JOLLY GREEN EMILY

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Garry Tobiss tackles Hasegawa’s superb new-tool 1/72 Kawanishi H8K2, with extra help from Eduard aftermarket offerings

ADVANCED BUILD KAWANISHI H8K2 EMILY

In columns from left to right – Eduard’s resin engine components, Hasegawa’s styrene equivalents, followed by the exhausts, and cowling and nacelle.
Eduard’s Brassin engine set (672158) also supplied a small PE fret with push rods and ignition coils, as shown here.

Developed to a 1938 Imperial Japanese Navy Air Service requirement, and entering service in 1941, Kawanishi’s H8K (Allied codename ’Emily’) was the fastest flying boat to enter service in significant numbers during World War Two.

The H8K2 was the most numerous variant with 112 produced. Despite its large size, Allied pilots treated the Emily with great respect because the heavy defensive armament made it extremely difficult to destroy. A crew of ten manned the aircraft and the four Mitsubishi MK4Q Kasei 22 engines gave a top speed of 290mph (465km/h). Emilys were active throughout the Pacific theatre, being used for transport and reconnaissance, and were armed with bombs, depth charges or torpedoes for attack missions.

Old favourite revisited

Hasegawa first released a 1/72 Emily more than 50 years ago, and that was definitely a product of its time, with raised panel lines and limited detail compared to modern offerings…although in 1967 it was regarded as a game-changer. The firm’s announcement of a newly tooled version of this enigmatic and impressively sized aircraft, engineered with the latest moulding technology, had modellers champing at the bit. The parts were supplied on 22 styrene runners (including two clear), plus four poly caps for the propellers. A large decal sheet, together with painting masks for some of the clear parts, completed the package. As a bonus, a colour poster was included with this particular release, which showed the interior detail, although builders will need to brush up on their Kanji, Hiragana and Katakana characters…the descriptions are just in Japanese!

MODELSPEC

Emily markings

Three options were provided but the only difference between them was the markings on the tailfin.

• T-31, Takuma Naval Flying Group

• N-26, 802nd Naval Flying Group

• 8 01-86, 801st Naval Flying Group

Long-legged patroller

In a break with the usual sequence, the build started with the engines and wings.

Hasegawa’s engines were acceptable, but as Eduard’s aftermarket replacements were available, these were used instead. Each unit comprised a large number of resin and PE components, including vast numbers of tiny tubes for the rear of the powerplant. As none of these minute items would be visible after assembly, they were left off, but everything else was assembled and then painted ready for their installation on the mainplanes.

There were options for the stores, namely a choice of torpedoes or bombs, which required different holes to be drilled in the wing underside for the respective pylons/adapters.

The latter was chosen for this build, after which the wings were assembled, followed by the addition of the completed engines and cowlings.

When completed, the aftermarket engines featured a breathtaking amount of detail; even more was provided for the rear, but as this would be hidden once the nacelles were closed, it was omitted.
Hasegawa is to be commended for its rendering of the wing surfaces, combining fine engraved panel lines with subtly textured and scalloped areas, to represent fabric-covered sections and control surfaces.
Each of the wings, and horizontal/vertical stabilisers was constructed from upper and lower halves; note the four small holes drilled into the lower wing section between the engine nacelles, for the bomb racks.

Big Ed-ons

Eduard’s (www.eduard.com) aftermarket products were used extensively during this build, and these included resin and photo-etched (PE) brass engines (672158) and machine guns (672157). It also combined a series of individual PE brass and metal sets for the interior and exterior into a substantial ’Big Ed’ pack, specifically for this model. In total, BIG72128 H8K2 Emily comprised the following:

H8K2 Emily nose interior (72650) supplied components for the vicinity of the nose gunner’s position, including new access hatches and equipment.
H8K2 Emily rear interior (72651) offered enhancements for the mid-section of the fuselage and tail gunner’s position.
Wing spars/supports were moulded integrally with one of the interior bulkheads, to which an aft unit was connected by five sturdy styrene braces.
Numerous upgrades, mainly for the fuselage, were provided in H8K2 Emily exterior (72652), although the engine parts weren’t used here.
H8K2 maintenance platforms (72653) enabled all eight wing leading-edge engineering stands to be added, but these weren’t used.
The H8K2 Emily cockpit interior (73592) comprised pre-painted PE metal enhancements for the instrument panel, sidewall equipment and brass interior seats, framework and bulkhead details.

Next came the interior. This was also relatively well detailed out of the box, but a large amount of Eduard PE was added to provide a substantial degree of enhancement. A reasonable question would be what’s the point, when virtually nothing will be seen once the aircraft is complete? Each to their own, but personally I enjoy understanding the interior of the aircraft when building, and once the brass items had been added, the innards were ready for painting.

Colours were identified with numbers from the Mr. Hobby Aqueous and Mr. Color ranges. The main colours can be mixed to obtain the correct hues or alternatively, Mr. Hobby produces a specific three-tone Mr. Color set for Kawanishi aircraft. This package (CS668) wasn’t available in the UK for this build, so was sourced from Germany; however, Albion Alloys (www.albionhobbies.com) will be importing this set to the

These parts formed the base of the main crew areas, specifically the cockpit (left) and mid/rear fuselage (right); the latter included a bulkhead for the tail turret (upper right).
Hasegawa’s kit can be built into an excellent model straight from the both, with plenty of detail supplied for the cockpit and other crew stations. However, many of these parts were replaced with PE items, with the latter medium also providing bulkhead embellishments and features omitted in the kit.
All areas of the interior benefited from plain brass enhancements, such as these in the forward fuselage, notably the crew ladders and equipment racks.
Similarly, the mid-section was improved by Eduard’s aftermarket products, specifically the rear element, with the styrene replaced entirely by PE.

UK shortly. Mr. Color paints are lacquer-based, so must be treated with extreme care. The use of a respirator — ideally a full-face unit to protect the eyes — plus something for vapour extraction is essential.

Preparations began with a coat of Mr. Surfacer 1500 Gray primer from a rattle can, which blended the PE with the styrene to provide a uniform super-smooth surface.

The paints were diluted with roughly equal amounts of Mr. Leveling Thinner and, as usual for Mr. Color, these responded superbly when airbrushed. First to be applied was C384 Cockpit Color (Kawanishi), which turned out to be a light green/yellow shade. Once this had dried fully, pre-painted PE components from Eduard’s cockpit interior set (73592) were added; it would have been difficult, if not impossible to mask these items if attached prior to painting.

Checks were needed before and after the PE was added, just to ensure nothing affected the fit of the kit parts.

Employing so many aftermarket products inevitably meant there was duplication, and examples included the ammunition storage racks, which came as resin parts in the guns set (672157) and PE items in the rear interior product (72651). Back to the painting, and once the cockpit colour was applied, surface detail was then enhanced with a dark wash, before various areas were highlighted with a silver pencil.

“various areas were highlighted with a silver pencil”

A decision on how to display the waist gunner positions was needed at this point, because the glazing was attached to the inside of the fuselage. Open was chosen, so the appropriate clear parts were added and the fuselage halves were then joined, followed by adding the assembled nose area. Speaking of the crew, a very detailed set of 11 crew figures was supplied (from a total of 16, which would leave plenty of spares), but not used for this build.

The problem of how to avoid breaking the delicate resin guns during assembly meant none were added until the very last stages of the build. This meant constructing the glazed nose and rear gunner positions temporarily, so they could be painted and then removed to have the guns added later.

Not to be outdone, the tail gunner’s position also received aftermarket enhancements.
Eduard’s Brassin cannon and machine guns also supplanted the kit items as shown here (styrene gun at bottom left, below the resin replacement). Note this set duplicated the PE ammunition parts, with the resin item favoured.
Replicating the instrument and engineering panels was simplified greatly by Eduard’s pre-painted PE components, which matched the peculiar interior shade of Kawanishi aircraft faithfully.
Remaining pre-painted items were added to the forward fuselage halves, after they’d been primed and then airbrushed Mr. Color C384 Cockpit Color (Kawanishi).
The completed right-hand fuselage, highlighting the interior’s busy nature.
Mr. Hobby’s CS668 N1K2-J Kawanishi Color set comprised C383 Dark Green (Kawanishi), C384 Cockpit Color (Kawanishi) and C385 Red (Japanese Navy Marking). These shades are only available in this set.
While the basic styrene parts exhibited pleasing detail, Eduard’s comprehensive PE additions were a whole new ball-game in terms of replicating the fixtures and fittings.
While the basic styrene parts exhibited pleasing detail, Eduard’s comprehensive PE additions were a whole new ball-game in terms of replicating the fixtures and fittings.

To PE or not to PE?

Eduard’s exterior upgrade set (72652) was substantial, but many parts weren’t used. The engine ignition wires were duplicates of those in the Brassin engine set (672158) and all the window outlines remained on the fret. This was a personal preference, because at 1/72 scale, even thin PE seemed over-scale compared to photos of the actual aircraft. One area enhanced significantly was around the main beaching gear, where various PE parts were formed to create two impressive and very visible structures. Note, surface detail on the kit fuselage had to be removed to allow the new additions to fit correctly (see photos).

Brass components were also provided to replace the moulded control surface actuators on the wings, but it was decided they provided marginal improvements for much additional work, and these were omitted. Finally, the radar aerials for the nose were also supplied; rather than supplant the styrene items entirely, these were instead used to augment the kit parts in a ’blended’ approach.

With the fuselage complete, it was time to add the tailplane and wings, with the latter designed to fit onto support brackets/spars.

Brief consideration was given to sandwiching the wings around these, because of concerns they wouldn’t slide onto the frames very easily, but this approach was rejected. The spars did need plenty of scraping and sanding to allow the wings to slide over them and position correctly, without running the risk of splitting the wing halves.

Each fuselage side was modified by removing all moulded detail around the undercarriage/ beaching gear assembly, to enable the aftermarket-enhanced unit to be attached.
Although the kit and Eduard self-adhesive masking sets eased the process greatly, application of more than 150 individual pieces was laborious, but well worth the result.
The painting guide suggested the fabric-coated sections of the undersides should be a different hue to that of the aluminium areas; in this case Alclad’s Dull Aluminium sufficed, creating a subtle, yet visible tonal variation.
Although not specified in the instructions, colour differentiation was also represented on the upper surfaces to match wartime photos, while also disrupting the monotone upper surfaces.
As described by one critic: the ”big green blob” after decaling and detail painting, and ready for weathering.

The glazing – all pre-dipped in Johnson’s Future Klear floor polish – was then added. As well as the main windscreen and turrets, this included many tiny windows, which all had be masked subsequently. Hasegawa provided masks, but so did Eduard and the reader may ask, reasonably, why? The answer was the kit offering catered for just the main areas, which left the many small fuselage and wing windows to be masked separately. Happily, Eduard filled this minor oversight with its own product (CX 493), so both were used. Patience was required during this stage, as there were 110 tiny masks in the Hasegawa set and another 43 from Eduard!

Big green blob

The Emily had a simple colour scheme, with silver undersides and dark green upper surfaces.

Primer was used for any parts of the model with PE, but this did not include the wings and fuselage. Pre-shading was also avoided, to allow experimentation with other techniques. Alclad’s ALC-305 Black Gloss was applied to the undersides first, followed by ALC- 101 Aluminium. The areas around fabric-covered parts of the wings were then masked, before they received ALC-117 Dull Aluminium.

Glazed areas were painted the interior colour and then the upper surfaces airbrushed C383 Dark Green (Kawanishi). Another masking extravaganza around the upper wing fabric sections followed. This was not identified in Hasegawa’s painting guide, but wartime photos of Emilys showed a distinct difference in weathering patterns, between the aluminium and fabric surfaces. The latter was then recreated with a lightened version of the Kawanishi green.

This also served to add visual interest to what would otherwise have been a monotone finish. Two coats of Klear were then hand-painted, with care taken to ensure brush strokes followed the direction of the airflow.

All the decals came next. Walkway decals had huge areas of clear carrier film, but it looked rather thick, so all lines were carefully cut and applied separately, to minimise the risk of silvering. This took time, but paid dividends because even small amounts of film seemed to show evidence of the dreaded silvering – produced when tiny air bubbles are trapped beneath the clear carrier film. The same technique was used for the lettering; everything was cut back to just the coloured parts.

Acrylic matt varnish covered the upper surfaces to seal everything in preparation for weathering.

Materials at a glance

Alclad II

(www.alclad2.com)

ALC-101 Aluminium

ALC-117 Dull Aluminium

ALC-305 Gloss Black Base

Eduard

(www.eduard.com)

672157 H8K2 Emily Guns

672158 H8K2 Emily Engines

BIG72128 H8K2 Emily

CX 493 H8K2 Emily fuselage windows

Infini Model

(www.sovereignhobbies.co.uk)

IR-0701B Fine Black Lycra Rigging 70

Dernier

Mr. Hobby

(www.albionhobbies.com)

CS668 Kawanishi N1K2-J Colors

Lifecolor

(www.airbrushes.com)

LC-LP03 Liquid Pigments Rain and Dust set

Ultimate Modelling Products

(www.umpretail.com)

Dark Dirt Weathering Wash

“wartime photos of Emilys showed a distinct difference in weathering patterns”

Any thoughts of pride in the work so far were blown out of the water by helpful passing remarks from my wife – ”it looks like a big green plastic blob” – ever my fiercest critic. This merely inspired the efforts to weather the Emily. The process began with Ultimate Modelling Products’ (www.umpretail.com) acrylic ’Dark Dirt’, which is designed to be applied generously all over the model, left to dry and then any excess removed. Previous builds highlighted this can darken the entire surface, so the dirt was painted just along panel lines and other features. This particular wash didn’t adhere to the Alclad-coated surfaces so a dark oil wash was used for those areas.

Next was Lifecolor’s LPW 11 Rain Marks from the Liquid Pigments Rain and Dust set (LCLP03), which was brushed onto the green areas with random squiggles and left to dry. A wide brush was then dampened with Lifecolor’s Remover product (from the same set) and the pigments worked around the surface. The result was a realistic degraded surface appearance.

The kit’s beaching gear and wing floats were complex affairs, with the former benefiting from PE upgrades, courtesy of Eduard.
Weathering demonstrated via the floats – first was the basic wash (left). Once dry, any excess was removed and the rain marks added randomly.

“This was a superb kit of a fascinating subject”

Panel lines were then partially picked out with a silver pencil.

A combination of dark brown and silver pencils emphasised the lines in the large Hinomaru decals, which also stopped them appearing as large red blobs. The same effect was created on the yellow leading edges. A slight disaster occurred while detailing the underside, though, when a piece of stray masking tape stuck to one of the Hinomaru and partly ripped it. Extremely careful surgery was then required to tease the decal from the masking tape and re-apply it. The moral of the tale was to keep the construction area clean and tidy! Problem solved, it was time to tackle the finishing touches.

All the masks were removed to reveal virtually no paint bleed below them, and a surprising amount of interior detail could be seen through the glazing.

Each wing float was assembled, painted and weathered in the same way as the rest of the aircraft, and the small amount of rigging created with Infini Model’s Fine Black Lycra Rigging (www.sovereignhobbies.co.uk).

The beaching undercarriage was then attached, followed by removing the nose and tail glazing to allow the guns to be added, before the clear parts were re-secured. For the waist gun positions, the weapons were positioned by passing them through the window opening on the opposite site, after which glue was applied. Final additions included the nose aerials, followed by the various antenna fittings on the fuselage top. Note, Eduard’s H8K2 maintenance platforms (72653) set was partly assembled, but not used here.

Feet wet

This was a superb kit of a fascinating subject, which filled the box admirably and was a real pleasure to build, with a very substantial model being the result. Eduard provided the usual excellent standard of both resin and PE upgrades, and this made a great kit even more detailed and impressive. The final response from the local critic was that it now looked like a proper aircraft!

Next came the flat brush, dampened with Lifecolor’s Remover product, to blend the mark, before the final stage to highlight panel lines with a silver pencil.
One of the eight maintenance platforms supplied in the Eduard set. These provided options for an interesting diorama, but were not used for this build.