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BAJ issue 50 6.indd - Malcolm Steward

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£5.00 ISSUE <strong>50</strong> | 2008<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

<strong>50</strong><br />

THE UK’s CONSUMER ELECTRONICS TRADE JOURNAL<br />

Marantz<br />

Looking even<br />

stronger in 2008<br />

1


2<br />

We wish you only<br />

www.marantz.com | Marantz 01753 287696<br />

www.marantz.com<br />

‘the best’ for 2008!<br />

HI-FI CHOICE<br />

Gold: Marantz DV6001, best DVD/Universal Player under £<strong>50</strong>0<br />

Gold: Marantz PM7001, best Stereo Amplifi er up to £<strong>50</strong>0<br />

Gold: Marantz SA-7S1, best CD Player £2000 – £<strong>50</strong>00<br />

Silver: Marantz SA7001, best CD Player up to £<strong>50</strong>0<br />

Bronze: Marantz DV9006, best DVD/Universal Player £1000 – £2000<br />

Bronze: Marantz ST7001, best Radio Tuner under £<strong>50</strong>0<br />

Bronze: Marantz DV7001, best DVD/Universal Player £<strong>50</strong>0 – £1000<br />

WHAT HI-FI?<br />

Best CD Player under £300: Marantz CD6002<br />

Product of the year, DVD & HD Players: Marantz DV7001<br />

HI-FI NEWS<br />

Best Projector under £10,000: Marantz VP-11S1<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


<strong>50</strong><br />

Editorial Director <strong>Malcolm</strong> <strong>Steward</strong><br />

Contributors<br />

James Clarke<br />

Paul Messenger<br />

Publisher Philippa <strong>Steward</strong><br />

Advertising Sales<br />

Keith Burden +44 (0) 020 7871 2331<br />

Mobile +44 (0) 07973 908870<br />

Skype: The <strong>BAJ</strong><br />

Diana Shepherd<br />

Mobile: +44 (0) 7979 487 510<br />

Events / Business Development<br />

Dennis Poole +44 (0) 7872 127 054<br />

Published by Graffix Publishing Ltd.,<br />

8 Seymour Road,<br />

Headley Down,<br />

Hampshire GU35 8JX<br />

Editorial Tel: +44 (0) 1428 717400<br />

E-mail: enquiries@thebaj.com<br />

Printed by Scottish County Press,<br />

Edinburgh<br />

The <strong>BAJ</strong> is published on the Internet at www.The<strong>BAJ</strong>.com.<br />

Printed copies are available bi-monthly in February, April,<br />

June, August, October & December. Subscriptions: Free<br />

to qualifying readers in the UK. Please see our website for<br />

overseas subscriptions.<br />

© The <strong>BAJ</strong> 2007. All rights reserved. Any unauthorised editing,<br />

copying, reselling or distribution of the whole or part of this<br />

publication is prohibited. The views expressed in any articles<br />

in this magazine should be taken as those of the author or<br />

the person quoted unless indicated to the contrary. While The<br />

<strong>BAJ</strong> endeavours to ensure the accuracy of the information<br />

contained in this publication, its accuracy cannot be<br />

guaranteed and Graffix Publishing Limited accepts no liability<br />

for any use of, reliance on or the accuracy of such information.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

EDITOR’s letter<br />

THE HIGH DEFINITION FORMAT WAR SEEMS HAVE HEATED UP AND<br />

VIRTUALLY FIZZLED OUT IN VERY SHORT NOTICE. AT THE END OF LAST YEAR<br />

TOSHIBA WAS OFFERING ITS ENTRY-LEVEL HD-A2 DVD PLAYER THROUGH<br />

BEST BUY AND WAL-MART STORES IN THE USA FOR JUST $98.87 – LESS THAN<br />

£<strong>50</strong>. THIS WAS A DRAMATIC MOVE, ONE HAS TO ADMIT, ALBEIT ONE THAT<br />

DID LOOK A BIT LIKE A FIRE-SALE. THEN, AROUND THE TIME OF CES, WARNER<br />

BROTHERS ENTERTAINMENT ANNOUNCED THAT IT WAS ABANDONING ITS<br />

SUPPORT FOR HD DVD FORMAT IN FAVOUR OF BLU-RAY, SAYING THAT AFTER<br />

MAY IT WOULD RELEASE MOVIES SOLELY IN THE BLU-RAY FORMAT.<br />

<strong>50</strong><br />

In the week ending January 12, Blu-ray hardware captured 90 per cent<br />

of the market, according to data collected by market analysts, the NPD<br />

Group. Toshiba slashed the prices of its players the next day so that<br />

consumers could have one for about half the cost of a Blu-ray machine.<br />

Toshiba vice president of marketing for digital audio and video products,<br />

Jodi Salley said at CES “It is difficult to read pundits declaring HD DVD dead...<br />

but we’ve been declared dead before.” I guess we’ll know when we see<br />

whether studios who still back HD-DVD exclusively, such as Paramount and<br />

DreamWorks, will continue to do so or will follow Warner Brothers’ lead.<br />

There’s good news, however, from my wife and Dennis Poole about their<br />

Luxury Living and Home Entertainment Show. They’ve struck publicity<br />

deals with several publishers, including those of the most exclusive lifestyle<br />

magazine in Surrey, which is delivered to a strictly targeted audience around<br />

the show venue: more than 10,000 people earning in excess of £100,000<br />

a year, with homes costing over £800,000. If you’d like to be exposed to<br />

this sort of high net worth individual make sure you book your spot at the<br />

show. The editorial was published by the title in its January 2008 <strong>issue</strong> and<br />

the magazine will continue to promote the show. In fact, its April <strong>issue</strong> will<br />

contain the show guide. The show is also being publicised in national highend<br />

journals Lusso and UPStreet, as well as in local publications.<br />

Philippa has been telling me how very different it is dealing with<br />

companies outside our industry: there’s none of the “We’ll think about it<br />

and let you know in six months” attitude evident; it’s a simple case of “That<br />

sounds like a great idea. Here’s the cheque!” One can only assume that other<br />

industries are more successful at making profits than we are and want to<br />

increase them further. And there’s something I find fascinating: what’s so<br />

much more attractive about a £4,000 garden seat or a £22,000 greenhouse<br />

than a decent hi-fi or AV system?<br />

Parts of our industry outwardly seem quite content going to hell in a<br />

hand-basket. And why should that be so? It’s a poor state of affairs if we<br />

cannot bring far more satisfaction into people’s lives than the makers of<br />

‘designer’ garden furniture?<br />

Regardless, let me wish you a happy, healthy, prosperous and<br />

successful 2008.<br />

<strong>Malcolm</strong> <strong>Steward</strong><br />

Editor<br />

3


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INTERACTIVE FLOORS Exhibitions | Trade Fairs | Events | Product Launches | Roadshows<br />

Awards Ceromonies | Summer Balls | Conferences | Sporting Events | Festivals | Education<br />

Contents<br />

5 INDUSTRY NEWS<br />

The usual pot pourri of news and happenings<br />

around the industry<br />

6 LETTERS TO THE EDITOR<br />

7 EDITOR’S RANT<br />

Russ Andrews joins the editor to have a moan<br />

16 THE AUTUMN SHOWS<br />

Are we bothered? It doesn’t look like it<br />

18 AN EVEN STRONGER<br />

MARANTZ IN 2008<br />

2008 will see a deluge of new designs from<br />

Marantz, each aiming to set new standards at<br />

their respective prices<br />

20 NEW PRODUCTS<br />

24 MESSENGER AT LARGE<br />

Power and headroom: important when you are<br />

6’ 5” like Mr Messenger<br />

26 THE HI-FI CHOICE AWARDS<br />

The Hi-Fi Choice team with the low down on<br />

their extremely enjoyable but low key awards<br />

28 RADIO, RADIO<br />

James Clarke investigates internet radio<br />

30 DON’T LOOK BACK IN ANGER<br />

<strong>Malcolm</strong> <strong>Steward</strong> with a personal reflection on<br />

the events covered by <strong>50</strong> <strong>issue</strong>s of the <strong>BAJ</strong><br />

33 DIRECTORY<br />

33 Recruitment<br />

34 Manufacturers & distributors<br />

39 Other useful contacts<br />

40 www directory<br />

42 Events<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Sennheiser’s Dave Smith and Phil Massey<br />

flank the Tangent Quattro internet radio.<br />

Sennheiser to Distribute<br />

Tangent<br />

TANGENT OF DENMARK HAS APPOINTED<br />

SENNHEISER UK AS THE EXCLUSIVE<br />

DISTRIBUTORS OF ITS LINE OF TABLE RADIOS.<br />

Tangent radios are noted for their<br />

excellent sound quality, clean styling<br />

and wide choice of finishes. Currently<br />

four ranges cover the DAB, Internet, FM and<br />

clock radio markets.<br />

Dave Smith, the consumer sales manager<br />

at Sennheiser UK said: “We are delighted to be<br />

distributing Tangent table radios. This type of<br />

fast-selling quality product is a perfect match<br />

for our Sennheiser sales force and we anticipate<br />

doing a lot of business during the 2007/8<br />

season.”<br />

Telephone: +44 (0)1372 729 995<br />

Fax: +44 (0)1372 729 771<br />

Visit our new website www.awe-europe.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

Green Light for Hi-Def BBC<br />

THE BBC’S PROPOSALS FOR A HIGH DEFINITION<br />

TELEVISION CHANNEL, BBC HD, THE UK’S FIRST<br />

FREE-TO-AIR, MIXED-GENRE, PUBLIC SERVICE, HDTV<br />

CHANNEL, HAVE BEEN APPROVED BY THE BBC TRUST<br />

FOLLOWING A PUBLIC VALUE TEST.<br />

Mark Thompson, the BBC Director-General,<br />

said: “The BBC has pioneered high definition<br />

broadcasting in the UK, setting industry<br />

standards and defining the HD viewing experience for<br />

audiences. The Trust concluded that such a channel<br />

would create significant public value and benefit<br />

licence fee payers.”<br />

Jana Bennett, Director of BBC Vision, said: “BBC HD<br />

will be available on cable, satellite and – in due course<br />

– on digital terrestrial and the internet. It will showcase<br />

a rich mix of the BBC’s programmes from across its<br />

channel portfolio in true, native, high definition.<br />

Audiences can look forward to the likes of Earth –<br />

Power Of The Planet, Cranford, Torchwood, Hammonds<br />

Heroes, Diary Of Anne Frank, Around The World In 80<br />

Gardens and Live At The Apollo in extraordinary sound<br />

and vision.”<br />

The approval of the BBC’s HD channel follows the<br />

Trust’s decision in April 2007 to approve Freesat, a joint<br />

venture between the BBC and ITV which will provide<br />

a free standard and high definition-enabled digital<br />

satellite platform, with launch anticipated for spring<br />

2008. BBC HD will be part of the channel line-up.<br />

The launch of the BBC’s new HD channel on Digital<br />

Terrestrial Television (including Freeview) is subject to<br />

a review by the BBC Trust in 2008 when there should<br />

be greater clarity on HD broadcast standards and<br />

spectrum capacity available for the channel.<br />

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5


LETTERS<br />

6<br />

Letters to the Editor<br />

Dear <strong>Malcolm</strong>,<br />

I<br />

write in response to the feature on MP3 that<br />

was written recently by James Clark. I get the<br />

impression that Mr Clark is not a seasoned<br />

audiophile.<br />

His article is a bit like writing to the world’s top<br />

chefs and telling them that if their meat is off just<br />

add a load of spices and your customers will not be<br />

able to taste the difference. He could quote tests<br />

that were paid for by the Spice and Chilli marketing<br />

board!<br />

The effect of masking I do perceive but not<br />

completely. Take the example of a baby crying in a<br />

crowded noisy room - the mum will be able to hear<br />

it, when your MP3 algorithm would happily deny<br />

its existence. So to state with such certainty about<br />

the limits of our ears is simply incorrect.<br />

I would like to say that I have just had the<br />

pleasure of the latest DCS CD player - the Scarlatti.<br />

We demo’d it to a client who, like myself, could not<br />

believe how good it was (and, yes, he bought one.)<br />

I never thought I’d hear such subtle detail and<br />

sense of reality from a CD source. I’m still not going<br />

to sell my vinyl, but I can be absolutely certain that<br />

should I compress that CD to MP3 and play it back<br />

again I would not be remotely interested in paying<br />

a fortune for it and I’d go out and buy a new Ducati<br />

1098 as it makes a better sound than most hi-fis.<br />

I find the sound from MP3 rather like a piece of<br />

wet string compared to the CD original on a hi-fi.<br />

Of course it’s fine for portable players and the like,<br />

but all information discarded from a CD is audible,<br />

as the CD standard is set so low that there is no<br />

margin for error, without hearing it. Of course you<br />

have to be very interested to care about these<br />

differences.<br />

So it’s a shame to read from the <strong>BAJ</strong> an article<br />

that effectively closes the door to the wonders of<br />

Human Aural Perception, reminding me of scientist<br />

from the 19<strong>50</strong>’s who commented that “if your eyes<br />

were as perceptive as your ears you’d be able to see<br />

the craters on the moon with the naked eye”.<br />

All the best<br />

Chris Adair<br />

The Cornflake Shop<br />

Hey, Chris, we don’t ask that you agree with<br />

everything we put into print: just that you give it a bit<br />

of thought. We don’t pretend that any opinions we<br />

express are the inarguable truth. The whole point of<br />

our features is to be thought-provoking, and James<br />

clearly succeeded here.<br />

Dear <strong>Malcolm</strong>,<br />

I<br />

read with astonishment Martin Colloms’ humble<br />

request that the audio trade should feel duty<br />

bound to subscribe to his publication.<br />

Surely market forces are at work here,<br />

subscribers voting with their pockets as to what<br />

constitutes added value to their hobby or work.<br />

If articles in HIFICRITIC are ‘genuinely<br />

independent’ the implication is that articles<br />

elsewhere by the same authors are not. This<br />

is closer to the truth and surely with a more<br />

intellectual consumer explains why all audio<br />

publications are seeing revenues dropping.<br />

Why should the audio trade feel obliged to<br />

support the declining incomes of authors who<br />

have brought this situation on themselves,<br />

no doubt profiting from less than genuinely<br />

independent articles?<br />

Is this the last stand of the dinosaur press or will<br />

we soon be asked to purchase a testimonial copy<br />

of this publication?<br />

Regards,<br />

Conrad Mas<br />

Managing Director, Avid HiFi Ltd.<br />

You talk of “authors who have brought this situation<br />

on themselves” as though authors exercise total<br />

control over what appears bearing their name. That<br />

is infrequently the case. Authors are briefed and<br />

have to write to a magazine’s guidelines. If they fail<br />

to satisfy the title’s requirements then their copy is<br />

adjusted accordingly by the sub-editor. Writers tend<br />

not to complain about this too vociferously because<br />

it is hard enough to earn a living as a writer in this<br />

industry at the best of times without upsetting those<br />

who employ you.<br />

Believe me, this is a much deeper and more<br />

convoluted <strong>issue</strong> than my reply suggests, and one<br />

about which much more could – and may well – be<br />

written.<br />

If you would like to comment<br />

on anything you’ve read in the <strong>BAJ</strong><br />

please email<br />

malcolm@the<strong>BAJ</strong>.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

Ideas Above Our Station<br />

SO MANY PEOPLE COMMENTED FAVOURABLY ON THE RANT IN THE LAST ISSUE THAT I’M<br />

DOING IT AGAIN… WITH A LITTLE HELP FROM MY FRIENDS.<br />

AS FAR AS I’M CONCERNED THE WHOLE POINT OF<br />

AWARDS CEREMONIES OUGHT TO BE TO ENABLE US<br />

TO CELEBRATE OUR FINE INDUSTRY IN THE COMPANY<br />

OF OUR FRIENDS AND ASSOCIATES, PREFERABLY WITH<br />

A GLASS OF ALE IN HAND – AND WINE OR A FRUIT-<br />

BASED DRINK FOR THE LADIES!<br />

Forget the torment of sitting at a very expensive<br />

table surrounded by your dealers and office team,<br />

being entertained by some witless celebrity who<br />

is earning more in this hour than your sales reps take<br />

home in a year. Forget fretting to see if you’ve won a<br />

gong. If your business is structured such that getting a<br />

prize is crucial to its success, then one has to ask what<br />

you are doing in business in the first place. If, of course,<br />

you regard getting an award as the icing on your cake<br />

because it brings in a few more orders, then that is<br />

different and the best of luck to you.<br />

I often feel that there’s a degree of dubious<br />

mutual benefit about such awards but I can’t figure<br />

out who is the prime mover when you get the “Best<br />

4mm loudspeaker connector of the Year under £10<br />

– not gold-plated” sort of category. Is it the awards<br />

organisers making some sort of inclusivity statement or<br />

is it the plug makers demanding the same recognition<br />

as afforded to those producing loudspeakers? Of<br />

course, the organisers might just be just opening the<br />

net wider so as to put more bums-on-seats.<br />

And that is not as daft a consideration as one might<br />

think when one considers the expense involved in<br />

staging some of these events. For example, check out<br />

the going rate for celebrity co-hosts these days: if you<br />

wanted Gordon Ramsey at your event – and I can’t<br />

think why one would – you would probably be looking<br />

at a fee of £25,000 or more. And if you really wanted<br />

to impress the diners, you could ask Davina McCall or<br />

Graham Norton to attend: they’re both PoACs (Price<br />

on Application Celebrities) so it’s a fair bet that they’re<br />

costlier than the potty-mouthed cook. Assuming<br />

you’re happy with someone from the lower echelons<br />

of stardom, you’ll still need to sell 1<strong>50</strong> seats at £100<br />

a pop just to pay them for gracing your stage and<br />

demonstrating that they know nothing and care even<br />

less about you, your guests and the industry every time<br />

they open their mouth.<br />

While I probably seem very negative about award<br />

events, I freely admit to having thoroughly enjoyed one<br />

such bash last year – the Hi-Fi Choice Awards held at<br />

the Windsor Castle public house in North West London.<br />

Now this demonstrates what an awards event really<br />

should be like.<br />

Although the official ceremony takes place in a<br />

private area upstairs, it generally isn’t too long before<br />

people decamp to the ground floor bar where the<br />

good-natured good-naturedness inevitably continues<br />

until the hour arrives when discretion becomes the<br />

better part of valour and taxis are hailed.<br />

The informality of the Hi-Fi Choice awards is a major<br />

part of what makes the event a success. No dinner<br />

jackets, no loathsome celebrities, burgers and ribs<br />

instead of haute cuisine, no seating plans laying out<br />

the organisers’ perception of guests’ status – in fact<br />

very few seats at all. (If you can’t stand and drink then<br />

perhaps you really ought to stop drinking.) This is the<br />

way to celebrate our industry’s greatness: our industry<br />

is built on and is all about personal relationships and<br />

passion rather than high-flying corporate shenanigans.<br />

Let’s not get ideas above ourselves: we sell people<br />

music playing systems and we make a few million<br />

quid each year between us. None of us is in Microsoft’s<br />

league and able to drop £120 million to buy a 1.6 per<br />

cent stake in social networking site, Facebook. None<br />

of us is in Apple’s league, having shifted 100 million<br />

iPods since launching it in 2001. And that’s still small<br />

change when you consider that sales of smart phones<br />

over the past 12 months are in excess of £80 million.<br />

Nokia’s sales, by the way, account for nearly <strong>50</strong> per cent<br />

of those.<br />

Before we, and our awards event organisers, get too<br />

far up our own derrières, let us remind ourselves of just<br />

how insignificant we are in terms of global commerce.<br />

And while our efforts may benefit the human condition<br />

of a fortunate few, we have not invented the cure for<br />

cancer. So let’s keep a firm grasp on reality and have<br />

some fun competing with Sainsbury’s from the comfy<br />

confines of our friendly little corner shop.<br />

<strong>Malcolm</strong> <strong>Steward</strong><br />

And now I’ll hand the microphone<br />

to Mr Russ Andrews…<br />

The hi-fi industry has faced many challenges in the<br />

near 40 years I’ve been in it. Even in that glorious<br />

Golden Age of the hi-fi boom in the 1970s, we<br />

faced the abolition of RPM, decimalisation, VAT and the<br />

oil crisis. Back then, a hi-fi system was number three on<br />

most people’s want list. Now, it is so far down ordinary<br />

EDITOR’S RANT<br />

7


NEWS<br />

8<br />

non-enthusiast’s wish lists that it might as well not<br />

exist. Back then, our industry’s only real competition<br />

was the house and the car. Now it is everything from<br />

foreign holidays to iPods and cappuccino machines.<br />

What have we done in the past to keep hi-fi high on<br />

the list? Nothing. What are we doing now? Nothing.<br />

All we have done is to treat each other in the<br />

industry as a competitor and the ‘enemy’ instead of<br />

working together to overcome the industry’s real<br />

competitors. Are we all completely stupid or what?<br />

As an industry we do nothing to promote it, and<br />

individually, we do everything to undermine it. As<br />

manufacturers, we promote price and functionality<br />

over performance. As retailers, we give cash<br />

discounts instead of good service, hold little stock<br />

and treat customers with contempt and arrogance.<br />

As magazines we talk exclusive jargon and give only<br />

comparative reviews with no reference standard. We<br />

run small, annoyingly competitive exhibitions with low<br />

attendances when we should have one, all-industry big<br />

blockbuster show at the NEC. We have allowed hi-fi to<br />

become just another commodity.<br />

What kind of shambles are we? No wonder we<br />

are now a ridiculed minority; a niche, hobbyist and<br />

snobbish elite. Are we completely stupid or what? Do<br />

we have a death wish? With the sales of hi-fi separates<br />

down <strong>50</strong> per cent in the last two years, the writing is<br />

no longer ‘on the wall’, it’s on our P45s. Are we going<br />

to wake up to anything, never mind the coffee? Are we<br />

going to wake up?<br />

Chris Tuck Joins Eclipse<br />

ECLIPSE UK HAS ANNOUNCED THE APPOINTMENT<br />

OF CHRIS TUCK AS UK SALES MANAGER FOR THE<br />

ECLIPSE TIME DOMAIN RANGE OF LOUDSPEAKERS AND<br />

AMPLIFIED DESKTOP SYSTEMS.<br />

I’m not ranting. I’m sending out an SOS. Is there<br />

anybody out there listening? I hope so because this is<br />

our Last Chance Texaco.<br />

Can we stop fighting each other long enough to<br />

see the outside threat and do something about it? Can<br />

we work together towards a common objective? Can<br />

we see that we are in the same boat and need to row<br />

together?<br />

On a positive note, we’ve taken the first step. We’ve<br />

noticed that sales are down and we’re standing around<br />

moaning about it at every hi-fi get-together, on the<br />

phone and in e-mails. Excellent!<br />

The next step is to put our house in order. Let’s deal<br />

with all the failings I have identified:<br />

• Deliver on the promise: improve the sound of<br />

everything we make; improve the sound of every<br />

demonstration we do.<br />

• Improve the service we deliver at every opportunity.<br />

Be professional in every aspect of our businesses.<br />

Stop talking down to our customers.<br />

• Write about hi-fi in language that non-buffs can<br />

understand. Write honest, meaningful reviews and<br />

rate performance to references.<br />

Then we can market the industry effectively and turn<br />

this impending shipwreck around. Can we do it alone<br />

or do we need The Man with the Star* to make it<br />

happen? (*You do remember Rickie Lee Jones?)<br />

Russ Andrews<br />

Tuck, who has spearheaded the KEF Reference<br />

operation for the last three years, is widely<br />

respected as probably the best high-end<br />

loudspeaker salesman in the UK industry and is one of<br />

the few who has a comprehensive knowledge of both<br />

the field and of the product he sells. He also has wide<br />

expertise in the custom install market and has set up a<br />

number of successful product training programmes.<br />

Before joining KEF, Tuck worked in senior positions<br />

in retail and was part of the Management team in the<br />

Bristol Habitat store.<br />

Hideto Watanabe, the General Manager at Eclipse<br />

UK commented: “We’ve had great sales success in<br />

some channels, but the UK specialist retailer is hard<br />

to crack, even with Five Star reviews and attractive<br />

unique products. With Chris’ help we plan wider but<br />

tightly controlled distribution in the UK and an increase<br />

in our overall sales.” Tuck observed: “Eclipse products<br />

are like no other and should be looked at by retailers<br />

as additional business, not just another speaker. I am<br />

certain that once I convince the UK’s better dealers and<br />

installers to listen and then look at the business model,<br />

they will bite.”<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Gary Mardell Joins KEF<br />

as Marketing Manager<br />

KEF UK HAS ANNOUNCED THAT GARY MARDELL<br />

HAS JOINED THE COMPANY AS ITS MARKETING<br />

MANAGER, BASED AT ITS MAIDSTONE OFFICES.<br />

A<br />

well known and popular figure<br />

in the industry, Mardell began<br />

his career 18 years ago as an<br />

industrial designer for Mordaunt-<br />

Short and then moved into product<br />

and marketing management. After<br />

spells at Gamepath and Jamo he<br />

relocated to France and worked for<br />

Harman as the marketing manager<br />

for JBL Home products.<br />

Taking a break from consumer electronics he<br />

spent 2005 living in Italy where he gained a Masters<br />

in Food Culture: Communicating Quality Products,<br />

from the University of Gastronomic Sciences in<br />

Colorno.<br />

Commenting on his new appointment, Mardell<br />

said “KEF is one of the true pioneers of acoustic and<br />

design excellence. I consider myself fortunate to be able<br />

to play my part in the future of this great brand.”<br />

New CEO at Alphason<br />

ALPHASON DESIGNS HAS APPOINTED CHRIS<br />

EMERSON TO THE NEWLY CREATED POSITION OF<br />

CHIEF OPERATING OFFICER. HE WILL BE BASED AT THE<br />

COMPANY’S ATHERTON FACTORY.<br />

Although a newcomer to the<br />

industry Chris brings a wealth of<br />

experience to this new position:<br />

he was previously the managing<br />

director of a data systems company for<br />

five years.<br />

Before that he was sales director<br />

for Northgate Information Solutions,<br />

one of the largest data centres in the<br />

UK, responsible for managing information for many<br />

government departments and hospitals around the<br />

country.<br />

Emerson, who lives close to the factory in<br />

Stockport, is looking forward to the challenge<br />

presented by his new position: “It’s a fantastic brand<br />

and culture where the customer is always king. I look<br />

forward tremendously to playing my part in further<br />

promoting Alphason as the first choice for retailers<br />

wanting top quality AV furniture.”<br />

John Reddington, Alphason’s former CEO left<br />

the company before Christmas and subsequently<br />

brought his JR Associates consultancy business out of<br />

retirement. He can be reached by telephone on + 44<br />

(0) 118 983 3523 and + 44 (0) 7767 435934 or by email<br />

at john.reddington@virgin.net.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

The Multi-Room Company<br />

Expands and Moves<br />

THE MULTI-ROOM COMPANY, THE CHELTENHAM<br />

BASED DISTRIBUTOR OF HI-FI AND CUSTOM<br />

INSTALLATION PRODUCTS, CONTINUES ITS<br />

EXPANSION WITH A MOVE INTO MUCH LARGER<br />

PREMISES. FORMED IN 2000, THE COMPANY MOVED<br />

INTO ITS ORIGINAL FACILITY NEAR THE CENTRE OF<br />

CHELTENHAM IN 2003, BUT RECENT PERSONNEL<br />

EXPANSION AND THE ADDITION OF NEW BRANDS<br />

TO ITS PORTFOLIO HAVE NOW NECESSITATED A<br />

SECOND MOVE TO A NEW OFFICE, WAREHOUSE AND<br />

DISTRIBUTION CENTRE.<br />

Staverton Technology Park is situated just off<br />

junction 11 of the M5 between Cheltenham and<br />

Gloucester, and provides excellent transport<br />

and communications links to enable customers<br />

to be served more effectively. At four times the<br />

size of the old facility, the new building provides<br />

the company with facilities to expand its training<br />

and development, with dedicated training rooms<br />

available for multi-zone systems, home cinema, hi-fi<br />

and IP based products.<br />

The training function has further been expanded<br />

through the employment of IT specialist, Adam<br />

Brinton, a Microsoft Certified Professional, who will<br />

be heading up the company’s network-focussed<br />

training programmes.<br />

Paul Dall’Occo has also joined<br />

the company after more than 13<br />

years with KEF. Starting his career<br />

in audio at Laskys, he joined KEF as<br />

a field sales manager before being<br />

promoted to UK sales manager.<br />

Latterly he was in charge of global<br />

business development for KEF’s<br />

custom installation products.<br />

One of the most respected and<br />

recognised sales professionals in the UK industry,<br />

Dall’Occo brings to The Multi-Room Company a<br />

vast knowledge of the UK and overseas markets for<br />

custom installation products. His responsibilities<br />

will be focused on the development of business<br />

opportunities for the entire range of products<br />

distributed by The Multi-Room Company.<br />

The physical expansion of the business comes<br />

as the number of brands being distributed also<br />

expands. Already established distributors for<br />

Russound, Centralite, Leviton, Atlantic Technology<br />

and Inteset among others, during 2007 the company<br />

was appointed as the official distributor for<br />

AudioQuest cables, Ceratec loudspeakers and, most<br />

recently, the Flying Mole range of digital amplifiers.<br />

Further brand expansion is planned for early 2008.<br />

The Multi-Room Company Ltd., can now be<br />

found at: Unit B, Staverton Technology Park,<br />

Cheltenham GL51 6TQ.<br />

NEWS<br />

9


NEWS<br />

10<br />

Optimum<br />

Expansion<br />

OPTIMUM INTERNATIONAL HAS<br />

STRENGTHENED ITS FOOTHOLD<br />

IN THE AV FURNITURE MARKET<br />

WITH A NEW APPOINTMENT TO<br />

ITS SALES TEAM. THE YORKSHIRE<br />

FIRM IS ONE OF THE UK’S LEADING<br />

SUPPLIERS OF STYLISH, PURPOSE<br />

DESIGNED AV FURNITURE, AND IS<br />

DEDICATED TO DELIVERING TOP<br />

QUALITY PRODUCTS AND THE<br />

BEST IN SERVICE TO ELECTRICAL<br />

RETAILERS NATIONWIDE.<br />

Andrew Middleton recently<br />

joined the company as<br />

an Area Sales Manager,<br />

covering the Midlands, Wales<br />

and South East of England. The,<br />

34-year-old has worked in the<br />

electrical retail industry for eleven<br />

years. His previous experience<br />

includes roles for JVC, Marantz and<br />

Philips, as well as AV sales for the<br />

John Lewis Partnership.<br />

In his new role, Middleton<br />

is supporting Optimum’s core<br />

customer base of over 800 electrical<br />

retailers. He is also driving sales<br />

and developing new business<br />

opportunities, as the company<br />

targets further growth in the UK<br />

market.<br />

Optimum’s Managing Director<br />

John Ogden said: “We welcome<br />

Andrew on board at an exciting<br />

time for Optimum. We’re continuing<br />

to invest in new products and new<br />

people to increase our foothold<br />

in the AV furniture market. Our<br />

main aim is to boost profit margins<br />

for electrical retailers and give<br />

consumers wider, more varied<br />

choice.”<br />

New Marketing Director at Armour Home<br />

ARMOUR HOME HAS ANNOUNCED THAT ADRIAN WARREN HAS BEEN<br />

APPOINTED TO THE POST OF MARKETING DIRECTOR (DESIGNATE). ALTHOUGH<br />

NEW TO CONSUMER ELECTRONICS, WARREN BRINGS WITH HIM A PROVEN<br />

RECORD OF SUCCESS, WITH MORE THAN 10 YEARS PROFESSIONAL SALES<br />

AND MARKETING EXPERIENCE, HAVING WORKED AT SENIOR LEVEL IN THE<br />

AUTOMOTIVE, TRAVEL AND TOURISM INDUSTRIES.<br />

Asked to comment Warren stated, “Naturally, I’m extremely pleased to be<br />

joining Armour’s industry-leading team. The company’s positive, ‘cando’<br />

reputation is clearly well deserved. I’ve been told I’ll have to ‘hit the<br />

ground running’ and I’m really looking forward to the challenge.”<br />

Glenn McClelland, Armour Home’s Managing Director added, “We’re<br />

delighted to welcome Adrian to the firm. Our expanding product portfolio means<br />

the Marketing Director’s role is key to Armour’s future success. The whole board is<br />

confident that, with his impressive record and fresh new ideas, Adrian will lead the<br />

marketing team to scale new heights.”<br />

Fred Clayton is Back with Electrocompaniet<br />

AFTER THE UNFORTUNATE DEMISE OF CASTLE LOUDSPEAKERS, THE MUCH LIKED<br />

AND WIDELY RESPECTED INDUSTRY STALWART, FRED CLAYTON IS BACK ON THE<br />

RADAR LOOKING AFTER SALES FOR HANWELL-BASED EC DISTRIBUTION LTD.,<br />

WHICH HAS ASSUMED THE DISTRIBUTION RIGHTS FOR ELECTROCOMPANIET IN<br />

BOTH THE UK AND IRELAND.<br />

The new company is a wholly-owned subsidiary of its Norwegian parent,<br />

which has been producing high end audio for more than 30years.<br />

Mikal Dreggevik, the UK company’s Managing Director said: “The last<br />

year has seen Electrocompaniet grow by more than 130 per cent. It now has quality<br />

distribution in more than 40 countries world-wide, so now is the right time for us to<br />

make this major move into Europe’s largest consumer market.”<br />

An innovative sales promotion programme is being launched to encourage<br />

more dealers to support the brand. A major advertising campaign to support the<br />

re-launch will appear in the specialist hi-fi titles. In addition, a full programme of<br />

reviews is planned for 2008 covering all the products. This sales drive will be fully<br />

supported by the company from Norway but with the UK subsidiary carrying all<br />

stock requirements and with a fully staffed service and repair department in the<br />

UK through Simond Matharu at NSS Ltd.<br />

Electrocompaniet also looks forward to building a larger and stronger<br />

network for its customers in the UK and Ireland with a newly dedicated service<br />

department, more retail locations, more outstanding products at various price<br />

points, and sensible delivery times for the products.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

PMC Helps Tim<br />

Win with Love<br />

TIM YOUNG AND METROPOLIS MASTERING RECEIVED THEIR<br />

SECOND TEC (TECHNICAL EXCELLENCE & CREATIVITY)<br />

AWARD IN NEW YORK LAST MONTH, FOR THE 5.1 SURROUND<br />

SOUND MASTERING OF THE BEATLES ‘LOVE’ ALBUM. THE<br />

HIGH-RESOLUTION 5.1 SURROUND MIX WAS MONITORED ON<br />

PMC’S BB5 XBD-ACTIVE LCR AND MB2 REARS, PROVIDING<br />

THE ULTIMATE SURROUND SOUND MIX FOR MUSIC<br />

ENTHUSIASTS AND AUDIOPHILES ALIKE.<br />

PMC and Metropolis have worked together for many<br />

years supplying some of the world’s most famous<br />

artists with superb quality recording and mastering.<br />

PMC is represented throughout all divisions of the vast<br />

West London complex, from recording and mixing to<br />

mastering. (BB5 XBD Active Stereo system, LB1 5.1 Surround<br />

monitoring system, IB1S Stereo system and DB5.1 Surround<br />

Monitoring).<br />

Earlier this year, Metropolis expanded its surround<br />

mastering capabilities by constructing a forty square<br />

metre state of the art, no compromise, surround mastering<br />

room including PMC’s large-scale high definition surround<br />

monitoring system. A room of this proportion required the<br />

definitive system, consisting of the free standing BB5 XBD<br />

Active L, C, R & MB2 XBD-Active rear left and right.<br />

Established in 1985, the Technical Excellence &<br />

Creativity Awards is the foremost program recognizing the<br />

achievements of audio professionals. Presented annually<br />

by the Mix foundation for Excellence in Audio, the Awards<br />

honour the individuals, companies and technical innovations<br />

behind the sound of recordings, films, TV shows and live<br />

performances.<br />

JVC Joins BADA<br />

JVC (UK) LTD IS THE LATEST<br />

MANUFACTURER TO JOIN<br />

BADA, THE UK’S LEADING HI-<br />

FI AND HOME CINEMA TRADE<br />

ASSOCIATION.<br />

JVC (UK) Ltd. is the UK subsidiary of<br />

the Victor Company of Japan (JVC),<br />

the multi-national manufacturer<br />

of consumer electronics whose<br />

turnover exceeds £8.7bn. Currently<br />

known primarily in the UK for flat<br />

panel TVs, projectors, home cinema<br />

systems and camcorders, hi-fi<br />

enthusiasts will eagerly remember<br />

the many hi-fi products previously<br />

sold in the UK by JVC. The company<br />

has signalled a return to higher<br />

end hi-fi for the UK market.<br />

JVC has confirmed its<br />

commitment to supporting the<br />

BADA Demcraft initiative, which<br />

aims to improve standards of<br />

product demonstration and<br />

customer service within the<br />

independent retail sector.<br />

Ian Anderson, chairman of<br />

BADA, said: “The approach made<br />

to BADA by JVC for membership<br />

underlines and endorses the work<br />

BADA is doing to help the industry<br />

raise its standards in the face of<br />

tough competition. JVC is one of<br />

the world’s largest manufacturers<br />

of consumer electronics with<br />

vast experience in leading edge<br />

technology and training. As such we<br />

welcome them to the ever growing<br />

number of manufacturers who<br />

are choosing to join the UK’s most<br />

progressive and proactive trade<br />

association.”<br />

Neil ManÊais, general marketing<br />

manager at JVC (UK) said: ìOur<br />

wish to join BADA underlines our<br />

long term strategy to introduce<br />

high quality audio visual product<br />

to the UK market. BADA and its<br />

members are of key importance to<br />

this aim. In addition we have always<br />

considered knowledgeable sales<br />

staff to be key to<br />

any successful sales<br />

strategy, and are<br />

therefore delighted<br />

to support the<br />

Demcraft initiative.”<br />

NEWS<br />

11


NEWS<br />

12<br />

Consumers Prefer<br />

Independents<br />

INDEPENDENT ELECTRICAL<br />

RETAILERS SCORED HIGHLY<br />

IN A RETAIL SATISFACTION<br />

SURVEY CONDUCTED BY<br />

CONSUMER MAGAZINE WHICH?<br />

INDEPENDENTS WERE PLACED<br />

FOURTH IN THE SURVEY OF 77 UK<br />

RETAILERS, WHO WERE JUDGED<br />

ON CONVENIENCE, CUSTOMER<br />

SERVICE, EXPERIENCE, PRICING<br />

AND PRODUCT.<br />

Many consumers said<br />

they were impressed by<br />

independents’ “excellent<br />

knowledge of products and<br />

good customer service.” The only<br />

retailer ranked higher in the<br />

survey than independents was<br />

John Lewis, who achieved second<br />

place.<br />

Further down the table, Argos<br />

ranked 33rd, with Tesco and ASDA<br />

close behind in 37th and 38th<br />

place. Comet, Currys, PC World<br />

and Currys.digital fared badly,<br />

with rankings of 66, 70, 72 and 74<br />

respectively.<br />

Which? concluded that the<br />

results showed consumers<br />

are prepared to pay extra for<br />

quality service and an enjoyable<br />

shopping experience.<br />

The findings have been<br />

warmly welcomed by the<br />

electrical retailers’ association,<br />

retra. Bryan Lovewell, Chief<br />

Executive said: “We are delighted<br />

with the findings of the Which?<br />

magazine survey. It shows what<br />

independent electrical retailers<br />

have known for years - that<br />

expertise and a commitment to<br />

good customer service are key to<br />

building lasting relationships with<br />

consumers.<br />

“We urge the industry to<br />

take note of these results and<br />

seek to engage with the UK’s<br />

independent channel at every<br />

opportunity. With their support,<br />

independents can only improve<br />

on these achievements, which<br />

will be for the benefit of all<br />

concerned.”<br />

Armour Aims to Aid Independents<br />

ARMOUR HOME HAS ANNOUNCED AN IMPORTANT NEW INITIATIVE AIMED AT<br />

HELPING INDEPENDENT RETAILERS DURING THE CURRENTLY DIFFICULT TRADING<br />

TIMES.<br />

The company – which took over AV furniture brand, Alphason Designs in<br />

February 2006 – is offering its independent customers additional financial<br />

credit if they open a new account with Alphason. The dealer’s credit limit on<br />

their new Alphason account will be exactly equal to that of their existing Armour<br />

limit. This means, if they have a 20K limit with Armour, they’ll also enjoy a £20k<br />

limit with Alphason.<br />

Likewise Alphason’s customers, who<br />

do not currently deal with Armour,<br />

are being offered the same deal in<br />

reverse. It they open a new Armour<br />

account, they’ll receive an instant<br />

credit limit equivalent to their<br />

Alphason limit, as well as access to<br />

Armour’s comprehensive range of<br />

brands including QED, Systemline,<br />

Goldring, Grado, NAD and Tivoli.<br />

Armour’s Managing Director, Glenn<br />

McClelland said: “We appreciate the<br />

Armour welcomes retra to its Bishops Stortford premises.<br />

Left to right are: Alphason Designs chief operating officer,<br />

Chris Emerson; Retra CE, Bryan Lovewell; Retra Alert<br />

Editor, Jerry Yates; and Armour MD, Glenn McClelland.<br />

market has slowed recently, not least<br />

for the independents, so we hope<br />

that by providing dealers with instant<br />

credit facilities such as these, we are<br />

giving them more flexibility to expand their businesses and make much-needed extra<br />

margin. This is another example of Armour’s constant striving to enhance the ‘Total<br />

Service’ we provide for our customers.”<br />

Breakfast in America Keighley<br />

NEIL RAMSDEN, PROPRIETOR OF THE DEN IN KEIGHLEY, CONTINUES WITH HIS SERIES<br />

OF VERY SUCCESSFUL PROMOTIONAL MUSIC IN THE LOCAL PUB NIGHTS.<br />

November 2007 saw the culmination of the Yorkshire retailer’s 21st Anniversary<br />

celebrations and The Cricketer’s Arms, also in Keighley, provided the venue<br />

for an evening of Jazz with Creme Anglaise, fronted by ex- Supertramp<br />

saxophonist and long-standing customer of The Den, John Helliwell. The renowned<br />

line up also included Ben Bryant on drums, Geth Griffith on double bass and guitarist<br />

Mike Walker.<br />

The ticket-only event attracted a<br />

capacity crowd who enjoyed two sets<br />

of outstanding music and the odd<br />

beer or four.<br />

Sound was handled by Neil Ramsden<br />

using Chord Company’s Cream<br />

Instrument leads and speaker cable.<br />

At the end of the gig John Helliwell<br />

publically observed ‘’It’s like playing in<br />

a giant hi-fi’’. Internationally acclaimed<br />

guitarist Mike Walker has now<br />

officially endorsed Cream instrument cable in partnership with The Den.<br />

A number of hi-fi products were ordered by customers during the course of the<br />

evening and Neil Ramsden pronounced himself ‘’extremely satisfied ‘’ with the entire<br />

event. He added that The Den will continue to sponsor more live music in 2008.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Alphason Window Dressing<br />

ALPHASON HAS URGED RETAILERS TO BOOK THEIR SLOTS FOR<br />

THE 2008 WINDOW DISPLAY COMPETITION AS PLACES ARE<br />

ALREADY FILLING FAST.<br />

Said the company’s sales and marketing director, Paul<br />

Dawes: “This is one of the most successful promotions we<br />

have run with participants reporting between 20 and 40<br />

per cent increases in AV furniture sales over the display period.<br />

Retailers know a good thing when they see it!”<br />

The competition is now in its fourth year. This year’s prize<br />

for the winner is either a trip for two aboard the Orient Express<br />

to Venice or a cruise on the QE2 to New York. The second prize<br />

is a trip to Paris for two and the third is accommodation and<br />

registration at the 2008 Retra Conference in Portugal.<br />

“It [the 2008 competition] will be even better than 2007,”<br />

promised Dawes “and due to the success of past years will be<br />

expanded to cover even more aspects of the Alphason support<br />

for retailers.”<br />

He continued: “An eye-catching and impactful window<br />

display will continue to be a key element especially as it’s<br />

definitely a win-win situation. Not only do participating retailers<br />

report significant increases in sales, they also receive £1000 worth<br />

of stock for the display which they end up keeping.”<br />

Retailers who would like to take part are encouraged to<br />

contact their local Alphason sales representative as soon as<br />

possible to ensure entry into the 2008 competition.<br />

For the latest news visit<br />

www.the<strong>BAJ</strong>.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

New Trade-Only Show<br />

for 2009<br />

THE NEW CONTECH EVENT, BILLED AS “THE FIRST<br />

INTERNATIONAL TRADE-ONLY EXHIBITION TO BE<br />

HELD IN THE UK COVERING THE VAST ARRAY OF<br />

CONSUMER TECHNOLOGY PRODUCTS RANGING<br />

FROM AUDIO AND OTHER HOME ENTERTAINMENT<br />

SYSTEMS TO HOME MEDIA AND INFORMATION AND<br />

COMMUNICATION DEVICES” IS TO BE HELD ON 10–11<br />

FEBRUARY 2009 AT THE BUSINESS DESIGN CENTRE,<br />

ISLINGTON, LONDON. THE EVENT WILL BE STRICTLY<br />

FOR THE TRADE MEMBERS OF THE CONSUMER<br />

ELECTRONIC, INFORMATION TECHNOLOGY AND<br />

COMMUNICATIONS INDUSTRIES.<br />

Event Director, Richard Milbourn, who was<br />

formerly with Centaur Media, has over 20 years<br />

experience in organising and promoting a wide<br />

range of exhibitions at top venues throughout the UK.<br />

He says that the Business Design Centre was selected<br />

to host the exhibition as it is one of London’s most<br />

stylish venues and ideally suited for hosting specialist<br />

trade exhibitions. Located in Islington, it is easily<br />

accessible for all exhibitors and attendees from the<br />

UK and overseas, something that Milbourn regards<br />

as a major priority having discussed the location with<br />

potential overseas exhibitors.<br />

“The objective,” Milbourn said, “is to make<br />

CONTECH all-embracing with the widest possible<br />

range of different products being on display to reflect<br />

the increasing use of consumer electronic and digital<br />

gadgets in the home for entertainment, business,<br />

communication and education.” The maximum stand<br />

size is therefore being limited to 36 square metres<br />

in order to cater for more exhibitors to ensure that<br />

there will be many more different products, services<br />

and systems featured and so that exhibitors can<br />

compete on a ‘level playing field’ and not on the size<br />

of their marketing budget.<br />

UK and overseas suppliers will be displaying<br />

a wide range of equipment that will include<br />

everything from TV and hi-fi through digital imaging<br />

devices, computer games and memory solutions, to<br />

mobiles and navigation technology.<br />

CONTECH is described as an extremely cost<br />

effective marketing and sales opportunity. A wide<br />

variety of sizes and shapes of shell stands and<br />

space-only stands are available and an early bird<br />

discount of 20 per cent is available to exhibitors that<br />

book space before 31 May 2008. Stands are being<br />

allocated on a first-booked, first-allocated basis.<br />

For further information contact Richard Milbourn on<br />

0844 561 1230 or email richard.milbourn@carnah.co.uk<br />

NEWS<br />

13


NEWS<br />

14<br />

PURE Sells a Quarter of a Million ONEs<br />

PURE DIGITAL HAS SOLD MORE THAN A QUARTER<br />

MILLION UNITS OF THE ONE RADIO IN JUST 18<br />

MONTHS MAKING IT THE FASTEST SELLING DAB<br />

PORTABLE RADIO EVER.<br />

As the first premium brand sub-£<strong>50</strong> DAB radio,<br />

ONE was designed to be the radio for everyone.<br />

PURE appears to have achieved this aim as ONE<br />

has become the top selling radio in the UK (DAB and<br />

analogue combined).<br />

ONE is also now a member of the PURE EcoPlus<br />

range and has been re-designed to minimise its<br />

environmental impact, with a standby power<br />

consumption of less than 1W, support for a<br />

rechargeable ChargePAK battery, packaging made<br />

from a minimum of 70 per cent recycled material,<br />

finished with water based varnish, and documentation<br />

printed with Soya-based ink on 100 per cent recycled<br />

paper.<br />

Ian Dickens, chief executive of the Digital Radio<br />

Development Bureau said: “PURE Digital was the<br />

first company to bring affordable, high quality DAB<br />

products to market and, in a short period, has become<br />

a trusted consumer electronics brand. We congratulate<br />

them on achieving sales of a quarter-million with the<br />

ONE – a milestone for both PURE and DAB digital radio.”<br />

Despite costing just £49.99 (SRP) ONE is fully<br />

featured and delivers everything users would expect<br />

from a PURE DAB radio including station selection by<br />

name, scrolling text display, and one-touch tuning<br />

along with FM with RDS, kitchen and sleep timers, USB<br />

upgradeability, and 20 combined DAB and FM presets.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Fantastic Publicity for Luxury Living Show<br />

WITH MY GLOOMY COMMENTS ELSEWHERE<br />

CONCERNING SHOWS IT IS PLEASANT TO BE ABLE<br />

TO REPORT SOME RATHER MORE UPLIFTING NEWS<br />

REGARDING THE LUXURY LIVING AND HOME<br />

ENTERTAINMENT SHOW THAT PHILIPPA STEWARD<br />

AND DENNIS POOLE ARE ORGANISING. THE SPACE<br />

IS SELLING AT AN ENCOURAGINGLY STEADY RATE,<br />

THOUGH, IT HAS TO BE SAID THAT THE REST OF THE<br />

LUXURY GOODS MARKET IS SHOWING A CLEAN<br />

PAIR OF HEELS TO OUR INDUSTRY AT THE MOMENT<br />

WHEN IT COMES TO BOOKING SPACE RATHER THAN<br />

PREVARICATING ABOUT IT. MOST OF THE SPACE<br />

ALLOCATED FOR EXHIBITORS OUTSIDE OUR INDUSTRY<br />

HAS BEEN SNAPPED UP AND OTHER AREAS AT THE<br />

VENUE HAVE HAD TO BE PRESSED INTO SERVICE TO<br />

ACCOMMODATE THEM.<br />

The good news doesn’t stop there. The organisers<br />

have added some prestigious media partners<br />

to the event. GU Premier, a magazine that is<br />

distributed exclusively to those earning over £100,000<br />

a year and who live in a £800,000+ house with a<br />

GU postcode, has come on board and featured the<br />

show in its January <strong>issue</strong>. In fact, the magazine will<br />

be producing the show guide and including it in the<br />

relevant <strong>issue</strong>, which will coincide with the publication<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

extending its reach to yet another post code area. That<br />

should bring in a few more high-net-worth visitors!<br />

Add this to upcoming articles in the local Life in<br />

series of community lifestyle magazines, which will<br />

generate yet more local interest and the pre-show<br />

publicity is off to a flying start.<br />

As we went to press two more publishing houses<br />

joined the throng: Lusso and UPStreet are two very<br />

up-market titles that will be publicising the Luxury<br />

Living and Home Entertainment Show to their readers<br />

and attending the show. Lusso has promised that<br />

some of its team will bring their cars along to display<br />

at the event: as one of them currently has a £810,000<br />

Bugatti Veyron on order the petrol-heads among us<br />

cannot wait.<br />

There is still space available in the home<br />

entertainment section of the show, even though that<br />

is now being used to cater to companies outside our<br />

industry. Remember that this is a show at which you<br />

can sell so it is fine if you want to have a dealer or<br />

installer promote your equipment.<br />

For further information about the event please contact<br />

Philippa <strong>Steward</strong> on 01428 717400 or Dennis Poole on<br />

07872 127 054. The show also has a new website, which<br />

you can visit at www.luxurylivingshow.co.uk.<br />

NEWS<br />

15


SHOWS<br />

16<br />

The Autumn Shows<br />

MALCOLM STEWARD CONTEMPLATES THE AUTUMN HI-FI SHOWS AND WONDERS WHY WE BOTHER<br />

HAVING THEM NOWADAYS WHEN NOBODY SEEMS WILLING TO SUPPORT THEM PROPERLY.<br />

THIS IS THE SECOND TIME I’VE WRITTEN ABOUT THE<br />

2007 HEATHROW SHOW. ON THE FIRST OCCASION I<br />

HAD TO PROVIDE A REPORT FOR THE READERS OF HI-FI<br />

CHOICE, WHICH WAS A SIMPLE TASK GIVEN THAT MY<br />

BRIEF WAS TO CONCENTRATE ON EQUIPMENT RATHER<br />

THAN POLITICS. GOD FORBID THAT I SHOULD RISK<br />

BEING OVERLY CRITICAL OF ANY ELEMENT WITH SUCH<br />

AN AUDIENCE: WE NEED EVERY SINGLE, SOLITARY<br />

ONE OF THOSE WONDERFUL PEOPLE WHO BUY THE<br />

EQUIPMENT WE MANUFACTURE AND SELL TO KEEP US<br />

ALL IN GAINFUL EMPLOYMENT. AT THE SAME TIME, I<br />

HAD TO BE HONEST AND OBSERVE THAT THE LIST OF<br />

THOSE NOT EXHIBITING AT THE EVENT TOLD AS MUCH<br />

OF A STORY AS THE LIST OF ATTENDEES DID.<br />

And the biggest buzz I heard at the<br />

November What Hi-Fi?/Stuff show<br />

wasn’t about hi-fi but a £200<br />

laptop computer. Everybody was asking<br />

excitedly if I’d seen it. The answer<br />

was that I hadn’t as I’d gone straight<br />

from the hotel entrance to a reception in<br />

the Mordaunt-Short room. I was late and if I<br />

showed my face on the show floor or in the<br />

bar I can guarantee that someone would’ve collared<br />

me and I’d have been chatting – and becoming even<br />

later still – for at least 10 precious minutes. I was<br />

never much good at being business-like and brusque,<br />

and my ability to be abrupt with people lessens as I<br />

become older.<br />

With no competition from the Hi-Fi News show over<br />

the road at the Renaissance hotel, the Chester Group<br />

had the opportunity to clean up on the September<br />

Heathrow slot. The only ‘opposition’ came from highend<br />

distributor, Audiofreaks, who had hired a couple<br />

of rooms at the former HFN venue in which to present<br />

just its own brands.<br />

Unfortunately, I guess that many companies<br />

adopted a wait and see attitude towards the Park<br />

Inn show. Sadly that seemed, to me at least, to knock<br />

much of the wind out of its sails. While the show<br />

was enjoyable, from my perspective, with plenty of<br />

interesting stuff to see, I don’t think it had sufficient ‘big<br />

names’ to draw in mainstream customers. With respect<br />

to the companies that I am now about to infer are<br />

‘smaller’, the only ‘big’ names present were Meridian,<br />

Naim, and Pioneer. And of those, only Pioneer is likely<br />

be known to a ‘civilian’. Where, I wondered, were Arcam,<br />

Cyrus, Linn, Marantz, KEF, Wharfedale and their ilk?<br />

Some of these made an appearance at the Novotel<br />

in November. I apologise to them for not visiting<br />

them but I wasn’t able to spend much time<br />

at that show this year. I did, though, as I<br />

mentioned earlier, manage to get there for<br />

an hour one evening to attend a Mordaunt-Short<br />

post-show gathering to celebrate the company’s 40 th<br />

anniversary at which founder, Rodney Short was the<br />

primary guest. I wasn’t going to miss the chance of<br />

shaking the hand of one of the people whose designs<br />

first got me interested in hi-fi all those years ago. And<br />

the meal at Chez Kristof that followed was thoroughly<br />

enjoyable, too.<br />

In one respect – navigation – both shows struck<br />

me as being equally poor. Finding my way round the<br />

Novotel always confuses me and the lack of signage<br />

and division of rooms at the Park Inn meant that half<br />

the exhibits were far too easy to miss. Without having<br />

been to the show before one might not have realised<br />

that there were many rooms on the ‘other’ side of the<br />

hotel – the side most distant from the main entrance.<br />

The most pleasing element of the Chester Group<br />

show was its being primarily focussed on music not<br />

AV – oh the sheer, unadulterated joy of walking into a<br />

room and hearing music rather than being plummeted<br />

into darkness and having one’s senses battered by<br />

some subwoofer-sodden blockbuster. Not to mention<br />

the inevitable whinging after the show report is<br />

published: “Why didn’t you print a photograph of my<br />

room?” Do you think the fact that the room was in<br />

total darkness with just a cartoon image on the screen<br />

might have had any influence on our decision?<br />

I have to say that all the rooms I visited would have<br />

satisfied me had I been a regular ‘punter’. In fact, a<br />

few would have transported me to delirium central:<br />

Transcriptors, for example, where one could see the<br />

turntable – the Hydraulic Reference – of the same<br />

vintage that Stanley Kubrick used in the movie A<br />

Clockwork Orange. Just how cool was that?<br />

Other chilled things I experienced on my way to<br />

find 10 items to titillate my HFC readers included:<br />

Clearaudio’s outstanding dedication to vinyl, perhaps<br />

best characterised by the over-sized lap-top style<br />

device that turned out to be a ‘trouser press’ for<br />

flattening your warped LPs. Naim was one of myriad<br />

companies exhibiting a new phono stage: yes there<br />

were pre-pre-amps there to suit every budget and<br />

design taste. Equally, there were turntables to plug<br />

into them everywhere you looked. Creek’s first<br />

turntable looked well-sorted for a debut model<br />

and Clearaudio had a roomful of serious looking<br />

decks. Origin Live, Transcriptors, The Funk Firm, and<br />

Townshend were all showing new models. In fact,<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


the turntable scene was looking positively healthy<br />

considering that vinyl ‘died’ 25 years ago!<br />

The London Sound and Vision Show 2007 wasn’t<br />

the ideal September show… but it so easily could have<br />

been. Given more support from the trade and better<br />

organisation in some respects the show could have<br />

been far better, and that’s just what this industry needs.<br />

Then we need to increase the number of visitors,<br />

both trade and public. We need much broader<br />

publicity in media other than hi-fi magazines, most of<br />

whose readers are predisposed to attend anyway.<br />

I hate to keep banging on about the Munich High<br />

End show but that is a hugely successful event that<br />

puts the UK shows – every single one of them – to<br />

shame. That show isn’t organised by magazines or<br />

events companies; it’s put together by the industry<br />

under the banner of the High End Society. It is a<br />

marvellous event and it is a damned shame that we in<br />

Britain cannot stage anything to compare with it. Mind<br />

you, The M.O.C in Munich is a wonderful venue: it’s not<br />

perfect but it makes the NEC and ExCeL look extremely<br />

unattractive by comparison.<br />

It’s about time that UK show organisers realised<br />

that the key element in any show is the visitor, and<br />

that satisfying those people who pay to come to your<br />

show – and don’t forget to factor in the ‘hidden’ costs<br />

they might encounter as well as the entry-fee – is vital.<br />

Failing to satisfy the visitor put paid to the HFN show:<br />

all those foreign brands that were enticed in to exhibit<br />

at the show might have put money into the organiser’s<br />

coffers but they also should have put products onto UK<br />

dealers’ shelves. In the last year of that show I visited<br />

one such company who, despite having won a Hi-Fi<br />

News award for its amplifier, didn’t have a single UK<br />

dealer. I’d ask where’s the point, but where’s the point?<br />

A couple of years before that I’d encountered a new<br />

speaker brand at the show: I say brand when I doubt<br />

if the one man-band had the slightest notion what a<br />

brand was. He was showing a prototype loudspeaker<br />

that was possibly the ugliest thing I’d ever seen<br />

with the exception of another hideous, grotesque<br />

loudspeaker that was being shown. “How much are<br />

they?” I asked. “£35,000,” came the reply. I wouldn’t<br />

have given him £35 for a pair even if they’d been goldplated<br />

and had Angelina Jolie bent over them.<br />

Those days are, perhaps, one can<br />

only hope, gone but there’s still a fill-thespace-at–any-cost<br />

mentality evident at<br />

most shows that I visit… with the<br />

possible exception of Munich. But<br />

there I go banging on about Munich<br />

again. As we go to press I am told that<br />

rumour has it that one London show might<br />

move next year to ExCeL. One can only hope<br />

that’s not true if the organisers don’t want to kill it. The<br />

move to Docklands’ desolation might have worked for<br />

the CEDIA Expo but I can’t see the same happening for<br />

any consumer-based hi-fi and gadgets event.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

A photo of Max<br />

Townsend in<br />

original Rock<br />

days keeps<br />

guard over the<br />

latest iteration<br />

of his distinctive<br />

turntable.<br />

Crazy but<br />

eye-catching<br />

turntable from<br />

the Funk Firm.<br />

Who else would<br />

put blue fibre<br />

optics inside<br />

a turntable<br />

plinth?<br />

The let’s have<br />

a party , best,<br />

literally, of<br />

British approach<br />

to fuelling a<br />

record cleaning<br />

machine by the<br />

pint-meisters at<br />

Loricraft Audio.<br />

The iconic<br />

Transcriptor<br />

Hydraulic<br />

Reference: still<br />

looking fabulous<br />

after all those<br />

decades. It’s<br />

more than 40<br />

years since this<br />

design first saw<br />

the light of day<br />

and it still looks<br />

fabulous.<br />

17


18<br />

An Even Stronger<br />

Marantz In 2008<br />

FOLLOWING ON FROM THE HUGE CRITICAL AND<br />

COMMERCIAL SUCCESS OF LAST YEAR’S PRODUCT<br />

INTRODUCTIONS, MARANTZ, AMAZINGLY, IS SET<br />

TO UNVEIL AN EVEN STRONGER LINE-UP FOR THE<br />

FORTHCOMING TWELVE MONTHS. 2008 WILL SEE A<br />

VERITABLE DELUGE OF NEW DESIGNS, EACH AIMING<br />

TO SET NEW STANDARDS AT THEIR RESPECTIVE PRICE<br />

POINTS, WITH MANY IMPLEMENTING TECHNOLOGY<br />

FIRST DEVELOPED FOR THE COMPANY’S REVERED<br />

AND RECENTLY INTRODUCED FLAGSHIP LEGENDARY<br />

SYSTEM.<br />

And, as with last year, Marantz has one aim in<br />

mind. The company’s UK managing director,<br />

Jason Dear, says, “Driving business to the retailer is<br />

our absolute priority for the future - they must come first.<br />

Our sole objective with our new introductions is to deliver<br />

the consumer to the store. We then aim to make sure the<br />

dealer has all the tools needed to make the sale.”<br />

Heading the new product charge is the magnificent<br />

SA-11S2 Super Audio CD player. Fundamental to the<br />

SA-11S2’s engineering philosophy was a desire to<br />

incorporate as much of the acclaimed technology of<br />

the iconic SA-7S1 flagship disc spinner as possible and<br />

maintain its high standards of sonic ability. Moreover,<br />

the R&D team has implemented a plethora of new<br />

features and internal components for exceptional<br />

sound quality. The SA-11S2 hopes to rewrite the rules<br />

for £2<strong>50</strong>0 machines.<br />

To compliment the SA-11S2 is the first mid-priced<br />

pre/power amplifier combination from Marantz in<br />

nearly twenty-five years. And the SC-11S1 and SM-<br />

11S1 are well worth the wait. The new models - £<strong>50</strong>00<br />

for the pair - will amply fill the quite significant gap<br />

between Marantz’s flagship amplifier set-up – the<br />

£15,000 Legendary trio – and the next model down<br />

– the more modestly priced £2000 PM-11S1 integrated<br />

design. And again, as much as cost considerations<br />

would allow, the SC-11S1 and SM-11S1 implement<br />

technology found in Marantz’s flagship Legendary<br />

models.<br />

The trio of components hope to continue the good<br />

form shown by other recently introduced Marantz<br />

hi-fi electronics, which have been receiving rapturous<br />

reviews. Products such as the modestly priced CD6002<br />

CD player show that you don’t need to spend a fortune<br />

to enjoy the acclaimed Marantz sound. The former<br />

picked up the coveted Best CD Player Under £300 prize<br />

at the recent What Hi-fi? Sound and Vision Awards. Just<br />

as impressively, together with the matching PM6002,<br />

it recently won What Hi-fi? Sound and Vision’s Best<br />

System Under £1000 award. Unsurprisingly this has<br />

made the budget combo something of a hot potato.<br />

The pairing has become hugely successful, with<br />

incredibly strong sales. And as Jason Dear states, “The<br />

really important thing for us about the 6002 system is not<br />

that it has been selling into stores in such large numbers<br />

but, more significantly, it is that it has been selling out just<br />

as strongly.”<br />

Critical success is one reason the brand’s retailer<br />

partners are very positive about the recent strategy<br />

and products. As Dave Spears, a senior manager at<br />

Practical Hi-Fi, says: ”The Award for the CD6002 is great<br />

news. You always get extra interest from consumers<br />

after such an accolade and its great to see such a strong<br />

product getting the respect it deserves.” He continues: “I<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


have nothing but praise for the company at the moment.<br />

They don’t sell on the Internet, which is great because,<br />

providing the sale goes right, the customer buys from us<br />

directly. I really wish other manufacturers would do the<br />

same thing.”<br />

This view is reinforced by Amit Patel, from Unilet<br />

Sound and Vision, “Reviews are important; they do<br />

generate interest, although it does not mean that people<br />

will automatically buy: that is up to us. But positive<br />

reviews help to keep the brand awareness on the up.”<br />

That said, Amit feels there is another strong factor<br />

behind Marantz’s recent success, “The great thing is that<br />

the company has decided that it is quality that matters.<br />

Whether you are talking about a product like the CD6002<br />

or the SA-7S1, it has listened to the dealers and given us<br />

strong products that deliver value for money.”<br />

The SA-11S2 system<br />

Using the same pair of powerful mono DACs as found<br />

in the flagship SA7-S1 for both DSD and 24-bit PCM<br />

audio playback, the SA-11S2 employs a fully balanced<br />

dual-differential audio circuit, again identical to<br />

the SA-7S1, which provides superb stereo image by<br />

ensuring perfect symmetry between the right and left<br />

channels.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

To achieve the best possible sonic performance<br />

circuit topology is short and direct. It is packed<br />

with high precision metal-film resistors, chip mica<br />

capacitors and Marantz’s proprietary HDAMs - Hyper<br />

Dynamic Amplifier Module.<br />

Another feature central to the SA-11S1’s classleading<br />

sound is the SACDM-1 mechanism module.<br />

Developed for SA-7S1 it features a 10mm case of<br />

extruded aluminium for rock-solid, vibration-free<br />

build. It guarantees only a supreme, pure digital<br />

signal will feed the digital filters and the D/A<br />

converters.<br />

Internal wiring is channelled into separate circuits<br />

eliminating interference between circuits, while the<br />

high-capacity Super Ring toroidal transformer is<br />

entirely shielded by an aluminium shorting ring and<br />

a copper-plated case to keep unwanted magnetic<br />

radiation away from internal parts. This is the same<br />

solution as found in the SA-7S1.<br />

This orgy of engineering is housed on a full-metal<br />

chassis that employs a double-layer bottom plate, a<br />

5mm thick aluminium cover, and substantial shockabsorbing<br />

feet to virtually eliminate sound-degrading<br />

vibration. The case is even completely copper-plated<br />

to guard against electrical interference and, thanks<br />

FEATURE<br />

19


For further information<br />

please contact<br />

Marantz UK<br />

Kingsbridge House<br />

Padbury Oaks<br />

575 - 583 Bath Road<br />

Longford<br />

UB7 0EH<br />

T: +44 (0) 1753 680868<br />

F: +44 (0) 1753 680428<br />

www.marantz.co.uk<br />

20<br />

to unique engineering, no screws are visible. The<br />

result is a model delivering clean, minimalist lines<br />

to match its pure sound.<br />

The SM-11S1 is a fully balanced stereo power<br />

amplifier capable of producing a very conservatively<br />

estimated 200W into 8 Ohms. As the amp adheres<br />

to Marantz’s intelligent parallel layout topology,<br />

it doesn’t suffer from any left/right channel<br />

interference, resulting in a separation equal to that of<br />

mono designs. As an upgrade path the SM-11S1 can<br />

also switch to mono operation, doubling its power<br />

output in the process.<br />

Obviously, the quality of the power supply in a<br />

power amp is extremely important. The SM-11S1<br />

follows the design concept of the flagship MA-9S2,<br />

using an identical massive toroidal transformer with<br />

double core, acoustic isolation plates, coring of<br />

silicon steel sheets, housed in an<br />

aluminium case.<br />

Class-leading components include<br />

Schottky diodes, customised<br />

Marantz block capacitors and Blue<br />

Star cap film capacitors, while<br />

the display can be turned off to<br />

improve performance further.<br />

Two pairs of low impedance WBT<br />

speaker terminals only add to the<br />

already impressive quality.<br />

Meanwhile, the £2000 SC-11S1<br />

is a fully balanced, two-channel control amp.<br />

Unparalleled attention to detail in the design and<br />

development of the input/output, volume and<br />

power supply circuits means the SC-11S1 leads the<br />

field in sound quality.<br />

Completing the package on both designs is the<br />

usual Marantz tank-like build quality, with a doublelayer<br />

bottom plate and substantial shock-absorbing<br />

feet to virtually eliminate sound-degrading vibration,<br />

while a 5mm thick copper-coated aluminium lid tops<br />

off the casework.<br />

PMC + Legends Get The i<br />

PMC HAS ANNOUNCED THE LAUNCH OF THE I<br />

SERIES, A RANGE OF LOUDSPEAKERS THAT DIRECTLY<br />

REPLACES THE LEGENDARY DB1+, TB2+, GB1, FB1+<br />

AND OB1 MODELS AND THEIR CENTRE CHANNEL<br />

DERIVATIVES.<br />

The PMC R&D team has introduced three major<br />

technical upgrades in the new models. First,<br />

a new precision built SOLONEX soft dome<br />

tweeter with a custom dispersion plate, which has<br />

been born out of a collaboration with the Norwegian<br />

acoustic specialists, SEAS. Detail, power handling and<br />

superior off axis response are the main attributes of<br />

the unit.<br />

To keep pace with the enhanced<br />

top end performance the mid/bass<br />

units have also improved with the<br />

introduction of the new PMC designed<br />

drivers displaying higher power<br />

handling and a flatter, lower distortion<br />

mid range. The hand-built and matched<br />

high order crossovers that feature<br />

French SOLEN capacitors have also been<br />

optimised for the introduction and<br />

integration of the new drive units. The combination<br />

of these technical innovations produces a greater<br />

soundstage with a more tangible vocal character and<br />

faster, cleaner edged bass.<br />

To reflect the increase in sonic performance<br />

the hand-finished exterior has also undergone an<br />

extensive makeover with the cabinet veneered on all<br />

surfaces and a deeper and finer sheen level applied to<br />

the timber portion as well as the plinth. To complete<br />

the sumptuous finely honed look and feel, the i series<br />

sports a solid, metal hand-polished badge, which<br />

would be equally at home on an exotic supercar – if it<br />

were manufactured by PMC.<br />

The UK Retail Pricing follows: please note that the<br />

speakers are priced as pairs with the exception of<br />

centre channels, which are priced as single units.<br />

DB1i ................................. £770.00<br />

DB1M-Ci (Centre) ....... £425.00<br />

TB2i .................................. £9<strong>50</strong>.00<br />

TB2M-Ci (Centre) ........ £<strong>50</strong>0.00<br />

GB1i ...............................£1275.00<br />

FB1i ................................£18<strong>50</strong>.00<br />

OB1i ...............................£29<strong>50</strong>.00<br />

CB6i (Centre) ..............£1<strong>50</strong>0.00<br />

For further information please<br />

contact Samantha Thomas at<br />

PMC Ltd<br />

43-45 Crawley Green Road<br />

Luton<br />

LU2 0AA<br />

T: +44 (0) 870 4441044<br />

F: +44 (0) 870 4441045<br />

sam@promonitor.co.uk<br />

www.pmc-speakers.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Monster Introduces the World’s Only<br />

Speed-Rated HDMI Cables<br />

MONSTER HAS ANNOUNCED THE INTRODUCTION OF<br />

THE WORLD’S FIRST AND ONLY SPEED-RATED HDMI<br />

CABLES THAT OFFER A DEMONSTRABLE DIFFERENCE<br />

IN HIGH-DEF IMAGE QUALITY. THE INTRODUCTION IS<br />

BEING ACCOMPANIED BY A CONSUMER “NEED FOR<br />

SPEED” EDUCATION CAMPAIGN THAT THE COMPANY IS<br />

LAUNCHING IN ORDER TO HELP CLEAR UP CONFUSION<br />

ABOUT THE QUALITY DIFFERENCES AND BENEFITS OF<br />

SPEED-RATED CABLES.<br />

According to Noel Lee, the Head Monster, much<br />

of the confusion stems from the advent of<br />

HDMI 1.3 Category 2 standards with even<br />

higher speed capabilities than conventional HDMI.<br />

Most important to understand, he notes, is that speed<br />

is dramatically affected by cable length. Consumers<br />

and installers alike have many questions about<br />

which HDMI cable will best suit any particular set of<br />

requirements and circumstances.<br />

To help answer these questions and bring a new<br />

level of quality to HDMI viewing, Monster introduced<br />

its Speed Rated HDMI cables with five different levels<br />

of HDMI performance, including Standard Speed,<br />

High Speed, Advanced High Speed, Ultra High Speed,<br />

and Ultimate High Speed.<br />

As additions to the M Series® line, Monster’s<br />

highest performance cable will be designated<br />

Ultimate High Speed and will feature advanced<br />

new technologies that maintain its incredible<br />

performance, even over long lengths. The model<br />

name for this cable is Monster M1000 HD.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

The Ultra High Speed cables – M8<strong>50</strong> HD, MC<br />

1000 HD and U3 V1000 HD – are ready to deliver not<br />

just everything available today but all the amazing<br />

technologies that are right around the corner.<br />

Advanced High Speed cables – M6<strong>50</strong> HD, MC 800<br />

HD and U3 V8<strong>50</strong> HD – are for those who want better<br />

performance from today’s technologies, such as<br />

advanced colour and lossless audio.<br />

High Speed cables – models MC 700 HD and U3<br />

V600 HD – deliver today’s high definition picture and<br />

sound at a price everyone can afford.<br />

HD Standard Speed cables offer entry level high<br />

definition connection for HDTV buyers on a budget.<br />

The model names for these cables are MC <strong>50</strong>0 HD and<br />

U3 V<strong>50</strong>0 HD.<br />

All of the cables in the Core, Monster<br />

Ultra Home Theater, and M Series<br />

line will be clearly identified with the<br />

Monster Speed Medallion System and<br />

Performance Bars on the package. The<br />

performance bars will identify cables as<br />

to their capability with higher refresh<br />

rates, advanced colour, and other HDMI<br />

features, prominently on the packaging.<br />

Monster’s advanced speed-rated<br />

HDMI cables are designed to bring out the best of<br />

today’s high-definition home entertainment devices,<br />

as well as those of tomorrow. To back up this promise,<br />

Monster’s 1000 level cable in all lines will carry<br />

Monster’s Cable for Life replacement offer, so if the<br />

cable is ever outstripped by the technologies of the<br />

displays or sources, Monster will replace the cable at<br />

no charge.<br />

For pricing and further<br />

details, please contact:<br />

Monster Europe Ltd<br />

Wenta Business Centre<br />

Colne Way<br />

Watford<br />

WD24 7ND<br />

T: +44 (0)1923 693766<br />

F:+44 (0) 870 870 0892<br />

www.monstercable.com<br />

NEW PRODUCTS<br />

21


NEW PRODUCTS<br />

Denon’s SMART<br />

Music and<br />

Home Cinema<br />

Systems<br />

22<br />

THE S-302 IS A STATE-OF-THE-ART, ONE-BOX, DVD<br />

SYSTEM BLENDING DENON’S SKILLS IN HI-FI, HOME<br />

CINEMA AND NETWORKS INTO ONE EASY-TO-USE,<br />

FAMILY FRIENDLY SYSTEM. DESIGNED TO BE USED<br />

WITH FLAT TVS, IT FEATURES HDMI, 1080P FULL-<br />

HD UPSCALING AND CONVERSION, WI-FI, TOTAL<br />

CONNECTIVITY AND REMARKABLE LEVELS OF AUDIO<br />

AND VIDEO QUALITY, ALL BUILT INTO IN A STYLISH<br />

COMPACT CHASSIS. IT IS A MASSIVE UPGRADE ON ITS<br />

PREDECESSOR, THE S-301, YET SELLS AT THE SAME<br />

PRICE.<br />

Denon has packed the S-302 with advanced<br />

technologies that dramatically enhance both<br />

sound and video quality. The video section<br />

will upscale everything to a crystal clear 1080p image<br />

and up-convert all video sources to HDMI, allowing<br />

the use of just one cable to the screen.<br />

For enhanced audio performance, the S-302<br />

features new Audyssey Bass-XT and Audyssey<br />

Dynamic EQ for greater bass response from the<br />

included subwoofer, which is 20 per cent smaller<br />

than previous designs, and extended dynamics at all<br />

volume levels. The S-302 boasts an amplifier section<br />

with <strong>50</strong> watts per channel, a 100 watt amplifier for<br />

the subwoofer and two flat profile, three driver, twoway<br />

speakers which can be stand or wall mounted.<br />

The powerful Wi-fi networking, borrowed from<br />

Denon’s new AVR line allows the S-302 to stream<br />

music wirelessly from Macs, PCs, NAS and Internet<br />

Radio. The USB port allows the use of USB hard drives,<br />

USB memory sticks and USB MP3 players. The system<br />

has the ability to decode not just popular MP3 and<br />

WMA formats but also AAC, m4a, WAV, WMA Lossless<br />

and FLAC (Free Lossless Audio Codec). A 3.5mm<br />

input on the front panel caters for all other portable<br />

devices and a special iPod lead or optional iPod dock<br />

bring full iPod integration and control.<br />

The S-302 delivers a stunning new 1080p colour<br />

on-screen interface (GUI), with a set-up wizard that<br />

makes getting going easy. One unified colour screen<br />

lets users view cover art and info from iPod, USB and<br />

all streaming media sources.<br />

Denon uses technologies and components<br />

that have already proved reliable in their full-size<br />

components including the ultra-robust DVD drive<br />

from the £6<strong>50</strong> DVD-2930. Despite the confined<br />

space available, the audio/video circuits are<br />

constructed with top-quality,<br />

discrete components and all of<br />

Denon’s hi-fi and home cinema<br />

knowledge have been bought to<br />

bear. Denon’s own AL24 processing,<br />

for example, further improves stereo<br />

reproduction.<br />

The full Denon Smart S-302<br />

2.1-channel system retails at<br />

around £12<strong>50</strong>.<br />

For further information<br />

please contact Denon<br />

Moorbridge House<br />

Padbury Oaks<br />

579 Bath Road<br />

Longford<br />

UB7 0EH<br />

T: +44 (0) 1753 680568<br />

F: +44 (0) 1753 689697<br />

www.denon.co.uk<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


NAD’s Budget Reference CD Player<br />

NAD ELECTRONICS HAS INTRODUCED THE C515BEE<br />

CD PLAYER, A HIGHLY AFFORDABLE PLAYER WITH<br />

THE FEATURES AND PERFORMANCE OF FAR COSTLIER<br />

COMPONENTS. WITH THE C515BEE, THE DESIGN<br />

TEAM HAS SUCCESSFULLY LOWERED ITS COST WHILE<br />

RETAINING THE FEATURES CONSUMERS MOST WANT,<br />

ALONG WITH THE PROPRIETARY TECHNOLOGY TO<br />

DELIVER ACCURATE, NATURAL SOUNDING MUSICAL<br />

PERFORMANCES.<br />

Compact and understated in appearance, the<br />

C515BEE is a breakthrough in both performance<br />

and value, perfectly matching the equally slimline<br />

C315BEE Integrated Amplifier. Carefully engineered<br />

circuit layouts ensure the least possible noise and<br />

distortion. Multiple regulated low-noise power supply<br />

circuits and individual circuit boards guarantee the<br />

delicate digital audio circuitry is well isolated from<br />

motor and display demands. Analogue and digital<br />

circuits have their own isolated supplies. Every element<br />

of the C515BEE’s circuitry has been carefully selected<br />

— from the 24-bit/192kHz D/A converters, chosen for<br />

low noise and excellent linearity, to the audio-specific<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

analogue OP Amps, which provide accurate musical<br />

sound. The C515BEE provides a complete roster of<br />

navigation and control functions, as well as more<br />

advanced features that appeal to serious music lovers.<br />

Repeat and Repeat A-B, for example, allow careful<br />

study of musical passages, making them favourite<br />

features of musicians. Users can easily custom program<br />

the C515BEE to play only the desired tracks on a CD, or<br />

toggle through different display modes to show total<br />

playback time, time remaining, time per track, and any<br />

programmed function.<br />

The C515BEE also plays MP3 and WMA files, using<br />

the latest, best sounding decompression algorithms.<br />

This allows playback of CD-Rs burned on a PC, with up<br />

to 10 hours of play on a single disc. NAD’s superb D/A<br />

conversion and analogue amplification stages ensure<br />

the maximum possible sound quality for compressed<br />

music files. Additional features include an informative<br />

display, a dimmer for the display, coaxial and optical<br />

digital outputs, and a full-function remote control.<br />

The NAD C515BEE will retail in the UK at around<br />

£165. It is available in NAD’s Grey or new Titanium<br />

finishes.<br />

For further information<br />

please contact<br />

Armour Home<br />

Units 7 - 8<br />

Stortford Hall Industrial Park<br />

Bishops Stortford<br />

CM23 5GZ<br />

T: +44 (0) 1279 <strong>50</strong>1111<br />

www.armourhe.co.uk<br />

http://nadelectronics.com<br />

23


in association with<br />

24<br />

Messenger at Large<br />

WE CAN THANK MUSICAL FIDELITY’S ANTONY<br />

MICHAELSON AND HIS SUPERCHARGER INITIATIVE<br />

FOR PUTTING POWER FIRMLY BACK ON THE HI-FI<br />

AGENDA, AND WHILE I DON’T ENTIRELY AGREE WITH<br />

EVERYTHING HE SAYS, I THINK IT’S A TOPIC THAT WELL<br />

DESERVES A FRESH AIRING.<br />

Michaelson’s basic contention is that we need<br />

to be able to generate realistic levels – i.e.<br />

something close to the live experience – to<br />

consider our systems ‘good quality’. And in order to<br />

do so we need to be able to generate peak levels of at<br />

least 106dB at our listening seat, which requires more<br />

than 300W of power with average (88dB) sensitivity<br />

speakers.<br />

That proposition is arguably implied in the word<br />

‘fidelity’, but it also raises interesting questions about<br />

how we want to enjoy music in our homes. Are we<br />

really trying to recreate the live experience? Or are<br />

we merely trying get the most out of our music, in an<br />

environment that’s very different from the concert<br />

for your home<br />

for your garden<br />

hall or rock venue? I would argue that either objective<br />

is equally valid, and that our personal relationship<br />

with our chosen hi-fi system is as individualistic as our<br />

particular (or peculiar) tastes in music.<br />

Some listeners may indeed want to try to recreate<br />

a concert hall experience, which for a good seat in an<br />

orchestral performance probably does reach 106dB or<br />

thereabouts, a reasonably realistic target. But the levels<br />

at a rock concert are going to be a whole lot louder<br />

still, maybe as much as 10dB, and there’s no way you’re<br />

going to generate those with anything short of a PA rig.<br />

(And if you do, there’s allegedly a real risk of permanent<br />

hearing damage.)<br />

However, the home experience is very different from<br />

the live concert for a number of reasons. At a classical<br />

concert you’re expected to sit quietly and respectfully,<br />

not attempt to communicate with your nearest and<br />

dearest in the next seat (barring perhaps a hushed<br />

whisper in the ear). Interpersonal communication is<br />

not discouraged at a rock concert, but it’s neither easy<br />

nor effective, usually involving a brief monosyllabic<br />

for your entertainment<br />

for you<br />

Branksome Place, Haslemere, Surrey, 19–20 April 2008<br />

www.luxurylivingshow.co.uk<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


“get off my foot” shouted into someone’s ear.<br />

When I’m listening to music at home, it’s different<br />

on a number of levels. Because the listening room is<br />

so much smaller and more confined than the concert<br />

hall, it doesn’t let the low bass ‘breathe’ in anything like<br />

the same way. For me at least, whereas the concert is<br />

essentially a focused and essentially private experience,<br />

home listening is a much more casual and social affair,<br />

usually punctuated by discussion and conversation.<br />

And if you want to try to hold a conversation, you don’t<br />

want the music peaking up at around 106dB.<br />

There is one qualification here, which is that classical<br />

music has a much higher peak-to-mean ratio than rock<br />

material, and solo piano is the most extreme example<br />

of this. And while the mean level of the music is the<br />

part that determines the perceived loudness, it’s the – and one ex-editor of Hi-Fi Choice used Martin<br />

peak level that decides how big the amplifier has to loudspeakers at home!), I reckon most people will be<br />

be to avoid clipping. Ironically perhaps – or against reasonably happy with systems that are capable of<br />

superficial expectations at least – a bigger amplifier is reaching 100dB, a level which will require just <strong>50</strong> watts<br />

needed to achieve the same mean levels for classical per channel of amplifier power with average (88dB)<br />

than rock music reproduction. (In practice, of course, sensitivity speakers.<br />

classical music doesn’t need to match rock’s mean level That in turn helps explain why a typical push-pull<br />

to sound realistically loud.)<br />

valve amplifier does in fact deliver enough power<br />

At this juncture I decided it was time to get out the for most practical purposes – the more so when one<br />

sound level meter and start checking a few figures. other important factor is taken into account. That’s<br />

(I can’t guarantee this meter’s accuracy, but see no the behaviour of an amplifier when it’s overdriven.<br />

reason to doubt it either.) A little to my surprise, even Some amps sound quite nasty if/when they go into<br />

100dB peaks sounded very loud indeed, and one<br />

clipping; others (especially valve examples) do so<br />

still needed to raise one’s voice quite substantially to gracefully, indeed almost unnoticeably. This is a very<br />

converse when music was peaking at around 90dB. worthwhile bonus, as an ability to handle a momentary<br />

Indeed, at this level on the meter, the music was about overload without losing control effectively means that<br />

as loud as I found comfortable; push the volume any an amplifier can behave as if it’s more powerful than<br />

harder and the music somehow seemed to be getting its voltage rail or current capability actually implies. It<br />

a bit too loud for the room.<br />

won’t necessarily maintain full accuracy when doing<br />

However, it’s impossible to come up with hard<br />

this, true, but this does mean its mean level can be<br />

and fast rules as the ‘maximum comfort level’ varies pushed a little harder than its measured power rating<br />

considerably from one source to another, from one suggests. And since it’s necessary to double amplifier<br />

type of music to another, and perhaps most of all from power for just 3dB extra loudness, that can be quite<br />

one individual recording to another. With the limited important in making well behaved lower powered<br />

equipment I have available, it’s also virtually impossible amps more practical than one might expect.<br />

to tell whether I’m accurately monitoring peak as well So, while I don’t in any way dispute Michaelson’s<br />

as mean levels. However, it’s generally accepted that opinions about the desirability of high power<br />

a peak excess of between 6dB and 10dB is desirable, amplification and the attendant advantages of ample<br />

which takes the desirable system loudness capability headroom, I still think it’s possible to enjoy a hi-fi<br />

up into the general vicinity of Michaelson’s figure. system with the right sort of lower power amplifier in<br />

That said, aside from disco loving party throwers the real world. And I still believe that the first Watt is by<br />

(who would probably do better with a PA system<br />

far the most important one.<br />

<strong>BAJ</strong>_EV-1S_maple_qtr-strip_[Jan08].qxp 01/02/2008 17:02 Page 1<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

Luxury DAB Digital &<br />

FM portable radio<br />

PURE EVOKE-1S<br />

January 08<br />

������� ����� ������� �����<br />

���� ��� ���� �� ����� �����<br />

0845 3376637<br />

www.pure.com<br />

tradesales@pure.com<br />

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COMMENT<br />

25


26<br />

Hi-Fi Choice Awards<br />

WE EXTEND OUR THANKS TO THE TEAM<br />

AT HI-FI CHOICE FOR PROVIDING US<br />

WITH ALL THE DETAILS ABOUT THE<br />

MAGAZINE’S 2007 AWARDS. WE WERE<br />

THERE, OF COURSE, BUT, IN KEEPING<br />

WITH THE EVENT’S CASUAL AMBIANCE,<br />

WE LEFT OUR NOTEBOOKS BACK AT THE<br />

OFFICE AND SO COULDN’T JOT DOWN<br />

THE WINNERS AS THEY WERE ANNOUNCED.<br />

AT LEAST, THAT’S OUR STORY AND WE ARE<br />

STICKING WITH IT!<br />

All the hi-fi magazines seem intent on creating<br />

awards frenzy… and Hi-Fi Choice is no<br />

exception, with 123 award winning products in<br />

41 separate categories. These span the full gamut of<br />

hi-fi equipment, yet this year the number of products<br />

that would technically qualify as ‘home cinema’ gear<br />

has been substantially reduced.<br />

In 2007, Hi-Fi Choice returned to its two-channel<br />

roots. Multi-channel loudspeaker packages and<br />

amplification systems were not included in the roll call<br />

of awards products. The Apple iPod and other MP3<br />

players were also not included, although hard-disk<br />

music recorders were. DVD and universal disc players<br />

were featured, but the reason for this was purely their<br />

audio performance (both as CD and as SACD or DVD-<br />

Audio players).<br />

The awards themselves followed a distinct order, as<br />

ever. Individual categories were sub-divided into price<br />

levels that fitted the particular products. So, in the CD<br />

player category, for example, the awards were further<br />

divided into the best player up to £<strong>50</strong>0, between £<strong>50</strong>0<br />

and £1,000, between £1,000 and £5,000 and over<br />

£5,000. In each division there was a Gold, Silver and<br />

Bronze winner.<br />

In the CD players’ class, the Gold medalist for best<br />

CD players up to £<strong>50</strong>0 was Cambridge Audio’s Azur<br />

740C. The company also picked up a second Gold<br />

medal for CD players in the £<strong>50</strong>0 to £1,000 category for<br />

its Azur 840C. In the CD players priced between £1,000<br />

and £2,000, Gold went to Rega for a second year for its<br />

Saturn CD player. Having been called the Best Ever CD<br />

on the cover of an earlier <strong>issue</strong>, it’s not surprising that<br />

the Marantz SA-7S1 picked up the Gold medal for CD<br />

players between £2,000 and £5,000, while the Chord<br />

Red Reference CD picked up a Gold medal in the CD<br />

players over £5,000 class.<br />

There were four sub-divisions in the DVD/Universal<br />

player category. The sub-£<strong>50</strong>0 division was produced<br />

in association with Hi-Fi Choice’s sister title What Video<br />

and High Definition TV. Between them, they chose the<br />

Marantz DV6001 as Gold medallist. Between £<strong>50</strong>0 and<br />

£1,000, the DVD/Universal Gold award went to NAD’s<br />

T585. No change at all for players between £1,000<br />

and £2,000, with Denon’s DVD-3930 picking up Gold<br />

a second year running, while the new Accustic Arts<br />

Surround-Player 1 won Gold in the DVD/Universal<br />

players over £2,000 category.<br />

The turntables category is always a<br />

surprisingly hotly contended one, divided<br />

up into four sub-classes as it had been in<br />

the previous year. The Funk Firm beat off<br />

stiff competition for a second year running,<br />

with the Funk Firm Funk taking the Gold in<br />

turntables under £<strong>50</strong>0. Funk also picked<br />

up the Gold gong for best turntable<br />

between £<strong>50</strong>0-£1,000 for the Funk<br />

Vector, while Clearaudio’s Performance<br />

took Gold in the £1,000 to £3,000<br />

turntables class, and SME’s Model 20/12A<br />

took Gold in turntables over £3,000.<br />

In the five stereo amplifiers categories, Marantz<br />

took Gold for the second year running in the sub-£<strong>50</strong>0<br />

group for its PM7001. Cambridge Audio’s Azur 840A v2<br />

achieved a Gold in the £<strong>50</strong>0 to £1,000 stereo amplifier<br />

class, and the Cyrus Pre vs2 and 6 power took Gold in<br />

the £1,000 to £2,000 class. Naim Audio won Gold for the<br />

SUPERNAIT in the £2,000 to £5,000 class, while there was<br />

no change at the top of the top amps, this year, with the<br />

Krell FBI holding Gold in the £5,000+ class.<br />

Swabbing up the rest of the electronics, in the<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


tuners category, the Onkyo T-4555 DAB won Gold in interconnect and there was also no change for the<br />

the sub-£<strong>50</strong>0 class, while the Magnum Dynalab MD- best mains product with IsoTek’s Sigmas power<br />

90T retained its Gold in the over £<strong>50</strong>0 tuner category. conditioner picking up the Gold laurels again.<br />

The Imerge SoundServer S3000 beat the Cambridge<br />

The headphones category saw Beyerdynamic’s<br />

Audio Azur 640H (the previous year’s Gold winner) DT880 pick up Gold under £200 and Grado’s excellent<br />

to take the best hard disk audio component. And, for GS1000 collect the Gold medal in the £200-and-<br />

another year running, the Primare CDi10 won Gold for over class. Partington’s excellent Minim equipment<br />

the best one-box CD system.<br />

support picked up a Gold gong in the sub-£<strong>50</strong>0<br />

In the loudspeakers category, once again the Q<br />

equipment support category, while Custom Design’s<br />

Acoustics 10<strong>50</strong> won Gold for the best loudspeaker up Icon Signature Acoustic narrowly beat Townshend’s<br />

to £<strong>50</strong>0. In the £<strong>50</strong>0 to £1,000 class, Gold went to the VSSS for the Gold in equipment supports over £<strong>50</strong>0.<br />

B&W 683, while the Focal Chorus 836V took Gold in the Custom Design also picked up a Gold award for the<br />

£1,000 to £2,000 class and Quad’s ESL 2805 won Gold in best speaker stand under £1<strong>50</strong>, while Partington also<br />

the £2,000 to £5,000 category. Those £5,000 and beyond picked up another Gold award, this time with the Heavi<br />

speakers were topped by last year’s Gold winner again, II being judged the best speaker stand over £1<strong>50</strong>.<br />

the B&W 802D. In the subwoofer categories, REL’s T1<br />

Unlike more established awards ceremonies like<br />

picked up Gold, while Wilson Benesch’s Torus won Gold the What Hi-Fi awards, Hi-Fi Choice’s awards luncheon<br />

in the £1,000+ subwoofer class.<br />

is a far more low-key affair. There is no expensive<br />

Then came the cables, with Kimber picking up host, no penguin suits and no £100-a-head Park Lane<br />

Gold for its 8PR in the under £10/m speaker cable dinner tabs. Just a pub, some grub and lots and lots<br />

class. Once more, Townshend Isolda DCT achieved of booze. A quick speech from Hi-Fi Choice’s Editor,<br />

Gold in the over-£10/m speaker cable category.<br />

Dan George and a table full of framed certificates<br />

Moving over to interconnect cables, Clearer Audio are all that separate the awards lunch from complete<br />

Copper-Line Alpha claimed Gold in the sub-£100 debauchery. Except that, by the time most people<br />

group and Crystal Cable Connect Piccolo did the have spent an entire afternoon in the pub, those lines<br />

14695 Ducks same Ad for 134x186AW:Layout the over £100 category. 1 11/2/08 Meanwhile, 09:24 Kimber Page 1of<br />

distinction are becoming blurry and the certificates<br />

Select KS2020 retained its Gold award for best digital are forgotten.<br />

GET YOUR DUCKS IN A ROW<br />

Whatever business you are in, you need to ‘get your<br />

ducks in a row‘ to enable you to make the right<br />

strategic moves and to gain the competitive edge.<br />

This is not always easy, so why not let JR Associates<br />

help you to achieve your goals.<br />

JR Associates is headed by John Reddington, one of<br />

the CE market’s most experienced professionals,<br />

with a formidable 35 year industry reputation for<br />

business excellence.<br />

Whether your company is large or small, you<br />

can benefit from this wealth of business<br />

experience and knowledge, by working with us<br />

to help ensure your future success.<br />

Management<br />

Recruitment<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

Sales<br />

Training<br />

Interim<br />

Management<br />

Business<br />

Consultancy<br />

Sales &<br />

Marketing<br />

From devising a new Business Plan to writing a Sales<br />

and Marketing Strategy. From recruiting the right<br />

people to providing training to ensure their success.<br />

We can help with both the planning and the<br />

implementation.<br />

With our experience in acquisitions and divestment,<br />

we could be the right vehicle for you to explore these<br />

opportunities for your business.<br />

Whatever ‘Ducks’ you need, why not call<br />

us today and start on the road to real success.<br />

Telephone 01189 833523<br />

email: john.reddington@virgin.net<br />

Sales<br />

Conferences<br />

Mystery<br />

Shopping<br />

National Account<br />

Accompaniment<br />

Acquisition &<br />

Divestment<br />

CHOICE AWARDS<br />

27


Radio, Radio!<br />

UNTIL NOW, LISTENING TO INTERNET RADIO HAS BEEN A RELATIVELY NICHE ACTIVITY. WITH<br />

THE STEADILY-IMPROVING AVAILABILITY AND SPEED OF RESIDENTIAL BROADBAND INTERNET<br />

CONNECTIONS, HOWEVER, AND THE INCREASING NUMBER OF “INTERNET RADIO READY”<br />

PRODUCTS COMING TO THE MARKET, INTERNET RADIO APPEARS TO BE READY TO HIT THE<br />

MAINSTREAM. DO WE NEED YET ANOTHER WAY OF LISTENING TO THE RADIO, THOUGH?<br />

JAMES CLARK INVESTIGATES…<br />

28<br />

INTERNET RADIO IS A SIMPLE CONCEPT: A RADIO<br />

PROGRAMME, RECEIVED OVER THE INTERNET. THE<br />

INTERNET IS USED AS THE MEDIUM OF DELIVERY FOR<br />

THE RADIO STATION. THIS CAN BE CONTRASTED WITH<br />

MORE CONVENTIONAL ‘OVER THE AIR’ METHODS OF<br />

FM, DAB, OR SATELLITE BROADCASTING. THUS, THE<br />

‘RADIO’ LABEL IS ACCURATE, IN THAT PROGRAMME IS<br />

DELIVERED IN A CONTINUOUS STREAM TO THE USER,<br />

JUST LIKE ANY OTHER RADIO TYPE.<br />

Internet radio is not something new – not in the<br />

timescales of the internet, at least – since the first<br />

internet radio stations started to appear around<br />

1994. However, and this is the reason that The <strong>BAJ</strong>,<br />

which prides itself on bringing cutting-edge news and<br />

views to its readers, is carrying this article: Internet<br />

Radio is now going mainstream. Technology that has<br />

been fairly challenging to use and largely confined to<br />

a PC is being put into easy-to-use boxes and given a<br />

makeover. Does your Mum need a new kitchen radio<br />

this Christmas? The one you buy may well be ‘internet<br />

radio ready’.<br />

World music<br />

So why do we need another way of listening to radio?<br />

I can already receive more radio stations than I can<br />

possibly listen to, through FM, through DAB, through<br />

Freeview and through my satellite receiver. Additionally,<br />

What Internet Radio is not<br />

I have noticed that Internet Radio is sometimes confused<br />

with other things. Let us look briefly at what internet radio<br />

is not.<br />

Internet radio is not the same as “podcasting”. Podcasting<br />

involves downloading an entire radio programme to a<br />

computer, which can then be played back, paused, skipped, etc.,<br />

later. Podcasting is more like popping into HMV and buying a<br />

recording of a radio programme.<br />

Internet radio is not the same as on-demand file sharing. File<br />

sharing is the practice of making files available to other users<br />

to download. File sharing allows the user to select exactly the<br />

music (or other content) that is downloaded, and when. This<br />

is different to Internet Radio, which is a continuous stream of<br />

information, and where the user (listener) has no control over<br />

the content.<br />

since many Internet Radio stations are tied to existing<br />

broadcasters, such as the BBC, the programme content<br />

through the internet is the same as listening to the<br />

station through any other means. The internet, in this<br />

case, is just a different form of delivery for the same<br />

programme material. Why do we need it?<br />

The restriction with FM, DAB, etc., is that they are all<br />

more-or-less local. Sure, I can receive national stations,<br />

even some European and Asian stations by satellite,<br />

but, basically, I am restricted to listening to the stations<br />

that are broadcast in the area I happen to be in. That is<br />

fine until I change location; then I cannot listen to my<br />

favourite station any more.<br />

Radio through the internet does not have this<br />

restriction. For example: where I live in the UK, even<br />

using the large antenna on my roof, I cannot receive<br />

KBUL 98FM, broadcast from Reno, Nevada (‘Today’s<br />

Best Country and The All Time Favourites’). Internet<br />

Radio allows me to do this, though, at home or<br />

anywhere else that an internet connection can be<br />

established. I am no longer restricted to the radio<br />

stations that happen to be broadcast in my locality; I<br />

can listen to any radio station in the world. This is the<br />

power of Internet Radio.<br />

Good Thing<br />

So, Internet Radio is a life-enhancing development. It<br />

allows access to otherwise unobtainable radio stations<br />

and music from around the world. In my evangelistic<br />

moments, I can argue that it has the power to promote<br />

inter-cultural understanding and harmonisation<br />

(although I am brought down to earth again with the<br />

realisation that world-spanning short-wave radio never<br />

managed this). Internet Radio is a good thing.<br />

It is not without problems, though. The first problem<br />

is the quality of the audio – to get a measure, let us<br />

compare the audio quality with that of DAB radio. As<br />

a reader of The <strong>BAJ</strong>, you are probably interested in<br />

improving the quality of audio – trying to deliver the<br />

most life-like audio experience to your end-user or<br />

customer. You will know there has been much wailing<br />

and gnashing-of-teeth in our community over the low<br />

bit-rate, highly-compressed audio that is DAB radio. A<br />

typical station has a bit-rate of 128-192kbps (kilobits<br />

per second). It is not CD-quality, and it is deemed by<br />

many to be unacceptable.<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Typically, Internet Radio stations provided by<br />

the BBC (a representative measure, I think), stream<br />

at 64kbps; 32kbps and less is common from other<br />

providers. While it is true to say that this is only an<br />

approximate comparison with the quality provided<br />

by DAB (since different audio codecs (compression<br />

algorithms) are used in DAB and Internet Radio),<br />

there is no codec in existence that, at 64kbps, comes<br />

anywhere close to CD-quality audio. Internet Radio is,<br />

with very few exceptions, very low quality audio.<br />

Would this problem not be solved simply by getting<br />

service providers to increase the bit-rate? Well, the<br />

difficulty with Internet Radio, from the point-of-view of<br />

the service-provider, is that it is not actually broadcast;<br />

each connection is point-to-point. Take BBC Radio 2,<br />

for example: to cover the entire U.K. on the FM band,<br />

the space from 87 to 89MHz is used. It does not matter<br />

whether all or no radios in the country are tuned to<br />

Radio 2; there is no impact on the amount of radio<br />

spectrum used.<br />

On the internet, this is different. Radio 2 is broadcast<br />

on the internet at a bit-rate of 64kbps; to service one<br />

listener, 64kbps is streamed between the server at the<br />

BBC and the listener. If a second listener tunes in, the<br />

BBC has to stream 128kbps (2x64kbps), and so on. With<br />

internet radio, the bandwidth required to service all<br />

listeners increases with each additional listener.<br />

This might seem a bit of a “so what” <strong>issue</strong> – it is a<br />

problem for the BBC, not the listener, right? However,<br />

it gives rise to problem number 2: the audio stream<br />

from Internet Radio stations tends to be unreliable.<br />

As a listener, you are competing with other listeners<br />

for the bandwidth coming from the station provider;<br />

you are competing with all other internet users for<br />

the bandwidth between the station provider and your<br />

location. Sometimes you will lose that competition,<br />

the audio data you need will be delayed or lost, and<br />

the station you are listening to will disappear for a<br />

few seconds, or completely. This is very annoying. This<br />

problem will get worse (at least in the short term), if<br />

the use of Internet Radio increases dramatically and<br />

more people compete for the available bandwidth.<br />

Long term<br />

Internet Radio is now reaching the mass-market, in an<br />

easy-to-use, low-price format. Its strength is to make<br />

stations from other areas, other countries, as easy to<br />

tune in and enjoy as any radio station in your locality.<br />

For ex-pats wanting to stay in touch with their homeland,<br />

for businessmen on trips abroad and to people<br />

wanting to explore the music that other countries<br />

have to offer, Internet Radio provides a useful, and very<br />

welcome, service. It can be a lot of fun tuning into radio<br />

stations from abroad, listening to what is going on.<br />

However, audio quality tends to be low and<br />

audio drop-outs or complete connection loss are<br />

not uncommon. These are big problems. Network<br />

capacity and speed are improving all the time, though,<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

which should lead to fewer drop-outs and, ultimately,<br />

higher quality audio. I hope that the, potentially, poor<br />

experience in the short term does not lead to the<br />

rejection of a useful, exciting and, importantly, fun<br />

technology for the long term.<br />

Useful links<br />

If you want to learn more about Internet Radio<br />

(particularly its history), a good starting point is<br />

Wikipedia, at http://en.wikipedia.org/wiki/internet_<br />

radio.<br />

KBUL 98-FM, “Today’s Best Country and The All Time<br />

Favourites”, can be found here: http://www.kbul.com.<br />

A good starting point for exploring the possibilities<br />

of internet radio on your computer, with around 11,000<br />

stations listed, is VTuner: http://www.vtuner.com.<br />

Scanning the ether<br />

Since radio stations on the internet are not actually<br />

broadcast, it is not possible to find stations by “scanning<br />

the ether”, as might be done with a conventional radio. An<br />

Internet Radio receiver has to use a different mechanism for<br />

determining the availability and location of radio stations.<br />

The usual mechanism for obtaining this information is for<br />

the receiver to contact an on-line database of internet-radio<br />

service-providers (the manufacturer of the receiver typically pays<br />

a “lifetime” subscription fee for their product – the end user is not<br />

involved). An example of such a database is “VTuner”, found at<br />

VTuner.com; several others exist, too.<br />

The number of internet radio stations is already in the<br />

thousands (and is only increasing), so it is not practical simply to<br />

supply the user with a list of stations, as might be done on a DAB<br />

radio. (Imagine scrolling through an alphabetical list of 10,000<br />

stations, looking for the one that matches your interests.) Instead,<br />

it is normal for the user to specify the type of stations they are<br />

interested in – by location, for example, by music type, or by<br />

language. The on-line database is queried automatically by the<br />

receiver and the results are returned. The user can then, of course,<br />

choose one of the stations, or specify different criteria.<br />

Although this system works, it does suffer from two problems.<br />

Firstly, the database can become a single point-of-failure. This<br />

means that, if the database should fail or become unavailable<br />

somehow, the Internet Radio devices that rely on that database<br />

will become unusable. The second problem is that, if a desired<br />

station is not entered into the database, the station cannot be<br />

selected by the user.<br />

TECHNOLOGY<br />

29


30<br />

Don’t Look Back In Anger…<br />

AS THIS IS THE <strong>50</strong> TH ISSUE OF THE <strong>BAJ</strong>, WE THOUGHT WE’D TAKE A LOOK BACK AND SEE<br />

WHAT HAS HAPPENED DURING THE JOURNAL’S 10-YEAR HISTORY WITH, PERHAPS, JUST<br />

A HINT OF PERSONAL BIAS…<br />

THE BRITISH AUDIO JOURNAL, AS IT WAS WHEN IT<br />

BEGAN, GOT OFF TO A FLYING START WITH ITS FIRST<br />

ISSUE, SEPTEMBER/OCTOBER 1998, COINCIDING WITH<br />

THE ARRIVAL OF AN EXCITING NEW COMPANY IN THE<br />

INDUSTRY. TAG MCLAREN AUDIO, HEADED UP BY THE<br />

ENIGMATIC DR UDO ZUCKER, STARTED OUT IN LIFE BY<br />

PURCHASING AUDIOLAB’S ASSETS, THEN WENT ON<br />

TO BUILD SOME HIGHLY RESPECTED, QUITE HIGH-END<br />

AV PROCESSORS, DVD PLAYERS, AMPLIFICATION AND<br />

LOUDSPEAKERS FROM ITS CUSTOM BUILT FACTORY<br />

AND HEADQUARTERS (NOW OWNED BY MERIDIAN<br />

AUDIO) IN HUNTINGDON.<br />

<strong>50</strong><br />

However, by the time we<br />

were preparing <strong>issue</strong> 27 the<br />

writing seemed to be on the<br />

wall for the company and<br />

it <strong>issue</strong>d, on 28 July 2003, a<br />

statement saying that it had<br />

ceased the development<br />

of new products and was undertaking a full strategic<br />

review of its participation in the audio market. TMA<br />

subsequently announced that it would be carrying<br />

on business as usual and that the company would be<br />

“down-sized to reflect its shift in focus to purely home<br />

cinema products.” Shortly after it was no more.<br />

In the second <strong>issue</strong>, Arcam announced that it had<br />

become the first specialist UK manufacturer to launch<br />

a DAB radio. In an interview with Paul Messenger the<br />

company’s then MD, John Dawson noted “Done well<br />

it’s a very acceptable system and in most cases I would<br />

suggest it’s better than FM.”<br />

January/February 1999 saw us running the cover<br />

line “MP3 Death to the Record Industry?”, which, given<br />

the ubiquity of on-line ‘record stores’ today and the<br />

popularity of the iPod, which hadn’t yet been invented<br />

then seemed almost clairvoyant . The following <strong>issue</strong><br />

featured two ‘cover models’ talking about Europe<br />

and its effects upon the CE industry. Neither of those<br />

people is still with the industry: my dear friend Julian<br />

Vereker was to die from cancer within a year while<br />

Dr Bernhard Steiner left loudspeaker giant Mission<br />

– and it was a giant in those days – to join Clean Diesel<br />

Technologies, an eco-friendly diesel-fuel technology<br />

concern. I reckon Julian would have appreciated that,<br />

even though he never would have admitted as much<br />

to Bernhard!<br />

It was interesting to note the companies that had<br />

arrived on and departed from the scene in what is a<br />

relatively short space of time. TAG McLaren Audio came<br />

and went. Tannoy was bought by Danes; TDL simply<br />

disappeared; and Samuel Johnson Audio emerged and<br />

then ceased to be. It wasn’t all failure, though, with,<br />

as an example, PURE Digital growing from VideoLogic<br />

to become hugely successful and a dominant market<br />

leader, and Mordaunt-Short being rescued by Audio<br />

Partnership having been hived off from TGI along with<br />

Epos, which Creek picked up and has enjoyed success<br />

with. Consolidation seemed to be the buzzword of the<br />

new millennium with companies acquiring others at an<br />

alarming rate. The trend appeared to be kicked off by<br />

the Chinese-owned IAG operation which has hoovered<br />

up Wharfedale, QUAD, Audiolab, Mission and Castle as<br />

it has made the move from being, among other things,<br />

a manufacturer of loudspeakers to being a full-scale<br />

electronics and lighting manufacturer. Denon and<br />

Marantz fell under the banner of D&M, retaining their<br />

own identities while sharing resources. D&M then<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


acquired McIntosh, under the same sort of we-ownyou-but-carry-on-as-before<br />

kind of arrangement. Jamo<br />

was bought by Klipsch along with API’s brands –<br />

Energy, Mirage, Athena, Sound Dynamics and Spherex.<br />

I’m sure you can come up with many more examples<br />

but, frankly, I find it all rather too depressing.<br />

In July/August 2000 we made perhaps the most<br />

noticeable change to the title, literally. We became<br />

simply The <strong>BAJ</strong> because, among a variety of other<br />

reasons, we felt that ‘British’ and ‘Audio’ in the title were<br />

too narrowing. Everybody seemed to refer to the Journal<br />

as ‘<strong>BAJ</strong>’ or ‘badge’ so it seemed foolish and stuffy for me<br />

to insist that people call it by its ‘proper’ title.<br />

In January/February 2001 I had the pleasure of<br />

interviewing The Right Honourable Margaret Beckett<br />

MP in Las Vegas and presenting her with some tricky<br />

questions that had been posed by members of our<br />

industry. Despite having to be very careful about how<br />

she answered them she proved to be very forthcoming<br />

and surprisingly frank – much to the chagrin of the<br />

British Consul-General who was trying to introduce an<br />

element of PR and encourage her to pussyfoot around<br />

several of the topics we raised. In the same <strong>issue</strong> I<br />

also interviewed Linn founder, Ivor Tiefenbrun MBE<br />

to whom I’d not spoken at any length for a decade.<br />

That was a fascinating chat – as it always is with the<br />

voluble and eloquent Mr T – and I guess I’ll have to fly<br />

up to Glasgow and do it again in 2011 if we’re both still<br />

around.<br />

Going back through <strong>50</strong> <strong>issue</strong>s it is amazing that the<br />

dissatisfaction with hi-fi shows – the German High End<br />

Show being the sole exception – has been brewing<br />

for most of that period. Smaller events such as Noel<br />

Cloney’s Dublin Show and David Campbell’s (Kronos)<br />

Belfast Show seemed far better received and more<br />

enthusiastically attended than the ‘big’ events. Live!<br />

was the classic example of a show starting with a bang<br />

and going out with a whimper. No matter what the<br />

organisers did to try to rescue it they never managed<br />

to capture the buzz of the inaugural London event.<br />

Moving it to the NEC in Birmingham, in my opinion<br />

the worst venue for shows of that sort in the land, was<br />

the final resuscitation attempt that proved to be its<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

downfall. In March/April 2002 I asked the rhetorical<br />

question “What is the value of a show that doesn’t make<br />

our industry a better, more secure, more profitable and<br />

more enjoyable place to be?” I clearly wasn’t the only<br />

person thinking that because Live! soon wasn’t.<br />

May/June 2002 saw me interviewing the very-rarelyinterviewed<br />

Canadian owner of Bowers and Wilkins<br />

– or B&W as it was then – the delightfully down to<br />

earth Joe Atkins. Let me say from the outset that he<br />

was one of the most charming people I have had the<br />

pleasure of interviewing. Completely free of bullshit<br />

and so straightforward it was alarming, he also had an<br />

impish side that I found delightful. In those days I was a<br />

heavy smoker and when we sat down to have our chat<br />

I asked if he would mind if I smoked. He replied that<br />

he too enjoyed a cigarette and summoned one of his<br />

entourage to bring ashtrays. He then told me the tale<br />

of the first time he walked into B&W’s premises and lit a<br />

cigarette in reception. “Excuse me, Sir,” the receptionist<br />

said, “But you are not allowed to smoke in this facility.”<br />

Without so much as a raised eyebrow, Atkins turned to<br />

her and said “You should know that I own this facility.<br />

In fact, I own this company. That being so I shall smoke<br />

wherever I ****ing please.” While that is probably a<br />

reprehensible attitude in these politically correct, treehugging<br />

times, it struck a resounding chord with me.<br />

Mr Atkins also talked a whole lot of sense, which was<br />

rewarding given some of the PR-driven interviewees<br />

I’d faced over the years. That he bore a striking<br />

resemblance to the moustachioed Ferrari-driving<br />

private TV detective – Magnum – was irrelevant and<br />

merely unfortunate!<br />

In December 2002/January 2003 I reported on<br />

the most memorable of very memorable but entirely<br />

different press trips courtesy of Marantz and JBL. The<br />

first, organised by Marantz, was a trip from Krakow,<br />

Poland to the concentration camp at Aushwitz<br />

Birkenhau. Though it was quite the most unpleasant,<br />

harrowing place I have ever visited, I remain indebted<br />

to Marantz, and to its dear MD at the time, Terry<br />

O’Connell, God bless her, for the experience, which will<br />

remain with me till I die. The second trip, a far more<br />

agreeable experience in every sense and sponsored<br />

ISSUE <strong>50</strong><br />

<strong>50</strong><br />

31


32<br />

by JBL, was to New York to see The Who play live with<br />

Robert Plant as the support act. That was a particularly<br />

sweet trip as the invitees – aside from the corporate<br />

types who’d been invited but left during the concert<br />

because it was too loud or the seats weren’t sufficiently<br />

comfortable for their delicate backsides – were all close<br />

buddies: Steve N Harris who had paid for his own flight<br />

to NY, JBL’s Gary Mardell (now back working in the<br />

UK after several years in France), Paul Messenger and<br />

Andrew Everard. I can’t think of a better bunch of guys<br />

with whom to spend a weekend in New York.<br />

On another personal note, I must mention that<br />

the April/May 2003 <strong>issue</strong> carried an obituary for one<br />

of the prime movers –THE prime mover, in truth – in<br />

my becoming involved with this industry, Roger<br />

Macer of the Söund Örganisation. Dear Roger, who<br />

consumed so much Jack Daniels that his local, The<br />

Market Porter in Southwark, won a prize for selling<br />

the largest quantity in Greater London – and Roger<br />

was the only person in the place who drank JD – sadly<br />

died in Poland where he was working and living at<br />

the time. Not many people today will recognise that<br />

Roger near single-handedly and quite inadvertently<br />

founded an industry: there would probably be no<br />

equipment support business had not Roger invented<br />

the SÖ turntable table. His original Dexion confection<br />

gave birth to a business from which several folks have<br />

Helping<br />

your<br />

business<br />

stand out<br />

from the<br />

crowd...<br />

made, and probably continue to make, millions of<br />

pounds. So, if you manufacture support furniture, the<br />

next time you’re in the pub, please raise a respectful<br />

glass to Roger.<br />

October/November 2003 was our last ‘personality’<br />

cover. Our next <strong>issue</strong> carried the headline “From<br />

Geek to Sleek. The PC becomes the centre of home<br />

entertainment”, in which we introduced the concept<br />

of the Media Centre as a device that didn’t need<br />

any special installation because it was effectively a<br />

mainstream commodity before it started. This heralded<br />

the growth of hard disk-based components and<br />

the arrival of other DIY client/server devices such as<br />

the popular Sonos music system and Slim Devices’<br />

Transporter. The world of home entertainment would<br />

never be the same again…<br />

<strong>50</strong><br />

Contact Dennis on 07872 127 054 dennis@graffixmedia.com<br />

or Philippa on 01428 717400 philippa@graffixmedia.com<br />

EVENTS • CONTRACT PUBLISHING • ADVERTISING • COPYWRITING • BROCHURES • NEWSLETTERS<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


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Sonos_job_ad.indd The <strong>BAJ</strong> ISSUE 1 <strong>50</strong> | 2008<br />

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33


DIRECTORY<br />

MANUFACTURERS & DISTRIBUTORS<br />

34<br />

1 LIMITED<br />

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T: 01223 422290<br />

F: 01223 422291<br />

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T: 020 8971 3909<br />

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ACA-APEX<br />

Unit 21<br />

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Unit 2 The Byre<br />

Hodore Farm<br />

Hartfield<br />

East Sussex TN7 4AR<br />

Contact: Ian Hartnall<br />

T: 08444-774878<br />

enquiries@actionhardware.co.uk<br />

www.actionhardware.co.uk<br />

ACTIV DISTRIBUTION<br />

ISOTEK<br />

Unit 16 Plantaganet House<br />

Kingsclere Industrial Centre<br />

Kingsclere RG20 4SW<br />

T: 01635 291357<br />

F: 01635 291356<br />

isotek@activdistribution.com<br />

www.isoteksystems.com<br />

ALDOUS SYSTEMS<br />

The Chestnuts<br />

28 Bishopstone<br />

Aylesbury HP17 8SF<br />

Tel: 0870 240 1162<br />

www.aldoussystems.co.uk<br />

ALGAR DISTRIBUTION<br />

SONUS SYSTEMS / CUSTOM DESIGN<br />

/ PURESONIC / TECHLINK / B-TECH &<br />

ACCESSORIES<br />

25 Bay Tree Close<br />

Newton Longville<br />

Bucks MK17 0DT<br />

T: 01296 615239<br />

F: 01296 368024<br />

enquires@algar-distribution.<br />

fsnet.co.uk<br />

www.algar-distribution.com<br />

ALPHASON DESIGNS<br />

Alphason House<br />

Bolton Road<br />

Atherton M46 9AW<br />

T: 01942 885600<br />

F: 01942 876955<br />

sales@alphasondesigns.com<br />

www.alphasondesigns.com<br />

AMX UK<br />

Auster Road<br />

Clifton Moor<br />

York YO30 4GD<br />

Contact: Kate Coulson<br />

T: 01904 343100<br />

F: 01904 343101<br />

kate_coulson@amx.co.uk<br />

www.amx.com<br />

ANATEK AUDIO<br />

76a Summer Street<br />

Slip End<br />

Nr Luton<br />

LU1 4BN<br />

Contact: Rob Lambert<br />

T: 07817 681402<br />

sales@nice.i12.com<br />

www.anatek-audio.co.uk<br />

ANDERS+KERN UK<br />

Norderstedt House<br />

James Carter Road<br />

Mildenhall IP28 7RQ<br />

Contact: Derek Kuziw<br />

T: 01638 510900<br />

F: 01638 510901<br />

sales@anders-kern.co.uk<br />

www.anders-kern.co.uk<br />

ANTHONY GALLO UK<br />

NETWORX Ltd<br />

4 Smyllum House<br />

Lanark ML11 7ER<br />

Contact: Colin Urie<br />

T: 01555 666 444<br />

colin@anthonygallo.co.uk<br />

www.anthonygallo.co.uk<br />

ANTIFERENCE<br />

Eastern Avenue<br />

Lichfield WS13 7SB<br />

T: 01543 267160<br />

info@ntiference.co.uk<br />

www.antiference.co.uk<br />

ANVIL SOUND DISPLAY<br />

Office 34<br />

Derwentside Business Centre<br />

Consett Business Park<br />

Villa Real, Consett<br />

County Durham. DH8 6BP<br />

T: 0800 043 1207<br />

sales@anvilsound-display.co.uk<br />

www.anvilsound-display.co.uk<br />

API UK LTD<br />

8, Marchmont Gate<br />

Boundary Way<br />

Hemel Hempstead HP2 7BF<br />

T: 01442 233853<br />

F: 01442 231860<br />

info@audioproducts.co.uk<br />

APOLLO HI-FI FURNITURE<br />

Castle Works<br />

High Street<br />

Tipton DY8 4HJ<br />

T: 0121 520 <strong>50</strong>70<br />

F: 0121 522 2055<br />

sales@apollohifi.co.uk<br />

www.apollohifi.co.uk<br />

ARCAM<br />

Pembroke Avenue<br />

Denny Industrial Centre<br />

Waterbeach<br />

Cambridge CB25 9QR<br />

Contact: Geoff Meads<br />

T: 01223 203200<br />

F: 01223 863384<br />

geoffm@arcam.co.uk<br />

www.arcam.co.uk<br />

ARMOUR HOME<br />

ELECTRONICS<br />

CINEMAX / GOLDRING/ GRADO / MILTY /<br />

MYRYAD / NAD / NEVO / Q ACOUSTICS /<br />

SOUNDSTYLE / SYSTEMLINE / TIVOLI<br />

Units 7 & 8<br />

Stortford Hall Industrial Park<br />

Dunmow Road<br />

Bishops Stortford CM23 5GZ<br />

T: 01279 <strong>50</strong>1111<br />

F: 01279 <strong>50</strong>1080<br />

info@armourhe.co.uk<br />

www.armourhe.co.uk<br />

ARTCOUSTIC<br />

LOUDSPEAKERS<br />

1 Liverpool Street<br />

London EC2M 7QD<br />

Tel: 01245 400904<br />

Fax: 1245 400910<br />

salesuk@artcoustic.com<br />

www.artcoustic.com<br />

ATACAMA AUDIO<br />

Winston Avenue<br />

Croft<br />

Leicester LE9 3GQ<br />

Contact: Carl Sambell<br />

T: 01455 283251<br />

F: 01455 283908<br />

carl@atacama-audio.co.uk<br />

www.atacama-audio.co.uk<br />

ATC LOUDSPEAKER<br />

TECHNOLOGY<br />

Gypsy Lane<br />

Aston Down<br />

Stroud GL6 8HR<br />

Contact: Robert Polley<br />

T: 01285 760561<br />

F: 01285 760683<br />

bob@atc.gb.net<br />

www.atc.gb.net<br />

ATLAS CABLES<br />

Unit 1, Block 11<br />

Glenfield Place<br />

Glencairn Industrial Estate<br />

Kilmarnock KA1 4AZ<br />

T: 0800 731 1140<br />

Contact: John Carrick<br />

john@atlascables.com<br />

www.atlascables.com<br />

AUDICA<br />

The Manor House<br />

Hilton<br />

Cambridgeshire<br />

PE28 9NA<br />

T: 01480 839239<br />

F: 01480 830582<br />

info@audica.co.uk<br />

www.audica.co.uk<br />

AUDIO AGENCY EUROPE<br />

PO Box 4601<br />

Kiln Farm<br />

Milton Keynes MK14 5JP<br />

T: 01908 510123<br />

F: 0121 522 2055<br />

www.audioagencyeurope.com<br />

AUDIO NOTE<br />

Unit C Peacock Ind Est<br />

Lyon Close<br />

Hove BN3 1SG<br />

T: 01273 220 511<br />

F: 01273 731<br />

info@audionote.co.uk<br />

www.audionote.co.uk<br />

AUDIO PARTNERSHIP<br />

Gallery Court<br />

Hankey Place<br />

London SE1 4BB<br />

T: 0207 940 2200<br />

www.audiopartnership.com<br />

AUDIO SYNTHESIS<br />

PO Box <strong>50</strong><br />

Nottingham NG9 1DZ<br />

T: 0115 922 4138<br />

F: 0115 922 9701<br />

salesinfo@audiosynthesis.co.uk<br />

technical@audiosynthesis.co.uk<br />

www.audiosynthesis.co.uk<br />

AUDIO-TECHNICA (UK)<br />

Technica House<br />

Royal London<br />

Industrial Estate<br />

Old Lane<br />

Leeds LS11 8AG<br />

T: 0113 277 1441<br />

F: 0113 270 4836<br />

sales@audio-technica.co.uk<br />

www.audio-technica.co.uk<br />

AUDIO VISUAL MATERIAL<br />

AVM House<br />

Hawley Lane<br />

Farnborough GU14 8EH<br />

T: 0870 990 5671<br />

www.avmltd.co.uk<br />

THE AUDIOPHILE CLUB<br />

AUDIO AERO / AESTHETIX / BC<br />

ACOUSTIQUE / EARMAX / PHONOMAX<br />

/ ARCICI / SOLILOQUY / SOTA / BLACK<br />

DIAMOND RACING / SYNERGISTIC<br />

RESEARCH<br />

PO Box 6477<br />

London N13 4AY<br />

T: 020 8882 2822<br />

F: 020 8372 3772<br />

sales@audiophileclub.co.uk<br />

www.audiophileclub.co.uk<br />

AUDIOVECTOR UK<br />

29 Robyns Way<br />

Sevenoaks TN13 3EB<br />

Contact: Phil Tindale<br />

T/F: 01732 451938<br />

M: 07799 146002<br />

pt@audiovector.com<br />

www.audiovector.com<br />

AUDUSA<br />

AUDUSA EUPEN / AUDUSA OOM<br />

/ LAT INT’L / ACOUSTIC SOLID /<br />

BOSENDORFER / THRESHOLD<br />

4 Arundel Road<br />

Kingston Upon Thames<br />

Surrey KT1 3RZ<br />

T: 020 8241 9826<br />

or 020 8264 0249<br />

F: 020 8241 0999<br />

admim@audusa.com<br />

www.audusa.com<br />

AUTOMATED FURNITURE<br />

Units 37/41 Faircharm Trading<br />

Estate<br />

Evelyn Drive<br />

Leicester LE3 2BU<br />

T: 01162 827209<br />

sales@automated-furniture.co.uk<br />

www.automated-furniture.co.uk<br />

AV INTERNATIONAL<br />

Suite 7 Lightpill Mill<br />

Bath Road Trading Estate<br />

Stroud GL5 3QF<br />

T: 01453 752656<br />

F: 01453 752777<br />

ashley@avihifi.com<br />

www.avihifi.com<br />

AVANCE ENGINEERING<br />

36 Rue Des Hayeps<br />

93100 Montreuil<br />

France 793100<br />

Contact: Patrice Congard<br />

T: +33 1 49 88 04 66<br />

F: +33 1 49 88 04 73<br />

AVID<br />

Unit 52, 137 North Gate<br />

Alconbury Airfield<br />

Alconbury<br />

Huntingdon PE28 4WX<br />

Contact: Conrad Mas<br />

T: 01480 457300<br />

F: 01480 457057<br />

info@avidhifi.co.uk<br />

www.avidhifi.co.uk<br />

AVF GROUP LIMITED<br />

Road 30<br />

Hortonwood Industrial Estate<br />

Telford TF1 7YE<br />

T: 01952 670009<br />

F: 01952 606205<br />

www.avf.co.uk<br />

AWE EUROPE<br />

B1 Longmead Business Centre<br />

Longmead Business Park<br />

Blenheim Road<br />

Epsom KT19 9QQ<br />

Contact: Stuart Tickle<br />

T: 01372 729 777<br />

F: 01372 729 767<br />

www.awe-europe.co.uk<br />

AXCELLE DISTRIBUTION<br />

Unit 5, Silicon Business Centre,<br />

26 Wadsworth Road<br />

Perivale UB6 7JZ<br />

T: 020 8991 9200<br />

F: 020 8997 4060<br />

info@wireworldaudio.co.uk<br />

www.wireworldaudio.co.uk<br />

B-TECH INTERNATIONAL<br />

Vulcan House<br />

Vulcan Way<br />

New Addington<br />

Croydon CR0 9UG<br />

T: 01689 848535<br />

F: 01689 841087<br />

info@b-tech-int.com<br />

www.b-tech-int.com<br />

B&W GROUP<br />

(UK SALES) LTD<br />

Dale Road<br />

Worthing<br />

BN11 2BH<br />

T: 01903 221<strong>50</strong>0<br />

F: 01903 221<strong>50</strong>1<br />

www.bwspeakers.com<br />

www.rotel.com<br />

www.classeaudio.com<br />

www.i-command.com<br />

BBG DISTRIBUTION<br />

Unit 3, Watford Interchange<br />

Colonial Way<br />

Watford<br />

WD24 4WP<br />

T: 01923 205600<br />

F: 01923 205601<br />

info@bbg.eu.com<br />

www.bbg.eu.com<br />

BANDOR MINIATURE<br />

LOUDSPEAKERS<br />

11 Penfold Cottages<br />

Penfold Lane<br />

Holmer Green HP15 6XR<br />

T: 01494 714 058<br />

F: 01494 715 903<br />

www.bandor.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


BANG & OLUFSEN<br />

UK LTD<br />

Unit 630<br />

Wharfedale Road<br />

Winnersh Triangle<br />

Wokingham RG41 5TP<br />

T: 0118 969 2288<br />

www.bang-olufsen.com<br />

BEAUHORN<br />

LOUDSPEAKERS<br />

Songlines<br />

Fourteen Acre Lane<br />

Three Oaks<br />

Hastings TN35 4NB<br />

Contact: Eric Thomas<br />

T: 01424 813888<br />

info@beauhorn.com<br />

www.beauhorn.com<br />

BENQ UK<br />

Spectra House<br />

Boundary Way<br />

Hemel Hempstead HP2 7SU<br />

T: 01442 301000<br />

F: 01442 301099<br />

sales@BenQ.co.uk<br />

www.BenQ.co.uk<br />

BEYERDYNAMIC<br />

GB LTD<br />

17 Alberts Drive<br />

Burgess Hill<br />

West Sussex RH15 9TN<br />

Contact: Jon Stanley<br />

01444 258 258<br />

01444 258 444<br />

jonstanley@beyerdynamic.co.uk<br />

www.beyerdynamic.co.uk<br />

BLACK RHODIUM<br />

6 Derwent Business Centre<br />

Clarke Street<br />

Derby DE1 2BU<br />

Contact: Graham Nalty<br />

T: 01332 342233<br />

F: 01332 342373<br />

enquiries@blackrhodium.co.uk<br />

www.blackrhodium.co.uk<br />

BOSE UK<br />

1 Amberley Green<br />

Gillingham Business Park<br />

Gillingham ME8 0NJ<br />

T: 0870 741 4<strong>50</strong>0<br />

F: 0870 741 4545<br />

www.bose.com<br />

C.S.E<br />

INFOCUS/LEXICON/PARASOUND/<br />

PRIMARE/BOSTON/GENELEC/REL/<br />

LIBERTY/NORDOST/STRAIGHTWIRE/<br />

SPEAKERCRAFT/XANTECH/LIVING<br />

CONTROL<br />

Unit 9 Centre Park Holdings<br />

Tockwith<br />

York YO26 7QF<br />

T: 01423 359054<br />

F: 01423 359058<br />

info@csesolutions.co.uk<br />

www.csesolutions.co.uk<br />

CABLETIME<br />

64 Greenham Road<br />

Newbury<br />

Berkshire RG14 7HX<br />

T: 01635 35111<br />

F: 01635 35913<br />

sales@cabletime.com<br />

www.cabletime.com<br />

CAMBRIDGE AUDIO<br />

Gallery Court<br />

Hankey Place<br />

London SE1 4BB<br />

T: 0845 090 2288<br />

www.cambridge-audio.com<br />

CAMPAIGN AUDIO DESIGN<br />

Ty-Mawr Road<br />

Cardiff CF3 3BS<br />

T: 02920 779 401<br />

F: 02920 255 151<br />

cad.cables@virgin.net<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

CANTON<br />

Unit D7 Heritage Business Park<br />

Gunners Way<br />

Gosport<br />

Hampshire<br />

T: 023 92<strong>50</strong> 1888<br />

F: 023 92<strong>50</strong> 1999<br />

CARDIO UK<br />

5 Broadway Market<br />

Fencepiece Road<br />

Barkingside IG6 2JT<br />

Contact: Jeanette Jones<br />

T: 0208 <strong>50</strong>1 1197<br />

F: 0208 <strong>50</strong>0 0699<br />

info@cardiouk.com<br />

www.cardiouk.com<br />

CARFRAE LOUDSPEAKERS<br />

Ashleigh<br />

Kingsbridge Hill<br />

Totnes TQ9 5SZ<br />

Contact: Jim Carfrae<br />

T: 01803 868461<br />

info@carfrae.com<br />

www.carfrae.com<br />

CARRICK MARKETING<br />

13 Mossgiel Avenue<br />

Kilmarnock KA3 7DN<br />

Contact: John S Carrick<br />

T/F: 01563 524320<br />

john@hifi.org.uk<br />

www.hifi.org.uk<br />

CHAPTER AUDIO LTD<br />

42 Thornton Hill<br />

Exeter EX4 4NS<br />

Contact: Mike Gregory<br />

T: 01392 686797<br />

F: 01392 686795<br />

sales@chapteraudio.com<br />

www.chapteraudio.com<br />

THE CHORD COMPANY<br />

LIMITED<br />

Chord Company House<br />

The Millsway Centre<br />

Amesbury<br />

Salisbury SP4 7RX<br />

Contact: Nigel Finn<br />

T: 01980 625700<br />

F: 01980 62<strong>50</strong>70<br />

nigel.finn@chord.co.uk<br />

rob.noble@chord.co.uk<br />

www.chord.co.uk<br />

CHORD ELECTRONICS<br />

The Pumphouse<br />

Farleigh Bridge<br />

East Farleigh ME16 9NB<br />

Contact: Alan Porter<br />

T: 01622 721444<br />

F: 01622 721555<br />

sales@chordelectronics.co.uk<br />

www.chordelectronics.co.uk<br />

CKS ENTERTAINMENT<br />

SYSTEMS LTD<br />

Highview House<br />

Charles Square<br />

Bracknell<br />

Berkshire RG12 1DG<br />

T: 01344 307788<br />

F: 01344 456710<br />

avsales@cksgroup.co.uk<br />

www.cksgroup.co.uk<br />

COMFORT HOME<br />

CONTROLS<br />

Carlton House<br />

Carlton Avenue<br />

Chester CH4 8UE<br />

T: 01244 680675<br />

F: 01244 671455<br />

info@comfort.org.uk<br />

www.comfort.org.uk<br />

COMM-TEC (UK)<br />

6 James Way<br />

Denbigh West<br />

Milton Keynes MK1 1SU<br />

T: 01908 270970<br />

sales@comm-tec.co.uk<br />

www.comm-tec.co.uk<br />

CONNECTRONICS<br />

Warminster<br />

Wiltshire BA12 6AG<br />

T: 07000-4-CABLE (422253)<br />

F: 01747 830759<br />

www.connectronics.co.uk<br />

CONVERGENCE<br />

TECHNOLOGY GROUP<br />

Convergence Solutions Ltd<br />

Cawood House<br />

17 The America<br />

Sutton<br />

Ely CB6 2NY<br />

T: 01353 777277<br />

F: 01353 776384<br />

sales@ctg-homenet.com<br />

www.ctg-homenet.com<br />

CONVERGENT-AV LTD<br />

8 Fraser Drive<br />

Blackwood<br />

South Lanarkshire ML11 9YP<br />

T/F: 01555 890120<br />

info@convergent-av.co.uk<br />

www.convergent-av.co.uk<br />

COOPER SECURITY<br />

Security House<br />

Xerox Business Park<br />

Mitcheldean GL17 0SZ<br />

Contact: David Rimmer<br />

T: 01594 545 400<br />

F: 01594 545 401<br />

david.rimmer@<br />

coopersecurity.co.uk<br />

www.coopersecurity.co.uk<br />

CRANE AUDIO<br />

Enterprise House<br />

Ocean Village<br />

Southampton SO14 3XB<br />

Contact: Peter Crane<br />

T: 0870 444 1056<br />

sales@craneaudio.com<br />

www.craneaudio.com<br />

CREEK AUDIO<br />

12 Avebury Court<br />

Mark Road<br />

Hemel Hempstead HP2 7TA<br />

Contact: Giles Devlin<br />

T: 01442 260146<br />

F: 01442 243766<br />

giles@creekaudio.co.uk<br />

www.creekaudio.co.uk<br />

CRESTRON (UK)<br />

Neptune House<br />

2 Portsmouth Road<br />

Kingston-Upon-Thames<br />

KT1 2LU<br />

Contact: Robin Van Meeuwen<br />

T: 020 8439 7272<br />

F: 020 8439 7273<br />

rvanmeeuwen@crestron.co.uk<br />

www.crestron.com<br />

CRT DISPLAYS<br />

16 Campbell Court<br />

Campbell Road<br />

Bramley RG26 5EG<br />

Contact: Andy Read<br />

T: 01256 880055<br />

F: 01256 880044<br />

andy.read@crt-displays.co.uk<br />

CUSTOM DESIGN<br />

(Newcastle)<br />

Unit 11, Bath Streeet Industrial<br />

Estate<br />

Newcastle upon Tyne NE6 3PH<br />

T/F: 0191 2624646<br />

sales@customdesign.co.uk<br />

www.customdesign.co.uk<br />

CYRUS<br />

ELECTRONICS LTD<br />

Spitfire Close<br />

Ermine Business Park<br />

Huntingdon PE29 6XY<br />

Contact: Peter Bartlett<br />

T: 01480 435577<br />

F: 01480 437715<br />

p.bartlett@cyrusaudio.com<br />

www.cyrusaudio.com<br />

DNM DESIGN<br />

18 Hartford Road<br />

Huntingdon<br />

Cambridgeshire PE29 3QD<br />

T: 01480 457989<br />

F: 01480 457989<br />

denis.m@dnm.co.uk<br />

www.dnm.co.uk<br />

DALI UK<br />

1 Orchard Cottages<br />

North Wraxall<br />

Chippenham SN14 7PY<br />

T: 0845 644 3537<br />

M: 07992 2073208<br />

info@dali-uk.co.uk<br />

www.dali.com<br />

DATA CONVERSION<br />

SYSTEMS LTD<br />

Mull House<br />

Great Chesterford Court<br />

Great Chesterford<br />

Saffron Walden CB10 1PF<br />

Contact: David Steven<br />

T: 01799 531999<br />

F: 01799 531681<br />

dsteven@dcsltd.co.uk<br />

www.dcsltd.co.uk<br />

DEFINITIVE AUDIO<br />

7 Harrington Mills<br />

Leopold Street<br />

Long Eaton NG104QE<br />

Contact: Lynn Scott<br />

T: 0115 973 3222<br />

F: 0115 973 3666<br />

shout@definitiveaudio.co.uk<br />

www.definitiveaudio.co.uk<br />

DEMION<br />

17 Woodland Avenue<br />

Wokingham RG41 3HL<br />

Contact: Jerry Prince<br />

T: 0118 9774085<br />

F: 0118 9785<strong>50</strong>7<br />

www.demion.co.uk<br />

DENON UK<br />

Moorbridge House<br />

Padbury Oaks<br />

579 Bath Road<br />

Longford UB7 0EH<br />

Contact: Mike O’Mahony<br />

T: 01753 680568<br />

F: 01753 689697<br />

info@denon.co.uk<br />

DESIGN E<br />

9 Bellevue Lane<br />

Emsworth PO10 7PX<br />

T: 01243 377899<br />

sales@designe.freeserve.co.uk<br />

www.designe.co.uk<br />

DIGITAL FUTURE<br />

SOLUTIONS<br />

7 Somerton Grange<br />

Coleraine<br />

Co. Londonderry<br />

N. Ireland BT51 3GB<br />

T: 02870 358894<br />

info@digitalfuturesolutions.co.uk<br />

www.digitalfuturesolutions.co.uk<br />

DKT<br />

Roseland<br />

Lanner Moor<br />

Lanner<br />

Redruth TR16 6JA<br />

T: 01209 216912<br />

info@dktgroup.com<br />

www.dktgroup.com<br />

DOLBY LABORATORIES<br />

Interface Business Park<br />

Wootton Bassett SN4 8QJ<br />

Contact: Robin Dyer<br />

T: 01793 842100<br />

F: 01793 842101<br />

dkf@dolby.co.uk<br />

www.dolby.co.uk<br />

DRAWMER ELECTRONICS<br />

Coleman Street<br />

Park Gate<br />

Rotherham S62 6EL<br />

tech@drawmer.com<br />

www.drawmer.com<br />

DYNALITE EUROPE LTD<br />

Lodges Wood Oast<br />

Goodley Stock Road<br />

Westerham<br />

Kent TN16 1TW<br />

T: 0870 608 1101<br />

F: 0870 608 1102<br />

info@dynalite.eu<br />

www.dynalite-online.com<br />

DYNAUDIO UK<br />

PO Box 1010<br />

Maidstone ME14 4WZ<br />

T: 020 7378 1810<br />

F: 087 0112 3945<br />

info@dynaudio.co.uk<br />

www.dynaudio.co.uk<br />

EAR YOSHINO LTD<br />

Coombe Farm Farm<br />

Ermine Way<br />

Arrngton<br />

Bedford SG8 0AL<br />

T: 01223 208877<br />

F: 01223 208761<br />

earyoshino@aol.com<br />

www.ear-yoshino.com<br />

E.C.T. PROJECTION SCREENS<br />

& ACCESSORIES<br />

PO Box 4020<br />

Pangbourne<br />

Reading RG8 8TX<br />

Contact: Adam Flawn Thomas<br />

T: 01189 841141<br />

F: 01189 841847<br />

adam@ect-av.com<br />

www.ect-av.com<br />

E.J. JORDAN DESIGNS<br />

The DAK<br />

Manorbier<br />

Pembrokeshire SA70 8QR<br />

Contact: Denise Jordan<br />

T: 01834 871 209<br />

F: 01834 871 770<br />

ejj@ejjordan.co.uk<br />

www.ejjordan.co.uk<br />

ES LAB<br />

41 Penlands Vale<br />

Steyning BN44 3PL<br />

T: 01903 814618<br />

ECLIPSE TD (UK)<br />

LOE House<br />

159 Broadhurst Gardens<br />

London NW6 3AU<br />

T: 020 7328 4499<br />

F: 020 7624 6384<br />

enquiry@eclipse-td.co.uk<br />

www.eclipse-td.co.uk<br />

EDWARDS AUDIO<br />

Camberley<br />

Surrey GU15 1LW<br />

T: 08456 123388<br />

info@edwardsaudio.co.uk<br />

www.edwardsaudio.co.uk<br />

ELAN SYSTEMS UK<br />

Unit 4 Pumpfields Road<br />

Liverpool L3 6BA<br />

T: 0151 236 1832<br />

F: 0151 255 1194<br />

info@elansystemsuk.com<br />

www.elanhomesystems.com<br />

ELTAX U.K.<br />

The Old Granary<br />

Sycamore Yard<br />

Blakesley<br />

Towcester NN12 8QY<br />

T: 01327 860789<br />

F: 01327 861058<br />

Contact the sales office<br />

uk@eltax.com<br />

www.eltax.com<br />

EPOS ACOUSTICS<br />

12 Avebury Court<br />

Mark Road<br />

Hemel Hempstead HP2 7TA<br />

Tel: 01442 260146<br />

Fax: 01442 243766<br />

info@epos-acoustics.com<br />

www.epos-acoustics.com<br />

EXPOSURE ELECTRONICS<br />

The Works<br />

59 North Street<br />

Portslade BN41 1DH<br />

T: 01273 423877<br />

F: 01273 430619<br />

service@exposurehifi.com<br />

www.exposurehifi.com<br />

FALCON ACOUSTICS LTD<br />

Unit 12, Damgate Lane<br />

Industrial Estate, Damgate<br />

Lane, Acle<br />

Norwich NR13 3DJ<br />

T: 01493 751100<br />

F: 01493 751155<br />

sales@falcon-acoustics.co.uk<br />

www.falcon-acoustics.co.uk<br />

FERGUSON HILL STUDIOS<br />

Central London Studios<br />

178 Royal College Street,<br />

Camden, London NW1 0SP<br />

T: 0207 284 0969<br />

info@fergusonhill.co.uk<br />

www.fergusonhill.co.uk<br />

FRYER SALES &<br />

MARKETING<br />

Unit 4 The Nelson Centre<br />

Portfield Road<br />

Portsmouth PO3 5SF<br />

T: 023 9269 0999<br />

F: 023 9269 0666<br />

custserv@fryersales.com<br />

www.fryersales.com<br />

FI-RAX<br />

Springfield Mills<br />

Spa Street<br />

Ossett<br />

Wakefield WF5 OHW.<br />

T: 01924 277626<br />

F: 01924 270759<br />

info@firax.co.uk<br />

www.firax.co.uk<br />

FOCAL-JM LAB UK LTD<br />

Jesson House<br />

Tower Street<br />

Coventry CV1 1JN<br />

T: 0845 660 2680<br />

F: 0845 660 2690<br />

info@focal-jmlab.co.uk<br />

www.focal-jmlab.co.uk<br />

THE FUNK FIRM<br />

27 Verdant Lane<br />

Catford<br />

London SE6 1JD<br />

T: 020 8697 2706<br />

info@thefunkfirm.co.uk<br />

www.thefunkfirm.co.uk<br />

FUTRONIX<br />

Futronix House<br />

143 Croydon Road<br />

Caterham CR3 6PF<br />

T: 01883 373 333<br />

F: 01883 373 335<br />

sales@futronix.info<br />

www.futronix.info<br />

FUTURE AUTOMATION<br />

Unit 2 Kimpton Enterprise Park,<br />

Claggy Road<br />

Kimpton SG4 8HP<br />

T: 01438 833577<br />

info@futureautomation.co.uk<br />

www.futureautomation.co.uk<br />

FUTUREGLASS<br />

1a Anglia Way<br />

Braintree CM7 3RG<br />

T: 0137 633 0300<br />

reception@futureglass.co.uk<br />

www.futureglass.co.uk<br />

DIRECTORY<br />

MANUFACTURERS & DISTRIBUTORS<br />

35


DIRECTORY<br />

MANUFACTURERS & DISTRIBUTORS<br />

36<br />

FX FURNITURE<br />

The Old Vicarage<br />

Church Lane<br />

Clarborough DN22 9NA<br />

T: 01777 869809<br />

GECKO INC<br />

M&K/TRIAD/SUNFIRE/LYNGDORF/<br />

RUNCO/AUDYSSEY<br />

Cherry Cottage<br />

Galley Lane<br />

Headley RG19 8LJ<br />

T: 0845 262 2882<br />

F: 0845 262 2992<br />

rob@gecko.uk.com<br />

www.homecinema.uk.com<br />

GINSBURY ELECTRONICS<br />

1 Exeter House<br />

Beaufort Court<br />

Sir Thomas Longley Road<br />

Rochester ME2 4FE<br />

T: 01634 298900<br />

F: 01634 290904<br />

sales@ginsbury.co.uk<br />

www.ginsbury.co.uk<br />

GLAIVE LIMITED<br />

INSERT AUDIO/SUPRA<br />

Unit 7, Wren Industrial Estate<br />

Coldred Road<br />

Maidstone ME15 9YT<br />

T: 01622 66 40 70<br />

sales@glaive.co.uk<br />

www.glaive.co.uk<br />

G T AUDIO<br />

ALLAERTS CARTRIDGES / AVANTGARDE<br />

ACOUSTIC / DPS TURNTABLES /<br />

J C VERDIER / LINDEMANN / LYS<br />

GYRASCOPE / PHY-HP / SCHRODER<br />

TONEARMS / TRON / ZYX CARTRIDGES<br />

Cherry Hollow<br />

5 Upper Road<br />

Higher Denham UB9 5EJ<br />

T: 01895 833099<br />

sales@gtaudio.com<br />

www.gtaudio.com<br />

HAMA<br />

Unit 4 Cherrywood<br />

Chineham Business Park<br />

Basingstoke RG24 8WF<br />

T: 01256) 374 700<br />

F: 01256) 374 749<br />

sales@hama.co.uk<br />

www.hama.co.uk<br />

HARBETH AUDIO LIMITED<br />

3 Enterprise Park<br />

Lewes Road<br />

Lindfield RH16 2LH<br />

T: 01444 487483 DL<br />

F: 01444 487629<br />

sound@harbeth.co.uk<br />

www.harbeth.co.uk<br />

HARMAN<br />

CONSUMER UK<br />

HARMAN-KARDON/INFINITY/JBL<br />

Harman International Industries<br />

Limited,<br />

The Dutch Barn,<br />

The Hyde, Woodcock Hill,<br />

Off Coopers Green Lane,<br />

St Albans<br />

AL4 9HJ<br />

T: 01707 728100<br />

www.harmankardon.com<br />

www.infinitysystems.com<br />

www.jbl.com<br />

HAROPA PRODUCTS<br />

Alma Works<br />

Darlaston Road<br />

Darlaston WS10 7TG<br />

T: 0121 526 6435<br />

F: 0121 526 2477<br />

sales@haropa.co.uk<br />

www.haropa.co.uk<br />

HARPERS AV<br />

3 Woking Business Park<br />

Albert Drive<br />

Woking GU21 5JY<br />

sales@harpersav.com<br />

www.harpersav.com<br />

HARVARD<br />

TECHNOLOGY GROUP<br />

Unit C<br />

Lombard Business Park<br />

20-26 Purley Way<br />

Croydon CR0 3JP<br />

T: 020 8664 8833<br />

F: 020 8665 1333<br />

www.harvardtechnologygroup.com<br />

HELVAR MERCA<br />

Lighting Control Systems<br />

Hawley Mill<br />

Hawley Road<br />

Dartford DA2 7SY<br />

T: 01322 222211<br />

F: 01322 282216<br />

www.helvar.co.uk<br />

HENLEY DESIGNS<br />

ORTOFON/PROJECT/VIENNA/ROKSAN/<br />

AUDIOQUEST/BEYERDYNAMIC<br />

Unit 11, Moorbrook<br />

Southmead Industrial Park<br />

Didcot OX11 7HP<br />

T: 01235 511166<br />

F: 01235 511266<br />

sales@henleydesigns.co.uk<br />

www.henleydesigns.co.uk<br />

HIAUDIO DISTRIBUTION<br />

ACOUSTIC SOLID / HFC HADCOCK<br />

/ USHER AUDIO / GRAHAM SLEE /<br />

THE CARTRIDGE MAN / NUFORCE /<br />

METAVISION UK / INVIDEO / BLACK<br />

RHODIUM<br />

3 St Fort Place<br />

Wormit<br />

Newport on Tay DD6 8NT<br />

Scotland<br />

T/F: 00 44 (0)845 0 525259<br />

M: 00 44 (0)7968 272614<br />

hugh@hiaudio.co.uk<br />

Skype: hiaudio_skype<br />

www.hiaudio.co.uk<br />

HIDDEN WIRES<br />

216a Gipsy Road<br />

London SE27 9RB<br />

T: 020 8761 1042<br />

www.hiddenwires.co.uk<br />

HIRSCHMANN<br />

ELECTRONICS<br />

4303 Waterside Centre<br />

Solihull Parkway<br />

Birmingham Business Park<br />

Birmingham B37 7YN<br />

T: 0121 329 <strong>50</strong>00<br />

F: 0121 329 <strong>50</strong>01<br />

enquiry@hirschmann.co.uk<br />

www.hirschmann.co.uk<br />

HITACHI EUROPE<br />

Whitebrook Park<br />

Lower Cookham Road<br />

Maidenhead SL6 8YA<br />

T: 01628 58<strong>50</strong>00<br />

enquiries@hitachi-eu.com<br />

www.hitachi-eu.com<br />

HOME NETWORK<br />

SCIENCES<br />

43-45 Salthouse Road<br />

Brackmills<br />

Northampton NN4 7EX<br />

Contact: Neil Weatherley<br />

T: 01604 706633<br />

F: 01604 705454<br />

info@homecabling.co.uk<br />

HORIZON GLOBAL<br />

ELECTRONICS LTD<br />

Unit 1, 8 Kinetic Crescent<br />

The London & Office Science<br />

Park, Enfield EN3 7XH<br />

T: 020 8344 8230<br />

F: 020 8344 8235<br />

sales@horizonhge.com<br />

www.horizonhge.com<br />

ICON AUDIO<br />

351 Aylestone Road<br />

Leicester LE2 8TA<br />

T: 07787 158791<br />

F: 0116 2440593<br />

iconaudio@ntlworld.com<br />

www.iconaudio.co.uk<br />

IF DESIGNS<br />

143 Huddersfield Road<br />

Huddersfield HD8 8LB<br />

T/F: 01484 606 900<br />

innovation@ifdesigns.co.uk<br />

www.ifdesigns.co.uk<br />

IKON AVS<br />

Unit 238, Ikon Estate<br />

Droitwich Road<br />

Hartlebury DY10 4EU<br />

T: 01299 2<strong>50</strong>991<br />

F: 01299 2<strong>50</strong> 983<br />

sales@ikonavs.com<br />

www.ikonavs.com<br />

ILIGHT LIMITED<br />

Unit 4<br />

Enterprise Centre<br />

Penshurst<br />

Tonbridge TN11 8BG<br />

T: 01892 870072<br />

F: 01892 870074<br />

www.ilight.co.uk<br />

IMERGE<br />

Unit 6<br />

Bar Hill Business Park<br />

Saxon Way<br />

Bar Hill<br />

Cambridge CB3 8SL<br />

T: 01954 783600<br />

F: 01954 783601<br />

www.imerge.co.uk<br />

INTEGRATED<br />

ENGINEERING SOLUTIONS<br />

RENAISSANCE AMPLIFICATION /<br />

LAMM INDUSTRIES / METRONOME<br />

TECHNOLOGIE<br />

Solent Business Centre<br />

Millbrook Road West<br />

Southampton SO15 OHW<br />

T: 023 8090 <strong>50</strong>20<br />

F: 023 8070 4073<br />

email info@highendaudio.co.uk<br />

www.highendaudio.co.uk/<br />

INVISION UK<br />

Unit 5<br />

Woodlands Business Park<br />

Rougham Industrial Estate<br />

Bury St Edmonds<br />

Suffolk IP30 9ND<br />

T: 01359 270280<br />

F: 01359 270281<br />

info@invisionuk.com<br />

www.requestuk.com<br />

IPHOMENET.COM<br />

Showroom and offices<br />

1045 Stratford Road<br />

Hall Green<br />

Birmingham B28 8AS<br />

T: 0121 778 6300<br />

F: 0121 778 1117<br />

sales@iphomenet.com<br />

www.iphomenet.com<br />

IXOS<br />

8 Dormer Road<br />

Thame Industrial Estate<br />

Thame OX9 3UD<br />

Contact: Matt Towland<br />

T: 01844 219000<br />

F: 01844 219099<br />

sales@path.co.uk<br />

www.ixoscable.com<br />

ISOBLUE LIMITED<br />

41-43 Derby Road<br />

Draycott<br />

Derbyshire DE72 3NJ<br />

Contact: Chris Bampton<br />

T: 01332 875700<br />

chris@isoblue.com<br />

www.isoblue.com<br />

J.A.MICHELL<br />

ENGINEERING<br />

2 Theobald Street<br />

Borehamwood WD6 4SE<br />

T: 0208.953.0771<br />

F: 0208.207.4688<br />

info@michell-engineering.co.uk<br />

www.michell-engineering.co.uk<br />

JVC (UK) LIMITED<br />

JVC House<br />

JVC Business Park<br />

Priestley Way<br />

London NW2 7BA<br />

T: 020 84<strong>50</strong> 3282<br />

F: 020 8208 3038<br />

www.jvc.co.uk<br />

KALEIDESCAPE<br />

T: 07921 187956<br />

ken.weller@kaleidescape.com<br />

www.kaleidescape.com<br />

KEF AUDIO (UK)<br />

Eccleston Road<br />

Tovil<br />

Maidstone ME15 6QP<br />

T: 01622 672261<br />

F: 01622 7<strong>50</strong>653/68101<br />

www.kef.com<br />

KLEGG AUDIO UK<br />

PO Box 34949<br />

London SW8 5XN<br />

T: 0870 075 5344<br />

www.klegg-audio.co.uk<br />

KONNECTSON UK LTD,<br />

Cirrus House<br />

Glebe Road<br />

Huntingdon PE29 7DL<br />

T: 01480 434441<br />

F: 01480 433312<br />

sales@konnectson.co.uk<br />

www.konnectson.co.uk<br />

www.vanptc.com<br />

www.exactpower.com<br />

KRAMER ELECTRONICS UK<br />

Unit 21 Farmborough Close<br />

Aylesbury Vale Industrial Park<br />

Aylesbury HP20 1DQ<br />

T: 01296 330011<br />

F: 01296 330055<br />

info@kramerelectronics.com<br />

www.kramerelectronics.com<br />

LAMBA PLC<br />

Unit 1 Southfields Road<br />

Dunstable LU6 3EJ<br />

T: 01582 690600<br />

F: 01582 690400<br />

info@lambaplc.com<br />

www.lambaplc.com<br />

LAWTON<br />

22 Willow Court<br />

Sandwell Business Park<br />

Crystal Drive<br />

Smethwick B66 1RD<br />

T: 0121 511 1128<br />

F: 0121 544 6877<br />

sales@lawtontrade.co.uk<br />

www.lawtontrade.co.uk<br />

LEAX LIGHTING<br />

CONTROLS<br />

Unit 11 Mandeville Courtyard<br />

142 Battersea Park Road<br />

London SW11 4NB<br />

T: 020 7<strong>50</strong>1 0880<br />

F: 020 7<strong>50</strong>1 0890<br />

www.leax.co.uk<br />

LEEMA ACOUSTICS<br />

The Foxes, Mochdre lane<br />

Mochdre, Newtown<br />

Powys SY16 4JF<br />

T/F: 01470 511248<br />

info@leema-acoustics.com<br />

www.leema-acoustics.com<br />

L.G. ELECTRONICS UK<br />

LG House<br />

2<strong>50</strong> Bath Road<br />

Slough SL1 4DX<br />

T: 01753 491 <strong>50</strong>0<br />

F: 01753 693 061<br />

ukhelpdesk@lge.com<br />

uk.lge.com<br />

LIBRA SYSTEMS<br />

15b Avenue Road<br />

Teddington TW11 0BT<br />

T/F: 020 8977 0422<br />

info@librasys.com<br />

www.librasys.com<br />

LIGHTNING DESIGN<br />

Unit 3, Area 9<br />

Headley Road East<br />

Woodley<br />

Berkshire RG5 4SE<br />

T: 0118 969 9099<br />

F: 0118 969 9088<br />

sales@lightning-design.com<br />

www.lightning-design.com<br />

LINN PRODUCTS<br />

Glasgow Road<br />

Eaglesham G76 OEQ<br />

Contact: Ross O’Donnell<br />

T: 0141 307 7777<br />

F: 0141 644 4262<br />

Ross.O’Donnell@linn.co.uk<br />

www.linn.co.uk<br />

LIVING CONTROL<br />

Unit 2<br />

The Flyers Way<br />

Westerham TN16 1DE<br />

T: 01959 569995<br />

F: 01959 569996<br />

mail@livingcontrol.com<br />

www.livingcontrol.com<br />

LIVING VOICE<br />

LOUDSPEAKERS<br />

Stanhope House<br />

Leopold Street<br />

Long Eaton<br />

Nottingham NG10 4QE<br />

T: 0115 9733 222<br />

F: 0115 9733 666<br />

shout@definitiveaudio.co.uk<br />

shout@livingvoice.co.uk<br />

www.definitiveaudio.co.uk<br />

www.livingvoice.co.uk<br />

LOGIC EUROPE<br />

Unit 39<br />

Cumberland Business Park<br />

Cumberland Avenue<br />

Park Royal<br />

London NW10 7RT<br />

Tel: +44 (0)20 8961 0101<br />

Fax: +44 (0)20 8961 7191<br />

sales@logiceurope.com<br />

www.logiceurope.com<br />

LLORICRAFT AUDIO<br />

4 Big Lane<br />

Goose Green<br />

Lambourn RG16 7XQ<br />

Contact: Terry O’Sullivan<br />

T: 01488 71307<br />

F: 01488 72267<br />

terry@garrard<strong>50</strong>1.com<br />

www.garrard<strong>50</strong>1.com<br />

LUTRON E A<br />

6 Sovereign Close<br />

London E1W 3JF<br />

Contact: John Niebel<br />

T: 0207 702 0657<br />

F: 0207 480 6899<br />

jniebel@lutron.com<br />

www.lutron.com/resi<br />

M J ACOUSTICS<br />

9 Venture Court<br />

Boleness Road<br />

Wisbech PE13 2XQ<br />

T: 08707 44<strong>50</strong>80<br />

F: 08707 469380<br />

Contact: John Jefferis<br />

trade@mjacoustics.co.uk<br />

www.mjacoustics.co.uk<br />

MARANTZ UK<br />

Kingsbridge House<br />

Padbury Oaks<br />

575-583 Bath Road<br />

Longford UB7 0EH<br />

T: 01753 680868<br />

F: 01753 680868<br />

www.marantz.com<br />

MARATA VISION<br />

20 Greenhill Crescent<br />

Watford Business Park<br />

Watford WD18 8XD<br />

Contact: Bob Wheeler<br />

T: 01923 495595<br />

F: 01923 495599<br />

info@marata.co.uk<br />

www.marata.co.uk<br />

MARTEK (UK)<br />

Unit 1 Shephards Grove<br />

Industrial Estate West<br />

Stanton<br />

Suffolk IP31 2AR<br />

Contact: <strong>Malcolm</strong> Wixley<br />

T: 01359 253555<br />

F: 01359 258005<br />

mkw@martekuk.co.uk<br />

www.martekuk.co.uk<br />

MAVERICK PRESENTATION<br />

PRODUCTS<br />

Wellington Ind. Estate<br />

Spencer’s Wood<br />

Reading RG7 1AW<br />

T: 0118 988 6266<br />

F: 0118 988 6233<br />

www.maverick-world.com<br />

THE MAX DISTRIBUTION<br />

The Old Bakery<br />

39 High Street<br />

East Malling<br />

Kent ME19 6AJ<br />

T: 01732-840845<br />

sales@the-max.co.uk<br />

www.the-max.co.uk<br />

MAXELL EUROPE LTD<br />

UK Sales<br />

Multimedia House<br />

High Street<br />

Rickmansworth WD3 1HR<br />

T: 01923 494400<br />

F: 01923 494410<br />

sales@maxell.eu.com<br />

www.maxell.eu.com<br />

MERCANTILE AND<br />

GENTRY LIMITED<br />

UK Marketing Office<br />

4 Victoria Avenue<br />

Harrogate HG1 1BL<br />

T: 01423-858196<br />

F: 01423-858198<br />

www.mercantilegentry.com<br />

MERIDIAN AUDIO<br />

Latham Road<br />

Huntingdon PE29 6YE<br />

T: 01480 445678<br />

F: 01480 445686<br />

www.meridian-audio.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


MISSION<br />

IAG House<br />

Sovereign House<br />

Ermine Business Park<br />

Huntingdon PE29 6XU<br />

T: 0845 458 0011<br />

or T: 01480 447700<br />

F: 01480 413403<br />

www.mission.co.uk<br />

MITSUBISHI ELECTRIC<br />

Visual Information Systems<br />

Division<br />

Travellers Lane<br />

Hatfield AL10 8XB<br />

T: 01707 278684<br />

F: 01707 278541<br />

www.mitsubishi.co.uk<br />

MODE LIGHTING<br />

(UK) LIMITED<br />

The Maltings<br />

63 High Street<br />

Ware SG12 9AD<br />

T: 01920 462121<br />

sales@modelighting.com<br />

www.modelighting.com<br />

MOLDED CHORDS AND<br />

CABLES<br />

Unit 15 The Western Centre<br />

Western Road<br />

Bracknell RG12 1RW<br />

T: 01344 868200<br />

F: 01344 868208<br />

info@mcc-cables.com<br />

sales@mcc-cables.com<br />

www.mcc-cable.com<br />

MONITOR AUDIO<br />

24 Brook Road<br />

Rayleigh SS6 7XL<br />

T: 01268 740580<br />

F: 01268 740589<br />

info@monitoraudio.co.uk<br />

www.monitoraudio.co.uk<br />

MONSTER EUROPE<br />

Wenta Business Centre<br />

Colne Way<br />

Watford WD24 7ND<br />

T: 01923 693766<br />

F: 0870 870 0892<br />

www.monstercable.com<br />

MORDAUNT-SHORT<br />

Gallery Court<br />

Pilgrimage Street<br />

London SE1 4LL<br />

T: 0845 128 3951<br />

www.mordaunt-short.com<br />

MORGAN AUDIO SYSTEMS<br />

Unit 4<br />

Pumpfields Road<br />

Liverpool L3 6BA<br />

Contact: Peter Harper<br />

T: 0151 255 0946<br />

F: 0151 258 1614<br />

harper@morgan-audio.co.uk<br />

www.morgan-audio.co.uk<br />

MOTH GROUP<br />

10 Dane Lane<br />

Wilstead<br />

Bedford MK45 3HT<br />

Contact: Mike Harris<br />

T: 01234 741152<br />

F: 01234 742028<br />

info@mothgroup.com<br />

www.mothgroup.com<br />

THE MULTI-ROOM<br />

COMPANY<br />

RUSSOUND/ATLANTIC TECHNOLOGY/<br />

CENTRALITE/HAI/LEVITON<br />

4 Churchill House<br />

Churchill Road<br />

Cheltenham GL53 7EG<br />

T: 01242 539100<br />

F: 01242 539300<br />

info@multi-room.com<br />

www.multi-room.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

MUSIC FIRST<br />

Unit 13<br />

Britannia Enterprise Centre<br />

Waterworks Road<br />

Hastings TN34 1RT<br />

Contact: Harry O’Sullivan<br />

T: 01424 439315<br />

E.info@mfaudio.co.uk<br />

www.mfaudio.co.uk<br />

THE MUSICAL DESIGN<br />

COMPANY<br />

P.O. Box 4146<br />

Epping CM16 6HJ<br />

T: 01992 573030<br />

F: 01992 574030<br />

enquiries@mdc-hifi.co.uk<br />

www.mdc-hifi.co.uk<br />

MUSONIC (UK) LTD<br />

Unit 13<br />

The Wenta Business Centre<br />

Colne Way<br />

Watford WD24 7ND<br />

T: 01923 213344<br />

F: 01923 213355<br />

websales@musonic.co.uk<br />

www.musonic.co.uk<br />

NAIM AUDIO<br />

Southampton Road<br />

Salisbury SP1 2LN<br />

Contact: Doug Graham<br />

T: 01722 332266<br />

F: 01722 412034<br />

doug.graham@naim-uk.com<br />

www.naim-audio.com<br />

NEAT ACOUSTICS<br />

Unit 1 Stainton Grove Industrial<br />

Estate<br />

Barnard Castle DL12 8UJ<br />

Contact: Bob Surgeoner<br />

T: 01833 631021<br />

F: 01833 630022<br />

bob@neat.co.uk<br />

www.neat.co.uk<br />

NEVER CONNECTED PSU<br />

(Fenson Limited)<br />

Frisby House<br />

Church Road<br />

Castle Morton<br />

Malvern WR13 6BE<br />

T: 01684 833446<br />

info@never-connected.com<br />

www.never-connected.com<br />

NU-WORLD UK LTD<br />

Prima House<br />

7 Maple Park<br />

Lowfields Avenue<br />

Leeds L12 6HH<br />

T: 0844 581 <strong>50</strong>00<br />

F: 0844 581 <strong>50</strong>02<br />

mail@prima-international.com<br />

www.primainternational.com<br />

NXT PLC<br />

(New Transducers Ltd)<br />

Cygnet House<br />

Hinchingbrooke Bus Park<br />

Huntingdon PE29 6FW<br />

T: 01480 846100<br />

F: 01480 846190<br />

enquiries@nxtsound.com<br />

www.nxtsound.com<br />

O’HEOCHA DESIGN UK &<br />

IRELAND LTD<br />

Manor House<br />

Baile an tSagairt<br />

Spiddal<br />

Co Galway<br />

Republic of Ireland<br />

T: + 353 (0)91 55 80 30 (ROI)<br />

F: + 353 (0)91 55 80 65<br />

enquiries@oheocha.com<br />

www.oheocha.com<br />

OBELISK AUDIO DESIGNS<br />

32 Stapleford Close<br />

Romsey<br />

Hants. SO51 7HU<br />

T: 01794 <strong>50</strong>1235<br />

www.obeliskaudio.com<br />

ONKYO UK<br />

Suite 1, Gregories Court<br />

Gregories Road<br />

Beaconsfield HP9 1HQ<br />

T: 01494 681515<br />

onkyo@onkyo.co.uk<br />

www.onkyo.co.uk<br />

OPTIMUM<br />

INTERNATIONAL LTD<br />

Kensington House<br />

Westminster Place<br />

York Business Park<br />

York YO26 6RW<br />

T: 01904 528090<br />

fF: 01904 789719<br />

info@optimuminternational.co.uk<br />

www.optimuminternational.co.uk<br />

OPTOMA EUROPE<br />

42 Caxton Way<br />

Watford Business Park<br />

Watford WD18 8QZ<br />

Contact: Bob Johnson<br />

T: 01923 691809<br />

F: 01923 691888<br />

b.johnson@optoma.co.uk<br />

OPUS TECHNOLOGIES<br />

Gallery Court<br />

Pilgrimage Street<br />

London SE1 4LL<br />

T: 0845 090 2266<br />

info@opus-technologies.co.uk<br />

www.opus-technologies.co.uk<br />

ORIGIN LIVE<br />

Unit 5<br />

362b Spring Road<br />

Southampton SO19 2PB<br />

T: 02380 578877<br />

F: 02380 578877<br />

originlive@originlive.com<br />

www.originlive.com<br />

OVERKILL AUDIO<br />

1 Field Close<br />

Grafham<br />

Huntingdon PE28 0AY<br />

Contact: Derek Wilson<br />

T: 01480 811279<br />

derek@overkillaudio.com<br />

www.overkillaudio.com<br />

PACE MICRO TECHNOLOGY<br />

PLC<br />

Victoria Road<br />

Saltaire<br />

Shipley BD18 3LF<br />

T: 01274 532000<br />

PANASONIC<br />

Panasonic House<br />

Willoughby Road<br />

Bracknell RG12 4PF<br />

T: 01344 862444<br />

F: 01344 861656<br />

www.panasonic.co.uk<br />

PARADIGM AUDIO VISUAL<br />

Swan Works<br />

Box End Road<br />

Bromham<br />

Bedford MK43 8LT<br />

T: 01234 843388<br />

F: 01234 854477<br />

info@rearpro.com<br />

www.rearpro.com<br />

PARTINGTON & CO.<br />

Orchard Farm<br />

Fawkham Road<br />

Longfield DA3 7QP<br />

T: 01474 709299<br />

F: 01474 709295<br />

PEAR AUDIO LIMITED<br />

7 Prospect Place<br />

Alnmouth<br />

Northumberland NE66 2RL<br />

T: 01665-830862<br />

F: 01665-830051<br />

john@pearaudio.com<br />

www.pearaudio.com<br />

PHILEX ELECTRONIC<br />

Philex House<br />

Kingfisher Wharf<br />

London Road<br />

Bedford MK42 0NX<br />

Contact: Jim Edwards<br />

T: 01234 263 737<br />

F: 01234 267 400<br />

sales@philex.com<br />

www.philex.com<br />

PHILIPS<br />

The Philips Centre<br />

420-430 London Road<br />

Croydon CR9 3QR<br />

T: 020 8781 8699<br />

www.philips.com<br />

PIONEER (GB) LTD<br />

Pioneer House<br />

Hollybush Hill<br />

Stoke Poges SL2 4QP<br />

Contact: Jim Catcheside<br />

T: 01753 789789<br />

F: 01753 789528<br />

jim_catcheside@pgb.pioneer.co.uk<br />

www.pioneer-eur.com<br />

PMC<br />

43-45 Crawley Green Road<br />

Luton LU2 0AA<br />

T: 0870 444 1044<br />

F: 0870 444 1045<br />

sales@promonitor.co.uk<br />

www.pmc-speakers.com<br />

POLARON CONTROLS LTD<br />

26 Greenhill Crescent<br />

Watford Business Park<br />

Watford WD18 8XG<br />

Contact: Charlie Madsen<br />

T: 01923 495495<br />

F: 01923 228796<br />

controlsales@polaron.co.uk<br />

www.polaron.com<br />

PRESENCE AUDIO<br />

Woodside<br />

Spronketts Lane<br />

Bolney<br />

Haywards Heath RH17 5SA<br />

Contact: Brian Smith<br />

T: 01444 461611<br />

F: 01444 461510<br />

Presence@bdlrs.freeserve.co.uk<br />

www.presenceaudio.com<br />

PRISMA EUROPE LTD<br />

Unit 16 Aston Fields Ind Estate<br />

Bromsgrove B60 3EX<br />

T: 01527 556300<br />

F: 01527 556301<br />

www.prisma-europe.co.uk<br />

PROAC<br />

Highpoint House<br />

Riding Road<br />

Buckingham Road Industrial<br />

Estate<br />

Brackley NN13 7BE<br />

T: 01280 700147<br />

F: 01280 700148<br />

www.proac-loudspeakers.com<br />

PROGRESSIVE CONSUMER<br />

ELECTRONICS LTD<br />

SLIM DEVICES<br />

Unit 2 Pulborough Way<br />

Hounslow TW4 6DE<br />

Contact: Paul Hanley<br />

T: 0871 871 9747<br />

F: 0871 871 9757<br />

sales@progressiveav.com<br />

www.progressiveav.com<br />

PULSE MARKETING<br />

25b Hockerill Street<br />

Bishops Stortford CM23 2DH<br />

Contacts: Mike Beatty<br />

T: 01279 655955<br />

F: 01279 656004<br />

info@pulsemarketing.org<br />

www.pulsemarketing.org<br />

PURE DIGITAL<br />

Home Park Estate<br />

Kings Langley WD4 8LZ<br />

T: 01923 260511<br />

F: 01923 270188<br />

sales@pure-digital.com<br />

www.pure-digital.com<br />

QUAD ELECTROACOUSTICS<br />

IAG House<br />

Sovereign House<br />

Ermine Business Park<br />

Huntingdon PE29 6XU<br />

T: 0845 458 0011<br />

or T: 01480 447700<br />

F: 01480 413403<br />

www.quad-hifi.co.uk<br />

QUADRASPIRE LIMITED<br />

27 Burnett Business Park<br />

Gypsy Lane<br />

Burnett BS31 2ED<br />

T: 0117 9863228<br />

F: 0117 9860798<br />

sales@quadraspire.co.uk<br />

REDLINE DISTRIBUTION<br />

MOON/VELODYNE/EICHMANN<br />

Unit 11b<br />

72 Newhaven Road<br />

Edinburgh EH6 5QG<br />

T: 0131 555 3922<br />

info@red-line.co.uk<br />

www.red-line.co.uk<br />

REFLEX LIMITED<br />

1 Bennet Court<br />

Bennet Road<br />

Reading RG2 0QX<br />

info@reflex.co.uk<br />

www.reflex.co.uk<br />

REGA RESEARCH LIMITED<br />

119 Park Street<br />

Westcliff-on-Sea SS0 7PD<br />

T: 01702 333071<br />

F: 01702 432427<br />

service@rega.co.uk<br />

www.rega.co.uk<br />

REL ACOUSTICS LTD<br />

North Road<br />

Bridgend Industrial Estate<br />

Bridgend CF31 3TP<br />

Contact: Richard Lord<br />

T: 01656 768777<br />

F: 01656 766093<br />

sales@rel.net<br />

www.rel.net<br />

RESTEK UK<br />

159 Dominion Road<br />

Worthing BN14 8LD<br />

T: 01903 207634<br />

F: 01903 236119<br />

tony@restek.co.uk<br />

www.restek.co.uk<br />

RGB COMMUNICATIONS<br />

2 Lowesden Business Park<br />

Lambourn Woodlands<br />

Hungerford RG17 7RY<br />

Contact: Gordon Innocent<br />

T: 01488 73366<br />

F: 01488 73377<br />

gordoni@rgbcomms.co.uk<br />

www.rgbcomms.co.uk<br />

RINGMAT DEVELOPMENTS<br />

PO Box 200<br />

Brentwood CM15 9FB<br />

T: 01277 200 210<br />

F: 01277 201 225<br />

email@ringmat.com<br />

www.ringmat.com<br />

ROKSAN AUDIO LIMITED<br />

Unit 6<br />

Northfield lndustrial Estate<br />

Beresford Avenue<br />

Alperton HA0 1NW<br />

T: 020 8900 6801/6802<br />

F: 020 8900 0734<br />

info@roksan.co.uk<br />

www.roksan.co.uk<br />

ROTHWELL<br />

AUDIO PRODUCTS<br />

87-89 Lever Street<br />

Bolton BL3 2AB<br />

Contact: Andrew Rothwell<br />

T: 01204 366133<br />

office@rothwellaudioproducts.co.uk<br />

www.rothwellaudioproducts.co.uk<br />

RUARK ACOUSTICS<br />

RUARK/TIVOLI RADIO<br />

59 Tailors Court<br />

Temple Farm Industrial Estate<br />

Southend-on-Sea SS2 5TH<br />

Contact: Neil Adams<br />

T: 01702 601410<br />

F: 01702 601414<br />

neil@ruark.co.uk<br />

www.ruark.net<br />

RUSS ANDREWS<br />

ACCESSORIES<br />

2b Moreland Court<br />

West Moreland Bus. Park<br />

Sharp Road<br />

Kendal LA9 6NS<br />

T: 01539 797300<br />

F: 01539 797325<br />

www.russandrews.com<br />

SABRE ACCESS CONTROL<br />

SYSTEMS<br />

Security House<br />

24 Wedgwood Gate<br />

Wedgwood Way<br />

Stevenage SG1 4QF<br />

T: 0870 2413838<br />

F: 01438 354099<br />

sales@sabreaccess.com<br />

www.sabreaccess.com<br />

SAMSUNG ELECTRONICS<br />

(UK)<br />

Samsung House<br />

1000 Hillswood Drive<br />

Chertsey KT16 0PS<br />

T: 01932 45<strong>50</strong>00<br />

F: 01932 87<strong>50</strong>30<br />

www.samsungelectronics.co.uk<br />

SANYO EUROPE<br />

Sanyo House<br />

Otterspool Way<br />

Watford WD25 8JX<br />

T: 01923 246363<br />

F: 01923 817410<br />

sales@sanyo.co.uk<br />

www.sanyo.co.uk<br />

SAXON AUDIO<br />

Camberley<br />

Surrey GU15 1LW<br />

T: 08456 123388<br />

info@saxonaudio.com<br />

www.saxonaudio.com<br />

SCC CONVERGENCY<br />

Unit 6 , Dacre Industrial Estate<br />

Fieldings Road<br />

Cheshunt EN8 9TJ<br />

Contact: Rob Butler<br />

T: 01992 7896<strong>50</strong><br />

F: 01992 789651<br />

robbutler@sccdistribution.co.uk<br />

www.scc-convergency.co.uk<br />

www.sccdistribution.co.uk<br />

SEFOUR LIMITED<br />

214A Wellsbach House<br />

3-9 Broom Hill Road<br />

London SW18 4JQ<br />

T: 0870 460 3431<br />

F: 0870 460 3432<br />

info@sefour.com<br />

www.sefour.com<br />

DIRECTORY<br />

MANUFACTURERS & DISTRIBUTORS<br />

37


DIRECTORY<br />

MANUFACTURERS & DISTRIBUTORS<br />

38<br />

SENNHEISER UK<br />

3 Century Point<br />

Halifax Road<br />

High Wycombe<br />

HP12 3SL<br />

T: 01494 551 531<br />

F: 01494 551 5<strong>50</strong><br />

info@sennheiser.co.uk<br />

www.sennheiser.co.uk<br />

SHARP ELECTRONICS<br />

4 Furzeground Way<br />

Stockley Park<br />

Uxbridge UB11 1EZ<br />

T: 020 8734 2000<br />

www.sharp.co.uk<br />

SI-FI<br />

463 Harrow Road<br />

London W10 4RG<br />

T: 020 8962 0700<br />

F: 020 8964 2696<br />

simon@si-fi.com<br />

www.si-fi.com<br />

SILENT GLISS<br />

Unit 325<br />

Business Design Centre<br />

Upper Street<br />

Islington<br />

London N1 0QH<br />

Contact: Jeff Alexander<br />

T: 020 7288 6100<br />

F: 020 7288 6103<br />

info@silent-gliss.co.uk<br />

www.silent-gliss.co.uk<br />

SIM2 UK LTD<br />

Steinway House<br />

Worth Farm<br />

Little Horsted<br />

Uckfield TN22 5TT<br />

T: 01825 7<strong>50</strong>8<strong>50</strong><br />

F: 01825 7<strong>50</strong>851<br />

info@sim2.co.uk<br />

www.sim2.co.uk<br />

SMART-E LTD<br />

Ranmore Manor<br />

Ranmore Common<br />

Dorking RH5 6SX<br />

T: 01483 283365<br />

F: 01483 281511<br />

info@smart-e.co.uk<br />

www.smart-e.co.uk<br />

SMARTKONTROLS<br />

8 - 9 Horsted Square<br />

Bellbrook Industrial Park<br />

Uckfield TN22 1QQ<br />

Contact: Dave Robinson<br />

T: 01825 769812<br />

F: 01825 769813<br />

daver@smartkontrols.co.uk<br />

www.smartkontrols.co.uk<br />

SME LIMITED<br />

Mill Road<br />

Steyning BN44 3GY<br />

T: 01903 814321<br />

F: 01903 814269<br />

info@sme.ltd.uk<br />

www.sme.ltd.uk<br />

SNELL & WILCOX<br />

6 Old Lodge Place<br />

St Margarets<br />

Twickenham TW1 1RQ<br />

T: 020 8917 4300<br />

F: 020 8607 9466<br />

info@snellwilcox.com<br />

www.snellwilcox.com<br />

SONNETEER<br />

PO Box 163c<br />

Esher KT10 0HY<br />

T: 01483 566990<br />

F: 0870 0511109<br />

info@sonneteer.co.uk<br />

www.sonneteer.co.uk<br />

SONUS SYSTEMS<br />

Unit 3a<br />

Coassall Industrial Estate<br />

Coronation Road<br />

Ilkeston DE7 5UA<br />

Contact: Darren Rodgers<br />

T: 0115 944 <strong>50</strong>27<br />

F: 0115 944 5126<br />

darren@sonus.co.uk<br />

www.sonus-systems.co.uk<br />

SONY UNITED KINGDOM<br />

The Heights<br />

Brooklands<br />

Weybridge KT13 0XW<br />

Contact: Scott Dunn<br />

T: 01932 816000<br />

F: 01932 817000<br />

scott.dunn@eu.sony.com<br />

www.sony.co.uk<br />

SONY BROADCAST &<br />

PROFESSIONAL<br />

The Heights<br />

Brooklands<br />

Weybridge<br />

Surrey KT13 0XW<br />

Contact: Marc Cross<br />

T: 01932 816308<br />

F: 01932817011<br />

helen.sheldrake@sonybpe.com<br />

SOUND BY DESIGN<br />

VECTEUR<br />

70 Brae Court<br />

Kingston Hill<br />

Kingston-Upon-Thames<br />

KT2 7QH<br />

Contact: Predrag Savic<br />

T: 020 8404 4343<br />

F: 020 8974 8329<br />

psavic@soundbyd.com<br />

www.soundbyd.com<br />

SPENDOR AUDIO SYSTEMS<br />

Apex Way<br />

Hailsham BN27 3WA<br />

Contact: John Baxter<br />

T: 01323 843474<br />

F: 01323 442254<br />

info@spendoraudio.com<br />

www.spendoraudio.com<br />

STANDESIGN UK<br />

Unit D7 Heritage Business Park<br />

Gunners Way<br />

Gosport<br />

Hampshire<br />

T: 023 92<strong>50</strong> 1888<br />

F: 023 92<strong>50</strong> 1999<br />

info@standesign.com<br />

www.standesign.co.uk<br />

STANDS UNIQUE<br />

70 Higham Road<br />

Rushden NN10 6DD<br />

T: 01933 412227<br />

F: 01933 412215<br />

info@standsunique.com<br />

www.standsunique.com<br />

STELJES TRADE<br />

12 Syon Gate Way<br />

Brentford TW8 9DD<br />

Contact: Paul O’Reilly<br />

T: 020 82132100<br />

F: 020 8213 2121<br />

paul.oreilly@steljes.co.uk<br />

www.steljes.co.uk<br />

STEVENS & BILLINGTON<br />

Music First Audio<br />

Unit 13<br />

Britannia Enterprise Centre<br />

Waterworks Road<br />

Hastings TN34 1RT<br />

T: 01424 439315<br />

F: 01424 439325<br />

info@mfaudio.co.uk<br />

www.mfaudio.co.uk<br />

STIL-STAND<br />

Stilexo Industrial UK Limited<br />

Penallta Industrial Estate<br />

Ystrad Mynach<br />

Mid Glamorgan CF82 7QZ<br />

Contact: Roger Ogden UK Sales<br />

Manager<br />

T: 01443 816 777<br />

F: 01443 816 373<br />

roger_ogden@stilexo.co.uk<br />

www.stil-stand.co.uk<br />

STRAND EUROPE<br />

Strand House<br />

Galway Road<br />

Blackbushe Business Park<br />

Yateley GU46 6GE<br />

T: 01252 861000<br />

F: 01252 861006<br />

sales@strandeurope.com<br />

www.strandeurope.com<br />

SYMMETRY<br />

Suite 5, 17 Holywell Hill<br />

St Albans AL1 1DT<br />

T/F: 01727 865488<br />

sales@symmetry-systems.co.uk<br />

www.symmetry-systems.co.uk<br />

TALK ELECTRONICS<br />

Camberley<br />

Surrey GU15 1LW<br />

T: 08456 123388<br />

Contact: Kevin Edwards<br />

info@talkelectronics.com<br />

www.talkelectronics.com<br />

TANNOY<br />

Rosehall Industrial Estate<br />

Coatbridge ML5 4TF<br />

Contact: Tim Lount<br />

T: 01236 420199<br />

F: 01236 428230<br />

timlou@attglobal.net<br />

www.tannoy.com<br />

TATUNG (UK)<br />

Stafford Park 10<br />

Telford TF3 3AB<br />

T: 01952 290 111<br />

sales@tatung.co.uk<br />

www.tatung.co.uk<br />

TEAC UK<br />

Units 19-20 The Courtyards<br />

Hatters Lane<br />

Croxley Business Park<br />

Watford WD18 8TE<br />

T: 0845 130 2511<br />

info@teac.co.uk<br />

www.teac.co.uk<br />

TECH+LINK<br />

Unit 8<br />

Bat & Ball Enterprise Centre<br />

Bat & Ball Road<br />

Sevenoaks TN14 5LJ<br />

T: 01732 779 400<br />

F: 01732 779 344<br />

salesdesk@techlink.uk.com<br />

www.techlink.uk.com<br />

TEKLINK DISTRIBUTION<br />

POLK AUDIO<br />

68 St John Street<br />

Clerkenwell<br />

London EC1M 4DT<br />

T: 020 7702 5277<br />

info@teklinkdistribution.com<br />

www.polkaudio.com<br />

TOPODIS UK<br />

PROFIGOLD<br />

3a Portland Industrial Estate<br />

Hitchin Road<br />

Arlesey SG15 6SG<br />

T: 0845 8<strong>50</strong> 3633<br />

F: 0845 8<strong>50</strong> 3300<br />

sales@bandridge.co.uk<br />

www.bandridge.nl<br />

TOSHIBA INFORMATION<br />

SYSTEMS (UK)<br />

Toshiba Court<br />

Weybridge Business Park<br />

Addlestone Road<br />

Weybridge KT15 2UL<br />

T: 0870 444 8944<br />

www.toshiba.co.uk<br />

TOWNSHEND AUDIO<br />

7 Bridge Road<br />

Hampton Court<br />

East Molesey<br />

Surrey KT8 9EU<br />

Contact: Sue Townshend<br />

T: 020 8979 2155<br />

F: 020 8979 3787<br />

M: 07808 789 002<br />

sales@townshendaudio.com<br />

www.townshendaudio.com<br />

TRICHORD RESEARCH<br />

Granville Cottage<br />

Blackmore End<br />

Hanley Swan WR8 0EE<br />

Contact: Graham Fowler<br />

T: 01684 311600<br />

F: 01684 311928<br />

sales@trichordresearch.com<br />

www.trichordresearch.co.uk<br />

TRISKOM SALES<br />

25 Popin Business Center<br />

South Way<br />

Wembley HA9 0HF<br />

T: 020 8900 2000<br />

F: 020 8900 2030<br />

sales@triskom.co.uk<br />

www.triskom.co.uk<br />

TSOURCE LTD<br />

The Loft Studio<br />

9 Knowles Hill Road<br />

Newton Abbot TQ12 2PH<br />

T: 01803 226104<br />

F: 01803 226109<br />

studio@tsource.co.uk<br />

www.tsource.co.uk<br />

TRUE COLOURS<br />

INDUSTRIES<br />

Unit 263<br />

Lisburn Enterprise Centre<br />

Ballinderry Road<br />

Lisburn BT28 2SA<br />

T: 07710 196949<br />

F: 0870 120 5923<br />

support@true-colours.com<br />

www.true-colours.com<br />

TVC EUROPE<br />

Unit A, Chiltern Commerce<br />

Centre<br />

Asheridge Road<br />

Chesham HP5 2PY<br />

T: 01494 794770<br />

F: 01494 794772<br />

www.tvcinc.com<br />

U K D<br />

23 Richings Way<br />

Iver<br />

Bucks SL0 9DA<br />

T: 01753 652669<br />

F: 01753 654531<br />

mail@ukd.co.uk<br />

www.ukd.co.uk<br />

UNICOL<br />

Green Road<br />

Oxford OX3 8EU<br />

T: 01865 767676<br />

F: 01865 767677<br />

sales@unicol.com<br />

www.unicol.com<br />

UNIQUE SOLUTIONS<br />

DISTRIBUTION LIMITED<br />

NIKO / SCION TECHNOLOGY / ART<br />

SOUND<br />

26 High Street<br />

Toddington<br />

Bedfordshire LU5 6BY<br />

info@usd.uk.com<br />

www.usd.uk.com<br />

VERTEX AQ LTD<br />

Unit 6<br />

Old Town Hall Workshops<br />

Temple Street<br />

Llandrindod Wells<br />

Powys LD1 5DU<br />

T: 01597 825993<br />

info@vertexaq.com<br />

web www.vertexaq.com<br />

VIBE<br />

Tech House<br />

Reddicap Trading Estate<br />

Sutton Coldfield B75 7BU<br />

T: 0121 311 9090<br />

F: 0121 311 9001<br />

info@vibeaudio.co.uk<br />

www.vibeaudio.co.uk<br />

VIVADI<br />

Unit 38 Shrivenham Hundred<br />

Business Park<br />

Swindon SN6 8TZ<br />

Contact: Paul Roberts<br />

T: 01793 780033<br />

paul.roberts@vivadi.com<br />

VIVANCO (UK) LTD.<br />

Maxted Court<br />

Maxted Road<br />

Hemel Hempstead HP27DE<br />

T: 01442 403020<br />

F: 01442 403030<br />

sales@vivanco.co.uk<br />

www.vivanco.com<br />

VIVID AUDIO<br />

3 Marlborough Rd<br />

Lancing Business Park<br />

Lancing<br />

West Sussex BN15 8UF<br />

T: 01903 530005<br />

F: 01903 530005<br />

info@vividspeakers.com<br />

www.vividspeakers.com<br />

THE WALNUT HOUSE<br />

COMPANY<br />

Walnut House<br />

West Meon GU32 1LQ<br />

T: 01962 732803<br />

F: 01962 733154<br />

www.thewalnuthouse.co.uk<br />

WAVELENGTH<br />

DISTRIBUTION<br />

AUDIOVECTOR/BOCCHINO AUDIO<br />

PO Box 364<br />

Maidstone ME15 9FE<br />

T: 01622 201 983<br />

F: 01622 761 560<br />

sales@bocchino-audio.co.uk<br />

www.bocchino-audio.co.uk<br />

WHARFEDALE<br />

IAG House<br />

Sovereign House<br />

Ermine Business Park<br />

Huntingdon PE29 6XU<br />

T: 0845 458 0011<br />

or T: 01480 447700<br />

F: 01480 413403<br />

www.wharfedale.co.uk<br />

WILMSLOW AUDIO<br />

<strong>50</strong> Main Street<br />

Broughton Astley<br />

Leicester LE9 6RD<br />

T: 01455 286 603<br />

F: 01455 286 605<br />

www.wilmslow-audio.co.uk<br />

WILSON BENESCH<br />

Falcon House<br />

Limestone Cottage Lane<br />

Sheffield S6 1NJ<br />

Contact: Craig Milnes<br />

T: 0114 285 2656<br />

F: 0114 285 2657<br />

info@wilson-benesch.com<br />

www.wilson-benesch.com<br />

XIXIN LTD<br />

Cabinet enclosure manufrs<br />

Hartington House<br />

Bilton Way<br />

Luton LU1 1UU<br />

T: 01582 400340<br />

F: 01582 481498<br />

YAMAHA ELECTRONICS<br />

(UK)<br />

200 Rickmansworth Road<br />

Watford WD18 7GQ<br />

T: 01923 233166<br />

F: 01923 810410<br />

info@yamaha-audio.co.uk<br />

www.yamaha-audio.co.uk<br />

ZEBRA DISTRIBUTION<br />

79 Dunlop Commercial Park<br />

Balloo Link<br />

Bangor BT19 7HJ<br />

Contact: Worthington McGrath<br />

T: 028 9147 7744<br />

F: 028 9147 7755<br />

sales@zebradistribution.com<br />

www.zebradistribution.com<br />

ZETEX SEMICONDUCTORS<br />

Zetex Technology Park<br />

Chadderton<br />

Oldham OL9 9LL<br />

Contact: Dave Brotton<br />

T: 0161 622 4460<br />

F: 0161 622 4469<br />

dbrotton@zetex.com<br />

www.zetex.com/audio<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


PR & MARKETING<br />

GRAFFIX MEDIA<br />

8 Seymour Road<br />

Headley Down<br />

Hants GU35 8JX<br />

01428 717400<br />

Dennis: 07768 557373<br />

dennis@graffixmedia.com<br />

www.graffixmedia.com<br />

RED SHEEP<br />

14 milton Road<br />

Wimbledon<br />

SW19 8SE<br />

Contact: Phil Hansen<br />

T: 0208-543-8175<br />

M: 07813-893525<br />

phil@redsheep.co.uk<br />

www.redsheep.co.uk<br />

RS PR MEDIA SOLUTIONS<br />

Rogers Wood<br />

Whitebread Lane<br />

Beckley<br />

Rye<br />

East Sussex TN31 6UA<br />

T: 01797 260 882<br />

F: 01797 260 853<br />

M: 07974 926 157<br />

richard@rspr.co.uk<br />

rspr@btconnect.com<br />

www.rspr.co.uk<br />

MAGAZINES<br />

THE <strong>BAJ</strong><br />

Graffix Publishing Ltd<br />

8 Seymour Road<br />

Headley Down GU35 8JX<br />

Editor: <strong>Malcolm</strong> <strong>Steward</strong><br />

T: 01428 717400<br />

Advertising: 07793 018309<br />

F: 0870 054 2991<br />

enquiries@thebaj.com<br />

www.The<strong>BAJ</strong>.com<br />

DIGITAL VIDEO<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

DVD REVIEW<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

HI-FI+<br />

Unit 12, Albany Business Park<br />

Cabot Lane<br />

Poole BH17 7BX<br />

T: 01202-659380<br />

F: 01202-659540<br />

sales@hifiplus.com<br />

www.hifiplus.co.uk<br />

HI-FI CHOICE<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

Editor: Dan George<br />

dan.george@futurenet.co.uk<br />

T: 020 7042 4000<br />

HI-FI NEWS<br />

IPC Focus Network<br />

Focus house<br />

Dingwall Avenue<br />

Croydon CR9 2TA<br />

Editor: Steve Harris<br />

T: 020 8774 0846<br />

F: 020 8774 0940<br />

hi-finews@ipcmedia.com<br />

www.ipcmedia.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

HI-FI WORLD<br />

Audio Publishing<br />

Suite G4, Argo House<br />

The Park Business Centre<br />

Kilburn Park Road<br />

London NW6 5LF<br />

Editor: Simon Pope<br />

T: 020 7625 3134<br />

F: 020 7328 1844<br />

Advertising: 020 8864 4760<br />

editorial@hi-fiworld.co.uk<br />

www.hi-fiworld.co.uk<br />

HOME CINEMA CHOICE<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

WHAT HDTV<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

WHAT HI-FI?<br />

SOUND & VISION<br />

38–40 Hampton Road<br />

Teddington TW11 0JE<br />

T: 020 8267 <strong>50</strong>00<br />

F: 020 8267 <strong>50</strong>19<br />

Advertising: 020 8267 <strong>50</strong>92<br />

www.whathifi.com<br />

WHAT HOME CINEMA<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

WHAT PLASMA & LCD TV<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

WHAT SATELLITE AND<br />

DIGITAL TV<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

WHAT VIDEO & HIGH-<br />

DEFINITION TV<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

USA & CANADA<br />

AUDIO IDEAS GUIDE<br />

12860 Dufferin Street<br />

King City ON L7B 1K5<br />

Canada<br />

Editor/Publisher: Andrew<br />

Marshall<br />

T: (905) 833-7177<br />

andrew@audio-ideas.com<br />

www.audio-ideas.com<br />

HOME THEATER BUILDER<br />

MAGAZINE<br />

P.O. Box 552<br />

Stow, MA 01775<br />

Editorial: 001 978 897 6982<br />

Subs: 001 978 461 0441<br />

www.hometheaterbuilder.com<br />

SOUND & VISION<br />

1633 Broadway<br />

New York NY 10019<br />

Editor: Judy Koutsky<br />

T: 001 212 767 6000<br />

F: 001 212 767 5615<br />

www.soundandvisionmag.com<br />

STEREOPHILE<br />

110 Fifth Avenue<br />

New York NY 10011<br />

T: 001 212 886 3600<br />

F: 001 212 886 2810<br />

www.stereophile.com<br />

T3<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

T3 HOME<br />

Future Publishing<br />

2 Balcombe Street<br />

London<br />

NW1 6NW<br />

T: 020 7042 4000<br />

THE ABSOLUTE SOUND<br />

Absolute Multimedia<br />

Suite 100<br />

8121 Bee Caves Road<br />

Austin TX 78746<br />

Editor-in-Chief: Robert Harley<br />

T: 001 512 479 4661<br />

www.theabsolutesound.com<br />

THE PERFECT VISION<br />

Absolute Multimedia<br />

8121 Bee Caves Road<br />

Suite 100<br />

Austin TX 78746<br />

Editor: Johnathan Valin<br />

T: 001 512 479 4661<br />

www.theperfectvision.com<br />

ULTRA HIGH FIDELITY<br />

PO Box 6<strong>50</strong>85<br />

Place Longueuil<br />

Longueuil<br />

Quebec J4K 5J4<br />

Editor: Gerard Rejskind<br />

T: (4<strong>50</strong>) 651 5720<br />

uhfmail@uhfmag.com<br />

www.uhfmag.com<br />

VACUUM TUBE VALLEY<br />

PO Box 1499<br />

Lakeport CA 95453<br />

T: 001 707 263 5881<br />

F: 001 707 263 7648<br />

triode@vacuumtube.com<br />

TESTING &<br />

CERTIFICATION<br />

NEMKO LTD<br />

15 Chelsea Fields Estate<br />

Western Road<br />

London SW19 2QA<br />

T: 020 8646 8383<br />

F: 020 8646 8099<br />

marketing@nemko.co.uk<br />

www.nemko.co.uk<br />

TRADE<br />

ASSOCIATIONS<br />

THE ADVERTISING<br />

STANDARDS AUTHORITY<br />

Brook House<br />

2 Torrington Place<br />

London WC1E 7HW<br />

T: 020 7580 5555<br />

www.asa.org.uk<br />

AUDIO ENGINEERING<br />

SOCIETY INC.<br />

International Headquarters<br />

60 East 42nd Street<br />

Room 2520<br />

New York 10165-2520<br />

T: +1 212 661 8528<br />

F: +1 212 682 0477<br />

HQ@aes.org<br />

www.aes.org<br />

THE BRITISH AUDIO<br />

DEALERS ASSOCIATION<br />

(BADA)<br />

248 Lee High Road<br />

London SE13 5PL<br />

T: 020 81<strong>50</strong> 6741<br />

info@bada.co.uk<br />

www.bada.co.uk<br />

BRITISH<br />

ELECTROTECHNICAL<br />

APPROVALS BOARD<br />

(BEAB)<br />

1 Station View<br />

Guildford<br />

Surrey GU1 4JY<br />

T: 01483 455466<br />

info@beab.co.uk<br />

www.beab.co.uk<br />

THE BRITISH FEDERATION<br />

OF AUDIO (BFA)<br />

PO Box 365<br />

Farnham<br />

Surrey GU10 2BD<br />

T: 01428 717599<br />

F: 01428 717599<br />

info@british-audio.org.uk<br />

www.british-audio.org.uk<br />

THE BRITISH INTERIOR<br />

DESIGN ASSOCIATION<br />

1-4 Chelsea Harbour Design<br />

Centre<br />

Chelsea Harbour<br />

London SW10 0XE<br />

T: 020 7349 0800<br />

enquiries@bida.org<br />

www.bida.org<br />

THE BRITISH SECURITY<br />

INDUSTRY ASSOCIATION<br />

Security House<br />

Barbourne Road<br />

Worcester WR1 1RS<br />

T: 01905 21464<br />

F: 01905 613625<br />

info@bsia.co.uk<br />

www.bsia.co.uk<br />

CONFEDERATION OF<br />

AERIAL INDUSTRIES LTD<br />

Fulton House Business Centre<br />

Fulton Road<br />

Wembley Park HA9 0TF<br />

T: 020 8902 8998<br />

www.cai.org.uk<br />

THE CUSTOM<br />

ELECTRONIC DESIGN<br />

AND INSTALLATION<br />

ASSOCIATION (CEDIA)<br />

Unit 2, Phoenix Park<br />

St Neots<br />

PE19 8EP<br />

T: 01480 213744<br />

F: 01480 213469<br />

info@cedia.co.uk<br />

www.cedia.co.uk<br />

ELECTRICAL<br />

CONTRACTORS’<br />

ASSOCIATION<br />

34 Palace Court<br />

London W2 4HY<br />

T: 020 7313 4800<br />

F: 020 7221 7344<br />

electricalcontractors@eca.co.uk<br />

www.eca.co.uk<br />

THE EUROPEAN<br />

CONFEDERATION FOR<br />

COMMERCE & INDUSTRY<br />

Incorporating the<br />

Confederation of Trade<br />

& Industry<br />

Confederation House<br />

34b The Square<br />

Earls Barton NN6 0NA<br />

T: 01604 812268<br />

INTELLECT<br />

Russell Square House<br />

10-12 Russell Square<br />

London WC1B 5EE<br />

T: 020 7331 2000<br />

F: 020 7331 2040<br />

www.intellectuk.org<br />

FEDERATION OF MASTER<br />

BUILDERS<br />

Gordon Fisher House<br />

14-15 Great James Street<br />

London WC1N 3DP<br />

T: 020 7242 7583<br />

F: 020 7404 0296<br />

www.fmb.org.uk<br />

FEDERATION OF SMALL<br />

BUSINESSES<br />

Whittle Way<br />

Blackpool Business Park<br />

Blackpool<br />

T: 01253 336000<br />

F: 01253 348046<br />

ho@fsb.org.uk<br />

www.fsb.org.uk<br />

THE GUILD OF MASTER<br />

CRAFTSMEN<br />

Castle Place<br />

166 High Street<br />

Lewes BN7 1XU<br />

T: 01273 478449<br />

INSTITUTE OF ACOUSTICS<br />

77A St Peter’s Street<br />

St Albans AL1 3BN<br />

T: 01727 848195<br />

F: 01727 8<strong>50</strong>553<br />

ioa@ioa.org.uk<br />

www.ioa.org.uk<br />

INSTITUTE OF SOUND<br />

& COMMUNICATIONS<br />

ENGINEERS<br />

PO Box 7966<br />

Reading RG6 7WY<br />

T/F: 0118 9542175<br />

General Enquiries:<br />

Ros@isce.org.uk<br />

Technical Enquiries:<br />

tech@isce.org.uk<br />

www.isce.org.uk<br />

THE LEAGUE OF<br />

PROFESSIONAL<br />

CRAFTSMEN<br />

10 Village Way<br />

Rayners Lane<br />

Pinner HA5 5AF<br />

T: 020 8866 6116<br />

NATIONAL APPROVAL<br />

COUNCIL FOR SECURITY<br />

SYSTEMS (NACOSS)<br />

Queensgate House<br />

14 Cookham Road<br />

Maidenhead SL6 8AJ<br />

T: 0870 20 <strong>50</strong>000<br />

F: 01628 773367<br />

nacoss@nacoss.org<br />

www.nacoss.org<br />

NATIONAL ASSOCIATION<br />

OF SHOPFITTERS<br />

NAS House<br />

411 Limpsfield Road<br />

Warlingham<br />

Surrey CR6 9HA<br />

T: 01883 624961<br />

www.shopfitters.org.uk<br />

NATIONAL<br />

HOUSEBUILDING<br />

COUNCIL (NHBC)<br />

Buildmark House<br />

Chiltern Avenue<br />

Amersham HP6 5AP<br />

T: 01494 434477<br />

www.nhbc.co.uk<br />

NATIONAL INSPECTION<br />

COUNCIL FOR ELECTRICAL<br />

INSTALLATION<br />

CONTRACTING<br />

Vintage House<br />

37 Albert Embankment<br />

London SE1 7UJ<br />

T: 020 7564 2323<br />

F: 020 7564 2370<br />

enquiries@niceic.org.uk<br />

www.niceic.org.uk<br />

OFFICE OF FAIR TRADING<br />

Fleetbank House<br />

2-6 Salisbury Square<br />

London EC4Y 8JX<br />

T: 020 7242 2858<br />

F: 020 7269 8800<br />

Consumer Information Line<br />

T: 0345 224499 (local call rates<br />

apply)<br />

PROFESSIONAL LIGHTING<br />

AND SOUND ASSOCIATION<br />

(PLASA)<br />

38 St Leonards Road<br />

Eastbourne BN21 3UT<br />

T: 01323 410335<br />

F: 01323 646905<br />

www.plasa.org<br />

RADIO, ELECTRICAL AND<br />

TELEVISION RETAILERS’<br />

ASSOCIATION (RETRA)<br />

RETRA House<br />

St John’s Terrace<br />

1 Ampthill Street<br />

Bedford MK42 9EY<br />

T: 01234 269110<br />

F: 01234 269609<br />

retra@retra.co.uk<br />

www.retra.co.uk<br />

ROYAL INSTITUTE OF<br />

BRITISH ARCHITECTS<br />

66 Portland Place<br />

London W1N 4AD<br />

T: 020 7307 3700<br />

www.architecture.com<br />

SECURITY SYSTEMS AND<br />

ALARMS INSPECTION<br />

BOARD<br />

6 Northumberland Place<br />

North Shields NE30 1QP<br />

T: 0191 296 2667<br />

F: 0191 296 3242<br />

ssaib@ssaib.co.uk<br />

www.ssaib.co.uk<br />

DIRECTORY<br />

PR & MARKETING, MAGAZINES & TRADE ASSOCIATIONS<br />

39


DIRECTORY<br />

WWW ADDRESSES<br />

40<br />

1 Limited ................................................www.1limited.com<br />

AAD Loudspeakers .......................... www.aadsound.com<br />

Aanvil Audio .................................. www.aanvilaudio.com<br />

ABC Soundlab .................................. www.abcsoundlab.pl<br />

Absolute Sounds ................ www.absolutesounds.com<br />

ACA-Apex ............................................ www.aca-apex.com<br />

Accuphase ........................................ www.accuphase.com<br />

Acoustic Energy .................www.acoustic-energy.co.uk<br />

Acoustic Reproduction Technology<br />

.................................................... www.loudspeaker-art.com<br />

Acoustic Research ........... www.acoustic-research.com<br />

Acoustic Sciences Corp. ..................www.tubetrap.com<br />

Acoustic Signature ........ www.acoustic-signature.com<br />

Acoustic Solutions ....... www.acoustic-solutions.co.uk<br />

Acoustic Sounds .................. www.acousticsounds.com<br />

Action Hardware .................www.actionhardware.co.uk<br />

Acurus ...... www.mondialdesigns.com/acuhomef.htm<br />

Adcom .......................................................www.adcom.com<br />

AES .......................................................................www.aes.org<br />

Aiwa .............................................................. www.aiwa.co.uk<br />

Akai .................................................................. www.akai.com<br />

AKG ............................................... www.akg-acoustics.com<br />

Akura ............................................................ www.akura.com<br />

Alban Electronics ...............www.albanelectronics.co.uk<br />

Aldous Systems ..................... www.aldoussystems.co.uk<br />

Alema .................................................www.hi-fidelity.co.uk<br />

Algar Distribution ............ www.algar-distribution.com<br />

Aliante ........................................................www.aliante.com<br />

Alón ............................................. www.alonbyacarian.com<br />

Alpha-Core Inc. ................................ www.alphacore.com<br />

Alphason Designs ............ www.alphasondesigns.com<br />

ALR/Jordan ........................................www.alr-jordan.com<br />

Altec Lansing ......................................www.altecmm.com<br />

Ambiance Acoustics ...........................www.calcube.com<br />

AMC ..................................................... www.amchome.com<br />

American Power & Light Inc ....................................... www.<br />

americanpowerlight.com<br />

American Technology Corp ..................www.atcsd.com<br />

Amphion .................................................... www.amphion.fi<br />

Amplifier Technologies Inc. ..............www.ati-amp.com<br />

AMX .................................................................www.amx.com<br />

Anatek Audio ........................... www.anatek-audio.co.uk<br />

Anders + Kern UK ..................... www.anders-kern.co.uk<br />

Anthony Gallo UK ...................www.anthonygallo.co.uk<br />

Antiferance ................................... www.antiferance.co.uk<br />

Apollo .................................................www.apollohifi.co.uk<br />

Apple iPod ...................................... www.apple.com/ipod<br />

Aragon ...... www.mondialdesigns.com/arahomef.htm<br />

Arcam ....................................................... www.arcam.co.uk<br />

Arcaydis ................................................ www.arcaydis.co.uk<br />

Armour Group ................................www.armourhe.co.uk<br />

Artcoustic ............................................www.artcoustic.com<br />

Atacama ..................................www.atacama-audio.co.uk<br />

ATC ................................................................. www.atc.gb.net<br />

Athena Technologies .........www.athenaspeakers.com<br />

Atlantic Technology ......www.atlantictechnology.com<br />

Atlas Cables .................................... www.atlascables.com<br />

Audace ................................................... www.audace.co.uk<br />

Audio Agency Europe www.audioagencyeurope.com<br />

Audio Analogue .................... www.audioanalogue.com<br />

Audio Artistry ..............................www.audioartistry.com<br />

Audio Atmosphere .........www.audioatmosphere.com<br />

Audio Authority .................... www.audioauthority.com<br />

Audio Concepts Inc. .............................www.audioc.com<br />

Audio Control .............................www.audiocontrol.com<br />

Audio Note ......................................www.audionote.co.uk<br />

Audio Partnership ........... www.audiopartnership.com<br />

Audio Power Industries ............ www.audiopower.com<br />

Audio Prism ................................... www.audioprism.com<br />

Audio Research .......................www.audioresearch.com<br />

Audio Synthesis ...................www.audiosynthesis.co.uk<br />

Audio Technica ........................www.audiotechnica.com<br />

Audio Visual Material ..........................www.avmltd.co.uk<br />

Audionet ..................................................www.audionet.de<br />

Audiophile Club .................. www.audiophileclub.co.uk<br />

Audioquest .....................................www.audioquest.com<br />

Audiovector UK ..........................www.audiovector.co.uk<br />

Audire Inc. .................................................www.audire.com<br />

Audusa .....................................................www.audusa.com<br />

Aura Home Entertainment ......www.aurasystems.com<br />

AutoPatch Europe ..........................www.autopatch.com<br />

Avalanche .................................................www.flinkstone.fi<br />

Avantegarde-USA ..............www.avantegarde-usa.com<br />

AVI ...............................................................www.avihifi.co.uk<br />

Avid .........................................................www.avidhifi.co.uk<br />

AVM ..........................................................www.avmltd.co.uk<br />

AWE Europe ................................ www.awe-europe.co.uk<br />

Ayon Audio ...................................... www.ayonaudio.com<br />

Ayre Acoustics .............................................www.ayre.com<br />

B&K Components ...............................www.bkcomp.com<br />

B&W ..................................................www.bwspeakers.com<br />

BADA ........................................................... www.bada.co.uk<br />

Balanced Audio Technology .........www.balanced.com<br />

Bandor Loudspeakers .........................www.bandor.com<br />

Bandridge .............................................. www.bandridge.nl<br />

Bang & Olufsen ..........................www.bang-olufsen.com<br />

Barco ............................................................ www.barco.com<br />

Basisaudio ........................................www.basisaudio.com<br />

BBG Distribution ................................... www.bbg.eu.com<br />

Beauhorn ............................................www.beauhorn.com<br />

Bel Canto Design ................. www.belcantodesign.com<br />

BenQ ............................................................ www.benq.co.uk<br />

beyerdynamic ........................www.beyerdynamic.co.uk<br />

BFA ..............................................www.british-audio.org.uk<br />

Billy Bags .............................................. www.billybags.com<br />

Black Rhodium ....................... www.blackrhodium.co.uk<br />

Blaupunkt ..........................................www.blaupunkt.com<br />

Blue Circle Audio .............................www.bluecircle.com<br />

Blueroom .............................................. www.minipod.com<br />

Blu-Ray ......................................................www.ibluray.com<br />

Bocchino Audio ..................www.bocchino-audio.co.uk<br />

Boltz .............................................................. www.boltz.com<br />

Bose ................................................................www.bose.com<br />

Boston Acoustics ................www.bostonacoustics.com<br />

Boulder Amplifiers .................... www.boulderamp.com<br />

Bryston ........................................................ www.bryston.ca<br />

B-Tech International ...................... www.b-tech-int.com<br />

Burmester Audiosysteme ............... www.burmester.de<br />

Cabasse Haute Fidelite ......................www.cabasse.com<br />

Cabletime .......................................... www.cabletime.com<br />

Cairn ......................................................www.cairn-ezo.com<br />

Cambridge Audio .............. www.cambridgeaudio.com<br />

Cambridge Soundworks ............................ www.hifi.com<br />

Canford Audio plc ............................. www.canford.co.uk<br />

Canton Loudspeakers .............................www.canton.de<br />

Cardas ........................................................ www.cardas.com<br />

Cardio ....................................................www.cardiouk.com<br />

Carfrae .......................................................www.carfrae.com<br />

Carrick Marketing ..................................... www.hifi.org.uk<br />

Cary Audio .........................................www.caryaudio.com<br />

Casio .............................................................www.casio.co.uk<br />

Castle Acoustics ...................www.castleacoustics.co.uk<br />

CEDIA (UK site) ........................................www.cedia.co.uk<br />

CEDIA (USA site) ..........................................www.cedia.net<br />

Celestion .............................................www.celestion.co.uk<br />

Celtic Audio .................................... www.celticaudio.com<br />

CEMA (USA) .......................................... www.cemacity.org<br />

Cemac .......................................................www.cemac.co.uk<br />

Centasound International Inc. www.centasound.com<br />

Cerwin Vega .................................. www.cerwinvega.com<br />

CES .............................................................. www.cesweb.org<br />

Channel Vision ......................... www.channelvision.com<br />

Chapter Audio ...........................www.chapteraudio.com<br />

Chelmer Valve Company ...... www.chelmervalve.com<br />

Chesky Records ......................................www.chesky.com<br />

Chord Electronics ............www.chordelectronics.co.uk<br />

Classé Audio .................................. www.classeaudio.com<br />

Clipsal ....................................................... www.clipsal.co.uk<br />

Comfort Home Controls ................ www.comfort.org.uk<br />

Comm-Tec ..............................................www.comm-tec.uk<br />

Connectronics ....................... www.connectronics.co.uk<br />

Conrad-Johnson Design ....www.conradjohnson.com<br />

Convergence Technology Group ..www.ctg-homenet.<br />

com<br />

Cooper Security ...................www.coopersecurity.co.uk<br />

Creative Labs ................................ www.creativelabs.com<br />

Creek Audio .................................. www.creekaudio.co.uk<br />

Crestron .................................................www.crestron.com<br />

Crystal AudioVideo ....................www.crystalaudio.com<br />

CSE .................................................www.csesolutions.co.uk<br />

Cyrus ................................................. www.cyrusaudio.com<br />

Dali ........................................................................www.dali.dk<br />

Data Conversion Systems .................. www.dcsltd.co.uk<br />

Davis Acoustics ...................... www.davis-acoustics.com<br />

Definitive Audio .................. www.definitiveaudio.co.uk<br />

Definitive Technology ............www.definitivetech.com<br />

Demion .................................................www.demion.co.uk<br />

Denon ...................................................... www.denon.co.uk<br />

Densen ........................................................ www.densen.dk<br />

Design e ................................................www.designe.co.uk<br />

Diapason ..................................www.diapason-italia.com<br />

DiAural .......................................................www.diaural.com<br />

Digital Fidelity ............................www.digitalfidelity.com<br />

Digital Future Solutions ..www.digitalfuturesolutions.<br />

co.uk<br />

Diverse Vinyl ................................. www.diversevinyl.com<br />

DKT .........................................................www.dktgroup.com<br />

DNM Design .............................................. www.dnm.co.uk<br />

Dolby Laboratories Inc. ......................... www.dolby.com<br />

Drawmer .............................................www.drawmer.co.uk<br />

Dreamvision ...................................www.dreamvision.net<br />

DTS ........................................................ www.dtsonline.com<br />

Dynalite ................................................... www.dimtek.co.uk<br />

Dynaudio ............................................ www.dynaudio.com<br />

Dynavector .....................................www.dynavector.com<br />

EAR Yoshino ...................................www.ear-yoshino.com<br />

Earthquake Sound Corp www.earthquakesound.com<br />

Eclipse TD .........................................www.eclipse-td.co.uk<br />

Ecosse ......................................www.referencecables.com<br />

ECT ............................................................... www.ect-av.com<br />

Eichmann Technologies ...www.eichmanncables.com<br />

EISA ..................................................................eisa.techlink.gr<br />

EJ Jordan Designs ..............................www.ejjordan.co.uk<br />

Elac Phonosysteme .................................... www.elac.com<br />

Elan Systems UK .............. www.elanhomesystems.com<br />

Electrocompaniet ............... www.electrocompaniet.no<br />

Eltax Electronic UK ....................................www.eltax.com<br />

Eminent Technology .............. www.eminent-tech.com<br />

Energy Loudspeakers ....... www.energy-speakers.com<br />

Epos Acoustics ........................www.epos-acoustics.com<br />

E-Vision UK ............................................www.e-vision.co.uk<br />

Eventus Audio ........................... www.eventusaudio.com<br />

Everything But The Box www.everything-but-the-box.<br />

com<br />

Excel Audio ....................................www.excelaudio.co.uk<br />

Exposure ....................................... www.exposurehifi.com<br />

Fairlight ..................................................www.fairlight.co.jp<br />

Falcon Acoustics ............... www.falcon-acoustics.co.uk<br />

Fanfare ...................................................... www.fanfare.com<br />

Faroudja .................................................www.faroudja.com<br />

Ferguson Hill ...............................www.fergusonhill.co.uk<br />

Fi-Rax ............................................................www.firax.co.uk<br />

Flatdisplays ................................... www.flatdisplays.co.uk<br />

Focal-JM Lab ................................. www.focal-jmlab.co.uk<br />

Forté Sounds ................................ www.fortesounds.com<br />

FSM Audio .......................................... www.fryersales.com<br />

Fujitsu ........................................www.fujitsugeneral.co.uk<br />

Futronix ......................................... www.futronix-info.com<br />

Future Automation ........www.futureautomation.co.uk<br />

Futureglass ................................... www.futureglass.co.uk<br />

Garden Light & Audio ............................. www.glaa.co.uk<br />

Garrard .............................................www.garrard<strong>50</strong>1.com<br />

Gekko Flat Speakers ...................www.gekkoaudio.com<br />

Genelec .................................................. www.genelec.com<br />

Gershman Acoustics ....www.gershmanacoustics.com<br />

Ginsbury Electronics ......................www.ginsbury.co.uk<br />

Glaive .........................................................www.glaive.co.uk<br />

Goldmund ........................................ www.goldmund.com<br />

Goodmans Digital ............ www.goodmansdigital.com<br />

Gradient .......................................................www.gradient.fi<br />

Grado .................................................. www.gradolabs.com<br />

Graff Electronics ................. www.graffelectronics.co.uk<br />

Graham Slee .....................................www.gspaudio.co.uk<br />

Grand Prix Audio ................. www.grandprixaudio.com<br />

Groove Tubes ..............................www.groovetubes.com<br />

Grundig .................................................. www.grundig.com<br />

Gryphon Audio Designs ..... www.gryphon-audio.com<br />

GT Audio .................................................www.gtaudio.com<br />

Gutwire Cables .....................................www.gutwire.com<br />

Hafler ........................................................... www.hafler.com<br />

Hama .......................................................... www.hama.co.uk<br />

Harbeth .................................................www.harbeth.co.uk<br />

Harman International ........................www.harman.com<br />

harman/kardon ..................... www.harmankardon.com<br />

Harmonic Technology .......... www.harmonictech.com<br />

Haropa .................................................... www.haropa.co.uk<br />

Harpers AV .........................................www.harpersav.com<br />

Harvard Technology ................................................................<br />

..................................www.harvardtechnologygroup.com<br />

Hauppauge .................................. www.hauppauge.co.uk<br />

Hellermann Tyton ...................www.homecabling.co.uk<br />

Helvar Merca ........................................... www.helvar.co.uk<br />

Henley Designs .....................www.henleydesigns.co.uk<br />

Heybrook .........................www.heybrookspeakers.co.uk<br />

Hidden Wires ...............................www.hiddenwires.co.uk<br />

Hirschmann Electronics ..........www.hirschmann.co.uk<br />

Hitachi ................................................ www.hitachi-eu.com<br />

HNE Systems ...............................................www.hne.co.uk<br />

Hollman Audio ........................ www.hollmanaudio.com<br />

Home Network Sciences ......www.homecabling.co.uk<br />

Hovland Company .......... www.hovlandcompany.com<br />

Hsu Research ................................ www.hsuresearch.com<br />

Icon Audio .........................................www.iconaudio.co.uk<br />

if designs ............................................www.ifdesigns.co.uk<br />

ILight ........................................................... www.ilight.co.uk<br />

Imaging Science Foundation ...............................................<br />

.....................................................www.imagingscience.com<br />

Imerge .................................................... www.imerge.co.uk<br />

Infinity ...................................... www.infinitysystems.com<br />

Insert Audio ................................ www.insert-audio.co.uk<br />

Integra Research ...................www.integra-research.net<br />

Intelligent Audio Systems .....................................................<br />

.................................... www.intelligentaudiosystems.com<br />

Invision ............................................... www.requestuk.com<br />

Ixos .........................................................www.ixoscable.com<br />

JA Michell ....................www.michell-engineering.co.uk<br />

Jadis .........................................www.jadis-electronics.com<br />

Jamo .............................................................. www.jamo.com<br />

Jamo UK ......................................................www.jamo.co.uk<br />

Japan Audio Society ................. http://plaza2.mbn.or.jp<br />

JBL ....................................................................... www.jbl.com<br />

Jeff Rowland .................................. www.jeffrowland.com<br />

Job Electronics Inc. ................................www.jobsys.com<br />

Joule Electra ................................www.joule-electra.com<br />

JPS Labs ................................................... www.jpslabs.com<br />

JPW Loudspeakers ......... www.jpwloudspeakers.co.uk<br />

JVC .................................................................... www.jvc.co.uk<br />

KEF ..................................................................... www.kef.com<br />

Kenwood .............................................www.kenwood.com<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


Kimber ...................................................... www.kimber.com<br />

Klegg Audio .................................. www.klegg-audio.com<br />

KLH www.klhaudio.com<br />

Klipsch Inc. .............................................. www.klipsch.com<br />

Koss .................................................................www.koss.com<br />

Kramer Electronics ......... www.kramerelectronics.com<br />

Krell Industries Inc ......................... www.krellonline.com<br />

Krix Loudspeakers ................................. www.krix.com.au<br />

Kuzma .......................................................... www.kuzma.net<br />

Lafayette Electronics ........www.lafayette-europe.com<br />

Lamba PLC ..........................................www.lambaplc.com<br />

Lamm Industries .................. www.lammindustries.com<br />

LC Audio ..................................................www.lcaudio.com<br />

Legacy Audio ............................. www.legacy-audio.com<br />

Legend Audio Design ..............www.legendaudio.com<br />

Lenbrook ........................................... www.lenbrook.co.uk<br />

Lexicon .....................................................www.lexicon.com<br />

LG ....................................................................... www.lge.com<br />

Liberty Wire ...................................www.libertycable.com<br />

Libra Systems ........................................ www.librasys.com<br />

Linn Products ..............................................www.linn.co.uk<br />

Living Control .............................www.livingcontrol.com<br />

Loewe .............................................................www.loewe.de<br />

Logic Europe ................................ www.logiceurope.com<br />

Longbow .................................... www.longbow-sp.co.uk<br />

Loricraft Audio ............................... www.garrard<strong>50</strong>1.com<br />

Lutron ......................................................... www.lutron.com<br />

Lynx Products ............................ www.lynxproducts.com<br />

Madrigal ............................................... www.madrigal.com<br />

Magnan Cables Inc. ............................www.magnan.com<br />

Magnepan ....................................... www.magnepan.com<br />

Magnum Dynalab ............www.magnumdynalab.com<br />

Mana Audio ............................................. www.mana.co.uk<br />

Manley Laboratories ................... www.manleylabs.com<br />

Marantz ..................................................www.marantz.com<br />

Marata Vision ....................................... www.marata.co.uk<br />

Mark Levinson .......................... www.marklevinson.com<br />

Martek UK ......................................... www.martekuk.co.uk<br />

Martin Logan Ltd. ...................... www.martinlogan.com<br />

Master Sound .............................www.mastersoundsas.it<br />

Maverick Presentations ..... www.maverick-world.com<br />

Max Distribution, The .......................www.the-max.co.uk<br />

Maxell .................................................. www.maxell.eu.com<br />

McIntosh ..................................... www.mcintoshlabs.com<br />

Meridian .................................. www.meridian-audio.com<br />

Merlin Cables ..............................www.merlincables.com<br />

Merlin Music Systems ...............www.merlinmusic.com<br />

Mesa Engineering ..................... www.mesaboogie.com<br />

Meta4 Designs ....................... www.meta4designs.co.uk<br />

Metaxas ..................................................www.metaxas.com<br />

Miller & Kreisel Corporation ......... www.mksound.com<br />

Mirage .....................................www.miragespeakers.com<br />

Mission .................................................. www.mission.co.uk<br />

Mitsubishi ....................................... www.mitsubichi.co.uk<br />

MJ Acoustics ..................................www.mjacoustics.com<br />

Mobile Fidelity Sound Lab ..................... www.mofi.com<br />

Mode Lighting UK ....................www.modelighting.com<br />

Molded Chords & Cables ...........www.mcc-cables.com<br />

Mondial Designs Limited . www.mondialdesigns.com<br />

Monitor Audio ........................www.monitoraudio.co.uk<br />

Monster Cable ..........................www.monstercable.com<br />

Mordaunt-Short .................. www.mordaunt-short.com<br />

Moth Group ................................... www.mothgroup.com<br />

MSB Technology ................................www.msbtech.com<br />

MTX ...................................................... www.mtxaudio.com<br />

Multi-Room Company, The ....... www.multi-room.com<br />

Muse Electronics .................www.museelectronics.com<br />

Musical Fidelity .................... www.musical-fidelity.co.uk<br />

Musonic UK ........................................ www.musonic.co.uk<br />

Myryad .................................................. www.myryad.co.uk<br />

NAD ................................................................www.nad.co.uk<br />

Nagra ...........................................................www.nagra.com<br />

Naim Audio .................................... www.naim-audio.com<br />

Nakamichi .........................................www.nakamichi.com<br />

NCT (Gekko loudspeakers) .......www.gekkoaudio.com<br />

NEAR .............................................www.nearspeakers.com<br />

Nearfield Acoustics ........www.nearfieldacoustics.com<br />

Neat Acoustics ...........................................www.neat.co.uk<br />

NEC ................................................................. www.nec.co.uk<br />

Nemko .....................................................www.nemko.co.uk<br />

Never Connected .............www.never-connected.com<br />

NHT ............................................................. www.nhthifi.com<br />

Niles .....................................................www.nilesaudio.com<br />

Nirotek ............................................................. http://niro.net<br />

Nirvana Audio ............................www.nirvanaaudio.com<br />

Nordost ...................................................www.nordost.com<br />

Nova ..................................................... www.NovaUSA.com<br />

NXT ....................................................... www.nxtsound.com<br />

O’Heocha Design ...............................www.oheocha.com<br />

Ohm Speakers .......................... www.ohmspeakers.com<br />

One Click ................................. www.oneclickpower.co.uk<br />

Onkyo ........................................................ www.onkyo.co.jp<br />

Opera Loudspeakers ...www.operaloudspeakers.com<br />

Optimum International ........www.optimum2000.com<br />

Optoma .................................................www.optoma.co.uk<br />

Opus ................................. www.opus-technologies.co.uk<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

Oracle ............................................. www.oracle-audio.com<br />

Orelle ......................................................... www.orelle.co.uk<br />

Origin Live ...........................................www.originlive.com<br />

Ortofon ........................................................www.ortofon.dk<br />

Pace Microtechnologies ........................ www.pace.co.uk<br />

Panasonic ........................................www.panasonic.co.uk<br />

Paradigm ................................................ www.paradigm.ca<br />

Parasound Products Inc. .............www.parasound.com<br />

Pass Laboratories Inc. ....................... www.passlabs.com<br />

Path Premier .......www.path.co.uk/path_premier.html<br />

Pathos Acoustics ................. www.pathosacoustics.com<br />

Peak Consult ................................... www.peak-consult.dk<br />

Pear Audio ..........................................www.pearaudio.com<br />

Perreaux ............................................... www.perreaux.com<br />

Phase Technology ......................... www.phasetech.com<br />

Philex .......................................................... www.philex.com<br />

Philips ...................................................www.sv.philips.com<br />

Pickering Cartridges ...................www.pickeringuk.com<br />

Pioneer ............................................www.pioneer-eur.com<br />

Plasa ................................................................www.plasa.org<br />

Plinius .............................................www.pliniusaudio.com<br />

PMC ............................................. www.pmc-speakers.com<br />

Polaron Controls ................................www.polaron.co.uk<br />

Polk Audio ......................................... www.polkaudio.com<br />

Polyfusion Audio ................www.polyfusionaudio.com<br />

Prima ................................ www.prima-international.com<br />

Primare ....................................www.primaresystems.com<br />

Prisma Europe .......................www.prisma-europe.co.uk<br />

ProAc ................................www.proac-loudspeakers.com<br />

Proceed ...................................... www.proceedaudio.com<br />

Proficient Audio Systems .........www.proficientuk.com<br />

Profigold ..............................................www.profigold.com<br />

PSB Speakers ............................... www.psbspeakers.com<br />

Pulse Marketing .....................www.pulsemarketing.org<br />

PURE Digital ...................................www.pure-digital.com<br />

Purist Audio Design .......www.puristaudiodesign.com<br />

QED .................................................................www.qed.co.uk<br />

Quad ................................................... www.quad-hifi.co.uk<br />

Quadral ...................................................www.quadral.com<br />

Quadraspire .................................www.quadraspire.co.uk<br />

RadioScape Ltd ............................. www.radioscape.com<br />

RCA .................................................................... www.rca.com<br />

Recoton ...................................................www.recoton.com<br />

Redline Distribution ......................... www.red-line.co.uk<br />

Reflex Ltd .................................................. www.reflex.co.uk<br />

Rega ..............................................................www.rega.co.uk<br />

REL ........................................................................ www.rel.net<br />

ReQuest Mulitmedia ..................... www.requestuk.com<br />

Reson ...............................................................www.reson.de<br />

Restek ....................................................... www.restek.co.uk<br />

Revel Corporation ................... www.revelspeakers.com<br />

Revolver ....................................www.revolveraudio.co.uk<br />

Revox ...............................................................www.revox.de<br />

Revox (Service) ............................www.revox.freeuk.com<br />

RGB Communications ................www.rgbcomms.co.uk<br />

Ringmat Developments ................... www.ringmat.com<br />

Rockford Corporation ............. www.rockfordcorp.com<br />

Rockford Fosgate .................www.rockfordfosgate.com<br />

Rogue Audio ................................. www.rogueaudio.com<br />

Roke Manor Research .............................www.roke.co.uk<br />

Roksan ..................................................... www.roksan.co.uk<br />

Rotel ............................................................... www.rotel.com<br />

Rothwell Audio .... www.rothwellaudioproducts.co.uk<br />

Royd ............................................................... www.royd.com<br />

Ruark ...............................................................www.ruark.net<br />

Runco International ................................www.runco.com<br />

Russ Andrews Accessories ..... www.russandrews.com<br />

Russound .............................................www.russound.com<br />

Samsung .............................................. www.samsung.com<br />

Samsung UK ................www.samsungelectronics.co.uk<br />

Sanyo .......................................................www.sanyotv.com<br />

SAP ..................................................www.sap-highend.com<br />

SCC Convergency .............www.scc-convergency.co.uk<br />

Schneider ......................................www.schneideruk.com<br />

See Hear ................................................ www.seehear.co.uk<br />

Sennheiser ....................................www.sennheiser.co.uk<br />

Sequence Design ..............www.sequencedesign.co.uk<br />

Sharp .......................................................... www.sharp.co.uk<br />

Sherwood ................................... www.sherwoodusa.com<br />

Shure ............................................................ www.shure.com<br />

Silent Gliss ...................................... www.silent-gliss.co.uk<br />

Silverline Audio Technology www.silverlineaudio.com<br />

SIM2 .............................................................. www.sim2.co.uk<br />

Simaudio .............................................www.simaudio.com<br />

SmartKontrols .........................www.smartkontrols.co.uk<br />

SME ................................................................www.sme.ltd.uk<br />

Snell & Wilcox ................................. www.snellwilcox.com<br />

Snell Acoustics ..........................www.snellacoustics.com<br />

Sonance .................................................www.sonance.com<br />

Sonic Design ...............................www.sonicdesign.co.uk<br />

Sonic Frontiers Inc. ..................www.sonicfrontiers.com<br />

Sonique ............................................ www.sonique.com.au<br />

Sonneteer. ........................................www.sonneteer.co.uk<br />

Sonus Faber .................................... www.sonusfaber.com<br />

Sonus Systems ...................... www.sonus-systems.co.uk<br />

Sony .............................................................. www.sony.com<br />

Sony UK ....................................................... www.sony.co.uk<br />

Soundlab ......................... www.soundlab-speakers.com<br />

SoundStyle ........................................www.soundstyle.net<br />

Spectron ................................... www.spectronaudio.com<br />

Spendor ..................................... www.spendoraudio.com<br />

SRS Labs ....................................................www.srslabs.com<br />

Standesign .....................................www.standesign.co.uk<br />

Stands Unique ..........................www.standsunique.com<br />

Stax ..................................................................www.stax.co.jp<br />

Stefan Audio Art ...................www.stefanaudioart.com<br />

Steljes ....................................................... www.steljes.co.uk<br />

Stereovox ...........................................www.stereovox.com<br />

Stewart Filmscreen - UK ......... www.anders-kern.co.uk<br />

Stewart Filmscreen ......................www.stewartfilm.com<br />

Straight Wire ................................. www.straightwire.com<br />

Strand Europe ......................... www.strandeurope.co.uk<br />

Sunfire .......................................................www.sunfire.com<br />

Superspikes ...................................www.superspikes.com<br />

Supra .............................................www.supracables.co.uk<br />

TAD Home Audio ..................www.tadhomeaudio.com<br />

TAG McLaren Audio ......... www.tagmclarenaudio.com<br />

Talk Electronics ....................... www.talkelectronics.com<br />

Tannoy ...................................................... www.tannoy.com<br />

Tara Labs ................................................ www.taralabs.com<br />

Tatung ..................................................... www.tatung.co.uk<br />

TDK ....................................................www.tdk-europe.com<br />

TEAC ................................................................www.teac.com<br />

Tech+Link ........................................ www.techlink.uk.com<br />

Techsan ...................................................www.techsan.com<br />

Terratec ................................................. www.terratec.co.uk<br />

Tetra Speakers ......................... www.tetraspeakers.com<br />

Texas Instruments ...........................................www.ti.com<br />

The Cable Company ........................... www.fatwyre.com<br />

The Chord Company ............................www.chord.co.uk<br />

The Musical Design Co ...................www.mdc-hifi.co.uk<br />

Theme Scene ......................................www.optoma.co.uk<br />

Theta Digital Corporation ........ www.thetadigital.com<br />

Thiel ..................................................... www.thielaudio.com<br />

Thomson Multimedia ..... www.thomson-europe.com<br />

Thor Audio ....................................... http://thoraudio.com<br />

Thorens ...................................................www.thorens.com<br />

Thule ....................................................www.thule-audio.dk<br />

THX ....................................................................www.thx.com<br />

Titan Hi-Fi loudspeakers ....... www.titanloudspeakers.<br />

co.uk<br />

TiVo ..................................................................www.tivo.com<br />

Tivoli Audio ...................................... www.tivoliaudio.com<br />

Toshiba ...................................................www.toshiba.co.uk<br />

Townshend Audio ............ www.townshednaudio.com<br />

Transparent Audio Inc. ... www.transparentcable.com<br />

Triad .............................................. www.triadspeakers.com<br />

Triangle .............................................. www.triangle-fr.com<br />

Trichord Research .............www.trichordresearch.co.uk<br />

Triskom ................................................. www.triskom.co.uk<br />

True Colours Industries ............www.true-colours.com<br />

TVC Europ .................................................. www.tvcinc.com<br />

UK Distribution ...........................................www.ukd.co.uk<br />

Ultimate Sonics .................... www.ultimate-sonics.com<br />

Ultra Linear ....................................... www.ultralinear.com<br />

Universal Remote ....... www.hometheatremaster.com<br />

van den Hul .....................................www.vandenhul.com<br />

Vandersteen ................................ www.vandersteen.com<br />

Vantage Controls ................www.vantagecontrols.com<br />

Veda Products .................................... www.veda-uk.co.uk<br />

Velodyne Acoustics Inc. ..................www.velodyne.com<br />

Verity Audio ....................................www.verityaudio.com<br />

Vibe Technologies .........................www.vibeaudio.co.uk<br />

Videologic ........................................ www.videologic.com<br />

Vidikron ..................................................www.vidikron.com<br />

Vity Technology ............................................ www.vity.com<br />

Vivadi .......................................................... www.vivadi.com<br />

Vivanco ....................................................www.vivanco.com<br />

VTL ..................................................................... www.vtl.com<br />

Wadia .......................................................... www.wadia.com<br />

Walnut House Company www.thewalnuthouse.co.uk<br />

Welborne Labs .......................... www.welbornelabs.com<br />

Well Tempered Labs ........ www.welltemperedlab.com<br />

Western Electric Audio Products ............................ www.<br />

westernelectric.com<br />

Wharfedale ...................................www.wharfedale.co.uk<br />

Wilmslow Audio .................www.wilmslow-audio.co.uk<br />

Wilson Audio Specialties Inc. .www.wilsonaudio.com<br />

Wilson Benesch. ...................www.wilson-benesch.com<br />

Wireworld ...............................www.wireworldaudio.com<br />

Wisdom Audio ..........................www.wisdomaudio.com<br />

X10 Pro .................................................... www.x10pro.com<br />

Xantech .................................................. www.xantech.com<br />

Yakov Aronov Audio Lab Inc .www.aronovaudio.com<br />

Yamaha .....................................www.yamaha-audio.co.uk<br />

YBA ..........................................www.phlox-electronique.fr<br />

Yello GB ................................................... www.yellogb.com<br />

Zebra Distribution ............www.zebradistribution.com<br />

Zenith .........................................................www.zenith.com<br />

DIRECTORY<br />

WWW ADDRESSES<br />

41


DIRECTORY<br />

EVENTS<br />

42<br />

FEBRUARY 2008<br />

22 – 24 SOUND & VISION - THE BRISTOL SHOW<br />

February Marriott City Centre Hotel, Bristol<br />

Organiser: The Sound & Vision Partnership<br />

Contact: Tony Revelle 029 2023 6100<br />

show@audio-excellence.co.uk<br />

_____________________________________________________<br />

www.bristolshow.co.uk<br />

10 AUDIOJUMBLE 2008<br />

February 10.30am - 4.30pm<br />

The Angel Leisure Centre, Tonbridge, Kent<br />

info@www.audiojumble.co.uk<br />

_____________________________________________________<br />

www.audiojumble.co.uk<br />

MARCH 2008<br />

14 March IDEAL HOME SHOW<br />

– 6 April Earls Court, London<br />

dmg world media<br />

_____________________________________________________<br />

www.idealhomeshow.co.uk<br />

14 THE CONNECTED HOME EXHIBITION<br />

March Olympia, London<br />

Junction Ltd. T: 0117 3116 22<br />

_____________________________________________________<br />

www.the-connected-home.co.uk<br />

29 – 30 THE HEATHROW HIGH FIDELITY SHOW<br />

March Park Inn, Heathrow<br />

Organiser: Chesterfield Communications<br />

Contact: Roy Bird 01829 7406<strong>50</strong><br />

roy@chestergroup.org<br />

_____________________________________________________<br />

www.chestergroup.org<br />

APRIL 2008<br />

10 – 13 HI-FI & HOME THEATRE SHOW + INSTALL SHOW<br />

April Iris Congress Hotel, Moscow<br />

Organisers: MIDEXPO Exhibition company<br />

_____________________________________________________<br />

midexpo@midexpo.ru www.hifishow.ru<br />

19 – 20 LUXURY LIVING & HOME ENTERTAINMENT<br />

April Branksome, Haslemere, Surrey<br />

Organisers: Graffix Media<br />

Contact: Dennis Poole 01428 717400<br />

dennis@graffixmedia.com<br />

_____________________________________________________<br />

www.luxurylivingshow.co.uk<br />

24 – 27 HIGH END 2007<br />

April M.O.C. (Munich Operating Centre), Munich<br />

Organiser: High End Society Marketing GmbH<br />

Contact: Branko Glisovic T: +49 (0)202 70 20 22<br />

glisovic@highendsociety.de<br />

_____________________________________________________<br />

www.highendsociety.de<br />

JUNE 2008<br />

23 – 26 CEDIA UK EXPO 2008<br />

June ExCel London<br />

CEDIA UK Ltd. T: 01480 213744<br />

expo@cedia.co.uk www.cedia.co.uk<br />

_____________________________________________________<br />

JULY 2008<br />

31 July CEDIA EXPO 2007 AUSTRALASIA<br />

2nd Aug Gold Coast Convention Centre, Gold Coast,<br />

Queensland, Australia<br />

Contact: Lauren Tuckwell, Expo Manager<br />

+61 2 9666 1677<br />

lauren.tuckwell@cedia.com.au<br />

www.cedia.com.au<br />

_____________________________________________________<br />

AUGUST 2008<br />

29 Aug – IFA<br />

3 Sept Messe Berlin<br />

Contact: Overseas Trade Show Agencies Ltd.<br />

David Owen 020 7886 3101<br />

otsa@montex.co.uk www.ifa-berlin.com<br />

_____________________________________________________<br />

SEPTEMBER 2008<br />

7 – 10 PLASA08<br />

September Earls Court, London<br />

The Professional Lighting & Sound Asssociation<br />

_____________________________________________________<br />

01323 410335 www.plasashow.com<br />

18 – 21 100% DESIGN<br />

September Earls Court, London<br />

Reed Exhibitions 020 8271 2147<br />

_____________________________________________________<br />

www.100percentdesign.co.uk<br />

27 – 28 LONDON SOUND & VISION 2008<br />

September Park Inn, Heathrow<br />

Organiser: Chesterfield Communications<br />

Contact: Roy Bird 01829 7406<strong>50</strong><br />

roy@chestergroup.org<br />

_____________________________________________________<br />

www.chestergroup.org<br />

OCTOBER 2008<br />

4 – 5 ICTS<br />

October The NEC, Birmingham<br />

Organiser: Chesterfield Communications<br />

Contact: Justin Bird 01829 7406<strong>50</strong><br />

justin@chestergroup.org<br />

_____________________________________________________<br />

www.chestergroup.org<br />

12 AUDIOJUMBLE 2008<br />

October The Angel Leisure Centre, Tonbrifge, Kent<br />

info@audiojumble.co.uk<br />

_____________________________________________________<br />

www.audiojumble.co.uk<br />

31 Oct SCOTTISH HIGH FIDELITY SHOW<br />

– 1 Nov Marriott Dalmahoy Hotel & Country Club,<br />

Edinburgh<br />

Organiser: Chesterfield Communications<br />

Contact: Roy Bird 01829 7406<strong>50</strong><br />

roy@chestergroup.org<br />

www.chestergroup.org<br />

22 – 24 February 2008<br />

THE BIGGEST UK SHOW BY <strong>50</strong>%<br />

Contact Tony Revelle<br />

on 029 2023 6100<br />

show@audio-excellence.co.uk<br />

www.bristolshow.co.uk<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008


training 23 - 26 june<br />

exhibition 24 - 26 june<br />

ExCeL London<br />

CEDIA is an international trade association which represents the residential custom<br />

installation industry and has a global membership of over 4,000 companies<br />

The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008<br />

connect with custom installation<br />

Established for over a decade, CEDIA Expo is a ‘must-attend’ event<br />

in the custom installation calendar.<br />

CEDIA Expo showcases the latest new products and electronic<br />

solutions from home technology suppliers across the sector. But<br />

that’s not all. The extensive CEDIA Expo education programme<br />

provides access to the single, most concentrated learning<br />

environment for designers, installers and entrants into the industry,<br />

whatever your experience, skill level and chosen career path.<br />

If you are involved in the planning, design, specification or<br />

installation of home electronic systems, then make sure you mark<br />

your diary now, CEDIA Expo 2008, 23-26 June, ExCeL London.<br />

CEDIA Region 1, Unit 2 Phoenix Park, St Neots, Cambridgeshire PE19 8EP<br />

Tel: +44 (0)1480 213744 Email: expo@cedia.co.uk Web: www.cedia-expo.com<br />

43<br />

photograph courtesy of Smartcomm, CEDIA Award Winner 2007


44<br />

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The <strong>BAJ</strong> ISSUE <strong>50</strong> | 2008

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