In April we published 200 interviews on Screen Rant, covering nearly every television and film release. Double that to include exclusives.
That's a lot of video content too on top of our industry best features. The editorial teams continue to impress, and there's so much more coming this summer!
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This really resonated with me. Not because I believe anybody is doing anything particularly wrong or there’s a direction to point blame and fear, but because left unchecked and unchallenged, the logic presented here could easily continue to hold truer as platforms evolve.
I think our audiences are actually smarter than ever, which means challenging them or evoking the same level of emotion, whether it be a tear, a terror, or a laugh is harder than ever.
The challenge of the enticing feeling of originality is that there are truly more movies, TV, and yes, content than ever out there, with wider access then historically there’s ever been. And any challenge with financial metrics is a multi layered risk that affects the livelihood and temperament of so many.
Like Apatow said, there are plenty of those who see the need and are still fighting for the great slates, but many are questioning this notion. There’s a lot of over correcting changing performance metrics to define, and sometimes confine, creative risk and management.
Please keep rising to the challenge filmmakers, creatives, execs, and all others. We need the risk, it’s worth the reward.
Those who have the greatest creative AND business names have taken the risks, failed a thousand times, and succeeded just enough times that their names are forever sealed in history.
#film#television#thoughtleadership
Executive Producer. Producer. Line Producer. Unit Production Manager. Development Executive. Story Consultant.
We're on a slippery slope in the film and television world. I'm not sure what the answer is but one thing's for sure... a society without art is doomed to dark times. While there's several comments in this article that alarm me, this excerpt in particular hits a cord - “There are these corporate behemoths and people from the tech world taking over creativity. And for some of them — not all of them — their intentions are just eyeball time online,” the “This Is 40” writer/director Apatow said. “I don’t know if they’re obsessed with quality filmmaking in the way other owners of these entities have been in the past. That’s why they started calling it ‘content.’ All of a sudden, they diminished it as much as it possibly could be. I don’t think it would be that weird if you read something in the paper that Pornhub bought Paramount+.” #filmmakerhttps://lnkd.in/ejdB9E5b
🎬 Calling all filmmakers and TV producers! Learn the art of creating a flawless #callsheet with this insightful guide.
From cast information to shooting schedules, this article covers it all. Get expert tips on streamlining your #production process.
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Is It a True Story & Based mostly on a Actual Individual?
Viewers of Burning Physique on Netflix are questioning if it’s a true story and primarily based on an actual individual. Is it reality or fiction? Right here’s all you must know concerning the ... read more on ordonews.com#NewsHeadlines#TheWire#ordonews
For Dion H., being an assistant producer is all about communication.
“It’s so important to be able to clearly convey ideas and suggestions to your team,“ he says. “A lot of TV-making is being able to reassure your contributors and keep them informed about the production.”
What else does it take to produce TV shows and how did he get to where he is now? Find out 👇
#CreativeCareers#BBCStudios#TVCareers
Communications & PR Director at ROCKFISH Games
11moYou and the team are doing fantastic work Rob!