Pro Audio Asia May–June 2017

As I write this, the tradeshow season that so occupies our industry during Sound bringing up the rear in early April.

Opinions differ when it comes to tradeshows – whether or not they’re a good thing for business; if there are now too many; are some becoming irrelevant to our industry? However, it’s a fair bet that many people reading this will have attended at least one so far this year.

As usual, the year kicked off with NAMM, closely followed by ISE. Then followed the Guangzhou double act of Pro Light & Sound and GET, both of which are covered on pages 120 and 124 respectively, which brings us to Frankfurt.

Ah, Frankfurt. You can also read about it in this issue (page 126) and see for yourself what the industry thought of its incarnation this year. But whatever your experience or opinion of the above shows, one thing remains clear: they are a mirror of our industry, and a barometer of its current health.

So taking a lead from that, we can surmise that traditional MI business is not faring so well in Europe, though NAMM is certainly holding the side up in the US. And all things beginning with ‘I’ - install, integration, internet, IT and ISE itself - are enjoying a boom period as the industry changes tack.

(Incidentally you can read about how Sennheiser is adopting the Agile development methodology more commonly employed by the IT industry on page 134.)

Of course, one of the reasons that Frankfurt isn’t what it was could be that local shows – including its

It would appear that a perfect storm is breaking over Frankfurt, though as our report shows, it still has a large number of supporters. Meanwhile, ISE and the Chinese shows prosper. And the developments that are leading to the changing tradeshow landscape are undeniably shaking up our industry.

IN THIS ISSUE

Richard Lawn:

GENERAL MANAGER rlawn@proaudioasia.com

Frank Wells:

T: +1 615-603-7689

M: +1 615-585-0597

EDITOR – WORSHIP AVL fwells@worshipavl.com

Sue Gould:

ADVERTISING DIRECTOR sgould@proaudioasia.com

James Ling:

SENIOR EDITOR jling@proaudioasia.com

F: +44 1892 676282

REPORTER jcooke@proaudioasia.com

Nick Smith:

T: +44 1892 676280 F: +44 1892 676282

PRODUCTION MANAGER abaker@proaudioasia.com

Raymond Boey:

T: +65 6457 2340 F: +65 6456 2700

SINGAPORE OFFICE rboey@proaudioasia.com

DIGITAL MEDIA MANAGER nsmith@proaudioasia.com

Frank Shao:

T: +86 10 8652 5184

BEIJING OFFICE frank@proaudioasia.com.cn

PUBLISHED BY:

Carolyn Valliere:

SALES ASSOCIATE cvalliere@proaudioasia.com

Marne Mittelmann:

CIRCULATION circulation@proaudioasia.com

17 Upper Grosvenor Road, Tunbridge Wells, Kent TN1 2DU, UK

Samsung completes Harman acquisition

WORLD: Samsung Electronics has completed its acquisition of Harman International following ‘the satisfaction of all conditions to the closing of the transaction, including approval of the transaction by Harman stockholders and receipt of all necessary regulatory approvals in the United States and certain foreign jurisdictions’.

Harman president and CEO, Dinesh Paliwal, will retain his role alongside the company’s existing management team. Samsung has stated its intentions to retain the Harman work force, headquarters and facilities, as well as all of its consumer and professional audio brands.

‘The close of this transaction opens the door to create substantial growth opportunities

customers worldwide,’ said Young Sohn, president and chief strategy and chairman of the board at Harman. ‘Bringing together Harman’s iconic audio brands and capabilities paired with Samsung’s leading display technologies will deliver enhanced audio and video

experiences to consumers and professional end markets.’

‘We are excited to have completed the transaction, which provides compelling cash value customers and provides new opportunities for our employees,’ commented Mr Paliwal. ‘Samsung

STM debuts in China

French manufacturer’s Guangzhoubased dealer, Hertz Audio, with assistance from Hong Zing Audio Equipment and Nexo distributor Top Plot International.

The house PA consists of M28 cabinets complemented by STM B112 bass modules and STM S118 subwoofers. ‘At Yu Bar, the ample height means that the PA system can be installed at the optimal height and position, without the usual compromises,’ explained Michael Chow, marketing manager at Top Plot International. Clusters of three M28 loudspeakers – two with 90°dispersion, one with

The DJ booth is surrounded by LED

provides Harman with the scale, platform and complementary technologies to accelerate growth and extend our global market leadership in automotive, smart audio and connected technologies.’ Following completion of the acquisition, Harman’s common stock has ceased trading and has

been delisted from the NYSE. All Harman stockholders are set to receive $120.00 per share.

The acquisition was driven by Harman’s presence in the automotive and consumer sectors, the automotive sector accounting for approximately 65 per cent of Harman’s US$7 billion of reported sales. ‘We see transformative opportunities in the car – and a future which seamlessly connects lifestyle across automotive, home, mobile and work,’ noted Mr Sohn. ‘Samsung’s and Harman’s leadership in these spaces perfectly positions Samsung to be the preferred partner to our OEM customers.’

www.harman.com

www.samsung.com

more than 20 LS18e subwoofers have been installed throughout the venue, as well as 28 PS15-R2 loudspeakers, eight PS10-R2 and a pair of ID24s, which are deployed

drive the system.

screens on either side, each of which is accompanied by another M28/B112 cluster. Additionally,

www.hertz-group.com

www.nexo.fr

www.topplot.com.cn

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Bose ShowMatch debuts in Singapore

coverage of either 5°, 10° or 20°. ‘Our competitors have been around for 10 or 15 years here in South East Asia,’ Mr Koro noted. ‘We’re taking a different approach and are presenting a game changer with DeltaQ technology. It’s not acoustically challenging venues, but also for the portable market.’

SINGAPORE: Bose Professional recently staged a presentation at the Hard Rock Hotel’s Coliseum venue on Sentosa Island to launch its ShowMatch DeltaQ array for the Singaporean market.

‘Singapore is the 25th stop of

our DeltaQ roadshow around the world,’ said Fuat Koro, director of global marketing and business development of Bose’s professional division. ‘We’re happy with the attendance.’

With live music and opulent

catering on one hand and Bose’s sales engineer Scott Angove’s in-depth presentations of the ShowMatch DeltaQ system on the other, the event drew much attention of the 100-plus people in attendance, from both install and rental audio pros in the region.

Bose’s DeltaQ comprises three speaker models, named SM5, SM10 and SM20, differing in vertical

‘ShowMatch DeltaQ is a very decent sounding system, and the rigging is simple and a big time

Day, freelance sound engineer and owner of DayTime Audio in Sydney, Australia. ‘This rig here was up in maybe 15 minutes. I’m thinking

about taking the system on a 40date tour starting in October. Most of the venues are theatre-style, waveguides by setting the coverage once before the tour to the optimum for the vast majority of venues.’

Also on site was Christian Liebenberg, regional sales manager for Bose, who was preparing for his relocation from Dubai to Singapore shortly after the event. Singaporean pro audio veteran Yusof Ahmad, who joined Bose recently in the role of sales manager for South East Asia, commented positively, ‘We collaborate very well. So, I appreciate the move and look forward to Christian strengthening our team here in Singapore.’ pro.bose.com

FBT mourns co-founders

WORLD: FBT founders Vinicio Tanoni and Bruno Baldoni have both passed away. The pair died within a month of each other.

Baldoni, the passionate audio enthusiast who saw the future they would create together. Yet as strong as FBT grew, in his heart, Mr Baldoni

Mr Tanoni and Mr Baldoni established FBT in 1963. The pair created a small workshop handmade guitar amps were originally produced. In the 1970s, FBT switched its attention from systems and has since gone on to win numerous awards for many of its pro audio designs.

A statement from the company credits the pair with ‘helping to lay the foundations of the modern music and audio industries. Their partnership was one of mutual understanding – Mr Tanoni, the meticulous engineer, and Mr

was inspired simply by his love of music and sound. Today, it is our and continue the work of these two www.fbt.it

CSA is in control at Aston Sentul

touch application panel for mobile devices.

In addition to the control and presentation system, CSA installed an audio reinforcement solution in the ballroom comprising JBL Control 47HC, Control 40CS/T, Control 50Pack, RX725, PRX718XLF, PRX715, and portable EON615 loudspeakers. Powered by a pair

the system also includes a dbx db12 audio processor and takes its sources from a selection of AKG microphones systems including CGN521STS tabletop and WMS470 D5 wireless sets.

DiGiCo penetrates India’s rental market

INDONESIA: Located south of Jakarta in Sentul City-Bogo, the Aston Sentul Lake Resort and Conference Centre is a four-star resort offering 212 guest rooms and suites, eight villas, 11 stateof-the-art meeting rooms and a ballroom able to accommodate up to 900 guests. With Sentul City set to embark on a largescale development plan of up to 3,000ha – encompassing new schools, hospitals, golf courses, sports facilities, shopping malls and conference centres, as well as a new generation of transportation (LRT) that connects the central area of Jakarta and Bogor City –the hotel was also looking for a complete, up-to-date and easily controlled audiovisual upgrade for its ballroom, choosing to enlist CSA Indonesia for the project.

all-encompassing automation system built around an AMX Enova DGX 800 UHD/4K digital media switcher system installed in the equipment room and three AMX Enzo presentation systems. The

with two DGX-I-DXL twisted pair 4K input boards and two DGX-ODXL twisted pair output boards, as well as an Enova DGX Audio Insert/Extract Board. In addition, six DXLink multi-format wallplate

receiver modules, an ICSLan Serial Interface with two Ports and a pair of ICSLan eight-channel relay interfaces provide the necessary HDMI-capable signal distribution required to support events, gatherings, conferences and parties in the ballroom. Remote control of the systems can be achieved via the AMX TPC-IPAD

A Soundcraft Si Expression 3 mixing console provides overall system control. For lighting, CSA Indonesia also installed Martin

Plus moving heads and Aura Washes. Lighting control is from a Martin M-Play controller.

‘Aston Sentul was looking for a complete and up-to-date audio and visual upgrade that can be controlled easily,’ explained CSA’s Virajith Chandrasekara. ‘We want to provide them with the best audio, automation and lighting products, and our AMX automation solution is the perfect answer to their requirements.’

Following the install, Christian Djoeharnoko, director of sales and marketing for Aston Sentul commented that: ‘CSA and Harman products are famous for their quality and reputation. The overall sound is great.’

www.csa-projects.com

www.sentul.astonhotelsasia.com

INDIA: Three Indian rental companies have recently invested in DiGiCo consoles. An SD10 and two D2 racks have become the latest tools in the inventories of Mega Sound and Beats Light & Sound, while Sound.com has invested in an SD5, adding to the SD10 that is already on its roster. All three purchases were facilitated by the British manufacturer’s Indian distributor, Hi-Tech Audio Systems.

‘Being in a demand driven industry, we have to upgrade our inventory with the latest products,’ explained Beats Light & Sound owner Sanjay Chaudhary. ‘I believe the DiGiCo SD10 is one of the most ridercompatible consoles in the industry.’

‘We work across different applications and SD10 is the right addition to our existing stock,’ explained Mega Sound managing

director, Siddharth Chauhan. ‘The the Stealth Digital Processing and, in conjunction with the new D2 Rack, can run at 96kHz sample rate.’ Sound.com managing director Warren Dsouza explained that his SD5 purchase was due in part to

to DiGiCo’s partnership with Waves that produces DiGiGrid interfaces. ‘It is the most rider-acceptable console globally and with Stealth Core 2’s processing horsepower, increases the SD5’s channel count to 243 inputs, 124 aux and 24x24 matrix,’ he also noted. ‘It was almost like investing in an SD7 without a dual engine.’

www.digico.biz

www.hitechaudiosystems.com

ULTIMATE POINT SOURCE

THE ONES are uncompromised 3-way point source monitors that not only promote faster and more consistent production decision making, but also longer listening time than a traditional loudspeaker, because unnatural imaging, a main contributor to listener fatigue, is reduced.

SOUNDBITES

White eagle soars with amate at smoke on water

THAILAND: Thailand’s Kasikornbank (KBank) is one of the oldest established banks in Thailand. To cater to recent rapid growth, the bank has opened a new 11-storey

Systems integrator Mahajak was rooms of varying size inside the new building with audio technologies.

INDIA: Serving up pizzas and gourmet burgers, Smoke on Water in New Delhi is a sports bar and restaurant with décor that follows a rock ‘n’ roll theme. An Amate Audio solution supplied by the manufacturer’s Indian distributor, White Eagle Entertainment, delivers sound playback when sporting events are displayed on the television sets around the venue and plays rock music the rest of the time. JK26 loudspeakers from Amate’s Joker series have been installed throughout the venue. These are paired with Key15W and Key18W subwoofers, which provide bass reinforcement. The system is powered by HD3200

is courtesy of a DSP206 loudspeaker management system.

www.amateaudio.com

www.soundlight.in

Growth leads to expanded HQ at Adamson

WORLD: Adamson Systems

Engineering has recently undergone an expansion of its Canadian headquarters. The extension to the 3,716 sq-m site in Port Perry, Ontario comes following a reported ‘three years of rapid growth’ that has resulted in increased demand from the

Of the 100 meeting rooms, 68 were small spaces for providing presentations from laptops and no audio system was required. Mahajak supplied Razr WMW-A120 projection screens, while the owner supplied 3,000 ANSI lumens short throw projectors in these rooms.

Two larger meeting rooms required an audio system that would allow a presenter to move around freely, necessitating the use of wireless mics which were supplied by the venue owner. The 22-seat meeting

room has been installed with four JBL Control14C/T loudspeakers and a JBL CSMA1120 mixer, while the eight Control16C/T cabinets powered making use of a BSS Blu-50 due to the ceiling height. The visual system in both rooms is Blu-ray compatible and can also be used for presentations. In the smaller

of the two rooms media content can be controlled via an AMX CP-3008 control panel, while the larger enjoys an NX-2200.

A further eight project rooms of screens and visual systems in a layout similar to the other two meeting rooms, but an audio system was not required. The installation is similar to other rooms, featuring AMX CP-3006 and CP-3008 panels.

The company’s ‘War Room’ is

divided into two sections and uses a VDO wall system arranged by the owner for system and meeting monitoring with an Extron videoconferencing set for meetings. This enables video to be displayed on 15 LED screens both independently and as an integrated group, and offers wireless control via an iPad compatible with AMX. The audio equipment includes 14 Control14C/T speakers, Crown CT4150 amps and BSS Blu-100 processors, while the control system consists of an AMX NX-3200 and MST-431.

For the remainder of the 16 boardrooms, Mahajak arranged interconnecting cables to use with portable systems that the bank provided. Mahajak was also required to provide A/V reinforcement in the canteen, where a corporate private programme is displayed through televisions mounted to the wall. Here, 24 JBL Control65P/T pendant speakers are powered by a Crown a 28M mixer.

According to Mahajak’s project sales engineer, Maruedon Boonphetcharat, the hardest challenge was the very tight turnaround. However, ‘thanks to our team we were able to hand over the project on time,’ he concluded.

www.mahajak-pro.com

manufacturer’s sales network. While the expansion is dedicated to the company’s manufacturing and R&D departments, the existing facility has seen renovations made in the research, product development and education areas. Adamson has also reportedly invested in machinery and manufacturing technologies.

www.adamsonsystems.com

INDONESIA: Located in the heart of the city from which it takes part of its name, the Swiss-Belhotel Yogyakarta recently commissioned a new audio solution. This resulted in the installation of a setup built on a foundation of Ecler loudspeaker systems, installed by the manufacturer’s Indonesian distributor, FS Audio.

‘The client brief was to have high quality audio throughout the lobby, meeting rooms and the restaurant,’ recalled Ronaldy Wianto from FS Audio. ‘It also called for BGM in the lounge and bar with the ability to accommodate a DJ and live music performances.’

Starting in the lobby, eight Ecler IC8 ceiling speakers and four Audeo 106 have been installed with two Audeo 108 outdoor speakers deployed at the entrance. Power is

and a Mimo88SG serves as the processor and eight-zone controller, which can manage the playback of individual sources for each of the zones simlutaneously. At the start of the signal chain is a Presonus AudioBox 1818VSL as the interface for a music server PC.

The restaurant has been equipped with seven Audeo 103 speakers and six of the 106 outdoor units, as well as a pair of ICSB10 ceiling subwoofers. An Ecler MPA6-

Meanwhile, in the bar, FS Audio implemented two Audeo 106 speakers with an Audeo SB110P subwoofer.

two function rooms have been 8P cabinets and a Verso SB115P sub each. Handling processing is a Mimo88SG which also serves as a matrix I/O. The room can be combined as one large function room, managed by a WPTouch digital wall remote control panel, while a Soundcraft EFX8 takes care of mixing. Also situated on this level

is a meeting room furnished with two IC8s, a WPmMix-T wall panel micro-mixer with PSU power supply and an HMA120 self-powered mixer.

meeting rooms and two board rooms. The meeting rooms are each installed with IC8 speakers and WPmMix-T wall mixers with PSU power supplies. One of the meeting rooms has been provided with a WPTouch wall control, another possesses an NXA4200 and the last houses an HMA120 self-powered mixer. The board rooms have both whereas one has been installed with an HMA120, the other is equipped with a WPmMix-T and PSU.

FS Audio installed six Audeo 106 outdoor speakers in the swimming pool facility with a pair of IC8s at the elevator entrance. The pool bar hosts four Ecler Arqis 106 architectural loudspeaker modules, two Verso SB115P and two ICSB10

gym and spa area are two IC8 and Audeo 106 speakers with an Audeo 103 cabinet, an Audeo SB110P sub, a pair of WPmVol wall volume control systems and an HZA4-120F

In addition to delivering racks and cabling, FS Audio also supplied a variety of portable solutions, including various Shure wireless microphone systems. An Allen & Heath Qu-16 digital mixer was also provided, as was a range Ecler Verso solutions. An Ecler Alma 26 digital loudspeaker manager is employed for when DJs perform, as well as a Soundcraft FX16ii mixer. Several Epson and BenQ projection systems were also delivered.

www.ecler.com

JAA Systems brings KK12FM to the airwaves

MALAYSIA: KK12FM recently started broadcasting in Kota Kinabalu. The local radio station called upon JAA Systems to design and integrate the solutions for its master control room (MCR), production and on-air studios.

The systems integrator delivered a Klotz Graphite One 12-fader mixer, an RCS radio automation solution, an Orban Optimod 5500 processor and a variety of additional equipment. The project was completed in two weeks and it was this short timeframe allocated, as well as logistical issues owing to the radio station’s location, that presented the biggest challenges.

‘As Kota Kinabalu is a two and a we had to plan in advance which cables, connectors and equipment

needed to be shipped in for the installations,’ explained Azhar at JAA.S. ‘Of course, many

unexpected issues still cropped up. So, it was a challenge to ensure that all the goods arrived on time so that the installation team

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could complete the work before deadline.’

JAA.S completed the work, drawing upon its previous experience in been building radio stations and studios for several years,’ said JAA.S director David Chan. ‘We always enjoy our role in building and integrating radio studios.’

The end result was a happy client: ‘Formulating a radio station for KK was indeed a challenge in an already saturated marketplace where many media platforms are battling for “ears and eyeballs”,’ said Terence Dorairaj, business development consultant at the radio station. ‘However, I believe we have come up with a unique proposition for KK – one that stands out from the rest both in format and positioning. We are glad that JAA.S was part of the team that built the KK12 FM studios and happy with their professional team and that the project was realised in such a short period of time.’

www.jaasys.com

‘I believe we have come up with a unique proposition for KK’

Sennheiser helps make visual art from sound

HONG KONG: Continuing the partnership established last year, Sennheiser once again explored what will ‘shape the future of audio’ at Art Basel in Hong Kong. The German manufacturer used the event to examine the convergence of art and audio, presenting an installation by the musician Sven Meyer. Titled KYMAT, the piece depicts sounds as a visual rendering and forms part of Sennheiser’s Future Audio Artists Programme. The programme was launched by Sennheiser at the beginning of its partnership with Art Basel at the Hong Kong edition last year. It continued at the Miami iteration later in 2016 and again at the 2017 Hong Kong version. It sees collaboration between the manufacturer and sound artists from around the world. ‘This

Rental company adds S7000 at its core

powerful combination of innovation and imagination drives Sennheiser’s vision to shape the future of audio and give listeners new ways to experience sound,’ said Pierre Eloy, managing director, Greater China at Sennheiser Electronic Corporation.

Mr Meyer explained his artwork: ‘In KYMAT, my visual rendering is not the translation of a machine,’ he said. ‘I send a certain frequency into water which creates a shape. The fascination that such an installation evokes can be explained by its capability to make sound visible in an aesthetically striking way.’

Sennheiser also presented attendees at Art Basel with the opportunity take part in listening sessions with its HE-1 headphones.

www.sennheiser.com

INDIA: Allen & Heath’s Indian distributor, Sun Infonet, has system to rental company Audio Core. The system comprises an

been deployed at a pair of events following delivery.

One of the events was a large wedding ceremony, held at the NSCI Dome in Mumbai for the performance of local artist Sarosh Nanavaty. ‘We suggested that the artist go with the S7000 console,’ said Bijon Bhadra of Audio Core, who served as the mix engineer.

as the main PA with multiple delay stacks of Nexo PS15s.’

Mr Bhadra also noted that this system was powered by a mixture of Nexo, Camco and while vocals and music were captured by six Shure microphones. ‘The artist and the client were very happy,’ Mr

The S7000 was also utilised

at the NSE Nesco Complex in Goregaon for Deutsche Bank’s ‘Town Hall’ event that brought together staff members from the abroad. ‘Audio was running both ways for video conferencing with many dignitaries on stage,’ said Mr Bhadra. ‘The S7000 allowed us to run 128 inputs with minimal set up time.’

Sound reinforcement at this event called upon a Nexo Geo S12 system with RS18 subs as the

main PA, once again supplemented by delays of PS15s. All power was via Nexo amps and a variety of Shure mics and lavaliers were used.

‘We have partnered with Deutsche Bank for the last four years,’ said Mr Bhadra. ‘The client was happy upgrade.’

www.audiocore.in

www.suninfonet.net

BXB honoured for Taiwan Excellence

TAIWAN: BXB products have won prizes at the Taiwan Excellence

Picking up honours this year were the four products from the Taiwanese manufacturer’s ICP-5000 IP-based A/V, broadcasting and smart management series: the ICP-5030 single-channel multimedia

player, the ICP-3050 multi-channel audio processor, the ICP-5051 PA system operation panel and the ICP-5072 graphical control software for use with audio and broadcast solutions.

The Taiwan Excellence Awards are organised and presented by the Ministry of Economic Affairs

Run to the hills

INDONESIA: Translating to ‘beautiful mountain’ and located to the south of Jakarta, Gunung Geulis rises to an elevation of 500m above sea level. Tucked away in this remote area, a luxurious 5-star retreat hotel has just opened in Puncak Ciawi with the aim of attracting both leisure and business customers. With its vista of Bogor and fresh mountain air, the Royal Tulip Gunung Geulis Resort & Golf is furnished with 173 luxury hotel rooms, spa and health facilities, sports facilities, bar, lounge and restaurants. PT Gracia Auvindo dutifully took a paid vacation away from the congestion and heat of North Jakarta to provide the new resort with its varied audio requirements.

rooms to the grand ballroom, the resort is fully equipped with facilities that can cater for corporate meetings, events and weddings. The meeting rooms – IRoom, Cloud I, Cloud II, Focus I and Focus II – are accommodate groups of up to 14 to pre-function area are equipped with A/V technology including projectors, whilst the addition of dual Tannoy CVS4 ceiling speakers enhance speech intelligibility. Powered by

the 12 4-inch models receive their output via a Symetrix Solus 16-in/ eight-out processor. Whilst the DSP have been programmed, the facility manager or meeting facilitator can

presets via the Symetrix ARC-2e menu driven wall mounted remote controls.

For larger events, guests enter via a separate entrance into a 300 sq-m pre-function area before being shown into the 600 sq-m St Andrew’s grand ballroom.This can be divided into four separate rooms that face north, south, east and west. Although the lower ceiling area of the pre-function area is equipped with six CVS4 ceiling speakers, the main ballroom is capable of producing higher SPLs courtesy of the 24 CVS8 speakers that have been unobtrusively integrated into its interior design. Whilst a Lab.gruppen Lucia 120

and speeches are clearly audible in the main ballroom for the 60W rated 8-inch coaxials. Once again, a Symetrix Solus 16 processor lies at the heart of the system, for which individual DSP settings can be

ARC-2e wall controls.

The PT Gracia Auvindo team has

and the Taiwan External Trade Development Council and awarded to Taiwanese manufacturers that have best displayed innovation and value in their products. Although BXB has won numerous prizes from Taiwan Excellence over the last half a decade, the honour given to the the company has been recognised for its software.

The ceremony was attended by BXB president Penny Wu and vice president Jerry Hung. The four BXB products awarded were selected from a total of 1,155 products submitted for consideration by manufacturers across the country.

www.bxb.tw

replicated similar designs based upon the Tannoy and Lab.gruppen combination in the all-day dining area, bar, lounge, pool, gymnasium and spa areas. The bar and lounge can host live performances for which a DDA DM12 console can be output to a portable speaker system when required. Sources such as an iPod normally provide the BGM to the eight CVX4 and two CMS801 speakers powered by a Lucia 240

Abbreviated from ‘Localised Utility

centralised system design. Weighing less than 2kg in a half rack width unit that is 1U in height, the dual 120W model is not only capable of providing

ample power to the 10 ceiling speakers, but also offers processing and control. Additionally, the ultracompact form factor also allows easy placement next to a projector or integrated into a reception counter, podium or bar area, whilst all input and output connections are on Euroblock screw terminals and level setting is available on front panel potentiometers. ‘They save us a lot of time installing systems on site,’

Brian Ikhsan. ‘Our clients also like them as they can be discretely placed.’ The all-day dining area includes an outdoor zone equipped with IP55-rated Tannoy DVS6T cabinets, which in addition to the indoor ceiling speaker solution is powered

Like the bar and lounge area, a DDA DM-12 console can be employed for live performances. The pool area is equipped with a combination of eight Tannoy DVS6T and eight FBT cabinets powered by a single E4:2 a straightforward design and we enjoyed a great relationship with our client,’ furthered Mr Ikhsan. ‘It was a very remote location, which in many ways made a welcome change for our installation team. However, on the rare occasion that we forgot to take anything to site, it could pose a problem.’

www.graciaauvindo.com

www.royaltulipgununggeulis.com

Fulcrum provides an education in portability

AUSTRALIA: Christian College, an independent school with Geelong, has recently taken stock of a new portable sound

débutante balls to art shows and

The school therefore required portability in addition to

Another consideration was that the solution be easy to handle

Acoustic in the past, Christian choice for the school’s portable purchased can be deployed as

loudspeakers’ sound quality and consistent intelligibility for our entire audience,’ noted Ben www.fulcrum-acoustic.com

DD turns to Lawo for New Delhi upgrade

INDIA: Doordarshan (DD), reportedly the largest terrestrial broadcast network in the world relay stations spread across of the population, turned to

well as price, we won on our

Lawo when upgrading the TV news studio at its New Delhi Sun Broadcast to handle the project, the broadcaster has with the console order placed installation then got underway with ‘We won the tender with a

Also reportedly key to the Lawo’s product reputation, is expected to take one year www.lawo.com

35 Years

d&b is 35. Shane is d&b.

Shane Bailey is Managing Director of National Audio Systems, d&b Distributor for Australia. thing that struck me was the sense of working together. I’ve made many close friends through d&b and we’ve never settled for anything less than the best sound we could ever achieve. What a great journey.” In 35 years d&b has evolved from a small garage venture to a worldwide standard in professional sound systems. It’s people like Shane

Welcome

Fohhn applies its science in NUS LT6

SINGAPORE: Ranked as Asia’s top university in both the QS World University Rankings and the Times Higher Education World University Rankings in 2016, The National University of Singapore (NUS) is both the oldest and the largest university in the Lion State. When the Faculty of Engineering (FOE) was inaugurated

was recently upgraded by Swee Lee Holding. In terms of visuals, the 350seat fan-shaped auditorium is now equipped with left-right and centre Epson 4K projectors and electric screens. In addition, the portable microphones and document visualisers, together with full VGA,

the eye, the 2.20m high LTI220

incorporate 16 4-inch neodymium woofers. Each transducer is powered by an individual 100W settings including vertical dispersion monitoring, beam angle, acoustic focus, equalisation, internal delay, compression, limiting and presets.

110°, the vertical sound inclination angles for all 16 woofers have been

-40° and +40°.

in 1968, a demand for professional audio loudspeakers beyond cinema screens had been sparked by the classrooms and lecture theatres of the day relied on the spoken word being delivered in a booming voice by lecturers. Fast forward half a century and Lecture Theatre 6 (LT6) now boasts a sound reinforcement system that allows the meekest of speakers to deliver perfect tones.

Located within the Faculty of Engineering, the A/V system of LT6

mic and video inputs. Although speech was stipulated as the main criteria for the new audio system, full range capabilities were required in order to cater for live performances, video and music playback that would

Following a successful loudspeaker demonstration by Control Logic Systems, LT6 is now furnished with L-R Fohhn Linear Focus LFI220 wall-mounted column speakers augmented by L-R ceiling suspended XS30 subwoofers. Unobtrusive to

VSM is in control at MediaCorp

SINGAPORE: Mediacorp has relocated to its new production facility in Mediapolis that caters for its seven television channels and 12 radio stations. Serving as the overall control solution across the new facility is Lawo’s VSM broadcast control and monitoring system, reportedly selected due to its redundancy functionality and and programme preparation. The site is equipped with a pair of redundant Miranda routers that manage audio and video switching. The VSM has been set to ensure the synchronisation of these two routers, allowing each to serve as a back-up should one fail, and for to be carried out without interfering with the production schedule.

feature is also utilised at the site’s Distribution/Contribution area to

enable the conversion of incoming sources, from OB vehicles for be made available throughout the facility.

Fohhn’s Two-Beam Technology allows the speakers to generate two separate beams in their vertical dispersion range, providing simultaneous and focused coverage of different audience areas. Whilst the acoustic centres of both beams can be set anywhere from the top to the bottom of the column, the addition of side lobe free technology ensures that unwanted side lobes are suppressed. Operating within a frequency range of 60Hz to 17kHz, the two 15kg

left and right of the stage providing without feedback. Together with the electronic control of the speakers’ dispersion, even distribution is cylindrical wave decrease by 3dB,

instead of 6dB, as the distance doubles. Musicality has been provided with the addition of two XS30 single 15-inch active subwoofers to 35Hz when required. Live audio console in the rear control room. By running Fohhn Audio Soft v4.0 software on a laptop, the NUS technicians can simply recall a saved audio setting depending on the programed event being hosted in LT6. The software allows access to the connected audio device presets and the Linea Focus simulation, whilst parameters such as operating status, time and temperature can also be controlled from the same GUI. Should it be required at any

stage in the future, Swee Lee Holding has the option to remote control and monitor the LT6 loudspeaker system via Fohhn Net. The green campus credentials are further enhanced by the LTI220’s ability to switch to standby mode when no signal is detected after a period of time. Whilst the FOE advances studies such as Bioengineering and Civil and Environmental Engineering, it wouldn’t be surprising if the German technical engineers from Fohhn were recalled to deliver a lecture of their own to demystify the science they have applied to LT6.

www.fohhn.com

www.nus.edu.sg

www.sweelee.com.sg

AAA updates L-Acoustics roster

AUSTRALIA:

On the radio side, the same redundancy is provided via two Lawo Nova 73 audio routers. VSM still serves as the main control and monitoring solution, keeping the routers in sync while monitoring the transmission chains.

www.lawo.com

Services recently took stock of 42 L-Acoustics K2 loudspeakers, RAK modular touring racks. The production company invested in the new system to use primarily for concerts and festivals. The purchase was facilitated by the manufacturer’s Australian distributor, Hills.

L-Acoustics Kudo system back

in 2005,’ recalled Neil Campbell,

wanted to continue our association with the manufacturer. We felt that it was important for us to be able to offer the very latest cabinets. When we were ready to look at a new system, K2 was the obvious choice

Since taking delivery, AAA has used productions. ‘Gerry Gavros at Hills

shipment to meet our deadline for the summer festival season,’ said Mr Campbell. ‘The system arrived a week ahead of schedule, which allowed us more time to get familiar with it before hitting the road. Our audio guys and clients are impressed by the sonic improvements in the K2.’

www.aaaproductions.com.au

www.hills.com.au

www.l-acoustics.com

MIDA sticks with Bosch

MALAYSIA: The Malaysian Investment Development Authority (MIDA) is the principal agency to drive investment into the country’s manufacturing and services sector. Many of its conference rooms are dedicated to international investors and recently, systems integrator Hayamim Ava was called upon to upgrade the 50-seat Japanese room with a Bosch CCS 1000 D Digital Discussion System. Head of facility department

Ab Rahman Hj Anas has been employed for three decades at

MIDA and has been a Bosch user since Concentus technology was made available in 2002. ‘We use our Concentus systems every day,’ he offered. ‘We adopted the CCS 900 platform when it was launched as they’re extremely well-built, reliable, compact, easy-to-set-up and easy-to-use.’

Prior to signing the purchase order for 50 new CCS 900 units to be supplied into the Japanese conference room, Mr Anas attended a Bosch product launch for the CCS 1000 D in Kuala Lumpur.

‘I was particularly impressed by the improved audio quality and aesthetics of the new model. Integrating Digital Acoustic Feedback Suppression (DAFS) technology, the system sounds a lot clearer during face-to-face discussions and there are no feedback issues as there is immunity to mobile phone interference. Therefore, I made the for us to change the PO and he did.’ Bosch 6-pin cabling carries the power, data and audio signals to each unit in a daisy-chained

of the unique ID that has been assigned to each unit both by Mr Anas overseeing discussions from a web browser interface on an iPad and the self-assigned chairman unit. ‘This is a useful feature as we can now interlink the conferencing cameras for automatic HD camera control,’ furthered Mr Anas. ‘We’re also future proofed should we wish maximum of 80 from the current 50 units in a single controller.’

as it is always open to adopting new technology for its organisation. ‘MIDA is a unique operation in that they wish to maximise their appeal with foreign companies and as such prefer to invest in quality,’ he user, MIDA has aptly demonstrated over the years the great return on investment they command by using Bosch conferencing systems for over 15 years without faults or problems.’

www.boschsecurity.asia

www.hayamim.com.my

www.mida.gov.my

Temasek Primary School reinforced with TOA

SINGAPORE: Founded in 1980, Temasek Primary School relocated in late 1999 to Bedok South Avenue 3 in the east of the city. The multiused for a variety of functions and together with the natural degradation of the original audio system, the school also cited feedback problems and a lower than required SPL output as reasons for an upgrade. Systems integrators were invited to tender to design and install a new solution. A demonstration of speech, live music and playback through a TOA

HX-5B compact line array speaker system by AV Media proved to be the winning design. Working closely on the design with TOA Electronics, EASE software measurements conducted by project engineer Andrew Lim in the 33m x 30m room resulted in an L-R speaker design being installed. Each array comprises two HX-5B arrays and an FB-120B subwoofer has been wall mounted on either side of the 12m stage at a height of 5m. The steps leading from the stage proved a problem for the AV Media team as the scaffold tower used to suspend

the arrays had to be angled so that it ‘We had to customise the HY-CN1B brackets owing to the wide nature of the stage, which made the angle

To comply with safety standards, a chain has also been added to the bracket hosting its 51kg load. The delays for the rear of the hall have been handled by adding further dual HX-5B hangs at a similar height on the lateral left and right walls. The loudspeaker cabling is routed along a service walkway to the upper level rear control room, which hosts the equipment rack and a previously-

existing Yamaha MGP32X analogue console. Here, three DA-550F mode power the entire FOH system while an additional DA-250F model powers two HS-120B monitors are suspended to the stage left and stage and performers. A 2-in/6-out DP-SP3 processor incorporates the various DSP settings including crossovers,

DA09C power conditioners not only offer peace of mind during lightning storms but also serve as sequencers. A pair of Yamaha MSP5 monitors extends the critical listening options.

‘Owing to the feedback problems associated with the previous wireless microphone system, we had to fully

Mr Lim. Eight channels of WT-5805 wireless tuners are paired with WM5265 transmitters for the WM-5265 handheld mics and WH-4000H cardioid headsets. Given the 1,000m2 area of the school hall, four YW-4500 wall-mounted antennas together with two WD-4800 antenna distributors have been added to ensure full wireless coverage.

www.avmedia.com.sg

www.temasekpri.moe.edu.sg

www.toa.com.sg

Excellence exposed

Becky Pell Monitor Engineer - Anastacia

You’re

Becky Pell

“I love the intuitive feel and versatility of DiGiCo desks, and

SOUNDBITES

NEXT-Proaudio takes users behind the scenes

WORLD: Next-proaudio has launched Behind the Scenes, a series of videos that will take viewers through the company’s video, Behind the Scenes @ CNC Machining Center is now available to watch on the manufacturer’s YouTube channel.

Installation Amaazia

and removes the need for a central routing matrix, avoiding a single point of failure.

In the Wave Pool area, three weatherised Bose LT 9702 WR speakers were installed with two MB24 WR subwoofers. The Lazy River, meanwhile, is equipped with Freespace 360P outdoor loudspeakers that have been surroundings.

The Rain Dance is an indoor attraction, designed to replicate a nightclub with sprinklers spraying

Due to the wetness, a weatherised

solution was once again needed and Hi-Tech installed four Panaray 802 Series loudspeakers, which are complemented by MB12 WR subs. The solution is controlled via the park’s LAN network and is set up to allow users to monitor the system remotely. The back-end system comprises a range of Bose and Biamp Vocia solutions.

As new videos on the series are uploaded in a regular basis, the manufacturing process will be explored across each department at Next-proaudio’s factory.

www.next-proaudio.com

www.youtube.com/user/

NEXTmanufacturer

Best FM calls upon Stagetec Asia and DHD once more

MALAYSIA: In 2014, Stagetec Asia won the tender to supply and install studio equipment at Best FM’s main studio facility in Johor Baru, including a 12-fader DHD 52-SX. Following on from this, Stagetec Asia, which serves as the Malaysian distributor for DHD Audio, was contracted by Best FM once again, installing a new 52SX as part of a refurbishment at the station’s standby facility.

INDIA: Surat-based water amusement park Amaazia recently opened to the public with an audio solution designed and installed by HiTech Audio Systems. With 16 acres of land to cover, the solutions provider divided the park into 11 audio zones and opted for Bose systems to meet the required IP55 standards.

Each of the zones is set up to play a different soundtrack at varying levels of volume. One of the key challenges to overcome was to ensure that there was minimal spill over between zones, as there are no acoustic partitions. Meanwhile, two control rooms were needed to connect the solutions across the venue via stated, minimises copper cable loss

Artist zooms in on IPL 10

ensure uniformity and seamless operation between the different crews.’

‘We wanted to create a facility of international level and chose to go with Bose for the audio system and a systems integrator which has the expertise and experience to install such a system, so we chose Hi-Tech Audio Systems,’ explained Rajesh Taylor, project director at Amaazia.

‘We are very happy with this new system and plan to extend it to new upcoming facilities.’

‘We are extremely glad to be a part of such a prestigious project,’ said Manik Gupta, director of sales (projects) at Hi-Tech Audio Systems.

‘It is another milestone in our journey towards becoming India’s largest systems integration company.’ Bose national sales manager, Vibhor Khanna, also expressed his enthusiasm at the installation. ‘We thank our partners Hi-Tech Audio Systems for a world-class integration,’ he concluded.

www.pro.bose.com

www.hitechaudiosystems.com

Mary Kay speaks with ZSound

The DHD 52-SX replaces an old analogue system that was no longer capable of keeping up with growing requirements. A digital modular mixing console, the 52-SX can be used for smaller applications.

The installation also included a Sonifex profanity delay, a Telos telephone hybrid, a Røde Broadcaster microphone and an Orban audio processor for the master control room.

www.dhd-audio.de

www.stagetecasia.com

INDIA: OB production service provider Zoom Communications has employed a Riedel Communications Artist digital matrix intercom system as the comms solution for its coverage of the 2017 Indian Premier League (IPL) cricket season. The Artist intercom frames form part of the OB inventory offered to the Board of Control for Cricket in India (BCCI), which provides the broadcast feed to rights holders around the globe.

The IPL is currently celebrating its 10th year and as such has dubbed the 2017 season IPL 10. ‘With millions of cricket fans around the world tuned into IPL 10 matches, there’s no room for failure in any of our broadcast technology solutions,’ said Karamjeet Singh,

senior vice president at Zoom Communications. ‘Riedel brings proven expertise in the support of high-visibility sports events to the table, and the Artist intercom

‘As Riedel sharpens its focus on India, we couldn’t ask for a better endorsement than Zoom Communications’ choice of Artist for IPL 10,’ stated Riedel’s Cameron O’Neill. ‘It’s a great testimonial for Riedel that Zoom has chosen to trust the comms in its kits for this prestigious

CHINA: Mary Kay, an international company that sells cosmetics, recently staged an event for its

systems have served us well for several past years of IPL coverage. That’s why we can offer Artist provide the secure, user-friendly, and reliable communications our clients need. For this season, we have brought in two additional systems in order to

production to Artist. IPL 10 promises to have the highest viewership of any cricket event ever and the season will showcase the sport’s best talents from around the world.’

www.riedel.net

www.zoomcom.tv

dealers at the Mercedes-Benz Arena in Shanghai. A large crowd was in attendance and a ZSound loudspeaker solution covered the audience area.

The system comprised 50 LA212 line array loudspeakers which were These were complemented by a further 70 of the dual 12-inch tier of the venue. Handling the lows were 20 SS2 dual 18-inch subs and processing was courtesy of an M44. www.prozs.com

Das storms Shanghai

CHINA: Chao GanGuan, which serves as Das Audio’s exclusive Chinese distributor, recently delivered a complete PA system for two of the stages at the Budweiser Storm Festival in Shanghai. The distributor partnered with Beijingbased rental companies SStage and deploying a range of Das products, including the UX-221A subwoofer, making its Asian festival debut, and the Sound Force monitor (SF-M)

Chao GanGuan technical director German Rodriguez designed the PA system for both the Makarian and M31 stages at the festival, which attracted an attendance of more than 75,000 EDM fans at Shanghai’s Disneyland Resort. The setup was based on festival organiser A2LiVE’s technical rider. Joining Mr Rodriguez to provide assistance and support was systems engineer Fernando Nanao from

Das Audio do Brasil, who brought extensive experience in using the manufacturer’s Aero systems for live applications.

For the Makarian stage, 24 Aero Aero 12A compact line arrays on

RMP continues to serve up signature dishes at Jakarta’s top tables

& Screw recently opened its latest doors in the swanky setting of Plaza installed a Martin Audio speaker design into the new establishment with wall-mounted CDD5 cabinets in the dining area and AQ8s in the bar. Discretely installed AQ210 and AQ212 subwoofers enhance

Powered by Powersoft M14D and

each side, which supplied downUX-221A subwoofers, deployed in nine stacks of two. Meanwhile, an

additional 10 Aero 12As were used SF-20As and an SF-1521A served appearance. Managing the system were four DSP 4080s and two DSP 2060A processors.

12As under Aero 50s before,’ said to Aero 50 users.’

The smaller M31 stage was reinforced by eight Aero 50A line arrays, functioning as the main were complemented by 12 LX-218C offered by 10 Aero 12A cabinets monitoring was once again via two SF-20As and one SF-1521A, and processing was handled by a pair of DSP 4080s.

www.dasaudio.com

INDONESIA: No stranger to the high-ranking tables within Jakarta’s inner sanctum of F&B outlets, Rhema Multi Perkasa (RMP) continues to attract new business with referrals and plaudits from customers. ‘2016 was a slow year but it’s so far so good for 2017,’ explained RMP project manager

Dax M Wenas. The company’s installed audio systems continue to be simple in design, but still will not interfere with the main business needs. Furthermore, they can only be installed during the non-operational hours in the dead of night.

wines throughout its interior, Cork

DNS 2 wins Cinema Audio Society award

WORLD: CEDAR Audio’s DNS 2 dialogue noise suppressor has won the CAS (Cinema Audio Society) award for the Outstanding Product in Production category. The award was accepted on behalf of CEDAR by US dealer Trew Audio CEO, Glen Trew. The manufacturer

previously won a CAS award in 2009 for technical excellence in postproduction for its DN3000 dialogue noise suppressor.

‘We are very proud that a CEDAR product has again won a CAS award,’ enthused Gordon Reid, managing director of CEDAR Audio.

Audio DX0.5 processors for both zones. An ARX MaxiSplit distribution splitter provides audio control for both zones, for which an Apple iPod player is predominantly used as the main source. Meanwhile, the ambience is lifted during the weekend evenings courtesy of another Pioneer DJ system comprising twin CDJ850 turntables

the Spanish- and Mexicaninspired SuperLoco operates a similar system with Martin white and AQ215 subwoofers. A Soundcraft Signature 12MTK mixer incorporating Ghost mic preamps is called upon for iPod playback and live music underneath the DJ booth adorned with the same Pioneer decks and mixer. A covered al fresco zone outside the main restaurant is furnished with CDD5 speakers supplemented by a concealed Blackline S12+ subwoofer. Like Cork & Screw, a Martin Audio DX0.5 and

ARX MaxiSplit provide the backbone of DSP and zone control throughout the establishment. A combination of Powersoft Digam 4002, 4004 and including the bar area. For ease of powering on and off for the staff at both restaurants, whilst providing an extra insurance policy against lightning strikes, a Munson MES281

www.corknscrewjkt.com

www.rhemamultiperkasa.com

www.super-loco.com/jakarta

‘Somebody once told me that winning one award can be a happy accident, but winning a second shows that you’ve really arrived. We designed the DNS 2 after many discussions with members of the CAS and their counterparts elsewhere who needed a processor of this type, so you can imagine how happy we are when they tell us that we got it right.’

www.cedaraudio.com

www.cinemaaudiosociety.org

Community at Mega Adventure Aerial Park

AUSTRALIA: Horder Communication Solutions has installed a Community loudspeaker solution at Adelaide’s Mega Adventure Aerial Park. The park’s operator, Touch Cloud Global, contacted John Horder, director of Horder Communications Solutions, following the success of previous installations at sister company Mega Adventure’s sites across Australia and Singapore. Hills Audio Visual provided assistance during the design phase.

The system was required to cover a 25m high open structure, while also providing as much control of overspill as possible. The design saw the implementation of Community’s R Series loudspeakers. ‘We decided to use Community R Series R.353896 loudspeakers for a number of reasons,’ explained Blake Kirby from

Hills. ‘They offered superb frequency with a well-controlled dispersion pattern.

‘Additionally their all-weather capability was suited to the marine environment and their physical structure,’ Mr Kirby added. ‘We pointing down and to the west where dispersion was not an issue and one speaker down and to the east spill to the east. Each was driven by as a single zone. The resulting controlled coverage and sound quality was simply awesome.

‘The control of the spill exceeded

expectations and the sound throughout the structure is uniform,’ he continued. ‘Very limited EQ was required, with just a small lift at 300Hz and 10KHz for subjective preference. SPL from the top level is so uniform as to be indiscernible by participants.’

‘Now my structure has all the senses covered,’ said Mega Adventure Adelaide GM Stephen Grundy, following the installation. ‘It really makes it feel inclusive, especially when there are not a lot of people on the structure.’

www.communitypro.com

www.hills.com.au

www.hordercomms.com.au

www.megaadventure.com.au

Pyramix 10 records for CCTV

CHINA: Chinese state broadcaster CCTV has added Merging Technologies’ Pyramix 10 to its the network’s audio team for large events and variety shows that require live multi-track mixing.

Chinese folk song competition in Beijing. The event lasted for over 12 hours and the solution recorded 128 tracks. Having proved its reliability, it was subsequently deployed for the opening ceremony of the G20 Summit in Hangzhou, where it also recorded 128 tracks.

‘Pyramix has a clever DSP architecture,’ said Yuan Xuecheng, CCTV’s audio department recording engineer. ‘It has the ability to deliver stable ultra-long recording and playback of over 100 tracks and is able to handle all large and critical events. In addition, Pyramix

provides us with a compact audio interface, clock for synchronisation and has a user friendly monitor control.’

‘We have many prestigious Pyramix users in China but it is a great honour to have CCTV trusting in our products,’ noted Weishen Xu, president of Merging’s Chinese distributor, Merging Asia. ‘They are covering so many important events during the year and we are very pleased to hear these comments from the technicians and to see in the reliability of Pyramix.’

The broadcaster is currently in the process of commissioning a new OB vehicle, which will reportedly employ a Pyramix MassCore 128 as its main recording system, along with a Lawo console.

www.merging.com

SOUNDBITES

Wheatstone purchases PR&E

WORLD: Wheatstone Corporation has acquired the console & Engineering (PR&E) from GatesAir. The purchase comprises PR&E assets and intellectual property, including audio consoles, networking systems, furniture lines, all designs and tooling.

Sennheiser hosts Digital 6000 launch event

WORLD: Sennheiser recently held a special launch event as it prepares to release the Digital 6000. The launch took place in the manufacturer’s home city of Hanover and saw several hundred members of the pro audio industry invited to the Radisson Blu hotel. The event started with a presentation that began with a speech from company CEO Dr Andreas Sennheiser. This was followed by discussion from COO Peter Claussen regarding the Agile development methodology utilised during the Digital 6000’s side at Sennheiser, which is explored in full on page 134.

Greg Beebe, director live performance and music, then took to the stage to converse with product manager, Tom Vollmers, exploring the Digital 6000 in detail, as well as the development

was played to those in attendance, which highlighted the RF testing process performed at Hamburg’s O2 Arena, a reportedly challenging RF environment. Under the tagline ‘No Compromises’, it was stated that the Digital 6000 is ‘intermodulation free’ with 244MHz of switching bandwidth.

resumed with director of customer development and application engineering, Volker Schmitt, welcoming those in attendance to get hands-on with the system

Following the deal, the PR&E console brand sits under the Wheatstone umbrella, joining several other brands that have been acquired by the North Carolina-based manufacturer Auditronics. Audion Labs, Audioarts Engineering and VoxPro also fall under the Wheatstone umbrella.

‘We have a respect for the PR&E brand that goes way back,’ said Wheatstone CEO Gary Snow. ‘They were considered the Mercedes-Benz of consoles at one time, and today, the name PR&E still stands for quality. Our intention is to not only restore the PR&E brand, but to grow it and give existing as well as new customers the mobility to easily transition to IP networking.’

www.wheatstone.com

Mackie monitors the Voice of Punjab

INDIA: Mackie’s Indian distributor, Sonotone, has revealed that MR8 Mk3 monitors and FreePlay Personal PA were used in the production monitoring facility during the recent season of Voice of Punjab. The systems

provided the show’s production staff with audio monitoring capabilities and were supplied by New Delhi-based reputed rental company Dhawan Stage Craft, which in turn had acquired the equipment from Mackie’s regional dealer, Decibel Pro Systems.

www.sonotone.in

Mr Beebe and Mr Vollmers remained onstage, welcoming Gerrit Buhe, director of product development for Sennheiser’s pro division, for a Q&A session. During this session, it was mentioned that the WSM 4.3 Wireless Systems Manager software would be receiving

shortly, to accommodate the Digital

key differences between the existing Digital 9000 and the Digital 6000, in addition to the fact that the latter is designed for the touring market as

that the 6000 includes Dante and forfeits the HD mode of the 9000 in favour of the long range transmission mode.

Following a pause for lunch and refreshments, the launch event

during product demonstrations held throughout the afternoon. The opportunity to speak with those on the product development team was also offered.

That evening, Sennheiser transported attendees to nearby venue, Peppermint Park. During dinner, Swiss singer-songwriter Anna Rossinelli and her band performed live using the Digital 6000, showcasing its sound quality. The following day, those that remained in Hanover were invited on a tour of the Sennheiser factory and to take part in Ambeo and HE-1 listening sessions.

www.sennheiser.com

Atlas installs a multi-purpose Bose solution

MALAYSIA: Atlas Sound & Vision recently completed an installation comprising Bose solutions at a multi-purpose venue in Kuala Lumpur. The venue is divided into two primary zones: a main hall and

‘A decentralised cluster system design has been employed,’ explained Ahmad Yuzamir Yusoff, assistant manager, projects division at Atlas Sound & Vision.

‘At FOH we have RoomMatch left,

a Bose RMS215 subwoofer. For added SPL and bass response, two RMS-218 subwoofers are installed beneath the stage.’ Also in the main hall are seven RMU-206 loudspeakers, serving as the balcony itself, 26 units of Bose FreeSpace DS-100F loudspeakers are installed on the ceiling running on a 100V line tapped at 25W due to the low ceiling,’ added Mr Yusoff. has been equipped with a pair of F1 loudspeakers, coupled with a Panaray MB 12 subwoofer. ‘A dedicated zone volume controller, the Bose CC-1, has also been installed,’ noted Mr Yusoff.

A Bose ControlSpace ESP-1240 processor is connected to a previously installed Midas Verona console. The signal is routed from the ESP-1240 to eight PowerMatch

to adopt Dante into the system was made as the client has several subgroup mixers within the stage area, and future plans to have the signal integrated on Dante are being considered,’ Mr Yusoff explained.

A short timeline and limited rigging points posed challenges during installation, as well as the need to achieve consistent tonal balance across the listening area. ‘Thanks to the wide options of horizontal and vertical dispersion patterns within the Bose RoomMatch series, we were able all concerns whilst providing a system that performs best to the hall orientation,’ said Mr Yusoff. ‘One of the most important aspects of the project was to fully understand our client’s needs and we attended numerous functions at the venue in which the previously installed system was used,’ noted Allan Francis Jesudass, general manager at Atlas Sound & Vision. ‘This enabled us to fully grasp the concerns and limitations of the existing system and how we can design a system that performs at its best within the given acoustical space.’

www.atlasestore.my pro.bose.com

Versatility, performance, reliability.

The SRc dual receiver is a powerful tool that will fit into a camera slot, can be mounted on a camera, inserted into an Octopack multicoupler, Quadpack, Duopack or it can used in a bag system with attached battery or external power. This is what versatility is all about.

Raising the SPL at Privé’s latest outlet Calrec gives AJL the 5.1 treatment

extended to 44Hz (-10dB) with the addition of two EAW SB120Z 12-inch subwoofers attached to a rising pillar.

located under the register, the SB120z models have been custom interior décor.

Zone control, DSP settings and speaker management control is provided courtesy of an 8-input/8output Symetrix Jupiter 8 processor.

MALAYSIA: Media Prima

Berhad (MPB) utilised a Calrec Summa console to handle the 5.1 surround mix during its live coverage of the Anugerah Juara Lagu (AJL) concert. The Malaysian broadcaster reportedly selected the console as it is designed

SINGAPORE: Rather than rest on its laurels of success, the Privé Group – which includes the Bang Bang nightclub and Roadhouse –continues to expand its portfolio of high class restaurants and F&B outlets throughout Singapore. A opened in the entrance of Wheelock Place at the junction of Orchard and Scotts Road. The alfresco all-day drinking and dining venue is in a prime location, which has further extended its appeal by installing a zoned BGM system that raises the SPL as the day progresses.

‘Whereas some of our higher energy outlets host live bands and DJs, Privé simply soothes diners and drinkers with a good BGM system,’ explained Privé Group chairman Yuan Oeij. ‘We take a holistic approach in everything we do and pay attention to detail so that we can target the right customers to our venues. Rather than disguise our sound system, we like to display provide managed distribution via a Spotify source on a laptop. The tables nearer the bar therefore have a slightly higher SPL than those nearer the street. Naturally, we don’t want complaints from neighbouring businesses or passers by.’

As with the previous Privé outlets, Valentines Music Centre was commissioned to supply and install the audio system at Wheelock Place. A selection of Das Audio Action 12 and Action 8 cabinets are suspended on brackets from the 4.2m high

and other functionality are controlled from the Arc-Web browser interface on the laptop. ‘The vibe at Wheelock Place is chill out music and with this Das Audio system, our diners relax and enjoy the ambience without having to raise their voices,’ furthered Mr Oeij. ‘We always add subwoofers to enhance the vibrancy

‘The Summa is one of the simplest mixers that I have ever used,’ explained Mohd Zaidi Mohamed Taib, head of sound at MPB. ‘It is a true broadcast mixer. The audio quality is great and integration is straightforward.’ Calrec’s international sales

ceiling. The compact, active Action 8 and Action 12 cabinets incorporate 360W and 500W continuous Class-D

60Hz and 50Hz (-10dB) respectively. Furthermore, being an open-air venue, the 50° x 80° and 80° x 80° dispersion characteristics ensure the audio is contained largely on the premises with little spillage. The lower frequencies have been

and these SB120z are just right for this atmosphere, while the Symetrix DSP control makes our lives easier, allowing us to concentrate on running the restaurant.’

www.theprivegroup.com.sg www.vmcdjs.com

applications.

AJL is an annual singing competition, now in its 31st year. The recent edition was staged at the Putra World Trade Centre in Kuala Lumpur and broadcast to millions at home, while a feed was also streamed live to a cinema in Melaka.

The Summa was used to create the 5.1 surround mix, following which the signal was levelled and converted to the Dolby E format using a Jünger Audio system. The converted signal was then beamed via satellite link to the cinema in Melaka. Once the signal reached the theatre, the audio was decoded and processed courtesy of another Jünger Audio system, and played back over the venue’s surround sound speaker setup.

manager, Anthony Harrison, was on site during the event to provide support. ‘It was a real pleasure to be able to introduce the Summa console to MPB in such a dynamic way, especially for a show as prestigious as AJL. The feedback from the engineers and operators highlights the exact design philosophy we had in mind when developing Summa.’

‘It was an honour to be part of the AJL crew on this project,’ added David Chan, general manager at Calrec distributor JAA Systems. ‘We were delighted to be able to play a part by supplying the Calrec and Jünger Audio solutions that were used in the mainstream system for the AJL 2017 show.’

www.calrec.com

www.jaasys.com

RMP delivers The Goods

Audac reinforces the Lower Plenty Hotel

Concept Audio installs Shure and Nexo at Myth Club

E&E brings Axient to The Esplanade

SINGAPORE: The iconic Singaporean performing arts centre, Esplanade – Theatres on the Bay, has completely overhauled its wireless microphone system, purchasing a Shure Axient wireless strenuous tender, review process and evaluation, the Esplanade team decided that the Axient system best met their needs following various success stories in other similar venues in Singapore. The system was acquired through the manufacturer’s authorised dealer, Electronics & Engineering.

‘The main aim of the overhaul project was to replace our existing wireless microphone systems so that Esplanade complies with Infocomm Development Authority of Singapore’s Assignment regulations,’ explained Sound at The Esplanade. ‘We system capable of exceptional audio quality and the high demands of our operations, and we found that Shure Axient met these requirements. We feel that Axient has been designed with the end-user in mind and has several useful and ergonomic

features that cater to our needs.’

In total, 172 channels of Axient and 32 channels of PSM1000 personal monitors have been installed in

of Axient in the concert hall, 32

channels of Axient in the theatre, and eight channels of Axient in the recital studio, theatre studio, the concourse and the outdoor theatre.

channels of Axient with UR3 plug-on transmitters have been deployed to cater for all the spaces within the venue, for either an expansion

independently.

The manufacturer’s Wireless also chosen for full monitoring of

environment. It also provides reallive remote adjustments during each performance, enabling engineers to monitor the frequency, audio gain, other information for each channel of all the wireless systems installed. technological advancement that production parameters,’ said E&E deputy managing director, Gary Goh. ‘Knowing that The Esplanade continuously hosts myriad activities, we put forward a complete solution that offers for unprecedented audio in any environment. We accomplished the wireless multichannel application by combining Shure’s technology with proper design to overcome interference issues traditionally

www.enepl.com.sg www.esplanade.com www.shure.com

Mozart! gains spatial awareness

CHINA: German production company, La Belle Musical, recently brought its musical Mozart! to Shanghai Culture Square with a spatial sound design developed by Swiss designer Tom Strebel of Audiopool. To meet such a

Systems of Germany acquired and delivered an Outboard TiMax SoundHub audio delay-matrix processor.

The TiMax solution allowed for the reinforcement of all actors using radio microphones over a multi-

The theatre’s main house PA system, comprising 24 JBL line array

the use of three L-Acoustics

Arcs Wide as point source at the proscenium. Providing support for additional vocal elements were eight

Completing the setup were a pair of X8 units as under balcony delays

‘I have used TiMax for almost

I did the sound design for Basel Tattoo,’ Mr Strebel revealed. ‘When everything is set correctly the

natural. No unwanted delays and echoes and everything in place. It is very important for me that in all of the seats in a theatre you hear the actor from where he actually is on stage; so you hear a voice where it is generated instead of coming out

achieved by an active level/time matrix.’

www.audiopool.net

www.feedback.info

www.outboard.co.uk

Amate Audio launches

at the manufacturer’s factory. The smart QR label allows a user to verify the product’s authenticity using the free smartphone app.

The ViSeQR smart label combines standard QR technology with a procedure developed by ViDiTrust.

WORLD: Amate Audio recently revealed that it had ‘encountered some products of questionable origin in a few markets around the world’. In doing its ‘best to provide a clear and authentic path’ to its products, the Spanish manufacturer has rolled out ViSeQR Product Authentication.

The authentication system sees a ViSeQR smart label applied to each new Amate Audio product constructed

Unlike a typical QR code, the smart label takes on a square design measuring 21mm x 21 mm with a coloured frame that is reportedly not reproducible.

The ViSeQR app is available on the Apple App Store and Google Play. In the event that an item scanned is of questionable origin, the user will be directed to a page on Amate Audio’s website that will disclose steps to be taken.

www.amateaudio.com

www.viditrust.eu

Powersoft reinforces

AUSTRALIA: InSight Systems has drive the Rusden Theatre’s EAW setup at Deakin University in Melbourne. The A/V solutions provider has worked with the university for many years and was once again called upon during the recent lecture hall upgrade. The InSight Systems team worked alongside the University’s A/V and networks unit leader, Neil

client has successfully used Powersoft

is the university’s most prestigious theatre, exceptional sound quality was of paramount importance.’

With the line source option selected, Arup was engaged as an acoustic wide, near to the walls, and set high so as to not obscure video from the projectors. The speaker placement required acoustic panelling. ‘This was critical in eliminating the traditional problem with this concept

arrays,’ concluded Mr Clarke.

www.insightsystems.com.au

www.pavt.com.au

www.powersoft-audio.com

Clarke, and the eSolutions team for the integration, which was completed during the school holidays.

The X8s power an EAW KF720 line source solution and a pair of SB180zP subwoofers that are mounted inside a screen wall, as well as JF10s serving as delays at the back of the 670-seat auditorium. Small format Ecler speakers solution was recommended by Ben Clarke, technical support manager at Production Audio Video Technology (PAVT), the company that supplied the equipment.

‘This facility may at any time be required to function as a performing arts theatre and required a system with adequate headroom for high capacity events,’ PAVT’s Mr Clarke explained. ‘The

Stage Tec mixing consoles are real workhorses when you‘re talking live events. Reliable, fast and with redundancy

Take the AURUS platinum for example, which is currently touring with the ‚Pop-Oratorium Luther‘ and ensuring the highest audio quality.

Rapid set up, with perfect ergonomics as impressive as its technical features:

More than 800 input channels (at 48 kHz), 128 Buses at both 48 kHz and 96 kHz, freely configurable, extensive dynamics, EQ and filter functions, redundant audio core, superb microphone inputs, scene automation, integrated into a distributed audio network...

Basically, just a real team player you can count on!

www.stagetec.com

...and a real team player!

Retail is detail

INDONESIA: Located in South Jakarta, Lippo Mall Kemang is a fashion and lifestyle mall that is trying to draw the attention of its expat neighbourhood community away from the Indonesian capital’s longer established retail centres. The six anchor and 202 speciality tenants occupy 55,000 sq-m of space indoors, but the mall management team decided that a vacant outdoor area adjacent to a bar/dining area could be further developed with an outdoor stage

area for providing weary shoppers with musical entertainment.

CSA Indonesia was invited to supply the live audio equipment for the mall’s varied live sound requirements. Powered by Crown line array speakers supplemented suspended in two hangs within wooden housing further protected from the harsh elements by

a canvas covering. The lower frequencies are further extended

brought into position when needed. On the stage itself, musicians and singers are assisted by an AKG system, including D5 vocal hand held, which can be monitored from

suite of digital loudspeaker management functions with a host of presets for all the entertainment needs of this outdoor stage.

‘CSA Indonesia was happy to provide a full PA system for which we have received positive comments from musicians and visitors alike since its installation,’ commented CSA Indonesia sales manager Amir Santoso. On behalf of the Lippo Kemang team, operations manager Deni Siswanto furthered: ‘We are more than

system. All the musical artists who have played here have commented on how comfortable they are with the monitors and the live ambience we have created here’.

www.kemangvillage.com www.lippomallkemang.com

Outline launches new website

WORLD: Outline has updated the design of its website with new features including a scrolling layout for easier navigation, the subdivision of products to facilitate manufacturer’s catalogue and the ability to search for products according to series or application. This design will reportedly allow those without in-depth pro audio knowledge

Christie’s

Vive

now showing in Mongolia

MONGOLIA:

solution has been installed at the MZC Quanjing Cinema complex in cinema installation of the system in the Inner Mongolia autonomous region.

The multiplex comprises eight auditoriums, one of which serves includes LA Series line array elements as well as surround and ceiling surround loudspeakers for Halls 1 to 5, while LS Series screen channel and surround loudspeakers

Each auditorium has been equipped and CDA2 and CDA5 Class-D amps.

‘We want our customers to have an exceptional experience when visiting perfectly suits our requirements,’ explained MZC Quanjing Cinema general manager Junming Kang.

‘I’m pleased to note that we’ve made the right decision as many of our patrons are highly impressed with the sound quality.’

us not only with its robust system design, but also its capability to unleash the full potential of digital

cinema,’ added Guorui Liu, technical supervisor at MZC Quanjing Cinema. In addition to implementing Christie’s audio solutions, MZC Quanjing Cinema is also making use of the manufacturer’s projection technology, as Solaria Series digital cinema projectors have been

and CP2230 models.

‘We are thankful to MZC Cinema for placing their trust in our cinema solutions, and we’re also delighted that audiences are impressed with the visuals and audio installed,’ concluded Jason Pei, deputy general manager, Christie China.

www.christiedigital.com

Outline has refreshed its website

The site includes product sections for lounge bar/restaurant, theatre, disco/club, theme park, touring, portable, cinema and stadium/arena. Each product page lists the key features, a detailed description and a list of relevant accessories, as well as a technical data sheet and manuals. The site has been optimised for viewing on mobile devices and the design features clean lines with soft coloured graphics.

www.outline.it

Feel the quality

RESILIENT AND COMPETITIVE,

South East Asian pro audio distributors quickly learn the art of survival if they are to trade successfully. Many prefer to go beyond supplying products to a chain of dealers by providing full turnkey installation, rental or designs. Although such services can enhance in-house sales, they can also be a distraction. Having founded AV United in 2005, managing director Foo Heng Chin has resisted such diversions, adhering to the mantra of ‘quality products ensure a quality life’.

Mr Chin is a veteran of more than 25 years in the pro audio business, having learnt his trade working as a projects engineer for Theatre Project Sdn Bhd. ‘I’m only interested in providing pure distribution, together with full sales support, to customers in the broadcast, rental

Malaysia,’ comments Mr Chin from Kuala Lumpur. The strength of the AV United brand, possibly named after an English Premiership football team, is attributed to ‘standing together’, with an eight-person team fully committed to business development.

Initially appointed as a dedicated dealer for Yamaha Commercial Audio, AV United’s current portfolio of brands has evolved around the Japanese giant’s range of

‘Some of our customers prefer an American sound, some more European and others Japanese. As long as you are providing quality, you have to cater to all tastes ultimately,

for money and durability, Yamaha is hard to beat.’ As a result of its close relationship with Yamaha –whose Malaysian headquarters is nearby – AV United also represents Steinberg, notching up consistent sales of Cubase to its studio clientele network.

As the demand for microphones grew, AV United entered into an

DPA Microphones in 2011. The 4099 series has gained a gradual stronghold amongst rental companies in addition to houses of worship. ‘We sold over 100 in our

there,’ says Mr Chin. Three years later, Audio-Technica (SEA) appointed the company to distribute its full range of microphones, M-Series headphones, turntables and cartridges. ‘We focus on value for money and reliability, so taking on A-T has really helped us to provide a total A/V solution for the Malaysian market,’ he continues. ‘The shotguns, boundaries and wireless models are all consistent sellers, while the 40 series is also picking up in rental, as is Artist Elite. Luckily, there is minimal and instrument models in the DPA portfolio and A-T’s range of wireless and dynamics.’

Despite increasing year-onyear business in 2016, Mr Chin acknowledges the slowing of the Malaysian market in 2016. However, the company committed itself to investing in a new showroom at its Puchong headquarters, which has led to an increase in hosting demonstrations and educational seminars to a growing customer base. ‘We can comfortably seat an audience of 50-60 people here to focus on certain technologies and distribution of Neutrik connectors through Electronics & Engineering last year in addition to representing Radial Engineering in Malaysia. We were fortunate in welcoming Peter Janus to our showroom late last

year, and he enjoyed presenting product demonstrations to an assembly of customers. It was quite engineers who attended, as they

how to get the most out of their

The showroom provides a “hearing is believing” environment, proving that no sales talk or discussion can replace a good demo. Education and providing customers with knowledge is now the way to consistent sales and repeat business.’

Most recently, AV United took on LD Systems and is distributing its full range of pro audio solutions. ‘LD Systems is a relatively new brand here in Malaysia, but our customers respect German only do loudspeaker designs such as Curv500 and the latest generation of Maui provide varied powerful audio solutions for the portable sound and beautifully designed. We’re enjoying showcasing these products to our

customers, as the demo really does make the sale. We’re also making good inroads with Adam Hall’s Gravity stands, especially in the rental market where the products get seen by a wide audience every night.’

The secret to AV United’s success, however, isn’t through its direct relationships with dealer networks, which continue to be price dominant. ‘Rather than promote our products to prefer to take a longer-term strategy whereby we create a desire to buy our products through market recognition, either in bars, restaurants or concerts,’ says Mr Chin. ‘With the brands we represent, we’ve learnt that it’s better to create a demand through the dealers than sell directly. But obviously this takes time.’ Rather than amass a large quantity of brands, it would appear that Mr Chin has been careful to select quality. ‘Quality products make quality life,’ he repeats, smiling.

rising so you have to raise your game accordingly. If you provide quality products and solutions, you’re on the right track.’

With a commitment to long-term growth in Malaysia, AV United appears to be perfectly in tune with the focused brands that it represents.

Malaysian distributor AV United has been raised on a solid foundation of quality products, demos and training.

Richard Lawn reports

Sun Infonet introduces C Class in Mumbai

10 - 11 MAY

School of Emerging Technologies 4K Bangalore, India

This course explores how to anticipate, correct for, and design to the challenges of 4K or UHD video distribution. Attendees will learn how to design practical, working systems that incorporate the full range of digital technologies available and achieve optimal images using video signal processors transmitted over varying distances.

www.extron.com

24 - 26 MAY

AMX NetLinx

Programming

Hong Kong

AMX Asia Ltd presents the

1 syllabus at its facility in Hong Kong. The course is aimed at beginners, providing an introduction to NetLinx programming.

www.amx.com

7 JUNE

Ampetronic Installer Training

Brisbane, Australia

Scott Harrison of Jands leads this one-day workshop that teaches the required installation techniques for Ampetronic’s induction loop drivers and www.jands.com.au

30 JUNE - 1 JULY

OptEQ: EQ Demystified Bangkok, Thailand

SynAudCon is hosting a two-day seminar exploring OptEQ, an approach to sound system tuning combining contemporary and legacy design with equalisation practices, while also debunking myths surrounding EQ.

www.prosoundtraining.com

INDIA: Sun Infonet introduced Allen & Heath’s new C Class compact series during a recent dLive masterclass. The event took place at the Mumbai Holiday Inn and was led by Allen & Heath head of product marketing, Nicola Beretta.

Sound engineers and dLive users from across the region attended the masterclass, the focus of which was on tools, such as DEEP processing, Dyn8 and RackExtra FX, and audio networking with Dante and Waves SoundGrid. ‘Sound engineers always remain busy and so these

to keep us updated with the latest technology and features,’ noted Cijith Olikal, one of the masterclass participants.

‘The masterclass was a great success,’ said Mr Beretta. ‘It is important for us to talk to sound engineers in order to listen to their feedback and requirements in the

In other news, the distribution company recently partnered with

First 100 APAC graduates for Shure Audio Institute

APAC: Following the introduction of the Shure Audio Institute (SAI) in 2015, the manufacturer has

have successfully completed all

Audio Experts’, nine are ‘Integrated Systems Experts’ and the rest have completed the Retail Experts of Consumer Electronics/Music

Shure MEA to once again host its Wireless Mastered seminar series in Hyderabad, Ahmedabad and Mumbai. Each session was led by Shure MEA technical support engineer Andrea Granata and topics covered included the importance

of wireless, spectrum legislation, wireless systems networking and advanced frequency coordination.

www.allen-heath.com

www.shure.eu

www.suninfonet.com

required modules of three different interests and goals’. SAI is a free educational programme that awards

Audio, Integrated Systems and Retail.

Of the 100-plus who have

‘On the retail frontline, I need to work irregular hours. Therefore, in the past I never thought about as it’s simply too hard to cope with the class schedule,’ commented Ivan Lam of Let’s Go Audio, a Shure dealer based in Hong Kong. ‘The SAI study via a website. I can access the modules online anytime and one according to my own schedule.’ ‘SAI aims to help audio professionals in the global ecosystem to well-equip themselves with both theoretical knowledge and practical skills in their specialised segments,’ added Kennex Tse, director of regional marketing at Shure Asia.

www.shure-sai.com

Vue China debuts technical exchange

CHINA: Vue China recently audio technical exchange in the region at its facility in Jiashan. The training session highlighted Vue Audiotechnik’s h-Class series and al-Class CST line array systems. The manufacturer’s CEO, Ken

engineer Alex Schloesser. Also on hand was the Vue China sales team, including sales engineer Tiffany Jin.

‘The Vue events in China are always great, like a family meeting,’ said Mr Schloesser. ‘You get to meet so many people that you have known for a while and who are very passionate can’t wait for the next event and I encourage anyone interested to come and attend one of the technology exchange events in the future.’

www.vueaudio.com

WEB: Following the success of Audinate’s Level 1 Dante online training programme that saw over the Australian manufacturer has now made Level 2 Dante training available online. Having previously only been available at live events, the Level 2 course also includes an interactive simulator for the handson skills test.

‘We have been thrilled with the level

programme since it last year,’ noted Joshua Rush, VP of marketing and product at Audinate.

‘We are excited to announce that the Level course is now available online so that consultants,

integrators and customers can whenever they want, and wherever they are located.’

The company describes the Level 2 training as an intermediate to advanced level course that prepares A/V personnel

to design larger Dante network systems, and provides training on audio networking concepts such as clocking, unicast and multicast, latency and redundancy. The course contains 10 instructional videos, a knowledge test and the simulated awarded to those who successfully complete all modules, and pass both tests.

www.audinate.com

1400 watt 2-way amplifier

131 dB max SPL

1.7” voice coil neo c.driver

2 x 6.0” high power neo woofers

48 kHz, 32 bit DSP processing

Symmetrical design

Extremely low weight

HDL6-A

ACTIVE LINE ARRAY MODULE

the tiniest RCF monster

The concept of this speaker derives from the touring industry, bringing in a compact cabinet all the experience of RCF professional sound.

A 1400 W 2-channel class-D amplifier powers the system. A powerful DSP with the new proprietary FiRPHASE algorithms processes the sound including crossover, phase correction, limiting and protection. The system features state-of-the-art RCF transducers – two powerful 6.5” woofers for a solid bass reproduction plus a high-powered compression driver mounted on a precise 100°x10° waveguide to deliver perfect vocal clarity, high definition and an incredible dynamic.

ZSound provides an education

SDVoE Alliance takes training online

CHINA: ZSound has partnered with the Guangdong Dancing and Drama Vocational School. The agreement will see the manufacturer collaborate with the school to deliver a joint educational programme.

ZSound has been providing interactive educational seminars

at the school for the past year and as part of the new agreement, the school’s faculty has gained new members in the form of the ‘sound reinforcement’ team. The partnership was formalised with the presentation of a plaque, followed by a live sound performance at the school.

‘The demands of the live sound market keep growing,’ said Zeng Shan, chief sound engineer at ZSound. ‘Therefore, we see this cooperation with the school to train new audio technicians as necessary.’

www.prozs.com

WORLD: The SDVoE Alliance is aiming to familiarise systems integrators, designers, consultants, installers and manufacturers with Software (SDVoE) via online training sessions. The webinars will be led by Alliance president Justin Kennington along with Laurent Masia of Netgear and Art Weeks of ZeeVee.

The initial sessions took place on 8 and 9 March under the headline: Deploying Zero-latency AV-over-IP Systems Using SDVoE Technology

The webinars focused on Ethernet as the transport for A/V signals in professional environments and

the ecosystem around the SDVoE platform. According to the alliance, SDVoE endpoints and networks and how to use them to impress clients. ‘The initial SDVoE education and training sessions we held at ISE 2017 played to packed houses and provided an overwhelming indicator of the industry’s hunger for AV-over-IP standards,’ said Mr Kennington. ‘Education is a central mission of the SDVoE Alliance and it’s particularly important now that every major manufacturer of A/V signal management gear seems to have an IP solution.’

www.sdvoe.org

INDIA: Harman and Apex Solutions

TechExchange events in Delhi for the year. The event was free to attend on an invite-only basis and showcased the full range of audio and lighting systems from various Harman brands.

Harman’s TechExchange returns to India 1/2 PAGE Island

Mac Aura washes taking place. The M-Touch and M2Go lighting consoles were also on show.

‘We received a positive response for the new range of products displayed,’ reported Apex Solutions owner Sunil Kumar. ‘The live demos for the Soundcraft Vi3000, dbx Venu360

The purpose of the event was to educate and train a new class of engineers that have started using Harman-branded products in the region. Those invited to attend at Tivoli Gardens in Chattarpur were presented with one-to-one product demonstrations from members of the Harman team and other A/V professionals. Products explored included the dbx Venu360 processor, Soundcraft Vi3000 mixing console and JBL’s VTX V25, which was highlighted in a live rigging session every two hours.

Martin Professional was also involved in TechExchange for the series beams, LED 3000 strobes and

and JBL VTX V25 were hugely appreciated by those who attended the session.’

Prashant Govindan, senior director at Harman Professional India, also commented: ‘TechExchange is an expression of our commitment to showcase the best of technology in the audio and lighting space for the events and sound rental businesses.’ ‘We are overwhelmed with the response to the show received by Delhi’s A/V community. We are committed to the growing retail and entertainment markets and this region has also seen a resurgence in the touring audio sector.’

www.harman.in

Sound Business

The 2018 NAMM Show will unite the business of live sound with the passion for music. With an expanded campus, system showcases, demos,

Where the business of music and sound meet.

Cornering Singapore’s loudspeaker market

SINGAPORE:

since its inception, Cornered Audio has become a major producer loudspeaker manufacturer has consumer and professional sectors for creating speakers that can Following an agreement with Control Logic Systems Pte Ltd (CLSPL), the Light & Sound show to conclude terms and conditions with Cornered seeking an audio solution on the

CLPSL’s David Seow with Cornered Audio’s Hans Madsen

challenging projects that we were

Audio, I was immediately drawn to their uniquely-designed triangular

I was amazed by the audio quality exhibited by models such as the

Audio-Technica taps into India

successful in our recent bids by 30 countries around the world, so an excellent partner in Singapore,’ concept to make loudspeakers that blend discreetly into modern excellent sound is fully appreciated looking forward to forging a great www.clspl.com www.cornered.dk

at the source

strengthening Audio-Technica’s Green Sources MD Swadesh Khetawat expressed his enthusiasm

India gains Audiofocus

INDIA: At this year’s Pro Light & Sound show, Audiofocus announced its ambitions for in Hong Kong, newly-appointed Asian business director Nicolas

offer excellent price-performance features and easy set up for our

INDIA: Green Sources has been named as the new distributor for Audio-Technica’s full range of installation wired and wireless

‘The appointment of Green Sources is in line with our commitment to the Indian market and is one of

making towards this important market,’ explained Manabu Aoki, general manger for the international

our long experience catering to the ‘A well positioned partner such as assets in terms of people, systems and Pan India presence will help us address Indian customer needs Ghose, Audio-Technica’s business www.audio-technica.com

Kirsch is in the process of creating a distributor network in the experience as Nexo’s Asian sales manager since 2005, Mr Kirsch wasted no time in delegating to a company he knows well: Sun

‘I appointed Sun Infonet as Nexo’s distributor in 2009, so when I learned that Nexo was now working directly with Yamaha, I knew what

‘As the distributor for brands such as Allen & Heath, Camco and Quest they make an ideal partner for

Sun Infonet operations director Pro Light & Sound in Frankfurt,

‘Series such as the FR-X, CM, MT and Ares will allow us to better

Sun Infonet is looking to gain rapid market penetration through ‘Audiofocus’ loudspeakers represent a great return on

as importantly, we will maintain together with expert sales support Audiofocus is currently represented in China with Hawks Pro, Philippines with Modular Display and South

www.audiofocus.eu

www.suninfonet.net

THAILAND:

a new distribution partnership with

pro audio brands in the region, L-Acoustics and Sennheiser.

CHINA: The recent PL&S Guangzhou show served as an ideal platform for French loudspeaker manufacturer chapter in the organisation and development of APG North East Asia. This sees the distribution responsibilities split between existing partner BVCAM and TR Audio, which has been appointed to focus on the entertainment sector.

and business development director at APG explained, ‘We have created a new business model here in China which means that we are no longer working in a 100 per cent exclusive distribution setup. Rather, we have now included a new partner called TR Audio which specialises in the entertainment market but at the same time we will continue to keep our historical partner, BVCAM for the rest of the market.’

Established in 2011, TR Audio is based in Guangzhou while BVCAM is situated in Beijing. APG also believes that the geographical

will be able to share information and prospects.

elaborated on the new setup. ‘We’ve had good cooperation with APG for a there will be a lot of opportunities for us in the rental and theatre markets and we’re seeing growing potential for the brand here in China.’ Meanwhile, APG also announced a new distribution agreement for South Korea with Korean integrator Soundplace. APG has been working since 2014 but on a non-exclusive basis. ‘Soundplace has the perfect

forward is to be more present in areas such as house of worship and theatre installations,’ stated Mr

www.apg.audio

www.bvcam.com.hk

www.soundplace.kr

www.traudio.cn

from the global economic recession and therefore, we expect a rising sound equipment in the near future,’ said Tanapat Mongkolkosol, Vision for both the rental and install markets and an excellent reputation, able to better position ourselves to cover more applications and be more competitive than before.’ www.k-array.com

AUSTRALIA: Fohhn Audio announced the appointment of an

never been represented down German beam steering expert has

our distribution partners as it has to be right for both parties,’ explained

Audio were also undergoing some

restructuring and so we decided

professional but have an honest, open-minded team who share our passion for audio.’

was left with a void in its product managing director Peter Trojkovic.

‘There is an increasing demand steering audio solution with a wider researched the market in 2014, we knew Fohhn Audio with its Linea Focus series offered those criteria resist jumping in so that we could restructure our technical department better accommodate the brand.’

www.cmi.com.au

www.fohhn.com

INDIA: Nexo has appointed Yamaha

The French manufacturer’s new partner will offer support, education and training in addition to the full

Mix Wave takes on

portfolio of products.

ranging distribution infrastructure, a network of consultants and an extensive customer base,’ explained Denis Baudier, international sales director for Nexo. ‘All of these will sound reinforcement solutions in

the possibilities between the product ranges of Nexo and Yamaha under one roof to make life much easier

Harisha GN, business head of the PA

www.nexo.fr

ASIA: Finnish brand Amphion

Loudspeakers has appointed two new distributors as part of its ongoing plans to expand in Asia. Taking on South East Asia from its headquarters in Singapore and in the region for its offering of musical instruments and audio including Apogee, Rupert Neve Designs, Universal Audio, Antelope Audio, Lewitt, Focusrite, PreSonus, Audient and Eve Audio. Heading north, Kicksound will represent the manufacturer in Hong Kong and construction and sound design in

ANZ: Canadian SFP conversion solution manufacturer Embrionix has appointed Professional Audio & Television (PAT) as its and New Zealand. The distributor will be stocking Embrionix warehoue and offering customer demonstrations.

‘Australia and New Zealand are explained Denis Pare, vice president of sales at Embrionix. ‘So it was imperative to engage

JAPAN: Austrian manufacturer, AV distribution of its media server and show control solutions in Japan.

The distributor represents several manufacturers across professional video, pro audio and consumer audio.

‘Japan is without doubt a importance,’ said Horst Damoser, global business development relationship with our projection screen customers in Japan and are looking forward to growing the

media server and show control side of things with the help of and experience with media

soon become one of our most successful distributors.’

our most demanding rental and staging customers.’

www.avstumpfl.com

www.mixwave.co.jp

understanding of sound production and technologies.

is the main consideration when

selecting new regional distributors,

‘Even more so in Asia, where due to time, linguistic and cultural differences, it is even harder to

customers. We have to dedicate this ‘We believe that Sinamex will meet our high expectations and that successful Amphion distributor,’ about this new venture with motivated professionals, all with a ‘Listening to Amphion studio monitors is like getting a pair of glasses with the correct prescription, one starts noticing details that were a blur before,’ commented Sinamex managing director Simon Tan. ‘When talking about Amphion here at

better than this”.’ Kicksound’s project and sales director, Kawai Leung, added that engineers in Hong Kong.’ www.amphion.fi www.kicksound.com.hk

but promote and support us. We qualities in PAT.’

Patrick Salloch, managing director at PAT, also expressed his enthusiasm about the new deal. ‘We are delighted to be able to offer our customers Embrionix solutions,’ he said.

‘Embrionix is all about enabling a broadcasters.’

www.embrionix.com

www.proaudiotv.com.au

www.proaudiotv.co.nz

PHILIPPINES:

Engineering has joined StageCraft

in representing notable pro audio brands and also serves as a rental

‘We’ve been seeking the right promising market for major growth,’ said Adamson’s sales manager for

our expectations and we’re proud to welcome them as the latest member of the Adamson global network. build up the Adamson brand in the Philippines.’

‘We feel Adamson has a big advantage in terms of technological Paraiso, head of sales and marketing at StageCraft. ‘We love the idea of its distribution and sales partners and end users in moving the brand and product offerings forward.’

www.adamsonsystems.com

www.stagecraftintl.com

-less power requirements

-less heat dissipation

-reduced carbon footprint

-speakers reactive energy recycling

David Claringbold joins d&b’s management team

At this level, there is no room for dishonesty. You need the sound of absolute truth. Designed and engineered from scratch to reveal details that no other flagship monitors can. Innovation runs deep and wide in the new ADAM S Series. With more bass extension.

Dramatically enhanced mid-range detail. And loud, intensely accurate output without fatigue or distortion. This is sound designed to reach your inner ear. Inspire trust in your creative instincts. And move you to create your best work… by hearing what others miss.

DirectOut grows business development team A&H hires Chris Pyne for APAC

APAC: Chris Pyne has joined Allen region as technical marketing director. He will utilise his three decades of sound engineering experience across the pro touring and events industry by providing technical expertise and training to the manufacturer’s partner network and by supporting customers, including touring engineers and rental companies, throughout the region.

‘With our digital mixing systems gaining great momentum in Asia perfect time to strengthen our presence in this key market,’ said Christian Luecke, Allen & Heath’s sales and marketing director. ‘With his experience and knowledge, Chris

will make a dynamic contribution and deliver world class support to our customers and partners.’

www.allen-heath.com

www.chrislivesound.com

ADAM turns to an entrepreneurial spirit

WORLD: ADAM Audio has announced Christian Hellinger as its new managing director. Based in the manufacturer’s Berlin headquarters and

the role of international sales and development director, EMEA.

‘ADAM Audio is proud to have Christian Hellinger on board, bringing his new ideas and

WORLD: German manufacturer DirectOut Technologies has hired Luca Giaroli and Lorenzo Sassi as business development managers.

Mr Giaroli joins the company with 25 years of experience in the professional entertainment market working in almost every industry position, from sound engineer, production company owner and manager, product specialist and business development manager for pro audio companies as Optocore, Powersoft, Audiosales and Outline.

Mr Sassi has also grown up in the audio industry and possesses a wealth of experience as an AVL technician, operation manager and logistics coordinator for an Italian production company and, more recently, business developer for Outline.

‘We are delighted to have both Luca Giaroli and Lorenzo Sassi joining our team,’ commented DirectOut managing director Jan Ehrlich.

‘Luca, while working for the Italian distributor Audiosales, was one of the our very young company eight years

ago. Lorenzo is a young and vital person with an excellent knowledge of our market. Together both will help us in offering our clients and resellers an ideal package of worldwide sales support and assistance.’

www.directout.eu

working collaboratively with Sven Schmöle, who serves as managing director overseeing manufacturing, logistics and supply chain, Mr Hellinger will oversee global sales, distribution, marketing, R&D, post-sales support and service, product management and worldwide strategy.

Mr Hellinger was the founder of Yellow Tools, a developer of sample libraries, virtual instruments and audio software, and served as its CEO. When Yellow Tools was acquired by Magix AG, he served as VP of audio before transitioning into

his entrepreneurial approach to the company,’ said ADAM Audio chairman David Angress.

‘Christian’s reputation for delivering forward-thinking customer solutions will help to lead our growth and evolution in the future.’

‘I am very impressed by the company’s engineering expertise, the amazing products that they build and their team’s passion and drive for innovation,’ offered Mr Hellinger. ‘It is very motivating for me to see that ADAM Audio listens very closely to their customers’ needs.’

www.adam-audio.com

Revolabs names new CEO

WORLD: Yamaha Corporation has appointed Masanori Kamihara as the new CEO of Revolabs. Mr Kamihara’s promotion comes as company co-founder JP Carney steps down from the position. Yamaha acquired Revolabs in 2014.

Having joined Yamaha in 2008 as a producer for its music production products division, Mr Kamihara moved into the professional audio business group two years later, leading product planning and strategy for commercial install solutions targeting retail and BGM applications. His most recent role was as the group manager of Yamaha’s communication system development group.

‘I am excited and honoured to be working with and to lead such a visionary team at Revolabs,’ said Mr Kamihara. ‘I have had the pleasure to work with JP and the Revolabs

management team. They have impressed me with their passion for delivering innovative solutions that solve their customers’ needs and their deeply rooted knowledge for building a network of strategic partners. We will continue to deliver exceptional support and quality

to those customers and partners worldwide.’

Meanwhile, Mr Carney will remain with Revolabs during a transition period. ‘As an entrepreneur, I’ve enjoyed founding, guiding, and growing Revolabs,’ he commented.

‘It has been three years since the acquisition, and during that time, Revolabs has solidly positioned itself to continue executing its strategy for growth, which has given me the opportunity to step down personally and professionally. Yamaha is committed to and intently focused on the UC space, as demonstrated

solution, the CS-700. With Masanori assuming the CEO role, Yamaha will unify their UC assets under one leadership to continue building into the future.’

www.revolabs.com

Sjöö to steer Powersoft EMENA sales

to in 2008, and this Powersoft feels, will also serve him well.

‘Håkan is a passionate leader and his channel distribution knowledge will greatly contribute to Powersoft’s expansion in EMENA regions,’ said Powersoft’s sales and business director, Luca Giorgi. ‘We’re always looking for passionate talent and we are all very happy to have him join our world-class team.’

Pioneer DJ remixes its board of directors

WORLD: Pioneer DJ Corporation has undergone a management restructure with Yoshiaki Ide assuming the position of chairman while Akio Moriwaki takes on the role of president and CEO.

The manufacturer has dissolved

to achieve an agile management structure.

Prior to his appointment as chairman, Mr Ide served as president and CEO. In his new role, he will work to develop new business opportunities and

to strengthen existing external relationships that the brand possesses.

Mr Moriwaki brings more than 30 years of industry experience and vast music retail knowledge to the president and CEO job. He previously served as president of Tower Records Japan.

board, Hirofumi Hirano and Eiji Yatagawa have been reappointed as directors. Both work part-time in their roles.

www.pioneerdj.com

John Bell becomes Riedel Australia GM

previous roles include stints as CFO and director at Lake Technology and as CEO at Zen Media Pty Ltd. Mr Bell is also an associate member of the Audio Engineering Society.

WORLD: Pro audio veteran Håkan Sjöö has joined Powersoft, taking on the role of regional sales account manager, EMENA. The role encompasses India, the Nordic countries and German speaking territories, as well as the Middle East and North Africa, and will see the Swedish native apply added emphasis to rack-mount

Mr Sjöö brings more than 20

WORLD: Eastern Acoustic Works (EAW) has appointed a pair of new business development managers. Bernie Broderick and Jeremy Forsythe will focus on the live and installed sound markets respectively. Mr Broderick has been working for EAW as a trainer for the past 17 years. His career spans a total of three decades and includes stints as a pro-touring FOH, systems technician and sound

years of relevant experience to the position, including that gained in his most recent roles at RenkusHeinz where he served as regional sales manager for India, European regional sales manager – EMEA. In addition to a background particularly suited to the type of work he will be doing, Mr Sjöö has a deep knowledge of the region, including India where he relocated

‘The installation sector is my strength and the new direction Powersoft have taken with Ottocanali, Duecanali and now Quattrocanali underlines the amazing developments now taking place in that segment,’ noted Mr Sjöö. ‘The growth in India in particular has been amazing and countries like Iran are also now upand-coming, with trade embargoes lifted. As for Europe, Germany has also produced some amazing results, and these are markets I will be focusing on as a priority.’

www.powersoft.it

company owner prior to joining the manufacturer. ‘Bernie came to EAW with an extensive, high level, background in live sound,’ noted Rusty Waite, vice president, global sales at EAW. ‘Although his most recent role with EAW has been as technical training manager, it was clear to us that he was the perfect candidate for this new role.’

serving as the lead designer and

AUSTRALIA: John Bell has been named as general manager of Riedel Communications Australia. A media and entertainment industry veteran of 20 years, Mr Bell has served in a non-executive director role in the German manufacturer’s Australian division since 2015.

In his new role, Mr Bell will utilise his prior management experience gained at large organisations to build on Riedel Australia’s market share and brand awareness. His

‘John has held senior management roles in Europe, North and South America, Africa and Asia, and his experience covers more than 30 different industries with a strong focus on engineering and IP-based businesses,’ said Cameron O’Neill, Communications. ‘His extensive network of high-level connections in the Australian business landscape, coupled with his expertise in business improvement, will help us strengthen Riedel Australia’s market leadership.’

‘I see strong potential for further adoption of Riedel products and solutions across existing and new markets in Australia,’ observed Mr Bell. ‘I look forward to helping the company capitalise on these exciting opportunities,’

www.riedel.net

project manager at an A/V systems integration company, Mr Forsythe joins EAW with prior experience of working with the manufacturer. He had been involved in the design and development of EAW’s Avalon club series loudspeakers. ‘Jeremy’s skill set will be invaluable to consultants and integrators,’ added Mr Waite.

‘By dedicating his focus to installed applications, EAW will offer our customers access to a level of

knowledge and insight about EAW products that was not available before.’

www.eaw.com

VIO S318

Active semi-horn loaded bassreflex subwoofer

LF 3x18” Frequency Response (-10dB) from 35 Hz

3x DIGIPRO® G3 Class D 2700W/RMS Amplifier

Max SPL 143 dB Delay control up to 9.9 ms

On-board cardioid array configuration preset

info@dbtechnologies-aeb.com

www.dbtechnologies.com

VIO L210

Active 2-way line array module HF 1x1.4” Neodymium LF 2x10” Neodymium

DIGIPRO® G3 Class D 900W/RMS Amplifier

Max SPL 135 dB On-board double rotary EQ Control System

dBTechnologies

VIO S118 NEW

Active horn-loaded flyable subwoofer LF 1x18”

Neodymium Frequency Response (-10 dB) 33 Hz

DIGIPRO® G4 Class D 1600 W/RMS Amplifier with PFC

Max SPL 139 dB Modular slot for expansion cards System auto-test for quick diagnostics

Renkus-Heinz loudspeakers deliver clarity to every seat.

It didn’t matter how far back their seats were. Or how cavernous the hall was. All they heard – all they felt – was sound that was warm, intelligible and personal. With clear, precisely-controlled sound from Renkus-Heinz loudspeakers, their seats were the best in the house. To learn more or for a demo, visit www.renkus-heinz.com.

renkus-heinz.com

It isn’t just about being heard, it’s about being understood.

More power, longer throw, same size

DEVELOPED WITH long-throw theatre and live music applications in mind, Nexo has unveiled the latest Geo loudspeaker in the form of the M10. The speaker is stated to be twice as powerful as it sibling, the Geo M6, while drawing on structural and acoustic innovations developed in the STM modular series. However, its silhouette is still similar to the M6.

The M10 houses a single 10-inch neodymium LF driver paired with a 1.4inch titanium diaphragm HF driver. The cabinet itself is an injection-moulded reticulate urethane co-polymer enclosure with a footprint measuring 531mm x 288mm x 355mm. There are two versions of the M10 cabinet, offering 12.5° and 25° of vertical dispersion. Both offer 80°/120° horizontal dispersion which can tools, by removing the magnetic grille and cabinet weighs 21kg and can be ordered in the full range of RAL colour options.

According to the French manufacturer, the use of the single 10-inch driver

offers several advantages over the more commonly used double 6-inch, the frequency response from a two-way cabinet, while the box keeps a narrow inter-cabinet angles’.

A new companion subwoofer has also been launched alongside the Geo M10.

The MSub15 weighs 36kg and is operable in omni or cardioid mode thanks to front and back connection plates. The MSub15s

are the same width as the M10 cabinets, but two subs are equivalent in height to three M10s. It includes large composite bumpers on each corner and side handles.

with or without the MSub15, while up to 12 M10 or eight MSub15 modules can

Alternatively, the M10 elements can be groundstacked on top of the MSub15s with between -12° to +12° of tilt.

Another highlight of the new cabinets is the use of an internal three-point rigging system with automatic locking. Two different bumper options are available, both with optional expansion bar, as well as an extension accessory for groundstacking.

For power, Nexo’s NXAMP4x4 TDcontroller is capable of powering up to four M10 or three subs per channel. The system can be controlled over a network using Dante, Ethersound or an AES/EBU digital expansion card.

www.nexo-sa.com

The best of Nexo’s Geo series is now available in a single 10-inch format with flexible mounting options

COMPRISING OF the VIA-8 and VIA-12 cabinets, together with the VIA-SUB cardioid and SB218 subwoofers, the VIA Line array system marks P. Audio’s introduction into Line array technology.

Capable of producing a maximum continuous SPL of 126dB, the VIA-8 and VIA-12 enclosures are fully-powered, two-way line array cabinets loaded with two 8-inch neodymium woofers and 3-inch large format compression drivers. Whilst the 8-inch woofers feature a neodymium motor structure with aluminium shorting rings for reduced distortion, the HF compression driver is a three-inch design featuring a Mylar surround.

The two Line array cabinets differ only in dispersion with the VIA-8 enclosures offering an 80° x 15° pattern and the VIA-12 providing a 120° x 15° pattern.

The VIA-SUB is a fully powered cardioid subwoofer that utilises a rear-facing 12-inch woofer to effectively cancel the sound radiation behind the cabinet and to control LF feedback issues.

The newly-designed, forwardfacing 18-inch woofer uses double neodymium magnets for high neodymium woofers utilising two neodymium magnets, the SB-218 has been designed for applications requiring high levels of LF reproduction.

Each VIA enclosure incorporates matched to the DSP with 96kHz AD/DA converters, incorporating the latest FIR technology for providing Linear system phase. An RS-485 connector in each component facilitates remote

control with the included software for editing single cabinet parameters. The software allows adjustment of the graphic EQ, delay times and gain, together with real-time monitoring of the

The rigging for the VIA series is designed to support up to 16 VIA-8 or VIA-12 cabinets or eight VIA-SUB cabinets, for which the three-point design allows for a

rear rigging is made from 6061 T6 extruded aluminium with hardened steel/stainless steel pins.

The rigging design allows inter-cabinet array angles of up to 14°, whilst the subwoofer angle, as the delay in each cabinet is available to create different radiation patterns as needed.

P.Audio has also recently developed the Line series of loudspeakers for environments, consisting of the 2Line-6, 3Line-C and 2Line-Sub. Available in black or white and enclosed in a heavy-duty steel cabinet with a steel grille, the 2Line-6 is a high directivity vertical column array. It incorporates six closelyspaced 2-inch neodymium-based dynamic transducers offering controlled polar lobing and tight pattern control.

A rear-mounted switch allows the system impedance to be changed between 4-and 16-ohms. The 4-ohm setting is intended for use is required. The 16-ohm setting allows four cabinets to be parallel

linked, either when a 4-ohm the accompanying 2Line-Sub is

adopted lower power applications. The addition of the active 10-inch 2Line-Sub to the 2Line-6 provides full range audio reproduction. An

two 300W outputs comes with a universal Switch Mode Power Supply (SMPS). Eight switchable EQ presets different voicing modes with the 2Line-6, including one preset optimised for use with the spoken word. Constructed of dense plywood with a steel splatter coat the 2Line-Sub comes with two recessed handles on the side of the cabinet.

the 3Line-C comprises eight 3-inch woofers in a vertical array

six 1-inch soft dome tweeters mounted in front of the woofers for added high frequency extension. The loudspeaker can be paired with the XT-15A SUB for low frequency support, using the dedicated 3Line preset. The XT15A Sub offers DSP parameters and integrates a two-channel channel to powering the 3Line-C and the other for the subwoofer.

The 3Line-C enclosure is made from folded steel and incorporates folds in the side walls to improve strength together with butyl rubber damping materials to prevent resonances. Finished in black or white, the 3Line-C is both zinc plated and covered with powder coated paint to prevent cabinet corrosion.

www.paudiothailand.com

hit the deck

THE NEW Domino Series from K-array is a line of full-range stainless steel loudspeakers that offer plug-and-play functionality and the ability to be driven by

The series comprises three full-range models, the KF26, KF210 and KF212. The KF26 is the smallest of the three and measures less than 12cm deep. It houses a 6-inch woofer and a 2-inch neodymium magnet woofer coaxially mounted plus a 6-inch passive radiator to extend the bass response. The KF26 has a selectable impedance 8/-32-ohm and 90° horizontal and vertical coverage. It can reportedly be transformed into a self-powered speaker just by inserting the

FF. It offers a maximum of 109dB, making it suitable for smaller installations.

THE NEWEST member of the X-Line Advance family has been unveiled as the X12-125F subwoofer. Designed for use with both Electro-Voice X1 and X2 arrays, the dual 15-inch subwoofer houses high-output transducers in a compact enclosure delivering a stated 9,600W output.

The subwoofer can either features the family’s Integrated Rigging System for ‘quick, secure and seamless deployment’ in arrays. Having been sonically matched with the series’ fullrange enclosures, as well as the X12-128 groundstacked 18-inch

is stated to complement the existing models in a range of X1 or X2 mains and X12-125F

system with X1 or X2 mains, to mains in LF mode and X12-128 as a groundstacked system with X1 or X2 mains and X12-125F above mains with X1 or X2 mains and X12125F above mains in LF mode in

ground stacked as subwoofer; and groundstacked in LF mode, with X1 or X2 above as mains and X12128 as a centre mono subwoofer array.

www.electrovoice.com

Stepping up in size, the KF210 has a 10-inch woofer and a 3-inch neodymium magnet woofer coaxially mounted in addition to a 10-inch passive radiator. Like the KF26, the KF210 has selectable impedance and wide vertical and horizontal coverage.

The largest in the series at 20cm-deep, the KF212 comprises a 12-inch coaxial transducer with a titanium dome and a 12-inch passive radiator and is stated for use in clubs and lounges.

While wall brackets ship with the cabinets, there are also a range of optional accessories available for each model, such as to further hide the speakers. All three models can also be covered in addition to the standard black and white renderings.

www.k-array.com

STUDIO SOUND

TO GO.

MK 4 digital Finally.

MK 4 digital: A mobile studio for entering the true condenser level

The MK 4 digital unites the high-resolution sound of a true condenser microphone with the simplicity and finesse of digital solutions. The sensitive A/D conversion is provided by high-end Apogee technology. Be it in the rehearsal room or in interviews: The MK 4 digital is easy to handle and can be used with iOS devices and with laptops.

Unrivalled studio sound is now available anywhere.

Connects directly to

• iPhone®

• iPad®

• iPod touch®

• Mac®

• PC

CV launches live cabs for all sizes

CERWIN VEGA has developed the CV series of portable, powered PA systems for small to medium-sized performance venues.

Representing the line’s most compact systems, the CVE group comprises of four powered speakers

with single 10-, 12- and 15-inch tops and an 18-inch subwoofer. Mounting points and an accessory

installation options, although the three models can serve as portable speakers or stage monitors. Each cabinet incorporates 1,000W

XLR/TRS inputs, one XLR output polymer enclosures, the CVE10, CVE-12 and CVE-15 weigh between 15kg and 18kg and like the CVE-18s come with a Bluetooth pairing for wireless connection to

The CVX series includes the

1,500W-rated CVX-10 and CVX15 tops with the 2,000W-rated CVX-18s and CVX-21s subwoofers.

All four cabinets include Class-D

channel mixer and include three XLR outputs with two XLR inputs.

The top enclosures are composed of lightweight polymer whereas the subwoofers are built from 18mm Birch plywood and protected with

Maui moves to the next generation

ADOPTING UPDATED technical solutions and user-friendly features, LD Systems has introduced second generation Maui11 G2 and Maui28 G2 active column systems. Like their predecessors, the Maui11 G2 and Maui28 G2 have been designed as easy-to-use PA systems in small- to medium-sized venues.

The respective outputs of the Maui 11 G2 and Maui28 G2 cabinets have been increased using Class-D

RMS respectively. Portability has also been enhanced as the weight of both column systems has been reduced and the Maui11 G2 can now be assembled from two sections.

Housed in 15mm plywood

white, the Maui11 G2 and Maui 28 G2 cabinets accommodate three 6.5- and two 8-inch LF woofers respectively, whilst the corresponding aluminium column sections feature 16 3-inch and eight 3-inch drivers. Coupled to BEM (Boundary Element Method)

Danley’s compact with Mini sub

THE LATEST subwoofer creation from the team at Danley Sound Labs comes in the form of the TH-Mini15, an ultra-compact single 15-inch subwoofer that also serves as the bigger brother to the smaller Danley TH-Mini. With a 105dB sensitivity

and maximum continuous SPL of 132dB, the model is stated to be capable of reproducing frequencies down to 50Hz. Measuring 76.2cm x 45.7cm x 60.9cm, the subwoofer is intended for ‘pack-and-go’ live situations such as pop-up houses

installation.

‘The Danley TH-Mini15 is a greatsounding little subwoofer that can be moved with relative ease,’ commented Danley’s Mike Hedden.

switches provide main/monitor mode, live/playback EQ and high indicator has also been added.

the CVXL are the largest and most powerful of the CV series group.

The single 12-, 15-, or dual 15-inch wooden tops can be combined with single 18- or dual 21-inch

Weighing 29kg, the CVXL-112

is a 1,500W-rated cabinet that incorporates a 12-inch woofer with a 1.75-inch HF compression driver operating within a 55Hz–18kHz (±3dB) frequency range. Capable of delivering a maximum SPL of 135dB and 137dB respectively, the CVXL-115 and CVXL-215 models can extend the low frequencies down to 47Hz.

www.cerwinvega.com

optimised waveguides for improved sound dispersion, newly developed dual 1-inch neodymium tweeters comprise the HF sections. Fourchannel mixers with Hi-Z input options, stereo line inputs and Bluetooth audio streaming have been integrated into the new

Auto-adaptive 24-bit signal processing with LD Systems’ own DynX DSP technology enhances distortion-free audio. Accessory kits promote the speaker columns to be used separately from the subwoofer in wall mounting applications with two options, whilst a stand is also available for positioning the columns next to the subwoofer.

As well a second-generation version of the Maui11 and Maui28, LD Systems has introduced a third generation of its Stinger speaker improvement’ over previous models. The Stinger G3 series comprises 8-, 10-, 12- and 15-inch passive and active full-range cabinets, as well as two 15-inch and 18-inch

subwoofers. The cabinets are constructed from 15mm or 18mm birch ply, while an abrasion and impact-resistant polyurea plastic coating helps to prolong longevity during mobile use. All of the active speakers are equipped with Class-D The dispersion characteristics of the full range models have been enhanced in the HF range over the previous generation. LD Systems’ proprietary DynX DSP technology can also be found onboard, and offers four one-touch tuned presets – full range, satellite, monitor and

In addition to three different G3 subwoofer’s DSP presets also feature a cardioid option.

www.ld-systems.com

cover or in the tight space under the stairs at a restaurant. It’s got a pole cup to make it easy to mount atop boxes and the handles are all well placed for ergonomic transport.’

www.danleysoundlabs.com

Touch right into your DAW

QSC HAS introduced new software for TouchMix users that enables two-way migration of digital audio

DAW software on either Windows or Apple Mac computers. According to the manufacturer, Version 2.0 offers this capability to users of all three models of TouchMix digital mixers, including

already offers users directto-DAW interface capability with computers running Apple Mac migration between TouchMix and DAW software is now also possible. In addition to the new DAW Utility software, Firmware v1.1 can now be downloaded for the mic/line, six line, stereo USB)

product enhancements including direct download for upgrades and improvements to the parametric EQ. A Channel Safe function prevents an individual channel’s settings from being changed by a scene recall by setting the ‘can’t change’ channel to Safe. It can still operate normally but will be unchanged by any scene recall.

The ‘Omit levels’ function on the

assignments, for which presets can now be recalled without affecting mute group, sub group and DCA group assignments.

In addition to increasing the maximum LCD brightness, the monitor pop-up now includes delay settings and source selection buttons in addition to a vertical fader for level control.

Away from mixers, the Core 510i integrated core processor has joined the Q-Sys portfolio,

software modes, as a full Q-Sys audio, video and control processer or as an I/O peripheral that can accommodate any combination of Q-Sys analogue, digital and networked audio I/O cards.

The Q-Sys Core mode handles all AVC processing including resources for built-in acoustic echo

deployed with the Q-Sys A/V-to-USB Bridging solution for soft codec conferencing applications.

The I/O Frame mode offers support for up to 128x128 audio

Next-proaudio takes the hard work out of subwoofer arrays

channels as an I/O peripheral into the System for processing on a separate Core processor. It can accommodate any combination of Q-Sys Type-II I/O cards including Dante, CobraNet, AVB or Q-Sys analogue and AES/EBU cards.

With the recent release of Q-Sys

Core processors shipped to date, including the Core 510i, offer native AES67 capability without requiring additional hardware or license costs. The Core 510i processor also offers multiple levels of System redundancy allowing the designer to choose the most appropriate scheme for the project at hand.

Finally, a new Q-Sys I/O-8 Flex

channel expander has been audio I/O channels. The device channel via Q-Sys Designer Software as either a fully balanced mic/line input with phantom power or a line level output. It also offers PoE+ support for single-cable deployments plus an auxiliary DC power input that can be used for redundancy. With the same chassis and mounting solution as the QSC SPA Series power mounted under the table in a conference room, on the wall or in a rack.

www.qsc.com

PORTUGUESE LOUDSPEAKER

manufacturer Next-proaudio has developed a new Acoustic Simulation

single subwoofer setups or subwoofer arrays. Intended to aid Next-proaudio owners when deploying subwoofers into a venue, the tool is stated to be ‘extremely intuitive and easy-touse’. It allows the user to simulate in 11 different ISO 266 spacing

capable of predicting the acoustical performance of the subwoofers,

solution for a given venue with multiple sound sources.

The AST includes a database of Next’s subwoofer models, containing sensitivity, maximum power and cabinet dimensions. Several different parameters can be tweaked, including orientation and vertical

electronic parameters that can also

value can be calculated according

To achieve the maximum phase

calculation precision, the speed of sound is calculated taking into account the humidity, temperature and altitude. The resultant coverage simulation is mapped, showing the SPL distribution throughout the venue. With a listening point – a virtual microphone, the user can predict the frequency and phase response in a desired location. The software permits up to four listening points simultaneously. The user only needs to indicate how far the virtual measurement will be taken and click to trace. A polar plot is also available and will be displayed in a separate window alongside other important information such as Q, DI and -6dB angle.

task of setting up virtual subwoofer arcs has also been streamlined with the tool’s Virtual Arc function. Based on the acoustical beam aperture performs the necessary calculations location and delay) to input into a DSP audio processor.

www.next-proaudio.com

Penn Elcom keeps its cool

PENN ELCOM has released a new ‘quiet’ exhaust fan for heat extraction in cupboards and other enclosed environments that feature

product comes with a drill template to aid installation, creating an cover to keep the overall cabinet enclosure looking smart.

With an operating low-noise fan is well-suited to low noise environments. Measuring 80mm, the fan is

also small enough to be neatly ensconced ‘just about anywhere’ in a cabinet.

A thermal sensor accessory can be plugged into the temperature sensor socket which is set to

sensor accessory is supplied with an acrylic adhesive pad to be positioned in an area where it can detect the ambient temperature of the equipment being cooled.

www.penn-elcom.com

RCF tilts into position

RCF HAS extended its column array line source series with the advent of the NXL44-A. Combining three 10-inch neodymium woofers with a 1.4-inch exit driver coupled on an asymmetrical waveguide in the HF section, the components are tuned to deliver uniform coverage over an extended frequency range. The manufacturer claims that the asymmetrical design of the horn projects sound energy with great accuracy, thus avoiding undesired

enclosure always remains vertical and hence bypasses the need for tilting the cabinet in a manner that would affect its stability. The large format compression driver to deliver the majority of the vocal range to create enhanced coverage and dispersion control.

The HF horn design also promotes the use of two NXL44-A columns to be cascaded as a stacked array for enhanced control over directivity in challenging acoustical surroundings. Integral DSP with optimised phase response offers precision control, whilst a two-

channel Class-D bi-amped 700W the HF and LF sections. Fixing points can be used for rigging although the cabinet can also be applied in portable/live PA sound applications.

The Italian manufacturer has further enhanced its D-Line HD series by incorporating MK4generation technology. The HD10-A MK4 and HD12-A MK4 active 10- and 12-inch models incorporate RCF’s latest transducer technology, which can reportedly increase the power of the cabinets to 1,400W. The inclusion of FiRPhase technology, proprietary and advanced FIR and advanced

clarity. Whilst optimising dynamics, amplitude and phase patterns, the FiRPhase algorithm reportedly minimises latency in the system.

Two M10 and three M6 threaded inserts provide mounting hardware options.

compact subwoofer satellite systems requiring high SPL levels

Arrayable Point Source

subwoofer family. The new model incorporates a 15-inch woofer with

input section comes with stereo XLR inputs and stereo XLR linkcrossover outputs with switchable crossover frequencies for satellite systems.

presets offer plug and play and 15-inch ART7, 4PRO and D-Line active speakers. Further features include DSP processing with factory presets

and selectable crossover, gain and delay.

also an active subwoofer featuring the manufacturer’s latest woofer technology and DSP processing,

maximum SPL. It features stereo XLR inputs and outputs and is designed to offer a ‘blend of bass reproduction, high SPL and compact dimensions for mobile use’, targeting bands and DJs in particular.

www.rcfaudio.com

The most flexible solution for medium size applications

The new Coda Audio APS combines the userfriendliness of a point source with the perfect arrayability of a line array creating a unique category in sound reinforcement.

ONE for ALL

Syva introduces segment source format

L-ACOUSTICS HAS dipped its toe into the portable column speaker market with the introduction of Syva. Describing the system as a completely new format it has dubbed ‘segment source’, each Syva column houses six medium-frequency and three high-frequency transducers in a J-shaped curvature format. The portability and attractive design make the system wellsuited to corporate events, trade shows and house of

worship applications, as well as small cinemas and lounge bars. The column pairs with an accompanying high-power subwoofer or Syva infra extension to achieve 142dB maximum SPL.

The companion Syva Low enclosure features two K2-grade 12-inch drivers designed to provide low frequency contour and extended bandwidth down to 40Hz. Similarly, Syva Sub features one KS28-grade 12-inch driver to further extend the bandwidth of the

system into the infrasound domain

controller can drive up to four Syva enclosures.

The column can be wall- or or used alone with its baseplate. Alternatively, it can be mounted on top of Syva Low or Syva Sub using the AutoConnect plug-and-play audio and physical link. Cabinets

www.l-acoustics.com

dBTechnologies premieres the B·H series

DESIGNED TO deliver accurate audio reproduction whilst producing multi-functional applications, dBTechnologies has created the B·H series. The four two-way models in this newly developed series capable of providing SPLs up to 126.5dB. Each of the 8-, 10-, 12and 15-inch woofer models are equipped with 1-inch compression drivers coupled to an asymmetrical horn to ensure a wide and uniform throw pattern. Internal DSP comes in the form of a Flat or Boost EQ switch, allowing sourced BGM to be either faithfully reproduced or boosted according to the environment.

Weighing between 6.4kg and 17.3kg, the cabinets incorporate

a clean and contemporary full grille design. Whilst portability is enhanced with the addition of three handles, multi-functionality is assured by dual stage monitor angles and pole cup for use as a

portable PA system when mounted onto a dBTechnologies subwoofer. In addition to the new B•H series, the Italian manufacturer has also introduced two subwoofers designed to complement its full-range Opera

Touring-inspired integration

cabinets as part of the Sub 600 series. Both models feature a 600W

The Sub 615 is equipped with a 15-inch transducer while this is increased to 18 inches for the Sub 618. This results in a high maximum stated SPL for the Sub 618 of 133dB.

Users are reportedly able to form PA systems with a single sub and two full-range speakers without the need for any external processing or crossover. Controls on the amp panel allow users to operate with mono or stereo feeds, invert polarity and select the output link mode –True Bypass or Xover. A Sub Mode switch boosts the low frequency EQ for a deeper output.

www.dbtechnologies.com

Lucas Nano to new price point

ADAMSON CHOSE Pro Light & Sound 2017 to unveil its new series of integration loudspeakers alongside a new subwoofer addition for the S Series. At launch, the IS-Series comprises the IS7 fullrange and IS118 subwoofer. The manufacturer describes the cabinets as packing its ‘sophisticated tourlevel technology into architecturally pleasing housings that can be used in a range of applications from performing arts centres to sports venues, conference centres and

houses of worship.

The IS7 is a two-way, full-range line array cabinet containing two ND7-X5 7-inch neodymium drivers and an NH3 1.4-inch-exit compression driver. Its waveguide produces a slightly curved wavefront with a nominal dispersion pattern of 100° x 12.5° (H x V). The manufacturer claims that the increased vertical dispersion without

Technology eliminates the low-mid lobing normally associated with two-way line source systems. The companion IS118 subwoofer is front-loaded with a lightweight, long excursion 18-inch ND18-S Kevlar neodymium driver making use of Adamson’s Advanced Cone Architecture and a 4-inch voice coil. Both models’ cabinet construction uses marine-grade birch plywood

and aircraft-grade steel. The IS7 is equipped with NL4 connectors and screw terminals while the IS118 has screw terminals available on demand. A plate-and-screw rigging solution is recessed in the

installation. Finishes are standard black and white, with RAL colours available on demand.

The latest addition to the S-Series is a narrow-dispersion version of the S10 two-way cabinet offering an 80° x 10° (H x V) pattern. ‘Based on requests from our strong clientele of touring users, this narrow version of the S10 was developed to increase the long-throw capability of S-Series packages and further expand their usability and performance

www.adamsonsystems.com

HK AUDIO has made an addition to its Lucas Nano series of portable loudspeaker systems with the Lucas Nano 602 occupying the series’ lowest price point. The manufacturer states that the 602 is an ideal complement for DJs or musicians that still want to use their own external mixer. With a 10inch subwoofer base and two satellites wth 4.5-inch woofer and a 1-inch tweeter, the system has a maximum SPL of 130dB and caters for crowd sizes up to 200.

Featuring one stereo input, the 602 column boasts the ability to be deployed in its optimum and it can be combined with any other model in the Lucas Nano 600 series range to form a twin stereo system if more power is required. The cabinet weighs 16.3kg, meaning it can be transported with one hand, with the satellites mounted inside the subwoofer. Also employed inside the enclosure is a Multicell Transformer that claims to deliver ‘the quality performance of a large high-frequency horn at a fraction of the size’ and antipower transfer.

www.hkaudio.com

JBL 7 Series goes active

NEW SELF-POWERED versions of JBL’s 7 Series Master Reference Monitors have been introduced in the form of the 5-inch 705P and 8-inch 708P. The series was originally developed as a speaker that could be deployed in 5.1, 7.1

or immersive surround setups for broadcast and postproduction facilities.

Aside from the production of power, the new active 7 Series cabinets are essentially the same as their passive brethren. The 725G 5-inch

Dynaudio Pro goes three ways with LYD 48

THE LYD 48 has become the latest addition in Dynaudio Pro’s LYD studio monitor range. The three-way speaker combines an 8-inch and a 4-inch woofer with a 1-inch tweeter,

and black like the original LYD range, the LYD 48 is also available as a classic all-black version.

powers both of the woofers together with the tweeter, delivering 80W/50W/50W of features a 96kHz/24-bit signal path with selectable input sensitivity, together with the standby mode that features in the original LYD speakers. The three-way version also offers bass extension. This provides a choice between the default setting or pushing towards maximum bass

or volume, whereby the changes affect the low-end response, but ensures that the linear frequency response remains intact.

The sound balance option serves

balance gently, emphasising one end of the spectrum whilst decreasing the opposite end by the same amount. This differs

LF transducer used in the 705P is stated to provide 14mm peak-topeak excursion and low-frequency output down to 39Hz. The 728G eight-inch LF transducer inside the 708P utilises the manufacturer’s Differential Drive technology, which aims to reduce power compression, provide a greater sustained output and an extended, linear lowfrequency performance down to 35Hz.

Additionally, both models feature JBL’s Image Control Waveguide that reportedly results in a ‘seamless transition’ between woofer and tweeter and therefore provides a wide sweet spot. Power is from a 120W amp powers the 2409H highfrequency transducer, while a 250W amp is dedicated to the 725G and 728G LF transducers. Both models also feature room equalisation and

a variety of connectivity options in line with their active counterparts.

As well as new 7 Series models, JBL has expanded its line-up of all-weather cabinets with the AWC62 2-way coaxial loudspeaker. Measuring 25.91cm x 25.91cm x 25.65cm, the AWC62 provides 110° coverage from the 6.5-inch low-frequency driver and 1-inch HF compression driver resulting in frequency response from 70Hz-18kHz. Finally, a new studio loudspeaker tuning system has been released. Housed in a 2U rackmount enclosure, Intonato 24 can calibrate and control systems of up to 24 speakers with customised recallable routing of up to 24 sources selected from 24 analogue, 24 digital and 256 networked audio sources.

The device has the capability to

manage monitoring systems of up to 24 speakers, including up to four subwoofers that can be assigned as ‘Bass Management’ subs with selectable crossover settings. It is also compatible with all monitoring formats including stereo, 5.1, 7.1 and immersive.

www.jblpro.com

A new generation CMS

TANNOY HAS once again reworked its Ceiling Monitor System with CMS 3.0. This sees the ‘reinvention of the Dual Concentric driver’, which has of the CMS 3.0 models: CMS 403DCe, CMS 503DC, CMS 603DC and CMS 803DC, as well as the CMS 803DCQ which is designed especially for high-ceilings and longer throw applications.

the manufacturer, as it alters the frequency response without interfering with the phase. By the sound balance toggle switch can be turned to either ‘Bright’ or ‘Dark’.

www.dynaudio.com

Reinvention at Renkus-Heinz

RENKUS-HEINZ HAS reinvented a pair of its notable loudspeaker series. The new C Series speakers, designed for installed sound applications, are the next generation of the CF and CFX Series, while the T Series evolves from the TRX Series and targets both installations and live sound. The C Series aims to serve as a ‘cost-effective solution for theatres and performing arts spaces,

houses of worship, multiuse venues and public spaces’. Formed from a multitude of systems, the range is divided between

models, all of which are available

also include the latest version of Renkus-Heinz’ Complex Conic Horns with updated drivers.

Meanwhile, the T Series is also

The newly built Dual Concentric driver is constructed with the manufacturer’s Omnimagnet technology, in addition to Torus Ogive Waveguide assembly. This, Tannoy states, delivers ‘more consistent and controlled directivity’, while reporting a ‘notable improvement in higher frequency ranges, in comparison to previous generations’.

Each of the units in the new series has been designed to assist in specifying,

installing and commissioning back cans and clamp designs. Other improvements have reportedly been made to time alignment and the coherence between LF and HF. All modes utilise a 16-ohm driver in from sister brand Lab.gruppen.

www.tannoy.com

includes the latest Complex Conic Horn technology. Where this range differs is that each system is built to order with customisation options including myriad horn patterns, as well as colour matching and

cabinets also contain redesigned HF and LF drivers.

www.renkus-heinz.com

Celebrating 15 Years of Making the World Sound Better

“We have bucked industry trends and broken industry standards to find the best possible audio solutions both analog and digital. We don’t simply gauge our system’ s performances on published specifications; we gauge it by the smiles on people’ s faces.”

Founder, Chief Engineer, Legendary Pro Audio Pioneer

AUDAC’S LATEST subwoofer is a subwoofer with a twist. Named Noba, aesthetically it looks more like a full-range cabinet than sub, thanks to its curved shape and very compact dimensions, both of which permit the enclosure to be wall-mounted. The enclosure is constructed from 4mm-thick aircraft grade aluminium and packs an 8-inch woofer with 300W power output. The integrated Class-D amp also makes 150W of power available for each of the top speaker inputs.

‘When the idea for developing the Noba arose over three years ago, we didn’t want just another active bass cabinet to be hidden in the room’s darkest corner,’ reasoned product manager Stijn Vandebosch. The new cabinet uses Audac’s WaveDynamics technology, which allows users to set up the optimal

their preferred audio settings through the onboard USB port. The Noba sub can be paired with Audac’s Ateo2 full-range speakers

Apart Audio clicks into place

star rating thanks to its green credentials.

www.audac.eu

AS PART of its promise to introduce a raft of new products during 2017, Ecler has announced the IW103 in-ceiling/inwall loudspeaker for corporate and residential buildings, sports and leisure centres, and meeting and conference rooms. The speaker houses a 3-inch transducer and includes a high impedance transformer unit with 15W and 30W power selections at 100V line level.

In other news, the Spanish

company has made its IC6 and Ecler Essentials spherical pendant loudspeaker available in a manufacturer claims that the IC6 is ‘the perfect option for 70/100V and low impedance sound solution’, as it mounts a 6-inch woofer and 1-inch tweeter in a discreet design. The eUC106 spherical pendant houses a 6.5-inch woofer, 0.5-inch tweeter and 70/100V transformer.

www.ecler.com

DUBBING THEM revolutionary, Apart Audio has released a new designed to be intuitive and highly set of front panel controls. the Belgian manufacturer has unveiled the MaskC install loudspeaker series, which differs from the original Mask series primarily in its cabinet construction and mounting options. The mixing amp series comprises of four models. The MA120 and MA240 offer 120W and 240W RMS output power respectively, while each features two mono balanced mic/line inputs, four music inputs (stereo line, mono summed), a mono balanced paging mic input, an emergency input and left-to-right priority audio routing on the rear panel. The MA30 and MA60, which offer 30W and 60W of power respectively, have been panel features a prominent rotary volume control, while inputs include one balanced mic/line input, two music inputs and an emergency input. All four models have an automatic standby mode that powers down the amp to 0.5W after 10 minutes without a signal.

Moving on to the speakers, the MaskC series similary comprises four models.

Each available in black or white and usable inside or out, the cabinets are constructed from ABS plastic and make use of Apart’s patented Universal Clickmount bracket, that allows the cabinets to be simply ‘clicked’ into place. All four models also include 3-step overload protection that reduces the power to protect the transducer, downward tilting drivers that allow for higher mounting and a rotatable logo. The 70W Mask4C and Mask4CT models feature a 4.25-inch coated paper woofer and a 1-inch silk dome tweeter, while the 200W Mask6C and Mask6CT feature a 6.25-inch woofer.

www.apart-audio.com

Bose enters the conferencing market

Bose has entered the conferencing market with the ControlSpace EX

The DSP608D

Managing with Dante

ULTRA-COMPACT MODULAR LINE SOURCE

Packing a 138 dB wallop, Kiva II breaks the SPL record for an ultra-compact 14 kg/31 lb line source. Kiva II features L-Acoustics’ patented DOSC technology enhanced with an L-Fins waveguide for ultimate precise and smooth horizontal directivity. WST® gives Kiva II long throw and even SPL, from the front row to the back, making it the perfect choice for venues and special events that require power and clarity with minimal visual obtrusion. Add to that a 16 ohm impedance for maximized amplifier density and a new sturdy IP45 rated cabinet, and you get power, efficiency and ruggedness in the most elegant package. www.l-acoustics.com

Growing the network

D&B AUDIOTECHNIK and Peavey

d&b sound reinforcement system

control method.

Nion DSP and nControl PC and joins the likes of Q-Sys and Beckhoff as the German loudspeaker manufacturer aims to improve its third party integration.

The system is designed and managed via PC with the accessed and controlled wirelessly with any smart device supporting HTML5 via the Kiosk2Go remote control platform. The system can also be controlled using wall panels, touchscreen devices and GPIOs.

The plug-in itself provides control parameters to adjust the mute status, levels, power on/off, and alter the AmpPreset. Critical status information can be monitored

the operating state of connected loudspeakers.

the plug-in was the Amsterdam Arena. Here the ArrayProcessed

Extended range from consoles to speakers

TOPP PRO the introduction of the T2208.

Designed primarily for live audio applications, the compact rackmountable design incorporates 16 XLR, four line and two USB inputs together with 16 microphone preamps each offering dedicated

way system comprises dual 3-inch tweeters. The 40W (continuous) rated cabinet is equipped with an adjustable rigging system with a vertical splay adjustable in 1.5° increments from 0°to 12°. As the 8kg dual 5-inch version housed in a slightly larger enclosure. The 120W system operates within a 90Hz to 20kHz frequency range, for which the passive version includes a 2kHz crossover.

d&b Y-Series speakers and 30D amps have been networked backbone.

www.dbaudio.com

www.peaveycommercialaudio.com

Analogue to Dante and back again

24-bit resolution and 96kHz sampling conversion, and the unit has been designed in a compact form factor.

The manufacturer has also updated its BlueLine Digital range with the incorporation of DSP. BLR 2 DSP is a receiver with one channel of stereo unbalanced audio and two outputs, while BLS 2 DSP is a one-channel stereo audio sender. Both units include two

WORK PRO’S DD 4 enables conversion from an analogue signal to Dante, as well as from Dante to analogue. This, the manufacturer states, allows for additional both signal types can be combined. The converter’s internal DSP offers

allow for the equalisation of audio

the crossover, limiter or delay via the built-in DSP. Due to the modular nature of BLR 2 DSP and BLS 2 DSP the manufacturer states that ‘it has

Eighteen Sound takes HF to the next generation

THE NEXT generation of Eighteen Sound’s 3-inch diaphragm HF compression drivers have been unveiled by the Reggio Emiliabased transducer manufacturer. The new family includes two neodymium drivers, the ND3T and the ND3ST, and one ceramic version named HD3000T. According to the manufacturer, all models have been developed with

and ‘can be powered either through

In another update, the newlyreleased BL AC 1 is a new version of the LM GPIO. It possesses three control channels, two RS-485, two RS-232 and two Ethernet, which reportedly add versatility. It is a 19-inch rack solution that houses collector outputs for IR control. Control is offered by the OSC protocol or WorkCAD 3. Speaking of WorkCAD 3, the new software suite integrates device with a UI maker. This enables the creation of customised interfaces for controlling any Work Pro accessories.

www.workproaudio.com

trim control. A centralised 7-inch LCD touchscreen with its graphical view and set-up provides a familiar, intuitive interface for the primary functions depicting all the DSP channel parameters.

motorised volume control fader are available as are multi-use encoders offering control of the PEQ, gate, compressor, effects promoting wireless remote control management from a laptop or tablet courtesy of the T2208 editor app, a USB I/O audio interface also enables stereo recording. Additionally, the T2208 console can be networked via Dante. Designed to be versatile in application and functionality, the manufacturer has also created the in both passive and active versions using traditional connectivity or DSP control utilising the

HD paint. Weighing 3.2kg, the two-

with four circumferential slots.

Eighteen Sound states that the copper ring on the pole piece contributes to the reduction of inductance effects and related

reproduction while being able to generate very high SPLs.

The ND3T features a 1.4-inch

with an overall diameter of 109mm. Despite the size, the ND3T’s neodymium magnet assembly has been designed to obtain 20KGauss in the gap, which Eighteen Sounds says

transient response’.

Another feature of the new generation models is the proprietary metal phase plug

The HD3000T ceramic transducer

For live portable applications, the manufacturer recommends subwoofer with power hub allowing be pole-mounted. Two inputs for with a user switchable switch are built into the S12’s rear panel. Integrating internal DSP parameters via the Custom Sound iOS App, the hardware for enclosures, together with cables and poles. The addition of a stereo Bluetooth receiver serves as a source provider for playback.

www.topppro.com

distortion, while the diaphragm kit’s self-centring design allows precision mounting and easy servicing.

The ND3ST shares the same phase plug and diaphragm Geometry as the ND3T in a slightly larger size, in order to reach an The HD3000T is the ceramic model of the new family and is suitable for all applications where weight and size are not strict issue but a high standard must still be maintained.

www.eighteensound.com

SMALL VERSATILE LOUD

Active Line Array Series*

LA122A - Active Line Array Element

2220Wprg 2-Way amplification 135dB max SPL (Full-space)

LAs118A - Active Arrayable Subwoofer

2960Wprg amplification

138.5dB max SPL (Half-space)

* Networkable DSP, control software included

Yamaha and Revolabs huddle together

Remote management by IT personnel from one location is made possible with the CS-700’s integrated network management system.

Staying on the subject of conferencing, with the Version 3 release of MTX/MRX Series signal processors Yamaha has included

to feature the functionality in its systems. The addition of this functionality removes the need for fader operations during applications in which multiple microphones are in use. It also reportedly maintains an equal level for the howling margin.

SPECIFICALLY DESIGNED for huddle rooms, Yamaha has created the CS-700 as an all-inone collaboration solution. The CS-700 wall-mounted system incorporates audio, video and collaboration capabilities including Revolabs’ microphone technology. The beam-forming microphone array ensures audio can be captured and delivered to the far end, whilst four speaker elements provide audio coverage for all the participants in the room. Through the integrated USB port, the CS-700 can be connected to communications platform such as Microsoft Skype for Business, Cisco Spark, GoToConference, Google Chromebox for Meetings, Vidyo, WebEx, Zoom and BlueJeans.

In terms of visuals, the unit is equipped with a special wideangle video camera, whilst a high ‘pixel-per-face’ resolution ensures that participants can recognise nuanced facial expressions vital to effective meetings. The plug-andplay design with its USB connection to a laptop or tablet allows users to seamlessly join a meeting.

Dugan automixer functionality, which is designed to automatically raise the gain on any microphone receiving input and to lower it when there is no signal received during conferences. This creates a constant mixer gain by adjusting each input sound.

Yamaha has worked alongside Dugan automixer manufacturer Dan

Also delivered by MTX/MRX Version 3 are such functions as support for switching between sources,

using the Dugan override allocation remotely using a wireless DCP device, including iPads and Android systems. Other features include the DCP series digital control panel and group mute allocation.

In other Yamaha news, the Japanese company has expanded its commercial installation catalogue with the inclusion of the VXS1ML full-range speaker and VXS3S subwoofer. The manufacturer describes these as its ‘most compact speakers to date’ and ‘ideal for environments where relaxing, natural-sounding BGM reproduction is the goal’.

The VXS1ML includes a 1.5-inch full-range driver unit and is built to

offer 170° horizontal and vertical dispersion. On the other hand, the VXS3S makes use of Yamaha’s SR-Bass technology, designed to ‘achieve powerful yet natural bass reproduction in a compact enclosure’, and supports both lowand high-impedance connections. It features satellite connectors allowing it to be connected directly to the VXS1ML and a range of other cabinets, and to minimise channels. When the satellite connectors are used, a built-in crossover is automatically applied. Both the VXS1ML and VXS3S offer myriad mounting hardware options, mounted in a ceiling or mounted on lighting rails, and come in black or

www.yamahaproaudio.com

Industry appeal widens with L200

SSL’S LIVE series of mixing consoles has gained a major expansion with the new L200, a mid-scale console intended to give

channels, up to 48 aux sends, up to 24 Stem groups and six masters, while a 4x32 input, 24-output matrix is provided in addition.

Arms can be mounted on either or both sides of the console and can laptop/utility trays. External screens can be used to display the console overview screen, automation screen, or other system devices.

L200 features a row of three 12-channel fader tiles (38 faders in total). A central 17-inch multigesture touchscreen provides access to all of the desk’s functions, and combines with quick controls in the central fader tile to provide hardware control. The master tile, located alongside the screen also provides mute group, solo/talkback, assignable keys, and automation controls. Onboard effects processing is reportedly the same as featured on the more powerful L300 and L500, with 48 instances of effects processors available at any one time. The L200 also features

and bring the platform to a wider audience.

In terms of processing power, the desk offers 144 paths all of which have full processing. According to the manufacturer, these paths can

The surface itself has an inverted T design that claims to leave all essential controls within reach of the user while also bringing sprung arm mounted external screens/devices closer to the centre of the console.

on any SSL Live console can be loaded directly onto another console in the Live range (within system limitations).

In addition to the new live console

release, a V2.1 update for SSL’s Sigma remote controlled analogue summing mixer has surfaced. The free update brings Eucon control as well as plug-ins for the AAX, AU and VST3/VST formats. Other new plug-in, which enables compatibility with Logic, and plug-ins for mix bus and monitoring streamline session control and recall.

provides improved integration with

of the updates, Sigma’s Remote application has also been made available as a dedicated Sigma Remote app for iOS and Android. The manufacturer’s SSL Live

L500 and L300 consoles have also received an update with the release of V3.3 software. The update facilitates the control of devices and routing to and from of devices directly from the SSL Live consoles. All routes are displayed on the console’s Dante controller while all I/O devices in an SSL network

online device when available. A series of ownership controls have also been included over the Dante network and this extends to the manufacturer’s System T broadcast consoles.

www.solidstatelogic.com

A sequel to Console 1

SOFTUBE’S CONSOLE 1 has received an upgrade with the release of Console 1 Mk II, which reportedly addresses frequent user requests.

the console with Universal Audio’s UAD Powered Plugins. This makes

on desks from Chandler Limited

mapping is required as all plug-ins

Claro has joined the conference

PEAVEY’S NEW MediaMatrix Claro

conferencing solution delivers 12 eight line outputs and an RJ-11 connection in a 1U audio processing equipped with studio quality preacoustic echo cancellation up to eight inputs.

The system’s DSP engine and software is designed for ease of use and control is via any smart device, HTML5 or the MediaMatrix nTouch-180HD and kiosk-180HD

panel features several connection ports, allowing for interfacing with and controlling third party solutions, such as projectors, projection screens, monitors, lighting and HAVC systems. Ports include 12 DLIO connections, RS-485 and

GBit network switch. Claro also possesses automatic and manual

In other Peavey-related news, has released an updated version of its Tactus digital mixing system. The new Tactus was developed in

Studio upgrades

THE THIRD generation of PreSonus’ StudioLive consoles ‘the result of nine years of R&D’. StudioLive Series III launches with two models: StudioLive 16 and StudioLive 32.

Unsurprisingly, StudioLive 16 possesses 16 channels and 17 motorised faders with the faders and XMAX preamps. The consoles include 24 and 40 inputs respectively.

StudioLive Series III consoles are installed with the manufacturer’s Capture multitrack recording software, recording up to 34

Updated for Series III is the Fat Channel processing function, which

and is comprised of hardware and software elements that incorporate the Wave eMotion LV1 software.

Tactus is a touchscreen solution that is formed from three pieces of hardware: Tactus.FOH, Tactus.Stage and Tactus.Control. It also makes use of the Waves Soundgrid audio network

I/Os is designed to monitor, control and synchronise audio signals at FOH and onstage.

faders and slider control on the Tactus.Control as well as an improved dedicated master on/ off switch,’ said James Kennedy, operations manager for Peavey made connectivity and networking www.peaveycommercialaudio.com

The software maintains the features added during another recent update, which provides Console 1 – and now Console 1 Mk II – with DAW control functions for Presonus Studio One and Cakewalk Sonar.

a few minor layout changes to the markers.

www.softube.com

Allen & Heath provides an alternative view

FOLLOWING THE recent launch of the new Allen & Heath dLive C

British manufacturer has upload a

include the Dyn8 plug-in, supplying DCA spills, a Virtual Soundcheck mode and Dimension Chorus Rack

all dLive mixers.

functionality and processing display a third, independent view on an external monitor, as well as warranty and service upgrades.

Another addition is Scene

Safe, which when activated on a designated channel, will not allow for the adjustment of settings on that channel. To aid in practicality, Fat Channels now reportedly channels. The new consoles also provide 16 FlexMixes in addition matrix mixes.

PreSonus has also released the Studio 26 and Studio 68 USB 2.0 a UHD recording solution at an entry-level price point. Both record featuring the manufacturer’s

such as Peak Compressor/Limiter 76 emulation and the Multi-Stage Ducking Processor.

owners of dLive S Class systems warranty extension to 3 years. www.allen-heath.com

preamps, digital converters and clocking, as well as MIDI I/O.

Studio One Artist DAW software

On the loudspeaker front, PreSonus has added to its ULT line with the launch of the ULT10 long-throw, powered loudspeaker. As with the ULT12 and 15, the

horn and a 10-inch low-frequency driver with a 2.5-inch voice coil

www.presonus.com

WITH THE Ui24R, Soundcraft is offering a ‘complete digital mixing and multitrack recording system’

Ethernet connection.

the Ui24R’s signal processing technology. Meanwhile 20

Studer offer users plenty of inputs, channels making for a total of 24. Ui24R facilitates the redundant recording of a stereo mix, as well as all 22 multitrack inputs, computer. Soundcraft states that it USB audio interface and the user’s A compact rackmount unit, the Connected PA ecosystem. www.soundcraft.com

SLIMLINE VERSIONS

The new D Series Slimline models

claim to offer a power output that factor’.

Rational Power Management

across channels without the need to reduce the channel count of total power output. The new slimline models also as low impedance. ensure optimised running costs. www.labgruppen.com

THE NEW sees British manufacturer MC2 power and audio up in a single unit. The range comprises

‘power processing’

what the manufacturer terms accommodate Dante. The Delta’s

Accepting analogue, AES3 digital and optional Dante networked can reportedly connect to any the network, as well as processing four additional channels with local analogue outputs to connect auxiliary output channels are fed

All input processing channels as dynamic EQ. All eight output processing channels can include industry standard presets created option, allowing a single network audio from the DSP amp to any

analogue if required.

relay of either USB or Ethernet legacy products.

AudioCore application, with tuning and monitoring of a network of app.

www.mc2-audio.co.uk

CRESTRON HAS expanded its commercial applications, the amps reportedly support applications

requiring simultaneous low and high impedance speaker systems, as well as remote control

single rack space with a choice

THE MAG808 from Chinese manufacturer DSSPA is an 8x8 digital audio matrix and paging

inputs, the system also supports

To cater to emergency situations,

on the front panel for control, the

channel, remote paging, remote panel control and remote control

contact inputs and one dry contact output. Additionally, it offers four remote paging microphones, two local mics with phantom

www.dsppatech.com

software, a Crestron control

Audio Tool software features a without a central control system. www.crestron.com

Evolution Series

A series of high-intensity touring and installation loudspeakers, engineered for even coverage, outstanding control and unforgettable audience experiences. Now featuring the recently launched Evo 7T mid-high and Evo 7TL-215 mid-bass speakers

www.funktion-one.com

It’s good to Talk

LISTEN TECHNOLOGIES is boasting the ‘largest range of any existing portable FM technology’ with the 100m it cites for its ListenTalk mobile two-way communication system. The solution has been developed for noisy, crowded and/or mobile environments where people need to communicate with others and wish to avoid having to shout or whisper, such as worship services.

The communication system has been created to allow contact with leaders and other participants in a group via the one-touch talk-back feature.

Participant talk-back mode can be set up for one-to-one, one-tomany or all-to-all communication.

ListenTalk operates with encryption on the 1.9GHz band while a docking station case charges, stores and programs the devices. Additional ListenTalk features include a

removable, rechargeable lithium-ion battery, simple user interface and technology that enables devices to be deployed globally.

Users have the option to carry the ListenTalk transceiver with built-in microphone in their pocket or attach it to a belt or lanyard. The device comes standard with an ear speaker. Additionally, a variety of headsets are available, and the system is compatible with personal smartphone earbuds.

One of the most notable features

Instead of manually selecting and (NFC). As such, ListenTalk devices can be automatically

tray to accommodate up to 10 simultaneous groups operating in the same space. Thanks to NFC, users can switch groups by touching the ListenTalk device to another leader device.

www.listentech.com

ShurePlus Channels updated

THE VERSION 1.3 update to Shure’s ShurePlus Channels iOS app has been released on the Apple App Store to provide users with new and improved features, such as increased monitoring and organisational abilities, in addition to more convenient access to key channel parameters. The update’s aim is to ‘enhance the mobile environment for audio professionals by providing realtime, precision monitoring of select Shure wireless systems from an iOS device’. New features in ShurePlus Channels 1.3 include a redesigned Dashboard view, which displays RF and audio meters, as well as active transmitter information for multiple channels on a single screen. The added Access Control functionality allows engineers to set PINs, to protect any supported device or property adjustment. Access

Mics for all

A RAFT of new microphone models were announced by Harman-brand AKG at ISE 2017, from handsfree to handheld variations. For presentations, AKG has released the HC644 head-worn and LC617 lavalier microphones that both feature updated designs stated to be resistant to moisture while both are also compatible with all of the manufacturer’s bodypack transmitters.

The HC644 is a head-worn miniature condenser microphone that features a slim headband. The LC617 is a clip-on omnidirectional lavalier mic with rotating clip. Both microphones are stated to offer exceptional RF shielding and both house a MicroDot connector that allows them to interface with most major wireless microphone systems. There are black and beige colour options to suit different clothes or skin tones.

In terms of new handheld microphone models, AKG has

occasions

using the Harman Connect PA. At its core, the mic is essentially an AKG P5 dynamic vocal microphone with a supercardioid polar pattern with everything needed to work with the Connect PA system built-in underneath. At launch it is compatible with Soundcraft Ui12, Ui16, and Ui24R digital mixers, JBL PRX800W series speakers and dbx DI1 active direct box.

Finally, the C636 Master Reference in a handheld condenser microphone designed to reject feedback and handle noise through the use of uniform cardioid polar pattern and double shock suspension system. A multilayer protection system comprising a foam layer behind the grille and a magnetically attached mesh layer on top is stated to prevent unwanted pop noises.

www.akg.com

Ambeo into the wild

Control also allows users to restrict who has the ability to change device parameters by prompting those attempting to gain access to provide authentication. The other new feature delivered in Version 1.3 is the ability to categorise channels into colour-coded groups that can be ordered according to the user’s preference.

TG 1000 speaks Dante

TG 1000 now features Dante compatability via the RJ-45 port on the rear of the device

BEYERDYNAMIC HAS expanded the connectivity options for its TG 1000 digital wireless system with a Dante interface. The move follows

the increasing popularity of AoIP in both live and installed audio applications.

The upgrade sees the 24-bit

ShurePlus Channels 1.3 requires a device running iOS 8 or later.

The solution is compatible with the Axient wireless management network, the UHF-R wireless system, the ULX-D and QLX-D digital wireless systems and the PSM1000 personal monitor system.

www.shure.com

system’s dual receiver now able to connect to a Dante network via its RJ-45 interface. This is monitored by a pair of status LEDs on the rear of the 1U device. As such, the receiver offers both analogue and digital outputs, the latter of which is compatible with the AoIP protocol.

www.beyerdynamic.com

WITH A continued focus on its Ambeo 3D audio technology, Sennheiser is releasing it into the consumer market. Ambeo Smart product to make use of the German manufacturer’s 3D technology. A compact earphone, it is designed for 3D audio recording applications.

The earphone will allow users to capture and listen to binaural audio on devices such as smartphones. Binaural audio is designed to replicate a soundscape as well as the direction of sound and its spatial characteristics. The 3D audio recorded using Smart Surround can then be listened to using standard stereo headphones. Each ear hook is equipped with a pair of microphones that

reproduce ‘the subtle differences in timing, volume and timbre that occur as sounds from different directions reach each ear’. It offers a variety of readily available connection options, including Apple Lightning and USB-C. Also new from Sennheiser are additional frequency variants for evolution wireless 300 and 500 series microphone systems. The ew 300 G3 and ew 500 G3 radio microphones have been designed in anticipation of forthcoming changes to spectrum allocation that will affect applications in America and Canada. The systems will therefore cover the 470 to 516MHz range, adhering to the A1 variant.

www.sennheiser.com

Audio-Technica has a mic for almost any instrument

AUDIO-TECHNICA HAS built upon its ATM350 series with the release of the ATM350a microphone packages. These are cardioid condenser instrument microphones designed with six on instruments such as woodwinds,

strings, brass, percussion, drums and piano.

The ATM350a microphones are capable of handling an SPL up to 159dB and feature a cardioid polar pattern to minimise side and rear pickup and protect from feedback.

is incorporated as part of the in-line power module to reduce ambient noise. Making use of the manufacturer’s UniMount system, the ATM350a mics provide a variety of mounting options, such as a drum mount, magnetic piano mount, universal clip-on mount, expandable woodwind mount and a pair of attached to any of the mounts.

The ATM350U and ATM350UL are the 5-inch and 9-inch gooseneck models, respectively. Both are cardioid condenser instrument mics with a universal clip-on mounting system and include an AT8543 power module, AT8468 violin mount with a ‘hook-and-loop’ fastening method and a protective carry case in addition to the ATM350a microphone itself.

The universal clip-on solution

The ATM350PL, ATM350D and ATM350W systems feature the ATM350a with the piano, drum and woodwind mounting system respectively. The piano mounting system is a 9-inch gooseneck, while the drum and woodwind are 5-inch versions. All three include the power module, violin mount and protective case.

The ATM350UcW, meanwhile, is a wireless version of the ATM350a. It includes the ATM350acW microphone itself, terminated with a locking 4-pin connector for use with the manufacturer’s UniPak

body-pack wireless transmitters, an AT8491U universal clip-on mount, AT8490 5-inch gooseneck, violin mount and carrying case.

www.audio-technica.com

Enhanced Zen

ANTELOPE AUDIO’S portable recording interface, Zen Studio, has been upgraded to the Zen Studio+. The new unit claims the same 12 built-in microphone preamps, 64-bit acoustically focused clocking and I/O as its predecessor, but with added Thunderbolt connectivity and a range of hardware-based FPGA effects.

As well as Thunderbolt and USB ports, the hardware includes a pair each of dedicated preamp outputs, headphone outputs, and monitor outputs. The 12 aforementioned mic preamps include hi-Z and line inputs, while there are also an additional eight inputs and outputs on DB25 and the unit is further extendable via ADAT or S/PDIF.

Zen Studio+ also offers word clock input and output as well

as an atomic input for upgrading to the manufacturer’s 10MX atomic clocks. It also features a customisable routing matrix and built in talkback capability.

The FPGA effects include EQs, For EQs the manufacturer has modelled the Lang PEQ1, BAE 1073, 1084, 1023, UK69 as well as a number of other classic British and German vintage units. Zen Studio+ also offers the FET76 compressor.

Control of the solution is software based. Windows or Mac users can access the signal routing matrix, customisable presets and up to four independent mixes which are assignable to any output, as well as taking control of the unit’s FPGA effects. In addition, iOS and Android apps offer remote control for adjusting mic pre gain levels.

www.antelopeaudio.com

OctoPre adds eight Scarlett pres

FOCUSRITE’S OCTOPRE and OctoPre Dynamic provide a way to add eight channels of Scarlett second generation preamps to any DAW or digital console or audio interface with an Adat I/O. The devices both offer 24-bit/192kHz A/D conversion and eight analogue line outputs for standalone use.

The OctoPre Dynamic also adds analogue soft knee compression on every channel that is controllable via a single ‘compression’ knob and eight channels of D/A conversion, with 108dB dynamic range, fed from the Adat inputs. Furthermore, both OctoPres offer LED metering.

Apollo cascading comes to Windows systems

The OctoPre has a pad on every channel as well as the two front panel, high headroom instrument inputs. The manufacturer states that these newly-designed instrument inputs offer additional headroom to cope with hot pickups while the mic preamps are well suited to handle high input levels when recording drums and other punchy sources. Finally, the OctoPre Dynamic features an additional eight channels of ADAT input that can be fed to the eight line outputs, while word clock in and out with jitter elimination allows both units to sync with digital systems.

www.focusriteplc.com

Rupert Neve designs for reliability

RUPERT NEVE has expanded its 500 Series of racks and built on the R6 with the release of the R10 ten space rack. The manufacturer boasts more than 150 per cent of the required current for a 10-space chassis for added reliability.

the R10 includes sliding nuts to accommodate a wide range of third party modules. It has a variety of XLR and TRS I/O options and is equipped with LED current metering to monitor the amount of power being used. Its internal power supply meanwhile has been designed and double-shielded induction.

The manufacturer has also

unveiled the SwiftMix MC5 master control module for use with the SwiftMix automation system. The automation system provides the 5088 console with VCA-free moving fader automation and the MC5 now adds advanced transport, editing and grouping functionality, as well as several DAWs.

‘The addition of the MC5 Master

Controller will add powerful capabilities to the 5088 console,’ said Rupert Neve general manager Josh Thomas, ‘providing the user with a control set familiar to the ProTools user, and allowing for a truly world class signal path.’

www.rupertneve.com

WITH THE latest version of Universal Audio’s UAD software, Windows 10 users now have access to the complete functionality enjoyed by their Mac-using counterparts, enabling them to cascade up to four Apollo Thunderbolt audio interfaces for up to 64x64 channels of analogue I/O. Up to six UAD-2 or Apollo devices can be combined, including UAD-2 Satellite Thunderbolt DSP Accelerators for additional plug-in processing power. Mac users running MacOS Sierra are required to install versions are now incompatible.

In addition, UAD Software v9.1 extends Console 2 software support to users of multiple Apollo FireWire devices, and all Apollo interfaces now feature Console 2 software.

The manufacturer’s popular Apollo Twin 2x6 Thunderbolt desktop interface has also been completely re-engineered under the hood. While there are several features include a lower THD as a result of new A/D and D/A converters, realtime UAD-2 quad core DSP processing and the addition of dual Unison preamps. According to UA, the Unison technology combines analogue and digital circuitry to provide authentic emulations of some iconic recording equipment, including their ‘all-important impedance, gain stage sweet spots and circuit behaviours’. The Apollo Twin MKII ships with the manufacturer’s realtime Analog Classics plug-in bundle.

www.uaudio.com

Lynx upgrades Aurora converters

LYNX AUDIO TECHNOLOGY is claiming ‘a major leap forward in the count and features available in the converter/interface market’ with the release of its redesigned Aurora series of converter interfaces. The new Aurora (n) series comprises 14 models boasting up to 32 channels with connectivity including Thunderbolt, USB, Dante and ProTools | HD in a single rack space. According to the manufacturer, the Aurora (n) features an I/O

of which includes a preamp, an

analogue summing module and a digital (AES3+Adat) module. All units include an onboard micro SD player recorder capable of up to 32 channels of recording and playback. In addition, two audiophile grade headphone outputs and a 1-in, 3-out word clock I/O sporting the manufacturer’s SynchroLock-2 sample clock technology are on every unit.

Furthermore, Lynx promises that ‘a host of new features and capabilities will continue be added periodically www.lynxstudio.com

BRIO: DESIGNED AND MANUFACTURED IN THE UK.

One-touch recording from StudioStation

EXTRON HAS developed an all-in-one recording solution that aims to take the hassle out of recording high-quality video and audio presentations. The one-touch solution only reportedly requires a user to insert a USB stick and press the record button to begin, making it ideal for students, classrooms or volunteer house of worship teams. The StudioStation system

uses Extron and signal processing enabling the recording of ‘nearly all’ HDMI source resolutions. The default recording setup is

is compatible with virtually all media players and editing software.

Via the embedded web page, users can also customise the default

Further front panel control from API

API HAS added a pair of extra features to its 3124mb+ mic preamp to create the 3124MV. These features are front panel variable output level control and a switchable 3:1 output transformer selection, also on the front panel. Like the 3124mb+, the 3124MV provides an additional audio mixer with a transformer balanced output. The mic pre

also adds a stereo panner with a level control, and a post fader aux send. The stereo panners and the aux sends are bussed to master output controls and then to the rear panel jacks. A stereo aux return is provided to return effects or cascade additional mixers for more inputs.

www.apiaudio.com

Mackie grows Big Knob

THE MACKIE Big Knob monitor controller has been turned into the Big Knob Series with the addition of new models that introduce high resolution USB recording and playback: Big Knob Passive, Big Knob Studio and Big Knob Studio+. Both the Big Knob Studio and Big Knob Studio+ are stated to offer

varying applications.

‘For customers searching for a simple recording solution that works right out of the box, StudioStation delivers,’ says Extron’s Casey Hall ‘StudioStation automates common functions and bypasses many of the hassles associated with computerbased recording systems.’ www.extron.com

TASCAM tackles recording, control and playback

TASCAM IS targeting the professional installation and sound reinforcement markets, as well as the house of worship range of professional rackmount products.

CD recorder build upon the manufacturer’s existing SSCDR200 digital audio recorder and are designed to ‘exceed the demands of modern installations’. They offer networking and scheduled recording features, in addition to optional Dante support via an IF-DA2 Dante card.

The SS-CDR250N solid-state CD recorder

are also designed to pair with

controller. Built to withstand ‘years

full colour LCD screen, start/stop

Another addition to TASCAM’s

USB and cassette player/recorder. This is a multi-platform playback unit that the manufacturer states there is very much still the demand for.

‘As much as the audio world is shifting to digital, there is still strong market demand for a cassette device,’ explained Joe Stopka, director of sales and business development at TASCAM.

to not only play cassette but to record from cassette to MP3 on USB is the perfect bridge from the past to the future.’

www.tascam.com

high-resolution USB interfacing and feature dual Onyx mic preamps capable of providing 60dB of gain range. The Big Knob Studio offers a routing choice between three sources and two monitor pairs.

The Big Knob Studio+ expands this to 4x3 routing, including a USB playback from a DAW with

Dante takes charge of big installs

AUDINATE PREVIEWED the Dante Domain Manager platform at ISE 2017. The software, available later in the year, is a complete network management solution designed to offer enterprise-grade system administration to the A/V industry, while aiming to make audio networking more secure, scalable and easier to manage. Integrators will reportedly be able to for example categorising by room, building or site. This will allow for independent Dante Domains to be created, while the ability to set a single Dante Domain encompassing multiple IP subnets is also provided.

On the security side of things, Dante Domain Manager provides IT and A/V managers with functionality including authentication and control, role administration and integration with Active Directory. A suite of useralerts and messages offers complete visibility and accountability. The network domain concept was initially conceived for the IT sector to differentiate and manage multiple private networks across a single infrastructure. Audinate states that it ‘is applying this same approach to A/V, customising the features to the needs of A/V professionals and end users and effectively providing the

192kHz/24-bit audio conversion. In contrast, the Big Knob Passive allows users to choose between two sources, two monitors and control it all with one knob. As the name indicates, its passive design requires no additional power to function.

www.mackie.com

community with the opportunity to deploy the best strategies and best practices of both A/V and IT’. ‘Coupling A/V and IT functionality requires deep consideration of the challenges addressed in the design, deployment, and maintenance of A/V network systems,’ said Audinate COO David Myers. ‘We worked closely with A/V and IT integrators, end-users and our partners in the manufacturer community to make sure Dante Domain Manager administration and security of IT to professional A/V systems.’

www.audinate.com

Operation in channel-rich 5GHz frequency l Interference-free in congested site environment l Wired-like wonderful audio quality with maximum clarity l Up to 128 Beltpack connection per Base Station l Up to eleven(11) full-duplex audio channels l Up to five(5) group communication channels l Patent-base super-scalable IP based repeater solution - RBS25 with up to thirty(30) RBS25 connection l Hands-off like a butterfly & bee l No limitation on the number of Beltpack linkable per RBS25 l Compact Beltpack for high mobility l Compatibilities with other wired systems l AES 256bit level 3 encryption l Mobile Station in the line-up l LaON in-house solution including the wireless SoC and RF module built-in the systems l Easy wiring and installation l More with less cost-effective solution

V__pro8 gets more powerful

ACCORDING TO German broadcast manufacturer Lawo, its V__pro8 video processing tool is now more powerful thanks to its latest update. The tool allows users to connect different video formats as well as to connect between audio and video. While increasing its features-per-RU density, the platform also includes an updated A/V sync tool which, in addition to the native V__line sync pattern and the EBU pattern, can now also read the Vistek VALID8 format. Additionally, the integrated quad-split multiviewer now also features multi-coloured Tally lamps, switchable via Ember+, which allows for the integration of MV tally in the overall tally system of an installation.

The 19-inch device provides an internal 8x8 video routing matrix and a 384x384 audio matrix and features in-built framesynchronisers that are syncing the incoming independent free running signals to the same

M.1K2 Madi gets smarter

reference (Blackburst or TriLevel), in contrast to the variable video and audio delays that are for compensating latencies and providing lip-sync match between incoming or outgoing audio (up to 320ms delay) and video (up to 8 frames delay) signals. In order to automatically compensate for the internal video latency, the manufacturer states there is an internal AudioFollowVideo delay mode available.

The V__pro8 provides embedders with SRC to embed, de-embed

channels within the eight SDI I/O streams simultaneously, while interfacing the audio to mixing consoles or external audio routers via Madi. Additionally, the Dolby E Auto Aligner automatically adjusts the timing of Dolby streams, and the V__pro8 can be enhanced with a Dolby E Encoding/Decoding option that provides fully-compatible en-/ decoding of multichannel audio on a single AES3 connection with Dolby E metadata handling. The surround downmix provides two automated

Lawo-quality 5.1/7.1 to stereo downmixes per embedder. With the timecode insertion capabilities, users can choose between ATC LTC / VITC1 / VITC2 insertion from an input signal or free run mode or from internal timecode generator.

The test pattern and video ID generator provide video ID insertions (text, source, date, timecode, time of day) and colour

Lawo’s V__pro8

bar test patterns as well as a selection of audio test tones and A/V Sync test patterns. The unit can be further enhanced with optional features such as up/down/cross and AR format converter, quadsplit multiviewer, waveform and vectorscope displays, RGB & YUV colour-correction and proc-amp.

www.lawo.com

The DirectOut M.1k2 Madi router

DIRECTOUT’S M.1K2 Madi routing system has been given new functionality in the form of an LUA scripting engine and SFP.IO SMART I/O board. With calls (Salvos) using scripts

According to the manufacturer, this allows the unit to respond quickly to critical circumstances, such as a system failure, and to implement complex command sequences.

The SFP.IO Smart is a new I/O board that enables Madi signal quality analysis and the interrogation of information using SFP modules. Dedicated signal level information, SFP media and their performance characteristics can be viewed through the system’s web interface, with any errors occurring permanently logged.

www.directout.eu

www.riedel.net

THE LPP480A has been designed by Marani to improve upon the DSP functionality of the previously released DPA480 and includes the is a speaker management system offering four analogue inputs and eight analogue outputs as well as a pair of AES/EBU inputs, managed by two of the manufacturer’s M716

The system also includes 24-bit AD/DA converters and each input channel gives the option for 13band parametric equalisation, gain control, noise gate, RMS compressor, internal white/pink

allow for up to 8-band parametric

equalisation in addition to the 6dB/ octave to 48dB/octave slopes

Peak limiter, RMS compressor are also available on each

can be selected as the IIR style, including Hp/ output, as well as 512 FIR inputs, 1024 asymmetrical FIR taps also be routed and mixed in any I/O and control, the LPP480A can be connected via USB, RS485 or TCP-IP, while the remote control PC software enables simultaneous

www.marani-proaudio.com

THE MODEL 371 intercom beltpack has been created to offer Dante networking capabilities to two-channel party line intercom and single-ear headset applications, the manufacturer, Studio Technologies, has combined ‘the features offered by broadcaststyle party line intercom user devices with a single-channel listen output and a 4-pin male XLR Studio Technologies states that Model 371 can be easily with switches that enable the

to push to talk or push to talk/tap, while users are reportedly able to send and alert signals using an integrated sidetone and remote microphone

port and multiple units interface over Ethernet networks using provides PoE as well as facilitating www.studio-tech.com

ASTRO SPATIAL Audio’s Sara II premium rendering engine is a 3U rackmountable device that aims to bring object-based 3D mixing to the live sound and installation sectors, in addition to room acoustics and Utilising Fraunhofer’s technology, the device houses a the front panel, and compared to the original Sara engine, a lownoise cooling system, redundant SSD drives and up to 64 Madi or

Eclipse HX

A DANTE option card has been made available by Clear-Com for use in its Eclipse-HX matrix intercom compatible with Eclipse HX-Omega, Median and Delta matrix systems card, users can transport up to 64 channels of high quality audio to multiple Dante-enabled devices

It is stated to support all standard sample frequencies for professional use, including a 96kHz/32-channel

www.clearcom.com.

ASL INTERCOM is describing its Enchorus line of Dante format converters as a ‘professional, solution for live stage applications, production studios, According to the manufacturer, various AES3 and analogue audio inputs and outputs, the modules can be fed from analogue and effects devices in a side rack or be used for tasks such as monitoring

The Enchorus series comprises four devices – the EN1101 with eight AES3 outputs and four AES3 inputs, the EN-1102 with six AES3 inputs and outputs, the has eight mic inputs and four line outputs as well as including a fourway splitter for each input and

Each Enchorus module is equipped with two Ethernet ports for building

redundant network paths or for daisy chaining, an integrated 16x16 mixer, a four-band equaliser on each input and output and redundant

The engine can be controlled via a browser-based GUI in addition to simultaneous control from up to 10 hardware devices via The system latency is stated to be less than 5ms, and reliability is ensured with a solid build as with the use of a Linux CentOS operating system, states the

www.astroaudio.eu

Optional kits allow for rack mounting the devices

The Enchorus modules also include rubber bumpers that allow them to be stacked on stage or, as an option, multiple units can be rack mounted

to the network can reportedly imported, and exported using the www.asl-inter.com

Christie’s new Boxer is not too bright

THE NEWEST addition to the Christie Boxer range, the 3DLP Boxer 4K20 is designed for users who don’t require the 30K brightness of its older Boxer 4K30 sibling. In addition to providing ‘full native pixel-perfect 4K resolution’, Christie states that the 4K20 features 20,000 lumens as well as

as well as being equipped for use as a standalone projector and includes Christie’s TruLife electronics

platform, which is designed to deliver ultra-high resolution and high frame rate video while also supporting a video-processing second, allowing for a performance of 4K DLP at 120Hz.

The projector houses a high bandwidth multi-input card (HBMIC) that enables 4K 60Hz

HDMI or DisplayPort and offers a range of connectivity options for high bandwidth 4K signals. The

Altair unveils newgeneration wireless intercom a decade

SPANISH INTERCOM and pro

audio manufacturer Altair has launched a next generation version of its HD wireless intercom system. This follows a decade of

on

clarity within a 100 Hz to 7KHz bandwidth.

Enhancements to the Compact series beltpacks include a convenient Mic button located on the upper part of the case, a stronger battery holder, Reset button, belt clip and stronger headset connector. The antennas are now located within the 160g case, whilst the battery status and ‘out of range’ indicator can be checked using the front panel LED bar graph.

With a battery life of up to 10 hours in full duplex mode, the compact beltpacks can operate between 50m to 350m from the base station.

Christie Link transmitter can also be bundled with the Boxer 4K20, or purchased separately later on.

input capability with Christie Link and that, along with all other inputs on the 4K20, delivers preview capability, fast synchronisation and the ability to switch between inputs.

has been released for the Christie Phoenix content management system. Version 1.5 enables direct integration with Milestone’s XProtect open platform IP video management software (VMS).

Following the update Phoenix will retrieve H.264 camera

data straight from the XProtect recording server, while the XProtect event server initiates automated videowall control. This makes for what Christie describes management and control room operations’.

update is a pair of new operating modes: standard security and stringent security. The standard security mode will be suitable for most users as the stringent mode is designed for high-security environments. Added security allows client systems to comply with NERC/CIP requirements.

www.christiedigital.com

SignalShark takes the bite out of high frequency measurement

NARDA’S SIGNALSHARK is a realtime handheld analyser for measuring the interference in the high frequency spectrum. It’s capable of making a a wideband measurement of an entire frequency range, detecting hidden signals, reliably capturing very short impulses, or localising interference signals. The SignalShark covers a frequency range stretching from

The analyser combines a 10.4inch touchscreen for operation of the large number of measurement and analysis functions, but can also be adapted in advance to the measurement tasks and users needs, for both beginners and experts alike.

Furthermore, The two Li-ion

analyser

batteries can be hotswapped during operation, while the design conforms to MIL standards, ensuring it will make reliable

environmental conditions.

www.narda-sts.com

feedback from end users with regards to the system’s stability, hardware resistance, radio coverage and audio quality. When used with an HD base station, the WBP-210HD (single channel) and WBP-212HD (dual channel) belt-packs deliver enhanced

The Extreme Series of beltpacks feature more advanced features such as a built-in Bluetooth interface that promotes the use of Bluetooth wireless headsets, whilst maintaining all their previous characteristics including Twin Mode operation. Designed for robust use with a colour display screen, the antennas are once again built into the enclosures to

www.altairaudio.com

Wherever I may Roameo

THE ROAMEO wireless intercom system has been developed by RTS to enable communications over large areas, while applying focus to userfriendliness. It can be integrated into all of the manufacturer’s matrices operating like a wireless keypanel, groups and individuals.

Primacoustic builds a beehive

PRIMACOUSTIC’S HONEYCOMBS have been designed to offer additional aesthetic options when installing acoustic absorbers. As the name suggests, the new absorption panels replicate the hexagon of nature’s honeycombs, allowing for the creation of unique patterns, delivering a different look than that provided by standard square and rectangular models.

The 406mm panels are 38mm thick, made from glass wool and available in black, grey or beige Broadway acoustic fabric, as well as Primacoustic’s proprietary reportedly have been subjected to testing that ensures Honeycomb

www.primacoustic.com

Roameo provides license-free audio to the DECT standard, which the manufacturer states allows for ‘a large number of simultaneous users across wide areas’. It comprises the TR-1800 belt pack and AP-1800 access point.

Connection to a digital matrix is achieved by Ethernet cable and

the system is described as using a ‘standard IT infrastructure’. Users are able to expand the coverage area by deploying additional access points and Roameo is designed for ease of set up with multi-language scroll lists on the belt packs and the control software, and four differently shaped talk/listen buttons to assist when used in low lit environments.

www.rtsintercoms.com

WORLD’S FIRST OPTIMISED LINE ARRAYS WITH SCALABLE RESOLUTION

AN INCREASING number are taking to streaming services and events online. For those that already broadcast content over the internet or those considering doing so, Blackmagic Design’s Web Presenter provides assistance in delivering feeds from professional SDI and HDMI video sources to streaming software and sites, including YouTube and Facebook

Live.

A cost-effective alternative to dedicated streaming encoders, Web Presenter features 12G-SDI and HDMI connections and works by converting any SD, HD and UHD sources down to appear as if they are that of a 720p USB webcam. This is because while these sources aren’t guaranteed to work with all streaming software, webcams do. Therefore, Web Presenter allows users to stream high quality video via any service or software and the 720p format ensures HD quality and a 16:9 aspect ratio while keeping data rates low. When used in conjunction with Blackmagic’s Mini Smart Panel, Web Presenter

also facilitates live switching of programmes via its two-input production switcher.

Replacing the ATEM Television Studio, Blackmagic has released the ATEM Television Studio HD, a miniaturised live production switcher with eight inputs (four 3G-SDI, four HDMI), a built-in control panel, two still stores, digital video effects, an audio mixer, a camera control unit and upstream and downstream keyers among other features. At of a

rack space wide, the manufacturer claims that ATEM Television Studio HD is the ‘world’s smallest all in one broadcast switcher’.

It is compatible with all SD and HD formats up to 1080p60 and also includes SDI and HDMI multiview outputs, aux and programme outputs, two analogue audio inputs, built-in talkback and RS-422, Ethernet and a built in IEC power supply also feature. Every input features resynchronisation for

‘glitch free’ syncing, which enables the device to be utilised as a frontend controller for A/V systems. The front panel contains eight buttons to switch between sources, as well as audio buttons, down stream keyer, fade to black, media player and cut buttons. An LCD screen, spin knob and additional menu buttons adjust settings and parameters, while a software control panel for Mac and Windows is also provided.

Finally, the HyperDeck Studio miniaturised broadcast deck with non-stop recording to dual SD card recorders in all SD, HD and Ultra HD formats up to 2160p30’. It is designed to use most SD and UHS-II cards to record and playback

broadcast quality 10-bit video and features 6G-SDI connections. Including HDMI for monitoring, built-in sync generator and Ethernet for uploading media via FTP, Blackmagic states that it is ‘an ideal solution for digital signage’ applications.

HyperDeck Studio Mini has been developed to handle a variety of tasks, such as ISO recording at multi-camera events, as a playback deck for multiscreen digital signs, for review and approval in client suites, in postproduction with key source for sending animated broadcast graphics to a live production switcher.

www.blackmagicdesign.com

TSL SYSTEMS is targeting the corporate sector with its Media Production Solution, a full suite of products and services that facilitates single operator functionality for the creation of video content.

The solution comprises a twocamera production facility with Ross Video Solo switcher, a Cirro Lite lighting design with a DMX lighting desk and a Yamaha audio mixing console with a variety of sound solutions from Genelec

and Sennheiser. Also included is a basic graphics set via FTP which is managed within Solo using the Mediamanager. A Ross CG licence on PC is also provided to facilitate this.

Media Production Solution includes HDD recording capabilities with the ability to teleprompter system is courtesy

for Ross PTZ cameras, and gallery screen, additionally scope

monitoring functions also feature. Desking is by AKA.

Included with the solution is installation, commissioning and support, in addition to a three year maintenance programme that draws upon the ITIL methodology. Optional extras can be added, such as remote control, expanded lighting, Skype TX integration, additional camera channels and audio enhancements.

www.tslsystems.co.uk

Amadeus demands more from Diva

A LITTLE over a decade on from the original release of the Diva line array, French manufacturer Amadeus has unveiled Diva M2 Terming it the culmination of more than 25 years of live and installed middle format line source system in the Diva series.

Diva M2

CEO and co-founder, Bernard Byk, ‘The frequency transducers, the geometry of more broadly all major acoustic, electroacoustic, electronic and mechanical components have been completely rethought.’

The unit comprises one direct radiating 8-inch neodymium LF transducer

single acoustical output and coupled to also features a diffraction horn optimised for a vertical dispersion of 10° and a horizontal dispersion of 100°. This mechanical and acoustical design reportedly enables vertical arrays of up from 0° to 10°.

magnet assembly and phasing plug. The

by the compression driver is transformed

making a dramatic improvement in the high-frequency sound. The driver is a annular ring diaphragms and promises

covers a smaller frequency range for

The larger midrange annular diaphragm features a 3.5-inch voice coil to cover the

the small annular diaphragm features a 1.75-inch voice coil covering 6kHz to 22kH. The complete system offers 65Hz to 22kHz (-3dB) frequency response.

enclosure.

www.amadeus-audio.com

Funktion One’s Evo series evolves

for high frequencies. Occupying Evo7TH is also adaptable to a number Evo 7T, the Evo7 TH is inverted. The manufacturer claims that this means the high and mid frequencies ‘mirror perfectly, maintaining coherency for increased reach and audience capacity’.

7T horn-loaded 15-inch drivers and provides mid-bass reinforcement

TWO NEW models have joined Funktion One’s Evo series of touring cabinets. The Evo 7TH and Evo 7TL215 are described as supplementary mid-high and mid-bass enclosures respectively, increasing the overall

The Evolution 7TH is the mid-high section of the Evo 7T. It features a 10-inch driver for the mid-range and a 1.4-inch compression driver

reinforce the mid-bass frequencies, so

www.funktion-one.com

Epson’s entry-level projectors

EPSON HAS unveiled three entrylevel projector models that emit up to 5,500 lumens of colour and white light output and offer a high contrast ratio of 15,000:1, ideal for installation in larger venues under the banner of the EB-5000 series. These are the EB-5510, EB-5520W and EB-5530U. All three in mounting and aiding installation. The three models differ in their whereas the EB-5510 has a native and the EB-5530U boasts WUXGA EB-5530U and EB-5520W share such as 50-inch to 300-inch wide

EB-5510, meanwhile, possesses 30-inch to 300-inch wide and tele

per cent.

Each projector makes use of RGB liquid crystal shutter projection technology and features an ecomode, which reportedly allows

UHD in transit

10,000 hours. When it does come ergonomic design that Epson has developed for this series is said to enable easy access that means technicians will not have to uninstall the projector from the ceiling.

The EB-5520W and EB-5530U both feature compatibility with as a result of their HDMI and

Epson’s 5530U is one of three models that form the new EB-5000 series

HDBaseT connectivity. The HDBaseT video, audio and Ethernet using

The EB-5510 also includes HDMI ports, but forfeits the HDBaseT connections.

Another feature shared by the EB-5520W and EB-5530U is the Miracast function that offers the ability to project content from compatible smart devices and laptops wirelessly, without the need to install any special software. This is achieved with the manufacturer’s iProjection application, built in to each model. It allows for the simple wireless control and transmission

a connected device, removing the complications that arise in installing a physical connection setup. The EB-500 series projectors include split screen functionally, allowing for the display of two images simultaneously, side-byside. They are all designed to automatically power on once a updates will be available periodically, which can be installed either across a LAN network, or by inserting a USB memory stick storing the update into the projector.

www.epson.com

Tasker aims for

Sommer’s Transit MC 3202 HD has been developed to meet growing demand for UHD

THE TRANSIT MC 3202 HD is Sommer Cable’s solution to meet the growing requirements for UHD signal transmission. A UHDSDI three-in-one hybrid cable, it

and a camera power supply. The manufacturer describes the cable

and has designed it to handle longdistance transmissions with low damping values.

With UHD signals delivering

HD, a challenge is often faced in connecting broadcast production

developed the new Transit cable,’ said Pascal Miguet, Sommer recommended for all applications where a stable UHD signal are important.’

www.sommercable.com

Altinex offers HDMI transmission over AC cords

transmit both power and the HDMI feed to four TP315-104 receivers. The transmitter incorporates a loop out connector for driving a local video monitor as well as providing IR support for remote control of

The companion TP315-104 HDMI

receiver connects to the AC socket

The Altinex TP315-103 Anywire transmitter and TP315-104 Anywire receiver

ALTINEX IS targeting temporary digital signage applications with its TP315-103 Anywire transmitter and TP315-104

of the manufacturer’s Anywire line will allow the transmission of live video and computer video signals with synchronised audio

for distances of over 30m using cords.

The TP315-103 HDMI over transmitter supports video signals AC outlets with embedded HDMI signal capability, which can then

addition to taking power, accepts the HDMI signal. The receiver provides four AC power outlets with embedded HDMI as well as a dedicated HDMI output. As all four AC outlets provide an HDMI feed, the TP315-104 can also reportedly act as a relay for both power and system.

www.altinex.com

Tasker’s new Komby cables

Designed for broadcast and LAN installations across TV and recording studios, theatres, sports and music events the Italian manufacturer states that all four cables are suited to both indoor and mobile laying, and within ducts, conduits, panels and false ceilings.

All four new additions to the Tasker Komby family come with PVC jackets, PE, PUR or LSZH sheaths, and with or without metal jackets.

www.tasker.it

Only UAD hardware and Apollo interfaces run genuine analog emulations from Neve,® Ampex,® Fairchild,® Manley,® Lexicon,® and dozens more. Because only Universal Audio faithfully and exhaustively models the warmth, grit, and color of their classic analog hardware. Audition Apollo or UAD hardware at your nearest dealer. And get the analog you’re missing.

www.uaudio.com

Authentic analog sound lives on UAD and Apollo.

Remaking history

SET IN THE CENTRE OF THE GUANZHONG PLAIN IN Northwest China, Xi’an is the oldest of the country’s Four Great Ancient Capitals, having stood for more than 3,000 years. It is also famous for an incident that took place in 1936 and which, 80 years later, is being commemorated by Yaoguao Pavilion in the city’s Huaqing Palace. The show is the latest in the Chinese tradition of shijing yanchu, or ‘realscenery’ shows that use historic buildings or natural settings as a backdrop for the action.

The Xi’an Incident was a turning point in modern Chinese history. Taking place during the Chinese Civil War between the ruling Kuomintang and the insurgent Chinese Communist Party, the incident in fact led to the Nationalists and Communists establishing a united front against the threat of Japanese invasion. This resulted in the reorganisation of the Nationalist government, though in 1949 the Communistcontrolled People’s Liberation Army captured Xi’an from the Kuomintang forces.

Today, things are more peaceful in the ancient city. Xi’an is one of China’s main tourist sites, with more than a million Terracotta Army and the Great Mosque of Xi’an, as well as many historic temples and pagodas. Now the city has a new draw: 12.12

Named after the 12 December date of the incident which

changed Chinese history, 12:12 is aiming to change Chinese entertainment with the provision of an immersive audience experience featuring Wave Field Synthesis (WFS) technology relayed by Amadeus speakers to sweet spots around the entire theatre, giving every seat the same coherent audio experience. The brainchild of Zhang Xiaoke, general manager of the Shaanxi Tourism Group, 12:12 was conceived by a creative team headed up by director Li Hanzhong, famous for his shijing yanchu shows. The audio team began to research

Paris, which used WFS technology combined with Amadeus speakers. After watching the French show, the investors were impressed with the sound quality of Amadeus. They contacted Amadeus distributor, Guangzhou-based Prota, which worked closely with Hong Kong Cannon A/V Technical Consultants technology. The production team also brought in professionals from Switzerland and France including Marc Piera, sound department manager at the Chaillot National Theatre. WFS is a spatial audio rendering technique characterised by the creation of virtual acoustic environments. ‘Once the sound signal enters the space, you can move it as you want,’ explains Eason Poon from Hong Kong Cannon A/V Technical Consultants. ‘It can be a completely automatic procedure; a small adjustment which may take days to amend in a multi-

An Amadeus surround system is at the heart of a new shijing yanchu production in the historic Chinese city of Xi’an. Sue Su learns more

track recording might only take a minute or so.’

Owing to the use of WFS, the positioning of the speakers is very different from traditional setups. A total of six Amadeus UDX 15 coaxial speakers have been positioned at a height of 10.5m, evenly installed above the stage, with eight UDX 8s installed along the stage lip. A surround system of another 14 UDX 15s is distributed around the audience area, while on the ceiling there are three adjustable panels with four more UDX 15s concealed behind each of them. These can be moved up or down according to the requirements of the show.

On each side of the stage are three Amadeus ML 28 ultra high power subwoofers, and all speakers are driven by 12 Lab.gruppen C 68:4 and three FP

technique had been applied in a Chinese theatre, the team met with a number of challenges. ‘We needed to communicate extensively with the show investor, and revise it many times,’ recalls Mr Poon.

‘The show’s stage mechanisms are very complex; for example the whole tower can be moved, and there had to be no noise when this happens. This need for

used include the Sennheiser evolution 500 series and Mipro wireless headset mics, while front of house sound is being handled by a DiCiCo S21 digital console.

‘In a traditional PA system, there are different sub-systems such as L-C-R, in do not have any relationship to each other, but rely on the system engineer or FOH engineer to carry out signal distribution and optimisation. The WFS technique can easily integrate the whole PA system, and make all the sub-systems relate to each other. The sophisticated algorithm and real-time spatial analysis

effect and problems of inconsistency,

a sweet spot. In addition, as it’s an object-based technique, all real-time inputs can be precisely localised in a 3D space. This gives a perception of depth, height and width, allowing the audience to feel strongly present and immersed in the scene.’

silence is very rare in traditional Chinese between sound effects and stage art, and compromises had to be made.’

Another challenge was the theatre design and audience interaction. Before the show begins, audiences enter the theatre from two sides. At this point they become temporary actors and form part of the production. Only after the show

raised will the seats appear and they can transform into a conventional audience.

‘Such elements give the audience the feeling they are participating in the show, but it also raises the requirements when it comes to audio and sound effects,’ says Mr Poon.

The installation itself was not without its challenges either. Work took place during the coldest time in Xi’an, and the installation team were working at night with snow on the ground and temperatures at around -5°c. However the project ran very smoothly, and with a determined effort from all departments, was completed in less than a year.

As China’s cultural tourism industry develops, shijing yanchu shows look set to play a bigger role. Not only is Xi’an’s 12.12 a forerunner of the new

realise immersive sound in a live setting, a move which will doubtless facilitate the progress of China’s audio industry.

www.amadeusaudio.fr

Flying high

BIRDLAND ORIGINALLY OPENED IN TOKYO’S ROPPONGI district in 1974, with a brief from owner and musician Kimiko Ota to focus on the jazz of the 1950s and 1960s, with a particular emphasis on Hawaiian music. Ms Ota, a talented steel guitar player, is an active member of the Japan Aloha walls of the new club will testify. Indeed, Birdland still hosts a Hawaiian night dedicated to the music so beloved by its founder.

In 2008, Birdland moved north to the Akasaka district. The club’s original building was showing its age, and Birdland’s owners welcomed the chance of transporting its winning formula to a different part of the city. However, a change of ownership led to the decision to move Birdland back to its roots in 2016, and the club is now back up and running –again in Roppongi. Ms Ota is still involved with the club, and often performs there. This time around, the all-new Birdland is windows behind the stage overlooking the city skyline. The move gave the club owners a chance to focus on the installation of a brand new sound system, one that would do justice to the musicality of the club’s repertoire. After some investigation, they decided to go with a system from Electro-Voice.

‘The most important thing when choosing the new speakers was that they would make the artists happy,’ explains Birdland’s manager, Chiharu Sakaue. ‘So we really needed to good for this.’

One of the companies brought in to help with the audio Company. ‘We hadn’t worked with Birdland before, but our sister division got the job of installing the lighting for the new club, and then they approached us about a sound system,’ explains Masakazu Maehara from Tomoca’s sales department. ‘I’d taken part in a speaker academy which Bosch held in March last year, where I heard the Electro-Voice ETX range of powered were capable of producing strong SPLs without tiring the listener, even after a long period of playing music. So I recommended an ETX system to Birdland. The image of Electro-Voice here in Japan is very strong in the DJ club market and for live rock music, but not so much for jazz. However, I felt that ETX would be very suitable for jazz music.’

Fortunately, Birdland’s owners agreed with him, and Tomoca ETX-15s into smaller venues, so it was great to get the chance to work with the larger models this time,’ says Mr Maehara.

a pair of ETX-15P two-way models, form the club’s main sound

system. Tomoco also supplied six EKX-12 12-inch passive as stage monitors, and two ETX-15SP 15-inch self-powered subwoofers, positioned one on either side of the stage.

Tomoco has also installed a Yamaha QL1 compact digital mixing console for the front of house position on a small mezzanine overlooking the club.

‘Our new Electro-Voice system sounds excellent, and for all kinds of music the sonic purity is really good,’ says house engineer, Shino-B. ‘As for the Yamaha console, it’s very easy to use. I’m extremely comfortable working with our new audio setup.’

Microphones used in the club include a large inventory of classic Shure SM57s and SM58s, together with Beta 52As, Beta 57As and Beta 58As, AKG C451Bs, Sennheiser e604 clip-on drum mics and an Audio-Technica ATM25 hypercardioid dynamic instrument mic for the kick drum.

The club, which has ample space for 75 seated clients, is now open every night of the week, from 6pm to 11pm. Musical styles change every day, and in a long-running Birdland tradition, Monday night is still Hawaiian night. ‘We only put on live bands playing jazz, tango or acoustic music, we don’t have any DJs or club music,’ says Ms Sakaue. Acts tend to be mostly local Japanese bands for the moment.

‘Our loyal jazz fans are very happy that Birdland is back in Roppongi, and a lot of our regular clients are coming back to the new club,’ continues Ms Sakaue. ‘Birdland is now looking and sounding very good, and we have had no complaints yet from any of our customers regarding the audio quality of our new system.’

And it’s not just the sound system that’s pleasing clients, club owners and employees alike. ‘When the club was in Akasaka it was down in a basement, so you couldn’t see out into the outside world,’ says Ms Sakaue. ‘One of the new club’s big selling points is the picture window at the back of the stage, which gives a view of the Tokyo Tower. So not only do we have a great sound system, we can now also offer our customers a great view.’

An outlook that is highly symbolic of Birdland’s vision in pioneering the jazz scene in Tokyo.

www.electrovoice.com

Reputedly the oldest jazz club in Japan, Birdland has returned to its Roppongi roots with a new Electro-Voice sound system. Caroline Moss listens

Back to school

BAR THE OCCASIONAL REUNION, MOST ACADEMIC institutions bid farewell to their students having provided them with knowledge and skills that have set them up for their journey through life. It’s rare that they ever return in later life to repay that debt of gratitude. So when Electronics & Engineering’s managing director Ronald Goh was invited to provide Queenstown Secondary School (QSS) with an audio consultation for the school hall in late 2016, he was allowed to balance the books and ‘give something back’.

Initially founded under British rule, Queenstown Secondary Technical School (QSTS) for boys had only been in existence for just six years when a young Mr Goh graduated. ‘I still hold very fond memories, as this was where I started my engineering education gaining practical metal working experiences which is still relevant to me to this day,’ reminisces Mr Goh. ‘We bought the metal workshop – Eng Kong Engineering Works – more than 45 years ago where we still design and build our own metal brackets for the screen frames, curtain tracks and speakers in A/V installations today. I acknowledge huge gratitude to QSTS in starting me on the right path of this technical journey.’ Located on Strathmore Avenue, the school has grown in size over the years. As part of this growth, the main school hall was built in 1997 following a period of renovations and upgrades. So when Mr Goh was invited by the current principal Madam Rasidah bte Rahim to review the audio system in the school hall prior to the 60th anniversary celebrations, he had no hesitation in accepting the request.

‘When I visited the school hall, I was in awe of its excellent acoustics designed by the architect, Professor Ng from the NUS Architectural division,’ explains Mr Goh. ‘For a school hall, the acoustics are incredible as the entire ceiling has been installed with perforated aluminium panel strips together with a complete

isolation. Furthermore, the rear wall is completely covered by my opinion, the acoustics of the 35m x 22m room are concert hall quality. Therefore, nothing short of a concert quality sound system would do justice to the room’s acoustics.’ Having shared his expertise and advice with Ms Rasidah, upgrade. However, he overcame any initial disappointment by donating his services to design, supply and install the audio offer, Ms Rasidah accepted and the works were conducted almost immediately in November 2016.

Three EAW MK2396i 12-inch speakers have been installed frequencies have been extended down to 28Hz with the addition of two JBL ASH6118 18-inch horn-loaded subwoofers. Ensuring even coverage towards the rear of the hall, another three MK2396i cabinets have been suspended in the same cabinets have been integrated into the rear 3m high ceiling under the overhead gallery area.

Three Crown MA3600VZ plus single MA1200 and MA5000i speakers and two subwoofers. Performers are assisted on stage by two JBL Control 29AV monitors that are powered by a single MA2400AV amp. DSP settings such as delays and crossover have been added courtesy of a Symetrix Radius 12x8 EX

service on 27 February, Mr Goh was honoured with a plaque on the frontal wall of the hall. ‘Already, the students have

previously operated the system for reinforcing speech during assemblies, events and ceremonies. However, we can now host high-quality musical and live events on stage, which in turn has really inspired the students and is seeing the expansion of our events programme. In addition, the concentration levels of the audience located in the rear of the hall has improved markedly owing to enhanced intelligibility.’

Humbled by the ceremony, Mr Goh comments: ‘I am indeed happy that my small gesture has brought so much joy to so many people. This is in line with one of my philosophies in life whereby it is better to seek joy in giving rather than in receiving.’

www.enepl.com.sg

www.queenstownsec.moe.edu.sg

Providing a concert hall quality room with a system that could do it justice provided Ronald Goh with the chance to give something back to his alma mater. Richard Lawn reports

A SMARTER SPEAKER

The JBL PRX800W series is the most advanced PA in its class. Wi-Fi technology and sophisticated DSP give you complete control over the tuning and performance of your system—from anywhere in the venue—via the free PRX Connect app. An efficient 1500-watt class-D amplifier and patented JBL Differential Drive® technology provide best-inclass power handling while greatly reducing system weight. And the rugged all-wood cabinets feature a redesigned input panel and universal power supply for easy, reliable operation at gigs worldwide. The PRX800W Series is purposefully designed to deliver legendary JBL sound—representing the next generation in smart live sound reinforcement. Find out more at samashmusic.com.

Opening the Gateway

and entertainment industry in the country. This includes a passionate emphasis on the audio systems it utilises.

The two-storey high, 930-seat theatre includes a movable orchestra pit, a 10m stage and a stage lift. Working closely with audio consultants, Alpha Acoustics, Electronics & Engineering Pte Ltd (E&E) was contracted to design, supply and install the audio system in the main auditorium, black box theatre, dance studio and the building’s iconic rooftop Sky Garden. As such a Dante network formed the basis of the nine-storey facility from the outset. Dante provides solid bi-directional audio communications and provides Mik N Su and his technical team throughout the whole building.

The entire Gateway Theatre venue is supported by an Allen & Heath dLive digital console platform, which was selected for its control and Dante networking options. The Harmony user interface comes with gesture control, integrating screen and wrap-around controls with a 12-inch capacitive touchscreen

GATEWAY ENTERTAINMENT (GE), A SINGAPORE-BASED creative arts company, has been producing and staging unique artistic, drama and musical performances since the turn of the Millennium. To better serve the community and Singapore’s burgeoning arts and entertainment industry, the company embarked on an ambitious project in 2014 to rebuild the former Touch Community Theatre.

The original building was demolished and following a S$50 million redevelopment project, a new nine-storey venue in Bukit Merah Central rose from the dust. Now known as Gateway Theatre, it is a multi-theatre venue that aims to be a creative arts space that promotes made-in-Singapore works and talents of all cultures. With its goal of developing an appreciation of the arts within the heartlands of Bukit Merah and in Singapore, Gateway Theatre looks set to continue transforming the arts

distributed design incorporates a dLive control Surface with a separate MixRack housing all the processing power. ‘The audio quality is extremely good and the platform suits our needs perfectly in terms of inputs and outputs,’ explains Mr Su, who worked as a touring engineer for many of the main production companies in Singapore.

its DSP from a DM64 Stagebox incorporating common provides capacity for 128 inputs with full processing and

with full processing on all 64 mix channels. Linked to a DM32 Stagebox, an S5000 surface is used for operations at the

expansion units, whilst network connectivity has been enabled with the addition of a Dante network card.

side Anya modules supplemented in the lower frequencies such applications requiring precise coverage with the ability to adapt coverage in seconds. ‘We’re running the speakers

you can direct the energy where you need to and there’s great feedback rejection.’

that provide a continuous line of apertures on a horn that

The E&E team was called in to meet the audio needs of the performing arts spaces in Singapore’s new Gateway Theatre. Richard Lawn

Fireface UFX+ and ARC USB

More I/O – featuring 188 channels of future proof I/O, including Thunderbolt technology™, USB3 and MADI, and with free routing of everything to everywhere, you have all the connectivity you’ll ever need.

More gain – an all new preamplifier design gives incredible amounts of usable gain.

More functionality – connect the optional ARC USB and benefit from unlimited routing and mixing control at your fingertips. Improved DURec recording from the front panel now timestamps your audio files.

Less latency – together, RME’s famous low latency hardware and innovative drivers deliver maximum performance without limits, for your Mac, PC and iOS devices.

www.fcbc.org.sg

www.enepl.com.sg

Anything goes

SINCE OPENING ITS FIRST HOTEL IN 1904 IN NEW YORK City, the St Regis chain has characterised itself with classic contemporary interiors blending modern glamour with old-word elegance. Guests arriving into the St Regis Kuala Lumpur cannot fail to notice the luxurious design details such as Austrian crystals, chandeliers, handcrafted leather furnishings and handmade Italian gold tiles. But for those attending a meeting or an event, a ‘wow’ factor has been provided by the extensive A/V and lighting technologies integrated into the Grand Ballroom, numerous meeting spaces and teleconferencing facilities. When promoting their function and ballroom facilities, most a landing page deeper within its labyrinth. However, the St Regis capital city by amply describing them on its home page. This is no idle boast as the hotel owner aims to attract the most its property. The creation of the Grand Ballroom’s LED-seamless certainly the main focal point. What makes it even more unique is the fact that it can be completely transformed according to a client’s particular requirements.

with an impression of what lies within the Grand Ballroom from the moment they sip an aperitif in the 627 sq-m

that the guests will be remarking on the crisp, steely qualities

boards encompassing three or indeed all four sides of the venue. Controlled by Shanghai Sansi lighting control processors in the

operable panels may be fragile and are not lightweight, but the such, more panels can be adjoined along temporary tracks to

The St Regis Kuala Lumpur lighting and A/V systems integrator AFS Engineering now partners full-time Sansi engineers on site to create bespoke backdrops for the many and varied events

wall panels.

For the facility managers running the events, Crestron control

The latest St Regis landmark continues a century old tradition of integrating the latest technological advancements Richard Lawn reports

uncompressed HD A/V distribution to the Grand Ballroom and all the A/V sources and outputs beyond over twisted-pair wire. Connected to a D-Link DGS-1210-10P network switch, the 16-input/16-output switcher offers seamless switching via a Blackmagic Design Atem 1 M/E broadcast panel. Capable of supporting up to 16 DM receivers and room controllers, the media switcher detects and displays video and audio input information. From the DM-MD 16x16 switcher, the camera, PC, Blu-ray player and other inputs are channelled via Datavideo HD-SDI converters and HDMI audio de-embedders. A Watchout program is used in the control room, whilst a Datavideo HDR-70 HD/SD recorder is used to record events when required. An Extron SME100 streaming media encoder has been added allowing events in the Grand Ballroom to be displayed via the digital signage.

Crestron control has also been interfaced to the vast lighting system that bejewels the purpose built venue. A Zero88 Solution lighting control operates the 110 Cindy Lighting moving heads, whilst a programmed ETC Ion console is used for controlling

The audio may not deliver the same gasps of surprise as the visual and lighting technology, but it has been executed perfectly providing the required SPLs within ±3dB throughout in addition stipulated that two lateral loudspeaker arrays be added to the main FOH system and an overall ceiling speaker solution to be integrated into the room’s interior design.

The addition of a Renkus-Heinz IC² digitally steerable manufacturer. Termed steered beam technology squared, the L-R arrays marry point source design with digitally steered array

speakers with dual PNX112 12-inch subwoofers are powering

and speakers. A combination of three dbx 166 xS and three dbx 2231 rack mounted processors provide EQ, limiting, gating and compression in the analogue domain.

The venue’s DSP is managed by a MediaMatrix Nion Ne processor, which has been programmed to enhance room volume levels and content. Various DSP settings have been used for an event. Interfaced with the Crestron control system, the technicians can access the system remotely via an iOS device. The Nion Ne unit provides a centralised audio source for the Ballroom, whilst serving the hotel’s other hospitality and conference rooms. With the integration of Kiosk2Go software, the MediaMatrix settings can be remotely and wirelessly controlled via any mobile device.

A third, lower SPL requirement for the room’s sound

Exchange 3 is equipped with Radvision XT1200 cameras and microphones, four Crestron HDMI/VGA panels and dual 50-inch screens. RCF PL8X ceiling speakers powered by a single RCF Nion Ne program, whose source and volume levels can be up to 16 delegates and is equipped with Smart Board technology and projection equipment with VGA and HDMI connectivity for enhancing meetings. Along the same corridor, a dedicated Screening Room attracts media and product launches allowing 2.25m 16:9 resolution DaLite screen.

control. Each of the arrays combine six IC²-FR cabinets with two IC²-12FR dual 12-inch subwoofers, for which both cabinets is capable of delivering over 100dB SPL at 30m and as such the audio doesn’t play a B-role when the stunning visual effects are on full display.

power the four 8-inch LF transducers and four 1-inch HF drivers within each IC²-FR cabinet. Steerable by ±30-degrees in the vertical plane, AFS Engineering could dead hang the array before Renkus-Heinz’ systems application engineer K K Tan could adjust the aiming with the Rhaon control software. Whilst horizontal dispersion remains a consistent 120-degrees, the vertical beam can be programmed anywhere between 10-degrees and 80-degrees. The IC2 output can also be designed into two, three or even four sonic beams, each having its own acoustic centre and individually shaped via a remote laptop.

‘The ballroom acoustics are excellent and so it was a straightforward process to tune the IC2 system,’ explains Mr Tan, who spent two days on site commissioning. ‘Once I had utilised the multi-beam technology to shape an asymmetrical wavefront, I could then apply different gain levels on each of the beams. Doing this allowed us to achieve even sound coverage within ±3dB throughout the entire ballroom. Unlike a typical line array, there was no need to calculate any curvature angle of the array before being adjusted on Rhaon software, including the EQ settings and the streaming of the CobraNet audio to the modules.’

added to the lateral walls should any event be staged along either of the full-length walls. These two passive systems combine L-R combinations of dual TRX151T 15-inch point source

12-inch ceiling speakers powered by RCF UP2321 dual 320W mixing live events, whilst a Denon DJ SC3900 digital media turntable and decks is also on hand for operations. In terms of microphones, an extensive suite of Sennheiser wired and wireless models have been supplied. The manufacturer’s e835s and e935s condenser vocal microphones can be used with the six channels of ew100 G3 wireless systems further boosted by

presentations and speeches.

The level four Exchange function rooms vary in size and capacity according to their designated use and are similarly Crestron controlled. Designed primarily for video conferencing,

Measuring 511 sq-m in size and 7m in height, the level one Astor Room can accommodate 360 guests for a cocktail event. Two partition screens allow Astor to be divided into three clear sections, whose DSP parameters have once again been entrusted to a MediaMatrix Nion Ne processor. An RCF active loudspeaker system comprising six NXM12A ND with two NXM15A cabinets have been added to the MediaMatrix DSP network. The RCF signature is hard to ignore throughout the hotel in which hundreds of PL8X and PL60 ceiling speakers provide the BGM and announcements. The outdoor pool area is boards, whilst Soundtube XT850 speakers have been discretely hidden amongst the plants.

With more than 10,000 sq-m of meeting and event space, the St Regis Kuala Lumpur offers more than the opulent furnishings and interior décor that immediately greet the discerning visitor. AFS Engineering’s mechanical and electrical technicians together with software programmers such as Mr Song dedicated many man-years to completing this vast project within the the networked devices, such as Watchout 5 to 6, dictate that AFS will long be working in the background of this prestigious landmark. But like the spectacular lighting and video systems it has integrated into the Ballroom, its technicians will be more than visible making further adjustments to what is the world’s

www.afsengineering.com

www.renkus-heinz.com

www.sansitech.com

www.stregiskualalumpur.com

Taking over the airwaves

THE RECENT BOOM OF CALREC DIGITAL CONSOLES INTO broadcast facilities started with iCable TV Hong Kong (CTVHK), a division of iCable Communications and Hong Kong’s largest provider of cable television services. The broadcaster offers subscribers a broad schedule of news, sports and entertainment programming through more than 100 channels, 54 of which air the network’s own locallyproduced shows. In 2012, iCable TV contacted Calrec’s Hong Kong distributor Jolly Pro Audio, to provide an Artemis Light console for Studio 7, its sports and horseracing studio, and a 40-fader console was installed in June of that year.

By late 2015 the broadcaster was ready to add more Artemis consoles. ‘At that point, the company was looking Jolly Pro Audio director Andy Leung. ‘They approached us for a second console after they’d been told to come up with a solution for renewing all their news studios.’ Over the period of a few months, 48-fader and 40-fader Artemis Light consoles were installed into Studios 1 and 2, both used for news broadcasts, respectively. Shortly after that, the 40-fader consoles into Studio 9 and Studio 3, used for entertainment and news respectively.

The consoles are connected via a Calrec Hydra2 network with a 16-port Calrec router core at its centre. ‘As Hong Kong’s most-watched pay TV service, iCable TV is committed to building one of the world’s most advanced facilities for covering sports, entertainment and news,’ continues Mr Leung. ‘After rigorous evaluation and testing they chose the Artemis because it offers the reliability and usability they require to achieve that goal. The iCable TV team also reports that, of the

audio networks they’ve worked with, the Hydra2 network is initial installation.’

iCable TV’s networked audio resources. A Waves Sound Grid interface module provides a direct connection between Hydra2

and iCable TV’s Waves Sound Grid network, giving audio integrated touch display on the Artemis surface. The Artemis consoles at iCable are connected by a Hydra2 router core to handle routing to the different studios, with all

Calrec consoles are being installed by a growing number of Hong Kong broadcasters. Caroline Moss visits some of them

can be controlled remotely from the central control room, with all the patching and assigning centralised,’ explains Mr Leung. ‘All signals are broadcast via the Calrec network on go. And the beauty of it is that the system is fully redundant. Everything is dual: the power supply, the cables, processing, all the connections, everything. It’s a huge matrix, and

The Hydra2 router runs with the H2O graphic user interface, which provides administrator level control over Hydra2 networks via a PC with network connection. H2O users can manage the access rights of each console on the network, and to route input sources to output destinations without the use of a control surface or DSP. As well as being able to route physical input ports to physical output ports, H2O users can also route to and from Hydra Patchbays, virtual patch-points within the Hydra2 domain. Console operators can also use Hydra Patchbays as inputs, giving H2O users the ability to change the sources feeding input channels on control surfaces.

Jolly Pro Audio has also provided iCable TV with a Hydra2 modular stage box which is installed in a moved to wherever it’s needed to provide extra inputs and outputs.

‘We are honoured that iCable TV has become such a loyal customer, and the faith they have placed in Calrec for their entire studio operation is a great testament to the excellence of our consoles and networking solutions,’ says Anthony Harrison, international sales manager at Calrec Audio.

‘Thanks to customers like iCable TV and the outstanding support we’ve received from Jolly Pro Audio, Calrec is now the premier provider of audio consoles to the Hong Kong broadcast market.’

It’s undeniable that after these installations, the popularity of Calrec broadcast consoles has spread across Hong Kong. Located in adjacent premises to iCable TV, LeTV is an offshoot of mainland company Le.com, and provides a video streaming service through its set top boxes. The company has won the rights to broadcast English Premier League football matches, as well as all US National Basketball Association games, across Hong Kong. LeTV also programmes local sports activities including tennis, swimming, football and basketball leagues. Here, a total of three studios have been installed with Calrec Summa consoles, with a 32-fader version going into Studio 1 and 20-fader consoles into Studios 2 and 3.

Jolly Pro Audio worked closely with systems integrator Century Sage contractor working on equipment installation, to design and set up the

D5000 Digital Wireless System

audio facilities in all three studios during 2016.

Another broadcaster to invest in Calrec consoles is TVB. Jolly Pro Audio has been helping TVB to renovate its studios, starting with Studio 4, into which a 48-fader Artemis Light was installed last October. ‘Because of the success of Studio 4 we were awarded Studio 3, which was completed in February, and then we were also asked to supply a console for the new TVB newsroom, studio 22,’ says Mr Leung. Both have also been installed with 48-fader Artemis Light consoles.

Mr Leung has a very clear idea of why Calrec broadcast consoles

are being installed for new and updated broadcast studios across Hong Kong. ‘It’s down to their reliability and features, as well as the customer service we provide,’ he says. ‘All these things add up. We have distributed Calrec for a very long time, we know the brand really well, we carry spares and have good service engineers. Because of our long history with Calrec we’ve pretty much adapted to their culture and how they work so it’s a good partnership we have with them.’ And this has resulted in turn in a good partnership with the broadcasters of Hong Kong.

www.calrec.com

Surrounded by knowledge

VISITING LECTURER IN COMPOSITION AT THE TOKYO ARTS University, Toshiyuki Orikasa, has recently returned from studying at IRCAM, a research institute for avant-garde electroacoustical music in Paris. While there, his work brought him into close contact with Genelec monitoring. For many years a standard in Japanese studios, this was a brand Mr Orikasa was already familiar with. However, Genelec speakers were particularly central to his course in composition and computer music at IRCAM, and he wanted to continue the relationship at his new post back in Tokyo.

‘I knew that when the time was right, I would really like to get some Genelecs for our instrumental composing department here at the Tokyo Arts University,’ he explains. ‘They have very good DSP and sound quality, and would be perfect for this department, where we don’t have a dedicated engineer, being very easy to set up and operate.’

In late 2016, new funding enabled the department to invest in an all-new system for its composition room, comprising the much-desired Genelec setup, eight new iMacs and two RME Fireface UFX audio interfaces. A surround system of eight 8350A SAM active studio monitors and a 7370 smart subwoofer supplied by Japanese distributor, Otaritec, has been installed, along with a Yamaha DM1000 digital mixer.

The composition course, which is part of the university’s Music degree, has an intake of just 15 students per year. ‘We are very selective in choosing students for this option as it’s so specialised,’ he continues. ‘We were previously only working with four speakers, and the students are amazed at the possibilities eight channels of audio can give them, as well as the sound. They can learn to appreciate good audio quality, and develop the ability to listen. Compared to the sound quality of other speakers, these are quite different. Previously I used a spectrum analyser for testing, but it’s not necessary to use this any more because of the GLM. And when the time is right, it will make it easy to hold concerts, as the new equipment can be moved into one of our performance spaces. Previously the students could only work in a practical way, in lecture situations, but now they’ll be able to put on concerts and workshops.’

Genelec Loudspeaker Management, or GLM, is part of a monitor control networking system that manages connectivity to all SAM monitors and subwoofers. AutoCal provides automated measurement, analysis and adjustment of every SAM monitor

and subwoofer on the GLM network for either a single location (SinglePoint), or for one, two or three persons mixing environments (MultiPoint). ‘We started to develop this smart technology many years ago for the SAM products, incorporating the DSP platform into our loudspeaker designs,’ explains Mika Makilaakso, area sales manager for Genelec. ‘We had so much data and calculations from different rooms all over the world, and we knew what the common problems were, both in control rooms or a temporary setup like this. Our R&D department has long been developing the DSP platform so we can accurately measure the room response from different measurement points.

room effect. This is not only important in studios but also in this kind of setup where the layout is compromised, there is no real acoustic treatment and there are different distances between the speakers. The GLM software can accurately pinpoint the distance from the listening position to the loudspeaker and delay some of the channels so that all of the audio will arrive at the listening position at the same time. The technology has a great

designed room where the acoustics have been done correctly.

the walls, computers and desks, and the distances between the speakers aren’t consistent. This is where the technology can really offer a lot, achieving a neutral sound from all of the loudspeakers.

‘This exposes students to quality monitoring when they start, and they get used to it, rather than working with low quality audio and room acoustics where they are unwittingly being given the wrong tools to go out into the professional world. It’s important that the quality of the equipment they work on is good and the acoustics are taken care of. Correct calibration is extremely important for neutral sound reproduction, so students can make the correct decisions when it comes to mixing.’

It’s early days, but as well as using the Genelec monitors for composition work, the department is planning to move them into the university’s on-site venues for live performances. This includes a 1,000-capacity concert hall, where the surround system could be used as an instrument to play certain parts of recorded pieces back. In three smaller spaces that can each accommodate around 200 people, the speakers will be able to function as the sound reinforcement system.

‘The SAM monitors can easily be calibrated to another environment, in this case one of the performance spaces, to retain the same sound,’ explains Mr Makilaakso. ‘The audio qualities will remain unchanged.’

surround system therefore look set to spread beyond the classroom environment and into the campus itself for the enjoyment of the students and faculty members alike.

www.genelec.com

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Ice Breaker

‘We encountered a number of problems when installing the speakers into the speed skating arena,’ said Mr Lee. ‘Firstly, the long loudspeaker cable runs throughout the venue either needed to be shortened or we had to use very thick cable.

Dante media networking card that allows the technical team to monitor and manage all the DSP network parameters.’

Having initially calculated the stadium’s reverberation to be in excess of six seconds, Mr Lee and his team further discovered that no acoustic treatment could be applied owing to building regulations and a strict budget. ‘This is why we suggested a

DESPITE BEING GREAT REFERENCES FOR AUDIO MANUFACTURERS to market their brand, sports stadia should be approached with a large degree of caution. Around the world, large, reverberant spaces lacking adequate, if any acoustic treatment often result in poor intelligibility, echoing and failure when the audio is transmitted.

So with less than a year to go before the 2018 Winter Olympics its products and technologies have been installed into South Korea’s Gangneung Oval Stadium. Located in Pyeongchang, the attention on the 400m double track that runs around the perimeter of the large rink. Here, the four-level 8,000-seat capacity venue will welcome sell-out crowds to witness the seven men’s and seven women’s speed skating events so far scheduled worldwide viewers will be severely challenged in a cavernous building incorporating ice, concrete and fabricated steel.

installed for broadcasting announcements and playing music such as national anthems. However, as the venue will continue to operate after the closing ceremony on 28 February next

appointed partners in South Korea, Young Jeon tendered a design for the stadium’s upgraded audio requirements. Assisted by Seki general manager, Yeon-hoon Lee, who submitted a reference case and Modeler simulation data, the proposal provided by Young Jeon in March 2016 was approved. Following cabling and infrastructure preparations in late 2016, the loudspeaker system was installed and commissioned in February 2017, following the hosting of the 2017 World Single Distance Speed Skating Championship. Intelligibility was the key criterion of the design and as such the spectators receive their audio from two time aligned sources. The main FOH system

cabinets suspended from the apex of the fabricated steel roof structure at either end of the track. To ensure even coverage, overhead beams approximately 10m above the audience seats.

attached to large array frames and directed inwardly into the ice

the two centrally suspended arrays and directed towards the speakers incorporate DeltaQ array technology for which the ‘Q’ vertical directivity varies between 10° and 60° for each module in the arrays. The Modeler simulation demonstrated that the employment of DeltaQ technology provided accurate array accommodating 16 audio channels through analogue

source selectors and delays. Furthermore, the rear-panel digital based network audio control via the ControlSpace v3.0 software

provide optimal power for all the loudspeakers throughout the stadium.

appropriately by minimising the effects of room reverberation using Modeler software.’

that the SPL levels on the track had to be minimised so that the sound of the skates cutting through the ice could be properly captured. ‘This was a very important criterion as the sound of the skaters needs to be transmitted to the viewers,’ continues Mr Lee. ‘ Therefore, we had to apply precise suspended above. Once again, we could apply the desired

Following commissioning, the Gangneung Oval’s audio system

the operators and engineers voted this stadium as number one in terms of audio clarity, intelligibility and dispersion,’ furthers

‘There are a lot of obstacles to consider when designing and implementing speaker systems into a world-class sports stadium, but I am glad that we were able to solve all of the general manager Mr Lee. ‘Naturally, I am very proud that the Gangneung Oval Stadium was awarded the best sounding Organisers and engineers. As a result, I am now looking forward to satisfying the worldwide audiences early next year,

www.bose.com

www.pyeongchang2018.com

Take a cavernous sports venue comprised of steel, concrete and ice, add SPLs and expect intelligibility. Richard Lawn explores the challenges

Ringing the changes

IT’S ALMOST UNHEARD OF FOR AN ARTIST TO ABANDON A major recording contract in favour of exploring the world of studio engineering and production. Having achieved the holy grail of the record deal, most musicians are happy to leave the technical details to the engineers on the other side of the glass. However, Japanese bass player Emiru had different ideas. friends. By the late 90s, the band – now called Lareine – had moved to Tokyo, where they signed to Sony and embarked on kei rock, with an emphasis on styling, costume and hair. But one year after the band’s major label debut, Emiru decided to leave to try his hand at arranging, mixing and production.

of creating new work,’ he says by way of explanation. ‘We performances didn’t focus that much on the music. However,

just my own part in the song, but the mix, the arrangement, the lyrics, the promotion, the pressing of the CDs. Everything needs to be done well at a consistent, professional level to

recording and production techniques from past eras. ‘As DAWs became popular in the nineties, this meant that recording data people have done things,’ he explains.

As well as working on his own projects, Emiru also began working with third party clients, and it soon became clear that he would need his own studio. By 2009 he’d set up a small home facility, building up an inventory of equipment along with his knowledge. However, it wasn’t enough for this ambitious

competitive and there are more and more producers working out of their home studios.’

Eventually, rather than trying to compete with the studios of central Tokyo and struggling to pay inner city rent and rates, Emiru chose to base himself in a residential area a little away from the centre. This has afforded him the freedom to work for half the time on his own projects while renting the studio commercially for the rest of the time.

The name Emiru chose for his studio, Metamorphose, is also

engineer who inspired me,’ he says. ‘The song that came back to me from him was superb; it had been through a transformation.

work. And that’s how my interest in becoming an engineer, mixer, arranger and producer began.’

Emiru began working on his own projects and was further inspired by the professionalism of a mastering engineer who worked on some of his tracks. Accordingly, mastering techniques were added to the wish list of skills he was striving to acquire.

from freelance engineers of his acquaintance as well as studying

And Emiru is most emphatic that his own work has undergone working on similar equipment before, but it was at home, so my private and professional lives were mixed,’ he says. ‘The act of separating them both has given me a separate creative

somewhere that was completely different from the outside world when someone stepped into it.’

A former musician has opened Metamorphose Studio in Tokyo to indulge his passion for the art of crafting good sounds. Caroline Moss visits

Metamorphose came into being in the middle of 2016, when Emiru took over the premises and set to work on installing acoustic treatment, cabling and equipment. By August he was ready to start operating the studio, which is located in a basement with a hairdressing salon and apartments

the building was very sensitive about any noise disturbing the neighbours,’ he says. ‘I worked with a professional sound

insulation company, and I designed some acoustic treatment myself to create a dead area for the studio. I was used to that kind of recording environment, so I installed some special carpet and wall coverings.’

designed not to trap frequencies. ‘The ceiling is fairly high and accommodates pipes for services such as air conditioning, water and power, plus the beams holding up the ceiling, so I covered these up which created a ceiling of differing heights,’ he says. ‘If the ceiling was the same height all over the room it would create unwanted frequency responses.

The good studio acoustics have been enhanced by the installation of a pair of ADAM Audio S5X-V main monitors, supplied by Japanese distributor, Continental Far East. Emiru has been a fan of ADAM Audio since buying a pair of S2Xs for his previous studio, and it was a natural progression for him to monitors.

they were the standard, and other engineers were using them,’ he explains. ‘When I got my own room and started to become monitors, so I went to a store in Shibuya to compare the speakers and discovered the ADAM Audio A7 active monitors. I fell in love with them and have been using ADAM Audio ever since.’

Emiru is a self-confessed vintage equipment devotee. Much of his equipment is sourced from the vintage and second hand market, and although he has a severe editing policy when it comes to equipment, the studio is very well

Shelford Channel, a transformer gain mic preamp, inductor EQ and diode bridge compressor. ‘This is the only unit that’s come

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The Ultimate in Convenience

Lightweight with built-in pull-up handle and sturdy wheels for easy transport, the economical rechargeable battery system enables operations indoors or outdoors without AC power and cumbersome cables. Even handheld & bodypack transmitters can be stored within the sleek cabinet.

off the production line,’ he says with obvious pride. ‘I like the vintage sound, but I also provide more contemporary equipment so that I and my clients can choose what we want to use for each individual project.’

Also in the rack are a Chandler Curve Bender, Zena limiter and a Universal 1176AE, and Manley compressor/limiters and mic preamps. There is also a Crane Song Avocet monitor controller. ‘I

needed an external controller for Pro Tools, and the Avocet really affects the sound quality in a positive way,’ he says. ‘I’m very happy with the sound of the room now, especially compared to my previous studio. It’s a big improvement.’

However, for someone who has spent his entire musical and studio career pushing boundaries, the new studio has already opened up more possibilities for Emiru. ‘Just having the new want a bigger room, with place to put things like a grand piano…’ Watch this space.

www.ADAM-audio.com

www.mipro.com.tw

Building a dynasty

Richard Lawn charts the past, present and future of Thai loudspeaker component manufacturer, P Audio

WHEN STEVEN CHEN STARTED HIS BUSINESS FROM HIS kitchen table in Taipei, his energetic drive to succeed was fuelled by a desire to make the best voice coils on the market. Today, he retains the same vision and enthusiasm leading the 550 employees in his 55,000 sq-m factory on the outskirts of Bangkok. Having celebrated its 25th anniversary in 2016, P Audio is not only one of the largest suppliers of transducers in the global market, it is also a renowned OEM producer for many leading Western brands. Together with his sons Howard and Tony, the Taiwanese dynasty is now developing its own brand of loudspeaker enclosures and audio systems.

Initially founded as Voice Coil, the Thai manufacturer originally distributed speaker components in Thailand and surrounding South East Asia. Having studied the consumer and professional markets very closely, Mr Chen took the bold decision to develop a line of transducers from scratch. ‘The business grew successfully in Taiwan for many years, but I was forced to relocate many times as employees would be enticed to work for bigger corporations,’ recalls Mr Chen. ‘These larger companies had an uncanny knack of following me! I received a call from a friend in Thailand asking me to consider opening a factory there. I thought he was joking, but decided to take a look. It turned out to be a great recommendation as I was exposed to a high level of quality workmanship and engineering.’

manufactured for many years in Asia, the concept to develop professional models was somewhat alien at that time in Thailand. It was 1991 and P Audio had entered the pro audio market of speaker and transducer manufacturers – a brand relocation to its current purpose-built facility in the Nakhon Pathom district of Bangkok was necessary. Costing US$16 million, the site continues to dwarf its Western

competitors. It aptly demonstrates Mr Chen’s belief in reinvestment and his ethos continues today as a new (28,000 sq-m assembly) facility nears completion in the same neighbourhood.

The 28,000sq-m facility nears completion; An artists impression of the finished complex

Speakers, baskets and paper cones continue to be sourced from local manufacturers. With the advent of mass consumerism in Asia, the Indian and South East Asian countries continue to capture a healthy market share where the newly updated Challenger C18 650EL continues to break sales records. Mr Chen shows no signs of slowing down despite having been a grandfather for over eight years now and is nearing 65

years of age. He has the energy of an adolescent, normally getting by on three hours sleep per night. ‘The pressure I experience is all self-applied as I have over 550 people here to look after. But personally speaking, I lead a very simple life and enjoy what I do and have no plans to retire.’

automatic 550m loops and combined with a 5,500 sq-m warehouse, P Audio is a hive of activity. A team of highly of new transducer and cabinet innovations, this area is home to a very large anechoic chamber, in which the engineers have equipment and software.

In-house tooling is used both in the development and in the design, allowing the engineers to enhance electrical,

combining all the mechanical parts, including the baskets, pole pieces and soft parts. In addition, production of the magnetic motor structure, where it is needed, resulting in a magnetic

With continued growth, the complex has added new industrial units in order to take on added manufacturing processes. T-yokes, back plates and other metals are produced internally and a polypropylene injection moulding facility was opened seven years ago. A colossal inventory of Ameda and other high-tech automated equipment produces back plates from raw steel in addition to laser cutting, bending, punching, stamping and for rigging apparatus such as turned pins such efforts. ‘It possibly costs more money to produce our own parts and materials, but this speeds up production and gives us both from a third party supplier. We can make as few or as many as we want – there is no minimum order.’

An adjacent factory houses new equipment where the freshly cut back plates are the cabinets is also conducted here with environmentally friendly water-based paints. Incharacterise other sections of the factory.

Up to 600 compression drivers per day can be produced in the lower-level of the main facility, and the models are frequently tested along the production cycle. An environmental testing ‘torture’ chamber pushes the speakers through punishing extremes of temperature and humidity a unit will only be passed for shipping if its measurements lie within the

instruments and frequency response booths are dotted along leave the factory in pristine condition.

A computerised ordering system further ensures a smooth transition from the moment the initial order is processed

same day rather than being held in a production queue.

The factory itself is located both near to Bangkok International Airport as well as the river, making logistical transfers of inward parts and supplies and outward orders

transducers to the global market has never wavered and has been assisted by the lower labour costs that the company

cabinet making, electronics and other engineering required in the development of our systems catalogue is being produced at the new factory.’

Having taken the decision to grow the business as a systems manufacturer, thus ending its reliance on OEM and driver production, the Chen family have streamlined their activities. Howard is charged with systems product development and marketing while his brother Tony oversees the development of rejuvenated in his latest role, enjoying travelling to international trade fairs sourcing new machinery for the large virgin

newly acquired plant will be automated.

capabilities this year for which all of the components and parts

Mr Chen’s second son, Tony Chen, postponed his father in the family business, employed as director of OEM engineering. Long serving head

company forward. Although neodymium models have been in production since 2004, ferrite designs continue to constitute a large proportion of the sales. Having developed Auto Balance ago for its transducers, P Audio has integrated such technologies into its existing families of woofers and high frequency drivers.

The P Audio loudspeaker catalogue was greatly passive and active models designed for both interior and outdoor applications. The 2Line and 3Line-C column series exemplify this powerful surge in P Audio’s product development away from traditional two-way systems, whereby harsh acoustic environments are now being targeted. Together with the active subwoofers that accompany these columns, P Audio challenged itself to create all the new components in-house.

OEM was initially the key in allowing P Audio to gain its status in the market today, but with the advent of the new

a part of the factory that was converted from a staff cinema and entertainment complex. ‘With increased demand for our was becoming increasingly uncompetitive. We will still need to import the Baltic birch plywood and other materials, but all the

The future for P Audio is in systems such as the new X8-15A enclosure; The GM18-100N woofer are still in high demand

so we are heavily committed currently in the recruitment of product development will revolve around software rather than changing the hardware in addition to networkable, selfpowered systems.’

Both highly astute and realistic, CEO Mr Chen’s ambitious goals resemble those of a resolute explorer determined to cross a mountain chain who sees further peaks in the distance to do my very best. Material wealth means nothing to me – I just need $3 per day to live on. The company is my life and I am responsible for the livelihoods of my employees and that’s why I never take holidays. For my competitors, it is extremely www.paudiothailand.com

Aiming high with AHM

Hong Kong based rental company, AHM, recently added SSL Live consoles and a d&b J-Series to its inventory. Caroline Moss goes behind the scenes

FOUNDED

IN

1996, AHM ENGINEERING

CO

LTD HAS established a solid reputation for entertainment production in Hong Kong and China. Today, the company provides a turnkey sound and lighting service incorporating design, setup and operation of systems for indoor and outdoor events. AHM also A/V and lighting systems, as well as a 186 sq-m professional rehearsal studio.

The company employs a full time staff of around 30, supplemented by a large number of tried and trusted freelancers. At the helm of AHM’s operations is managing director, Mazon Chan Muk Hing. Mr Chan has worked for more in Hong Kong, Macau and China. Under Mr Chan’s direction, AHM’s team of sound and lighting technicians continues to build on its accomplishments and uphold the company’s standards.

A testament to the professionalism and dedicated services that AHM offers is the fact that local artists, producers and production companies have stayed loyal to the company for many years as their careers have progressed. ‘The majority of our business is staging large-scale concerts, and we’ve formed a close relationship with the main artists here in Hong Kong,’ In previous times this included the so-called ‘four heavenly have been joined by a younger generation which includes local

Over the past decade, AHM has kept pace with developments in the region as concerts have quickly grown in size and professionalism. There has also been an increase in touring been touring in China on a very tight schedule, with more than possible by the company’s constant and prudent investment artists have different music styles, so we will always recommend and Midas analogue consoles, investing in other brands as analogue technology, and every rental company had a Midas. processing.’

In 2016, AHM made the bold decision to invest in SSL’s new live console to take the company forward. ‘Although SSL is known in the industry for the audio quality of its recording consoles, until now it didn’t have a live version,’ explains Mr Leung. ‘Once it released a live digital desk, everyone in the industry wanted to listen to it. The local distributor, DMT, is a good company, and is very active in promoting its equipment, so it was willing to buy a number of demo consoles. This has given mixing engineers and rental companies here the opportunity to try out the new consoles in real world situations, for example on a live show, not just in the warehouse. And after a few months of demoing the console, we started moving our live events onto SSL.’

Eason Chan as the consoles joined the d&b J-Series on his tour. AHM put a Live 500 on FOH for the show, with two Live L300s for monitors, one handling Mr Chan’s in-ear monitor system and the other running an Aviom system for the band. In Hong Kong, the Coliseum. ‘Very quickly we moved onto SSL for most Eason shows because of the sound,’ says Mr Leung. ‘When Eason played at the Bird’s Nest Stadium in Beijing, the sound quality of the SSL really impressed me. We were using our d&b J-Series as the main system with a JBL delay system, and I’m really familiar with the JBL sound because I’ve been using it for so

many years. The Bird’s Nest is such a huge venue, and we had to make sure all the seating areas had good sound. So we walked around all three levels to ensure each spot was consistent. And the sound was different to what I’d ever experienced from a JBL system in the past. The characteristics were so transparent and clear, and it really surprised me, especially the vocal clarity and smoothness.

‘We only bought the d&b system a year ago, and I was only familiar with the d&b sound when using it with a different

However, used together with the SSL Live consoles I again noticed a difference; it sounded warmer.’

In March 2017, AHM bolstered its initial investment of SSL Live consoles with the addition of a further L500 and an L300, again supplied by DMT.

While constantly enhancing the production of live events for its clients and their audiences, AHM Engineering has also been instrumental in helping the live sound industry in China and Hong Kong to evolve. Touring is now much more common than it was a decade ago, and AHM has been at the forefront of

developments. ‘Even 10 years ago, the infrastructure in China was very primitive, but now if we are heading out across the country, right up to the north, we always go by road,’ says Mr Leung. ‘Once you reach the city limits there is usually a main checkpoint at the suburban area, and we are often not allowed to move in until midnight, so there are some restrictions. Apart from that, we are able to calculate with some accuracy how long it will take to transport by road, as opposed to putting it on a plane.’

A huge improvement in the standard of venues has also made life easier. ‘The government has employed a company which works closely with new venues on design and infrastructure before they are built,’ he continues. ‘Most new venues are well constructed, and they now have a standardised load in, load out procedure which runs smoothly with the help of the local organiser. In earlier times, venue owners thought it was enough to install a house system that everyone who came in with a production would use. They did not understand the culture of our industry, the kind of equipment we use and that each production is different. So they were very restricted in what they could do because they didn’t understand the industry. Now they have learned that they have to let the productions use what they want to.’

Better planning, production and equipment have also helped improve live shows. ‘Replacing analogue mixing and processing equipment with digital has provided easier operation and

newly-launched products, and our hands-on feedback helps manufacturers improve their equipment.’

Shanghai and Beijing, together with an investment in local inventory to meet the growing demands of the Chinese market. Having done the groundwork, the company is well positioned to conquer the road ahead.

www.ahm.com.hk

Fundamentals of enhanced audio production - part 2

Dennis Baxter has been a sound designer for international advanced audio production

NEXT GEN AUDIO PRODUCTION IS AN UMBRELLA OF TOOLS and options that provides the ability to produce immersive, interactive and personalised sound as well as to program user audio control. This document is focused on the production of immersive sound for live sports and entertainment media.

Immersive sound

Attempts at producing immersive sound over the years have had a variety of mixed results, making it obvious that many problems still exist. As of 2017, there are several methods for producing immersive sound, such as speaker-based, the use of objects, ambisonic production, and even a combination of these different methods.

Speaker-based audio production is the way stereo and surround sound is produced and mixed today. It is predicated on the assumption that reproduction will be on a similar speaker system and setup, for example, two speakers for stereo and six speakers for surround. This stereo approach was acceptable for a long time because many television sets had enough room for two speakers and people who were interested hooked up their TV and VCR to the stereo speakers. Everything was good until surround sound became the new normal. With surround sound, most consumers did not have adequate reproduction systems, or if they did, they were mostly not set up to match the arrival of consumer friendly audio systems and soundbars in the last few years, there was generally no way to hear artistically mixed broadcast sound.

Soundbars are not intended for critical listening or mixing, but and experience for consumers. You don’t have to think too hard about it, but the future of sound listening is probably going to be simple: headphones and soundbars. And this begs the question of which production method – speakers, objects or ambisonics –can deliver a good experience and reproduction in the real world of listening options.

Speaker-based reproduction will be necessary for mixing and monitoring but as previously stated, this method is not really practical for the home reproduction of immersive sound. Speaker-based reproduction was the incorrect assumption for surround sound. In fact, it was not until the widespread availability of soundbars that surround sound gained traction. Immersive sound adoption will absolutely depend on the consumer’s purchase decisions as well as the availability of Object and ambisonic-based audio production overcomes the limitations of speaker-based production and the lack of technology to adapt the audio to the consumption desires of the listener. This ability to adapt to the consumer’s needs essentially

decouples the production process from the reproduction – which is exactly what was needed to match and cater to the wide variety and number of ways that consumers experience audio today. Object and ambisonic audio production practices render formats capable of a wide variety of listening preferences.

assets with localisation and other information. But inherently, broadcast and broadband because of bandwidth. Ambisonic audio production has been around awhile, albeit advancements with higher order ambisonics (HOA) that some of the theory became valuable for advanced audio production.

rendering to a vast range of reproduction options. HOA is a far order ambisonics ever envisioned.

for the spatialisation of audio for a convincing immersive experience. The concept of constructing high order ambisonic resolution for the appropriate output format is a new audio production paradigm.

There seems to be many clear advantages with the reproduction of ambisonic audio for the masses and there is audio creation.

The future of sound production will undoubtedly change bright future for advanced audio production but a transition from conventional speaker-based audio practices to the future methods of sound production is necessary to get there.

Producing next-gen audio content using spatialiser tools, higher order ambisonics and advance audio production techniques

Speaker, object and ambisonic methods of audio production are all capable of producing immersive sound with different levels of accuracy and believability. All methods and theories of immersive sound production require the ability to localise a sound element in a dimensional soundsphere. Fundamentally, spatial imaging and placement is the foundation to any dimensional sound production.

As audio professionals, we are familiar with left/right and front/back horizontal (amplitude) panning. But the fact is that for truly dimensional positioning, a height component is also necessary. Dimensional panning tools give the sound designer/ mixer the means to accurately position the apparent location of a sound anywhere in the soundsphere. Three dimensional panning/positioning can be applied to audio elements or groups of sounds to locate a sound to any 3D coordinate around, above and below the listener.

Panning across the horizontal panorama is known as Azimuth. Today, all mixing consoles and plug-in panning tools can position a sound anywhere around the listener – fully 360° in

Precise localisation in the horizontal and vertical sound space is essential to realistically create immersive soundfields

the horizontal plane. Stereo and surround sound reproduce audio in the horizontal plane – in front, to the sides and behind the listener.

The concept of immersive sound attempts to put the listener in a complete sound space with sound above the listener as is heard in the real world. in the horizontal and vertical sound space it is essential to realistically create immersive also known as elevation.

Creating 3D audio elements

above the listener and how it enhances the perception of spatialisation and the ability to accurately localise sound

sports and entertainment because you can build a discernable above the horizontal perspective of the ear.

Enhanced production using spatialisation tools – finessing the sound

the sound elements are acoustically captured. Sound elements as reverb and room simulators are useful tools in dimensional and immersive sound production because they recreate the space.

audio production but spatial enhancements have proven effective in immersive sound production for both speaker and ambisonic methods of production as well.

a dimensional space. The ability to contour parameters like

Test case

speakers when more speakers are present.

either includes an attempt to capture sounds with an acoustic footprint or capture sounds with a minimum amount of acoustic sports is undeniably impacted by environmental acoustics. spatial enhancements while close, detailed sounds may not.

and atmosphere was routed to the above quad channels. The the middle 5.1 and upper four quad layers of sound. As a word of

available to the listener. When you increase the number of the positive elements of your sound production then your sound production possibilities are expanded. For example, a sound element closer or farther away, but as in the real world production possibilities. Size expands the perception of

contributes to a disruptive mix of the sonic foundation. Clearly microphone placement can be used to enhance movement. For example, if you place a series of microphones across a panoramic space and then render the sounds across a series of speakers, the listener perceives motion as the sound source moves past and between each stationary microphone.

motion is achieved.

can be captured live with microphone placement, however there

Psychoacoustic production tools

The impression was described as mediocre. There was no a solution, but there are currently limited options for true XYZ

Live production using spatial production tools

you can create the illusion of top and bottom, in other words, the

With the current array of production options which provides tools. Sound spatialiser tools are available for postproduction to production practices.

Pro Light & Sound Guangzhou 2017

as PL&S Guangzhou returned for its 15th year. Pro Audio Asia returned too

team was kept busy. Mills Xu, director of strategic alliance, had Guangzhou to see both the rack-mounted gear, mic preamps and the 1608 desk. ‘We’re now in discussions regarding setting up a dedicated service centre,’ elaborated Mr Xu, ‘No one has distributed API here before and we have a very mature technical team so we’re working on setting up an API China service centre to provide an even faster response to our clients.’ API managing director Gordon Smart was supporting Budee’s efforts and was full of praise for the distributor. ‘We’ve got a great partner here,’ he said. ‘Budee’s standards match the same high standards at API and the customers I’ve met are extremely excited that they now have access to API in China. The reaction on the booth has been extremely positive.’

Over on the RedX booth the focus was on targeting visitors looking for new technology as the company introduced its AoIP products. While on the prominent Mipro stand which displayed the new TA -80 digital wireless plug in transmitter, there was a feeling that as well as seeing more visitors, attendees were also more professional.

Although Antelope Audio is represented by Budee in China, this year the manufacturer presented independently to highlight both the DHD Orion studio and to use the show as a launch pad for Zen Studio+. ‘It’s a sign of the importance of this region,’ said company founder, Igor Levin. ‘In addition to our partners who are doing a great job, we also want to be a part of that experience directly. I’ve had great conversations with people and this will encourage me to create new products and gain new opportunities. We chose to launch Zen Studio+ here because in Asia, space is at a premium and there’s an appreciation of

PRO LIGHT & SOUND GUANGZHOU OPENED ITS DOORS ON 22 February, with the GET show following hot on the heels of the four-day event. While this year the two shows at least didn’t overlap, their close proximity has always been a topic of some frustration for exhibitors and attendees alike. Therefore the announcement that in 2018 PL&S Guangzhou would be moving to a May slot in the show calendar was met with noticeable approval.

This year marked PL&S’ 15th event held at the sprawling China Import and Export Fair Complex with organisers claiming it ‘the biggest ever’, with 1,230 exhibitors from 25 countries enveloping

In addition to the increased show footprint, new and expanded product zones were promised. Making its debut was the Theatre K Pub, introduced to highlight customised installation, smart digital A/V and systems integration products as well as mini and home theatre systems along with expanded lighting zones. Outside, under ominous grey skies, the line array demo area was expanded to incorporate more international brands including Coda, Vue and SE Audiotechnik.

Inside, Bosch Security was celebrating not only the 90th birthday of Electro-Voice and the 70th anniversary of the Dynacord

the show.

Over on the EAD booth, visitors could take a listen to regular live demos through an Alcons Audio LR18 line array as well as seeing the digiMIX24 mixer from Ashly and the recentlylaunched TG 500 and TG 1000 ranges from beyerdynamic Kamal Mahtani, sales and marketing director at beyerdynamic Asia, was clearly pleased he’d made the trip from Singapore. ‘I’ve not been for three years and I’m really impressed with the

quality, organisation and the timing and it does seem to be that more people are coming from Beijing,’ he said. ‘We’re very happy with the new relationship with EAD; they’re specialised, they know the applications, have complementary products and know how to use them. beyerdynamic is taking bigger steps to get closer and deeper into the market here.’

Fresh from its launch platform of ISE in Amsterdam, the new MC2 could be found on the ST Audio stand and SE Audiotechnik presented the Chinese market with its loudspeaker manufacturer APG was making the most of the exhibition to not only ensure the local market was aware of how its new distribution set-up was being implemented, entrusting BVCAM to look after all the touring and pro customer bases and TR Audio to take care of the entertainment sector, but also to showcase the modular Uniline line array system. Component manufacturers are always well represented within the overseas halls, with Celestion, Acustica Beyma and B&C all participating. ‘The market understands more and more about the quality behind European-made components and we are seeing a shift in markets such as KTV, which is now more interested in increased performance,’ said Giacomo Previ of Eighteen Sound

Neil Barnes from UK manufacturer Fane was clear how crucial the company’s attendance was at the show, ‘Asia is a key market for our business,’ he said. ‘We’ve got two new products here: the 18-inch 1,300W loudspeaker and the 15inch triple core driver which is interesting for the OEM market in that it’s a full range driver but it’s not using an HF device and we think we’ll do very well with it here.’

With a regular DJ set showcasing Martin Audio’s MLA mini and having just recently taken on distribution for API, the Budee

products which are small, well integrated and which represent great value and quality. Launching a mobile device here in Asia is a perfect match.’

Guangzhou continues to stake its claim as an entertainment hub and DAS Audio was capitalising on that with the introduction of new additions to the SoundForce club series at the show. ‘We’re showing the new SF-30A and testing the new UX-218 that we have just released in Europe. Explained Eduardo López, ‘We also have the new OVI 12 here, a coaxial multipurpose speaker for commercial audio which is very versatile.’ As far as the show itself however, Mr Lopez had mixed feelings. ‘Overall I think it’s been a bit slow this year, but

BUSINESS: SHOW REVIEW

you have to show your face and it’s the only exhibition we do

May is perhaps a bit late in the calendar.’

Marani GM Michele Marani was pleased with how the show had gone. ‘This is the best exhibition In China for us,’ he said. ‘We have a lot of OEM clients here, so as well as seeing new customers almost half of our business here is with the other exhibitors. The geography of the audio business has changed, and Europe is no longer the hub that it used to be for audio manufacturing. You now see people from all over Asia, America and Europe coming here to source products and meet manufacturers.’

Midway through its second decade, PL&S Guangzhou’s mission to be a show that has ‘successfully evolved from a regional event to a global business platform that bridges local and international markets’ certainly seems to be on the right track but there’s still a fair bit of road left to negotiate. Rare moments of a businesslike atmosphere could be experienced through the day but for the most part the decibel levels were breached on a far too regular basis, once again making business conversations for even the most hardened ears

2017 Dates: 22 - 25 February

2018 Dates: 10 - 13 May

Venue: Import and Export Fair Pazhou Complex, Guangzhou

Total exhibitors: 1,250

Attendance: 73,986

Contact: www.prolight-sound-guangzhou.com.cn

ABU Digital Broadcasting Symposium

Education is at the forefront at the ABU Digital Broadcasting Symposium in Kuala Lumpur. But what was dominating the discussions?

THE DIGITISE, DIGITALISE AND DOMINATE THEME OF THE 13th edition of the ABU Digital Broadcasting Symposium (DBS) drew a large crowd of Malaysian TV and radio broadcasters to its conference and workshop in order to gain a better technologies and solutions. Recognising the growing gap between advanced and smaller, developing broadcasters, some of the classes attempted to address these issues and share various experiences.

The four-day composite event with its international conference, industry exhibition and focused workshops showcased and presented technologies, content strategies and effective business ideas to address current and future challenges within the industry. In addition to highlighting the digital transition and the issue of cyber security.

As in recent years, the ABU DBS attracted top international broadcasters from NHK-Japan, Commercial Radio Australia, BBC World and others to participate in the workshop programme.

Jünger Audio

discussion on smart audio being the way forward for live audio content creation. Meanwhile, Solid State Logic Gofton was asked to share his ideas on pro audio-over-IP, whilst an adjacent Dolby workshop drew delegates keen to learn more on digital 5.1 content.

working technicians and engineers to the real top executives

relatively new to our portfolio and we are aiming to promote the many price performance features of Brio 36 and Summa to our

Having made the journey north from Singapore with his

broadcasters and news reporters such as Spark, Playmaker and the Avid iNews Newsroom solution. ‘The delegates that attend

and it can be quiet whilst classes and workshops are going on, providers and experts, ABU provides a platform that allows broadcasters to share expertise, learn from experiences and network with like-minded colleagues.

Outside the four-day symposium, a small two-day exhibition was staged for those Malaysian suppliers and international manufacturers wishing to promote relevant products and technologies to this highly targeted group. ‘This is the third time that Ikegami Hakida. Simply promoting the HDK-97A projector on its booth, the team from Japan and Singapore explained the appeal of the

real broadcasters. In addition to the many relevant technicians together with broadcasters from the Maldives, Thailand and For the second year in succession, JAA.S was exhibiting its portfolio of internationally renowned products from Jünger Audio, Klotz Digital and Orban in addition to the Calrec Brio 36

we best communicate this through the workshops. Interested delegates come to chat afterwards and take a look at the console interface. I feel that we have a responsibility to share our knowledge and experience with the wider broadcasting community and ultimately give something back. ABU has a very different reach compared to traditional trade shows as paving the way for all the other technologies with audio-over-IP. inherent in System T together with the advantages of Dante

In addition to showcasing the On Air 24 console and a Nexus router, Stagetec Asia was also exhibiting a number of other products from its portfolio of brands. These included an A-Z of brands from ADAM Audio F5 monitors to Zenon Media solutions including a DHD S2-SX Dante desk, RTW TM3 Primus touch monitor loudness meter, Linear Acoustics Aero 2000 loudness manager and Mobile Viewpoint Flex Agile. products that provide full turnkey solutions for broadcasters

Avid meanwhile was demonstrating a sample of working

2017 Dates: 6 – 9 March

2018 Dates: TBC

Venue: The Royale Chulan Kuala Lumpur

Total exhibitors: 47

Attendance: TBC

Contact: www.abu.org.my

Big thinking For smaller boxes

Game-changing innovations in coaxial speaker design

At Celestion, we’re always looking to find innovative solutions to the challenges faced by PA manufacturers. That’s why more and more forward-thinking brands are choosing to work with us.

Take our coaxial drivers for example: unlike conventional designs, our FTX range uses a cutting-edge common magnet motor design to deliver big improvements in signal coherence and time alignment for a more natural sound from a very compact and lightweight speaker. Visit our website or contact us now to find out more about our innovative PA driver solutions.

GET Show 2017

MANY VISITORS TO PRO LIGHT & SOUND GUANGZHOU will have chosen to stay on afterwards for the GET Show. Taking place close by at the Poly World Trade Center mere days apart and both offering similar-styled compliments of audiovisual technology, you could be forgiven for thinking that ‘The two shows have completely different styles,’ explained Stanley Qiu from Ruisheng, which was showcasing JBL’s latest PRX800 alongside Ram Audio and Seeburg products. ‘The visitors here are mainly invited by associations and committees. Lots of high-end companies come and the organisers also invite a good quality audience.’

Last year’s exhibition saw a boost to the visitor numbers from sharing a day with PL&S. While there was some concern that the return of the split between the two shows may hamper visitor numbers slightly, this appeared minimal in the grand scheme of things. ‘I think the audience is not as many as previous years as the two shows have been separated,’ observed, Liu Xiuli, executive director of Nexo’s dealer, Hertz products. I have already signed a few contracts.’ Demoing Geo and STM lines, the company’s booth design was inspired by the Hutaoli restaurant chain where the French manufacturer’s cabinets are primarily installed.

the entrance to Hall 1, Adamson and Next-proaudio distributor Real Music had nothing but positive comments. ‘The quality and number of the visitors is very good. Many professionals and rental companies come here,’ said managing director Wang Zhen. ‘Adamson will have some new products at the Frankfurt show and their S10 which was launched recently is getting a very good response in the market. With Next-proaudio we are mainly focusing on the theatre and entertainment market in was initially very strong but quickly tailed off. ‘It was great on the

nice but today it is very quiet. I believe that due to Pro Light & Sound last week, many people stay for longer to visit this show

Next door on the huge 1,000m2 ACE booth showcasing Harman, Shure and Claypaky products was marketing manager Huang Zhiyong. ‘This show has many visitors, and in fact, almost all of our customers have visited us here.’ This was backed up slight increase of roughly 600 new attendees, bringing the total to 70,636. Also close by was Rightway Audio with Calrec’s new Brio36 and DiGiCo’s S21 small-format console, alongside a range of K-array cabinets. The Italian manufacturer’s business development manager, Marc Vincent, felt the show gets stronger every year. ‘It’s an extremely professional show,’ he commented. ‘All of the big brands are here and it’s not as loud as other local

Series. We can polish them, brush them, or even plate them in 24 karat gold. People are loving this because they don’t want to see big speakers ruining their beautiful designs anymore.’

Also making the trip from Europe to China was David Cooper from L-Acoustics, which was demoing the Kiva II on the

‘Rightway Audio are a very strong distribution channel for L-Acoustics, in multiple market segments, they really help their customers. It’s quite noisy right here at the show, but it’s been good because we’ve met many old friends, many of our companies and consultants. The Chinese market is crazily busy and very, very strong in all sectors. We’re very lucky because Rightway are able to supply all of our products to different clients – from all of our three technologies.’

While many of the European transducer companies favoured exhibiting at PL&S, Italian manufacturer FaitalPro and its distributor Fine Sound Transducers Company felt GET Show was the right environment to show off the new 18XL1800 18-inch subwoofer driver.

‘This show is getting better in all aspects and the audience quality is getting more professional,’ said Tempo Tan from Fohhn distributor, Shoushan System Integration. ‘I think the market here in China will recover this year. We are running projects and

will have more roadshows and seminars with Fohhn later this year.’ Fohhn, d&b audiotechnik and Sennheiser dealer, Zhaolei Organisation, saw success despite being a new exhibitor. ‘I think this show is very good, we are a new platform but we still attract many people.’ Products on display included d&b’s X series, Sennheiser 2000/3000/5000/9000 series systems and Fohhn’s PoE networking powered series.

The increasing professionalism of the GET Show was echoed many times as Pro Audio Asia wandered the aisles. The quieter backdrop is also more conducive to business than the oftenon for visitors.

Highlighting its 100P active subwoofer in particular, ZSound has a unique perspective on the differences between PL&S and the GET Show, having attended both for the last six years. ‘I think both shows are good,’ said chief engineer Zeng Shan. ‘The two not taking place on the same dates gives more time for preparation. This year we had more time to arrange our products, and we don’t feel so tired.’ Other new products on display included the F44 FIR processor and S21 single 21-inch sub.

Ruifeng chose to divide its offerings up into various zones for different market segments. A KTV room was built for the entertainment zone, with LAX products including 200, 600, 900 series models in the RS family. A 23.3 Dolby Atmos system with LAX surround speakers was built for the cinema zone, and two Live One systems deployed on a stage in the live zone. LAX general manager Ling Zibin thought that this year’s show was ‘the best in its history. Many people came here, most of them

are professionals and this has meant that lots of deals have been done as well.’ Zhu Shiping, MD of LAX’ sister brand, RF added that: ‘The quantity of visitors is similar to previous years

One of the more novel changes to this year’s programme was the introduction of a ‘night exhibition’ mode, granting the ability to extend show hours until 9PM. However many visitors were already arranging separate evening plans and many companies also wanted to host their own individual parties. It was therefore a bit underwhelming.

Although heavily attended regionally, the show is attracting an increasing number of international visitors. With the rising quality of visitors seemingly being the overall highlight for exhibitors, the pitfalls seem small in comparison but were never-the-less present. Although not uncommon at many exhibitions, Wi-Fi connectivity was troubling throughout the site and administrative tasks such as visitor registration continued to eat up valuable time. To the organiser’s credit, it had attempted to remedy this with a new online registration system, however there were reports that in itself seemed ill-

equipped for the task at hand.

Next year, GET Show will be free from the backdrop of PL&S

frustration. Independently, both shows posses their own set of pros and cons. It will be interesting to see whether exhibitors and visitors gravitate towards a single show to minimise expenditure or continue to divide resources across both.

2017 Dates: 27 February – 2 March

2018 Dates: 1 – 4 April

Venue: Guangzhou Poly World Trade Center

Total exhibitors: 1,250

Attendance: 73,986

Contact: www.getshow.com.cn

The next stage of Class SSA : ®

Pro Light & Sound 2017

The annual outing started with a whimper, but did it end with a roar? We canvassed the halls to determine the fate of Frankfurt

NOW IN THE SECOND YEAR OF ITS NEW INCARNATION, Pro Light & Sound 2017 opened a day earlier than MusikMesse with a seemingly reduced footprint and footfall. The scheduling of the shows one day apart was clearly a response to last year’s unpopular move, which saw both exhibitions run over a total of six days with PL&S going solo for two of those. Notable by their absence were several long-term PL&S exhibitors, and not just long distance ones such as Meyer Sound and Genelec. Local German companies including Sennheiser, Electro-Voice, HK Audio and Eve Audio also decided to stay away this year.

However, product launches were in plentiful supply with Martin Audio releasing a total of 10 newcomers, the Wavefront Precision Series comprising the WPC and WPM; new SX118 and SX218 subwoofers; the XE Series comprising the XE300 and XE500; the LE100 and LE200 stage monitors and new Ikon

live sound and contracting market by replacing our Wavefront line arrays with new optimised sound systems called Wavefront

MLA series products into a more conventional package with rack

LD Systems unveiled the results of its collaboration with the Porsche Design Studio, the Maui P900 powered column PA system as well as the Maui 5 Go battery operated column PA.

international platform where we can gain feedback from the Adam Hall CEO, Alex Pietschmann.

More new speakers were to be found right across the show including Coda Audio’s Arrayable Point Source system, Amadeus Diva M2 array cabinets, the JBL VTX A12 system and Eon One Pro battery powered line array, Focal Shape studio monitors, Audac Baso18 passive and Noba8 active bass cabinets, APG’s new SB range of SB112, SB115-M2 and SB118 subwoofers, Adamson’s S10n narrow dispersion line array cabinet and IS-Series installation speakers and Nova’s Mythos series. Funktion-One added two new speakers to its Evolution Touring Series, Evo 7T and Evo 7TL-215, L-Acoustics presented its new P1 networked digital audio processor, the new Syva segment source speaker and L-ISA immersive sound solutions, while K-array showcased the Mastiff monitor range. d&b audiotechnik released

dBTechnologies held daily presentations of control software Aurora Net alongside its new B-Hype speakers.

Consoles were out in force, with many brands dominating the centre of hall 3.1. Solid State Logic was launching the SSL L200 Live, the latest and most compact addition to its Live

Series. Over at Stage Tec, the brand new Avatus IP-based console was being unveiled. Yamaha, meanwhile, took the covers off its smaller format Rivage PM10 CS-R10 control surface. DiGiCo was showing the SD12 console launched in starts earlier than it used to, so we did our own launch,’ said

to do a trade show launch, this would still be the one we would do it at. It’s been a good show for us, but I do feel the numbers are down. We’re located in a good spot and we’ve been busy

DiGiGrid was back on the stand after a less than positive experience in hall 4.1 last year, announcing a new collaboration that allows SD console users to integrate with a Waves Multirack system. Also new was a DiGiCo S App mic preamp card.

Cadac

got a cracking location in the middle of console alley,’ said marketing manager James Godbehear, who nevertheless was reporting fewer international participators from outside Europe. Elsewhere, Riedel launched the Bolero wireless intercom solution and Optocore unveiled the SFX7 network interface controller module designed to be built into third party products. Apart Audio

products, the Revamp8250 amp, MA120 and MA240 mixing amps, MaskC Series install speakers and CM Design Series speakers. And Powersoft launched the new LiteMod 4HC and

show to launch the new amp modules because the show is very specialised; there are many loudspeaker manufacturers here, which in this case are our main customers.’

Some companies were introducing new personnel. d&b was proud to announce that former Sydney Opera House stalwart

Rocha has left EAW for L-Acoustics, DiGiCo welcomed Austin Freshwater as general manager while DPA’s new CEO, Kalle

The live outdoor demonstration areas continued to receive healthy attendance, helped by the warm spring temperatures and blue skies. RCF’s new HDL30A system was one of the main participants, along with entries from KV2, dBTechnologies, Funktion One, TW Audio and Audiofocus

There was also positive reaction to new Silent Stage in hall 4.1, proposed by Klang:technologies and Vision Ears we had a band playing on our booth and we wanted to reach more people, so we spoke to some other in ear manufacturers organisers were searching for new ideas and they liked it,

and have supported the concept.’ The Klang:fabrik 3D mixing desk was being used together with products from Kemper Amps, Hearsafe, In-Ear Kommunikationstechnik, Variphone, Westone, Audio-Technica and Allen & Heath. ‘It’s been a slow, but by the end of the day all the headphones were getting taken up and it hasn’t stopped since.’

PL&S did manage to attract some new exhibitors, or those back from a break, including Bose, Focusrite, Marani Proaudio, d3 Systems and Grunwald Display Solutions. It was also the second ever appearance for US manufacturer Clair Brothers. Having taken up residence in a peripheral zone of hall 4.1 in 2016, it seemed much happier in the centre of 3.1 this year. Exhibiting the new S2-B and S2-A subwoofers appeared to be heavy around the open plan exhibits such as the 1.5AM+ wedge and portable KiT speakers. ‘We haven’t marketed ourselves at trade shows until recently, but as we export more products overseas than in North America, we felt

Sadd. ‘We’ve met a lot of new contacts which is possibly due to the fact that we are in a great location near to some premiere digital console manufacturers.’ Harman, by contrast, was absent from 3.1 and could be found in the midst of lighting and staging in hall 4.0. ‘The European market is extremely important to us, especially on the lighting

side,’ commented director of public relations, David Glaubke. ‘The show still draws customers and it’s an opportunity for our EMEA customers to come to a centralised point for us to demonstrate what we are doing. The booth has been busy for the entire show. People are coming to see what is new with Martin but they are getting exposed to Soundcraft and JBL.’ Chauvet was showing the Strike 1. ‘It looks like a real Tungsten light and people love the dimming,’ said Steven Batslé. ‘This is still an international show and I’ve seen a lot of people from various territories around the world, but mainly Asia. There is a good combination of pro audio and pro lighting companies here.’ Indeed, many of the lighting and multimedia companies seemed happy with PL&S as Avolites unveiled software updates and new developments in lighting and video integration, while Robe and Clay Paky staged theatrical lightshows on their stands and Christie launched the Pandora’s Box OCTO server.

one could be forgiven for thinking two entirely separate events

here you stand the chance to do business with three, which is pretty good,’ said Alex Schloesser, business development, Asia SE Audiotechnik. days one and two, then on day three there was already a serious three days were good,’ commented Outline Blom. ‘We invite people in advance and they’re happy to come because it’s home ground, we need to have a presence, and we little insecure.’

Peter Klotz, director, Klotz ais, was happy with the attendance said. ‘It’s a valuable showcase to exhibit the latest products, the appointments showed up and we met some new contacts,’ FBT Elettronica products, Ventis, X-Pro and Subline, were well received by our customers.’

commented Outboard Electronics

Lawo

with all the trade shows.’ better,’ said Nexo Fohhn

Antelope Audio

not sure I’ll be coming next year.’ show organisers, in connection with some other companies, and it doesn’t happen here, it’s become a local show. Last year people to be here longer.’ Sennheiser and HK Audio was particularly apparent. All three demonstrations, competitions and an overall buzz that ensured the commercial A/V sector continues to grow, ensuring the all departed. The internet and companies such as Thomann, which embraced speedy deliveries and bigger discounts, have and showrooms. With rents and utilities to pay in addition attendees wandering the show.

integrators travel to ISE nowadays.’

oriented concepts. We need to look at how the days have worked this year, and also at changing the seminar programme because there’s a lot in German, and we need to include our international visitors. We are also looking to see what we could bring in to help the audio and sound recording people. And we’re talking to companies that pulled out, like Sennheiser and Meyer, about ‘The touring season changes, the market changes, and now we have ISE. Maybe the entertainment market is growing more slowly now than the systems integration market. A show is a

The magic potion the Messe organisation created back in the 90s and noughties worked like a charm. However, that very

2017 Dates: 4-7 April

2018 Dates: 10-13 April

Venue: Frankfurt Messe

Total exhibitors: 950

Attendance: 100,000 (combined)

Contact: www.pls.messefrankfurt.com

InfoComm China 2017

InfoComm

ACCORDING TO THE OFFICIAL NEWS RELEASE FROM THE organiser, 40 countries and more than 300 exhibitors participated in InfoComm China 2017. There were 95 brand new exhibitors and the space was expanded to 5,500m2 – the biggest ever. Meanwhile, InfoComm’s familiar complement of education opportunities was provided courtesy of 40 free summit meetings.

Yamaha chose to design its booth around real-world environments, including a conference room, hotel lobby, retail store and coffee house. By doing so, it aimed to demonstrate its complete business solutions.

Televic demonstrated its meeting IP technology, Plixus and related modules on its distributor EZ Pro’s booth. ‘InfoComm China is becoming more and more successful and the business is heading in a more professional direction,’ commented Televic’s GM Bart Deschodt. ‘At the same time, I have met many local competent Chinese competitors and I am really interested in getting to know them more.’

Also joining the EZ Pro stand, Symetrix manager Hock Thang is well acquainted with the show. ‘InfoComm China is considered as a primary showground for Symetrix,’ he commented. ‘The Chinese market grows year by year and we attribute this to the excellent performance of our distributor EZ Pro International. They offer not only good products, but also complete technical support and after-sales guarantee.’

As a regular exhibitor, Ruisheng not only showcased the Hayaco conferencing system, JBL Professional Control series speaker system and Harvey Matrix system, but also speakers, digiResearch. Ruisheng general manager Zhang Shilai noted

that ‘the domestic market keeps changing and we also need to adjust ourselves to better serve clients with tailor-made solutions’.

Listen Technologies brought its newly-launched ListenTalk mobile one-to-many or many-to-many communication system to the show, which allows presenters and tour guides to communicate with visitors without speaking loudly. ‘This is my and ISE in Amsterdam before,’ commented Listen Technologies’ Kim Spenser. ‘Although it is not as busy as other similar shows,

The backdrop to the RedX booth was a large print out demonstrating its Dante-based PoE full networked audio clients can understand how we achieve PoE power supply, transmission and control through one cable,’ said product director, Feng Weiguo. ‘We’re also displaying our 120W power supply module which has attracted a lot of audience attention.’

On the ACE booth two major products were displayed. Taking pride of place was Harman’s HiQnet control software, which is able to manage audio, video and lighting control transmission and processing via touchpanels. Also presented was a new video transmission system from iMag Systems that allows 4K video transmission over the internet and is capable of substituting the traditional video matrix function. ‘The show has been quite successful and is full of industry potential,’ noted Chris Smith from iMag Systems, who was attending InfoComm

visitors and they are very interested in our iMag Systems products, which makes me very happy.’ In addition to its presence on several dealers’ booths, Harman China arranged an individual stand to highlight overall solutions covering portable applications, theatre performances, architectural lighting, hotel A/V control and educational spaces.

Shure constructed an experience centre so that its clients could gain a thorough appreciation of its offerings. ‘We brought our latest products, the SBC450 and SBC850 charging

stations, which save both time and space,’ said marketing communications manager, Eva Oegger. ‘We are also displaying audio conferencing processor for meeting rooms, and we constructed a Shure experience centre here so that clients can gain a complete understanding of what we offer.’

In terms of other microphone brands, Audio-Technica chose to fact, we are going to be launching some very important products Sennheiser conferencing system. Additionally, Tico demonstrated audio and video synchronisation with Biamp’s TesiraLux platform alongside Renkus-Heinz’ C series speakers and beyerdynamic’s Orbis digital conferencing system. Distributor Liyun attended the show on behalf of Taiwanese company, JTS Microphones. Its located on the opposite booth. ‘We temporarily built up one 7.1 Next-proaudio speakers, in order to demonstrate the K5 coaxial speaker’s multi-functionality,’ said Real-Music marketing director Li Bin.

Once again present with its ‘open booth’ design, Taiden used several large pictures to demonstrate its reach in international high-end applications. EAD brought its Just Add Power distributed network video terminal equipment to the show explained that ‘the system supports big screens, 4K video and accepts Dolby decoding and PoE power charging without transmission.’ In addition to that, AMC’s multifunctional integrated machine, paging microphone and the newly launched beyerdynamic TG500 wireless system were also showcased. Having been present at all three recent Chinese trade shows, Rightway Audio (Rac Pro) was once again demoing the latest DiGiCo consoles and K-array cabinets. ‘We have met many clients and they pay lots of attention to our products,’ said

On distributor SWS’ booth, marketing manager Jimmy Liang said: ‘We chose to demonstrate d&b audiotechnik‘s latest software as it can remotely monitor the status of each speaker

China 2017 returned on an even bigger scale. Was this an indication that the professional A/V market in China is still full of potential?

in real time, which saves lots of precious time for the system engineer. We also recently started distributing the Multiverter MVR-64 digital audio switcher from Swiss brand Apps ProAudio and that has also garnered lots of attention.’

TopPlot was the one of the more interesting exhibitors. General manager Michael Chow excitedly expressed that ‘the organiser allowed us to set up a stage to provide demonstrations of Nexo’s Geo M10 system, which was really a privilege. We are surrounded by people that have come to listen to the quality of Nexo speakers. We also used LS18, M6 and iD24s to set up a Dolby Atmos cinema system here.’

Across on the Budee booth, marketing director of its A/V business division, Kan Ximing, felt that the show ‘was quite good’. We met many existing partners, however it is a pity that we did not see many new faces,’ she said. ‘In addition to showing Electro-Voice, Martin Audio and Lectrosonics products, our Neets product training area was completely crowded, which really surprised us.’

PCI mainly focused on integrated QSC Audio systems rooms, conferencing scenarios, intelligent hotels and digital airports. Taiwanese manufacturer BXB launched its ICP-5000 multimedia information release management system and

presented its UFO and FUN microphone systems on an openair booth outside of the exhibition hall.

Back indoors, Eric Tsai, the operations director from Taiwan Sun Rise

One is to promote our own network and touring performance cables, the other is to listen to the market in order to develop new products for engineering projects.’ Away from audio, Hall manufacturers, however their booths had shrunk noticeably compared to previous years, despite some new faces.

The InfoComm China Summit was without doubt one of the most important activities of the show. Training courses related to AES67 attracted a high number of industry professionals to study, share and communicate. Hans Liu from StageTec China

the targeted clients and our products, being a technician I still need to grasp the opportunity to understand the latest technology and the future direction.’

Against the backdrop of a challenging changing market, the

SHOW REVIEW

majority of InfoComm China attendees and exhibitors alike felt the show is still heading in the right direction. ‘Industries across all verticals continue to be challenged by the changing technology landscape, and businesses are striving to harness digital solutions to transform their business models and develop new innovations for sustainable growth,’ said Constance Lee, senior director of InfoComm China. ‘As the organiser of the exhibition, we take pride that over the years InfoComm China has increasingly become the industry platform of choice for the presentation and launch of cutting-edge technological solutions that drive business transformation.’

2017 Dates: 12 - 14 April

2018 Dates: 11 - 13 April

Venue: China National Convention Center (Beijing)

Total exhibitors: 300+

Attendance: TBC

Contact: www.infocomm-china.com

Becoming a family

IT’S BEEN FOUR YEARS SINCE SOLID STATE LOGIC FIRST dipped its toe into the concert market with the Live series of mixing consoles. To date, a cumulative 12,673 man days have gone into developing the overall platform. followed by the physically smaller L300. Now the British manufacturer has added a third member to the family and is targeting mid-sized productions with the L200. ‘L200 takes the SSL quality, commitment and audio reproduction and offers it to a mid-market production,’ states Richard Ferriday, product manager for SSL Live. ‘Production managers now don’t necessarily have to say “you can’t use an SSL, it’s too expensive”. We’ve got a value proposition which has got all of the SSL brand behind it, sounds great, is easy to use and it’s no longer a mortgage to use one.’

its distinctive shape. ‘It is a very unusual shape for a mixing console,’ agrees Mr Ferriday. ‘However, the shape lends itself to supporting some of the many accessories that you have to surround yourself with these days at the mix position. We’ve created space for the extension screen and the inevitable laptop. We’ve moved all of the important controls, hardware and GUI-based, into the centre of the console and you’ll never have to reach up to the far corner of the console because we don’t have any far corners to put anything on. It’s a very compact, very functional user interface.’

The desk itself offers three 12-channel fader tiles, giving 36 faders in a continuous run plus the focus and master faders, an instant access area for the key bits of hardware that users need to get to quickly, a tablet stand with a USB port and

manufacturer claims to be the brightest in the industry. ‘If you’re working outdoors on a lovely sunny day you’ll still be able to operate the console even in full daylight.’

In terms of I/O, the L200 offers a total maximum potential of 600 inputs, 144 processing paths and up to 600 potential outputs. ‘The architecture of the console and the amount of I/O on the back will support a total of 600 simultaneous sources,’

96 input channels, all of which have full processing. The 96 input channels feed up to 24 Stem groups and a maximum of 48 auxes. There are six masters, so it can

In addition to the 144 paths in the console there is also a 24-channel matrix which sources from 4 x 32 inputs.

continues Mr Ferriday. ‘You can decide how many inputs you need up to a maximum of 96, how many auxiliaries you need a few monitor sends or you need to run 20 stereo in-ears, you build the console the way you want it to work.’

While the desk’s vital statistics are important, it is its connectivity which is perhaps the key feature. ‘If you walk up to the back of an L200 with a cable in your hand, there’s a back that you can plug it into,’ says Mr Ferriday. ‘We offer very comprehensive connectivity.

‘We have Dante inputs and outputs and Madi inputs and outputs,’ he continues. ‘We have our Dante interface which gives us up to 64 ins and 64 outs via Dante. We’ve got eight BNC Madi super analogue mic pres and 12 super analogue line outputs. We have a pair of Blacklight ports which is SSL’s proprietary multi-channel digital audio transport. We use this to connect via

While the desk itself offers plenty of connectivity options, SSL has added to this this by expanding its range of stageboxes

With the release of the L200, Solid State Logic has shown the networked future of its Live family of mixing consoles

with a Dante-based option for networked audio, the Net I/O SB 32.24. ‘SSL has actually been making network I/O for some time,’ reasons Mr Ferriday. ‘Traditionally this has been a broadcast product, it’s not something we’ve sold into the live market in the past. However, the new Dante stagebox

We’re still using the same super analogue mic pres as we do on the broadcast device, but we now have a different form factor which is more appropriate for live.’

The unit includes 32 mic/line inputs, 16 analogue outs, four AES/EBU inputs and four AES/EBU outputs. However, it is on the back panel where the new stagebox offers something unique. Here there are two pairs of redundant Dante network ports. ‘In addition to the Network A redundant pair, there is a second redundant pair on the back of the box which provides a gain compensated Dante split,’ furthers Mr Ferriday. ‘This channel includes the gain differential audio. The audio coming out of here will not be changed by anything that happens on the input gains from the control console.’

This means that the box can operate as two discrete

networks. ‘These two networks are invisible to each other,’ explains Mr Ferriday. ‘If one is connected to a broadcast truck, the live audio network is invisible to the broadcast truck and whatever they are doing in there is completely invisible to the live network. This is the digital equivalent of a transformer isolated switch. There is no possible interaction between the two networks.’

While the ability to have two separate networks offers some clear advantages, Mr Ferriday is equally convinced that Dante networking in the live environment is a positive thing for engineers to do. He offers the example of a conventional live show setup with an FOH console and a monitor console, a truck to record the show on a separate console and a feed for the house broadcast. ‘We have some conventional Madi I/O and some Dante I/O which is connected directly to the network,’ he begins. ‘The Madi I/O goes

Dante bridge, you then split that off into the Dante network where that is then shared between the FOH console, the recording console, the broadcast console, the OB truck and all of that audio is available to all the desks. It’s bi-directional too, so if you want to take audio back from the broadcast truck, such as the audience mics or the ambience, we can ask the broadcast truck to send us an ambient feed back into the network and we can pick that up where ever we want. It gives

goes to and it allows you to build up very large complex audio networks quite simply and very inexpensively because it is using standard switches and Cat-5 cable.’ Expanding the Live family into different markets was always going to be the sensible option for SSL. But by embracing the potential of audio networking for the concert market, the manufacturer has shown that all that time in development has

Getting Agile

THE AGILE DEVELOPMENT methodology was itself developed primarily for projects concerning the building of software. It is designed to minimise risk by breaking down the development into individual stages – or sprints – that tend to run anywhere between one and four weeks and involve work across all stages of the project lifecycle, including planning, analysis, design, coding, unit and acceptance testing. Following each sprint, the progress made is examined and if the sprint is deemed a success, the project will progress to the next stage. If faults are it before moving forwards. This is how Agile works to reduce the risk factor.

Regular stand-up meetings are also held when following the Agile methodology. These are called scrums and can be held as frequently as every day should the project call for it. The purpose of the scrum is to allow stakeholders to update each other with work completed and what they will be working on next, while also serving as a means of identifying any potential problems before the end of the current sprint.

Having gained a positive experience in adopting the methodology for several of its software endeavours, Sennheiser chose development of a piece of hardware: the Digital 6000 wireless microphone system. ‘The core advantage of Agile development is that traditional development methods,’ explains Sennheiser COO Peter Claussen. ‘A classical method, for instance, would see the product to the development team. Depending on the complexity of the product, he would then get and a half. If you take a look at today’s speed of innovation, you will agree that your product

associated with software

6000. James Cooke

delivered in a given time. Contracts in threeweek sprints are not really feasible, as your purchasing department will explain to you.

‘Also, for hardware, certain things take

So we still have the project lead looking after this schedule.’

So, did working to the Agile methodology result in any changes being made to the end product? ‘We actually managed to implement some exciting extra features,’ Mr Vollmers replies. ‘A good example is the auto-set-up function which was added relatively late in the process. Sound engineers can quickly set the system up without having to consult spectrum analysers or the WSM software.

There are plenty of processes that cannot be squeezed into three-week cycles. Therefore, we adapted by retaining the position of a classical project lead. He was looking after all these longterm processes and the interfaces where Scrum

Another amendment that Sennheiser made to the Agile process was to forgo the role of scrum master. ‘Instead we worked with the project lead,’ says Mr Vollmers. ‘He coached the team, introducing them to all aspects of this development approach. I acted as the product owner, and made it a point to be with the team

‘Another example is the colour of the display,’ the product owner furthers. ‘We would have had yellow LEDs but I knew that the market prefers displays with white LEDs as these are easier to read off. The development team had always voted in favour of yellow LEDs because they have a longer lifetime. So we did extensive climate tests with the most modern white OLEDs and found that they would meet our strict quality requirements too.’

With the Digital 6000 now available, Sennheiser considers its development process a success. ‘We had used the approach for the Control Cockpit software and for programming software for the supply chain,’ notes Mr Claussen. ‘In software development, we were particularly happy with the self-organising teams and the structured sprints. Digital 6000

three weeks, checking whether the due tasks had been completed and planning the next sprint,’ says Tom Vollmers, product owner for the Digital 6000. ‘Individual development sub-teams also had retrospective meetings to evaluate what went well and what didn’t and how they could improve.

‘The sprint cycles were a challenge, because software-driven as they are, they do not take typical industry timeframes into account.

Mr Vollmers also mentions that the entire Digital 6000 team would spend all week working together in a single space. ‘That helped team dynamics and the project a lot,’ he notes. ‘The increased exchange it brought about and

transparency and better communication. ‘Every sub-team knew what the others were working on, and you could align easily,’ says Mr Vollmers. ‘As we had to estimate our working packages every three weeks, we became more and more correct in the estimations of what could be achieved in what time.’

Mr Claussen reveals that there was one disadvantage to working Agile: ‘That is working with external and internal partners who do not know the Agile approach or have different timeframes to consider,’ he says. ‘If you have a development partner, they would expect a

and we are running several development projects in the pro audio sector using Agile now. We are starting to add some consumer products too and our in-house Agile team headphone developers.’

‘In a nutshell: Agile is a transparent to current market needs and delivers on a predictable schedule,’ concludes Mr Vollmers. ‘I think Agile development is the only truly effective way to develop a product. Of course, for our hardware approach we had to adapt the concept and we succeeded in doing this by including a project lead. The Agile routines really worked for us, and working in one big team came up with more and more ideas, making the development process extremely creative and fruitful.’

www.sennheiser.com

Sennheiser opted to employ the Agile methodology typically

development during production of its Digital