RELEASE DATES: 9.18.20/9.25.20 | ORDERS DUE BY 8.28.20/9.04.20
IDLES
ULTRA MONO PA RT I S A N R E C O R D S
L O M E L D A | B I L L C A L L A H A N | M A K AYA M C C R A V E N
The Apples in stereo SUPER DISCOUNT SALE!
50% OFF!!!
Yep Roc Records is offering five titles from the legendary Elephant Six Collective band, The Apples in stereo, at a deep discount of 50% off each.
LOAD UP ON THESE PSYCHEDELIC POP CLASSICS NOW!
NEW MAGNETIC WONDER CD-YEP-2132
6
34457 21322 7
TRAVELLERS IN SPACE AND TIME CD-YEP-2212
6
34457 22122 2
LP-YEP-2212
6
34457 22121 5
ELECTRONIC PROJECTS FOR MUSICIANS CD-YEP-2171
6
34457 21712 6
#1 HITS EXPLOSION CD-YEP-2631
6
34457 26312 3
DISTRIBUTED EXCLUSIVELY BY REDEYE • 505 ENO ST, HILLSBOROUGH NC, 27278 • INFO@YEPROC.COM | YEPROC.COM | 336-578-7300
September 25th
MONDO STREET DATE + Back Catalog Sale!! 10% off select LPs // 15% off select CDs UPCs for SALE ITEMS >>>>>>>>>>>>>>>>>>>>> Irreversible Entanglements - Who Sent You?
CD:
LP:
Junius Paul - Ism
September 25th 2020 is the retail street date for three brand new releases – Carlos Nino & Miguel Atwood-Ferguson’s Chicago Waves, Anteloper’s Tour Beats Vol. 1, and Makaya McCraven’s Universal Beings E&F Sides. You can find info sheets on all three of those releases elsewhere in this book. But more pertinent to this page is: as a celebration of our first triple album release date (aka the MONDO STREET DATE), we are setting some of our earlier titles on sale, temporarily, for a very nice price, to make maximum International Anthem catalog click bait for your pre-autumnal ordering sprees. From NOW until the MONDO STREET DATE on September 25th, the LPs listed below are 10% off, and the CDs listed below are 15% off. Please enjoy, and accept our THANKS – as always – for helping us MAKE THINGS TIGHT FOREVER.
CD:
LP:
jaimie branch – FLY or DIE II: bird dogs of paradise
CD:
LP:
Angel Bat Dawid – The Oracle
CD:
LP:
Makaya McCraven – Universal Beings
‣ On Irreversible Entanglements’s Who Sent You?, the band “reinvents the sound of protest.” (The Nation) ‣ Junius Paul’s Ism is “an album by a bassist – a disturbingly talented one.” (FADER)
‣ jaimie branch’s FLY or DIE II is “an angry, urgent dispatch from the US improvising underground.” (WIRE)
CD:
Irreversible Entanglements – self-titled
CD:
‣ The Oracle by Angel Bat Dawid is “a spiritual, free jazz document of Black life as it stands today.” (Pitchfork) ‣ Universal Beings “affirms Makaya McCraven’s position as a major figure in creative music.” (NY Times) ‣ Irreversible Entanglements’s self-titled debut “will make you clench your fists.” (Stereogum)
UPCs for all 6 of these fine sale items are along the right side ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣ ‣
LP:
LP:
North & South American Distribution: Will Savery – will@redeyeworldwide.com Label Contact: Scottie McNiece – scottie@intlanthem.com
ORDER FORM Street Date: 9.18.20 | Order Date: 8.28.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
638126750921
CD-HMR-11
Ace Of Cups
Sing Your Dreams
CD
$10.00
$14.99
634457021877
CD-VT-JL-010
Jones, Lloyd
Tennessee Run
CD
$10.00
$14.99
5060384617879
CD-EVOR-11
Global Communication
Transmissions
CD
$20.00
$29.99
5060263721970
LP-EVOR-09
Global Communication
76:14
Vinyl
$20.00
$29.99
5060263721987
LP-EVOR-08
Global Communication
Chapterhouse Retranslated by Global Communication - Blood Music: Pentamerous Metamorphosis [REMASTERED EDITION]
Vinyl
$20.00
$29.99
659457244415
LP-STH-2444
Los Retros
Everlasting
Vinyl
$12.00
$17.99
644110406927
CD-DDW-069
Mirah
You Think It’s Like This But Really It’s Like This (20 Year Anniversary Reissue)
CD
$10.00
$14.99
644110406910
LP-DDW-069
Mirah
You Think It’s Like This But Really It’s Like This (20 Year Anniversary Reissue)
Vinyl
$16.65
$24.99
5060609662370
CD-TRU-389
Sly5thAve
What It Is
CD
$8.65
$12.99
5060609662318
LP-TRU-389
Sly5thAve
What It Is
Vinyl
$14.65
$21.99
5060609662394
LP-TRU-389x
Sly5thAve
What It Is (PURPLE VINYL)
Vinyl
$14.65
$21.99
702224128620
CD-MD-286
bvdub
Wrath & Apathy
CD
$8.00
$11.99
702224128613
LP-MD-286LE
bvdub
Wrath & Apathy
Vinyl
$18.00
$26.99
5060384619095
CD-LAM-001
Davachi, Sarah
Cantus, Descant
CD
$11.30
$16.99
5060384619088
LP-LAM-001
Davachi, Sarah
Cantus, Descant
Vinyl
$16.65
$24.99
5060384619187
LP-LAM-001X
Davachi, Sarah
Cantus, Descant (LIMITED EDITION CLEAR VINYL)
Vinyl
$16.65
$24.99
623339240024
CD-YC-045
Romano, Daniel
How Ill Thy World Is Ordered
CD
$11.30
$16.99
623339239912
LP-YC-045
Romano, Daniel
How Ill Thy World Is Ordered
Vinyl
$13.30
$19.99
702397781820
CD-TZA-7818
WYXZ
ODYX
CD
$10.65
$15.99
680899001816
LP-LBOP-0018
Various Artists
Afro-Peruvian Classics: The Soul of Black Peru
Vinyl
$14.65
$21.99
600246986078
LP-CSN-143
Zahn, Spencer
Sunday Painter
Vinyl
$12.00
$17.99
648401031577
SI-LBJ-315
Crake
Enough Salt (For All Dogs) b/w Gef
Vinyl
$5.30
$7.99
5060384618661
LP-FADE-005
Kingdom
Neurofire
Vinyl
$13.30
$19.99
843563128497
LP-EIS-102
Dig Nitty
Reverse of Mastery
Vinyl
$12.00
$17.99
5060514964378
CD-NHSS-393
Various Artists
Hospitality House Party
CD
$8.65
$12.99
5060514964361
CD-NHSS-395
DRS & Dynamite
Playing In The Dark
CD
$6.00
$8.99
5060514964385
LP-NHSS-395
DRS & Dynamite
Playing In The Dark
Vinyl
$16.65
$24.99
887828043538
LP-WIG-435LE
Cat Power
Wanderer
Vinyl
$14.65
$21.99
887829088576
SI-RUG-885
Kills, The
List Of Demands
Vinyl
$6.00
$8.99
887828042432
LP-WIG-424LE
Clinic
Wheeltappers and Shunters
Vinyl
$14.65
$21.99
887828039234
LP-WIG-392LE
Dirty Projectors
Lamp Lit Prose
Vinyl
$14.65
$21.99
634904064020
CD-XL-640
Horrors, The
Luminous
CD
$10.00
$14.99
634457025110
LP-PNKSLM-081
Initiates
Esoteric Pop
Vinyl
$14.00
$20.99
5055143211122
LP-TMR-002
Eitzel, Mark
The Ugly American
Vinyl
$18.00
$26.99
4059251413196
CD-DEN-337
Prairie
And the Bird Said: Cut Me Open and Sing Me
CD
$10.65
$15.99
4059251413189
LP-DEN-337
Prairie
And the Bird Said: Cut Me Open and Sing Me
Vinyl
$18.00
$26.99
4059251413172
LP-DEN-337LE
Prairie
And the Bird Said: Cut Me Open and Sing Me (INDIE EXCLUSIVE CLEAR VINYL)
Vinyl
$18.00
$26.99
736952027238
LP-577R-5838-1
Cooper-Moore & Stephen Gauci
Conversations Vol. 1
Vinyl
$12.65
$18.99
5057805565949
CD-FIKA-082
Adams, Steven & The French Drops
Keep It Light
CD
$10.00
$14.99
5057805565932
LP-FIKA-082
Adams, Steven & The French Drops
Keep It Light
Vinyl
$16.65
$24.99
5056321619501
CD-DWC-1122
Lucy & The Rats
Got Lucky
CD
$10.00
$14.99
5055869547246
LP-TRAPPED-025
Tuplin, Jeremy
Violet Waves
Vinyl
$16.65
$24.99
634457026933
CD-ASHM-019
Pernice, Joe
Richard
CD
$8.65
$12.99
DEAL
ORDER FORM Street Date: 9.25.20 | Order Date: 9.04.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
720841218623
CD-PTKF-2186
IDLES
Ultra Mono
CD
$9.30
$13.99
720841218616
LP-PTKF-2186
IDLES
Ultra Mono
Vinyl
$14.65
$21.99
720841218630
LP-PTKF-2186LE
IDLES
Ultra Mono (LIMITED COLOR VINYL)
Vinyl
$14.65
$21.99
720841218685
LP-PTKF-2186X
IDLES
Ultra Mono (DELUXE EDITION)
Vinyl
$23.30
$34.99
720841218647
CS-PTKF-2186
IDLES
Ultra Mono
Cassette
$6.65
$9.99
644110407320
CD-DDW-073
Lomelda
Hannah
CD
$9.30
$13.99
644110407313
LP-DDW-073
Lomelda
Hannah
Vinyl
$14.00
$20.99
603784912615
CD-IARC-EF22
McCraven, Makaya
Universal Beings E&F Sides
CD
$8.65
$12.99
603784912622
LP-IARC-EF22
McCraven, Makaya
Universal Beings E&F Sides
Vinyl
$13.30
$19.99
5054429141900
CD-ZEN-267
Davidson, Marie & L’Œil Nu
Renegade Breakdown
CD
$9.30
$13.99
5054429141917
LP-ZEN-267
Davidson, Marie & L’Œil Nu
Renegade Breakdown
Vinyl
$20.00
$29.99
634457026230
CD-WIX-006
Sad13
Haunted Painting
CD
$6.65
$9.99
634457026254
LP-WIX-06
Sad13
Haunted Painting
Vinyl
$13.30
$19.99
634457026261
LP-WIX-006LE
Sad13
Haunted Painting
Vinyl
$13.30
$19.99
781484076025
CD-DC-760
Callahan, Bill
Gold Record
CD
$11.30
$16.99
781484076018
LP-DC-760
Callahan, Bill
Gold Record
Vinyl
$17.30
$25.99
781484076049
CS-DC-760
Callahan, Bill
Gold Record
Cassette
$8.65
$12.99
781484077213
LP-DC-772
Dorji, Tashi
Stateless
Vinyl
$16.65
$24.99
848064001232
CD-RGM-0123
Grateful Dead
Dick’s Picks Vol. 25-May 10, 1978 New Haven May 11, 1978 Springfield, MA (4-CD Set)
CD
$38.66
$57.99
848064001027
CD-RGM-0102
Grateful Dead
Dick’s Picks Vol. 26—4/26/69 Electric Theater, Chicago, IL 4/27/69 Labor Temple Minneapolis, MN
CD
$26.65
$39.99
848064010678
LP-RGM-1067LE
Grateful Dead
Dick’s Picks Vol. 26—4/26/69 Electric Theater, Chicago, IL 4/27/69 Labor Temple Minneapolis, MN (Limited & Hand-Numbered 4-LP 180-Gram Vinyl Edition)
Vinyl
$93.32 $139.99
848064011125
CD-RGM-1112
Ross, Diana & The Supremes
Sing and Perform “Funny Girl”-The Ultimate Edition
CD
$18.65
$27.99
848064011071
CD-RGM-1107
Patterson, Kellee
Maiden Voyage (Remastered Edition)
CD
$9.30
$13.99
848064011040
LP-RGM-1104
Patterson, Kellee
Maiden Voyage (Remastered Vinyl Edition)
Vinyl
$16.00
$23.99
848064004967
CD-RGM-0496
Babs, Alice & Duke Ellington
Serenade to Sweden
CD
$12.65
$18.99
848064011354
CD-RGM-1135
Raymond Scott Big Band, The
Hemidemisemiquaver--Buried Treasures of the Raymond Scott Big Band
CD
$12.00
$17.99
848064003830
CD-RGM-0383
Springfield, Dusty
Come for a Dream--The U.K Sessions 1970-1971
CD
$10.65
$15.99
848064006077
CD-RGM-0607
Springfield, Dusty
The Complete Philadelphia Sessions--A Brand New Me (Expanded Edition)
CD
$12.65
$18.99
848064002970
CD-RGM-0297
Lynn, Barbara
The Complete Atlantic Recordings
CD
$12.65
$18.99
848064001508
CD-RGM-0150
Williams, Mason
The Mason Williams Phonograph Record
CD
$9.30
$13.99
677517014624
CD-CAK-146
Rituals of Mine
HYPE NOSTALGIA
CD
$9.30
$13.99
677517014617
LP-CAK-146
Rituals of Mine
HYPE NOSTALGIA
Vinyl
$10.65
$15.99
5026328104553
CD-SOJR-455
Soul Jazz Records presents
Kaleidoscope: New Spirits Known and Unknown
CD
$15.30
$22.99
5026328204550
LP-SOJR-455
Soul Jazz Records presents
Kaleidoscope: New Spirits Known and Unknown
Vinyl
$26.00
$38.99
5026328004556
LP-SOJR-455-7X
Soul Jazz Records presents
Kaleidoscope: New Spirits Known and Unknown
Vinyl
$28.00
$41.99
634457031340
CD-SPM-004X
Cosmic Vibrations and Dwight Trible
Pathways & Passages
CD
$11.30
$16.99
634457030046
LP-SPM-004X
Cosmic Vibrations and Dwight Trible
Pathways & Passages
Vinyl
$23.30
$34.99
DEAL
ORDER FORM Street Date: 9.25.20 | Order Date: 9.04.20 QTY
UPC
ITEM#
ARTIST
TITLE
FORMAT
COST
SLP
5060384619019
LP-DISC-1RE
Raczynski, Bogdan
Samurai Math Beats
Vinyl
$16.65
$24.99
858275061116
SI-MP-487
Ashe
Save Myself
Vinyl
$6.65
$9.99
603784912509
LP-IARC-0034
Anteloper
Tour Beats Vol. 1
Vinyl
$13.30
$19.99
603784912660
CD-IARC-0033
Niño, Carlos & Miguel Atwood-Ferguson
Chicago Waves
CD
$8.00
$11.99
603784912677
LP-IARC-0033
Niño, Carlos & Miguel Atwood-Ferguson
Chicago Waves
Vinyl
$14.65
$21.99
887833012727
CD-WEIRD-127
Hen Ogledd
Free Humans
CD
$9.30
$13.99
887833012710
LP-WEIRD-127
Hen Ogledd
Free Humans
Vinyl
$16.00
$23.99
843563116944
LP-JBR-0061LE
M. Ward
Duet For Guitars (INDIE EXCLUSIVE CLEAR VINYL)
Vinyl
$13.30
$19.99
5065000444587
LP-HOUND-124
Loizou, Sophia
Untold
Vinyl
$12.65
$18.99
5065000444570
LP-HOUND-124LE
Loizou, Sophia
Untold (Blue Vinyl)
Vinyl
$20.00
$29.99
759656066310
LP-KRS-663LE
Mi’ens
Future Child (Magenta Color Vinyl)
Vinyl
$12.65
$18.99
634457030695
LP-SAL-106
Night Shop
The Fountain
Vinyl
$10.00
$14.99
634457030701
LP-SAL-107
Quaker Wedding
In Transit
Vinyl
$10.00
$14.99
634457025103
LP-PNKSLM-080
ShitKid
20/20 ShitKid
Vinyl
$14.00
$20.99
634457028371
LP-PNKSLM-080X
ShitKid
20/20 ShitKid (Indie Only White Vinyl)
Vinyl
$14.00
$20.99
630808828881
CD-WWR-4763
le Fleming, Orlando
Romantic Funk: The Unfamiliar
CD
$10.00
$14.99
630808828898
LP-WWR-4763
le Fleming, Orlando
Romantic Funk: The Unfamiliar
Vinyl
$19.30
$28.99
5060180324537
LP-BWOOD-0229
Maisha
Open The Gates
Vinyl
$12.00
$17.99
4062548015621
SI-FOF-187
Shlohmo
Heaven Inc.
Vinyl
$7.30
$10.99
634457027084
CD-IT-017LE
Smith, Chris
Second Hand Smoke
CD
$10.00
$14.99
634457027091
LP-IT-017
Smith, Chris
Second Hand Smoke
Vinyl
$16.65
$24.99
309272740028
CS-NNA-130
Bendrix Littleton
Deep Dark South
Cassette
$6.00
$8.99
DEAL
NEW RELEASES Street Date: 9.18.20 | Order Date: 8.28.20
SING YOUR DREAMS “Pioneering all-female rock band Ace of Cups is finally having its moment.” —Los Angeles Times “Just by existing, the Ace of Cups are moving things forward for gender and age equality—a nice signal to the world that there’s no age limit on following your dreams.” —Billboard “Ace of Cups is course-correcting rock history.” —The Guardian Sing Your Dreams is the new album from the Ace of Cups, the pioneering all-female rock group from the 1960s San Francisco psychedelic scene. The album features collaborations with Jackson Browne, Sheila E and the Escovedo Family, Bakithi Kumalo (whose iconic bass-playing was integral to Paul Simon’s Graceland), counter cultural icon Wavy Gravy, Jack Casady (Jefferson Airplane, Hot Tuna), Bob Weir (Grateful Dead), jam-band luminary Steve Kimock (Zero,The Dead), and David Freiberg (Quicksilver Messenger Service, Jefferson Starship). The record’s 12 tracks showcase an evolution in songwriting and an eclectic command of styles – all rooted in their unique blend of American roots, savvy pop sensibilities, and a fierce garage band rush imbued with an intoxicating psychedelic sheen. The band reaches back to its Haight-Ashbury heyday for the psych-tinged ‘Gemini’ and a deliciously sarcastic ‘Waller Street Blues.’ There’s a Randy Newman vibe in the soft-shoe shuffle of ‘I’m On Your Side,’ and a tender plea for human goodness in ‘Sister Ruth.’ Their punchy take on Keb Mo’s ‘Put A Woman In Charge’ reflects the Ace of Cups’ long-standing and unapologetic commitment to gender equity, and the maxim of love and togetherness that is core to the band remains equally strong on this new record, with powerful statements like ‘Basic Human Needs’ and ‘Slowest River / Made for Love’. Originating from within the psychedelic milieu of 60s San Francisco, the original Ace of Cups quintet was a beloved fixture of the scene, delivering memorable performances, sterling songcraft, and a reputation for enchanting harmonies. Their warmly-received eponymous debut Ace Of Cups was released in 2018.
Artist: Ace of Cups Title: Sing Your Dreams
CD & Digital: 9/18/20 CD CAT#: HMRCD•11
TRACKLIST Side A 1. Dressed in Black 2. Jai Ma 3. Put a Woman in Charge 4. Sister Ruth 5. Basic Human Needs 6. I’m on Your Side Side B 1. Gemini 2. Boy, What’ll You Do Then 3. Little White Lies 4. Waller St. Blues 5. Lucky Stars 6. Slowest River / Made for Love
High Moon Records info@highmoonrecords.com www.highmoonrecords.com
Redeye Worldwide jeep@redeyeworldwide.com
LLOYD JONES Tennessee Run
The Swampified American Roots Music of Lloyd Jones has traveled across the country throughout Europe and around the world before landing knee-deep into the heart and soul of Tennessee, for his latest triumph, TENNESSEE RUN. The early years found Jones working with STREET DATE: 9/18/20 foundation greats like Earl King, Charlie Musselwhite, Big Mama Thorton and Albert Collins. After recording nine of his own critically aclaimed albums featuring original songs covered by Gatemouth Brown, CoCo Montoya, Joe Louis Walker and Curtis Salgado, it’s thrilling to arrive in Nashville! This special recording was inspired on the Delbert McClinton “Sandy Beaches” Cruise and brings together some of Music City’s mightiest players for this magnificent “Tennessee Run” of 14 songs written by Lloyd Jones, featuring keyboardist/producer Kevin McKendree and special guests Delbert McClinton and Teresa James. LLOYD JONES Title: Tennessee Run Label: VizzTone Genre: Blues/Americana Territory: Worldwide Compact Disc - Jewel Box Cat. # VT-LL-010 Street Date: 9/18/2020 UPC: 634457021877
1. You Got Me Good 2. Me & You 3. I Wish I Could Remember Loving you (w. Teresa James) 4. Where’s My Phone? 5 . A True Love Never Dies 6. Bayou Boys 7. Everybody’s Somebody’s Fool (w. Delbert McClinton) 8. Turn Me Loose 9. That’s All I Want 10. Love Is Everything 11. Chicken Bones
6
34457 02187 7
12. Every Time We Meet 13. Dilly Dally 14. Chevrolet Angel
LLOYDJONESMUSIC.COM
Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 Contact: Lori Miller • lori@redeyeworldwide.com
Cat No.: EVOR11CD UPC: 5060384617879 Format: 3CD Release Date: 18 September 2020 _____________________________________________________________________________________
GLOBAL COMMUNICATION Transmissions
Global Communication are the legendary duo of Tom Middelton and Mark Pritchard. They began recording in 1991 and in a short space of time released a huge amount of music collectively and individually, in a broad range of styles, including records under names such as Link, E621, Reload, The Chameleon and Jedi Knights. It’s the work they made together as Global Communication however that has proved to be the most enduring. This is in no small part down to the formidable reputation of their sole studio album, 76:14, widely considered to be an ambient techno classic, hailed by The Guardian as "an unfathomably beautiful out-of-time masterpiece" and no.11 in Mixmag’s best dance albums of all time.
EVOR11CD 3CD Tracklist DISC 1: Chapterhouse Retranslated by Global Communication - Blood Music: Pentamerous Metamorphosis 01. Alpha Phase 02. Beta Phase 03. Gamma Phase 04. Delta Phase 05. Epsilon Phase
DISC2: 76:14
DISC3: Curated Singles & Remixes
01. 4:02 02. 14:31 03. 9:25 04. 9:39 05. 7:39 06. 0:54 07. 8:07 08. 5:23 09. 4:14 10. 12:18
01. Global Communication - Incidental Harmony 02. Global Communication - Sublime Creation (Original Mix) 03. Sensorama - Aspirin (Global Communication Remix) 04. The Grid Rollercoaster (The Global Communication Yellow Submarine Re-Take) 05. Lone - 5:23* 06. Global Communication - The Deep 07. Global Communication - The Way (Secret Ingredients Mix) 08. Global Communication - 7:39 (Original Cassette Demo)* - exclusive to CD edition *Previously unreleased
Cat No.: EVOR09 UPC: 5060263721970 Format: 2LP Release Date: 18 September 2020 _____________________________________________________________________________________
GLOBAL COMMUNICATION
76:14
[REMASTERED EDITION] “An ambient masterpiece” - FACT Magazine Reissue of a widely acknowledged classic of electronic music, originally released in 1994 and now available on the group’s own Evolution label, fully remastered from the original DAT tapes, with care taken to retain the full dynamics of the original recordings. Accompanied by in-depth sleevenotes by Ben Cardew and a beautifully updated gatefold sleeve design by Mark Gowing. This is the definitive edition of one of the best records released in the entire decade. Hailed by The Guardian as "an unfathomably beautiful out-of-time masterpiece" and no.11 in Mixmag’s best dance albums of all time. Whilst the faintly recognisable DNA of Detroit techno is apparent in the music, it also exists comfortably alongside the finest film soundtrack work of Vangelis and Tangerine Dream, the groundbreaking run of late-70s instrumental albums of Brian Eno, contemporary albums such as Aphex Twin’s Selected Ambient Works series and The KLF’s Chill Out, and in the use of texture and harmony to convey incredibly moving abstract soundscapes, there’s also a connection to the exploratory guitar music of My Bloody Valentine or the groups defined as post-rock. Global Communication are the legendary duo of Tom Middelton and Mark Pritchard. They began recording in 1991 and in a short space of time released a huge amount of music collectively and individually, in a broad range of styles, including records under names such as Link, E621, Reload, The Chameleon and Jedi Knights, but it’s the work they made together as Global Communication that has proved to be the most enduring.
Tracklist
A1. 4:02 A2. 14:31 B1. 9:25 B2. 9:39
C1. 7:39 C2. 8:07 C3. 5:23 D1. 0:54 D2. 4:14 D3. 12:18
Vinyl spec: 2 x 140 gram LPs in heavy cardstock gatefold sleeve with spot UV logo printed on the front and printed inners with full sleevenotes. Also available: EVOR11CD - Transmissions 3CD anthology containing Pentamerous Metamorphosis, 76:14 and Curated Singles & Remixes
Cat No.: EVOR08 UPC: 5060263721987 Format: 2LP Release Date: 18 September 2020 _____________________________________________________________________________________
GLOBAL COMMUNICATION Chapterhouse Retranslated by Global Communication Blood Music: Pentamerous Metamorphosis [REMASTERED EDITION]
Reissue of the revolutionary 1993 full album overhaul of the Blood Music album by labelmates Chapterhouse. Whilst retaining some elements of the shoegaze guitar music of the original recording to use as building blocks, Global Communication essentially crafted their own album out of the results, and the result is a lesser known but equally fine-crafted companion to much-loved ambient techno classic 76:14. It’s also worth bearing in mind that outside of dub reggae, it was pretty much unheard of for an entire album to be remixed. Issued on the group’s own Evolution label and available for the first time in 22 years, it’s been fully remastered from the original DAT tapes, with great care taken to retain the full dynamics of the original recordings. It is also accompanied by in-depth sleevenotes by Ben Cardew and a beautifully updated gatefold sleeve design by Mark Gowing. Global Communication are the legendary duo of Tom Middelton and Mark Pritchard. They began recording in 1991 and in a short space of time released a huge amount of music collectively and individually, in a broad range of styles, including records under names such as Link, E621, Reload, The Chameleon and Jedi Knights, but it’s the work they made together as Global Communication that has proved to be the most enduring. Tracklist
A1. Alpha Phase B1. Beta Phase B2. Delta Phase C1. Gamma Phase D1. Epsilon Phase Vinyl spec: 2 x 140 gram LPs in heavy cardstock gatefold sleeve with spot UV logo printed on the front and printed inners with full sleevenotes. Also available: EVOR11CD - Transmissions 3CD anthology containing Pentamerous Metamorphosis, 76:14 and Curated Singles & Remixes
Los Retros - Everlasting KEY SELLING POINTS
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ARTIST TITLE CATALOG # LABEL GENRE FORMAT UPC
Los Retros Everlasting STH2444EP Stones Throw Records Indie Vinyl 659457244415
RELEASE DATE Digital: June 18th Vinyl: TBD
TRACKLISTING 1. Cry of The Humble 2. Sweet Honey 3. The Messiah 4. New Humanity 5. Fruitful
Follow-up to the critically-acclaimed 2019 debut EP Retrospect and breakout single “Someone To Spend Time With”, which has surpassed 20 million total streams and views since it’s release. Press & Radio: Dazed, The FADER, The LA Times, Remezcla, Billboard, Hypebeast, Bandcamp, KROQ, KCRW, BBC, Dublab, NTS. For fans of: The Marias, Toro y Moi, Jakob Ogawa, Inner Wave, Chicano Batman, Triathalon, Her’s
DESCRIPTION A first-generation Mexican-American based in Oxnard, CA (home also to Stones Throw affiliates Madlib and Anderson .Paak), Los Retros, AKA Mauri Tapia, began playing music as a child, borrowing his older brother's guitar when he was just eight years old. When he was around 16, he started putting tracks online that he'd recorded with an old second-hand mixer, on which he played all the instruments himself. Thanks purely to word of mouth, he built a loyal fan base online, racking up hundreds of thousands of streams, and began performing to sold-out audiences of young people who related to his heartfelt songs. Everlasting is a vulnerable, yet stylistically-rich collection of songs built around his impeccable curatorial ear and a natural instinct for updating vintage hooks and song structures. Across the EP, he reflects on a newfound sense of spirituality, love and positivity through five intimate, nostalgia- inducing songs that channel a variety of influences from soul and funk, to psychedelic rock.
September 18, 2020
"Really great always, he makes brilliant music and that new track 'With You' is really strong." – GILLES PETERSON “Great one” – LEFTO “Sometimes when I am pottering about in the kitchen something will take my ear [on BBC 6Music] and I’ll go “ooh that’s nice”, and I will go out and buy it, and that’s exactly what I did with this.” – MARTIN FREEMAN “Sly always comes correct with his own take on covers but also pushed new boundaries on his original work. Don’t sleep on Sly!” – ANTHONY VALADEZ (KCRW) Out 18th September, ‘What It Is’ is the second LP from Brooklyn-based multi-instrumentalist, composer, arranger and producer Sly5thAve; his first new music since the critically acclaimed project ‘The Invisible Man: An Orchestral Tribute to Dr. Dre’. The recording had been first devised as a benefit concert in LA which was attended by Dr. Dre who took to the stage to express thanks for Sly5thAve’s arrangements. Having spent the past three years performing the project with orchestras around the world, ‘What It Is’ sees Sly5thAve retain the high-quality that fans and critics alike have come to expect from him while stepping out with something considerably different, delving deeper into the worlds of hip hop, jazz and soul. Celebrating not only his own versatile musicianship but that of his collaborators and friends, ‘What It Is’ is a collection of tracks showcasing the best of the multi-faceted musician. A sought-after collaborator himself, Sly5thAve has attained much respect from his work with a host of highly fêted musicians including; Prince (as a member of the New Power Generation Band), Stevie Wonder, Gladys Knight, The Dave Brubeck Quartet, Taylor Swift, Janelle Monáe, Freddie Gibbs and Quantic. “It’s a little jazzy. There is some hip hop in there. A little bit of orchestral chamber vibes… It’s It me”, Sly5thAve admits. From the NYC-Texas inspired sounds of “More Or Less” featuring prolific New York rapper Marlon Craft to the politically charged Brazilian-Portuguese “Expatria” recorded with Grammy-nominated Thalma de Freitas, the album spans a myriad of genres and offerings from fellow talented musicians.
ARTIST: Sly5thAve TITLE: What It Is CD RELEASE DATE: 18th Sept 2020 CAT NO: TRUCD389 / TRULP389 / TRULP389x LABEL: TRU THOUGHTS CONTACT: DIST@TRU-THOUGHTS.CO.UK LP FILE UNDER: JAZZ / ELECTRONIC - S FOR FANS OF: MARLON CRAFT,
KAYTRANADA, SCIENZE, SENE
BARCODE: CD - 5060609662370
2LP - 5060609662318 2LP (LTD) - 5060609662394
www.tru-thoughts.co.uk
LPx
Support & Praise: Gilles Peterson, Lauren Laverne (BBC 6Music), Martin Freeman, Lefto, Anthony Valadez (KCRW) Cosmo Baker, Nemone (BBC 6Music), Indie Shuffle, The Jazz Times, Tony Minvielle, Noisey, Cerys Matthews (BBC 6Music), The Mercury News, Earmilk, Okayplayer Following his hugely successful “The Invisible Man: An Orchestral Tribute to Dr. Dre” Released on CD, black vinyl and purple vinyl. 2LP - Purple Edition Limited 500 press Hand-numbered
A1. Boulevards feat. Denitia (4:06) A2. Consequence (3:30) A3. What It Is feat. Scienze & Lexus (4:47) B1. C-Side feat. Denitia (5:35) B2. Daddy Warbucks feat. Sene (4.31) C1. Interlude A (0:51) C2. Expatria feat. Thalma de Freitas (4:25) C3. The Night feat. Melissa McMillan (4:15) C4. Expatria Interlude (0:50) D1. Right Here feat. Denitia (4:30) D2. More Or Less feat. Marlon Craft (4:24) D3. Interlude B (0:40) D4. With You feat. Denitia (3:05)
bvdub
Wrath & Apathy Street Date: 09/18/2020 Catalog #: MD286 Label: n5MD Format: Coke Bottle Clear 2 x LP / Digipak CD Box lot: LP - 10 / CD - 30 File under: ambient, modern composition
LP • 702224128613 CD • 702224128620
TRACKLISTING Wrath & Apathy Ghosts & Stone Green & Blue Fight & Flight
The lead-off and title track of Brock Van Wey's 38th bvdub album Wrath and Apathy establishes itself with a noir hued Rhodes piano and idly lurching beats that provide an intoxicating beginning, which is, fittingly obstructed by a resonant synth-line that paces the song to new heights. Van Wey's fans have come to covet the ebb and flow between such sprawlingly emotive passages, and Wrath and Apathy has these in mass. It takes its time, like most of Van Wey's works, to get where it's going, and his musical style to the already initiated is that of intently watching the ocean waves, with each wave bringing its own unique shape, texture, and in this case, aural reward. Wrath and Apathy is loosely based on the events of Haruki Murakami's novel Kafka on the Shore. Like most of Van Wey's recent n5MD works, comes in the form of four spaciously captivating and deeply immersive long-form journeys.
HIGHLIGHTS 38th album for Brock Van Wey’s prolific bvdub guise. Limited edition vinyl with DL card
505 Eno St Hillsborough, NC 27278
4096 Piedmont ave #551 Oakland CA 94611 mikec@n5md.com
Sarah Davachi Cantus, Descant
CAT NO: LMILPX (Clear Vinyl) LMILP (Black Vinyl) LMICD (CD) UPC: 5060384619187 (Ltd. Clear Vinyl) 5060384619088 (Black Vinyl) 5060384619095 (CD) RELEASE DATE: 18th September 2020 OVERVIEW: The new Sarah Davachi record is an 80 minute, 17 track double album meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering. On two tracks the artist’s own vocals are also heard for the first time. This is the first release on the artist’s own label, Late Music. The title of the record – Cantus, Descant – has both literal and metaphorical meaning and is something of a concept album that addresses the relationship between the two. In medieval music, the Latin ‘cantus’ was used as a general term for unadorned singing or chant and by the end of the Middle Ages it came to represent the highest voice of a polyphonic choral texture, often improvised. ‘Descant’, at that time, was used in part to denote the structures of polyphony and counterpoint, the harmonious play of two or more voices against one another. The instrumentation is predominantly organ-based, a combination of electric organ, reed organ and a pipe organ based on a 15th-century design. These arrangements are embellished with tape-based technologies like the Mellotron and echo devices. Davachi comments: “The pervading affect on the album is one that gives reverence to the suspension, the epoché, a space where we welcome and attempt to reconcile impermanence. It is an opportunity to go inside – oneself, one’s sound – in order to simultaneously commune with our comforts and that which we mourn, perhaps not unlike the function of a hymn.” Sarah is based in Los Angeles and has previously released records with Superior Viaduct, Ba Da Bing!, Recital and Boomkat Editions. 2LP Description: Black or Ltd Clear Redeye / US indie exclusive double vinyl housed in a gatefold sleeve w/ download card A2 album narrative poster will be matched with orders of clear vinyl whilst stocks last Boxlot: 15 Ⓟ & © 2020 Late Music
Barcodes:
CD
Tracklisting: A 1 Stations II 2 The Pelican 3 Ruminant 4 Still Lives B 1 Stations V 2 Midlands 3 Play The Ghost 4 Stations IV
C 1 Passing Bell 2 Hanging Gardens 3 Stations I 4 Gold Upon White 5 Oldgrowth D 1 Stations III 2 Canyon Walls 3 Badlands 4 Diaphonia Basilica
Description: Two CDs housed in a 6 panel digipak Boxlot: 25 Ⓟ & © 2020 Late Music
Barcode:
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Tracklisting: DISC ONE 1. Stations II 2. The Pelican 3. Ruminant 4. Still Lives 5. Stations V 6. Midlands 7. Play The Ghost 8. Stations IV
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NO EXPORTS ALLOWED For more info please contact Matthew :matthew@warprecords.com or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
DISC TWO 1. Passing Bell 2. Hanging Gardens 3. Stations I 4. Gold Upon White 5. Oldgrowth 6. Stations III 7. Canyon Walls 8. Badlands 9. Diaphonia Basilica
DANIEL ROMANO “HOW ILL THY WORLD IS ORDERED” LABEL: YOU’VE CHANGED RECORDS CATALOG: YC-045 FORMAT: LP/CD/Digital RELEASE DATE: September 18, 2020
Let’s list the facts and see which ones hold: How Ill Thy World Is Ordered is the 9th full-length Daniel Romano album to be released in 2020, but the first to manifest in the physical mediums (LP/CD) since the career spanning, era-defining live album "Okay Wow" was released way back on March 27 . This one too, features the mighty skills of The Outfit, the tightest of tight-knit rock and roll bands: Julianna Riolino (vocals), David Nardi (guitar, vocals), Roddy Rossetti (bass), Ian Romano (drums), supplemented here by Mark Lalama (organ, piano), Briana Salmena (vocals), Victor Belcastro (sax) and Aaron Hutchinson (trumpet). The band assembled in studio in a perfectly tuned geometry to record these new songs following simple guidelines and simple rules: play the whole thing, in sequence, 3 takes or bust, with no overdubs; play “the sound of the feel of a snake bite”; play “a heist on horseback for fool’s gold”. th
Tracklist, all formats: A Rat Without A Tale (4:42) How Ill Thy World Is Ordered (4:45) Green Eye-Shade (2:18) First Yoke (4:21) Joys Too Often Hollowed (3:39) Joys Too Often Hollowed Pt 2 (1:23) Drugged Vinegar (3:50) Never Yet In Love (4:01) A Secret Still To Be Betrayed (4:24) No More Disheartened By The Dawn (5:30) Amaretto And Coke (6:50)
What unexpected anthems emerge! ‘A Rat Without A Tale’, ‘Green Eye-Shade’, ‘First Yoke’, ‘A Secret Still To Be Betrayed’, ‘No More Disheartened By The Dawn’ shock with the full impact of their melodies, the harmonious combination of distinct human voices, the chromed accents of a perfectly arranged horn section, and more guitar playing, real, honest-to-the-core lead guitar playing than Daniel has previously committed to tape. The two-part ‘Joys Too Often Hollow’ and the beautiful closer ‘Amaretto and Coke’ show the band as adept at the swing and sway of softer sentiments, and as quickly tender as brave.
LP with download - LP-YC-045
CD - CD-YC-045
YOU’VE CHANGED RECORDS 123 Pauline Ave. Toronto, ON M6H3M7 Canada info@youvechangedrecords.com
WYXZ ODYX TZA CD 7818 Spotlight Ben Coniguliaro, Quinn Coniguliaro, Matt Hollenberg, Alex Verbickas, Matt Stober. Invitation * Yesterday's Ormatone * Ooze * Forbidden Warning * Headweight * Odyx * Coma Throb * Yomus The experimental brainchild of self-taught composer/drummer/guitarist Ben Coniguliaro, Wyxz is a project that plays demanding, through-composed math rock combined with avant-garde progressive rock, sound collage, and free improvisation. A resident of upstate New York, Ben is still relatively unknown to most of the outside world and is already responsible for several cutting edge underground bands at the ripe age of twenty. Featuring his brother Quinn and the virtuosic guitarist Matt Hollenberg (Cleric, Simulacrum, Shardik), Wyxz is a bizzare microprog assault of powerfully complex music that will leave your head spinning!
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File Under: Avant Garde/Rock
Street Date: September 18, 2020 Export: Do not export to France, Italy, Spain and Japan. Box Lot: 30 CD Tzadik, A Project of Hips Road, 200 East 10th Street, pmb 126, New York, NY 10003 info@tzadik.com Redeye Worldwide, 505 Eno Street, Hillsborough, NC 27278
AFRO-PERUVIAN CLASSICS THE SOUL OF BLACK PERU 25th AnniversAry repress format: LP with Poster Price: reLease date: sePtember 18, 2020 originaL reLease date: may 9, 1995 seLection number: LP-LboP-0018 cataLog number: 6 80899 0018-1-6 side a 1. susana baca Maria Lando 2. manuel donayre Yo No Soy Jaqui 3. cecilia barraza Canterurias 4. Lucila campos Samba Malato 5. roberto rivas & el conj. gente morena Enciendete Candela 6. eva ayllón Azucar de Caña 7. abelardo Vásquez & cumanana Prendeme La Vela
side b 1. chabuca granda Lando 2. Lucila campos Toro Mata 3. Peru negro Son de los Diablos 4. nicómedes santa cruz No Me Cumben 5. chabuca granda Una Larga Noche 6. Peru negro Lando 7. david byrne Maria Lando 8. Zapateo en menor - Vincete Vásquez D.
Once again a ground breaking album, this first Afro Peruvian music heard outside of Brazil and the album that introduced Susana Baca to the world. This is secret music—a collection of beautiful songs and infectious grooves that’s been hidden for years in the coastal towns and barrios of Peru. It’s not the guys with flutes and drums in wooly hats—it’s music of the black Peruvian communities. Black Peruvians? Yes, Peru was involved in the slave trade too—and this wonderful, funky music is part of that legacy.
L u A k A B o p. c o m
Spencer Zahn Sunday Painter Out September 18, 2020 on Cascine Spencer Zahn is a composer and renowned multi-instrumentalist. His music is marked by openness: spacious sonic landscapes, made fertile by contributions from his creative community. His new album for Cascine, Sunday Painter, is a testament to in-the-moment music making, free of physical or mental constraints. Joined by long-time collaborators Dave Harrington (Darkside), Mauro Refosco (David Byrne) and a host of like-minded musical artists, Sunday Painter paints in soft strokes of sonic watercolor — a lush collection of instrumental tracks that combine electronic and organic textures, undulating waves of jazz and ambient pop.
Tracklisting: A1. Key Biscayne A2. The Mist A3. Empathy Duet A4. Roya B1. Sunday Painter B2. Ten To One B3. Promises B4. To The One You Love B5. At High Tide
Artist: Zahn, Spencer Title: Sunday Painter Street: September 18, 2020 Label: Cascine Cat.No: CSN143 Format: LP Box Lot: 20 Genre: Indie / Electronic / Jazz Export: Worldwide CSN143-LP UPC: 600246986078
Selling Points: ● In-demand bassist and keyboardist and member of NYC avant jazz community ● Touring member of Empress Of, Twin Shadow, Kimbra, Dave Harrington Band, Chet Faker, DAWN, Half Waif, Autre Ne Veut ● Album features performers Dave Harrington (Darkside), Mauro Refosco (David Byrne), Spencer Ludwig (Portugal. The Man) ● International PR & Radio campaign by Conflict of Interest PR
Stephen Svacina // Redeye Worldwide 505 Eno Street, Hillsborough, NC 27278 http://www.redeyeworldwide.com/ stephen@redeyeworldwide.com
Nick Passarelli // Cascine 56 Bogart St, Ste 229, Brooklyn, NY 11206 http://www.cascine.us nick@cascine.us
SADDLE CREEK DOCUMENT SERIES DOCUMENT 013: Crake - Enough Salt (For All Dogs) b/w Gef
TRACKLIST 1. Enough Salt (For All Dogs) 2. Gef
2:09 3:12
Artist: Crake Title: Enough Salt (For All Dogs) b/w Gef Catalog #: LBJ-315 Formats: 7" Street Date: September 18, 2020 Box Lot Quantity: 84 Genre: Alternative PRESS PROMOTION Hanglands PR Harry Ridgway - harry@hanglands.com
Crake are an alt-folk four piece from the city of Leeds in northern England who write melodic and (sometimes) hopeful songs about flora, fauna, anxiety and the tough stuff. Formed on the cusp of 2016/17 after a New Year’s Eve pact, Crake spent their first couple of years playing locally with loose-line-up changes, self-releasing two EPs - 2017’s By the Slimemould and 2018’s The Politics of Lonely. Led by singer/guitarist Rowan Sandle, Crake blend shimmering alt-folk and indie-rock, featuring an increasing density of guitars, tape-loops and synth blankets. Their songs provide a more sonically reassuring but equally intimate bed for Sandle’s poetic lyrics. In late 2018 the band supported Big Thief ’s Buck Meek on the Leeds date of his solo tour, impressing the guitarist so much that he invited them along for Big Thief ’s forthcoming tour across the UK and Europe. Those three weeks spent travelling and playing with their musical heroes saw Crake go from a small, beloved act who’d barely left their hometown, to finding themselves with a legitimate fanbase of their own. Their third 3-track EP Dear Natalie was subsequently released in 2019, also marked by the addition of lead guitarist Russell Searle, joining Rob Slater on drums and Sarah Statham on bass. The EP was the sound of Crake finding their feet on a larger stage, both literally and figuratively, with opening track ‘Glycerin’ shining a spotlight on Sandle’s ever-confessional words.
RADIO PROMOTION College, Commercial & Specialty radio@saddle-creek.com (402) 558.8208 MASTER USE LICENSING jeff@saddle-creek.com INTERNATIONAL LICENSING & DISTRO robb@saddle-creek.com FOR MORE INFO CONTACT retail@saddle-creek.com 7” spineless jacket, download card, insert “zine”
NOT EXPORTABLE OUTSIDE THE US 7” NOT RETURNABLE
Since the Big Thief tour and the Dear Natalie EP the band have focused solely on writing and demoing new music, assembling in garages, practice rooms and the beloved Greenmount Studios in Leeds (The Cribs, Pulled Apart By Horses) where drummer Rob Slater works. The first results of this focused time away can be heard on Enough Salt (For All Dogs) b/w Gef, a brand new, two-track single which will be released on 7” vinyl via Saddle Creek’s ongoing Document Series.* Their first self-produced effort, the new single is Crake at their most confident. Exploring the depths of their sound while staying rooted in Rowan Sandle’s brilliant songwriting and captivating lyrics. * Taking inspiration from the original concept behind the founding of Saddle Creek, as an attempt to highlight our home city through music and art, we began the Document Series in 2017. Each release featured in the Document Series is comprised of an exclusive record featuring unreleased music from artists outside of the label's roster, along with a specially curated zine created by the artist.
S A DDLE C R E E K
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P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • INFO@SADDLE-CREEK.COM • SADDLE-CREEK.COM
505 ENO ST. HILLSBOROUGH, NC, 27278 redeyworldwide.com Tim Jones tim@redeyeworldwide.com
Kingdom Neurofire
CAT NO: FADELP005 (Vinyl) UPC: 5060384618661 (Vinyl) September2020 2020 RELEASE DATE: 418th th September OVERVIEW: Los Angeles based artist and producer Kingdom presents his second studio album NEUROFIRE, an electrifying follow-up to his breakthrough debut album Tears in the Club and a musical genesis that elevates the mood of pervasive anxiety into a moment of transformation, redemption and ultimately, freedom. NEUROFIRE represents a new chapter for Kingdom. While the music still finds the production prodigy incorporating contorted rhythmic structures under irresistible emotional vocals and synth stabs, the influences and intentions have changed. Refocusing his energy to use his unique point of view to continue to move with an avant-garde sense of expression all while making faster, more turbulent and experimental club and pop music "The album fuses deep and aggressive club bass with syncopated sci-fi Pop/R&B of Timbaland and DanjaHandz while still showcasing the emotional synths and vocals that resonate with me”, says Kingdom. "I dove headfirst into making faster, more turbulent and experimental club and pop music than I had ever made before.” A taste of which Kingdom gave us in EXTERRA Vol 1, a six-track EP, he released last year. NEUROFIRE features guest vocals from GHOST, Kayla Blackmon, Tiara Thomas, Pheona, UNIQU3, Semma, LUVK and Tre Oh Fie- a notable list of new voices from the producer known for making career-defining music with some of today's most respected voices. The new album is the second studio length release following Kingdom’s debut album Tears in the Club, which extracted personal experiences from within the club as a physical and emotional space and featured vocals from R&B heavy hitters SZA and Syd. TITC received recognition from The New York Times, NPR, Billboard, The Fader, Spin, Pitchfork and more as one of the most exhilarating releases of 2017. Kingdom, born Ezra Rubin, got his start in New York City through a series of mixtapes and club nights. After doing runway mixes for cult fashion distributor Hood by Air, Rubin moved to Los Angeles and co-founded the record label Fade To Mind. The label and creative collective created a platform to combine deconstructed underground club music with diverse soundscapes and genres, operating today as one of the most seminal and influential indie labels in music. LP Description: 1LP in coloured sleeve w/ 3mm spine. Includes download card Boxlot: 25 | Ⓟ & © 2020 Fade to Mind Barcode:
Tracklisting: A Side A1 No More Same (feat. LUVK) A2 Maze Lightning (feat. Kayla Blackmon) A3 Arch Slide (feat. Uniiqu3 & Tre Oh Fie) A4 DS8 (feat. Ghost) A5 Vox Convex
B Side B1 Genesis Fem (feat. Pheona) B2 High Enough (feat. Tiara Thomas) B3 His n Hers (feat. Semma) B4 Yikes (feat. Ghost) B5 Cell Splitter B6 Get On My Level (feat. Kayla Blackmon)
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NO EXPORTS ALLOWED For more info please contact Abdullah: Abdullah@warprecords.com or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
CAT POWER WANDERER
TRACKLISTING 01. Wanderer 02. In Your Face 03. You Get 04. Woman (feat. Lana Del Rey) 05. Horizon 06. Stay 07. Black 08. Robbin Hood 09. Nothing Really Matters 10. Me Voy 11. Wanderer / Exit CATALOG NUMBER: WIG435 RELEASE DATE: September 18, 2020 FILE UNDER: Alternative “P”
“...unmediated and pure...her phrasing is its own miracle.” - THE NEW YORKER “[the] high empress of indie rock” - W MAGAZINE
DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828043538
Vinyl is non-returnable
"Chan Marshall is jukebox mystic: In the dozens of covers she has recorded and released throughout her career, she translates new shades of meaning with every note.” - PITCHFORK [on "Stay"] OVERVIEW Wanderer is the tenth studio album from musician Cat Power, a.k.a. Chan Marshall. Written and recorded in Miami and Los Angeles over the course of the last few years, the new album Wanderer is a remarkable return from an iconic American voice.
SELLING POINTS DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• Cat Power's catalog has scanned 1M+ copies. • The limited edition LP comes on clear vinyl with download card.
THE KILLS
LIST OF DEMANDS TRACKLIST: A: List of Demands (Reparations) B: Steppin’ Razor CATALOG NUMBER: RUG885 RELEASE DATE: September 18, 2020 FILE UNDER: Alternative “K” FORMAT: 7” Boxlot: 30 UPC: 887829088576
“The most reliably great and sexually charged duo in blues-rock” – THE NEW YORK TIMES “Beyond their considerable swagger, the Kills are also some of the best in the business musically, from Mosshart’s snarling vocals to Hince’s exhilaratingly perverse take on blues guitar.” - ENTERTAINMENT WEEKLY “The Kills’ Alison Mosshart is one of the greatest frontpeople in music...blasting through a set with confident abandon and fluid rock-god moves.” - BILLBOARD SELLING POINTS: • A prolific band with a proven sales track record - 400k+ career-spanning album scans, 200k+ physical sales, 100k+ sales via indies! • Original 7” artwork by renound contempory street artist Shepard Fairey, unveiled within his brand new solo exhibition in Los Angeles. Press coverage from New York Times, The Guardian, Huffington Post, Hypebeast, Juxtapoz, LA Weekly, and many more • “List of Demands (Reparations)” music video directed by Ben Strebel • 600k+ Facebook fans and very active with sales messaging and promotino of new release content
Domino Recording Co. 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com
Vinyl is non-returnable
REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
CLINIC
WHEELTAPPERS AND SHUNTERS OVERVIEW
Hear ye, hear ye! Roll up, roll up! Welcome to Wheeltappers and Shunters! After an unprecedented seven year break, Clinic, Liverpool’s cherished post-punk pop experimentalists return with album number eight. The unusual name is taken from the long-forgotten 1970s ITV variety show The Wheeltappers and Shunters Social Club, compered by Bernard Manning, which recreated the smoky, boozy atmosphere of Northern working men's clubs for a sofa-bound audience. This album is neither a celebration nor a denigration of the culture of the era in which Blackburn and his collaborator-in-chief, Hartley, grew up. “It’s a satirical take on British culture - high and low,” explains Blackburn. “It fascinates me that people look back on the 1970s as the glory days. It’s emerged that there was a darker, more perverse side to that time. When you look back on it now it was quite clearly there in mainstream culture.” The album was recorded last year in founding band member Hartley's Liverpool studio, before they brought in Dilip Harris (King Krule, Sons Of Kemet, Mount Kimbie) to mix it. “We thought it felt right to make a fun, dancefloor album in these dark and conservative times,” Blackburn continues. Fun, sure, but this is Clinic – their brand of fun oozes with menace.
TRACKLISTING 1. Laughing Cavalier 2. Complex 3. Rubber Bullets 4. Tiger 5. Ferryboat of the Mind 6. Mirage 7. D.I.S.C.I.P.L.E 8. Flying Fish 9. Be Yourself/Year of the Sadist 10. Congratulations 11. Rejoice! 12. New Equations (at the Copacabana) CATALOG NUMBER: WIG424 RELEASE DATE: September 18, 2020 FILE UNDER: Alternative “C” CD Boxlot: 30 UPC: 887828042425
LP w/ DOWNLOAD Boxlot: 20 UPC: 887828042418
Vinyl is non-returnable
DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828042432
Vinyl is non-returnable
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
The Great Britain that Clinic are evoking is not that ancient, bucolic past of village green cricket, half a mild and hanky-waving Morris Dancers that many seem so determined that the country should return to, but a rather more sleazy past. Clinic’s reverie is for a time when Blackpool was the pleasure capital of the kingdom and the public was kept entertained by travelling circuses and the dirty glamour of the funfair; tacky end of the pier merriment and enforced fun at Butlins; when bell-ringing town criers bellowed their nonsensical broadsides into the ether. For most bands about to enter their third decade as an entity the well would be running dry, but eight albums in and Clinic still retain the ability to surprise. Clocking in at just over 28 minutes, Wheeltappers and Shunters is an absolute blast, rich in detail and sonic intrigue, those precious minutes stuffed with ideas.
SELLING POINTS • The Grammy nominated band's catalog combined have scanned 130k+ copies. • Non-commerical and college radio campaign to impact on album release. • Standard LP is 180 gram heavyweight vinyl and includes download card. Deluxe LP comes on opaque red heavyweight vinyl and includes download card.
DIRTY PROJECTORS LAMP LIT PROSE
TRACKLISTING 1. Right Now 2. Break-Thru 3. That’s A Lifestyle 4. I Feel Energy (feat. Amber Mark) 5. Zombie Conquerer (feat. Empress Of) 6. Blue Bird 7. I Found It In U 8. What Is The Time 9. Ur The 1 (feat. Robin Pecknold & Rostam) 10. (I Wanna) Feel It All (feat. Dear Nora) CATALOG NUMBER: WIG392 RELEASE DATE: September 18, 2020 FILE UNDER: Alternative “D” DELUXE LP (ltd) w/ DOWNLOAD (Indie Retail Exclusive) Boxlot: 20 UPC: 887828039234
"it's heartfelt, passionate, and beguiling in the tradition of Dirty Projectors' best work." - ALL MUSIC "Lamp Lit Prose is his shiniest, airiest, even catchiest set of songs. The new record exchanges the jarring, glitchy electronic intrusions and arid trap percussion he used on “Dirty Projectors” for the springy guitar lines of older Dirty Projectors albums, bringing out their warmest tones." - THE NEW YORK TIMES "It’s a marvellous return to form for an act that possesses such unbridled creative energy. We’re glad they’ve been put to joyous use this time round." -NME
Vinyl is non-returnable
OVERVIEW Producer, multi-instrumentalist, and vocalist David Longstreth, the creative visionary behind Dirty Projectors, returns with the new album Lamp Lit Prose. Adding to a wildly varied and fascinating discography, Lamp Lit Prose will be the ninth release for Dirty Projectors and comes with collaborations from HAIM, Syd (The Internet), Robin Pecknold (Fleet Foxes), Rostam Batmanglij, Amber Mark, Empress Of and Dear Nora.
Lamp Lit Prose was recorded at Ivo Shandor in Los Angeles.
SELLING POINTS • Dirty Projector’s catalog has scanned 200k copies.
DOMINO RECORDING COMPANY 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
• The limited edition LP comes on 180 gram colored vinyl (half pressed on blue and half pressed on red) with a download card.
THE HORRORS LUMINOUS
STREET 5/6/2014 STREETDATE: DATE: 9/25/2020
Recorded over 15 months in the band’s east London 2xLP: 406401 SLRP: $23.98 File Under: Alternative Boxlot: 15 Vinyl non-returnable
studio-laboratory-bunker with co-producer Craig Silvey (Yeah Yeah Yeahs,Arcade Fire,The National),Luminous is the follow-up to the band’s 2007 debut Strange House, the Mercury-nominated Primary Colours (2009), and the critically-acclaimed Skying (2011).
CD: 406402 SLRP: $14.98 File Under: Alternative Boxlot: 30 3% discount on CD until 5/9/14
Tasking themselves with moving onwards, The Horrors determined to make an album that was brighter, more positive, more electronic.
Luminous by name, luminous by nature: this is an album
TRACK LISTING
radiating light and energy. These songs are The Horrors
Chasing Shadows First Day of Spring So Now You Know In And Out of Sight Jealous Sun
writing at their instinctive, intuitive and accessible best. Further input came from producer Paul Epworth (Adele, Falling Star I See You Change Your Mind Mind And Yours Sleepwalk
Paul McCartney, Foster The People) on the track “Falling Star. The Horrors are Faris Badwan (vocals), Joshua Third (guitarist), Tom Furse (keyboards, synthesizers), Rhys Webb (bass) and Joe Spurgeon (drums, percussion).
NOT EXPORTABLE 304 HUDSON STREET, 7TH FLOOR, NEW YORK, NY 10013
WWW.XLRECORDINGS.COM
INITIATES - ESOTERIC POP LP PNKSLM081 Street date: September 18, 2020 Formats: 12” black vinyl & digital File under: Alternative / Indie UPC (vinyl): 634457025110
6
34457 02511 0 Tracklist: 1. Voidless 2. Invocation 3. Minotaure 4. Endless Project 5. You Haunt Me 6. Five Eyes 7. The Last Man
Punk Slime Recordings are proud to present the debut album from Stockholm quartet Initiates. Initiates is the new project from Swedish post-punk act Holograms’ Andreas Lagerström, taking inspiration from shoegaze and ‘90s alternative rock with loud distorted guitar textures and dreamy melodies. Joining Lagerström is Oliver Brink on guitars, Joakim Andersson on bass and Adam Hansson on drums, with Lagerström handling vocals and guitars. For their debut LP the band teamed up with producer Martin “Konie” Ehrencrona (ex Viagra Boys, ex Les Big Byrd) for a 26 minute long collection of nineties infused alt-rock, complete with Lagerström’s signature vocals. After seven years and three records with Holograms - the first two of them released on Brooklyn’s Captured Tracks - Lagerström was ready to try something new. He already had the kernels of new song ideas percolating, although they would never have fit within the punk confines of Holograms - instead, they harked back to shoegaze and nineties alternative. “My biggest influence has always been Swirlies,” he says, referring to the cult Boston indie rockers. “I wanted to something that was outside of the Holograms box, that would be a little bit more laid-back, and that didn’t feel quite so serious.” What began as Lagerström’s own vision has evolved into something else entirely, with all four members bringing their own skillsets to the table; Andersson’s an ex-member of the death metal outfits Maim and Morbus Chron, while Brink’s interests lie chiefly with post-punk outfits like The Sound. Hansson, meanwhile, has already served apprenticeships in underground outfits Kerosene Kream and Caligulas Mamma, and the resulting amalgam on Esoteric Pop is a raw, 26-minute maelstrom of distorted guitar, woozy sonic textures, and reverb-drenched melodies.
PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com Exclusively distributed by Redeye worldwide excluding UK.
© 2020 PNKSLM Recordings
MARK EITZEL / The Ugly American
Tongue Master 180g LP
TMASTLP002
5055143211122
Very limited 180g LP pressing of 500. On vinyl for the first time, mastered for vinyl at Abbey Road. A lull after the electronically ambient album ‘The Invisible Man ‘ (2001) Eitzel’s recording output was followed by two releases: a covers album ‘Music For Courage And Confidence’ (2002) and an album of solo and AMC song re-interpretations ‘The Ugly American’ (2003) performed by a band with traditional Greek musicians. ‘The Ugly American ‘ was recorded and released in 2003 on CD only. Seventeen years later, with rejigged artwork, it is unveiled for the first time on vinyl. All songs were recorded with the addition of traditional Greek instruments (bouzouki, tzouras, Cretan lyra & zournas) under the guidance of Manolis Famellos and his band. Re-interpretations of AMC songs ‘Western Sky’, ‘Last Harbour’ and ‘Jenny’ were treated with effervescence and stunning new arrangements. ‘Anything‘ (originally on ‘The Invisible Man‘) as a stark and bleak electronica track, is now heightened to a majestic instrumentation opus. The album retains the heartfelt tales of sadness that you would expect from self-deprecating Eitzel in a folk and pastoral context. Today this beautiful recording is revered for its haunting arrangements and Eitzel’s deep warm and rich vocal delivery. “…grace and beauty that few can match” HOT PRESS "This is not the most obvious coupling…but it’s a beautiful affair nonetheless" TIME OUT (Side 1) Western Sky | Here They Roll Down | Jenny | Nightwatchman | Take Courage (Side 2) Anything | What Good Is Love | Will You Find Me | Last Harbor | Love's Humming
Release:
PRAIRIE AND THE BIRD SAID: CUT ME OPEN AND SING ME 18th September 2020
Formats: CD LP (clear) LP (black)
UPC · Box Lot 4059251413196 · 30 4059251413172 · 10 4059251413189 · 10
Artist: Album:
50 colored vinyl reserved for Redeye Tracklist: 1. Boy's First Kill 5:58 2. Cut Me Open 4:50 3. Facing the Laccadive 5:22 4. Alpine Swift 2:18 5. (Camargue) 1:32 6. One Eyed Cage 3:15 7. Tendress 3:48 8. View/Viewer 10:11 9. (Indio Maíz, Nicaragua) 3:21
Highlights: "... his cosmos is located somewhere between Bohren & der Club of Gore and Sunn O))), ambient is as familiar to him as brachial sounds, and he is as much acquainted with guitars as with synths and modern technology" (GROOVE) "... sounds like a requiem for this broken world." (SPEX) "... Like Ben Frost, (Prairie) exudes a certain harshness while tempering his work with moments of sublime beauty. This isn’t club material; it’s music for the hammer in one’s hand, the confrontation of the demon, the soul-shattering revelation." (A Closer Listen) Prairie is the project of multi-instrumentalist Marc Jacobs, hailing from Brussels with roots in The Netherlands. “And the Bird Said: Cut Me Open and Sing Me” is the second full length album on Denovali Records. By using various recording techniques, analog gear, guitar pedals, synths, amps and human voices, the album creates a fountain of sound layers which coalesce to synthetic and noise infused manipulations, dramatic crescendos and subtle field recordings. Jacobs focuses on melodies, sometimes hidden melodies, or straight out melodies that took him back to various musical influences, current ones but also from his past, lurking into pop and loving imperfection. The lyrics are the spine of the record, the scenario where various species of birds lead the way, and where each track is a short chapter of the flight.
Label:
Distribution:
denovali.com · timo@denovali.com
505 Eno St., Hillsborough, NC, 27278 redeyeworldwide.com Lori Miller · lori@redeyeworldwide.com
Steven Adams And The French Drops Keep It Light Fika Recordings LP FIKA082LP 5057805565932 CD FIKA082CD 5057805565949
“Making this record was a joy,” says Steven Adams of his latest album with his band the French Drops. “This time I kept saying to myself ‘keep it light’ whenever I was making decisions.” The buoyant and relaxed mood can be heard across the album in its gloriously skipping tones, as it traverses across indie, pop, alt-rock and more tender acoustic and folk-leaning moments. It’s a craft that Adams has been honing for years as the lead figure in outfits such as The Broken Family Band and Singing Adams. The feelings of serenity and solace he experienced whilst writing the songs themselves carried over into the final product. “I wanted to make a super personal, light-hearted and upbeat record,” he says. “I wanted to do the whole write about what you know thing and keep it as light as possible.” The lightness of the album was a guiding principle but it wasn’t a rule set in stone, as Adams soon found out the deeper he plunged into himself. “We had a running joke about how we were making an album called Keep it Light that is full of songs about racists and panic attacks and existential angst,” he says. “But it does you good to get that stuff out. Writing songs and making records keeps me sane.” “I’m usually sick of a record by the time it’s mixed and I don’t get much of a kick out of hearing my own stuff, but this one’s different,” he says. “I know I sound like a wanker saying this but this is the best record I’ve ever made.” A1) Soft Landings A2) Bring on the Naps A3) Canary A4) Gracechurch St A5) Oh Dear B1) Going to Everglades B2) Note to Self B3) My Brother, The Racist B4) Jonny B5) Mr Sunshine
Lucy and the Rats - Got Lucky Dirty Water Records CD
DWC1122CD 5056321619501
RIYL - Blondie, Nikki and the Corvettes, The Ronettes, The Go Go's, Suzi Quatro. Lucy And The Rats return with their second album and produce another fine record of summer-infused power-pop garage full of hooks and harmonies. Power pop foursome Lucy and the Rats formed after Lucy Ellis moved to London from Melbourne, Australia (where she was part of the Spazzys, a pop-punk three-piece that actually saw their first three singles hit the ARIA Single Chart and their debut album enter the AIR independent chart at No. 1). After several singles and their 2018 debut album, which received lots of praise around the world, Lucy and the Rats are back with their sophomore album- the band are back with their signature, pure, pop sound and a dozen bittersweet, melodic gems. You’ll hear how Lucy has refined her song writing talents as she’s grown into a true master of the pop craft. This album contains her finest work to date including heartfelt, and absolutely beautiful, pop songs that would have been all over the radio in the early ’80s. This is an album that keeps on giving, and you’d have to have a heart of stone to not be moved by the sounds and words coming out of Lucy’s mouth. And then, of course, there’s the punk Rat’s brilliant support: Joe the Dog (Los Perros, Johnny Throttle, and every good band), Manu (Thee Tumbitas, Johnny Throttle, Raw Fun, Michael Jackson), and Liam (The Gaggers, Johnny Throttle, Scraps). That’s the brilliance of Lucy and the Rats: Lucy’s beautiful voice and pop sensibility supported by a barely-tamed bunch of punks. A Frankenstein’s monster of sounds we all know and love fused together to make something special and unique. With these punk rock rodents, once you’re hooked, there’s no turning back. 1 September 2 Real Thing 3 Not One Tear 4 Time To Time 5 On Fire 6 Pinch Myself 7 Dark Clouds 8 Lucky 9 Sorry 10 Get Down 11 TV 12 Jelly Baby Baby
Jeremy Tuplin ~ Violet Waves
Trapped Animal LP
TAR025V
5055869547246
Jeremy Tuplin's TV-inspired third album comes with stunning 60's themed photography and typography with lyrics have been included on the record insert. Previous record ‘The Pink Mirror’, a satirical look at our failure to remove the rose-tinted spectacles when observing the world around us, might have been an entirely solo affair, yet ‘Violet Waves’ finds Tuplin entwining his band, the Ultimate Power Assembly, in his cosmic spiral. Exclusively recorded with the band who joined Tuplin on sojourns through Germany, Italy and two UK headline tours last year, their unfailing presence results in a more brash, bombastic output, espousing the electrifying drama of Scott Walker. Tuplin has always existed within touching distance of a wink of the eye, a tongue in the cheek, and even with the cataclysmic nature of the subjects on display here, Tuplin still manages to not take life too seriously. ‘Killer Killer’ is a feel-good depiction of a love story featuring a porcupine and a chinchilla, the porcupine being the femme fatale and the chinchilla, the ladykiller. Whilst, ‘The Idiot’ finds Tuplin remarking, “The rebels have continued to try to make sense of it / A treason denounced as some kind of astro-physics bullshit” in a nonchalant tone perfectly suited to those who choose to eschew science when contemplating the planet’s future. Fittingly, Tuplin closes with a death wish. “I’ve been thinking and when I die, I would like my heart cut out and projected into outer space / And maybe it’ll catch on and others will do the same / The entirety of the human race / With their hearts cut out and floating in outer space”. Jeremy, we have lift off. Back From The Dead, Break Your Heart Again, Space Magic, Killer Killer, The Inuit, Swimming, Cool Design, The Idiot, Sally’s In A Coma, She Speaks To Me, Violets Are Blue, When I Die etc.
ABOUT RICHARD “I sincerely hope you enjoy this, my record. I made this in my basement bicycle shop during lockdown. It’s a very special record for me. The songs all felt right as they were written and recorded. There’s a vibe and a sound. If you’ve ever recorded songs you’ll know achieving those two things is rarely easy or successful. Anyway, I loved making this record. I hope you like it.” Joe Pernice, July 2020
ABOUT JOE PERNICE During his 20year career in music, Joe Pernice has made 18 criticallyacclaimed fulllength records. He began in the mid90’s with Scud Mountain Boys, who released two albums Pine Box and Dance the Night Away, later compiled as The Early Year before releasing Massachusetts, considered by many to be an altcountry masterpiece, on Sub Pop Records. In 1998, Pernice disbanded the Scuds and assembled Pernice Brothers, recording Overcome By Happiness Sub Pop. In 1999 and 2000, he released two records, under the names Chappaquiddick Skyline and Big Tobacco, featuring assorted members of the Pernice family circus. In 2001, Pernice and his manager, deciding that they were as capable of not selling many records as anyone, founded Ashmont Records. They have released a series of records including, The World Won’t End 2001, Yours, Mine and Ours 2003, the live record/DVD Nobody’s Watching/Nobody’s Listening 2004, Discover a Lovelier You 2005, and Live a Little 2006. In 2009, Pernice published his first novel, It Feels So Good When I Stop Riverhead/Penguin, and Ashmont released an accompanying soundtrack with
Pernice covering songs referenced in the novel. In 2013, after a 17year hiatus The Scud Mountain Boys released their 4th full length album Do You Love The Sun on Ashmont. That same year, Pernice teamed up with hip hop producer and musician Budo Joshua Karp to record a selftitled album under the name Roger Lion, released by Team Love Records. In 2014 Pernice, Norman Blake Teenage Fanclub and Mike Belitsky The Sadies formed the group The New Mendicants, and released a selftitled debut album on Ashmont Records in North America and One Little Indian worldwide. In 2017, Pernice took a brief hiatus from music to take a sta writer position on the Canadian homicide cop TV show The Detail, and cowrote the 6th episode of season one. He has yet to determine how the very positive experience influenced his songwriting. 2019’s Spread The Feeling features appearances by a regular cast of players including Peyton Pinkerton, James Walbourne, Patrick Berkery, Bob Pernice, Ric Menck, Neko Case, Pete Yorn, Liam Jaeger, Budo, etc., etc.
TRACK LISTING 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
LP
6
WEBSITE
BANDCAMP
Starry Crown Sullivan Street Lonely People If We Were Better Friends We Both Know Spend The Mountain Richard My Long Black Shadow Everybody’s Baby You Should Of Came
34457 02692 6
CD Ashmont Records 1050 Adams St. Dorchester, MA 02124
6
34457 02693 3
NEW RELEASES Street Date: 9.25.20 | Order Date: 9.04.20
IDLES ULTRA MONO “
”
OVERVIEW
If ‘Joy As An Act of Resistance.’ was meant to detail the band’s manifesto, then their highly anticipated third album ‘Ultra Mono’ - is the sound of IDLES heading into battle, battering ram in hand, for those tenets. Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up cliches and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of ‘Ultra Mono,’ with much of the songwriting done on-the-spot in the recording booth, and the phrase ‘I am I’ serving as a lyrical and spiritual mantra throughout. Ultimately ‘Ultra Mono’ is a celebration of community.
KEY SELLING POINTS • Announced “Ultra Mono” on 6/15 with lead single “Grounds” and official music video. • Sharing 5 singles pre-album release with official music videos
STREET DATE SEPTEMBER 25 2020 FORMATS CD • UPC: 720841218623 • Digipak with booklet LP • UPC: 720841218616 • Single jacket, black vinyl, black & white printed dust sleeve, black & white vinyl labels, sticker over the shrinkwrap with barcode + album details Color LP • UPC: 720841218630 • Single jacket, black & white vortex vinyl, black & white printed dust sleeve, black & white vinyl labels, sticker over the shrinkwrap with barcode + album details Deluxe LP • UPC: 720841218685 • Gatefold packaging, black vinyl, black & white printed dust sleeve, 28-page 11” x 11” catalog feat. debossed “ULTRA MONO” on a matte cover, black & white vinyl labels, sticker over the shrinkwrap with barcode + album details Cassette • UPC: 720841218647
• Album features David Yow (The Jesus Lizard), Warren Ellis (Nick Cave and The Bad Seeds), Jehnny Beth (Savages), Colin Webster, Jamie Cullum • Three livestream performances taking place on 8/28 and 8/29 • “Grounds” was featured in the New York Times Playlist and named one of Rolling Stone’s “Song You Need to Know” + coverage from NPR, Stereogum, Consequence of Sound, Paste, Under the Radar, Uproxx and more • Featured in KEXP’s Top 25 Most Played Artists each week • College/Alt Specialty/AAA/Non-Comm radio campaign • Between “Mr. Motivator” and “Grounds”, IDLES have spent 8 consecutive weeks in the SubModern Singles Top 10 Chart • In addition to single releases, frontman Joe Talbot is hosting his own YouTube chat show every other week, called Balley TV, featuring guests Sharon Van Etten, Arlo Parks, Lauren Mayberry of CHVRCHES, Jeff Ament of Pearl Jam, and more. • Guitarists Bowen & Lee hosting guitar lessons on Fender’s YouTube channel + hosting their their own pedal show ‘Genks’ – described as ‘a show about guitar pedals made idiots.’ • Featured in Apple’s global ad campaign ‘Shot on iPhone: On Tour’ • “Joy As An Act of Resistance” (2018) and “Brutalism” (2017) have scanned 48K in the US, over 150K worldwide and streamed over 65 million tracks • NPR Tiny Desk performance has 2.6M views • Profiled by NYT, PBS Newshour (nationally televised), and GQ • Sold 30K tickets in the US in 2019 including same day sellout shows at Terminal 5 (NYC), Brooklyn Steel (NYC) and the Wiltern (LA) • 1 million monthly listeners on Spotify (+500K new listeners since May) • 171K IG followers, 96K FB followers, 80K YT subscribers and 18 million views, 62K Twitter followers
281 North 7th Street Brooklyn NY 11211 Partisanrecords.com
505 Eno Street Hillsborough NC 27278 877.733.3931 — Redeyeworldwide.com Perry Harrell — harrellp@redeyeworldwide.com
To coincide with the 9/25/20 release of IDLES “Ultra Mono” their catalog will be on a 5% discount from 8/17/20 through 9/30/20!
BRUTALISM LP:
CD:
JOY AS AN ACT OF RESISTANCE LP:
CD:
A BEAUTIFUL THING: IDLES LIVE AT LE BATACLAN LP: 7
20841
21746
6
CD:
281 N. 7TH STREET #2 BROOKLYN, NY 11211 | PARTISANRECORDS.COM | IDLESBAND.COM
Sept. 25th, 2020
Makaya McCraven Universal Beings E&F Sides A new project by Chicago-based drummer/producer Makaya McCraven. An addendum to his critically-acclaimed 2018 release Universal Beings, which The New York Times said "affirms the drummer and beatsmith's position as a major figure in creative music," Universal Beings E&F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film. Directed by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E&F Sides album will be released on all DSPs this July 31st on International Anthem. IARCEF22 Makaya McCraven – Universal Beings E&F Sides F o r ma t / Re l e a s e Da t e : Digital – July 31st, 2020 Vinyl LP/CD – September 25th, 2020
Vinyl LP – 603784912622
Named one of the best jazz albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best "new" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom are on the forthcoming Universal Beings E&F Sides.
International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
CD – 603784912615
North & South American Distribution:
Will Savery – will@redeyeworldwide.com Label Contact:
Scottie McNiece – scottie@intlanthem.com
MARIE DAVIDSON RENEGADE BREAKDOWN Release Date: October 2, 2020 MARIE DAVIDSON & L’OEIL NU ANNOUNCE RENEGADE BREAKDOWN, SHOWCASING A BOLD NEW SOUND, TO BE RELEASED 2ND OCTOBER ON NINJA TUNE. AVAILABLE ON 2LP + CD. Marie Davidson is back with a new album, a new band, and a bold new sound. Arriving under the banner of Marie Davidson & L’Oeil nu, a trio formed of three old-time friends and long-term collaborators with shared roots in Montreal’s DIY scene: Marie, Pierre Guerineau and Asaël R. Robitaille (the former two are also husband and wife, and partners in the group Essaie pas). Renegade Breakdown is a reaction to years in which she spent most of her life on the road, navigating the club and festival lifestyle -- while also a forward-facing, innovative pop record that builds on the classic tenets of Marie’s music to create something that strikes out towards a broader audience. With dark humour and interpolated musical influences—from Fleetwood Mac to Kraftwerk, and jazz classics such as Billie Holiday and Chet Baker—they spin each of its entries in wildly imaginative directions. It follows her breakout 2018 album Working Class Woman, which was lauded by Pitchfork, The Guardian, The New York Times, Resident Advisor, as well as being ranked highly in end-of-year (and decade) lists by Mixmag, The Quietus, Bandcamp and many more. Meanwhile, the track ‘Work It’ garnered worldwide dance-floor anthem status, helped by a Soulwax remix, the iconic duo’s re-work garnering a GRAMMY nomination.
CAT NO: ZEN267 UPC: 5054429141917 Box Lot: 15
￫ Double 140g clear vinyl ￫ Gatefold sleeve with printed inner ￫ Includes download code
CAT NO: ZENCD267 UPC: 5054429141900 Box Lot: 35
￫ CD in cardboard gatefold sleeve with printed wallet
SIDE A
1. Renegade Breakdown 2. Back to Rock SIDE B 1. Worst comes to worst 2. Center of the World 3. La Ronde SIDE C 1. C’est parce j’m’en fou 2. Just in my head SIDE D 1. Lead Sister 2. My Love 3. Sentiment
Genre: Electronic (primary), Alternative (secondary) Key Markets: Los Angeles, New York, San Francisco, Seattle, Chicago Recommended if you like… Christine and the Queens, Bat For Lashes, Charlotte Gainsbourg, Boy Harsher, Róisín Murphy
naretail@ninjatune.net ninjatune.net
Haunted Painting
TRACKLISTING 1. Into the Catacombs 2. WTD? 3. Hysterical 4. Ghost (of a Good Time) 5. Oops...! 6. Good Grief 7. Ruby Wand 8. With Baby 9. The Crow 10. Take Care 11. Market Hotel CATALOG NUMBER: WIX006 RELEASE DATE: 9.25.20 FILE UNDER: Alternative, S CD: BOXLOT: 30 UPC: 634457026230
INDIE EXCLUSIVE LIMITED PINK 12” VINYL BOXLOT: 20 UPC: 634457026261
VINYL IS NON RETURNABLE. 300 TOTAL COPIES PRESSED.
BLACK VINYL BOXLOT: 20 UPC: 634457026254
VINYL IS NON RETURNABLE.
“A synth-pop earworm for your isolated summer...this one’s a glittery affair, with a retro-pop feel that compliments her velvety vocals.” - Rolling Stone “With the album inspired by everything from ’80s pop to PC Music-style shattered electronics, “Ghost (Of A Good Time)” seems like an apt introduction to Haunted Painting. It’s bright, a bit corroded, chirpy, but a little eerie.” - Stereogum “The first taste sounds like a fizzy indie-pop gem upon initial listen; dig in deeper, however, and revel in the whirring production tidbits that coalesce around the maximalist hook.” - Billboard
OVERVIEW For nearly a decade, Sadie Dupuis has been celebrated for her literary lyrics, accomplished guitar playing, and embodied ethos of empowerment, whether with rock band Speedy Ortiz or the pop-oriented solo project Sad13, which debuted in 2016 with Lizzo co-feature “Basement Queens.” It was followed by the self-produced Slugger, featuring “Get a Yes,” a glitter-bomb of an ode to consent, and other bedroom Top 40 tributes centering feminism and inclusivity. But in the ensuing years, reconciling with a delayed processing of grief, Dupuis felt unable to create new music. At the Frye Gallery in Seattle, a ghost spoke to her—or an approximation of one. It was an early 20th century painting of the dancer Saharet by German expressionist Franz von Stuck, one of many haunted-seeming gold-framed oil paintings in the gallery: washed-out faces, under-eye circles, expressions that told stories. Looking at these portraits, she related. And she started to write. Haunted Painting, Sad13’s second album & first for Dupuis’ label Wax Nine (Melkbelly, Johanna Warren), marks her return to artmaking. “Some of these songs feel like emotions that came from a cloud, and I was trying to translate them,” she says.
SELLING POINTS •
WAX NINE RECORDS Contact: jake@cardiffgiantmgmt.com / 9waxnine9 @ gmail.com
REDEYE WORLDWIDE 505 Eno Street, Hillsborough, NC 27278 Contact: Jill Wheeler jillw@redeyeworldwide.com
• • • •
Secured features to run around release with The FADER for a track by track, Grammy.com, XPN’s The Key, Under The Radar (for their Protest issue in the Fall), and Brightest Young Things. Confirmed album reviews with BUST, Under The Radar, All Music & others. Full non-comm and specialty alternative campaign to impact around release. “WTD?” featured as part of Adult Swim’s Single Series. Music videos for “Ghost (of a Good Time)”, “Hysterical”, “Oops...!” and others coming soon.
BILL CALLAHAN
GOLD RECORD DC760 Street Date: September 25, 4, 2020 September 2020 NO EXPORT TO EUROPE OR AUSTRALIA/NZ – LET’S GET A GOLD RECORD IN ALL OTHER TERRITORIES!
LP/CD/CS LP
CD
CS
For his first record in….uh, and touched them up. Before he Track Listing well, just a little over a year knew it, he was recording them, PIGEONS (!), Bill Callahan’s Callahan given us his and in the shuffle, newer songs ANOTHER SONG first Gold Record. They can’t started popping up. 35 all be gold, and they’re not PROTEST SONG all six years apart either — all It happened fast. Basics were THE MACKENZIES good! You could probably call recorded live with Matt Kinsey LET’S MOVE TO THE COUNTRY the album “Gold Records,” too: playing guitars, guitars, guiBREAKFAST tars and Jaime Zurverza holding all the songs have a standCOWBOY alone feel, like singles, meant it down “and then letting it RY COODER go” on bass. Drums and horns for you to have a deep encounter with all of a sudden, from were brought in for a couple AS I WANDER songs. Spirits were high! Six the start of the song to the finish. And what do you got when you have a out of the ten were done first take; overdubs, record full of singles — and let’s face it, hit when needed, came equally quickly. Listening, one hears their intuitive cohesion coming singles, at that? Bill’s titanic voice together richly behind Bill That’s a Gold Record for you. spread across the stereo spectrum: the gentle conversation of Bill and Matt Matt’s guitars, From the top, it’s clear this is music with the subtle percussion of the bass and drums, an affection for people, as Bill immediately and odd appearances of trumpet, woodwind and slips easily and deeply into his characters. synth, striking notes both decorous and disAmong them: a limo driver, a watcher of telecordant, sounding for all the world like the vision, a suitor, a man in a broken-down car, naturally occurring sound meant to accompany and express lives lived everywhere. a reader of books, a Ry Cooder superfan, and in the closing number, a wanderer who “notices when people notice things”. The voices of the These are in fact songs meant for other peopeople, with their ups and downs, their loss ple to sing — but until they do, Bill Bill’s got this. He’s got a secret on this one, and beand laughter. You can feel the love. fore we go, we don’t mind sharing it with you: For Bill Bill, preparing to tour for Shepherd In a he’s figured out how to perfectly place his Sheepskin Vest meant considering being away voice in proximity to your ear. It’s based on the distance from your heart to your brain. from home for long stretches of time — maybe Simple! Why don’t more people think like this? up to a year, who knew? Feeling his oats, Bill pulled out a few sketches from over the years
DRAG CITY INCORPORATED / POST OFFICE BOX 476867 CHICAGO, IL 60647 / 312.455.1015 / sales@dragcity.com
STATELESS LP
DC772
TASHI DORJI STREET DATE: July 31, 25, 2020 STREET DATE: SEPTEMBER 2020 No Export to Europe or Australia/NZ, Ship STATELESS to all other States!
In the past two decades, the government presidTashi Dorji has traveled ing over this country that a long road, recording he calls, and that we call several dozen albums and home, has taken a series touring the world, playing of intractable, entirely his guitar solo and in coldespicable positions on laboration with inspired the status of immigrants, others. Gifted with a senrefugees and foreigners sitive ear to the clarion of all kinds. On any level call of intuitive artistry, that we can imagine, this he is forever picking up is a corrupt human policy. his instrument and reachOur immigrant ancestors ing through it to find new once lived in fear – must sounds. In this, he has immigrants always? Or is distinguished himself this, as we suggest Tashi among those who listen is suggesting, the clutto improvised music as tered and sinking path of an incisive, distinctive a nation drifting into a sea player of moments. change? In this music, admisLike a sculptor, Tashi flecks away at the guitar, sion to the kingdom is percussive strikes disdetermined on a daily covering the shades of basis by what’s played. REFUSAL Parts I & II folkish melodies within, Tomorrow is a new jourwhile continuously shapney. Every time is. This STATUES CRUMBLE, ing other contours. A title of this record, though. HEROES FALL Stateless. It’s about more resourceful and vigorous than just playing your use of techniques suggest END OF STATE discourse and discorway into sometwhere. It Parts I–III dance. The scraps and invites us to perceive the hair-raising truth that ricochets begin to add up, WHAT YOU WILL LOOSE, these are free pieces in shots to the head, grazing AS ALL ARE LOST more ways than one. the side, exposing ribs We told Tashi we’d love that grin dully red. Yet THE SWELLING FRUIT for him to make a record moments of his bluntest ABOUT TO SHATTER for us and he said he’d touch yield fluidly to lithe THE HUSK OF love to do it. That was the feathering, or pivot to a THE OLD WORLD end of the discussion. No quiet focus on selected parameters. He thought strings, which threatens NOW about it a bit, decided to to rise up before a moment Parts I & II make an acoustic guitar of gentle subsiding. This record, then he made it is improv isation: the and here it is. Very beautisongs playing through fully recorded, a probing recital in which music, the tex- Tashi, beyond choices or preference. The result only ture of the instrument and the nature of the space in the of sitting and playing, no thoughts in that moment. Yet moment which it is played are all of equal significance. even the shreddiest, pluckiest, out-of-mindest moments, It’s an astonishing sequence of performances – and when feel guided, led by a hand from beyond. paired with titles like “Refusal,” “Statues Crumble, With the gravity of a rock-opera and the delicacy of a Heroes Fall,” “End of State,” and “The Swelling Fruit suite, Stateless measures the miles on the charred highAbout to Shatter the Husk of the Old World,” the music way we’re all presently stalled upon — not going home is further informed with elevated vision and purpose. again, at time on a march for no reason, other moments A native of Bhutan, Tashi has lived in Asheville, NC insensibly in the weeds, rummaging, looking for somewith his family since 2000. His career as a musician has thing. flourished during this time — even as, in recent years, We have to hope we’ll find it. DRAG CITY INCORPORATED Post Office Box 476867 Chicago, IL 60647 / 312.455.1015 / sales@dragcity.com
GRATEFUL DEAD:
SELLING POINTS • The Dick’s Picks Series Chronicles the Long, Strange Trip of the Grateful Dead from Venue to Venue, Era Through Era • Dick’s Picks Vol. 25 Presents a Pair of Shows from an Extended East Coast Run in the Spring of 1978 • Only a Total of Five Songs Missing from the Two Shows Comprising This 4-CD Set • Highlights Include Ballads Like like “Loser,” “Stella Blue,” “Looks Like Rain” and “They Love Each Other” • Also Offers a Superb, Slowed-Down Version of “Friend of the Devil” and a Rare Rendition of Warren Zevon’s “Werewolves of London” • Superbly Recorded by Bear and Betty Cantor-Jackson • Recorded but a Few Months After the Shows That Formed Live Dead, Dick’s Picks Vol. 26 Provides a Worthy Bookend to What Is One of the Greatest “Official” Live Albums in Rock ‘n’ Roll History
Dick’s Picks 25—May 10, 1978 New Haven, CT May 11, 1978 Springfield, MA (4-CD Set) STREET DATE: SEPTEMBER 25, 2020 This pair of Grateful Dead shows, taken from an extended East Coast run in the Spring of 1978, not only were among the best of the year, but—with the loving touch of Bear and Betty Cantor-Jackson at the controls—rank as one of the most beautifully recorded entries in the Dick’s Picks series. Both concerts— which appear here minus just two and three songs, respectively—find the group in exceptionally lyrical form on ballads like “Loser,” “Stella Blue,” “Looks Like Rain” and “They Love Each Other.” Also not to be missed is a superlative, slowed-down version of “Friend of the Devil” and the rare performance of Warren Zevon’s “Werewolves
• Features a Spellbinding Version of the “Dark Star”/”St. Stephen”/”The Eleven” Medley That Was the Centerpiece of Live Dead
of London” as an encore (the band only played it about a dozen times live). Full
• Also Captures the Band Working on Songs for Aoxomoxoa
GRATEFUL DEAD:
• Includes a Very Rare Rendition of Jimmy Reed’s “I Know It’s a Sin” • Originally Recorded by Bear • 2-CD Set
of diamonds for Deadheads.
5/10/78 Veteran’s Memorial Coliseum New Haven, CT DISC ONE Set One 1. Jack Straw 2. They Love Each Other 3. Cassidy 4. Ramble On Rose 5. Me and My Uncle 6. Big River 7. Peggy-O 8. Let It Grow 9. Deal Set Two 10. Bertha 11. Good Lovin’ DISC TWO 1. Estimated Prophet 2. Eyes of the World 3. Drums 4. The Other One 5. Wharf Rat 6. Sugar Magnolia 5/11/78 Springfield Civic Center Arena Springfield, MA DISC THREE Set One 1. Cold Rain and Snow 2. Beat It On Down the Line 3. Friend of the Devil 4. Looks Like Rain 5. Loser 6. New Minglewood Blues 7. Tennessee Jed 8. Lazy Lightnin’ 9. Supplication Set Two 10. Scarlet Begonias 11. Fire on the Mountain DISC FOUR 1. Dancing in the Streets 2. Drums 3. Not Fade Away 4. Stella Blue 5. Around and Around 6. Werewolves of London 7. Johnny B. Goode
Dick’s Picks Vol. 26—4/26/69 Electric Theater, Chicago, IL 4/27/69 Labor Temple Minneapolis, MN (2-CD Set) STREET DATE: SEPTEMBER 25, 2020 SONGS:
Dick’s Picks 25—May 10, 1978 New Haven, CT May 11, 1978 Springfield, MA
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UPC: 848064001232 FORMAT: 4-CD Set PACKAGING: Clamshell Jewel Case BOX LOT: 10 Dick’s Picks Vol. 26—4/26/69 Electric Theater, Chicago, IL 4/27/69 Labor Temple Minneapolis, MN
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UPC:848064001027 FORMAT: 2-CD Set PACKAGING: Slimline Jewel Case BOX LOT: 30
Recorded but a few months after the shows that formed Live Dead, and featuring a spellbinding version of the “Dark Star”/”St. Stephen”/”The Eleven” medley that was that album’s centerpiece, this Dick’s Picks stands as a worthy counterpoint to what is one of the greatest live albums in rock ‘n’ roll history. Add in the fact it also captures the band working on material for the forthcoming album Aoxomoxoa— including an incredible version of Mountains of the Moon—and serves up a real live Dead rarity with Pigpen’s rendition of Jimmy Reed’s “I Know It’s a Sin,” and it’s little wonder that this volume is almost universally regarded as a prime Pick. Disc one presents excerpts from the Chicago show, leading off with four straight songs from Aoxomoxoa before diving deep into an epic “Cryptical Envelopment”/”The Other One” and concluding with the first three songs from the Minneapolis show, which appears here in its entirety. Disc two features the aforementioned “Dark Star”/”St. Stephen”/”The Eleven” medley and winds up with the always stirring “Morning Dew.”
DISC ONE
4/26/69 Electric Theater, Chicago, IL 1. 2. 3. 4. 5. 6. 7. 8. 9.
Dupree’s Diamond Blues Mountains of the Moon China Cat Sunflower Doin’ That Rag Cryptical Envelopment The Other One The Eleven The Other One I Know It’s a Sin
4/27/69 Labor Temple Minneapolis, MN 10. Turn on Your Lovelight 11. Me and My Uncle 12. Sitting on Top of the World
DISC TWO 1. 2. 3. 4. 5.
Dark Star St. Stephen The Eleven Turn on Your Lovelight Morning Dew
GRATEFUL DEAD: SELLING POINTS • Having Reissued all of the Grateful Dead’s Dick’s Picks Series on CD, Real Gone Music Is Now Cherry-Picking Key Volumes to Put Out on Vinyl for the First Time Ever • Next Up Is a 4-LP Trip Back to the Band’s Early Days, Dick’s Picks Vol. 26--4/26/69 Electric Theater, Chicago, IL 4/27/69 Labor Temple Minneapolis, MN • Recorded but a Few Months After the Shows That Formed Live Dead, Dick’s Picks Vol. 26 Provides a Worthy Bookend to What Is One of the Greatest “Official” Live Albums in Rock ‘n’ Roll History • Features a Spellbinding Version of the “Dark Star”/”St. Stephen”/”The Eleven” Medley That Was the Centerpiece of Live Dead • Also Captures the Band Working on Songs for Aoxomoxoa • Includes a Very Rare Rendition of Jimmy Reed’s “I Know It’s a Sin” • 4-LP Set Pressed in 180-Gram Vinyl at Furnace Record Pressing • Originally Recorded by Owsley “Bear” Stanley • Remastered from the Original Tapes by Jeffrey Norman at Mockingbird Mastering • Lacquer Cutting by Jeff Powell, Who Got His Start at Memphis’ Ardent Studios and Has Worked with Everybody from Bob Dylan to Gregg Allman to Irma Thomas • Whisper-Quiet Test Pressings Approved by Jeffrey Norman, Dead Archivist David Lemieux, and Real Gone’s Own Gordon Anderson • Each Record Nestled in a Polyvinyl Inner Sleeve Inside a Hardshell Two-Piece Box • LP-Sized Insert Features Bear’s Original Liner Notes and New Notes from Bear’s Son Starfinder Stanley That Lend Additional Context to the Recording, Which Comes Courtesy of the Owsley Stanley Foundation • LIMITED TO 1500 HAND-NUMBERED COPIES
DICK’S PICKS VOL. 26—4/26/69 ELECTRIC THEATER, CHICAGO, IL 4/27/69 LABOR TEMPLE MINNEAPOLIS, MN (Limited & Hand-Numbered 4-LP 180-Gram Vinyl Edition) STREET DATE: SEPTEMBER 25, 2020 Having surveyed the ‘Seventies with our first two vinyl ventures (Dick’s Picks Vols. 24 & 34) into the Grateful Dead catalog, we really wanted to travel back to the band’s ‘Sixties beginnings for our next multi-LP magnum opus…and boy, did we “pick” the right shows! Recorded but a few months after the shows that formed Live Dead, and featuring a spellbinding version of the “Dark Star”/”St. Stephen”/”The Eleven” medley that was that album’s centerpiece, Dick’s Picks Vol. 26 stands as a worthy counterpoint to what is one of the greatest “official” live albums in rock ‘n’ roll history. Add in the fact it also captures the band working on material for the forthcoming album Aoxomoxoa—including an incredible version of “Mountains of the Moon”—and serves up a real live Dead rarity with a rendition of Jimmy Reed’s “I Know It’s a Sin,” and this is a Pick that’s clearly worthy, one, of coming out on vinyl, and, two, of some special treatment when it does! Which is a challenge we at Real Gone Music relished; so, in addition to re-printing Bear’s notes from the original CD release on the LP insert, we enlisted Bear’s son Starfinder Stanley to provide some added context on behalf of the Owsley Stanley Foundation, from whence the tapes for these shows come. And speaking of those tapes, this 4-LP set is mastered for vinyl by Jeffrey Norman at Mockingbird Mastering, with lacquers cut by Jeff Powell, who got his start at Memphis’ legendary Ardent Studios and has worked with everybody from Bob Dylan to Gregg Allman to Irma Thomas. Pressed on 180-gram vinyl at Furnace Record Pressing, the whisper-quiet test pressings were approved by engineer Jeffrey Norman, Dead archivist David Lemieux, and Real Gone’s own Gordon Anderson, so the audio experience that awaits is truly a cut above. As for the packaging, each of the four LPs is housed inside a polyvinyl sleeve carefully nestled (with extra padding!) inside a two-piece hardshell box with insert. We are only pressing 1500 handnumbered copies of Dick’s Picks Vol. 26; if prior experience is any guide, they will not last long!
SONGS: SIDE ONE 1. Dupree’s Diamond Blues 2. Mountains Of The Moon 3. China Cat Sunflower SIDE TWO 1. Doin’ That Rag 2. Cryptical Envelopment 3. The Other One SIDE THREE 1. The Eleven 2. The Other One 3. I Know It’s A Sin SIDE FOUR 1. Turn On Your Lovelight SIDE FIVE 1. Me And My Uncle 2. Sitting On Top Of The 3. Dark Star SIDE SIX 1. Dark Star (cont.) 2. St. Stephen SIDE SEVEN 1. The Eleven 2. Turn On Your Lovelight
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UPC: 848064010678 FORMAT: 4-LP Set 180-Gram Black Vinyl PACKAGING: Two-Piece Hardshell Box with LP-Sized Insert and Polyvinyl Inner Sleeves LIMITED EDITION: 1500 Hand-Numbered Copies BOX LOT: 10
1. Turn On Your Lovelight (cont.) 2. Morning Dew
DIANA ROSS & THE SUPREMES
SELLING POINTS • 1968’s Diana Ross & the Supremes’ Sing and Perform “Funny Girl” Was the Legendary Vocal Group’s Only Full-Length Tribute to a Broadway Score, Jule Styne and Bob Merrill’s Smash Musical Funny Girl
Sing and Perform “Funny The Ultimate Edition
• Performed by the Group’s Revamped Line-Up of Diana Ross, Mary Wilson, and Newcomer Cindy Birdsong
(2-CD Set) STREET DATE: SEPTEMBER 25, 2020
• Featured Such Showstoppers as “People,” “Don’t Rain on My Parade,” “I Am Woman,” “Sadie, Sadie,” and “The Music That Makes Me Dance”
Nobody – no, nobody was gonna rain on Diana Ross and The Supremes’ parade. With new member Cindy Birdsong joining Miss Ross and Mary Wilson, the group released no fewer than five albums in 1968, all of which showcased their extraordinary versatility. One of those LPs was to be their only full-length tribute to a classic Broadway score – and what a tribute it was from three of Motown’s “greatest stars.” Diana Ross & The Supremes Sing and Perform Funny Girl featured the group’s dynamic renditions of Jule Styne and Bob Merrill’s showstoppers including “People,” “Don’t Rain on My Parade,” “I Am Woman,” “Sadie, Sadie,” and “The Music That Makes Me Dance.” Yet unbelievably, the album became The Supremes’ only album to never be released on CD anywhere in the world…until now! Real Gone Music and Second Disc Records are proud to debut Diana Ross & The Supremes Sing and Perform Funny Girl: The Ultimate Edition, a deluxe 2-CD celebration of this Motown-meets-Broadway gem. Greatly building upon the digital-only Expanded Edition issued in 2015, The Ultimate Edition boasts the original U.S. stereo mix, the rare U.K. mono mix (with an extended version of Diana’s tour de force “People” which composer Styne called “equal in every way to Streisand’s or anyone else’s”), The Supreme Mixes reinstating Mary Wilson and Cindy Birdsong’s original vocals not heard in 1968, and bonus tracks including alternate versions of “Cornet Man,” “His Love Makes Me Beautiful,” and “Sadie, Sadie” as well as live performances of “I’m the Greatest Star” and the Fanny Brice standard “My Man.” The Ultimate Edition has been produced by the team of Andrew Skurow, George Solomon, and Joe Marchese (The Supremes’ Ultimate Merry Christmas) and freshly remastered by Kevin Reeves who mixed all of the previously unissued bonus tracks. It’s all topped off with a sumptuous 32-page full-color booklet. Designed by George Solomon and John Sellards, it’s packed with an exclusive introduction by Mary Wilson, two Diana Ross new essays placing the album in the context of & the Supremes Diana Ross and The Supremes’ career and tracing the Broadway-to-Hollywood journey of Funny Girl, an interview with Jule Styne, and a host of beautiful, previously unpublished color photos. Diana Ross & The Supremes Sing and Perform Funny Girl: The The Ultimate Edition Ultimate Edition is the definitive tribute to this tuneful treasure from America’s most successful vocal group of all time. Hey world, here it is!
• Yet, Amazingly, This 1968 Album Remains the Only Supremes Album NEVER TO APPEAR ON CD ANYWHERE • Real Gone Music and Second Disc Records Now Proudly Present the CD Debut of Sing and Perform “Funny Girl” in a 2-CD Ultimate Edition That Builds upon the Digital-Only Expanded Edition Released in 2015 • CD One Includes the Album Stereo Mix and the Rare U.K. Mono Album Mix Featuring an Extended Version of Diana Ross’ Tour de Force “People” • CD Two Leads Off with the “Supreme Mixes” That Restore the Vocals of Mary Wilson and Cindy Birdsong That Were Not Included in the Original Album • Then Come Alternate Versions of “Cornet Man,” “His Love Makes Me Beautiful,” and “Sadie, Sadie” as well as live performances of “I’m the Greatest Star” and the Fanny Brice standard “My Man” • Reissue Produced by the Team of Andrew Skurow, George Solomon, and Joe Marchese That Brought You The Supremes’ Ultimate Merry Christmas • Freshly Remastered by Kevin Reeves Who Mixed All the Previously Unissued Bonus Tracks
SING AND PERFORM
Silver
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5.516”
5.532”
Photos: Color—P. Bass, Seawell; B/W—Robert Gordy, Frank Dandridge Mexican LP Cover
Diana reminiscing. Gil Askey, arranger (right) and Jule Styne.
Diana Ross, Jule Styne and Gil Askey Jule Styne and Diana Ross rehearsing "Doing 'Funny Girl' is a delightful going over the arrangement of “Sadie, “Don’t Rain On My Parade.” experience," says Diana, Mary and Sadie.” Cindy.
• The Year’s Supreme Reissue 4.922”
iBarcoder Trial Diana Ross & the Supremes 1/11. 2/12. 3/13. 4/14. 5/15. 6/16. 7/17. 8/18. 9/19. 10/20.
Funny Girl If A Girl Isn’t Pretty I Am Woman The Music That Makes Me Dance Don’t Rain On My Parade People Cornet Man His Love Makes Me Beautiful Sadie, Sadie I’m The Greatest Star
Disc Two The Supreme Mixes 1. 2.
4.938”
3. 4. 5. 6. 7. 8. 9. 10.
Funny Girl If A Girl Isn’t Pretty I Am Woman The Music That Makes Me Dance Don’t Rain On My Parade People Cornet Man His Love Makes Me Beautiful Sadie, Sadie I’m The Greatest Star
Bonus Tracks 11. 12. 13. 14. 15.
Cornet Man ( A L T E R N A T E ) His Love Makes Me Beautiful ( A L T E R N A T E ) Sadie, Sadie ( A L T E R N A T E ) I’m The Greatest Star ( L I V E T. C . B . O U T T A K E ) My Man ( L I V E )
A Motown Records release; ª© 2020 UMG Recordings, Inc. Courtesy of Motown Records under license from Universal Music Enterprises. © 2020 Real Gone Music, L.L.C.
.75”
BLEED
Outside Back Cover
RGM-1112
classic.motown.com • realgonemusic.com • theseconddisc.com ORIGINAL DESIGN/CURTIS HILL, FINISHED ART/KURT KLEIN
Diana Ross & the Supremes
Funny Girl”
Sing and Perform Funny Girl” The Ultimate Edition
UPC: 848064011125 FORMAT: 2-CD Set PACKAGING: 6-Panel Digipak with 32-Page Booklet BOX LOT: 15
Disc One Mono and Stereo Mixes
sing & perform
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Berry Gordy, Jr. and Diana reviewing sheet music from “Funny Girl” score.
5.468”
• Also Includes a Host of Previously Unpublished Photos PANTONE Process Cyan
.594”
Tray/Disc placement is approximate
Tray/Disc placement is approximate
White
People Cornet Man His Love Makes Me Beautiful Sadie, Sadie I’m the Greatest Star
• 32-Page Booklet Includes an Exclusive Introduction by Mary Wilson, Two New Essays, and an Interview with Jule Styne
Funny Girl If A Girl Isn’t Pretty I Am Woman The Music That Makes Me Dance Don’t Rain on My Parade
• Six-Panel Full-Color Digipak
Black
Girl”— SONGS CD One Album Mono Mix 1. 2. 3. 4.
Funny Girl If a Girl Isn’t Pretty I Am Woman The Music That Makes Me Dance 5. Don’t Rain on My Parade 6. People 7. Cornet Man 8. His Love Makes Me Beautiful 9. Sadie, Sadie 10. I’m the Greatest Star Album Stereo Mix 11. Funny Girl 12. If a Girl Isn’t Pretty 13. I Am Woman 14. The Music That Makes Me Dance 15. Don’t Rain on My Parade 16. People 17. Cornet Man 18. His Love Makes Me Beautiful 19. Sadie, Sadie 20. I’m the Greatest Star CD Two The Supreme Mixes 1. 2. 3. 4.
Funny Girl If a Girl Isn’t Pretty I Am Woman The Music That Makes Me Dance 5. Don’t Rain on My Parade 6. People 7. Cornet Man 8. His Love Makes Me Beautiful 9. Sadie, Sadie 10. I’m the Greatest Star Bonus Tracks 11. Cornet Man (Alternate) 12. His Love Makes Me So Beautiful (Alternate) 13. Sadie, Sadie (Alternate) 14. I’m the Greatest Star (Live T.C.B. Outtake) 15. My Man (Live)
RECORDS
• The Oakland-Based Black Jazz Label Emerged from the Late-‘60s/Early-‘70s Movement That Led to a Number of Black-Run Artist Collectives Such as the AACM (Artists Association for the Advancement of Creative Musicians) • Founded by Ovation Records Owner Dick Schory and Pianist Gene Russell, Who Produced All the Black Jazz Releases • Reputed to Be the First Jazz Label Started by an African- American Since 1921, Black Jazz’s Mission Statement Was “to Promote the Talents of Young African American Jazz Musicians and Singers” • The Label Released About 20 Albums During Its Brief (1971-1975) Existence, and Then Faded into Obscurity • But a New Generation of Crate Diggers and DJ’s Discovered the Label’s Amazing Array of Modal, Soul, Funk, and Free Jazz, Much of It Imbued with the Political and Spiritual Concerns of the Day • The Result Was That Black Jazz Is Among the Most Collectible Labels in Existence, with Original LPs Selling for Hundreds of Dollars • The Label Was Reissued on CD in Japan During the ‘90s and Early 2000s, but Virtually None of the Black Jazz Titles Have Been Reissued on LP • Now, Real Gone Music Has Obtained the Rights to Reissue the Entire Black Jazz Catalog on LP and CD • Remastered by Mike Milchner at Sonic Vision • Lacquer Cutting by Clint Holley and Dave Polster at Well Made Music • LPs Pressed at Gotta Groove Records in Black Vinyl • Added Liner Notes by Pat Thomas, Author of Listen Whitey! The Sights and Sounds of Black Power 1965-1975 • Original Album Art • Produced for Reissue by Real Gone’s Own Gordon Anderson and Decorated Jazz Archivist Zev Feldman • 1973’s Maiden Voyage Marked the Recording Debut of Kellee Patterson, Who First Gained Fame as the First Black Miss Indiana and Was Briefly Linked Romantically to Talk Show Host Johnny Carson • Not Your Typical Black Jazz Album, This Record Presents an Extremely Tasteful, Mellow Jazz Vocal Session • Patterson’s Rendition of the Herbie Hancock Title Tune Is Simply Sublime • Features George Duke Sideman John Heard on Acoustic Bass and Ray Charles Band Member George Harper on Flute • Real Gone Music Will Donate $500 to the Equal Justice Initiative with the Release of Each Black Jazz Album KELLEE PATTERSON: Maiden iBarcoder TrialVoyage LP "
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UPC: 848064011071 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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In the late ‘60s and early ‘70s, the art form we call jazz exploded into endless permutations, including free jazz, spiritual jazz, soul jazz, fusion, and funk. At that time, a number of black-run collectives organically sprang up across America. In Chicago, there was the AACM (Association for the Advancement of Creative Musicians), which spawned among many other artists the Art Ensemble of Chicago. In Watts, Horace Tapscott founded UGMAA (Union of God’s Musicians and Artists Ascension). In Brooklyn, the CBA (Collective Black Artists) included Reggie Workman, Donald Byrd, and Stanley Cowell (co-founder of the Strata East Record label) among its members. In Detroit, Wendell Harrison, Phil Ranelin, and others formed a collective called The Tribe. And from Oakland came Black Jazz Records, founded by pianist Gene Russell and percussionist Dick Schory. Reputed to be the first jazz record label started by an African-American since 1921, its mission statement was “to promote the talents of young African American jazz musicians and singers.” Under Russell’s artistic direction, the label only put out about 20 albums during its short, 4-year (19711975) tenure; and then, due to ownership issues and general neglect, the label went underground. Way underground, in fact…but not so far down that a new generation of crate diggers and DJ’s weren’t able to discover the label’s incredible array of modal, soul, funk, and free jazz, much of it imbued with the political and spiritual concerns of the day (and selling for a pretty penny online). Finally, in the ‘90s and early ‘oughts, the Black Jazz catalog emerged on CD in Japan; but for the most part, the entire label’s output was never reissued on vinyl anywhere. We at Real Gone Music first began tracking down the rights to the Black Jazz label back in 2017. Finally, after a couple of leads went cold, we were able to connect with the rights-holders in early 2020… right before quarantine and the subsequent events that triggered worldwide protests for racial equality. Obviously, the release of this politically aware material, originally recorded in an era of similar social and cultural ferment, couldn’t be more timely. But this music succeeds on a deeper level than just a reminder that the struggle against prejudice continues unabated 50 years later. It offers manifold moments of beauty that remind all of us of our common humanity and the love that, if we let it, binds us all. Produced by Real Gone Music’s own Gordon Anderson and decorated jazz archivist Zev Feldman. With each Black Jazz album release, Real Gone Music will donate $500 to the Equal Justice Initiative.
KELLEE PATTERSON: Maiden Voyage (Remastered CD & Vinyl Edition)
STREET DATE: SEPTEMBER 25, 2020 As purportedly the first Black-owned jazz imprint since the ‘20s, the Black Jazz label had its roots in the Black Power movement of the late ‘60s and early ‘70s. But not every album on the label had a social message. Kellee Patterson’s Maiden Voyage was simply an extremely tasteful, mellow jazz vocal album, recorded with the top-notch sidemen that characterized Black Jazz sessions. Patterson first gained fame as the first Black woman (entered under her real name Pat Patterson) to win the Miss Indiana contest, culminating in a performance of “My Funny Valentine” at the Miss America pageant. Her success led to some acting gigs (the TV shows The Streets of San Francisco and The Dukes of Hazzard, and the movie Demolition Man), a brief brush with Hollywood fame (she was briefly linked romantically to talk show host Johnny Carson), and her signing with Gene Russell for her recording debut on Black Jazz (Russell went on to produce subsequent LPs for Patterson on the Shadybrook label). 1973’s Maiden Voyage is highlighted by a beautiful vocal performance by Patterson of Herbie Hancock’s title tune, backed with such premium players as long-time George Duke sideman John Heard on acoustic bass and Ray Charles touring band member George Harper on flute. Our Real Gone reissue is remastered for CD and vinyl by Mike Milchner at Sonic Vision, with LP lacquer cutting by Clint Holley and Dave Polster at Well Made Music, and features new liner notes by Pat Thomas, author of Listen, Whitey! The Sights and Sounds of Black Power 1965-1975. An essential, though uncharacteristic, entry in the Black Jazz catalog!
LP TRACKS: Side One 1. Magic Wand of Love 2. Look at the Child 3. Soul Daddy 4. Maiden Voyage Side Two 1. Don’t Misunderstand 2. See You Later 3. You 4. Be All Your Own
CD TRACKS: 1. 2. 3. 4. 5. 6. 7.
Magic Wand of Love Look at the Child Soul Daddy Maiden Voyage Don’t Misunderstand See You Later You
8. Be All Your Own
THE RAYMOND SCOTT BIG BAND SELLING POINTS
• Raymond Scott Is a Singular Figure in American Music • Best Known as the Composer for Famous Tunes Featured in Warner Bros. Soundtracks • But He Was Also an Electronic Music Pioneer with His Soothing Sounds for Baby Series and Instrument Inventor • In the Late ‘30s, His Celebrated Raymond Scott Quintette Was Wildly Popular, Playing a Unique, Quirky, and Inventive Style of Jazz • But the Missing Link Between His Quintette Recordings and His Later Electronic Music Explorations Was His ‘40s Big Band, Which Went Almost Completely Unrecorded • Scott’s “CBS Big Band” Was the First Multi-Racial Radio Big Band • Included Such Legends as Ben Webster, Cozy Cole, and Charlie Shavers • Could Swing and Swing Hard, but Could Also Handle Scott’s Famously Intricate Passages • Now, Real Gone Music in Tandem with the Scott Family Presents Hemidemisemiquaver: Buried Treasures of the Raymond Scott Big Band • 26 Tracks from This Legendary Big Band, All but a Handful Unreleased • Mostly Recorded by Raymond Scott Himself • Restored by Gavin Ross at Steady Studio in Burbank, CA • Liner Notes by Scott Scholar Skip Heller, Who Co-Produced the Collection with Scott’s Son, Stan Warnow • Rare Pictures from the Scott Family Archive • Indispensable for Jazz Fans, Big Band Fans, and Especially Raymond Scott Fans iBarcoder Trial
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UPC: 848064011354
FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS • In 1963, Reprise Records Hired Legendary Jazz Composer and Bandleader Duke Ellington as an A&R Man • His First Signing Was Swedish Singer Alice Babs • Babs Was Famous in Her Homeland Both for Music, Having Scored a Hit at Age 15 with “Swing It Teacher,” and for Acting, Having Appeared in 14 Films from 1938 to 1959 • Serenade to Sweden, the Collaboration Between Ellington and Babs, Turned Out to Be the Rarest Item in the Expansive Ellington Catalog • The Last Ellington Album to Be Reissued on CD • Features Babs’ Ella Fitzgerald-Like Scatting and Masterful Ellington Arrangements That Occasionally Feature a French Horn • Remastered by Aaron Kannowski • Liner Notes by Scott Yanow • Essential for Ellington Enthusiasts iBarcoder Trial "
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UPC: 848064004967 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
HEMI DEMI SEMI QUAVER—BURIED TREASURES OF THE RAYMOND SCOTT BIG BAND STREET DATE: SEPTEMBER 25, 2020 Raymond Scott is best known as the composer of famous tunes that pop up throughout Warner Bros cartoons. In the late ‘Thirties, his celebrated Raymond Scott Quintette was a huge commercial success, a singular ensemble playing a unique and unmistakable style of jazz, full of whimsy and bravura. By the late ‘Forties, he had become an electronic music pioneer, both as an instrument inventor and composer. His music is everywhere these days, not just cartoons. For example, Lizzo’s recent hit “Tempo” samples (sips from?) his “Nescafe,” and he is heard in the recent Netflix hit show Hollywood. The lost chapter between the Quintette and his electronic music was every bit as compelling, starting with the first multiracial radio big band—whose ranks included legends Ben Webster, Cozy Cole, and Charlie Shavers. Not only did this unit swing hard, they could also execute the intricate passages for which he was so famous. Hemidemisemiquaver: Buried Treasures of the Raymond Scott Big Band collects 26 exciting cuts, mostly unreleased radio broadcasts recorded by Scott himself and restored by Gavin Ross at Steady Studio in Burbank, CA. The package features photos from the Scott family archive and extensive liner notes penned by Scott scholar Skip Heller, who co-produced this volume with Scott’s son, Stan Warnow. Indispensable for Raymond Scott fans or any big band fan for that matter!
SONGS: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
Carrier Pigeon Four Beat Shuffle The Beard Hemi Demi Semi In A Magic Garden Mr Basie Goes To Washington LimeHouse Blues Toonerville Trolley Section A Enchanted Forest Eight Letters In My Mailbox Cozy Cole Drum Solo Roxy Special Naked City Peanut Vendor Casbah Blues Section C Tiajuana 37th Secret Jeep Jump Get Happy Break The Carrier Pigeon (alt take) Minuet In Jazz Cozy Cole Drum Solo (alt take) American In Russia
ALICE BABS & DUKE ELLINGTON: SERENADE TO SWEDEN STREET DATE: SEPTEMBER 25, 2020 Real Gone Music is proud to present what is probably the rarest album in the voluminous Duke Ellington discography, his 1963 date with Swedish singer Alice Babs, Serenade to Sweden. That year, Ellington was hired by the Reprise label as an A&R man, free to sign any artist he wanted and to record them. His first choice was Babs, who, in Ellington’s words, was “the most unique artist I know…She sings opera, she sings lieder, she sings what we call jazz and blues, she sings like an instrument, she even yodels, and she can read any and all of it!” For her part, Babs (born Hildur Alice Nilson) had a hit in Sweden when was only 15 (“Swing It Teacher”), and was an iconic figure in her homeland, appearing in 14 Swedish films from 1938 to 1959. The result of this meeting of legendary musical minds was a sublime cool jazz masterpiece that, sadly, never received a proper release in the U.S. and appears to be the last Ellington album to be reissued on CD. Needless to say, original copies go for big Swedish krona online, and not just because it’s rare; Babs’ wordless vocals and scat singing on “The Boy in My Dreams,” “Strange Visitor,” and “Babsie” are positively Ella-worthy, and Ellington’s masterful arrangements—at times filigreed with a French horn section—provide the perfect accompaniment. We’ve added liner notes by Scott Yanow, while the album boasts remastering by Aaron Kannowski. Fascinating for any jazz fan—essential for Ellington enthusiasts!
SONGS: 1. Serenade to Sweden 2. The Boy in My Dreams 3. Stoona 4. La De Doody Do 5. Strange Visitor 6. Azure 7. Come Sunday 8. “C” Jam Blues 9. I Didn’t Know About You 10. Satin Doll 11. Take Love Easy 12. Babsie 13. (I Want) Something to Live For 14. I’m Beginning to See the Light 15. Untitled Lullaby
STREET DATE: SEPTEMBER 25, 2020 SELLING POINTS • Dusty Springfield Is the Greatest Female Blue-Eyed Soul Singer of All Time • Real Gone Music Now Presents Two Crucial Collections from Her Hallowed, Late ‘60s/Early ‘70s Period on Atlantic Records • The Complete Philadelphia Sessions – A Brand New Me (Expanded Edition) Brings Together All of the Historic Recordings Made by Dusty at Sigma Sound Studios in Philadelphia with Gamble-Huff Productions for Atlantic Records • Includes the Ten 1969 Recordings Issued on the 1970 Album A Brand New Me Plus Seven Other 1970 Tracks Including the Single “I Wanna Be a Free Girl” • Features the Unreleased Track “Sweet Charlie” • Newly-Remixed from Multi-Track Masters by Sigma Sound Veteran Tom Moulton Under the Supervision of Legendary Gamble-Huff Producer Thom Bell • Liner Notes by Joe Marchese • Rare Photos from Dusty’s Private Collection • Come for a Dream—The U.K. Sessions 19701971 Offers All of the Recordings Dusty Recorded in Britain That Were Released in Britain on the Philips Label and in the U.S. on the Atlantic Label • These “Orphaned “ Recordings Were Unavailable in the U.S. for Many Years and Scattered Across Various Compilations • These 16 Tracks Document What Was Supposed to Be a Complete Album Plus Some Extra Single Sides • Notes by Joe Marchese Document This Tumultuous Period in Dusty’s Career • Rare Photos
The Complete Philadelphia Sessions – A Brand New Me (Expanded Edition)
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UPC: 848064006077 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30 Come for a Dream—The iBarcoder Trial U.K. Sessions 1970-1971 "
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UPC: 848064003830 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
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DUSTY DUSTY SPRINGFIELD: SPRINGFIELD: The Complete Philadelphia Sessions – A A Brand Brand New Me Me New (Expanded Edition) We have made chronicling the hallowed early ‘70s period of Dusty Springfield’s career something of a mission here at Real Gone Music. This collection brings together, for the first time ever, all of the historic recordings made by Dusty at Sigma Sound Studios in Philadelphia with Gamble-Huff Productions for Atlantic Records. The 17 selections cover the ten 1969 recordings issued on Springfield’s 1970 album A Brand New Me— including the hit title song—plus 7 additional tracks from 1970 including the single “I Wanna Be a Free Girl,” outtakes not issued until the 1990s on various compilations, and a track previously unreleased prior to this release, “Sweet Charlie.” Additionally, because former iterations of this material have not been sonically quite up to snuff, each track is newly-remixed from the original multi-track masters by noted Sigma Sound veteran Tom Moulton under the supervision of legendary Gamble-Huff producer-writer Thom Bell, who worked on the original Brand New Me album and follow-up sessions with Dusty! Liner notes by Joe Marchese and rare images from Dusty’s own collection complete this invaluable look at the seductive Ms. Springfield’s foray into the Philly Soul sound. Put this together with our other Real Gone Dusty retrospectives and you have the full picture of Dusty’s recordings from 1969-1971 that immediately followed her Dusty In Memphis pinnacle!
DUSTY SPRINGFIELD: Come for a Dream—The U.K. Sessions 1970-1971 During her 1968-1971 period with Atlantic Records in the United States, Dusty Springfield also continued to record material in England, where her Atlantic repertoire was released on Philips Records. In turn, Atlantic received rights to issue Dusty’s British recordings from the era, but chose to focus entirely on American sessions. In fact, it wasn’t until the ‘90s that these masters (many of which originally came out on the See All Her Faces album that came out only in the U.K.) were available Stateside, but they were scattered across several compilations and were never comprehensively assembled. Now, with the release of Come for a Dream—The U.K. Sessions 1970-1971, all of Dusty’s “orphaned” British recordings from her 1970-1971 Atlantic period have been gathered together for the first time. These 16 sides document what was intended to be a complete album plus some extra single sides, and represent a major addition and clarification to the legendary singer’s discography. Notes by Joe Marchese shed further light on this tumultuous period in Dusty Springfield’s career, with rare photos to boot. A perfect companion piece to Real Gone Music’s other Dusty Springfield Atlantic-period retrospectives!
SONGS – All Newly Remixed 1969 recordings from original album: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10.
Brand New Me Never Love Again Bad Case Of The Blues The Star Of My Show Let’s Talk It Over Lost Silly, Silly Fool Let Me In Your Way Joe Let’s Get Together Soon
Additional 1970 recordings: 11. 12. 13. 14. 15. 16. 17.
I Wanna Be A Free Girl Something For Nothing Summer Love Cherished The Richest Girl Alive Goodbye Sweet Charlie (Previously Unreleased)
SONGS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16.
A Song For You Mixed Up Girl Sweet Inspiration Yesterday When I Was Young Goodbye Girls It Ain’t Easy Crumbs Off The Table Wasn’t Born To Follow What Are You Doing The Rest Of Your Life? O-o-h Child Let Me Down Easy Come For A Dream Girls Can’t Do What The Guys Do I Start Counting How Can I Be Sure Go My Love
BARBARA LYNN SELLING POINTS
THE COMPLETE ATLANTIC RECORDINGS
• Barbara Lynn Is One of the Greatest “Southern Soul” Singer-Songwriters of All Time
STREET DATE: SEPTEMBER 25, 2020
• Also a Mean Left-Handed Guitar Player
Texas-born Barbara Lynn has long been considered one of the finest performers of the style known as “Southern Soul.’” Her career began in her late teens, when Barbara turned a poem she’d written in school into #1 R&B hit, “You’ll Lose A Good Thing,” in the Summer of 1962, launching a career that has now spanned over five decades. Produced by Huey P. Meaux, the now-classic recording was cut for Philadelphia-based Jamie Records, for whom Barbara (a left-handed guitarist and writer of much of her own material) went on to record two albums and a number of singles, including 1964’s “Oh! Baby (We Got A Good Thing Goin’),” recorded by The Rolling Stones a year later. After a brief spell with producer Meaux’s Tribe label, Barbara was signed to Atlantic Records in 1967, recording an entire album, Here Is Barbara Lynn, which yielded the Top 40 R&B and Top 100 pop charted single, “This Is The Thanks I Get.” A popular touring artist, Barbara continued recording for the label, scoring her last Top 40 R&B hit in 1971 with “(Until Then) I’ll Suffer,” from her original 1967 Atlantic sessions. A one-off session with producer/songwriter and keyboardist Spooner Oldham in 1968 spawned six tracks, including an upbeat version of the 1967 Box Tops’ hit “Soul Deep” that finally makes its appearance here as part of The Complete Atlantic Recordings, reissued by Real Gone Music in association with SoulMusic Records. Barbara returned to working with Huey Meaux for her final Atlantic sessions in 1972, which resulted in two singles before the then-mother of three began a hiatus from recording and performing that ended with a 1984 Japanese tour. The Complete Atlantic Recordings features all 25 tracks Barbara Lynn cut for the label between 1967-72. Notes by SoulMusic.com founder David Nathan include quotes from Barbara, who remains an active live performer. Remastered by Mike Milchner at SonicVision… essential Southern soul!
• First Broke Through in 1962 with the Hit “You’ll Lose a Good Thing” on the Jamie Label • Signed to Atlantic Records, Where She Stayed for Five Years (1967-1972) • Scored the Hits “This Is the Thanks I Get” and “(Until Then) I’ll Suffer” for Atlantic • The Complete Atlantic Recordings Features All 25 Tracks Barbara Recorded for Atlantic • Includes a Version of the Box Tops’ “Soul Deep” That Was Unreleased Until This Collection • Liner Notes by David Nathan Include Quotes from Barbara Herself • Remastered by Mike Milchner at SonicVision • Essential Southern Soul
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UPC: 848064002970 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
SELLING POINTS • Mason Williams’ 1968 Debut Record for Warner Bros. Will Forever Be Famous for the Inclusion of the #1 Hit, the Instrumental “Classical Gas” • Recorded While Williams Was Taking a Break from His Gig as Head Writer for The Smothers Brothers Comedy Hour • Produced by Mike Post with Arrangements by Al Capps • Also Features the Rollicking “Baroque-A-Nova” and the Somber “Sunflower,” Displaying All Sides of this Multi-Faceted Artist
Produced by Mike Post with arrangements by Al Capps, Mason Williams’ 1968 debut record for Warner Bros.—recorded while taking a break from his gig as head writer for The Smothers Brothers
• A Top 20 Album, and a Real ‘60s Classic
#14 on the charts. But there’s a lot more
instrumental “Classical Gas,” and went to to Phonograph Record than “Classical Gas”—check out the rollicking “Baroque-
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UPC: 848064001508 FORMAT: Compact Disc PACKAGING: Jewel Case BOX LOT: 30
8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25.
This Is the Thanks I Get Ring Telephone Ring You’ll Lose a Good Thing Take Your Love and Run Maybe We Can Slip Away Sure Is Worth It Only You Know How to Love Me (Until Then) I’ll Suffer You’re Losing Me Sufferin’ City Multiplyin’ Pain Why Can’t You Love Me Mix It Up Baby He Ain’t Gonna Do Right Love Ain’t Never Hurt Nobody People Like Me Unloved, Unwanted Me You’re Gonna See a Lot More (of My Leaving) Soul Deep (previously unreleased) You Better Quit It Nice and Easy I’m a One Man Woman You’re Too Hot to Hold You Make Me So Hot It Ain’t Good to Be Too Good
STREET DATE: SEPTEMBER 25, 2020
Comedy Hour—scored a #1 hit with the
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1. 2. 3. 4. 5. 6. 7.
MASON WILLIAMS: The Mason Williams Phonograph Record
• Gene Sculatti’s Notes Include Fresh Quotes from Mason Williams
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SONGS:
A-Nova” and the somber “Sunflower” for other sides of this multi-faceted artist. Gene Sculatti’s notes include fresh quotes from Williams and photos from his private archive!
SONGS: 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
Overture All the Time Dylan Thomas Wanderlove She’s Gone Away Here Am I Classical Gas Long Time Blues Baroque-A-Nova The Prince’s Panties Life Song Sunflower
RITUALS OF MINE HYPE NOSTALGIA
CARPARK RECORDS www.carparkrecords.com If you could recreate a time before you experienced the most extreme grief of your life, would you do it? For Rituals of Mine’s Terra Lopez, she did just that. With her latest album HYPE NOSTALGIA – her first as a solo artist – Lopez wanted to create a soundscape from a pre-loss perspective, revealing how the darkness she experienced was just microcosms of her being. HYPE NOSTALGIA reckons with the emotional rollercoaster Lopez has been riding the past few years, and reimagines it. In 2015, Lopez lost her father to suicide and six months later her best friend passed away in a water accident. “Those two events within that six month-period, forever changed me, and I’m only now starting to feel like I’ve processed it after all these years,” Lopez says. The same week her father died, she went on tour, and the same week that her friend died, Lopez signed to a major label, immediately working on new music. She never slowed down and neither did her emotions. Lopez went from being a high-functioning depressed person to encountering the most crippling mental health experience of her life.
TRACKLISTING 1. Tether 2. Come Around Me 3. Exceptions 4. Heights 5. Trauma 6. Post Trauma 7. Free Throw (feat. KRIS)
Art had always been her outlet, but it was no longer a coping mechanism that worked. Trauma had taken away her voice, leaving Lopez unable to sing for a year. It wasn’t until 2018 when she decided to go to therapy and began taking medication for the first time that she could process the trauma she had experienced, not only in the recent years, but intergenerational trauma she discovered in eye movement desensitization and reprocessing (EMDR).
8. Reflex 9. 65th St 10. OMEN 11. 222 12. Hope U Feel 13. The Last Wave
CATALOG NUMBER: CAK146 STREET DATE: September 25, 2020 FILE UNDER: Alternative/Electronic DISCOUNT: 5% on LP, 10% on CD until 10-23-20 HYPE NOSTALGIA LP (BONE VINYL) UPC 677517014617 HYPE NOSTALGIA CD UPC 677517014624 ALSO AVAILABLE SLEEPER HOLD EP 677517013818
Sure, there are heavy elements to the record: dark synths, future R&B undertones, propulsive bass and moody lyrics, but the softness of Lopez’s vocals elicits a quiet confidence. On the self-assured lead single “Come Around Me,” the most straightforward song Lopez has ever written, she confronts being taken advantage of as a gay woman of color in the music industry. “None of this fake shit when you come around me,” she sings breathlessly. Lopez enlists musician Kristina Esfandiari (King Woman, Nghtcrwlr), to tackle the same subject on the anthemic “Free Throw,” meditating on the fake support that comes from their male counterparts in the music industry. The bedroom pop-tinged “Exceptions,” which is the album’s wildcard, finds Lopez confronting her former bandmate leaving the project and the idea that people outgrow each other. As HYPE NOSTALGIA reflects on Lopez’s own journey in reconciling with the darkest parts of herself and her life, she wants it to be something that can help listeners with their own mental health. “I just want to help other people,” Lopez says. “That’s what really helped me stay focused throughout all of this.” HYPE NOSTALGIA • North American publicity by Pitch Perfect • College/Non-Commercial radio by Terrorbird • Digital playlisting & positioning by Terrorbird • Sync licensing by Terrorbird • Facebook boosted posts and targeted Instagram dark posts throughout campaign • “Come Around Me,” “Exceptions,” “Free Throw,” and “Trauma” music videos in the works • Mixed by Neal Pogue (Tyler the Creator, Outkast, Kaytranada) and Wes Jones • Pressed on Bone Vinyl, includes free digital download
505 Eno Street ● Hillsborough, NC 27278 ● 877.733.3931
! Soul Jazz Records Presents
KALEIDOSCOPE New Spirits Known and Unknown
st 21 2020 2020 25thAugust September ! ! ! ! ! ! ! ! !
Soul Jazz Records’ new album ‘Kaleidoscope – New Spirits Known and Unknown’ brings together many of the ground-breaking artists involved in the new jazz scene that has developed in the UK over the last few years. Featured artists include Matthew Halsall, Yazmin Lacey, Ill Considered, Tenderlonious, Theon Cross, Emma-Jean Thackray and many, many more in this ground-breaking release. As well as sharing a pioneering spirit in these new artists’ approach to frontier-crossing musical boundaries, a further theme of this album is that many also share a determination to independent practices – and most of these artists’ recordings featured here are either self-published or released on independent labels. While the attention of this new wave of jazz artists up until now has been Londonbased, this album shows how this movement is spread across the whole of Britain (and indeed beyond). ‘Kaleidoscope – New Spirits Known and Unknown’ shows that while there is commonality in these artists’ approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more. Soul Jazz Records’ new release comes as a superb one-off pressing special deluxe triple album edition with a bonus limited-edition single, a standard triple album, and a deluxe double CD pack. This album also comes with extensive sleevenotes, artist interviews and exclusive photography. Soul Jazz records are also releasing an exclusive one-off pressing double-headed 12” single featuring Theon Cross and Pokus to coincide with the ‘Kaleidoscope’ album release.
Contact: Will Savery, 877-733-3931 x287, will@redeyeworldwide.com No shipments outside of North America.
2. Yazmin Lacey – 90 Degrees 3. Hector Plimmer – Communication Control 4. Ill Considered – Long Way Home (Live At The Crypt) 5. The Expansions – Mosaic 6. Chip Wickham – Red Planet 7. Levitation Orchestra – Odyssey 8. Emma-Jean Thackray’s WALRUS – Walrus 9. Tenderlonious and The 22a Arkestra – The Shakedown 10. Pokus – Pokus One* 11. Theon Cross – Candace Of Meroe* 12. Joe Armon-Jones & Maxwell Owin featuring Nubya Garcia – Tanner's Tango 13. Collocutor – Gozo 14. Makaya McCraven – Untitled
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21 August 2020
Artist:
Soul Jazz Records Presents
Project1_Layout 1 05/06/2020
16. Ruby Rushton – Moonlight Woman
Title:
KALEIDOSCOPE
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17. Ebi Soda – Dimmsdale
Subtitle:
New Spirits Known and Unknown
Label:
Soul Jazz Records
Format 1:
Cat. No: SJRCD455, 2xCD, UPC: 5026328104553
Format 2:
Cat. No: SJRLP455, 3xCD, UPC: 5026328204550
Format 3:
Cat. No: SJRLP453-7, 3xLP+7” Single
Format 4:
Cat. No. SJR455-12, 12” Single, UPC: 5026328704555 Please note, the 12” format has a slightly different title / artist.
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1. Matthew Halsall & The Gondwana Orchestra – When The World Was One
Release Date:
UPC: 5026328004556
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Tracklisting
15. Nat Birchall – Ancient World
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SJRLP 455
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18. The Cromagnon Band – Thunder Perfect (5.12) 19. SEED Ensemble – Mirrors 20. Ishmael Ensemble – Kito's Theme**
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21. Vels Trio – Yellow Ochre (Part 1)** 3xLP+7”: All tracks except * 3xLP: All except * / ** 12” Single: * only
Cosmic Vibrations ft. Dwigt Drible ‘Pathways & Passages’ RD: 25 SEPTEMBER 2020
Dwight Trible - voice / kalimba John B Williams - acoustic bass Derf Reklaw - congas / percussion / flute Pablo Calogero - tenor sax / bass clarinet /
woodwinds / flutes
Christopher Garcia - indigenous percussion Breeze Smith - drums / percussion / loops Produced by Dwight Trible & Breeze Smith Artwork & Art Direction: Nep Sidhu
RELEASE DATE: 09/25/2020 LABEL: SPIRITMUSE RECORDS CATALOG: SPM004 FORMAT LP: Deluxe 180g. vinyl w/ insert .................CD: Deluxe gatefold 6panel digipak .................Digital GENRE: Jazz, Spiritual Jazz, Vocal Jazz, World Jazz, Cosmic Jazz FOR FANS OF: Dwight Trible, Sun Ra Arkestra, Leon Thomas, Kamasi Washington Arkestra TRACKLISTING 1. 2. 3. 4. 5. 6.
Nature’s Vision Blue Skies Movin’ On How Long Motherless Child Passages
LP
Deluxe 180g vinyl w/ insert CAT NO: LP-SPM004 UPC: 634457030046
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34457 03004 6
Music for the Sprit
7. May the Weak Become .............Strong 8. OLBAP 9. Water Flo 10. Tragedy Escapes 11. Some Other Time
CD
Deluxe gatefold 6panel digipak CAT NO: CD-SPM004 UPC: 634457031340
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34457 03134 0
SELLING POINTS • Debut album by new spiritual jazz ensemble from L.A., led by Dwight Trible • Incredible Sun Ra-esque spiritual jazz for the 21st century • Extraordinary genre-defying sounds by this 6-strong ensemble committed to the creative exploration of improvised music. • Phenomenal performance by Dwight Trible as you’ve never heard before! • Masterful group of musicans w/ divine vocals, spiritual jazz sounds w/ world influences and indigenous instruments. • Original artwork by Nep Sidhu (Erykah Badu / Kahil El’Zabar / Shabazz Palaces) • Strong PR media & radio campaign in US, Europe • On the trend with the current emerging spiritual jazz scene in the States / worldwide • Dynamic deep jazz tracks & spiritual ballads that hit the mark with ‘new jazz’ young crowds and ‘classic jazz’ audiences PRODUCT BLURB New, extraordinary music by Cosmic Vibrations ft Dwight Trible. An interplanetary journey from this new, LA based 6-strong ensemble of experienced musicians that define spiritual jazz in the 21st century. This is a genre-defying amalgam of divine vocals by Dwight Trible, Sun Ra-esque jazz with world influences and indigenous instruments, taking you into a cosmic journey of spiritual improvisation and beyond. ‘Pathways & Passages’ is an awakening, an opportunity to soar deeper into an altered awareness of the Cosmos.
Redeyeworldwide.com • 505 Eno Street Hillsborough NC 27278 877.733.3931 • PM: Jeep Ward jeep@redeyeworldwide.com
Bogdan Raczynski Samurai Math Beats
CAT NO: REDISC1 UPC: 5060384619019 RELEASE DATE: 25th September 2020 OVERVIEW:
Mathematics strikes back! The second of three albums released in 1999 for the Rephlex label, Samurai Math Beats exists somewhere between the outsider jungle mined by labelmates Aphex Twin and Squarepusher (dubbed “drill’n’bass”) and the sun-bleached public information music of Warp artists such as Plone and Boards Of Canada. Whilst many listeners at the time were left scratching their heads at the full on collision of hyperkinetic rhythms and arcade game melodies, in many ways the record pointed the way towards future musical mutations, from the frenetic BPMs of footwork to the deconstructed pop music of Mica Levi. Re-cut by Beau Thomas and available on vinyl for the first time since original release. Contains download card and 24” x 12” poster.
“Classic braindance” - Hardwax “Low-budget keyboards, Japanese robots, brown cardboard, child-like melodies, hyperactive machinery, kung-fu, drums, drums, and more drums.” - All Music "Bogdan was a massive inspiration for some of my tracks on the Drukqs album, the fact he was doing it all on a shit PC tracker… totally amazing. This was before 99.9 percent of people used the computer for everything. His records are so underrated." - Aphex Twin This reissue follows on from the 2019 Disciples release Rave 'Till You Cry, a collection of unreleased tracks and versions from the Bogdan Raczynski vaults. It also marks the launch of a new sub-imprint, R.A.T.S. Whereas the main Disciples LP series documents unreleased tracks and creates new bespoke collections of an artists work, and the ‘half-disciples’ cassette series takes deeper dives into the catalogue of the focus artist; the R.A.T.S. series is a little but more traditional and will release select represses of out-of-print albums, with original art and masters faithfully reproduced.
2LP Description: 2 LP black vinyl in 5mm
spine reverse board sleeve w/ 24” x 12” 2-side colour fold-out insert poster featuring sleevenotes from the artist + download card
Boxlot: 15 Ⓟ 1999 Bogdan Raczynski © 2020 Disciples
Barcode:
Tracklisting:
A1 Samurai Masu Biitsu A2 Kimi A3 Ahou Jiko B1 Iai B2 I Cry, Bai Bai B3 Sayounara Tsutara B4 Nan No Tame Ni Boku To
C1 Miso Shiru C2 Nihon De Homuresu C3 Are Igai Imi Ga Nai C4 Kimi Wa Tsumannai, Boku O Iranai D1 Yari Chuu, Kyouroku Isuu D2 Gaijin Sabetsu, Gaikoku Hakuchuumu D3 Why? Why? D4 Ahou Bouken
NO EXPORTS ALLOWED For more info please contact Matthew :matthew@warprecords.com or: perry@redeyeworldwide.com (Redeye Distribution) www.redeyeworldwide.com
“Save Myself” follows the global hit success of her previous single “Moral of the Story”, which, following a high-profile placement on the Netflix film, To All The Boys: P.S. I Still Love You, has achieved over 280 Million streams globally, has become RIAA certified Gold in the USA, and is climbing radio charts around the world. The newly released, re-imagined version featuring pop superstar Niall Horan came out on 17th June, and has already accumulated more than 18 million streams and was featured on 29 New Music Friday playlists. Ashe describes “Save Myself” as the precursor to "Moral of the Story" instead of the follow up. People say there are five stages of grief; I wrote "Moral of the Story" in the fifth stage of grieving my relationship: acceptance. "Save Myself" (although, written post Moral) is about my second stage: anger. It means the world to have a chance to express the anger I felt in a healthy way, cause whether we like it or not, our anger demands to be felt and let out. “Save Myself” was produced by Jason Evigan, (credits include Maroon 5, Madonna, David Guetta, Demi Lovato) Big Taste, (Justin Bieber, Adam Lambert, Madison Beer) and was mixed by Manny Marroquin (Pink, John Mayer, Shakira, Rihanna).
HIGHLIGHTS – “Moral of the Story” (produced by FINNEAS with lyrical contribution from Billie Eilish) is RIAA certified gold in the US and is currently charting at Pop, Hot AC and Alternative radio formats in the US. The song has accumulated 280 million total global streams – Previous tours alongside Lewis Capaldi, The Chainsmokers, Shaun Frank, Whethan, LAUV, Louis The Child, Hobo Johnson, Quinn XCII and more. – Previous collaborations include a co-wrote for Demi Lovato on “You Don’t Do It For Me Anymore”, and tracks with Niall Horan, Louis The Child, Big Gigantic, Shaun Frank, Quinn XCII, filous, craves, Bearson, Whethan, and Party Pupils. – High profile syncs with Netflix, Taco Bell, MTV, Chaumet, Nascar, and Fox. QUOTES “Paired with her elastic, weightless pixie voice, Ashe's meditation on divorce and healing strikes the perfect balance. It doesn't simply float in and out of your ears… it takes root and blossoms, becoming rich and meaningful and adaptable in the way that so many hitmakers strive for.” - Insider
TRACK LISTING 01. Save Myself
ARTIST TITLE LABEL STREET DATE
03:44
Ashe Save Myself Mom + Pop Music 09/25/20
CONFIGURATION PRICE UPC CATALOGUE # DESCRIPTION
7” $9.99 858275061116 MP487 Standard Jacket
SOCIALS 528K
97.8K
283K
TOP CITIES USA Chicago, Los Angeles, Dallas, Atlanta, Houston, New York City, Seattle, Toronto, San Francisco, Denver, Minneapolis
“Rising star” - Variety
“Emotionally raw” - Billboard
"Working toward self-forgiveness after a divorce, “Moral of the Story” seesaws between fragility and pomp: from Ashe’s quavery high voice and parlor-song piano tinkling to a hefty, lurching beat and a massed chorus.” - The New York Times LABEL REDEYE RADIO
Abby Sprague Lori Miller David Jacobs
abby@momandpopmusic.com lori@redeyeworldwide.com david@momandpopmusic.com
WWW.MOMANDPOPMUSIC.COM
PUBLICITY TOURING
Olga Makrias olga@btpr.biz Benny Tarantini Jason Kupperman jason.kupperman@gmail.com
1140 BROADWAY SUITE 1505 NEW YORK NY 10001
WWW.ASHE-MUSIC.COM
Anteloper Tour Beats Vol. 1 Anteloper is a duo of psychedelic sonic compatriots starring a pair of raggedy celestial sound warriors: trumpeter jaimie branch and drummer Jason Nazary. These longtime friends and collaborators met as young explorers and consider their electronic duo a continuous experiment into the unknown sonic abyss. Recent results have come back as mind-bendingly abstract head boppers, improvised organisms guided by a unique desire to hear what hasn’t been heard before. This is music made of and for the moment, tipping towards the future, moving feet to the new-new beat. Of Anteloper, in his liner notes for their 4/20/2018 debut Kudu, audiovisual avant-garde sage Rob Mazurek says: “Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams…” Despite only being released on cassette, Kudu was dubbed one of the “Best Albums of 2018” by Bandcamp, Pop Matters, and Rolling Stone, who said “the duo convincingly bridges woozy psychedelic abstraction and furiously propulsive free funk... fractured beats and pealing, effects-heavy brass suggests a punkminded update of Miles Davis’ most thrillingly weird Seventies explorations…” IARC0034 Anteloper Tour Beats Vol. 1 F o r ma t / Re l e a s e Da t e : Vinyl LP – September 25th, 2020 Digital – July 1st, 2020 RI YL: The Comet Is Coming, Jeff Parker, Chicago Underground Duo, Moses Boyd, Oneida, EmmaJean Thackray, Deantoni Parks, Helado Negro
In May 2018, Branch took up a month-long residency at Pioneer Works, an art center down the street from her home in Red Hook, Brooklyn, with a recording studio attached. She called up Nazary, and he rolled by the studio loaded with acoustic drums, electronic triggers, modular FX unit, synths, sequencers, and a myriad of processors. Branch engineered the recordings, and brought her rig to the table: trumpet, synths, delay/looper pedal, auxiliary percussion, and a Roland TR08 drum machine. Then they did what they always do — rolled tape and started from nothing. In the Fall of 2019, they set out for the “Ante-Myths Sonic Projections Tour” that took them across the US alongside DC duo Blacks’ Myths. For the journey, they self-produced a limited-edition tour tape, Tour Beats Vol. 1, with recordings from the Pioneer Works sessions. For Summer 2020, International Anthem is proud to re-present Anteloper’s Tour Beats Vol. 1 on 45RPM 12” vinyl in a package featuring artwork by Branch, photos by Richard R Ross, and liner notes as poem, again, by Rob Mazurek: “citing against the pricks, within sullen elastics, ecstatic pulse weft; new informal districts of time and energy…” International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
Vinyl LP – 603784912509
North & South American Distribution: Will Savery – will@redeyeworldwide.com Label Contact:
Scottie McNiece – scottie@intlanthem.com
Carlos Niño & Miguel Atwood-Ferguson Chicago Waves In late November of 2018, long-time collaborators (& life-long Los Angelenos) Carlos Niño & Miguel Atwood-Ferguson flew to Chicago to participate in the album release performance of Makaya McCraven’s Universal Beings. Just 11 months prior, Carlos & Miguel were part of recording the ‘Los Angeles Side’ of Universal Beings at Jeff Parker’s house in Altadena, California, and this performance in Chicago would be the first time that all of the musicians reunited to re-learn and perform the music they’d collectively composed during those sessions. The Universal Beings performance and preceding days of rehearsal took place at the iconic South Shore Cultural Center – a historic gilded-era urban club-turned-public facility deep on Chicago’s Southside and right along the reedy shore of Lake Michigan, giving the building’s backdrop an infinitely blue Northern expanse.
IARC0033 Carlos Niño & Miguel Atwood-Ferguson Chicago Waves F o r ma t / Re l e a s e Da t e : Vinyl LP & CD – September 25th, 2020 Digital – June 26th, 2020
Vinyl LP – 603784912677
The night after the performance at South Shore Cultural Center, friend of International Anthem Jeremy Cunningham was scheduled to debut new music (The Weather Up There, which has since been released on Northern Spy Records) at our HQ, Co-Prosperity Sphere. Since Carlos & Miguel were still in Chicago (before they’d head to NYC for a second Universal Beings performance at Le Poisson Rouge), we invited them to do a Special Guest duo set to open the show. At the conclusion of their 44-minute improvised set that night, Carlos spontaneously dubbed the piece “Chicago Waves.” His proclamation gave us the distinct impression that the previous days spent in South Shore (and the many commutes to-and-from, along Lake Shore Drive) had imprinted the deep blue vastness of early-Winter Lake Michigan into Carlos & Miguel’s respective & collective consciousness, and thus, into the spirit of the luminous music they created that night at Co-Prosperity Sphere. We at IARC are happy to share Chicago Waves with the world in a time when peace-bringing sound and a sweet memory of live music, sparkling inside the collective breath of community in community space, has potential to provide the utmost nourishment.
International Anthem Recording Co. 3231 S Halsted St #222 Chicago, IL, 60608 www.intlanthem.com
CD – 603784912660
North & South American Distribution:
Will Savery – will@redeyeworldwide.com Label Contact:
Scottie McNiece – scottie@intlanthem.com
HEN OGLEDD FREE HUMANS
TRACKLISTING 1. Farewell 2. Trouble 3. Earworm 4. Crimson Star 5. Kebran Gospel Gossip 6. Remains 7. Paul is 9ft Tall (Marsh Gas) 8. Space Golf 9. Time Party 10. The Loch Ness Monster’s Song 11. Flickering Lights 12. Bwganod 13. Feral 14. Skinny Dippers CATALOG NUMBER: WEIRD127 RELEASE DATE: September 25, 2020 FILE UNDER: Alternative “H” CD Boxlot: 30 UPC: 887833012727
DOUBLE LP w/ DOWNLOAD Boxlot: 20 UPC: 887833012710
Vinyl is non-returnable
WEIRD WORLD 20 Jay Street, Suite 626 Brooklyn, NY 11201 718.797.4229 / dominorecordco.com Contact: Cyrus Lubin cyrus@dominorecordco.com REDEYE 505 Eno Street, Hillsborough, NC 27278 Contact: Will Savery will@redeyeworldwide.com
OVERVIEW
Free Humans is the new album from Hen Ogledd; the cosmic quartet comprised of Richard Dawson, Rhodri Davies, Sally Pilkington and Dawn Bothwell.
Free Humans picks up where the luminous Mogic left off, taking a deliberately organic and natural approach to follow Mogic’s digital overtones and themes of artificial intelligence. Bouncing off the walls with sonic ideas, sociological and environmental barbs, and hilarious but sentimental wordplay, Free Humans perfectly encapsulates Hen Ogledd's democratic whole. In their own words, Hen Ogledd perfectly set up the delightfully kaleidoscopic landscape of what you're about to hear in Free Humans:
FREE HUMANS is a sprawling musical map of mysterious lands – beaches, holy cities, discotheques, graveyards, bogs, lochs, and forests on distant planets. FREE HUMANS is an exploration of the true nature of time. FREE HUMANS is the song of human folly as heard by the worms wriggling underfoot and the leaves flapping overhead. FREE HUMANS combines pop, dance, ABBA, abracadabra and the avant-garde to create an exciting and propulsive new sound for the onrushing 20's. FREE HUMANS is an expression of friendship and fellowship. FREE HUMANS is an egg within an egg within an egg within an egg...
SELLING POINTS • Free Humans is the second album from Hen Ogledd for Weird World, following their 2018 label debut, Mogic . • Double LP comes with download card. • Radio campaign to impact upon release.
M WARD DUET FOR GUITARS #2 SIDE A Duet For Guitars #2 Beautiful Car Fishing Boat Song Scene From #12 Good News The Crooked Spine Look Me Over SIDE B Who May Be Lazy It Won't Happen Twice He Asked Me To Be A Snake And Live Underground Song From Debby's Stairs It Was A Beautiful Car Were You There? Not A Gang Duet For Guitars #1
LP-JBR-0061X
• Limited edition INDIE RETAIL pressing on coke-bottle clear vinyl Originally released in 1999, M. Ward's debut is a sparse, mostly live affair recorded with pal and engineer Adam Selzer of Norfolk & Western at Type Foundry Studio in Portland, OR. Listeners who are already accustomed to Ward's breathy, conversational vocal delivery and soft-picked, West Coast Americana melodies will find much to love here. Duet for Guitars #2 is peppered with instrumentals in the John Fahey and Bad Timing-era Jim O'Rourke vein, and Ward's lackadaisical picking sounds just as lazily precise here as it does on future recordings. There's a real warmth to the sessions that transcends the often bare-bones production. For the most part, it sound like most takes were done live with two microphones, with the occasional overdub, and that style suits Ward's dreamy tales of molasses-slow teenage summers ("Beautiful Car") and oddball parables like "Fishing Boat Song." It's also interesting to hear him shedding the inflections of some of his more obvious heroes like Neil Young ("Who May Be Lazy") and Bob Dylan ("It Won't Happen Twice").
1 – Anima 2 - Celestial Web 3 - Vestal Waters 4 - Inner Dreams 5 – Fluxes 6 – Hypnotik 7 – Sylphonia 8 – Bicameral 9 – Apeiros
Artist: Title:
Format: Catalog No. UPC/EAN
2xLP (blue) HTH124SP 5065000444570
Format: Catalog No. UPC/EAN
2xLP (black) HTH124 5065000444587
Sophia Loizou Untold
Release date: 09/25/20 Composer and multidisciplinary artist Sophia Loizou's new album for Houndstooth, Untold, depicts a series of speculative sonic landscapes. Animals, ocean waves and weather systems are abstracted into ecocentric cyber-dreams in powerful ambient electronic compositions, inviting us to try to see the Earth through the eyes of others. Untold is not about the natural or the technological but the relationships between the two, where sonic textures, breaks and melodies are shaped by the dynamics of a lion’s roar or the rhythm of a dolphin’s echolocation emissions. "I didn't want to make it human-centric," explains Sophia. "I wanted to remove my compositional and structural domination, to find ways to make it about the symbiosis of systems I see in the world." “In essence Untold is soundsystem music inspired by my formative experiences at outdoor raves where the sound of music mixed in with the natural soundscape. It was the catalyst to the other aspects of my research and is a development on my previous releases.” Highlights: • Loizou is currently working on a PhD at Goldsmiths, University of London, and is a lecturer in music production. • Loizou operates at the intersection of contemporary electronic music, speculative fiction and the ecological. • 100 of 300 limited edition blue vinyl exclusive to Redeye.
Houndstooth Records 77a Charterhouse Street London, EC1M 6HJ, UK fabriclondon.com - +44 207 549 4168 Rob Butterworth - rob@fabriclondon.com Rob Booth – rob.booth@fabriclondon.com
Redeye worldwide 505 Eno St. Hillsborough, NC,27278 redeyeworldwide.com
MI’ENS
“Future Child”
STREET DATE: September 25th, 2020 • Debut album for Kill Rock Stars • Limited Edtion Colored Vinyl Mi'ens is a mathy noise rock duo from Vancouver, Canada, founded in 2012. Experimental, with a side of sparklepop. Mi'ens is the female-fronted shredding of Kim Glennie on guitar/loops/Moog, backed by the polyrhythmic blastbeats of Evan Heggen on drums. Their unique brand of math noise consists of live loops, layered textural guitar and effects, the warm, analog drone of the Moog, coupled with well-placed vocalizations, all atop breakneck beats. Mi'ens veers into the territory of art rock/post rock on their latest, Future Child, a follow up to 2017's Challenger. Mi'ens has toured the US, UK and Canada, and has opened for Tera Melos, Elephant Gym, LITE and Drug Apts.
COLORED VINYL
LP-KRS-663LE CONFIG: Magenta Vinyl UPC: 759656066310 Genre: Alternative
LIMITED EDITION 300 NON RETURNABLE
Future Child is a departure and extension of their previous work, expanding on propulsive angularities, complex and experimental instrumentations, loops and feedback, the hum and whirr of the Moog, frenetic percussion, and intertwined guitar lines, from articulated to visceral. Recorded and mixed by Jesse Gander in spring of 2019 at Rain City Recorders in Vancouver, Canada, and mastered by Stu McKillop, Future Child is heavier and tighter than past works, awash with technical soundscapes, percussive momentum, and an underlying warmth within the sonic assault. Jesse has recorded Brutus (Sargent House), White Lung (Domino), Japandroids (Polyvinyl) and is known for representing a band's live energy while getting a thick, full sound. Kim produced the record, aiming to make the sound trippier and fuller than past outings, adding dense textures, buzz, blare and sonic experimentations. Hooks and explorations are at play within compositional frameworks, the dialogue between guitar, Moog, vocals and drums always pushing the boundaries. “Virtuosic and chaotic soundscapes.” Femme Wave Festival Recap: Beat Route "Reminiscent of Hella or Don Cab." "Complex conversational playing." "Trippy as fuck." Discorder Magazine WWW.KILLROCKSTARS.COM
SHITKID - 20/20 SHITKID September 25, 2020 Street date: August 21, 2020 File under: Alternative / Indie
LP-PNKSLM-080 Format: Black 12” vinyl UPC: 634457025103 LP-PNKSLM-080X Format: Indie exclusive 12” white vinyl (edition of 300) UPC: 634457028371 Tracklist: 1. 885 (navy) 2. FARMBOY 3. cool breeze 4. waste of time 5. dying to 6. dream sequence 7. FREAK 8. stubborn signs
ShitKid is back with new full-length album 20/20 ShitKid out August 21 via PNKSLM Recordings (Les Big Byrd, Yung, Hollow Ship, Chemtrails etc), the second ShitKid full-length of 2020 following the Melvins & Paul Leary collaboration LP Duo Limbo/“Mellan himmel å helvete”. 20/20 ShitKid also marks the return of ShitKid as the solo project of Åsa Söderqvist, with bassist Lina Molarin Ericsson leaving after their US tour in support of Duo Limbo. Leaving the grunge-infused rock of Duo Limbo and the pop-punk of 2019’s [DETENTION] behind her, ShitKid’s now continuing down the path of the 2017 debut LP Fish and the This Is It EP, opting for an alternative pop infused sound ranging from synth pop to garage rock, while showcasing her growth as a songwriter and musician. Press for ShitKid “the musical equivalent of matte black nail polish and thick wing-tipped eyeliner” – The FADER “heavier and slimier than we’ve ever heard from them before, and hit like walking in from the freezing cold into a muggy venue of sweaty bodies inhabited by moody personalities, especially in contrast to their most recent pop-leaning effort” – Vinyl Me, Please (Album of the Week) “packed with DIY charm, and we can’t wait to hear more” – Pigeons & Planes “an irresistible listen” – Bandcamp Daily “outrageously fun and filthy” – The Line of Best Fit “our latest scandi obsession” – i-D ALSO AVAILABLE: PNKSLM072-LP Duo Limbo/”Mellan himmel å helvete” LP (black 12” vinyl) UPC: 634457005327
PNKSLM024-CD Fish (digipack CD) UPC: 634457777422
PNKSLM Recordings P.O. Box 90145 12021 Stockholm Sweden www.PNKSLM.com info@PNKSLM.com
Exclusively distributed by Redeye worldwide excluding UK.
© 2020 PNKSLM Recordings
Felix Read Sales & Distribution felix@brownswoodrecordings.com
ARTIST: TITLE: LABEL: FORMAT:
Maisha Open The Gates Brownswood Recordings 12” / DD
12” CAT NO: DD CAT NO: 12” BARCODE: DD BARCODE:
BWOOD0229EP BWOOD0229DD 5060180324537 5060180324544
RELEASE DATE: ANNOUNCE DATE:
18th September 26th August
TRACKLIST: SIDE ONE: OPEN THE GATES (16:59)
SIDE TWO: OSIRIS LIVE (16:24)
London seven-piece Maisha return with new single ‘Open The Gates’, a 16-minute epic that draws deep rhythmic and musical tangents out of a simple melody and bassline. It comes backed with a beautiful live recording of ‘Osiris’ (taken from 2018 album “There Is A Place”), where the band amp up the original’s energy even higher, the track’s lyrical refrain pushed to maximum effect. Released on Brownswood Recordings, the record is manufactured in partnership with The Vinyl Factory, who will be pressing it on 100% recycled vinyl. The recording of ‘Osiris’ is taken from the band’s final show of 2019, in Lille, and sees bandleader Jake Long joined by the original line-up from the album sessions – Amané Suganami, Twm Dylan, Tim Doyle,Yahael Camara-Onono, Shirley Tetteh and Nubya Garcia (plus the bonus addition of regular band member Al MacSween on organ). It followed a heavy period of touring where they played sell out shows and festivals across the world. This included a series of shows with legendary saxophonist Gary Bartz, where they played a headline slot at Gilles Peterson’s debut We Out Here Festival and a show at Royal Festival Hall for the 2019 London Jazz Festival. The band announced their arrival with 2018 debut album “There Is A Place”, praised in The Observer, The Wire, Uncut, MOJO and Clash, drawing them support from Mary Anne Hobbs and Gilles Peterson on BBC 6 Music, and live sessions on BBC Radio 3’s J to Z and for Red Bull Music. They recorded a 2020 album “Night Dreamer” in collaboration with Gary Bartz. These two new recordings pay tribute to the group’s evolving make-up and style. On ‘Open The Gates’, regular touring band members Binker Golding and Tamar Osborn were in the studio, bringing their unique styles to the recording. While the live version of ‘Osiris’ is a document of how the way they play the song has grown and changed as they’ve toured and switched up the line-up. About The Vinyl Factory Vinyl Factory Manufacturing Ltd champions a business philosophy of People - Planet - Profit while acknowledging it faces some unique challenges with regards to raw materials involved in the process of creating world-class vinyl records. A recently published VFM mission statement reads, “Our aim is to be recognised as the most environmentally conscious pressing plant while delivering world-class product. Each day sets us new challenges and presents us with new opportunities and small acts when multiplied can make a WORLD of a difference”. For more information: https://thevinylfactory. com/plant/. About Brownswood Recordings Brownswood Recordings is the independent record label founded by DJ, record collector and broadcaster Gilles Peterson. Founded in 2006, it’s a platform for new artists to grow, and a space for established acts to break with tradition. An outlet for the eclectic breadths of Gilles’ taste as a DJ and collector, its early output broached new orchestral arrangements, full-throttle Japanese jazz and club-rooted soul music. Over a decade later, that inclusive attitude continues. Its output spans the new jazz messengers of the UK underground, fresh tangents in hip-hop-tipped-beatmaking, and snapshots of Havana’s burgeoning club culture.
www.brownswoodrecordings.com
Shlohmo Heaven Inc.
Catalog Number: FOF187LP Format: 7”, red in black “blob” color vinyl Release Date: September 25, 2020
"Latest entry on the human condition, angst and dread, and trying to find truth in this weird world. Fear of the future, hopeful delusion, distrust in power, futility, moments of escape, moments of warmth, floating above and passing through." Shlohmo
Side A:
Heaven Inc. Side B: Looking At Plants
“Heaven Inc.” was featured on Shlohmo’s 2019 BBC Essential Mix and seeing first official release after being heavily requested by fans Distribution contact: Adam Calman adam@k7.com
4 062548
015621
CHRIS SMITH SECOND HAND SMOKE STREET DATE SEPTEMBER 25 Second Hand Smoke is the long-awaited new record from Melbourne guitarist Chris Smith. It’s gorgeous. Chris has, for roughly a decade, been out of the public eye, out of the scene and literally out of town. Living a quiet, small-town life raising his daughter, but working all the while. Making music from anything and everything, including the electric guitar he is famous for wielding. Recording bits and bobs on phones, tape machines, sometimes in the studio. Eventually, bundling it all up (50 hours or so worth) and taking it to Phaedra Studios where he holed up with producer John Lee and put together this truly beautiful album. Second Hand Smoke is an experience to be inhaled in one breath. Calming and expansive, full of sweeping cinematic vistas and melancholy melody, awash with sometimes ragged and noisy guitar. It was largely built from 8-track home recordings and layered with found sounds, field recordings, spoken word as well as multiple instruments and vocals. Chris says he had no real concept for the album from the outset; it emerged at Phaedra with John. But like all Chris’s work, it blends experimental and ambient noise-making with more traditional songwriting. The results are extraordinary - introspective ballads, torn up blues and hallucinatory instrumentals. I’ll throw you a few references, but the truth is I hear something new every time I listen to Second Hand Smoke. Even more, I am reminded of the influence his singular guitar playing has had on music made in Melbourne over the last two decades. I told Chris I might bring up Ry Cooder, Mazzy Star, Rowland S. Howard, J Mascis and Neil Young as points of reference in this press material. He was ok about those but returned with Alex Chilton, John Lee Hooker, Thalia Zedek, Jon Brion and Dusty Springfield. And you’ll hear a bit of all that on Second Hand Smoke but really, Chris has a sound all his own.
IT RECORDS Fitzroy, VIC 3065 Australia Label Contact: Kate Reid itrekkids@gmail.com
SECOND HAND SMOKE TRACKLIST:
1. The Journalist Second Hand Smoke 3. Damage 4. New Blossom 5. Animal 6. 5am Again 7. Beeswax 8. Dumpster In The Sky 9. Sunny 10. Two Abstractions 11. La Gare Montparnasse 12. Oh, Sweet Nothin’ 2.
Second Hand SmokeLP IT-LP-17
box lot 50 LTD ED 300 units in total
Second Hand Smoke CD IT-CD-17
box lot 30 LTD ED 300 units in total
505 Eno Street, Hillsborough, NC 27278 Redeye Contact: Antonio Foxlee
antonio@redeyeworldwide.com
B
endrix Littleton is the writing and recording project of Nashville-viaDallas musician and producer Bennett Littlejohn. The selfaware, malaise-filled songs on his debut LP ‘Deep Dark South’ are imbued with the painful beauty of the modern American South, including themes of drug and
Label Contact: Caitlin Pasko caitlin@nnatapes.com
alcohol abuse, and the dissolution of relationships. Bendrix wrote most of the album on a vintage Harmony H162 acoustic guitar that he found at a flea market in Kentucky and restrung with higher pitched strings (a “Nashville tuning”). After running the tracks through a Tascam four track cassette recorder, which sped the songs up ever so slightly, Bendrix added layers of lap steel, dobro, and pedal steel. “I tried to pair instruments that typically aren’t used together--one’s that I’ve shied away from after playing them with uninspired country music.” ‘Deep Dark South’ conjures the feeling of wonder one gets from looking up at the vast Southern night sky.
Distro Contact: Will Savery will@redeyeworldwide.com 877-733-3931 x287
Artist: Bendrix Littleton Album Title: Deep Dark South Catalog #: NNA130 Release Date: September 25, 2020 Format: Digital, Cassette Digital: 634457026346 Cassette: 309272740028 RIYL Califone, Hovvdy, Fog Lake, Fraternal Twin, Elliott Smith, Florist, Caroline Says
ace of cups
SING YOUR DREAMS
RELEASE DATES: 9.18.20/9.25.20 | ORDERS DUE BY 8.28.20/9.04.20
HIGH MOON RECORDS
M A R I E D A V I D S O N & L’ Œ I L N U | G R AT E F U L D E A D | S A D 1 3