre, Tonbridge, Kent<br />
info@www.audiojumble.co.uk<br />
_____________________________________________________<br />
www.audiojumble.co.uk<br />
MARCH 2008<br />
14 March IDEAL HOME SHOW<br />
– 6 April Earls Court, London<br />
dmg world media<br />
_____________________________________________________<br />
www.idealhomeshow.co.uk<br />
14 THE CONNECTED HOME EXHIBITION<br />
March Olympia, London<br />
Junction Ltd. T: 0117 3116 22<br />
_____________________________________________________<br />
www.the-connected-home.co.uk<br />
29 – 30 THE HEATHROW HIGH FIDELITY SHOW<br />
March Park Inn, Heathrow<br />
Organiser: Chesterfield Communications<br />
Contact: Roy Bird 01829 7406<strong>50</strong><br />
roy@chestergroup.org<br />
_____________________________________________________<br />
www.chestergroup.org<br />
APRIL 2008<br />
10 – 13 HI-FI & HOME THEATRE SHOW + INSTALL SHOW<br />
April Iris Congress Hotel, Moscow<br />
Organisers: MIDEXPO Exhibition company<br />
_____________________________________________________<br />
midexpo@midexpo.ru www.hifishow.ru<br />
19 – 20 LUXURY LIVING & HOME ENTERTAINMENT<br />
April Branksome, Haslemere, Surrey<br />
Organisers: Graffix Media<br />
Contact: Dennis Poole 01428 717400<br />
dennis@graffixmedia.com<br />
_____________________________________________________<br />
www.luxurylivingshow.co.uk<br />
24 – 27 HIGH END 2007<br />
April M.O.C. (Munich Operating Centre), Munich<br />
Organiser: High End Society Marketing GmbH<br />
Contact: Branko Glisovic T: +49 (0)202 70 20 22<br />
glisovic@highendsociety.de<br />
_____________________________________________________<br />
www.highendsociety.de<br />
JUNE 2008<br />
23 – 26 CEDIA UK EXPO 2008<br />
June ExCel London<br />
CEDIA UK Ltd. T: 01480 213744<br />
expo@cedia.co.uk www.cedia.co.uk<br />
_____________________________________________________<br />
JULY 2008<br />
31 July CEDIA EXPO 2007 AUSTRALASIA<br />
2nd Aug Gold Coast Convention Centre, Gold Coast,<br />
Queensland, Australia<br />
Contact: Lauren Tuckwell, Expo Manager<br />
+61 2 9666 1677<br />
lauren.tuckwell@cedia.com.au<br />
www.cedia.com.au<br />
_____________________________________________________<br />
AUGUST 2008<br />
29 Aug – IFA<br />
3 Sept Messe Berlin<br />
Contact: Overseas Trade Show Agencies Ltd.<br />
David Owen 020 7886 3101<br />
otsa@montex.co.uk www.ifa-berlin.com<br />
_____________________________________________________<br />
SEPTEMBER 2008<br />
7 – 10 PLASA08<br />
September Earls Court, London<br />
The Professional Lighting & Sound Asssociation<br />
_____________________________________________________<br />
01323 410335 www.plasashow.com<br />
18 – 21 100% DESIGN<br />
September Earls Court, London<br />
Reed Exhibitions 020 8271 2147<br />
_____________________________________________________<br />
www.100percentdesign.co.uk<br />
27 – 28 LONDON SOUND & VISION 2008<br />
September Park Inn, Heathrow<br />
Organiser: Chesterfield Communications<br />
Contact: Roy Bird 01829 7406<strong>50</strong><br />
roy@chestergroup.org<br />
_____________________________________________________<br />
www.chestergroup.org<br />
OCTOBER 2008<br />
4 – 5 ICTS<br />
October The NEC, Birmingham<br />
Organiser: Chesterfield Communications<br />
Contact: Justin Bird 01829 7406<strong>50</strong><br />
justin@chestergroup.org<br />
_____________________________________________________<br />
www.chestergroup.org<br />
12 AUDIOJUMBLE 2008<br />
October The Angel Leisure Centre, Tonbrifge, Kent<br />
info@audiojumble.co.uk<br />
_____________________________________________________<br />
www.audiojumble.co.uk<br />
31 Oct SCOTTISH HIGH FIDELITY SHOW<br />
– 1 Nov Marriott Dalmahoy Hotel & Country Club,<br />
Edinburgh<br />
Organiser: Chesterfield Communications<br />
Contact: Roy Bird 01829 7406<strong>50</strong><br />
roy@chestergroup.org<br />
www.chestergroup.org<br />
22 – 24 February 2008<br />
THE BIGGEST UK SHOW BY <strong>50</strong>%<br />
Contact Tony Revelle<br />
on 029 2023 6100<br />
show@audio-excellence.co.uk<br />
www.bristolshow.co.uk<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008
training 23 - 26 june<br />
exhibition 24 - 26 june<br />
ExCeL London<br />
CEDIA is an international trade association which represents the residential custom<br />
installation industry and has a global membership of over 4,000 companies<br />
The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />
connect with custom installation<br />
Established for over a decade, CEDIA Expo is a ‘must-attend’ event<br />
in the custom installation calendar.<br />
CEDIA Expo showcases the latest new products and electronic<br />
solutions from home technology suppliers across the sector. But<br />
that’s not all. The extensive CEDIA Expo education programme<br />
provides access to the single, most concentrated learning<br />
environment for designers, installers and entrants into the industry,<br />
whatever your experience, skill level and chosen career path.<br />
If you are involved in the planning, design, specification or<br />
installation of home electronic systems, then make sure you mark<br />
your diary now, CEDIA Expo 2008, 23-26 June, ExCeL London.<br />
CEDIA Region 1, Unit 2 Phoenix Park, St Neots, Cambridgeshire PE19 8EP<br />
Tel: +44 (0)1480 213744 Email: expo@cedia.co.uk Web: www.cedia-expo.com<br />
43<br />
photograph courtesy of Smartcomm, CEDIA Award Winner 2007
44<br />
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The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008