CBS COLLECTION 072 UCLA - Film Score Rundowns
CBS COLLECTION 072 UCLA - Film Score Rundowns
CBS COLLECTION 072 UCLA - Film Score Rundowns
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<strong>CBS</strong> <strong>COLLECTION</strong> <strong>072</strong> <strong>UCLA</strong><br />
by Bill Wrobel<br />
[NOTE: I first worked on the <strong>CBS</strong> Collection <strong>072</strong> (Deed of Gift # 1) when it was<br />
officially opened to researchers, perhaps in May 1989. I did not make note of the exact<br />
day. On April 18, 1995 I had an unexpected opportunity to look at the Deed of Gifts<br />
document information dated July 1, 1991. Here Robert Drasnin, Head of Music<br />
<strong>CBS</strong>/MTM Studios in North Hollywood, stated that the music section will close soon, so<br />
he authorized to send the rest of the old <strong>CBS</strong> materials to <strong>UCLA</strong>. The 1 st Deed of Gift<br />
was in late November/early December 1988. This 2 nd Deed of Gift is dated November<br />
1991. <strong>CBS</strong> Studios at that time was purchased by Sony Corporation that was initiating a<br />
belt-tightening policy. So manuscript music scores, timing sheets, log books of original<br />
recording sessions, business records, correspondence, reels, etc., were donated to <strong>UCLA</strong>.<br />
I believe there were 466 boxes in Deed of Gift # 2. Boxes 1-36 (the numbering is<br />
different now) had scores, timing sheets, etc. Boxes 37-300 had <strong>CBS</strong> records of recording<br />
sessions in three-ring binders. Boxes 326-8 are foreign library recordings. Boxes 329-342<br />
had miscellaneous production correspondence & other documents. Boxes 343-347 had<br />
misc. scores with production documents. Boxes 348-9 had photocopies of scores in threering<br />
binders. Boxes 350-353 had mix productions, some scripts. Boxes 354-374<br />
contained music on tapes in 10 inch hubs or 7 inch reels. Boxes 357-389 had production<br />
documents. Boxes 390-393 had published popular sheet music. Boxes 394-397 had<br />
business records and documents. Boxes 398-402 had music on tape cassettes. Box 403<br />
had contained scripts of tv shows. Boxes 404-408 had business records. Box 409 had<br />
scripts therein. Boxes 410-428 had business records (Twilight Zone). Boxes 429-431 re:<br />
Morty Klein (music for shows 10” hubs). Boxes 432-436 contained scripts. Boxes 437-<br />
463 had various business records. Box 464 had cassette tapes. Box 465 had loose LP<br />
recordings. And Box 466 had misc. music & scripts.<br />
Deed of Gift # 1 (December 1988) had 930 document boxes stored in SRLF.<br />
The cost to process Deed of Gift # 1 (I believe) was $12,845<br />
The cost to process Deed of Gift # 2 (I believe) was $16,014<br />
I will discuss more far more details about the collection of the <strong>CBS</strong> materials<br />
towards the end of this paper when I focus on SPFM’s involvement (in collaboration with<br />
<strong>UCLA</strong> Music Library).<br />
*********<br />
The document deeding the material to <strong>UCLA</strong> Regents stated, “I, we, Mr. Brian<br />
Higgins of Media Reports, Inc., 6605 Hollywood Blvd, 90028 are the owners of the<br />
property described as follows: 466 cartons of manuscript scores and parts, timing sheets,<br />
cue sheets..”[and so forth]…”I do hereby irrevocably assign, transfer, and give all our<br />
rights, titles and interests...to the Regents of the University of California.”<br />
Harry Heitzer wrote a memo to <strong>UCLA</strong> on March 7, 1989 regarding a general<br />
permission to xerox: “This will serve as <strong>CBS</strong>’s permission for the <strong>UCLA</strong> Music Library<br />
1
to make copies of materials in the <strong>CBS</strong> Collection and provide such copies to individuals<br />
and institutions for educational and/or personal purposes…” I happily took advantage of<br />
this opportunity in the first several months or so when the collection was open to the<br />
public. And I’m glad I did, because before you knew it, <strong>UCLA</strong> decided to ignore this<br />
permission from Harry, and change its policy to refuse photocopying of music scores<br />
unless you got specific permission from <strong>CBS</strong> to xerox a specific score. Normally<br />
documents such as cue sheets (words) were allowed to be xeroxed, but not music scores<br />
as a general rule. I managed to xerox much of Herrmann’s scores already identified and<br />
located in the boxes such as the Twilight Zone episodes, several of the old <strong>CBS</strong> radio<br />
scores from the Forties generally (Corwin, etc.), Gunsmoke episodes, some of the Outer<br />
Space Suite, Ethan Allen, and so on. The scores I discovered later on over the years that<br />
were un-inventoried (such as Police Force) I laboriously hand-copied.<br />
As given earlier, towards the end of this paper I will insert several pages of my<br />
detailed personal account of the difficulties I had with the old SPFM management<br />
regarding the <strong>CBS</strong> transcription discs (and later Dats format) that it had in its possession<br />
(but not ownership). Read it if you want a short history of how I was instrumental in<br />
getting this music back to <strong>UCLA</strong> where it belonged.<br />
************<br />
Now: As a general rule, the <strong>CBS</strong> Music Library of cues are organized in the<br />
following seasons (fall thru spring) associated with a certain numeral classification:<br />
VII (7) = 1956-1957 Season [Binders # 38-39]<br />
VIII (8) = 1957-1958 Season [Binders 40-41]<br />
IX (9) = 1958-1959 Season [Binders 42-43]<br />
X (10) = 1959-1960 Season [Binders 44-45]<br />
XI (11) = 1960-1961 Season [Binders 46-47]<br />
XII (12) = 1961-1962 Season [Binders 48-49]<br />
XIII (13) = 1962-1963 Season [Binders 50-51]<br />
At the long period of my research there, and until relatively recently, there were a<br />
series of binders for these Music Library cues (and other <strong>CBS</strong> materials). Normally the<br />
binders were stored in the B-425 Special Collectors Reading Room (cramped in there as<br />
it was already!). At the time, there were two binders for each Season/Numeral starting<br />
with <strong>CBS</strong> VII: the larger black binder systematically described each and every cue<br />
classified in specific reel numbers; and the smaller companion red binder that detailed<br />
cues under composers’ names. Relatively rarely in <strong>CBS</strong> cue sheets I would find<br />
references to <strong>CBS</strong> VI (6) cues, although I have never found a binder or otherwise series<br />
of listings derived from the VI season (ostensibly 1955-56). It would make sense that<br />
there should be because Gunsmoke started in 1955. I have never seen a Gunsmoke cue<br />
sheet of any episode from that first season, but I do have Twilight Zone cue sheets that<br />
occasionally indicate <strong>CBS</strong> VI cues. Here are most or all of the examples of such <strong>CBS</strong> VI<br />
cues listed in Twilight Zone episodes from the first three seasons:<br />
2
Examples of <strong>CBS</strong> VI Cues (Twilight Zone episodes):<br />
“Escape Clause” (1 st Season) airdate November 6, 1959<br />
9. Punctuation D2 & D 3 <strong>CBS</strong> 6-5 L. Moraweck :10<br />
14. Comedy Tag # 4 <strong>CBS</strong> 6-21 Guy Luypaertz :04<br />
“Long Live Mr. Jameson” (1 st Season) airdate March 18, 1960<br />
2. Gaudiamus Igitur <strong>CBS</strong> 6-18 Traditional :18<br />
“The Mighty Casey” (1 st Season) airdate June 17, 1960<br />
6. Punctuation <strong>CBS</strong> VI-5 L. Moraweck :04<br />
7. Knife Chord to Tail <strong>CBS</strong> VI-7 “ :03<br />
8. “ “ “ “ :06<br />
12. Osgood <strong>CBS</strong> VI-12 M. Carlton :08<br />
13. “ “ “ :07<br />
14. “ “ “ :06<br />
“The Night of the Meek” (2 nd Season) airdate December 23, 1960<br />
15. High String Tremolo <strong>CBS</strong> VI-22-5 L. Moraweck :41<br />
“The Mind and the Matter” (2 nd Season) airdate May 12, 1961<br />
29. Little Fugue <strong>CBS</strong> VI-29-935 Fred Steiner :04<br />
“The Whole Truth” (2 nd Season) airdate January 20, 1961<br />
34. Neutral Pleasant <strong>CBS</strong> VI-13-M-9 G. Luypaertz :05<br />
“Nothing in the Dark” (3 rd Season) airdate January 5, 1962<br />
3. Eerie Theme <strong>CBS</strong> VI-5-14-OW-23 L. Moraweck 1:52<br />
“Changing of the Guard” (3 rd Season) airdate 6-1-62<br />
2.Gaudiamus Igitur <strong>CBS</strong> VI-18-6 Traditional :16<br />
***************************<br />
Now: Here is an example (full page) of a black binder page classifications from<br />
Library X:<br />
Library X<br />
Reel 46<br />
(Dramatic Backgrounds)<br />
3
1. 1437 “Fisticuffs” Dark intense percussive Bg 1:46<br />
(take 1) Rene Garriguenc<br />
2. 1437 Ditto Ditto 1:45<br />
(take 2)<br />
3. 387-4 “Dauber # 4” Full agitato leads to subdued :37<br />
(take 1) Bernard Herrmann intense chase; to tail<br />
4. 387-5 “Dauber # 5” Full agitato bridge to strange :29<br />
(take 1) Bernard Herrmann dramatic Bg to tail<br />
5. 387-9 “Dauber # 9” Dark punct. To intense :58<br />
(take 1) Bernard Herrmann subdued motion<br />
6. 387-11 “Dauber # 11” Dark intense agitato to tail; :26<br />
(take 1) Bernard Herrmann storm at sea; to tail<br />
7. 387-12 “Dauber # 12” Fortissimo agitato bridge 1:10<br />
(take 1) Bernard Herrmann (storm at sea or chase); to<br />
Soft agitato Bg<br />
****************************************<br />
Here’s another example from Library VIII:<br />
LIBRARY VIII<br />
REEL 46-B<br />
(DRAMATIC BACKGROUNDS)<br />
1. 359-D “Police Force Openings” FF sharp brass with tympani :41<br />
(take 3) Bernard Herrmann accents—alternates with mp<br />
Brass<br />
2. 359-D Ditto Ditto-last four measures :18<br />
(part 2)<br />
(take 1)<br />
3. 359-E Ditto Low sinister tuba under sharp :25<br />
(muted) muted brass, accented by<br />
(take 2) tympani<br />
4. 359-E Ditto Ditto-entire cue faster :21<br />
4
(muted, faster) (becomes more urgent)<br />
(take 2)<br />
5. 359-E Ditto Menacing dark open brass :27<br />
(without mutes under knocking brass figure<br />
(take 1) accented by knocking tympani<br />
6. 359-E Ditto Ditto – entire cue faster :21<br />
(faster, (more urgent)<br />
without mutes)<br />
(take 2)<br />
7. 359-E Ditto Ditto – last three bars :11<br />
(last 3 bars)<br />
without mutes)<br />
8. 359-F Ditto Suspensefully dark brass :39<br />
(take 3) slowly descends chromatically<br />
After each rumbling down beat<br />
9. 359-F Ditto Ditto – last four bars :20<br />
(part 2)<br />
(take 2)<br />
10. 359-G Ditto Crisp, muted, higher brass :21<br />
(take 4) alternating with low accented<br />
Darker brass, staccato tenseness<br />
***************************************<br />
Note: The series continues on another page or two. Here is one more page<br />
example:<br />
Library VIII<br />
REEL 43-D (Cont’d)<br />
26. 542 “Footsteps in the Night” Exciting tremolando orch- :12<br />
(faster) (Bridge) * estral chord trails off as low<br />
(take 1) Lucien Moraweck register instruments descend<br />
To tail – faster<br />
27. 542 Ditto Ditto – without opening chord :12<br />
(last 2 bars)<br />
(take 2)<br />
5
28. 542 Ditto Ditto – faster :10<br />
(last 2 bars<br />
Faster)<br />
(take 2)<br />
29. 542 Ditto Ditto – last bar (2 chords :11<br />
(last bar) only)<br />
(take 1)<br />
30. 370 “The Jail” (XII) Brass and tymp alternate on 1:20<br />
(part 1) Bernard Herrmann a telegraphic figure through-<br />
(take 2) out entire cue, with heavy<br />
Unison notes supplying some<br />
Melody. Abrupt ending.<br />
31. 370 Ditto Ditto :52<br />
(part 2)<br />
(take 5)<br />
32. 370 Ditto Finale of “The Jail” similar :26<br />
(part 3) to above without telegraphic<br />
(take 3) ostinato figure. Plodding,<br />
Masculine<br />
( * ) (Also see VIII 48-D)<br />
(Melodically related to # 535,<br />
VIII 47-D; #543, 46-D; #544,<br />
VIII 46-D-ONE; #529, VIII 44-D;<br />
And # 447, VIII 46-D-ONE)<br />
********************************<br />
Black binders were even-numbered while red binders were odd-numbered. Black<br />
binders classifying the cues started in black binder # 38 (on the side of the binder was<br />
“VII” or Library 7—the 1956-57 season). Its companion binder was red binder # 39 for<br />
<strong>CBS</strong> VII. Black binder # 40 was for the VIII season (’57-’58) while its companion red<br />
binder was # 41. Here are examples from red binder # 41 of <strong>CBS</strong> Library VIII that I<br />
researched 4-30-99:<br />
George Antheil:<br />
City Night Suspense <strong>CBS</strong> cue # 181 8-56-D<br />
Detective Investigation cue #180 8-46-D<br />
6
Police Detectives cue # 153 8-46-D<br />
1776 Countryside Pastoral cue # 160 8-27-C<br />
1776 Dance cue # 161 8-27-C<br />
1776 Flirtation cue # 157 8-27-C<br />
1776 Menace cue # 158 8-27-C<br />
1776 Romance cue # 162 8-27-C<br />
Paul Baron:<br />
Collector’s Item M-26 8-63-C<br />
Comedy Intrigue M-26 A 8-51-C<br />
Dodge Day cue # 286<br />
Dodge Morning cue # 284<br />
Dodge Night cue # 283<br />
Dodge Street cue # 285<br />
Main Street cue # 287<br />
Missing Countess M-25 A 8-47-C<br />
Neutral M-25 A<br />
Suspense M-25<br />
Alan Bristow:<br />
Susan cue # 1053 8-42-D<br />
B. Campbell:<br />
Big Dipper cue # 1052 8-42-D<br />
Chimney Corner cue # 520 8-57-D<br />
Git Along cue # 1041 8-51-D2<br />
Goldfish Bowl cue # 517 8-63-D<br />
Landing Strip cue # 1041 8-29-D<br />
Lonely Lady cue #1050<br />
Natural Rock cue # 1048<br />
Night Flight cue # 523<br />
Robot Rock cue # 521<br />
Rumberg cue # 1046<br />
Soldiers on Strings cue # 522 8-33-D<br />
Stalagmites # 1 cue # 514<br />
Stalagmites # 2 cue # 515<br />
Summer Scene cue # 516<br />
Takeoff to Space cue # 518<br />
Takeoff to Space # 2 cue # 519<br />
Utility Cues # 1 cue # 1042<br />
Maurice Carlton :<br />
7
A Slug cue # 743 8-54-D<br />
[ETC.] I will give many more examples of this sort towards the end of this paper…]<br />
M. Castelnuovo-Tedesco:<br />
-“Passacaglia” cue # 85<br />
Jack Cathcart:<br />
-“Pantomime Drunk” cue # 195 <strong>CBS</strong> 8-52-C-1<br />
-“Sweetheart Waltz” cue # 194<br />
R. Challan:<br />
-“Au Crepuscle” cue # 1003 <strong>CBS</strong> 8-56-2<br />
-“Songe” cue # 1004 [Note: I believe these two cues are part of “Of the Twilight<br />
Dream”]<br />
M. Constant:<br />
-“Brouillard” cue # 1006 <strong>CBS</strong> 8-56-2<br />
-“Light Rain” cue # 1005 “<br />
Rene Garriguenc:<br />
-“Action Background” cue # 476 <strong>CBS</strong> 8-46-D-1<br />
-“Adventure Bridge” cue # 466 <strong>CBS</strong> 8-43-D<br />
- “ “ cue # 470 “<br />
- “ “ cue # 473<br />
-“Adventurous Unison Bridge” cue # 466 <strong>CBS</strong> 8-67-D<br />
- “ “ “ cue # 470 “<br />
- “ “ cue # 473<br />
-“Agitato Bridge” cue # 465 <strong>CBS</strong> 8-42-D-1<br />
- “ “ cue # 468 & 471<br />
-“Agitato Unison Bridge” cues # 465, 468, 471<br />
-“Aupres de ma Blonde” (arra.) cue # 65 <strong>CBS</strong> 8-55-C<br />
-“Bridge to Emotional Background” cue # 240-A <strong>CBS</strong> 8-56-D<br />
-“Bridge to Neutral Suspense” cue # 238 “<br />
-“Bridge to Western Panoramic” cue # 241<br />
-“Confession” cue # 1040 <strong>CBS</strong> 8-23-D<br />
-“Clutch of the Law” cue # 172 <strong>CBS</strong> 8-46-D<br />
-“Dark Quiet” cue # 257 <strong>CBS</strong> 8-56-C-3<br />
-“Desert # 1” cue # 178 <strong>CBS</strong> 8-56-C3<br />
-“Desert # 2” cue # 189<br />
-“Dream” cue # 264<br />
-“Dramatic Finale” cue # 187 <strong>CBS</strong> 8-47-C<br />
-“Dream Mood” cue # 260-B<br />
8
-“Emotional” cue # 266 <strong>CBS</strong> 8-57-C<br />
-“Emotional Bridge” cue # 467 <strong>CBS</strong> 8-43-D<br />
-“Emotional Pathetic Sneak to Finale” cue # 166 <strong>CBS</strong> 8-47-C<br />
-“Emotional Sneak to Finale” cue # 250<br />
[ETC. There are about 70 more entries for this season]<br />
Jerry Goldsmith:<br />
-“Knife Chord” cue # 54 <strong>CBS</strong> 8-44-C<br />
-“New England Countryside” cue # 53<br />
[etc]<br />
Leigh Harline:<br />
-“Chase # 1” cue # 96<br />
-“Chase # 2” cue # 97<br />
-“Vaudeville Playoff” cue # 95<br />
Howard Jackson:<br />
-“Collector’s Item” M-33 <strong>CBS</strong> 8-57-C<br />
-“Hoax” M-32<br />
Rex Koury:<br />
-“Finale # 3” cue # 1088-C <strong>CBS</strong> 8-58-D-2<br />
-“Finale # 4” cue # 1088-D “<br />
-“Finale # 5” cue # 1088-E “<br />
-“Gunsmoke Composite” cue # 1088-L “<br />
-“Gunsmoke Minor Suspense” cue # 1088-K<br />
-“Punctuation # 1” cue # 1088-F [thru # 5]<br />
-“Sneak & Final # 1” cue # 1088-A<br />
-“Sneak & Final # 2” cue # 1088-B<br />
John Leipold:<br />
-“Burglar Tag” cue # 86<br />
-“Comic Burglar” cue # 87<br />
-“Comic Burglar” cue # 88<br />
-“Hollywood Fanfare” cue # 75 <strong>CBS</strong> 8-37-C<br />
-“Newsreel March” cue # 74 <strong>CBS</strong> 8-64-C<br />
Guy Luypaertz:<br />
-“Spoutnik # 1” cue # 1001 <strong>CBS</strong> 8-66-2<br />
- “ # 2” cue # 1002 “<br />
9
L. Moraweck:<br />
-“Anxiety # 1” cue # 58 <strong>CBS</strong> 8-56-C<br />
-“Anxiety # 2” cue # 59 “<br />
-“Arizona Trail” cue # 261 <strong>CBS</strong> 8-51-C<br />
-“Aztec Music” cue # 90 <strong>CBS</strong> 8-39-C<br />
-“Bridal Chorus” cue # 62 <strong>CBS</strong> 8-55<br />
-“Buildup # 2” cue # 533 CBD 8-46-D-2<br />
[etc]<br />
Lyn Murray:<br />
-“Deject Marie” cue # 148<br />
-“Hollywood Hustle” cue # 55 <strong>CBS</strong> 8-45-C<br />
- “ “ cue # 296 <strong>CBS</strong> 8-60-C<br />
-“Marie Final” cue # 151 “<br />
-“Marie in Hollywood” cue # 149 “<br />
-“Marie in New York” cue # 150<br />
Frank Perkins:<br />
-“Commercial # 1” cue # 69 <strong>CBS</strong> 8-26-C<br />
-“Commercial # 2” cue # 68 “[etc]<br />
Fred Steiner:<br />
-“Ambush” cue # 293 <strong>CBS</strong> 8-56-C-2<br />
-“Ancient Fanfares” cue # 70 <strong>CBS</strong> 8-37-C<br />
-“Big Boy” cue # 305 <strong>CBS</strong> 8-56-C-2<br />
-“Cavalry Ambush” cue # 292 <strong>CBS</strong> 8-62-C<br />
-“Cavalry March Tag” cue # 291 “<br />
-“Fanfares # 1 & # 2” cue # 80 <strong>CBS</strong> 8-37-C<br />
-“Lullaby” cue # 301 <strong>CBS</strong> 8-57-C<br />
-“Mexican Suspense” cue # 320<br />
-“Net Drag” cue # 78<br />
-“On the Avenue” cue # 306<br />
-“On the Beat” cue # 303<br />
-“P.M. Call to Duty” cue # 310 <strong>CBS</strong> 8-46-D<br />
- “ “ cue # 309 “<br />
- “ “ # 7 cue # 308<br />
-“P.M. Detective Watch # 2” cue # 304<br />
-“P.M. Horn cues” cue # 1091-A <strong>CBS</strong> 8-58<br />
-“P.M. Night Effect” cue # 307 <strong>CBS</strong> 8-56-D<br />
-“P.M. Romantic Detective” cue # 306<br />
10
-“P.M. Sneak to Tag” cue # 311 <strong>CBS</strong> 8-47-D<br />
-“P.M. Street Animation” cue # 305 <strong>CBS</strong> 8-45-D<br />
[etc]<br />
William Grant Still:<br />
-“A City Scene” cue # 315 <strong>CBS</strong> 8-45-D<br />
-“A City Speaks of Love” cue # 316 <strong>CBS</strong> 8-56-D<br />
-“Bridge to Background” cue # 478<br />
-“Cowpoke” cue # 393<br />
-“Headin’ West” cue # 313 <strong>CBS</strong> 8-51-D<br />
-“Plaintive Voice in Harlem” cue # 314 <strong>CBS</strong> 8-45-D<br />
-“Romantic Scene for Strings # 2” cue # 439 <strong>CBS</strong> 8-57-D<br />
********************<br />
As indicated, each Reel classification was meant for a certain type of music. Here<br />
are many examples:<br />
-Reel 23-D “Orchestral Composites”<br />
-Reel 24 “Harp Effects” For example, in <strong>CBS</strong> VII, we have Miss Annie Challan<br />
as the harpist. # 3 is “soft, cascading glissando fantasy” :25. # 5 is “Hard, ascending,<br />
arpeggio chords” C-dim (:05). # 17 is “Gliss piano to forte” (:07).<br />
-Reel 26-C “Commercials”<br />
-Reel 27-C “Period Backgrounds”<br />
-Reel 28 “Miscellaneous Soli and Orchestral Effects”<br />
-Reel 29-D “String Effects” (for example, from <strong>CBS</strong> VIII, “Series progressions”<br />
by Wilbur Hatch). It is also indicated on other sheets as “Orchestral Musical Motion<br />
Effects.”<br />
-Reel 31 “Snare Soli”<br />
-Reel 32 “Miscellaneous Percussion”<br />
-Reel 33-C “Children’s Material”<br />
-Reel 34-A “Religious Materials”<br />
-Reel 35-D “Miscellaneous Tympani Effects”<br />
-Reel 37 “Fanfares”<br />
-Reel 39-C “Nationalistic Music—Ethnic” For example, “Mariachuchena”<br />
(take 1) 3:25 duration.<br />
-Reel 40 “”Restaurant Music: Foreign, Piano, Solo Piano”<br />
-Reel 42 “Restaurant Music—Dance Band”<br />
-Reel 43-B “Dramatic Bridges” For example, #359-A “Police Force Opening”<br />
by Herrmann (:27). Reel 43-C (still Dramatic Bridges) has, as an example, “Mexican<br />
Arrival” by Fred Steiner, and “Neutral Suspense” (from Collector’s Item # 1) by Paul<br />
Baron.<br />
11
-Reel 44 “Dramatic Punctuations and Flareouts” For example, “Expectation”<br />
(cue # 282) in Library IX by Rene Garriguenc. “Dark shock punct. To tail” (:07<br />
duration). Contract July 1957. Another example: “Discouragement # 2” by Lucien<br />
Moraweck (cue # 237) last three bars, “Dark brass punct. To soft tail”(:14 duration).<br />
-Reel 45-C “City Backgrounds” For example, in <strong>CBS</strong> VIII, included is “The<br />
Street” (HGWT) by Herrmann (1:05). Also “Mexican Street Tour” by Fred Steiner (:57).<br />
-Reel 46-A “Dramatic Backgrounds” For example from <strong>CBS</strong> VIII, #361-A<br />
“Lead-In” by Herrmann for his Police Force series of cues.<br />
-Reel 47 “Sneaks to Dramatic Tags” In Reel 47-C, cue #187 “Dramatic Finale”<br />
by Garriguenc is included (:30). So is M-37 “End Tag” (Have Gun Will Travel) by<br />
Herrmann (:12).<br />
-Reel 48 “Dramatic Tags” For example, in <strong>CBS</strong> X, “Drink of Water No. 10”<br />
(take 1) by B. Herrmann (:28). In <strong>CBS</strong> VIII, Reel 48-A had #360-E “Middle Tag” (E) by<br />
Herrmann.<br />
-Reel 50 “Descriptive Seascapes” (or simply “Seascapes”)<br />
-Reel 51 “Western Bridges and Backgrounds and Western Curtains” It is also<br />
called “Western Material” in some sheets. For example, in <strong>CBS</strong> VIII, “Arizona Trail-<br />
Riding” by L. Moraweck (1:21).<br />
-Reel 52 “Comedy Material” For example, in Reel 52-C is “Comic Burglar”(cue<br />
# 88) by John Leipold (:24). Also “Net Drag” (<strong>CBS</strong> cue # 78) by Moraweck (:27).<br />
-Reel 54 “Comedy Tags”<br />
-Reel 53-D “Western—Featuring Guitar: Gunsmoke Thematic Material”<br />
-Reel 54 “Comedy Curtains”<br />
-Reel 56 “Suspense Backgrounds and Bridges—Indian Suspense”<br />
-Reel 57 “Romantic Material” Sometimes it is called “Romantic Bridges &<br />
Backgrounds.” For example, in <strong>CBS</strong> VIII in Reel 57-C, we find “Indian Romance” (cue<br />
# 295) by B. Herrmann (1:56). “Lyric oboe solo over soft sustained strings.” Take 6. In<br />
<strong>CBS</strong> IX it includes “Summer Love” (<strong>CBS</strong> cue # 1380) by Jerry Goldsmith (:56).<br />
-Reel 58-D-Three “Dramatic and Anthology Main Titles: Restricted Thematic<br />
Material” For example, in <strong>CBS</strong> X “Twilight Zone Theme” by B. Herrmann.<br />
-Reel 58-D-Six “Hotel De Paree Materials”<br />
-Reel 58-E-One “Have Gun Will Travel”<br />
-Reel 60 series “Comedy Main Titles”<br />
-Reel 61 “Billboard Montages”<br />
-Reel 62 “Military and Cavalry Bridges and Backgrounds” For example in <strong>CBS</strong><br />
X, 387-16 “Dauber No. 16” by Herrmann ):43).<br />
-Reel 63 series “Dramatic Landscapes”<br />
-Reel 64 “Descriptive Pastoral” For instance, in <strong>CBS</strong> VIII, “Rural Grotesque”<br />
(take 7) by Herrmann (:45). “Droll, rural clumsy comedy brass only.” Also #389<br />
“Monday Morning” by Herrmann (take 7) by Herrmann (:35). “Light cheerful winds &<br />
strings on western or English folk song; relaxed.”<br />
-Reel 66 “Space Music and Fantasy” For example, in <strong>CBS</strong> X, “Spinozza” cues<br />
by Constant.<br />
12
-Reel 70 “Single Instruments”<br />
-Reel 71 “Progressive Jazz”<br />
-Reel 72 “Copyrighted Dance Music”<br />
-Reel 73 “Serious Source Music” For example, in <strong>CBS</strong> IX, “Symphony No. 5—<br />
1 st Movement” L. van Beethoven (7:50).<br />
-Reel 74 “Panoramics”<br />
-Reel 75 “Indian Material” For example, in <strong>CBS</strong> X, “Mohawk Plot” (cue # 324).<br />
I will discuss more of the contents of this collection after I have listed the 930<br />
acid-free storage boxes below that constitute the bulk of the collection in Deed of Gift #<br />
1. While this first part of the archive is not currently online for whatever reason (being<br />
updated??), you can access the old index of the 930 boxes from the Wayback Machine<br />
(web.archive.org):<br />
http://web.archive.org/web/19970704055624/www.library.ucla.edu/libraries/music/mlsc/<br />
cbs/index.htm<br />
***************************<br />
[Box # 1] “Moraweck, Lucien. Foreign Library : folders 101-180; Carlton,<br />
Maurice. Foreign Library : folders 101-180; Hatch, Wilbur. Foreign Library : folders<br />
101-180; Skiles, Marlin. Foreign Library : folders 101-180”<br />
[Note: As you can see, there is no great detail here regarding the specific contents<br />
of this box! After each box number (for example, [Box # 1]) in brackets, I will<br />
immediately encase the <strong>UCLA</strong> offering in quotation marks describing (or not!) the<br />
precise contents of that box. After that I will place in brackets “Note:” and then give the<br />
date (s) when I worked on that box (if I still have the dates noted by me). Then I will<br />
offer what I have personally researched. It will not be an exhaustive cue-by-cue or folderby-folder<br />
rundown since I usually did not do that (not enough time!) but at least I can<br />
verify what was given (at least in part). The font size for the boxes I researched with be<br />
16 (the normal font size of the paper’s text is 12). If I did not place a certain box in the 16<br />
size that means I definitely did not work on it (never pulled it). There will be boxes I<br />
pulled but did not make personal notes on the contents (the contents not of interest to me<br />
or I lost my research notes, etc.) but will still put it on 16 font size for some, and not do<br />
so (leave them at 12 font size for series of other boxes such as the Hawaii 5-0 boxes).<br />
Now: There are indeed instances below (in quotation marks) where the boxes are given<br />
terrific, detailed treatment by <strong>UCLA</strong> (such as, for instance Box # 19), and then you get<br />
many boxes that are given mere one-liners.<br />
At any rate, here are my own research contributions of the contents of this<br />
particular box (Box # 1) that I researched at least on January 13, 1998 when I handcopied<br />
various Garriguenc cues. Of course I did not list every single item in the box (not<br />
enough time at the day of research). Note also that the term “Foreign Library” often<br />
refers to that period in 1957 when there was a musicians strike in the United States, and<br />
13
ecordings had to be done in foreign locations such as Mexico, London, Paris, Munich,<br />
etc. But even after that <strong>CBS</strong> apparently allowed recordings in foreign countries on the sly<br />
to save money. This was not technically legal (to avoid union fees, etc.) but I understand<br />
it was done nonetheless!]<br />
-#151 “Emotional (M.T. BG) <strong>CBS</strong> 7-46, 18 bars W.W. & strings<br />
-#162 Patriotic (Theme) Rene Garriguenc <strong>CBS</strong> 7-46-1<br />
-#163 “Riot & Battle” “ “ “ 3 minutes<br />
-#164 “Punctuations” “ “ <strong>CBS</strong> 7-44<br />
-??? “Suspense Motion (Investigating) 7-46-1, 48 bars<br />
-#165 “Neutral Suspense # 4” 73 bars. <strong>CBS</strong> 8-56C1. 5 minutes<br />
-#166 “Romantic Emotional (build to finale) 8-47-C, 48 bars, W.W. strings, etc.<br />
-#167 “Emotional Pathetic” “ 15 bars<br />
-#168 “Minor Mood-Emotional” “ 19 bars<br />
-#170 “The Law’s First” 8-46-D 32 bars<br />
-#171 “The Law Closes In” Rene Garriguenc <strong>CBS</strong> 8-46D<br />
-#172 “The Clutch of the Law” “ “<br />
-#174 “The Gunman” Rene Garriguenc. <strong>CBS</strong> 8-46D, :35 duration, 16 bars.<br />
-#175 “Street Scene # 6” “ “ <strong>CBS</strong> 8-45-C. 23 bars, :40. Instrumentation: 3<br />
horns, 3 trumpets, 3 Pos, tuba, timp. Allo Vivace in 4/4 time. I hand-copied this cue on<br />
Jan 13, 1998.<br />
-#176 “Quiet Street” Garriguenc 8-56-C. 24 bars, 1:24 duration. Modto in 4/4 time.<br />
Brass and timp. I hand-copied this cue on 1-13-98.<br />
-#177 “Reunion” (Garriguenc) 8-57-C. 24 bars, 1:00. Andante con calmo in Cut time.<br />
Instrumentation: 4 horns and 3 trombones.<br />
-#178 “The Desert” (Garriguenc) 25 bars, 1:21 <strong>CBS</strong> 8-56-C. Brass, timp, and optional<br />
piano.<br />
-#180 “Detective Investigation” <strong>CBS</strong> VIII-46-D, George Antheil<br />
-ETC. [Whatever else is within this box I cannot verify since I did not make further notes<br />
on them]<br />
[Box # 2] “Garriguenc, Rene. Foreign Library : folders 181-260”<br />
[Note: Once again, there are no details given, so researchers have to investigate<br />
for themselves to see what treasures are inside this box. Of course there are other<br />
composers represented in this box besides Rene Garriguenc. I researched this box at least<br />
several times, including November 1994 (when I hand-copied cues), October 14, 1996,<br />
January 9, 1998, 1-12-98 but also years earlier—I believe July 11, 1995. Another<br />
researcher that I’ll simply identify with initials (J. B.) pulled this box on or for March 9,<br />
1995 according to an order slip still attached to the box. Here are the results of my own<br />
research (remember that I did not identify each and every cue in the box in my original<br />
researches):]<br />
-#181 “City—Night Suspense” Antheil Dated 13/6/57. 3 pages, 11 bars.<br />
-#181 [???] “Walla-Walla Series”<br />
-#182 “Detective Watch # 1” Moraweck <strong>CBS</strong> 8-46-C<br />
14
-#183 “Sneak to Curtain” Moraweck 00:37 duration<br />
-#184 “Sneak to Curtain” Lucien Moraweck 00:35 duration<br />
-#185 “Tension and Fight” Rene Garriguenc <strong>CBS</strong> 8-46-D. Brass and timp.<br />
-#186 “Quietness (Country Scene)” Rene Garriguenc. 25 bars, 1:25. <strong>CBS</strong> 8-56-C. Brass<br />
only. I hand-copied this cue on 1-12-98.<br />
-#187 “Dramatic Finale (American)” <strong>CBS</strong> 8-47-C. Modto in 4/4 time, 10 bars, :30. 4<br />
horns, 3 trumpets, 3 trombones, tuba, and timp.<br />
-#188 “Journeying” Garriguenc <strong>CBS</strong> 8-56-C1. Brass only.<br />
-#189 “The Desert No. II” Rene Garriguenc <strong>CBS</strong> 8-56-C-3. 34 bars, 1:52 duration.<br />
Brass, piano & timp. I hand-copied the entire cue on 1-12-98.<br />
-#190 “Trouble No. 1” Garriguenc<br />
-#191 “Trouble No. 2” “ <strong>CBS</strong> 8-46-D. Brass and timp. 21 bars, :35.<br />
-#192 “Suspense Mysterioso (Night, Outdoors, Fear…)” Garriguenc. <strong>CBS</strong> 8-56-C3.<br />
Andante in Cut time, 25 bars, :54 duration. 4 horns, 3 trumpets, 3 Pos, tuba, timp.<br />
-#193 “Tough Going (Outdoor Scene)” Garriguenc <strong>CBS</strong> 8-46-C. 22 bars, 00:38<br />
duration. Brass and timp.<br />
-#210 “The Sleuth” M. Carlton<br />
[Also in Box 2 are Herrmann cues (all pencil) from the so-called “Indian Suite” (not<br />
actually named as such. Note that #219 “Echo I” <strong>CBS</strong> 8-56-C2 Herrmann and #220<br />
“Echo II (The Hunt)” are in Box 11. I discovered these Herrmann cues in the collection<br />
since they were not identified by <strong>UCLA</strong> as being there]<br />
-#221 Echo III <strong>CBS</strong> 8-56-C-2 Herrmann<br />
-#222 Echo IV (The Chase) <strong>CBS</strong> 8-56-C-2<br />
-#223 “Indian Suspense” 8-56-C-3<br />
-#224 “Indian Ambush” <strong>CBS</strong> 8-62-C<br />
-#225 “Indian Fight” “ “<br />
-#226 “Indian Signal” <strong>CBS</strong> 8-56-C3<br />
-#227 “The Journey” “ “<br />
-#228 “Indian Romance” <strong>CBS</strong> 8-57-C<br />
-#234 “Bunglers” M. Carlton<br />
-#238 “Bridge & Neutral Suspense” Garriguenc <strong>CBS</strong> 8-56-D3. Brass and timp. 12 bars,<br />
:35 duration. I hand-copied this cue on 1-13-98.<br />
-#239 “Suspense Bridge & B.G.” Garriguenc <strong>CBS</strong> 8-56-D 00:37 duration. I handcopied<br />
a portion of this cue on 1-13-98.<br />
#240 A “Bridge to Emotional B/G.” Garriguenc <strong>CBS</strong> 8-56-D 00:42 duration<br />
-#240 “Bridge & Ostinato Suspense B/G.” Garriguenc <strong>CBS</strong> 8-56-D, 00:40. I hand-copied<br />
a portion of this cue on 1-13-98.<br />
-#241 “Bridge & Western Panoramic (Suspense)” R. Garriguenc. 22 bars, 1:18 duration.<br />
Brass only. I hand-copied this cue in Room B-425 on Jan 9, 1998.<br />
-#242 “Time Bomb” Part II L. Moraweck. 6 violins, 2 violas, etc.<br />
-#234 “Burglars” M. Carlton<br />
-#241 “Bridge & Western Panoramic (Suspense)” Rene Garriguenc <strong>CBS</strong> 8-56-D 1:18<br />
-#242 “Night Vigil # 2” Lucien Moraweck<br />
-#243 “Time Bomb” Lucien Moraweck<br />
-#244 “Short Tags” Garriguenc <strong>CBS</strong> 8-48-C. Brass, harp, and timp. I hand-copied<br />
several of the tags on 1-13-98.<br />
15
-#245 “Bridge & Ostinato B.G. No. 2” Garriguenc <strong>CBS</strong> 9-56-1, 21 bars. The piano plays<br />
Great octave Gb/small octave F/B/Line 1 D dotted 8ths (followed by a 16 th rest and<br />
quarter rest marks) to Great octave A/small octave C/Eb/Ab dotted 8ths (followed by a<br />
16 th rest).<br />
-#246A “Greensleeves, Scherzando” Lucien Moraweck <strong>CBS</strong> 8-55-C-3<br />
-#246 B “Greensleeves, Quiet Evening” Moraweck 8-55-C-3<br />
-#246 C “Greensleeves, Dream” Moraweck “ “<br />
-#246 D “Greensleeves, W.W. & Strings” Moraweck<br />
-#246 E “Greensleevs, Heavy Suspense” Moraweck “ “<br />
-#246 F “Greensleeves, Suspense B” Moraweck<br />
-#246 G “Greensleeves, Sneak to Finale” Moraweck<br />
-#246 H “Greensleeves, Suspense (Dark version)” Garriguenc 8-55-C3 1:04 duration<br />
-#246 I “Greensleeves, The Camp (Heroic version)” “ “ 1:36 duration<br />
-#246 J “Greensleeves, Neutral Mood” Rene Garriguenc 8-55-D 1:16 duration<br />
-#247 “Desert Scene & A Guitar” Garriguenc <strong>CBS</strong> 9-51-E, 42 bars 3:04 duration.<br />
-#248 “Romantic Sneak to Finale(new version)” Garriguenc <strong>CBS</strong> 8-47-C 00:39 duration<br />
[Note: Set in � time, flute I plays mp Line 1 F# half note to D quarter note to (Bar 2)<br />
Line 1 B half note to G#-A 8ths to (Bar 3) A quarter note followed by rests. In Bar 3, the<br />
oboe takes over the melody line on A half note to F quarter note up to (Bar 4) Line 2 D<br />
quarter note to C quarter note down to I believe B-B 8ths]<br />
-#249 “Minor Emotional Ending” Garriguenc “ “ 00:47 duration<br />
-#250 “Emotional Sneak to Finale (New)” Garriguenc 00:40 duration<br />
-#250 [???] “Waiting # 1” Lucien Moraweck <strong>CBS</strong> 7-56-A<br />
-#251 “Romantic Sneak to Finale in E Maj” <strong>CBS</strong> 8-47-C 00:35 duration<br />
-#252 “Minor Emotional Suspense in D min” <strong>CBS</strong> 8-47 C 00:31 duration<br />
-#253 “Religious Procession No. 1” Rene Garriguenc <strong>CBS</strong> 8-34-D. (great cue!). Modto in<br />
4/4 time, 37 bars, 3:31 duration. 2 flutes, oboe, English horn, 2 clarinets, bass clarinet,<br />
bassoon, 3 horns, trombone, harp, celeste, strings. I hand-copied this cue on 1-9-98.<br />
-#254 “Religious Procession No. II” Rene Garriguenc (terrific cue!) <strong>CBS</strong> 8-34-D.<br />
Instrumentation: 2 flutes, oboe, English horn, 2 clarinets, bass clarinet, bassoon, 3 horns,<br />
strings.<br />
-#256 “Trays” Maurice Carlton<br />
-#256 [???] “Dejection” Moraweck <strong>CBS</strong> 7-56-A 1.<br />
-#257 “West Indies” Moraweck <strong>CBS</strong> 7-63-A<br />
-#258 “Return from War” (Massacre River 1948) Moraweck <strong>CBS</strong> 7-62-A. [Note: The<br />
Pos play forte small octave Eb-Eb 8ths to D-D 8ths back to Eb-Eb-D-D, and repeated<br />
next bar]<br />
-#260 B “Dream Mood” Rene Garriguenc <strong>CBS</strong> 8-39-D 1:17 duration<br />
-#260 F “Suspense (based on Laiment Espanol) Garriguenc 8-39-D 1:03 duration. Lento<br />
[etc. Note that I did not personally notate all of the existing cues of this series in this<br />
box…]<br />
-#295 “Indian Romance” Herrmann. <strong>CBS</strong> 8-57-C. 35 bars. Green score paper. I handcopied<br />
this cue in November 1994.<br />
ETC [whatever else is contained in this box I cannot identify or verify at this writing]<br />
16
[Box # 3] “Foreign Library : folders 261-300” [I worked on this box on 10-14-96, 1-<br />
15-98 and probably also another time]<br />
-#264 “The Dream” Garriguenc <strong>CBS</strong> 8-56-C1 1:32 duration<br />
-#265 “Scherzando (Indoors) Garriguenc <strong>CBS</strong> 9-65 1:12 duration<br />
-#266 “Emotional;” Garriguenc <strong>CBS</strong> 8-57-C 1:32 duration<br />
-#267 “Ostinato (Suspense)” Garriguenc <strong>CBS</strong> 8-56-C1, 22 bars, 1:20. Andante in �<br />
time. Instrumentation: flute, 2 oboes, english horn, 3 bassoons, 2 horns, 2 harps, timp. I<br />
hand-copied this cue on 1-15-98.<br />
-#268 “Neutral Suspense” Garriguenc <strong>CBS</strong> 9-56 31 bars, 2:22<br />
-#269 “Tragic Suspense” Garriguenc <strong>CBS</strong> 9-56, 20 bars, 1:28. Andante in 4/4 time. 2<br />
oboes, english horn, 3 bassoons, 3 horns, VC/CB.<br />
-#270 “Forte Dramatico” Garriguenc <strong>CBS</strong> 9-46, 00:47 � duration<br />
-#276 “Neutral Suspense” R. Garriguenc. <strong>CBS</strong> 9-56. Flute, 2 oboes, English horn, 3<br />
bassoons, harp.<br />
-#282 “Expectation (Neutral Suspense)” <strong>CBS</strong> 9-56 Rene Garriguenc. Brass only.<br />
-#282 [???] “Investigation # 4” Lucien Moraweck <strong>CBS</strong> 7-46-A1<br />
-#283 “Dodge Night” Paul Baron <strong>CBS</strong> 8-51-C<br />
-#284 “Dodge Morning” Paul Baron “<br />
-#285 “Dodge Street” Paul Baron<br />
-#286 “Dodge Day” Paul Baron (guitar, pizzicato strings, etc).<br />
-#287 “Main Street” Paul Baron<br />
-#291 “Western Calvary Outbreak” Fred Steiner <strong>CBS</strong> 8-62-C-1<br />
-#293 “Western Calvary # 2” Fred Steiner <strong>CBS</strong> 8-56-C-2. 10 pages, 41 bars.<br />
-#297 “Western Calvary Ambush Playoff” Steiner. <strong>CBS</strong> 8-47-C<br />
-#297 [???] “Impending Doom” Lucien Moraweck. <strong>CBS</strong> 8-56-A<br />
-#299 “Western Suspense” Fred Steiner <strong>CBS</strong> 8-56-C-2 5 pages<br />
-#300 “Mexican Suspense” Fred Steiner “ “<br />
ETC. [Whatever else is contained in this box I did not note, so I cannot at this time list<br />
those cues]<br />
[Box # 4] “Foreign Library : folders 301-340” [Note: I definitely worked on this box<br />
on 10-14-96, January 12 & 15, 1998, and probably other times]<br />
-#301 “Lullaby” Fred Steiner <strong>CBS</strong> 8-57-C<br />
-#303 “Sign on Door” Wilbur Hatch<br />
-#304 “Detective Watch # 3” Lucien Moraweck <strong>CBS</strong> 8-46-D<br />
-#305 “Big Boy” Hatch<br />
-#307 “Fine One” Hatch<br />
-#312 “Tension on the Trail # 1” L. Moraweck. 2 horns, trumpet, 2 trombones, piano,<br />
cello, bass, guitar.<br />
-#313 “Heading West” William Grant Still <strong>CBS</strong> 8-51-D. 9 pages. 2:20 duration.<br />
-#314 “Eerie Dream” L. Moraweck. Modto in C time. English horn, vibe, celeste, harp,<br />
muted strings, timp.<br />
-#315 “A City Scene” “ “ <strong>CBS</strong> D 8-45-D [2 flutes, 2 oboes, 2 clarinets, 2<br />
bassoons, 3 horns, 2 trumpets, 2 Pos, tuba]<br />
-“A Plaintive Voice in Harlem” Still 2:52 duration<br />
17
-“A City Speaks of Love” Still. 4:40 duration.<br />
-#318 “Rio Branco (Samba)” Rene Garriguenc <strong>CBS</strong> 8-42-D-One<br />
-#319 “Pitiquito (Ramba-Mambo)” “ “ “ “<br />
-#319 [???] “Adam & Eve Theme” Rene Garriguenc <strong>CBS</strong> 7-60-A. Cut time. Six violins<br />
play Line 1 B half note in the grace bar (Bar 1) up to (Bar 2) Line 2 E/F/B dotted half<br />
notes on the down-bow to E/F/A quarter notes to (Bar 3) E/F/Ab dotted half notes down<br />
to Line 1 F/A/Line 2 Cb quarter notes on the up-bow up to (Bar 4)Line 2 D/F/G quarter<br />
notes down to Line 1 G/B/Line 2 D quarter notes to B/Line 2 D/F half notes on the downbow.<br />
Etc.<br />
-#322 “Magdalena Curtains” Lyn Murray <strong>CBS</strong> X-47-E. 1 thru 4. <strong>CBS</strong> X 47-E<br />
-#323 “Portage (Mohawk Story)” Lyn Murray<br />
-#323 [???] “Scherzando No. 1 (Adam & Eve Theme)” Garriguenc. <strong>CBS</strong> 7-52-A<br />
-#324 “Mohawk Plot (The Mohawk Story)” L. Murray <strong>CBS</strong> X-75-E<br />
-#324 [???] “Scherzando No. II” Rene Garriguenc<br />
-#325 “Valley of the Mohawk Part I” L. Murray <strong>CBS</strong> X-56 E<br />
-#325 [???] “Scherzando No. III” Garriguenc<br />
-#326 [???] “Valley of the Mohawk Part II” Murray<br />
-#326 “Scherzando No. IV” Garriguenc<br />
-#327 “Log Haul” <strong>CBS</strong> X-51-E Lyn Murray<br />
-#327 [???] “Scherzando No. V” Garriguenc<br />
-#328 “The Mohawk” L. Murray <strong>CBS</strong> X-75-E<br />
-#328 [???] “Scherzando No. VI” Garriguenc<br />
-#329 “Suspense” Rene Garriguenc <strong>CBS</strong> VII-56-A<br />
-#330 “Train Effect” Rene Garriguenc <strong>CBS</strong> 7-28-A Prestissimo. Prestissimo in 2/4 time.<br />
Flute, oboe, 2 clarinets, bassoon, 2 trumpets, 2 Pos, 2 horns, strings, piano, snare drum. I<br />
hand-copied the first 16 bars of this cue on 1-15-98.<br />
-#331 “Galop (Horses)” Garriguenc <strong>CBS</strong> 7-28-A<br />
-#332 “Car Motion” Garriguenc <strong>CBS</strong> 7-28-A [Violins I and trumpets play in 2/4 time<br />
Line 1 G 8 th to G-G 16ths figure to F# 8 th to F#-F# 16ths to (Bar 2) D 8 th to D0D 16ths to<br />
C# 8 th to C#-C# 16ths]<br />
-#333 “Magdalena Legend L. Murray <strong>CBS</strong> X-57-E<br />
-#333 [???] “Small Town Motion” <strong>CBS</strong> 7-45-A<br />
-#334 “Traffic (Big Town)”<br />
-#335 “Prisoners’ March (Slow March)” <strong>CBS</strong> 7-49-A. 44 bars.<br />
-#336 “Rescue No. II” <strong>CBS</strong> 7-56-A-One and 7-47-A. 83 bars.<br />
-“Search # 5” L. Moraweck <strong>CBS</strong> VIII-46-D-Three cuts 1-7<br />
-Search # 4” L. Moraweck <strong>CBS</strong> VIII-46-D-3 cuts 8-21<br />
ETC. [whatever else is within this box I did not make notes on]<br />
[Box # 5] “Goldsmith, Jerry. Foreign Library : folders 341-400; Garriguenc, Rene.<br />
Foreign Library : folders 341-400.” [NOTE: I worked on this box a few times, including<br />
10-27-91, Oct 1994 (when I hand-copied) and 1-12-98. My direct verification research is<br />
as follows:]<br />
-#341 “Neutral # 3” Rene Garriguenc <strong>CBS</strong> 7-43-A<br />
-#342 “Suspense Dramatic” Garriguenc “ “<br />
18
-#342 A “Arizona Trail # 3 Bridge” L. Moraweck <strong>CBS</strong> 9-51<br />
-#343 “Open Space” or “Sailing (Suspense) Garriguenc <strong>CBS</strong> 7-43-A, 2 bars<br />
-#344 “Neutral # 4” Garriguenc 3 bars<br />
-#345 “Agitato # 1” Garriguenc 5 bars<br />
-#345 [???] ‘The Search # 2” L. Moraweck<br />
-#346 “Agitato # 2” Garriguenc 6 and 1/ seconds.<br />
-#346 [???] “The Search # 3” L. Moraweck, 44 bars<br />
-#347 “Suspense Motion” Rene Garriguenc<br />
-#348 “Suspense (Dramatic)” Garriguenc, 3 bars<br />
-#349 “Neutral Suspense (Slightly Emotional) Garriguenc<br />
-#350 “Neutral Waiting” Garriguenc, 3 bars<br />
-#351 “Suspense (some motion)” Rene Garriguenc <strong>CBS</strong> VII-43-A 00:07 duration<br />
-#352 “Neutral (Susp). Motion)” Garriguenc <strong>CBS</strong> VII-43-A, 4 bars, 00:13 duration<br />
-#353 “Neutral Suspense” Garriguenc 4 bars<br />
-#354 “Dramatic Suspense to Calmando” Garriguenc <strong>CBS</strong> 7-43-A<br />
-#355 “Dramatic (Heroic)” Garriguenc, 4 bars, 00:13 duration<br />
-#356 “Emotional Dramatic” Garriguenc 3 bars, 00:13<br />
-#357 “Suspense (Dramatic)” Garriguenc 3 bars, 00:09 �<br />
-#357 [???] “All Keys Ending” C maj/Db maj/Eb maj/E maj/F maj/F# maj/G maj/Ab<br />
maj/A maj/Bb maj/ B maj) <strong>CBS</strong> IX-47-E<br />
-#358 “Neutral # 5 Garriguenc 3 bars, 00:09<br />
-#359 thru 372 Police Force cues (Bernard Herrmann) [Note: Please see my “Television<br />
Works of Bernard Herrmann” paper online in this site to learn the specific cue titles are<br />
reel locations. I discovered these Herrmann cues in the collection since they were not<br />
identified by <strong>UCLA</strong> as being there. I hand-copied them in November 1994. The<br />
following cue numbers are identical for some reason, all composed by Garriguenc:]<br />
-#359 “Neutral # 6” Garriguenc 3 bars, 00:08 duration<br />
-#360 “Neutral to Emotional Suspense” Garriguenc 3 bars, 00:11<br />
-#361 “Emotional Dramatic” Garriguenc <strong>CBS</strong> VII-43-A, 4 bars 00:16 duration<br />
-#362 “Agitato”Garrigunc 5 bars, 00:09<br />
-#363 “Investigations (Bridge)” Garriguenc 3 bars, 00:10 �<br />
-#364 “Street Scene No. 2” Garriguenc 27 bars, 00:50 duration<br />
-#365 “Street Scene No. 3” Garriguenc 6 bars, 00:10 duration<br />
-#366 “Street Scene No. 5” Garriguenc <strong>CBS</strong> VII-45-A, 21 bars, 00:42.<br />
-#367 “Anxiety (Suspense)” Garriguenc <strong>CBS</strong> VII-23-A 22 bars<br />
-#368 “Romantic (Sneak & Finale)” Garriguenc <strong>CBS</strong> 7-47-A, 6 bars, 00:15<br />
-#369 “Patriotic Finale (Cavalry)” Garriguenc <strong>CBS</strong> 7-48-A 00:13 �<br />
-#370 “Emotional Dramatic (Final)” <strong>CBS</strong> 7-48-A<br />
-#371 “Final (Dramatic Agitato)” Garriguenc <strong>CBS</strong> 7-47-A, 10 bars<br />
-#372 “Pathetic (Final)” Garriguenc <strong>CBS</strong> 7-47-A<br />
-# 373 thru 386 Western Saga cues (Bernard Herrmann) [Once again, see my Television<br />
Works paper for details of the cues. Most of the cues are in Box 5 but some are in Box 11<br />
and one 9”Street Music” in Box 150. I discovered these Herrmann cues in the collection<br />
since they were not identified by <strong>UCLA</strong> as being there. Also once again the same cue<br />
numbers were assigned to Garriguenc cues:]<br />
-#373 “Patriotic (Finale)” Garriguenc <strong>CBS</strong> VII-48-A<br />
19
-#374 “Finale” Garriguenc <strong>CBS</strong> 7-47-A, 10 bars<br />
-#375 “Emotional (Final)” Garriguenc <strong>CBS</strong> 7-47-A<br />
-#376 “Pathetic (Final)” Garriguenc<br />
-#377 “Patriotic (Final)”<br />
-#378 “Finale (Patriotic) <strong>CBS</strong> 7-48-A<br />
-#379 “Patriotic (Final) Garriguenc <strong>CBS</strong> 7-48-A<br />
-#381 “Introduction Punct.” Wilbur Hatch <strong>CBS</strong> 7-61-A<br />
-#382 “Silent Flight” Jerry Goldsmith <strong>CBS</strong> 7-23-A, 24 bars (in ink).<br />
-#383R “Night Reflection” Goldsmith <strong>CBS</strong> 7-57-A, 5 bars<br />
-#384 “Rural Bounce” Goldsmith <strong>CBS</strong> 7-63-A, 14 bars.<br />
-#385R “Good Morning” Goldsmith <strong>CBS</strong> 7-63-A, 4 bars.<br />
-#386R “Up and At Them” Goldsmith <strong>CBS</strong> 7-63-A, 7 bars.<br />
-#387 “A Clever Trick” Goldsmith <strong>CBS</strong> 7-52-A, 8 bars<br />
-#388R “Hop and a Skip” Goldsmith <strong>CBS</strong> 7-52-A, 4 bars.<br />
-#389 “Knight’s Entrance” “Jerrald Goldsmith” <strong>CBS</strong> 7-37-A, 17 bars.<br />
-#390R “Knight’s Farewell” Goldsmith “ “<br />
-#391 “At the Fountain” Goldsmith <strong>CBS</strong> 7-59-A<br />
-#392R “Dragon’s End” Goldsmith <strong>CBS</strong> 7-48-A<br />
-#393R “Departure in the Fog” Goldsmith <strong>CBS</strong> 7-56-A, (oboe/bass clarinet/bassoon/2<br />
horns/ timp/harp/strings)<br />
-#393 “Laredo” Suite <strong>CBS</strong> 8-51-D, master # 2, 6, 11, 12, 13 D. Wm. Grant Still. Series<br />
of cues: #393-1 = “Neutral”, <strong>CBS</strong> 8-63-D, 48 bars, 1:08 duration. #393-2 =<br />
“Premonition” 18 bars, 1:07 duration. #393-3 = “Romance” <strong>CBS</strong> 8-57-D, 32 bars, 1:13.<br />
#393-4 = “Cowpoke Visits Mexico” <strong>CBS</strong> 8-55-D, 11 bars, 00:10. #393-5 = “Radiant<br />
Heat” <strong>CBS</strong> 8-63-D 35 bars, 1:55 duration. #393-6 = “Humor” <strong>CBS</strong> 8-51-D, 16 bars,<br />
00:26 duration. #393-7 = “Tragedy” <strong>CBS</strong> 8-56-D-1, 8 bars, 00:31 duration. #393-8 =<br />
“Frontier Fort” <strong>CBS</strong> 62-D, 16 bars, 00:40 duration. #393-9 = “Mysterious Night” <strong>CBS</strong> 8-<br />
56-D-1, 12 bars, 00:57 duration. #393-10 = “Open Spaces & Shimmering Heat” <strong>CBS</strong> 8-<br />
56-D-1, 11 bars, 00:25. #393-11 = “Shindig” <strong>CBS</strong> 51-D, 16 bars, 00:58 duration. #393-<br />
12 = “Lonesome Cowboy” <strong>CBS</strong> 51-D, 16 bars, 00:58 duration.<br />
-#393-1 “Neutral” (Laredo Suite). Moderately in 2/4 time, key signature of one<br />
flat. Piccolo, flute, 2 clarinets, horns, guitar, strings.<br />
-#393-2 “Premonition” Moderato in C time. Piccolos (change to flutes), 2 oboes,<br />
2 clarinets, 3 horns, trumpet, 2 Pos, timp, susp cymbal, strings.<br />
-#394R “Drunk at G” Goldsmith <strong>CBS</strong> 7-56-A-1<br />
-#397R “Leaping Sneak” Goldsmith <strong>CBS</strong> 7-56-A<br />
-#398R “Sleeping Cr[rest unreadable] Goldsmith “<br />
-#398 “Glum” M. Carlton <strong>CBS</strong> 8-65-D-1<br />
-#399 “Figures in the Fog” Goldsmith “<br />
-#400R “Mist Lifts” Goldsmith <strong>CBS</strong> 7-56-A-One<br />
-#401R “Leap From the Mist” Goldsmith <strong>CBS</strong> 7-56-A-1 (flute/oboe/clarinet/bassoons/4<br />
horns/2 trumpets/2 Pos/timp/strings)<br />
-#402 R “Lurking Figure” Goldsmith (trumpet, trombone, piano)<br />
-#403R “Thrust in the Dark” Goldsmith<br />
-#404R “Run Afoul” Goldsmith<br />
20
-#405R “Released” Goldsmith<br />
-#406R “Run to the Sea” Goldsmith<br />
-#407R “Gray Morning” Goldsmith<br />
-#408R “Autumn Mist” Goldsmith (flute/oboes/ 2 clarinets/vibe/harp)<br />
-#410 “Nocturnal Interlude” Goldsmith<br />
-#412R “Dirge” Goldsmith<br />
-#413 “Autumn End” Goldsmith<br />
-#414 “Calvary Patrol” Goldsmith <strong>CBS</strong> 7-62-A (snare drum, 2 horns)<br />
-#415R “Quince Wince” <strong>CBS</strong> 7—51-A<br />
-#416 “Dry View” <strong>CBS</strong> 7-51-A Goldsmith<br />
-#417R “Gallop Ho” <strong>CBS</strong> 7-62-A-1<br />
-#418R “Lament” <strong>CBS</strong> 7-57-A Goldsmith (oboe/vibe/violins solo/violas/VC/CB)<br />
-#419R “Indian Ambush” <strong>CBS</strong> 7-56-A-1 Goldsmith<br />
-#420R “Calvary Overture” Goldsmith<br />
-Dauber Horn I part [Note: This actually belonged in Box 597 but somehow got in here. I<br />
believe I eventually put it in the proper box]<br />
ETC. [whatever else is contained in this box I did not include in my notes]<br />
[Box # 6] “Hatch, Wilbur. Foreign Library : folders 401-460; Schrager, Rudy.<br />
Foreign Library : folders 401-460” [NOTE: I worked on this box more than once]<br />
-#453 thru 460. Western Suite cues (B. Herrmann). Recorded in Paris in 1957. I<br />
discovered these Herrmann cues in the collection since they were not identified by <strong>UCLA</strong><br />
as being there. I hand-copied the cues in November 1994. Note: See my Television<br />
Works paper to get specifics on these cues.<br />
ETC. [I did not make notes of other contents in this box, or perhaps I lost them]<br />
[Box # 7] “Carlton, Maurice. Foreign Library : folders 461-540 Garriguenc, Rene.<br />
Foreign Library : folders 461-540” [I worked on this box a few times, including<br />
(according to my notes) January 15, 1998]<br />
-#554-3 “North Horizon” Herrmann. <strong>CBS</strong> 8-56-D-5. Note: Part of the so-called Desert<br />
Suite series of cues. The rest of the 16 cues are in Box 8.<br />
-Several “Western Suite cues by Herrmann were placed in this box, including # 461 “Sun<br />
Clouds”; #462 “Rain Clouds”; #463 “Dramatic I”: and # 464 “Dramatic II.”<br />
-Studio One” Bernard Herrmann (Dec’ 57) autograph score. See my Television Works<br />
paper for details. I discovered these Herrmann cues in the collection since they were not<br />
identified by <strong>UCLA</strong> as being there. Sample cue immediately below:<br />
-#464 “Dramatic II” (aka “Gunfight”). Moderato in C time, 34 bars. Recorded in July<br />
1957 in Paris. <strong>CBS</strong> VIII 56-One, master Reel IV. The score is in ink.<br />
-#465 “Agitato Unison Bridge” Rene Garriguenc <strong>CBS</strong> 8-43-DX<br />
-#466 “Adventurous Unison Bridge” Garriguenc<br />
-#468 “Agitato Unison Bridge to Ostinato Suspense B.G.” Garriguenc <strong>CBS</strong> 8-43-DX<br />
-#469 “Emotional Unison Bridge to Ostinato Suspense B.G.” Recorded 8-30-57<br />
-#472 “Emotional Unison Bridge to Action B.G.” Garriguenc <strong>CBS</strong> 8-67-DX “:07 �<br />
21
-#474 “Ostinato Suspense (No. D A E B G)” Garriguenc. Andante in 4/4 time, 41 bars,<br />
2:38. Strings, timp and piano. <strong>CBS</strong> 8-56-D-3. I hand-copied this cue on 1-15-98.<br />
-#478 “Heading West # 1” <strong>CBS</strong> 8-56-D2, 48 bars, 1:31 duration<br />
-#500 “Romantic Montage No. II” Garriguenc <strong>CBS</strong> 8-67-D-1 1:00 duration<br />
-#501 “Romantic Montage” Garriguenc <strong>CBS</strong> 8-67-D 01:13 duration. Violins play in 4/4<br />
time Line 1 G-A-Bb-Line 2 C 8ths to D-Eb-F-G 8ths legato to (Bar 2) A quarter note to<br />
“3” triplet value 8ths G-A-G down to Line 1 G to A quarter notes.<br />
-#502 “Love Song(Montage) “ Garriguenc <strong>CBS</strong> 8-67-D<br />
ETC. [I did not make notes of the other contents in this box]<br />
[Box # 8] “Foreign Library : folders 541-660” [NOTE: I worked on this box more<br />
than once since important Herrmann cues were contained therein.<br />
-# 554-1 thru 554-16 Desert Suite (B. Herrmann). Note: #554-3 is in Box 7. I discovered<br />
these Herrmann cues in the collection since they were not identified by <strong>UCLA</strong> as being<br />
there. I hand-copied the cues in October 1994.<br />
ETC. [Note: I did not make notes of other contents in this box or lost them]<br />
[Box # 9] “Carlton, Maurice. Foreign Library : folders 661-800; Green, Bernard.<br />
Foreign Library : folders 661-800” [I worked on this box at least once on 10-14-96]<br />
-#800 “Western Side Kick” Bernard Green <strong>CBS</strong> 11-65-D<br />
[Box # 10] “Cook, Eric. Foreign Library : folders 801-850; Green, Bernard. Foreign<br />
Library : folders 801-850; Camarata, Tutti. Foreign Library : folders 801-850;<br />
Campbell, Bruce. Foreign Library : folders 801-850; Dankworth, John. Foreign<br />
Library : folders 801-850; Jeanjean, Faustin. Foreign Library : folders 801-850;<br />
Constant, Maurice. Foreign Library : folders 801-850” [NOTE: I worked on this box at<br />
least once on 10-14-96]<br />
-#850 “F-Story” M. Constant. <strong>CBS</strong> 7-66, also <strong>CBS</strong> XII-66, Master # 32.<br />
ETC. [I did not personally verify the other contents in this box]<br />
[Box # 11] “Herrmann, Bernard. Twilight Zone. TV Series. Foreign Library :<br />
folders 851-1050, some missing; Steiner, Fred. Foreign Library : folders: 851-1050,<br />
some missing; Luypaertz, Guy. Foreign Library : folders 851-1050, some missing;<br />
Moraweck, Lucien. Foreign Library : folders 851-1050, some missing; Perkins, Frank.<br />
Foreign Library : folders 851-1050, some missing.”<br />
[I worked on this box several times, including in Sept 1994, Nov ’94, 10-25-96 &<br />
1-13-98]<br />
-#215 Climax cue “Prelude” (Herrmann) <strong>CBS</strong> 8-56-C2. I hand-copied this cue in Sept<br />
1994.<br />
-#216 Climax Middle Tag (Herrmann) <strong>CBS</strong> 8-48-C. I hand-copied this cue on 1-30-98.<br />
-#217 Climax Middle Lead-In (Herrmann) <strong>CBS</strong> 8-56-C2. I hand-copied this cue on 1-30-<br />
98.<br />
22
-#218 Climax Close (Herrmann) <strong>CBS</strong> 8-48-C. Note: I discovered these Herrmann cues in<br />
the collection since they were not identified by <strong>UCLA</strong> as being there. I hand-copied it on<br />
1-30-98.<br />
-#219 “Echo I” Bernard Herrmann (beige paper). <strong>CBS</strong> 8-56-C 2<br />
-#220 “Echo II (The Hunt)” Herrmann. (beige paper). 32 bars. I hand-copied this cue in<br />
October 1994.<br />
-#378 “Comedy Curtains” Herrmann (several comedy curtains (not all) in this box, part<br />
of the so-called Western Saga suite of cues. <strong>CBS</strong> VIII 54-D. I hand-copied these series of<br />
cues in November 1994.<br />
-#380 “Short Curtains” Herrmann (part of the so-called Western Saga suite of cues).<br />
-#381 “Lead-Ins” Herrmann (part of the Western Saga series of cues)<br />
-#856 “F-Story 8” M. Constant<br />
-#866 “Perry’s Problem” Fred Steiner, dated May 1961. 30 bars, 2:45.Slow in C time. 2<br />
flutes, oboe, English horn, 2 clarinets, bass clarinet, bassoon, 2 horns, 2 trumpets, 2 Pos,<br />
timp, vibe, piano/celeste, harp, 4 VC, 2 CB. Harmon mutes for the trumpets and<br />
trombones.<br />
-#1007 thru 1018 Outer Space Suite Bernard Herrmann, <strong>CBS</strong> VIII-66 (see my Television<br />
Works paper). I discovered these Herrmann cues in the collection since they were not<br />
identified by <strong>UCLA</strong> as being there. In this box is also cue # 1001 “Spoutnik No. 1” and #<br />
1002 “Spoutnik No. 2” by Guy Luypaertz with the exact same instrumentation as<br />
Herrmann’s Outer Space Suite series of cues. Since Guy’s cue was written first, I suspect<br />
Herrmann had looked at it as a guideline before composing his own set of cues.<br />
-#1034 “Suspense B.G.” (HGWT)” Garriguenc 9-58-D-Six. 18 bars, 2:57 duration. I<br />
hand-copied this cue on 1-13-98.<br />
-#1035 “Emotional Pathetique (HGWT) Garriguenc <strong>CBS</strong> 9-58-D-Six<br />
-#1038 “HGWT Buildup # 1” L. Moraweck. 3:00 duration. <strong>CBS</strong> IX 58-D Six<br />
-#1039 “HGWT Buildup # 2” “ 2:35 duration<br />
-#1040 “Confession (Emotional Pathetic)” Garriguenc <strong>CBS</strong> 8-23-D, 2:01 duration. In<br />
2/4 time, violins play “3” triplet value 8 th notes Line 1 C-Db-Eb to D quarter note tied to<br />
half note next bar, and so forth.<br />
--Studio One” Bernard Herrmann (Dec’ 57). I believe this is a xeroxed copy of the score.<br />
-“Reflection” # 1 thru # 4 L. Moraweck <strong>CBS</strong> IX 70<br />
-“Until Today” <strong>CBS</strong> VIII 42-D-2<br />
-Note: A xeroxed 8 � x 11 copy of Studio One (Herrmann) is in this box (the autograph<br />
score is in Box # 7).<br />
-Drink of Water (Herrmann) Columbia Workshop dated 11/10/38. Dated Nov 10, 1938.<br />
Cue # 392-1 thru 10.<br />
-Never Come Monday (Herrmann) Cue(s) # 389-1 thru 3. Columbia Workshop dated<br />
7/13/39. <strong>CBS</strong> VIII 63-D.<br />
-Hitchhiker (Herrmann) Suspense radio show dated 9/2/42.<br />
-Thomas Wolfe (Herrmann) Cue(s) # 388. <strong>CBS</strong> 9-34-A. Corwin radio episode dated<br />
6/13/44. Dated June 8, 1944. Herrmann signed another contract for this score on June 1,<br />
1957.<br />
23
[Box # 12] “Cook, Eric. Foreign Library : folders 1051-1150, some missing<br />
;Garriguenc, Rene. Foreign Library : folders 1051-1150, some missing; Steiner, Fred.<br />
Have Gun Will Travel. TV Series. Foreign Library : folders 1051-1150, some missing;<br />
Garcia, Russ. Rawhide. TV Series. Foreign Library : folders 1051-1150, some missing;<br />
Moraweck, Lucien. Gunsmoke. TV Series. Foreign Library : folders 1051-1150, some<br />
missing.” [NOTE: I worked on this box on 10-14-96 and 1-6-98, 1-12-98 at least]<br />
-#1051 “George’s Bar” Cook <strong>CBS</strong> 8-42-D<br />
-#1052 “Big Dipper” Bruce Campbell <strong>CBS</strong> 8-42-D<br />
-#1053 “Susan” Alan Bristow <strong>CBS</strong> 8-42-D<br />
-#1054 “Turkish Delight” Eric Cook <strong>CBS</strong> 8-42-D-1 10 am, April 1, 1957<br />
-#1055 “No Tricks” Bruce Campbell<br />
-#1056 “Fanfares” Cook (no score) [???] <strong>CBS</strong> 8-33-D<br />
-#1058 Charm (2 versions)” R. Schrager <strong>CBS</strong> 8-52-D-4<br />
-#1059 “Play (2 versions)” Schrager<br />
-#1065 “Dramatic Journey (Car Motion) Rene Garriguenc <strong>CBS</strong> 9-46-E, Master 25; 2:30.<br />
I hand-copied much of this cue on 1-13-98.<br />
-#1066 “Suspense Motion (GS)” Garriguienc <strong>CBS</strong> 9-58-C 2:19 duration<br />
-#1067 “Punct. & Passing of Time No. 1” Garriguenc <strong>CBS</strong> 9-43-C; 00:07 duration<br />
-#1068 “ “ “ No. 2 “ 00:07 1/2<br />
-#1071 “Punt. & Passing of Time No. 5” Rene Garriguenc <strong>CBS</strong> 9-43-C<br />
-#1<strong>072</strong> “ “ “ No. 6” Garriguenc<br />
-#1073 “ “ No. 7” Garriguenc <strong>CBS</strong> 9-43-E<br />
-#1074 “ “ No. 8” Garriguenc “ “ 00:06 � duration<br />
-#1077 “Ostinato Suspense Motion” Garriguenc <strong>CBS</strong> 9-46-E, master tape # 25, 3:55.<br />
Instrumentation: Oboe, 2 clarinets, bass clarinet, bassoon, 2 horns, 3 trumpets, 3 Pos,<br />
tuba, strings, piano and timp. I hand-copied the first 18 bars of this cue on 1-12-98 in<br />
Room B-425 Reading Room at <strong>UCLA</strong> (music library).<br />
-#1078 “City Melancholy” <strong>CBS</strong> 9-45-C, 9-45-E Garriguenc 82 bars, 21 pages, 2:30<br />
-#1083 “Western Sneak & 1 st Act Finale” Garriguenc <strong>CBS</strong> 9-51-E, master # 26; :20<br />
-#1084 “Adventurous Sneak & 1 st Act Finale” <strong>CBS</strong> 9-47-E<br />
-#1085 “Sidewalk Serenade” Fred Steiner <strong>CBS</strong> 9-45-C. 13 pages, 50 bars<br />
-#1086 A “R.H. Main Title” Russ Garcia. “Incident at Barker Springs” episode Rawhide<br />
-#1086 “The Herd # 2” Garcia<br />
-#1086 E “Nite Herd” from “Incident at Barker Springs” episode Rawhide by Russ<br />
Garcia. <strong>CBS</strong> IX-58-C1, oboe solo, strings. 4 bars.<br />
-#1086 F (Rawhide) “Night Herd” 4 bars [????]<br />
-#1089 G “H.G. Sneak & Finale No. 1” Garriguenc.<br />
-#1089K “Emotional Sneak & Finale” <strong>CBS</strong> 8-58-D4. Brass, strings, timp.<br />
-#1118 “Western Desolation” Garriguenc <strong>CBS</strong> 9-51-A, master 33. 14 pages, 53 bars.<br />
-#1120 “Ghost Town, Sneak to Curtain” L. Moraweck <strong>CBS</strong> 9-58-E1, 00:25<br />
-#1121 “Ghost Town #1” Lucien Moraweck <strong>CBS</strong> 9-58-E- master # 25, 1:05 duration<br />
-#1122 “Ghost Town # 2” “ “ 1:25 duration<br />
-#1125 “Punctuation & Background Theme” (HGWT series) Rene Garriguenc. 20 bars,<br />
:31 duration. <strong>CBS</strong> 9-58-E-1. I hand-copied this cue on 1-8-98.<br />
24
-#1128 “Neutral Mood—Bridges & Background” Rene Garriguenc. <strong>CBS</strong> IX 58-E-1. 18<br />
bars, 28 seconds and a half. 2 flutes, E.H., 2 clarinets, bass clarinet, bassoon, 3 horns, 2<br />
Bb trumpets, harp, piano, vibe. I hand-copied this cue on 1-8-98.<br />
-#1129 “Action Bridge & Background” Garriguenc. <strong>CBS</strong> 9-58-E-1. 17 bars, :18 duration.<br />
E.H., 2 clarinets, bass clarinet, bassoon, 3 trumpets, 3 Pos, violas, VC/CB, piano, timp. I<br />
hand-copied this cue on 1-8-98.<br />
-#1130 “The Prairie” Rene Garriguenc <strong>CBS</strong> 9-58-E-1, master # 24<br />
-#1131 “Emotional Dramatic (HGWT series)” Rene Garriguenc. <strong>CBS</strong> 9-58-E-1, master<br />
# 24. E.H., 2 clarinets, bassoon, 2 horns, harp, 3 Pos, tuba, strings, piano, timp. 16 bars,<br />
:47 duration. I hand-copied this cue on January 6, 1998.<br />
-#1132 “Heavy Suspense” Garriguenc. Modto Pesante in � time, 20 bars, :50 duration. I<br />
hand-copied this cue on 1-12-98.<br />
-#1145 “Suspense Motion No. 6” Garriguenc <strong>CBS</strong> 9-46-A, 14 pages,02:38 duration In<br />
3/4 time, violins play in Bar 13 small octave Bb/Line 1 Eb tenuto and rinforzandomarked<br />
8ths sounded twice (followed by an 8 th rest) to two more such 8ths (followed by<br />
an 8 th rest) to (Bar 14) small octave Ab/Line 1 Db 8ths in that same pattern.<br />
-Gunsmoke,“Minor Suspense” L. Moraweck. Rerecorded 11-10-64, revised by H.B.<br />
Gilbert. 4 pages, 21 bars.<br />
[Box # 13] “Constant, . Foreign Library : folders 1151-1200, some missing;<br />
Garriguenc, Rene. Foreign Library : folders 1151-1200, some missing; Moraweck,<br />
Lucien. Foreign Library : folders 1151-1200, some missing.” [NOTE: I worked on this<br />
box a few times, including 10-14-96, but I only listed several of the cues below]<br />
-#1146 “Western Pastoral Sneak & Finale No. II” Garriguenc <strong>CBS</strong> 9-47-A, master # 33<br />
-#1159 “Desert Scene (Rawhide scene)” Rene Garriguenc <strong>CBS</strong> 9-58-A<br />
-#1164 “Fringe” M. Constant <strong>CBS</strong> 9-57-A<br />
-#1165 “Poetry” M. Constant “ “<br />
-#1246 “Western Pastoral Sneak & Finale No. II” Garriguenc. <strong>CBS</strong> 9-47-A, master 33<br />
-#1639 “Dog Eat Dog” (“Fair Haired” episode) Jerry Goldsmith, etc.<br />
-#1821 “# 1--The Committee Man” (G E Theater) Jerry Goldsmith CPN 5840<br />
-#1822 “#2—The Prediction” “ “ “ “ (etc)<br />
[Box # 14] “Goldsmith, Jerry. Sergeant and the Lady, The. Foreign Library : folders<br />
1261-1350, some missing; Garcia, Russ. Foreign Library : folders 1261-1350, some<br />
missing; Steiner, Fred. Pursuit 2. Foreign Library : folders 1261-1350, some missing;<br />
Shindo, Tak. Foreign Library : folders 1261-1350, some missing; Alexander, Van.<br />
Foreign Library : folders 1261-1350, some missing; Herrmann, Bernard. Brave New<br />
World. Foreign Library : folders 1261-1350, some missing; Garriguenc, Rene. Foreign<br />
Library : folders 1261-1350.” [I worked on this box at least twice, once on 1-6-98]<br />
-#1266 A “Lady Detective” Rene Garriguenc <strong>CBS</strong> 9-58-E<br />
-#1298 B “Pursuit” Alex North<br />
-#1269 Lady & the Sergeant Main Title by Goldsmith. <strong>CBS</strong> 9-58-D-1. CPN 5727<br />
-#1312 thru 1320 “Pursuit II” Fred Steiner “Joe Jupiter” etc.<br />
-#1321 – 1323 “Pursuit III” Fred Steiner <strong>CBS</strong> 10-56-A<br />
25
-#1326 “Bel-air Outdoors” Garriguenc. <strong>CBS</strong> 9-46-E 88 bars (ETC)<br />
-#1339 Russ Garcia cue<br />
-#1343 “Melodie” Garriguenc <strong>CBS</strong> 9-57-A<br />
-#1345 Brave New World (Herrmann) copyist version<br />
-#1469Sergeant & the Lady “Main Title” score by Jerry Goldsmith <strong>CBS</strong> 9-58-D1. CPN<br />
5727<br />
[Box # 15] “Shindo, Tak. Foreign Library : folders 1351-1400; Goldsmith, Jerry.<br />
Summer Love. Foreign Library : folders 1351-1400; Moraweck, Lucien. Foreign Library<br />
: folders 1351-1400; Cook, Eric. Foreign Library : folders 1351-1400; Moross, Jerome.<br />
Foreign Library : folders 1351-1400; Crawford, Robert. Foreign Library : folders 1351-<br />
1400” [NOTE: I pulled this box at least once and hand-copied part of the Moross score]<br />
-#1397 (M-10) “Theme I –Forward” Jerome Moross. <strong>CBS</strong> X-58-D-1. 3Bb trumpets, 3<br />
Pos, timp, snare drum, vibe, piano, bass. 28 bars, :34 duration.<br />
[Box # 16] “North, Alex. I Am a Lawyer. Foreign Library : folders 1401-1490;<br />
Garriguenc, Rene. Foreign Library : folders 1401-1490; Goldsmith, Jerry. Fair Hair.<br />
Foreign Library : folders 1401-1490; Hatch, Wilbur. Rocket Roll. Foreign Library :<br />
folders 1401-1490; Herrmann, Bernard. Pursuit. Foreign Library : folders 1401-1490”<br />
[NOTE: I worked on this box a few times at least, especially since Herrmann material is<br />
contained therein]<br />
-1402 I Am A Lawyer Main Title <strong>CBS</strong> X-58-D-1<br />
-#1404 “ “ “End Title, Credit” “<br />
-#1462 :The Big Time” Goldsmith <strong>CBS</strong> 9-71-D-4<br />
-#1463 Fair Hair “The Giant Killer” Goldsmith. Reeds, trombone, percussion.<br />
-#1464 Hopes<br />
-#1467 “Too Many Ideas” Goldsmith [etc. for these series of Goldsmith cues]<br />
-#1471 “Just One of Those Things” (Cole Porter) orchestrated by L. Moraweck. <strong>CBS</strong> X-<br />
72<br />
-#1472 “Easy Love” (Cole Poter) orchestrated by Moraweck<br />
-#1473 Pursuit “Opening” Herrmann (in ink on beige paper), 21 bars. Dated 8-25-58.<br />
<strong>CBS</strong> 9-58-D3.<br />
-#1473 Pursuit “Closing” Herrmann (in pencil on green paper) Dated 8-15-58.<br />
-#1474 “Punct. Into Inquiry # 3” L. Moraweck. <strong>CBS</strong> X 43-A<br />
-#1477 “Rock and Roll” Bill Hatch <strong>CBS</strong> X 42-D-1<br />
-#1478 pt. 1 “Punct & Finale # 1” Rene Garriguenc <strong>CBS</strong> X 61-E<br />
-#1479 Pt. 1 “Punct & Finale # 2”<br />
-#1480 “Punct & Finale # 3” <strong>CBS</strong> X 61 A<br />
-#1481 “Jazz Main Title # 1” Rene Garriguenc <strong>CBS</strong> X 42-D-1<br />
-#1484 “Punct & Curtain” L. Moraweck <strong>CBS</strong> X 61-D<br />
-#1485 “The Law # 3 (Adventure)” L. Moraweck <strong>CBS</strong> X 43; <strong>CBS</strong> X 56-D<br />
-#1488 “Opening # 1” L. Moraweck <strong>CBS</strong> X 43<br />
26
[Box # 17] “Moraweck, Lucien. Foreign Library : folders 1491-1570; Garriguenc,<br />
Rene. Foreign Library : folders 1491-1570; Herrmann, Bernard. Twilight Zone. TV<br />
Pilot. Foreign Library : folders 1491-1570” [NOTE: I worked on this box at least once<br />
and very early in the public access to the <strong>CBS</strong> Collection because I managed to xerox the<br />
pilot score (piano-reduction type).<br />
-#1561 “Twilight Zone Theme” (Herrmann) <strong>CBS</strong> 10-58-D3<br />
-#1561-A “Twilight Zone Credits” (Herrmann)<br />
-#1562 “Twilight Zone Finale” (Herrmann)<br />
-#1563 thru 1577 Twilight Zone, “Where Is Everybody?” <strong>CBS</strong> 10-56-D & D1 (see my<br />
Television Works paper for details). Note: This is simply a two-stave copyist version. No<br />
full score was ever found in the collection (so far).<br />
[Box # 18] “Goldsmith, Jerry. Man On The Beach. Foreign Library : folders 1581-<br />
1740; Waxman, Franz. Open Windows. Foreign Library : folders 1581-1740<br />
;Goldsmith, Jerry. Autumn Love. Foreign Library : folders 1581-1740.; Garriguenc,<br />
Rene. Gunsmoke. TV Series. Foreign Library : folders 1581-1740; Hatch, Wilbur.<br />
Foreign Library : folders 1581-1740; Barnett, William A.. Perry Mason. TV Series.<br />
Foreign Library : folders 1581-1740”<br />
[Box # 19] “Garriguenc, Rene. Have Gun Will Travel. TV Series. Foreign Library :<br />
folders 1741-1750. Based on Herrmann theme; Tiomkin, Dimitri. Hotel de Paris. TV<br />
Pilot. Foreign Library : folders 1741-1750; Goldsmith, Jerry. Foreign Library : folders<br />
1761-1770; Goldsmith, Jerry. Fanfares. Foreign Library : folders 1771-1780; Tiomkin,<br />
Dimitri. Fanfares. Foreign Library : folders 1771-1780 Gold, Ernest. Foreign Library :<br />
folders 1781-1790; Goldsmith, Jerry. Dodger, The. Foreign Library : folders 1791-<br />
1800; Cook, Eric. Dodger, The. Foreign Library : folders 1791-1800; Goldsmith, Jerry.<br />
Bouncer, The. Foreign Library : folders 1791-1800; Bristow, . Beverly Hills. Foreign<br />
Library : folders 1791-1800; Campbell, Bruce. Take Two. Foreign Library : folders<br />
1791-1800; Campbell, Bruce. It's Never June. Foreign Library : folders 1791-1800<br />
;Marinuzzi, Gino. Misterioso. FS. Foreign Library : folders 1791-1800; Cook, Eric.<br />
Threat. Foreign Library : folders 1801-1810; Tiomkin, Dimitri. Hotel de Paris. TV<br />
Series. Foreign Library : folders 1801-1810; Steiner, Fred. Shock Harmonies. Foreign<br />
Library : folders 1801-1810” [NOTE: I pulled this box at least once on 1-30-98]<br />
-#1741 HGWT, “Spotted! To the Hideout” by R. Garriguenc. <strong>CBS</strong> X-58-E.<br />
-#1742 “Have Gun Will Travel Series (Impact Punctuations). Rene Garriguenc. Oboes, 2<br />
clarinets, bass clarinet, bassoon, 4 horns, 2 trumpets, 3 Pos, 4 celli, bass, piano, timp,<br />
drums.<br />
-#1743 “Have Gun Will Travel Series –Sneak & Finale I-II” Rene Garriguenc<br />
etc.<br />
20 “Goldsmith, Jerry. Jackson Gentry. <strong>Score</strong> no: CPN5891. FS. Foreign Library :<br />
folders 1831-1860, some missing; Goldsmith, Jerry. Perry Mason. TV Series. FS.<br />
27
Foreign Library : folders 1901-1910; Goldsmith, Jerry. FS. Foreign Library : folders<br />
1911-1920”<br />
[Box # 21] “Goldenberg, Billy. Ben Franklin. TV Special. <strong>Score</strong> no: FR0001-0100.”<br />
[NOTE: I looked into this box on 4-18-95]<br />
-Benjamin Franklin score indeed (Goldenberg). Flute, oboe, bassoon, lute, strings.<br />
[Box # 22] “Goldenberg, Billy. Ben Franklin. TV Special. <strong>Score</strong> no: FR0101-0118.”<br />
[NOTE: I looked into this box on 4-18-95]<br />
-Benjamin Franklin by Goldenberg<br />
[Box # 23] “Geller, Harry. Baileys of Balboa. TV Series. 1964 . <strong>Score</strong> no: BB1100-<br />
1149; Geller, Harry. Baileys of Balboa. TV Series. 1964 . <strong>Score</strong> no: BB11101-11200.”<br />
[NOTE: I looked into this box on April 18, 1995]<br />
-Baileys of Balboa confirmed<br />
[Box # 24] “Geller, Harry. Baileys of Balboa. TV Series. 1964 . <strong>Score</strong> no: BB1150-<br />
11100.” [NOTE: I looked into this box as indicated above] Continuation of above.<br />
[Box # 25] “Lightfoot, Gordon. Hail Hero. Th. Feature. <strong>Score</strong> no: CCF.; Moross,<br />
Jerome. Wherefor of Why. Th. Feature. <strong>Score</strong> no: CCF.; Royal Hunt of the Sun, The. Th.<br />
Feature. <strong>Score</strong> no: CCF. PT. Format: MS.’ [NOTE: It appears I looked briefly into this<br />
box on a date I did not take note of but indicated elsewhere. I confirmed the Hail Hero<br />
score being there. According to the old Binder # 29, Hail Hero has a date of 8-14-69 I<br />
believe. ]<br />
[Box # 26] “Adam at 6:00. Th. Feature. <strong>Score</strong> no: CCF.; Monty Walsh. Th. Feature.<br />
<strong>Score</strong> no: CCF.” [NOTE: It appears I worked on this box briefly and even took notes on<br />
Monty Walsh but I’ll check some other time if I indeed have hand-copies.]<br />
27 Royal Hunt of the Sun, The. Th. Feature. <strong>Score</strong> no: CCF. PT.<br />
[Box # 28] “Schifrin, Lalo. Reivers, The. Th. Feature. <strong>Score</strong> no: CCF. Main Title;<br />
Hazard, Richard. Reivers, The. Th. Feature. <strong>Score</strong> no: CCF. PT. Main Title” [NOTE: It<br />
appears I glanced inside this box as well and confirmed The Reivers being there.<br />
According to the old Binder # 29, Reivers had the (I believe recording) date of 8-10-68]<br />
[Box # 29] “Williams, John. Reivers, The. Th. Feature. <strong>Score</strong> no: CCF. PT.” [NOTE:<br />
Same as above when I also looked in Box # 28]<br />
[Box # 30] “Rosenman, Leonard. Man Called Horse, A. Th. Feature. <strong>Score</strong> no:<br />
CCF.; Scott, Kay. Revengers, The. Th. Feature. <strong>Score</strong> no: CCF.” [NOTE: It appears I at<br />
least looked into this box and confirmed Man Called Horse being there but I did not do<br />
hand-copying work.]<br />
28
31 “Hamlisch, Marvin. Junior Frisbee. Th. Feature. <strong>Score</strong> no: CCF.; Mancini, Henry.<br />
Me, Natalie Theme. <strong>Score</strong> no: CCF.”<br />
32 “Parker, John Carl. Amber. <strong>Score</strong> no: CCF.”<br />
33 “Hamlish, Marvin. April Fools. Th. Feature. <strong>Score</strong> no: CCF. FS. Title song by Burt<br />
Bacharach, music score by Hamlisch; Bacharach, Burt. April Fools. Th. Feature. <strong>Score</strong><br />
no: CCF. FS. Music score by Marvin Hamlisch, title song by Bacharach “<br />
34 “Rosenthal, Leonard. African Elephant. <strong>Score</strong> no: CCF. “<br />
35 “Rosenthal, Leonard. African Elephant. <strong>Score</strong> no: CCF.”<br />
36 “Parker, John Carl. Spanish Portrait. TV <strong>Film</strong>. Show no: 6004. <strong>Score</strong> no: CED.”<br />
[Box # 37] “Glass, Paul. Sole Survivor. TV <strong>Film</strong>. <strong>Score</strong> no: CC100.; Rosenman,<br />
Leonard. Man Called Horse, A.” [NOTE: I believe I also looked into this box as well.<br />
Release date is marked as 1-9-70. Paul Glass is indicated but also Morton Stevens and<br />
perhaps other composers. This is according to the old Binder # 23 (probably <strong>UCLA</strong> took<br />
the binder off and put it somewhere in Deed of Gift # 2). The cost of musicians was<br />
$22,183.63. Copying was $3,993.64. The arranging was $1,122.50. Etc. Apparently this<br />
was the first made-for-tv movie for <strong>CBS</strong>, and it starred Richard Basehart, Vince Edwards,<br />
and Wm. Shatner. ]<br />
38 “Goldenberg, Billy. Country Gold. TV <strong>Film</strong>. <strong>Score</strong> no: CED1133.; Goldenberg,<br />
Billy. Country Gold. TV <strong>Film</strong>. <strong>Score</strong> no: CED1139.; Goldenberg, Billy. Country Gold.<br />
TV <strong>Film</strong>. <strong>Score</strong> no: CED1142.; Goldenberg, Billy. Country Gold. TV <strong>Film</strong>. <strong>Score</strong> no:<br />
CED1126.; Goldenberg, Billy. Country Gold. TV <strong>Film</strong>. <strong>Score</strong> no: CED1127. “<br />
39 “Drasnin, Robert. Raging Rivers. TV <strong>Film</strong>. <strong>Score</strong> no: CED.; Snow, Mark. Anxious<br />
Pumpkin. TV <strong>Film</strong>. <strong>Score</strong> no: CED.; Holdridge, Lee. Paper Castles. TV <strong>Film</strong>. <strong>Score</strong> no:<br />
CED. “<br />
[Box # 40] “Butler, Artie. Misc. scores. TV <strong>Film</strong>. <strong>Score</strong> no: CED.” [NOTE: I<br />
glanced in side this box on 4-28-95]<br />
-Artie Butler (MacWeil Theme)<br />
41 “Rackin, Martin. Revengers, The. TV <strong>Film</strong>. <strong>Score</strong> no: CED.; Matz, Peter. Drop Out<br />
Father. TV <strong>Film</strong>. <strong>Score</strong> no: CED.; Butler, Arnie. Misc. scores. TV <strong>Film</strong>. <strong>Score</strong> no:<br />
CED.”<br />
29
[Box # 42] “Ray, D. B.. Misc. scores. FS.; Carpenter, P.. Misc. scores. FS.; Geller,<br />
H.. Pay-Off.; Shores, Richard. Cimarron Strip. TV Series.” [Note: I worked on this box<br />
at least on 6-9-95]<br />
There was no mention of Herrmann above but in fact the rest of the Cimarron<br />
Strip episode “Knife in the Darkness” (scored by Herrmann) is in this box (cues 14 thru<br />
22). The other half is in an adjacent box below. See my “Television Works of Bernard<br />
Herrmann” for specifics. Herrmann dated the “Wardrobe” cue on Dec 16, 1967. I handcopied<br />
this and other cues on June 9, 1995.<br />
-<strong>Score</strong>s/cues include “Big Jessie,” “Cattle Camp,” “The Noose,” “Pay-Off,” etc.<br />
[Box # 43] “Geller, Harry. Cimarron Strip. Glad to be Home (ep). TV Series. <strong>Score</strong><br />
no: CIM0151-0200.; Mockridge, Cyril. Cimarron Strip. TV Series.; Herrmann,<br />
Bernard. Knife in the Darkness, A.” [NOTE: I pulled this box at least a few times<br />
obviously because of the Herrmann score]<br />
-Cimarron Strip, “Knife in the Darkness” (Herrmann) first 13 cues.<br />
44 “Butler, Artie. TV Movie. Fox, Charles. Easy With You.; Rosenman, Leonard. Man<br />
Called Horse, A.; Glass, Paul. Sole Survivor.”<br />
[Box # 45] “Jarre, Maurice. Cimarron Strip. TV Series. Mercer, Johnny.<br />
Tomorrow Never Comes. Stevens, Morton. Tomorrow Never Comes. Stevens, Morton.<br />
Empty Track. Geller, Harry. Crown & Dulcey.” [NOTE: I pulled this box at least once]<br />
-Cimarron Strip, Jarre’s full score theme of the series.<br />
46 “Cimarron Strip. TV Series. <strong>Score</strong> no: CM 051-082. Various comps.: Shores, Geller,<br />
Mercer, Stevens, Mockridge”<br />
47 “Cimarron Strip. TV Series. <strong>Score</strong> no: CM 083-118. Various comps.: Shores, Geller,<br />
Mercer, Stevens, Mockridge”<br />
48 “Cimarron Strip. TV Series. <strong>Score</strong> no: CM 119-150. Various comps.: Shores, Geller,<br />
Mercer, Stevens, Mockridge”<br />
[Box # 49] “Murray, Lyn. G.E. Theater. Mr. O'Malley (ep). TV Series. 12/16/59.<br />
<strong>Score</strong> no: CPN5859. FS. Format: MS.; May, Billy. Man on the Beach. TV Pilot II. <strong>Score</strong><br />
no: CPN5858. FS. Format: MS.; Goldsmith, Jerry. Playhouse 90. Tunnel, The (ep). TV<br />
Series. 12/16/59. <strong>Score</strong> no: CPN5857. FS. Format: MS.; Newman, Lionel. Dobie Gillis<br />
Theme. TV Series. <strong>Score</strong> no: CPN5853. RS. Format: OZC. Music by Newman, words by<br />
Max Schulman ; Schulman, Max. Dobie Gillis Theme. TV Series. <strong>Score</strong> no: CPN5853.<br />
RS. Format: OZC. Words by Shulman, music by Lionel Newman; Fielding, Jerry.<br />
Goldie Theme. <strong>Score</strong> no: CPN5852. Format: MS. Lead sheet with chords and words;<br />
Moraweck, Lucien. Hotel de Paris. Sundance & Hostiles (ep). TV Series. <strong>Score</strong> no:<br />
CPN5851. FS. Format: MS. Includes copy of orchestra sheet (2553-2562); Steiner, Fred.<br />
G.E. Theater. Sarah's Laughter (ep). TV Series. <strong>Score</strong> no: CPN5848. FS. Format: MS.<br />
30
Includes breakdown of typescript with annotations; Steiner, Fred. Gunsmoke. Hinka-do<br />
(ep). TV Series. 11/27/59. <strong>Score</strong> no: CPN5844. FS. Format: MS. Includes Hinka-do<br />
polka for two pianos; Stevens, Leith. House of K Street. Lost Bomber Story (ep). TV<br />
Series. 11/17/59. <strong>Score</strong> no: CPN5841. FS. Format: MS.; Goldsmith, Jerry. G.E.<br />
Theater. Sarah's Laughter (ep). TV Series. 11/24/59. <strong>Score</strong> no: CPN5849. FS. Format:<br />
MS. Includes copy of orchestra sheet” [NOTE: I pulled this box on 8-16-95 and also 2-<br />
21-97]<br />
-Playhouse 90, “The Tunnel” Jerry Goldsmith, score dated 12-10-59 (also, strangely, the<br />
airdate is 12-10-59) starring Richard Boone and Jack Weston. Sample cues:<br />
-#1 “Inspection” (tpt, 2 horns, 2 Pos, snake drum, field drum, timp). 16 bars, 1:20<br />
-#2 “The Rampart” (tpt, 2 horns, 2 Pos, chimes, picc. Drum, timp). 4 bars, :16.<br />
-#3 “The Bargain”<br />
-# 4 “The Tunnel”<br />
-#5 “Hard Ground”<br />
-#6 “The Forge”<br />
-Man on the Beach (Pilot II) dated 12-14-59<br />
-G.E. Theater “Sarah’s Daughter” Fred Steiner (with script). Note: This score was not<br />
used.<br />
-G.E. Theater “Sarah’s Daughter” Jerry Goldsmith dated 11-24-59. Note: This score was<br />
used.<br />
-House on K Street “Last Bomber Story” Leith Stevens, dated Nov 17, 1959. CPN 5841.<br />
Note: This is the second pilot. The first pilot was entirely scored by Herrmann. In this<br />
second version only the Main and End titles of Herrmann’s original score were used.<br />
Sample cues:<br />
-M11 “Last Bomber Intro”<br />
-M12 “Parkhurst Leaves”<br />
-M13 “Someone Aboard”<br />
-M14 “The Lab”<br />
-M15 “The Flower Shop”<br />
M21 “Jarrett Slugged”<br />
-Gunsmoke “Hinka-Do” music by Fred Steiner, dated November 1959. Production # 154-<br />
177. Sample cues:<br />
-#2815 (M-7711) “Boot Hill Walk” 10 bars, :48 1/3 duration. <strong>CBS</strong> 11-78-E6<br />
-#2822 “Old Vest” Scene: Matt states, “Well, let’s go.”<br />
[Box # 50] “Hatch, Wilbur. Pete & Gladys. Crime and Passion (ep). TV Series.<br />
09/60 . <strong>Score</strong> no: CPN5921. Reel cue no: M14. FS. Format: MS. Stevens, Leith. Have<br />
Gun Will Travel. Poker Fiend (ep). TV Series. 08/19/60. <strong>Score</strong> no: CPN5920. FS.<br />
Format: MS. Murray, Lyn. Gunsmoke. Friends Pay off (ep). TV Series. 07/26/60. <strong>Score</strong><br />
no: CPN5918. FS. Format: MS. Hatch, Wilbur. Gunsmoke. Don Matteo (ep). TV Series.<br />
07/26/60. <strong>Score</strong> no: CPN5917. FS. Format: MS. Hatch, Wilbur. Have Gun Will Travel.<br />
Love's Young Dream (ep). TV Series. 07/01/60. <strong>Score</strong> no: CPN5916. FS. Format: MS.<br />
Goldsmith, Jerry. Have Gun Will Travel. Fatalist, The (ep). TV Series. 07/01/60. <strong>Score</strong><br />
no: CPN5915. FS. Format: MS.” [NOTE: I worked on this box at least once but not sure<br />
of the date]<br />
31
-Gunsmoke, “Don Matteo” episode, score by Hatch, dated July 26, 1960.<br />
[Box # 51] “Spencer, Herbert. Scrooge. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. Format:<br />
MS,OZM. Includes sketches, songs, orchestrations Bricusse, Leslie. Spencer, Herbert<br />
(o). Scrooge. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. Format: MS,OZM. Includes sketches<br />
Scrooge. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. Format: CPY. Vocal set” [NOTE: I looked into<br />
this box but very quickly indeed. The contents did not interest me]<br />
[Box # 52] “Rosenman, Leonard. Man Called Horse, A. Theatrical <strong>Film</strong>. <strong>Score</strong> no:<br />
CCF. FS. Format: MS. Mancini, Henry. Me, Natalie. Theatrical <strong>Film</strong>. 02/69 . <strong>Score</strong> no:<br />
CCF. FS. Format: OZC.” [NOTE: Looked into this box as well at some date undisclosed]<br />
53 “Moross, Jerome. Hail Hero. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: MS,OZC.<br />
Includes sketches “<br />
54 “Mersey, Robert. With Six You Get Eggroll. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS.<br />
Format: MS.”<br />
55 “Bricusse, Leslie. Scrooge. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: MS. Reels 1-<br />
9”<br />
56 “Bricusse, Leslie. Scrooge. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: MS. Reels<br />
10-end “<br />
57 “Hamlisch, Marvin. War Between Men and Women, The. Theatrical <strong>Film</strong>. <strong>Score</strong> no:<br />
CCF. FS. Format: MS,OZM. Goldsmith, Jerry. Rio Lobo. Theatrical <strong>Film</strong>. <strong>Score</strong> no:<br />
CCF. FS. Format: OZC. “<br />
58 “Goldsmith, Jerry. Rio Lobo. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: MS.<br />
Includes sketches “<br />
59 “Moross, Jerome. Hail Hero. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: MS. “<br />
60 “Shifrin, Lalo. Christian Licorice Store. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF.”<br />
61 “Legrand, Michel. Le Mans. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. RS,FS. Format: OZC.”<br />
62 “Karlin, Fred. Little Ark, The. Theatrical <strong>Film</strong>. <strong>Score</strong> no: CCF. FS. Format: OZC.”<br />
63 “Mancini, Henry. Me, Natalie. Theatrical <strong>Film</strong>. 02/69 . <strong>Score</strong> no: CCF. FS. Format:<br />
MS.”<br />
64 “Bricusse, Leslie. Fraser, Ian (a). Scrooge. Theatrical <strong>Film</strong>. 01/29/69. <strong>Score</strong> no: CCF.<br />
FS,PT. Format: MS,OZM,OZC. “<br />
32
65 “Rosenman, Leonard. First Steps. TV Movie. <strong>Score</strong> no: CED. FS. Format: MS,CPY.<br />
Fox, Charles. He's Not Your Son. TV Movie. <strong>Score</strong> no: CED. FS. Format: MS,CPY. Di<br />
Pasquale, James. Clausen, Alf (o). Concert <strong>Score</strong> (?). TV Movie. <strong>Score</strong> no: CED. FS.<br />
Format: MS.”<br />
66 “Alexander, Jeff. Wild Wild West Revisited. TV Movie. <strong>Score</strong> no: CED. FS. Format:<br />
OZM,OZC. Alexander, Jeff. More Wild Wild West. TV Movie. <strong>Score</strong> no: CED. FS.<br />
Format: MS,OZC. “<br />
67 “Fox, Charles. He's Not Your Son. TV Movie. <strong>Score</strong> no: CED. FS. Format: CPY.<br />
Kane, Artie. Million Dollar Infield. TV Movie. <strong>Score</strong> no: CED. PT. Format: CPY.<br />
Prince, Robert. Violation of Asarah McDavid. TV Movie. <strong>Score</strong> no: CED.”<br />
68 “Kane, Artie. Nestico, Sammy (a). Million Dollar Infield. TV Movie. <strong>Score</strong> no: CED.<br />
FS. Format: MS,CPY. “<br />
69 “Bell, David. Killing at Hell's Gate (?). TV Movie. <strong>Score</strong> no: CED0162-0183. FS.<br />
Format: MS. Goldenberg, Billy. Gift of Life. TV Movie. <strong>Score</strong> no: CED0278-0314. FS.<br />
Format: MS. Lawn Party Source. TV Movie. RS. Format: MS.”<br />
70 “Morley, Angela. Threesome. TV Movie. <strong>Score</strong> no: CED1112-1143. RS. Format:<br />
CPY. Di Pasquale, James. Clausen, Alf (a). Quarterback Princess. TV Movie. FS.<br />
Format: CPY.”<br />
[Box # 71] “Lava, William. Millionaire, The. Format: OZM. Foreign Library :<br />
folders 1981-1990 Waxman, Franz. 16mm Shrine. Foreign Library : folders 2091-2100<br />
Stevens, Leith. Dancing Death. Foreign Library : folders 2511-2550 Garriguenc, Rene.<br />
Barren Soil. <strong>Score</strong> no: CPN5905. Foreign Library : folders 2591-2610 Steiner, Fred.<br />
Fallen Sparrow. <strong>Score</strong> no: CPN5904. SS. Foreign Library : folders 2631-2640 Stevens,<br />
Leith. Hotel de Paris. TV Series. <strong>Score</strong> no: CPN5819. RS. Foreign Library : folders<br />
2641-2670 Steiner, Fred. Nancy Pearson. <strong>Score</strong> no: CPN5847. FS. Foreign Library :<br />
folders 2621-2630 Murray, Lyn. Have Gun Will Travel. TV Series. <strong>Score</strong> no: CPN5843.<br />
FS. Foreign Library : folders 2621-2630 “ [I pulled this box on 5-30-95]<br />
-Twilight Zone, “16mm Shrine” Franz Waxman. CPN 5825, Start on cue # 2093. CBX XI<br />
78-D-2.<br />
-Millionaire, “Elizabeth Tander” Wm. Lava. <strong>CBS</strong> XI 78-D-9<br />
-Hotel de Paree episode CPN 5819. Leith Stevens. Sample cues:<br />
-#2648 “Opening Theme” <strong>CBS</strong> XI 78-1<br />
-#2662 “Murder” <strong>CBS</strong> 78-E-1<br />
[Box # 72] “Van Cleave, Nathan. World of Difference. <strong>Score</strong> no: CPN5879. FS.<br />
Foreign Library : folders 2714-2729 Camarata, Tutti. Oh Those Bells. <strong>Score</strong> no:<br />
CPN5902. FS. Foreign Library : folders 2729-2740 Garriguenc, Rene. Gunsmoke.<br />
Miguel's Daughter (ep). TV Series. <strong>Score</strong> no: CPN5834. FS. Foreign Library : folders<br />
2751-2760 Garriguenc, Rene. Gunsmoke. Grate's Grudge (ep). TV Series. <strong>Score</strong> no:<br />
33
CPN5842. FS. Foreign Library : folders 2761-2770 Garriguenc, Rene. Gunsmoke.<br />
Speak Me Fair (ep). TV Series. <strong>Score</strong> no: CPN5893. FS. Foreign Library : folders 2771-<br />
2790” [NOTE: I worked on this box at least once on 4-28-95]<br />
-Gunsmoke, “Speak Me Fair” Rene Garriguenc. <strong>CBS</strong> XI 78-E-3. Airdate May 7 ’60 (5 th<br />
season). Sample cues:<br />
-#2771 “Three Cheerful Hunters<br />
-#2772 “Chester Is Pleased”<br />
-#2773 “Wounded Indian Boy”<br />
-Gunsmoke, “Miquel’s Daughter” Rene Garriguenc CPN 5834. Airdate Nov 28 ’59.<br />
-Twilight Zone, “World of Difference” Van Cleave<br />
[Box # 73] “Steiner, Fred. Gunsmoke. Colleen (ep). TV Series. <strong>Score</strong> no: CPN5880.<br />
FS. Foreign Library : folders 2791-2800; Steiner, Fred. Gunsmoke. Bobsy Twins (ep).<br />
TV Series. <strong>Score</strong> no: CPN5875. FS. Foreign Library : folders 2801-2810; Steiner, Fred.<br />
Gunsmoke. Yuckadoo (ep). TV Series. <strong>Score</strong> no: CPN5844. FS. Foreign Library : folders<br />
2811-2830; Steiner, Fred. Gunsmoke. Unwanted Deputy (ep). TV Series. <strong>Score</strong> no:<br />
CPN5871. FS. Foreign Library : folders 2831-2850; Stevens, Leith. Gunsmoke. TV<br />
Series. Show no: 0154-0187. <strong>Score</strong> no: CPN5872. RS. Foreign Library : folders 2851-<br />
2860; Stevens, Leith. Gunsmoke. Big Tom (ep). TV Series. Show no: 0154-0180. <strong>Score</strong><br />
no: CPN5854. RS. Foreign Library : folders 2861-2870; Scott, Nathan. Gunsmoke. Old<br />
Flame (ep). TV Series. Show no: 0154-0190. <strong>Score</strong> no: CPN5881. FS. Foreign Library :<br />
folders 2871-2890; Goldsmith, Jerry. Gunsmoke. TV Series. <strong>Score</strong> no: CPN5863. FS.<br />
Foreign Library : folders 2891-2900” [NOTE I worked on this box on 4-28-95 and on<br />
another date but not noted by me on my research paper for a series of boxes that day—<br />
and also on 2-21-97]<br />
-#3049A Line Up “Main Title” Jerry Goldsmith, <strong>CBS</strong> XI 58-D.<br />
-#3049 “S.F. Blues (LineUp Theme)” <strong>CBS</strong> XI D master # 36 CPN 5810<br />
-“<strong>CBS</strong> Eye # 1” Goldsmith <strong>CBS</strong> XI 61-D. 2bars; duration is 6 seconds. 3 “C” trumpets.<br />
4 horns, 3 Pos, 2 tubas, timp.<br />
-#2952 “Gunsmoke Closing Theme” by Rex Koury (arr. F. Steiner). <strong>CBS</strong> XI 58-E<br />
-#2888 “Judge” Jerry Goldsmith. Series of cues for an episode follows.<br />
-Gunsmoke, “Old Flame” by Nathan Scott. Airdate May 28, 1960 (5 th season). Sample<br />
cues:<br />
-#2878 “Shoot First”<br />
-#2879 “Dinner Invitation”<br />
-#2880 “Matt Returns”<br />
-#2881 “Leave Town”<br />
-Gunsmoke, “Big Tom” Leith Stevens. <strong>CBS</strong> XI 78-E-6. Airdate Jan 9, 1960.<br />
-Gunsmoke, “Unwanted Deputy” Fred Steiner. <strong>CBS</strong> XI 78-E-4. Airdate March 5,<br />
1960.Sample cues:<br />
-#2839 “Daytime”<br />
-#2840 “Hanging Offense”<br />
-#2841 “Farmhouse”<br />
34
Note: This music and that of “Colleen So Green” are on a transcription disc at the<br />
Gene Autry Western Museum.<br />
-Gunsmoke, “Hinka-Do” Fred Steiner. <strong>CBS</strong> XI 78 E-6. Airdate Jan 30, 1960. Sample<br />
cues:<br />
-#2815 (M-7711) “Boothill Walk” 10 bars, :48. Andante in C time. <strong>CBS</strong> XI 78-E-<br />
6. flute, E.H., clarinet, bassoon, 2 horns, 2 trumpets, 2 Pos, timp, bass.<br />
-#2816 (M-7712) “Dodge Street” Allegretto in 6/8 time, key signature of 4 sharps.<br />
-#2819 (M-7721) “Dodge Night” Andante in 12/8 time, key signature of two flats,<br />
9 bars, :46 duration. Muted horns and bassoon are highlighted initially.<br />
-Gunsmoke, “Bobsy Twins” Fred Steiner. <strong>CBS</strong> XI 78 E-4. Airdate May 21, 1960. Cues #<br />
2811 thru 2814<br />
-Gunsmoke, “Colleen So Green” Fred Steiner <strong>CBS</strong> XI 78 E-3. Airdate April 2, 1960.<br />
Sample cues:<br />
-#2783 “Western Depot—Coffe”<br />
-#2784 “Colleen”<br />
-#2785 “Bull Smitten”<br />
ETC.<br />
[NOTE: Somewhere in this collection is Nathan Scott’s core for “Old Faces”<br />
(Gunsmoke), airdate 3-18-61. It starred James Drury before he became the principal star<br />
of The Virginian series. Unfortunately I forgot to note the box. Sample cues:<br />
-M-2911 “The Arrival” Allegro in � time. Flute, oboe, 2 clarinets (bass clarinet<br />
doubling), bassoon, 2 horns, 2 Pos, percussion, banjo, celli, bass, accordion.<br />
-M-2912 “The Gunman” Andante in 4/4 time. Flute, alto flute, 2 clarinets,<br />
bassoon, trumpet, 2 horns, 2 Pos, percussion, guitar, celli, bass, accordion.<br />
[Box # 74] “Barnett, William A.. Perry Mason. TV Series. FS. Format: MS,OZM.<br />
Foreign Library : folders 2941-2950 Steiner, Fred (a). Gunsmoke. Closing Theme (ep).<br />
TV Series. FS. Format: OZ. Foreign Library : folders 2951-2960 Moraweck, Lucien (a).<br />
Anchors Aweigh. FS. Format: OZ,MS. Foreign Library : folders 2951-2960; Carlton,<br />
Maurice. Foreign Library : folders 2961-2970; Moraweck, Lucien. Foreign Library :<br />
folders 2961-2970; Stevens, Leith. Gunsmoke. Badge, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5909. FS. Foreign Library : folders 2971-2990; Goldsmith, Jerry. Gunsmoke.<br />
Judge, The (ep). TV Series. <strong>Score</strong> no: CPN5863. Foreign Library : folders 2981-3000;<br />
Hatch, Wilbur. Foreign Library : folders 3061-3070; Jeanjean, Faustian. De File<br />
Triomphal. Foreign Library : folders 3061-3070 Pete & Gladys. TV Series. Foreign<br />
Library : folders 3051-3060; Goldsmith, Jerry. Mysterious Storm. Foreign Library :<br />
folders 3051-3060; Herrmann, Bernard. Twilight Zone. Theme Fanfare (ep). TV Series.<br />
FS. Format: MS. Foreign Library : folders 3051-3060; Hatch, Wilbur. Foreign Library :<br />
folders 3041-3050. Misc. TV music; Goldsmith, Jerry. Foreign Library : folders 3041-<br />
3050. Misc. TV music; Steiner, Fred. Foreign Library : folders 3041-3050. Misc. TV<br />
music”<br />
[Note: According to old Binder # 46 (red), Goldsmith’s “Mysterious Storm” score<br />
included various cues:<br />
-#3059 “Mysterious Storm” <strong>CBS</strong> 11-39-D<br />
-#3058-1 “The Camp” <strong>CBS</strong> 11-39-D<br />
-#3058-3 “Village Death”<br />
35
-#3058-4 “Knife Fight”<br />
ETC.<br />
[Box # 75] “Scott, Nathan. Millionaire, The. <strong>Score</strong> no: CPN5193. RS. Foreign<br />
Library : folders 3001-3010; Steiner, Fred. Gambler, the Nun and the Radio, The. <strong>Score</strong><br />
no: CPN5911. Foreign Library : folders 3001-3010; Garriguenc, Rene. Foreign Library :<br />
folders 3011-3020. Misc. TV music; Stevens, Leith. Foreign Library : folders 3011-<br />
3020. Misc. TV music; Steiner, Fred. Foreign Library : folders 3011-3020. Misc. TV<br />
music; Hatch, Wilbur. Untitled. Foreign Library : folders 3021-3030; Van Cleave,<br />
Nathan. Twelve Keys for Jud Gluskin. Foreign Library : folders 3021-3030. Dramatic<br />
tags; Hatch, Wilbur. Bridges. Foreign Library : folders 3031-3040 Foreign Library :<br />
folders 3190-3204. Misc. TV music; Steiner, Fred. Sanctuary. <strong>Score</strong> no: CPN5941.<br />
Foreign Library : folders 3190-3204; Steiner, Fred. Quiet Night in Town. <strong>Score</strong> no:<br />
CPN5951. FS. Format: OZM. Foreign Library : folders 3220-3244; Moraweck, Lucien.<br />
Have Gun Will Travel. My Brother's Keeper (ep). TV Series. <strong>Score</strong> no: CPN5967. FS.<br />
Foreign Library : folders 3380-3392; Steiner, Fred. King Nine. <strong>Score</strong> no: CPN5928. FS.<br />
Format: MS. Foreign Library : folders 3402-3415” [NOTE: I looked into this box at least<br />
twice, once on 5-24-95]<br />
-Have Gun Will Travel, “Quiet Night in Town” Fred Steiner. Excellent score! And I<br />
hand-copied a lot of it. Cues #3220 thru 3244. Sample cues:<br />
-#3220 (M-4211) “Pearly Blonde” Modto in � time. Oboe, 2 clarinets, bassoon, 3<br />
horns, 2 trumpets, VC, CB.<br />
-#3221 (M-4212) “HGWT Theme”<br />
-#3222 (M-4213) “Easy Gallop” E.H., 2 clarinets, bassoon, 3 horns, 2 trumpets,<br />
celli, bass. 18 bars, :43. Rather Herrmannesque cue.<br />
-#3223 (M-4214) “Easy Capture” Adagio in � time.<br />
-#3224 (M-4215) “Jose Kincaid”<br />
-#3225 (M-4216) “End of Trail”<br />
-#3226 (M-4221) “Girl With Tray”<br />
-#3227 (M-4222) “The Captive” 29 bars, 2:15 duration<br />
-#3228 (M-4223) “Angry Men” 16 bars, :56 duration<br />
-Buick-Electric, “The Gambler, the Nun & the Radio” Fred Steiner, dated May 1960.<br />
CPN 5911. A sample cue:<br />
-#3007 “Mexi-Western” <strong>CBS</strong> XI 39-D<br />
I am not sure if this score is a copy or the autograph because it is also in Box 105,<br />
as I will indicate below in the appropriate box contents.<br />
[Box # 76] “Steiner, Fred. 100 Yards. <strong>Score</strong> no: CPN5978. FS. Format: MS. Foreign<br />
Library : folders 3462-3474 Pete & Gladys. TV Series. <strong>Score</strong> no: CPN5948. FS. Format:<br />
MS. Foreign Library : folders 3533-3541; Steiner, Fred (a). Heigh Ho. FS. Format: OZM.<br />
Foreign Library : folders 3501-3510. Disney song.; Steiner, Fred (a). Whistle While You<br />
Work. FS. Format: OZM. Foreign Library : folders 3501-3510. Disney song Green, John<br />
(a). Good Morning To You. FS. Format: MS. Foreign Library : folders 3501-3510. Disney<br />
song Crimes of Passion. <strong>Score</strong> no: CPN5921. FS. Format: OZM. Foreign Library :<br />
folders 3504-3517 Pete & Gladys. Political Campaign (ep). TV Series. <strong>Score</strong> no:<br />
36
CPN5949. FS. Foreign Library : folders 3518-3532; Goldsmith, Jerry. Twilight Zone.<br />
Back There (ep). TV Series. <strong>Score</strong> no: CPN5935. FS. Foreign Library : folders 3416-<br />
3427; Goldsmith, Jerry. Twilight Zone. Dust (ep). TV Series. <strong>Score</strong> no: CPN5938. FS.<br />
Foreign Library : folders 3428-3436; Goldsmith, Jerry. Twilight Zone. Invaders, The<br />
(ep). TV Series. <strong>Score</strong> no: CPN5947. Foreign Library : folders 3453-3461” [Note: I<br />
pulled this box at least once because I managed to xerox at least eight pages of this score<br />
probably back in 1989]<br />
[Box # 77] “Hopkins, Kenyon. Beachfront Theme. RS. Format: MS. Foreign Library<br />
: folders 3491-3500; Green, John. Comedy Pantomime. FS. Format: OZM. Foreign<br />
Library : folders 3491-3500; Murray, Lyn. Gunsmoke. Friend's Payoff (ep). TV Series.<br />
<strong>Score</strong> no: CPN5918. FS. Format: OZM. Foreign Library : folders 3693-3703; Murray,<br />
Lyn. Gunsmoke. Unloaded Gun (ep). TV Series. <strong>Score</strong> no: CPN5927. FS. Format: OZM.<br />
Foreign Library : folders 3730-3742; Goldsmith, Jerry. Gunsmoke. Love Thy Neighbor<br />
(ep). TV Series. <strong>Score</strong> no: CPN5942. FS. Format: OZM. Foreign Library : folders 3792-<br />
3805; Goldsmith, Jerry. Gunsmoke. Blacksmith, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5919. FS. Format: OZM. Foreign Library : folders 3704-3714; Goldsmith, Jerry.<br />
Gunsmoke. Visitor, The (ep). TV Series. <strong>Score</strong> no: CPN5931. FS. Foreign Library :<br />
folders 3743-3753; Herrmann, Bernard. Gunsmoke. Harriet (ep). TV Series. 10/24/60.<br />
<strong>Score</strong> no: CPN5934. FS. Format: OZM. Foreign Library : folders 3766-3778; Steiner,<br />
Fred. Gunsmoke. Long Hours, Short Pay (ep). TV Series. <strong>Score</strong> no: CPN5937. FS.<br />
Format: OZM. Foreign Library : folders 3779-3791” [NOTE: I pulled this box very early<br />
in 1989 because I was able to xerox a copy of Herrmann’s score when it was still allowed<br />
to photocopy]<br />
-Gunsmoke, “Harriet” Bernard Herrmann dated October 23, 1960. Cues # 3766 thru<br />
3778. Note: I am not sure which box has the autograph score and which one has the copy<br />
(# 77 or 112).<br />
-I xeroxed several pages of “The Wake” episode of Gunsmoke (airdate Dec 10, 1960) by<br />
Goldsmith. Although “The Visitor” is listed as the episode, this is incorrect since there is<br />
no such episode in the series. There is “The Wake” having those cue numbers. Sample<br />
cues:<br />
-#3750 (M-1031) “The Grave Digger” Andante in 4/4 time. Bass harmonica,<br />
accordion, guitar, and banjo. <strong>CBS</strong> XII-78-D-1.<br />
-Gunsmoke, “The Blacksmith” Jerry Goldsmith. Airdate Sept 17, 1960 (Sixth season)<br />
starring George Kennedy as the German blacksmith who greets a mail-order bride.<br />
Sample cues:<br />
-#3706 (0613) “The Stagecoach” <strong>CBS</strong> XII 78-E-Ten; XII E Master # 18-1. CPN<br />
5919. Allegretto in � time. Flute, oboe, clarinet, bass clarinet, bassoon, 4 horns, snare<br />
drums, bass drum, guitar, accordion (tuba switch).<br />
-#3708 (0622) “The Warning” Andante in 4/4 time. The english horn is now part<br />
of the mix. Wood mutes are used by the horn players starting in Bar 3.<br />
-Gunsmoke, “Love Thy Neighbor” Goldsmith. Sample cues:<br />
-#3792 “Quiet Night—Love”<br />
-#3793 “The Thief—Part 1”<br />
37
Note: Tracks of this score and Herrmann’s “Harriet” and also “Long Hours, Short<br />
Pay” are on a transcription disc at the Gene Autry Western Museum.<br />
[Box # 78] “Steiner, Fred. Relentless Chords. FS. Format: OZM. Foreign Library :<br />
folders 3851-3860; Moraweck, Lucien. Chord Montage. FS. Format: OZM. Foreign<br />
Library : folders 3851-3860; Steiner, Fred. Nasty Sneaks. FS. Format: OZM. Foreign<br />
Library : folders 3851-3860; Steiner, Fred. American Gothic. FS. Format: OZM. Foreign<br />
Library : folders 3851-3860; Lava, William. Busy Big Town. FS. Format: MS. Foreign<br />
Library : folders 3851-3860; Lava, William. Cute Capers. FS. Format: MS. Foreign<br />
Library : folders 3851-3860; Steiner, Fred. Funny Sneaks. FS. Format: MS. Foreign<br />
Library : folders 3851-3860; Green, Bernard. Metropolis. FS. Format: MS. Foreign<br />
Library : folders 3851-3860; Moross, Jerome. Gunsmoke. Stolen Horses (ep). TV Series.<br />
<strong>Score</strong> no: CPN5963. FS. Format: OZM. Foreign Library : folders 3851x-3863x; Van<br />
Cleave, Nathan. Love Themes. FS. Format: MS. Foreign Library : folders 3861-3870;<br />
Van Cleave, Nathan. Quiet Western Scene. FS. Format: MS. Foreign Library : folders<br />
3861-3870; Van Cleave, Nathan. Western - Man Alone. FS. Format: OZM. Foreign<br />
Library : folders 3861-3870; Moraweck, Lucien. Witness Chords. FS. Format: OZM.<br />
Foreign Library : folders 3861-3870; Lava, William. Gunsmoke. Little Girl (ep). TV<br />
Series. <strong>Score</strong> no: CPN5964. FS. Format: OZM. Foreign Library : folders 3864x-3874x”<br />
[NOTE: I worked on this box on June 20, 1995 and also August 1, 2003, and probably<br />
another time]<br />
-Gunsmoke episode, “Stolen Horses” music by Jerome Moross, starting cue # 3851. CPN<br />
5963, XII E Master # 17, and XI-78-E-Eight. Starts with cue # 3851.<br />
-Gunsmoke episode “Little Girl” music by William Lava. <strong>CBS</strong> XII 89-E-Nine.<br />
-“Western Man Alone” music by Van Cleave. <strong>CBS</strong> XII-57-E.<br />
-“Busy Big Town” by William Lava,#3859, <strong>CBS</strong> XII D master 41, & 11-45<br />
-“Cute Capers” # 3860 by Wm. Lava, <strong>CBS</strong> XII D master 41, XII 65-D.<br />
-Gunsmoke, “Little Girl” Wm. Lava. Sample cues:<br />
-#3864x “Ashes”<br />
-#3865x “Poor Fella”<br />
ETC.<br />
[Box # 79] “Lava, William. Suburbia USA. FS. Format: OZM. Foreign Library :<br />
folders 3871-3880; Lava, William. Yuman Indian Legend. FS. Format: OZM. Foreign<br />
Library : folders 3871-3880; Van Cleave, Nathan. Dramatic Chords. FS. Format: OZM.<br />
Foreign Library : folders 3871-3880; L, D.C.. Codas. FS. Format: OZM. Foreign Library<br />
: folders 3871-3880; Frontiere, Dominic. Passing Through Country. FS. Format: OZM.<br />
Foreign Library : folders 3871-3880; Lava, William. Country Wayside. FS. Format:<br />
OZM. Foreign Library : folders 3871-3880; Van Cleave, Nathan. Short Sneaks. FS.<br />
Format: OZM. Foreign Library : folders 3871-3880; Van Cleave, Nathan. Bridge &<br />
Sneaks. FS. Format: OZM. Foreign Library : folders 3881-3890; Garriguenc, Rene.<br />
Threatening Angle. FS. Format: OZM. Foreign Library : folders 3881-3890; Garriguenc,<br />
Rene. Cues (Library?). FS. Format: OZM. Foreign Library : folders 3891-3900” [NOTE:<br />
I looked into this box on 5-30-95 and also on August 1, 2003]<br />
38
-cues # 3891-3900 by Rene Garriguenc<br />
-#3892 “Tragic Loss” Rene Garriguenc <strong>CBS</strong> 56-E & 43-E<br />
-#3893 “Dead End (Dark neutral build to curtain)” 33 bars, Garriguenc. <strong>CBS</strong> XII 56-E,<br />
XII E master # 22<br />
-#3894 “Final Issue (Dark Neutral Builds to Curtain)” XII 47-E” Garriguenc. <strong>CBS</strong> XII<br />
47-E, 8 bars.<br />
-#3895 “Tragic Revelation (Shock Chord & Tail)” Garriguenc<br />
-#3896 “Death” by Garriguenc<br />
-#3899 “Hammer Blows of Fate (Tragic Chord & Tail)” Garriguenc<br />
-#3900 “The Empty Hour Glass” by Garriguenc<br />
-#3899 “Hammer Blows of Fate (Tragic Chord & Tail)” <strong>CBS</strong> XII 44-E<br />
NOTE: This specific cue by Garriguenc was used quite frequently as part of the<br />
“Fate” music sequences in the openings of The Fugitive series. Instrumentation: flute,<br />
oboes, 2 clarinets, bassoon, 2 horns, 2 trumpets, 2 trombones, 4 violins I, 4 violins II, 1<br />
cello, 2 basses, timp. Violins I play ff Line 3 Bb sforzando-marked dotted half note in 3/4<br />
time tied to (Bar 2 in 4/4 time) whole note decrescendo to (Bar 3) same Bb whole note p<br />
tied to whole note next bar (silent in end Bar 5). Violins II play this pattern on Line 3<br />
D/F# notes. The cello and contrabasses play Great octave A sforzando dotted half note<br />
tied to half note in Bar 2 (then silent). Pos play this VC/CB pattern on small octave F/G#<br />
notes, and trumpets on Line 1 E/G, and horns on Line 1 C# [written G#]. The bassoon<br />
plays it on Great octave A dotted half note tied to half note in Bar 2, and clarinets on Line<br />
2 C/Eb, oboe on Line 2 B, and so also the flute. The timp is rolled on Great octave A<br />
dotted quarter note to A-A-A 8ths to (Bar 2), after an 8 th rest, A-A-A sforzando 8ths<br />
(followed by an 8 th rest) to A-A-A 8ths (repeated in Bars 3-4). After a quarter and 8 th rest<br />
in Bar 3, the flute sounds mp Line 2 Eb 8 th up to B 8 th down to C 8 th tied to quarter note<br />
(repeated next bar).At the end of Bar 3, the clarinets sound mp Line 1 E [written F#] up to<br />
(Bar 4) G 8 th down to C# 8 th tied to quarter note (followed by two quarter rests) to (end<br />
Bar 5) E/G whole notes sounded p and held fermata. After two quarter and an 8 th rest in<br />
Bar 4, the English horn plays mp < > Line 1 E [written Line 1 B] 8 th up to G 8 th down to<br />
C# 8 th tied to whole note held fermata in end Bar 5. The bassoon in Bar 5 plays p Great<br />
octave A whole note held fermata. Horns here play small octave F/G# [written Line 1<br />
C/D#] whole notes held fermata.<br />
-cues # 3881-3890 most by Van Cleave. For example:<br />
-#3884 “Rural Bridge” <strong>CBS</strong> XII 51-E, E master 20<br />
-#3887 “Suburbs Bridge # 2” <strong>CBS</strong> XII 45-E<br />
-#3888 “Big City Bridge #1” <strong>CBS</strong> XII 45-E, E master 22<br />
-#3889 “Big City Bridge # 2”<br />
-cues # 3871-3880 by William Lava. For example:<br />
-#3873 “Country Wayside” <strong>CBS</strong> XII 45-E, E master # 20.<br />
-#3874 “Suburbia USA” <strong>CBS</strong> XII 45-E, E master 20. Six pages.<br />
-#3876 “Tension-Dramatic-Crescendo Thru Chords-Repetitive” by Van Cleave <strong>CBS</strong> XII<br />
45-E, XII E master 21<br />
-#3878 “Passing Thru Country” by Dominic Frontiere. <strong>CBS</strong> XII 45-E, E Master 20, 30<br />
pages, 118 bars. With Spirit in 6/8 time, key signature of one sharp. 2 flutes, oboe, 2<br />
39
clarinets, bass clarinet, bassoon, 2 horns, bells, traps, piano, 12 violins A-B-C, 4 VC< 2<br />
CB.<br />
-Yuman Indian Legends by Moraweck<br />
[Box # 80] “Garriguenc, Rene. FS. Format: MS. Foreign Library : folders 3111-<br />
3120. Misc. cues Pete & Gladys. TV Series. FS. Format: MS. Foreign Library : folders<br />
3111-3120; Green, Bernard. 3 Brothers. FS. Format: MS. Foreign Library : folders<br />
3111-3120; Steiner, Fred. Romantic Melodie. FS. Format: MS. Foreign Library : folders<br />
3121-3130; Moraweck, Lucien. J. Strauss Medley. FS. Format: MS. Foreign Library :<br />
folders 3121-3130; Stevens, Leith. Have Gun Will Travel. Poker Fiend (ep). TV Series.<br />
<strong>Score</strong> no: CPN5920. SS. Format: OZM. Foreign Library : folders 3152-3162;<br />
Goldsmith, Jerry. Have Gun Will Travel. Fatalist (ep). TV Series. Foreign Library :<br />
folders 3124-3134; Goldsmith, Jerry. Have Gun Will Travel. Head of Hair (ep). TV<br />
Series. <strong>Score</strong> no: CPN5923. Foreign Library : folders 3163-3178; Goldsmith, Jerry.<br />
Have Gun Will Travel. Monte Bank (ep). TV Series. <strong>Score</strong> no: CPN5936. FS. Format:<br />
OZM. Foreign Library : folders 3179-3189” [NOTE: I worked on this box 5-30-95]<br />
-HGWT episode “Monte Bank” music by Rene Garriguenc, starting #3186<br />
-HGWT episode “Head of Hair” music by J. Goldsmith starting cue # 3163. CPN 5923<br />
-HGWT episode “Fatalist” music by Goldsmith starting # 3124. CPN 5915<br />
-HGWT episode “Poker Fiend” music by Leith Stevens CPN 5920. Sample cues:<br />
-#3153 “Sarah”<br />
-#3154 “Neil’s Room”<br />
-#3155 “Brown & Sturge’s”<br />
Note: Various tracks of this music along with Steiner’s “Quiet Night in Town”<br />
and “My Brother’s Keeper” are on a transcription disc at the Gene Autry Western<br />
Museum.<br />
-#3122 “Romantic Melody # 1” and # 2 by Fred Steiner<br />
ETC.<br />
[Box # 81] “Moraweck, Lucien. Have Gun Will Travel. Sanctuary (ep). TV Series.<br />
<strong>Score</strong> no: CPN5941. FS. Format: OZM. Foreign Library : folders 3190-3204; Moross,<br />
Jerome. Have Gun Will Travel. Bearbait (ep). TV Series. <strong>Score</strong> no: CPN5972. FS.<br />
Format: OZM. Foreign Library : folders 3327-3339; Rosenman, Leonard. Have Gun<br />
Will Travel. Last Judgment (ep). TV Series. <strong>Score</strong> no: CPN5970. FS. Format: OZM.<br />
Foreign Library : folders 3316-3325; Garriguenc, Rene. Romance in Capri. FS. Format:<br />
MS. Foreign Library : folders 3321-3330; Steiner, Fred. Have Gun Will Travel. Long<br />
Way Home (ep). TV Series. <strong>Score</strong> no: CPN5946. FS. Format: OZM. Foreign Library :<br />
folders 3331-3340; Mowareck, Lucien. Lost Love. FS. Format: MS. Foreign Library :<br />
folders 3331-3340” [NOTE: I pulled this box on 5-30-95 and one other date]<br />
-HGWT, “Long Way Home” Fred Steiner, starting # 3374 <strong>CBS</strong> XII 78-D-9. Sample<br />
cues:<br />
-#3375 “Last Chance”<br />
-#3376 “Bounty Hunters”<br />
-#3377 “Isham Goes”<br />
40
-#3378 “Isham’s Body”<br />
-#3379 “Paladin’s Sorrow”<br />
Note: A transcription disc of this music is available at the Gene Autry Western<br />
Museum, donated by SPFM.<br />
-HGWT “Last Judgment” L. Rosenman, CPN 5970, <strong>CBS</strong> XII 78-E-Six cues # 3316 thru<br />
3325<br />
-HGWT, “Bearbait” Jerome Moross, CPN 5972, starting # 3327. <strong>CBS</strong> XII 58-E. Starting<br />
cue is #3327. Sample cues:<br />
-#3327 (M-11) “San Francisco” Dated February 1961. Bright in 4/4 time, 13<br />
pages, 53 bars. Flute, oboe (to E.H. in Bar 9), 2 clarinets, bassoon, 2 horns, timp, piano, 4<br />
VC, CB.<br />
-#3328 (M-12) “Riding” 7 bars.<br />
-#3329 (M-13) “Sally”<br />
-#3330 (M-14) “The Café”. Flute, oboe, clarinet, bass clarinet, bassoon, 2 horns,<br />
piano, VC/CB.<br />
-#3331 “The Boys”<br />
-#3332 (M-21) “The Restaurant”<br />
-#3333 (M-22) “The Goulash” Bassoon, 2 horns, timp, piano, VC/CB.<br />
-HGWT, “Sanctuary” L. Moraweck, CPN 5941, start #3197. <strong>CBS</strong> XII 78-E-One, master<br />
# 12.<br />
-#3334 “The Hotel Room”<br />
-#3335 “Let’s Run Away”<br />
-#3336 (M-31) “Up In Sally’s Room”<br />
-#3337 “The Tell”<br />
-#3338 “The Trial”<br />
-#3339 “The Ending”<br />
[Box # 82] “Goldsmith, Jerry. Twilight Zone. Nervous Man (ep). TV Series. <strong>Score</strong><br />
no: CPN5924. FS. Format: MS. Foreign Library : folders 3393-3401 Pete & Gladys. TV<br />
Series. <strong>Score</strong> no: CPN5973. FS. Format: MS. Foreign Library : folders 3611-3620 Pete &<br />
Gladys. Orchid Story (ep). TV Series. <strong>Score</strong> no: CPN5976. FS. Format: MS. Foreign<br />
Library : folders 3624-3628 Pete & Gladys. TV Series. <strong>Score</strong> no: CPN5973. FS. Format:<br />
MS. Foreign Library : folders 3621-3630 Pete & Gladys. TV Series. <strong>Score</strong> no: CPN5976.<br />
FS. Format: MS. Foreign Library : folders 3621-3630 Pete & Gladys. Study in Grey, A<br />
(ep). TV Series. <strong>Score</strong> no: CPN5980. FS. Format: MS. Foreign Library : folders 3639-<br />
3653; Moraweck, Lucien. Chisholme Trail. FS. Format: OZM. Foreign Library : folders<br />
3651-3660; Steiner, Fred. Western Cues. FS. Format: OZM. Foreign Library : folders<br />
3651-3660; Garriguenc, Rene. Chisholme Trail. Foreign Library : folders 3661-3670;<br />
Steiner, Fred. Big City Mouse. Foreign Library : folders 3661-3670; Hatch, Wilbur.<br />
Scherzo. Foreign Library : folders 3661-3670” [NOTE: I worked on this box at least once<br />
but I forgot to note the date except it was in the fall of 1994.]<br />
-Twilight Zone, “Nervous Man” Jerry Goldsmith. CPN 5924. Sample cues:<br />
-#3393 (M-11) “The Jitters” Alto flute, paper blocks, bass guitar, piano.<br />
-#3394 (M-12) “The Phone” Flute, xylophone, piano.<br />
-Big City Moods by Fred Steiner dated April 1961.<br />
41
-#3659 “Rural Settings” <strong>CBS</strong> XII E master # 11. Andante in 12/8 time, 5 bars. 2 flutes,<br />
oboe, 2 clarinets, bassoon, 2 trumpets, 2 trombones, glock, wood blocks, harp, piano, 8<br />
violins, CB.<br />
-#3660 “Western Wanderer” <strong>CBS</strong> XII E master #27<br />
83 “Rosenman, Leonard. Indian. FS. Format: OZM. Foreign Library : folders 3671-<br />
3680 FS. Format: MS,OZM. Foreign Library : folders 3681-3690. Cues and tags FS.<br />
Format: MS. Foreign Library : folders 3691-3700. Cues and tags; Hatch, Wilbur.<br />
Untitled. <strong>Score</strong> no: CPN5948. FS. Format: MS. Foreign Library : folders 3100-3102;<br />
Alexander, Jeff. Twilight Zone. Trouble With Templeton (ep). TV Series. <strong>Score</strong> no:<br />
CPN5943. FS. Format: OZM. Foreign Library : folders 3437-3452; Antonini, Alfredo.<br />
Morning Frolic. FS. Format: MS,OZM. Foreign Library : folders 5189; Ray, Don.<br />
Aftermath. FS. Format: MS. Foreign Library : folders 5317; Goldsmith, Jerry.<br />
Gunsmoke. TV Series. Show no: 0154-0229. <strong>Score</strong> no: CPN5956. Foreign Library :<br />
folders 3841-3850; Hatch, Wilbur. Pete & Gladys. For Pete's Sake (ep). TV Series. FS.<br />
Format: MS. Foreign Library : folder 3006”<br />
[Box # 84] “Mowaweck, Lucien. Chords Montage. FS. Format: MS. Foreign Library<br />
: folders 3851-3899; Steiner, Fred. Relentless Chords. FS. Format: MS. Foreign Library<br />
: folders 3851-3899; Steiner, Fred. American Gothic. FS. Format: MS. Foreign Library :<br />
folders 3851-3899; Van Cleave, Nathan. Western - Man Alone. FS. Format: MS.<br />
Foreign Library : folders 3851-3899; Lava, William. Country Wayside. FS. Format: MS.<br />
Foreign Library : folders 3851-3899; Lava, William. Suburbia USA. FS. Format: MS.<br />
Foreign Library : folders 3851-3899; Van Cleave, Nathan. Yuman Indian Legend. FS.<br />
Format: MS. Foreign Library : folders 3851-3899; Frontiere, Dominic. Riviera Beach<br />
City. FS. Format: MS. Foreign Library : folders 3851-3899; Frontiere, Dominic. Passing<br />
Through Country. FS. Format: MS. Foreign Library : folders 3851-3899; Van Cleave,<br />
Nathan. Sneaks. FS. Format: MS. Foreign Library : folders 3851-3899; Van Cleave,<br />
Nathan. Sneaks & Bridges. FS. Format: MS. Foreign Library : folders 3851-3899; Van<br />
Cleave, Nathan. Sneaks & Bridges & Cues. FS. Format: MS. Foreign Library : folders<br />
3851-3899; Moraweck, Lucien. Chisholm Trail. FS. Format: MS. Foreign Library :<br />
folders 3655-3684; Steiner, Fred. Western Wanderer. FS. Format: MS. Foreign Library :<br />
folders 3655-3684; Rosenman, Leonard. Indian. FS. Format: MS. Foreign Library :<br />
folders 3655-3684; Rosenman, Leonard. Lonely Man. FS. Format: MS. Foreign Library<br />
: folders 3655-3684; Rosenman, Leonard. Big City. FS. Format: MS. Foreign Library :<br />
folders 3655-3684; Rosenman, Leonard. Tags & Inserts. FS. Format: MS. Foreign<br />
Library : folders 3655-3684” [NOTE: I looked in this box in 1994 and on 5-25-95]<br />
-#3655 “Chisholm Trail Bridge # 3 (Dark)” L. Moraweck. <strong>CBS</strong> XII E master 21.<br />
-#3656 “Chisholm Bridge # 4 (Happy Ride)”<br />
-#3657 “Chisholm—Paririe Stars”<br />
-#3659-1 “Rural Settings” Andte in 12/8 time, key signature of one sharp. 5 bars, :23. 2<br />
flutes, oboe, 2 clarinets, bassoon, 2 trumpets, 2 Pos, glock, wood block (not used here),<br />
harp, 8 violins, CB.<br />
-#3659-2 “Rural Settings” 4 bars, key signature of three flats, Adagio in 6/8 time.<br />
42
-#3660 “Western Wanderer” Fred Steiner, 10 pages, <strong>CBS</strong> XII E master 27. Dated March<br />
1961. Andte in � time, key sig of two flats. Flute, piccolo, oboe, English horn, 2<br />
clarinets, bass clarinet, bassoon, 2 horns, 2 Bb trumpets, 2 Pos, percussion, harp, 4 VC, 2<br />
CB. I hand-copied the first 13 bars of this cue in the fall of 1994.<br />
-#3661 “Commanche Trail” Fred Steiner, 9 pages, dated April ’61. Duration is 2:50.<br />
-#3671 “Indian I” L. Rosenman (timp, piano, celli)<br />
-#3672 “Indian II” L. Rosenman<br />
-#3673 “Lonely Man” Rosenman<br />
-#3675 “Love Theme” Rosenman<br />
-#3676 “Big City” Rosenman<br />
-#3678 “Comedy Inserts” W. Hatch<br />
-#3679 “Tag: Off & Running” (I believe Hatch)<br />
-#3680 “Tag: Stuttering Fool” “ “<br />
-#3681 “Tag: Going Up” “ “<br />
-#3682 “Tag: About to Explore” “ “<br />
-#3684 “Tag: March Breve” “ “<br />
-#3851-I “Chords Montage # 1 (Neutral)” L. Moraweck<br />
-#3851-II “Chords Montage # 2 (Major)” L. Moraweck<br />
-#3851-III “Chords Montage # 3 (Minor)”<br />
-#3852 “Relentless Chords” (A thru J) by Fred Steiner, dated April 1961.<br />
-#3853 “American Gothic” Fred Steiner<br />
-#3854 “Nasty Sneaks” Fred Steiner<br />
-#3861 “Western—Man Alone” Van Cleave<br />
-#3873 “Country Wayside” Wm. Lava<br />
-#3874 “Suburbia—USA” Wm. Lava<br />
-#3877 “Riviera Beach City” Dominic Frontiere<br />
-#3878 “Passing Thru Country” D. Frontiere<br />
-#3880 “Short Sneak to Punct.(re Short Dissolve)” Van Cleave<br />
-#3886 “Suburbs Bridge # 1” Van Cleave<br />
-#3887 “Suburbs Bridge # 2” Van Cleave<br />
-#3888 “Big City Bridge #1” Van Cleave<br />
-#3889 “Big City Bridge # 2” Van Cleave<br />
-#3890 “Threatening Anger” Rene Garriguenc<br />
-#3891 “Hidden Anger” Rene Garriguenc<br />
-#3893” “Dead End” Garriguenc<br />
-#3895 “Tragic Revelation (Shock Chord & Tail)” Garriguenc<br />
-#3996 “Death (Sting & Tail)” Garriguenc<br />
-#3899 “Hammer Blows of Fate” (Garriguenc<br />
[Box # 85] “Poet & Peasant (von Suppe). FS. Format: OZM. Foreign Library :<br />
folders 4400-4499; Steiner, Fred. March Galant. FS. Format: MS. Foreign Library :<br />
folders 4400-4499; Steiner, Fred. March Serieuse. FS. Format: MS,OZM. Foreign<br />
Library : folders 4400-4499 FS. Format: OZ. Foreign Library : folders 4400-4499. Misc.<br />
cues; Van Cleave, Nathan. Twilight Zone. I Sing the Body Electric (ep). <strong>Score</strong> no:<br />
CPN6044. Foreign Library : folders 4400-4499; Steiner, Fred. Foreign Library : folders<br />
4400-4499. Misc cues; Buttolph, David. Foreign Library : folders 4400-4499. Misc<br />
43
cues; Steiner, Fred. New Horizons. Foreign Library : folders 4400-4499; Moraweck,<br />
Lucien. Foreign Library : folders 4400-4499. Misc. cues; Murray, Lyn. Foreign Library<br />
: folders 4400-4499. Misc. cues” [NOTE: I looked at this box at least once (date not<br />
noted on my research sheet) but probably two times since I have a separate research sheet<br />
(undated) on this box. .<br />
-“The Enemy” (documentary) David Buttolph. #4486, <strong>CBS</strong> XIII B # 3. 4 stave sketch<br />
and full score. Note: This may actually be New Horizons with “The Enemy” being the<br />
first cue…Sample cues:<br />
-#4486 “The Enemy” 9 pages<br />
-#4487 “A Study for Credits” 12 pages<br />
-#4488 “The Mirage”<br />
-#4489 “Documentary—Serious Moment”<br />
-#4490 “Documentary—[???]<br />
-#4491 “Documentary—Suspense”<br />
-“March Serieuse” Fred Steiner [Note: My notes state Perry Mason scored by Steiner…<br />
-#4434 “Onslaught” <strong>CBS</strong> XIII B # (??)<br />
-#4435 “Skyline”<br />
-#4436 “Iron Curtain” dated May 1962<br />
-“New Horizons—Documentary-Inspirational” dated May ‘62<br />
[Box # 86] “Morgan, Tommy. Western Cues. FS. Format: MS,OZM. Foreign<br />
Library : folders 4500-4599; Garriguenc, Rene. Generic Cues. FS. Format: MS. Foreign<br />
Library : folders 4500-4599; Klatzkin, Leon. FS. Format: MS. Foreign Library : folders<br />
4500-4599. Misc cues; Garriguenc, Rene. Sneaks & Punctuation. FS. Format: MS.<br />
Foreign Library : folders 4500-4599; Barnett, William A.. FS. Format: MS. Foreign<br />
Library : folders 4500-4599. Misc. cues; Shores, Richard. FS. Format: OZM. Foreign<br />
Library : folders 4500-4599. Misc. cues; Moraweck, Lucien. FS. Format: OZM. Foreign<br />
Library : folders 4500-4599. Misc. cues La Salle, Richard. Concerto Theme. FS.<br />
Format: OZM. Foreign Library : folders 4500-4599. Misc. cues; Van Cleave, Nathan.<br />
Sneaks, Tags & Cues. FS. Format: OZM. Foreign Library : folders 4500-4599;<br />
Garriguenc, Rene. FS. Format: OZM. Foreign Library : folders 4500-4599. Misc. cues.”<br />
[NOTE: I worked on this box at least on 1-30-98 but I did not take notes except for one<br />
cue that day:]<br />
-#4500 “Generic No. 7—Noble Deeds” Rene Garriguenc<br />
[Note: I also just found a research page of mine showing that I also worked on this box<br />
May 30, 1995:]<br />
-#4500 “Generic # 7—Noble Deeds” by Garriguenc. <strong>CBS</strong> XII E 27<br />
-#4501 “Generic # 8—Emphatic Major Mood to Minor” Garriguenc <strong>CBS</strong> XII E-27<br />
-#4502 “Generic # 9—Our Land” Garriguenc<br />
-#4503 “Generic # 10—Anthem Type, A Great Man, A Great Country” by Garriguenc<br />
-#4504 “Generic # 11—Aftermath of War (Dark, Heroic, Noble)” by Garriguenc<br />
-#4505 “Suspense” by Johnny Morgan, <strong>CBS</strong> XIII # 14, 1:28 duration<br />
-#4514 “Showdown” by Johnny Morgan<br />
-#4517 “Lamentoso” by Leon Klatzkin, <strong>CBS</strong> XIII E-32, (score in concert)<br />
-#4518 “Lamentoso # 1” by Klatzkin<br />
44
-#4519-1 “Sneak & Punct. No. 1” by Garriguenc <strong>CBS</strong> XIII E-34<br />
-#4526 “Transition # 1” Wm. A. Barnett, <strong>CBS</strong> XIII E-29 [thru # 7]<br />
-#4538 “Pleasant Lead-In # 1” by Barnett [thru # 4]<br />
-#4542 “Somber Lead-In # 1” by Barnett [thru # 4]<br />
-#4546 “Neutral Suspense # 2” Barnett <strong>CBS</strong> XIII E-32<br />
-#4548 “Perry Mason Lay-Over (for Bridge to Neutral Suspense)” Barnet, E-31<br />
[etc]<br />
[Box # 87] “Tiomkin, Dimitri. Rawhide. TV Series. FS. Format: OZM. Foreign<br />
Library : folders 4500-4599. Cues; Moraweck, Lucien. Have Gun Will Travel. TV<br />
Series. FS. Format: OZM. Foreign Library : folders 4500-4599. Cues; Garriguenc,<br />
Rene. Have Gun Will Travel. Detour at Hand (ep). TV Series. FS. Format: OZM. Foreign<br />
Library : folders 4500-4599; Garriguenc, Rene. Sailing Cues. FS. Format: OZM.<br />
Foreign Library : folders 4500-4599; Moraweck, Lucien. Streets of Laredo. FS. Format:<br />
OZM. Foreign Library : folders 4500-4599; Moraweck, Lucien. Blow the Man Down.<br />
FS. Format: OZM. Foreign Library : folders 4500-4599; Moraweck, Lucien. Sweet<br />
Betsy. FS. Format: OZM. Foreign Library : folders 4500-4599; Steiner, Fred. Have Gun<br />
Will Travel. TV Series. FS. Format: OZM. Foreign Library : folders 4500-4599.”<br />
[NOTE: I looked into this box on 5-30-95 and also an unspecified day in April 1995<br />
when I hand-copied a cue:]<br />
-Rawhide cue # 4586 “Light Stuff” by Tiomkin<br />
-Rawhide #4585 “Low Dramatic”<br />
-Rawhide #4584 “Suspense”<br />
-Rawhide #4583 “Across the Plain”<br />
-Rawhide #4582 “Day Street to Nite Camp”<br />
-Rawhide # 4581 “Cattle Drive”<br />
-#4587 Paladin’s Anger, Punct. Bridge, sneak to Curtain” by L. Moraweck<br />
-#4589 “Paladin’s Lonely Ride” music by Moraweck<br />
-#4591 “Paladin # 2 (Carefree Paladin)” <strong>CBS</strong> XIII B # 9<br />
-#4592 “Paladin # 3 (Paladin Waits)” <strong>CBS</strong> XIII B # 10<br />
=#4593 “Paladin # 4 (Not A Worry)”<br />
-#4594 “Pensive Paladin” music by Fred Steiner dated July ’62, <strong>CBS</strong> XIII B # 9<br />
-#4595 “Paladin Prowls” music by Fred Steiner<br />
-#4596 “Paladin’s Pony” by Fred Steiner<br />
-#4597 “Paladin’s Trek” by Fred Steiner. 16 bars, 1:05 duration. Dated July 1962.<br />
Concert score. Key signature of three flats. Flute, oboe, 2 clarinets, bassoon, 2 horns, 2<br />
trumpets, 2 Pos, timp, 4 VC, 1 CB.<br />
-#4598 “Paladin’s Peril” by Fred Steiner<br />
ETC.<br />
88 “Moraweck, Lucien. Have Gun Will Travel. Happy Day, Mr. Paladin (ep). TV Series.<br />
FS. Format: OZM. Foreign Library : folders 4600-4613; Garriguenc, Rene. FS. Format:<br />
OZM. Foreign Library : folders 4600-4613. Cues; Van Cleave, Nathan. FS. Format:<br />
OZM. Foreign Library : folders 4600-4613.”<br />
45
[Box # 89] “Alexander, Jeff. Millionaire, The. TV Series. <strong>Score</strong> no: CPN5895. FS.<br />
Format: OZM. Foreign Library : folders 2030-2058; Goldsmith, Jerry. Lonesome as<br />
Midnight. <strong>Score</strong> no: CPN5838. FS. Format: MS. Foreign Library : folders 2030-2058;<br />
Steiner, Fred. Millionaire, The. Karen Sommers (ep). TV Series. <strong>Score</strong> no: CPN5884.<br />
FS. Format: MS. Foreign Library : folders 2001-2020; Steiner, Fred. Nancy Pearson.<br />
<strong>Score</strong> no: CPN5847. FS. Format: MS. Foreign Library : folders 2021-2030; Herrmann,<br />
Bernard. Twilight Zone. Lonely, The (ep). TV Series. <strong>Score</strong> no: CPN5808. FS. Format:<br />
MS. Foreign Library : folders 2059-2069; Herrmann, Bernard. Twilight Zone. Walking<br />
Distance (ep). TV Series. <strong>Score</strong> no: CPN5809. FS. Format: MS. Foreign Library : folders<br />
2070-2080; Waxman, Franz. Twilight Zone. 16mm Shrine (ep). TV Series. <strong>Score</strong> no:<br />
CPN5825. FS. Format: MS. Foreign Library : folders 2081-2090” [NOTE: I pulled this<br />
box very early in the collection’s availability because I xeroxed the Herrmann score]<br />
-Twilight Zone, “Lonely” Bernard Herrmann, dated July 1959. Cues # 2059 thru 2070.<br />
<strong>CBS</strong> XI-78-D.<br />
-Twilight Zone, “Walking Distance” Herrmann dated August 15, 1959. Cues # 207- thru<br />
2080. <strong>CBS</strong> XI-78-D3.<br />
90 “Frank, David. Maid in America?. TV Movie. <strong>Score</strong> no: CED0367-0423. FS.<br />
Format: MS.”<br />
[Box # 91] “Snow, Mark. Games Mother Never Taught You. TV Movie. <strong>Score</strong> no:<br />
CED0424-. FS. Format: MS.; Brighton, Bruce. Stormin' Home. TV Movie. <strong>Score</strong> no:<br />
CED1220-1249. FS,RS. Format: MS,CPY.” [NOTE: I pulled this box on Feb 21, 1997]<br />
-Storming Home, Bruce Broughton<br />
-Games Mother Mark Snow<br />
[Box # 92] “Thorne, Ken. Wicked Ways. TV Movie. <strong>Score</strong> no: CED0975-1026. FS.<br />
Format: MS.; Hagen, Earle. Hagen, Deane (o). Muggable Mary. TV Movie. <strong>Score</strong> no:<br />
CED0220-0245. FS. Format: MS.” [NOTE: I pulled this box on 2-21-97]<br />
-Muggable Mary Earle Hagen<br />
-Wicked Ways Ken Thorne.<br />
[Box # 93] “Rosenman, Leonard. First Steps. TV Movie. <strong>Score</strong> no: CED1042-1081.<br />
FS. Format: MS.; Tunick, Jonathon. Brotherly Love. TV Movie. <strong>Score</strong> no: CED1185-<br />
1192. FS. Format: MS.; Tunick, Jonathon. Brotherly Love. TV Movie. <strong>Score</strong> no:<br />
CED1193-1212. FS. Format: MS.” [NOTE: I pulled this box on 2-21-97]<br />
-First Steps Leonard Rosenman<br />
-Brotherly Love, Jonathan Tunick<br />
[Box # 94] “Holdridge, Lee. Running Out. <strong>Score</strong> no: 0654-0674. FS. Format: MS.;<br />
Goldenberg, Billy. Far Shore. <strong>Score</strong> no: CED0500-0519. FS. Format: MS.; Di<br />
46
Pasquale, James. Clausen, Alf (o). Quarterback Princess. 1983/84 . Show no: 3211-<br />
0979. FS. Format: MS.” [NOTE: I pulled this box on 2-21-97]<br />
-Running Out Lee Holdridge. Verified.<br />
[Box # 95] “Goldsmith, Jerry. Playhouse 90. Rank and File (ep). TV Series. <strong>Score</strong><br />
no: CPN5802. FS. Format: MS.; Goldsmith, Jerry. Playhouse 90. Project Immortality<br />
(ep). TV Series. <strong>Score</strong> no: CPN5803. FS. Format: MS.; Courage, Alexander. Hollywood<br />
Sound Stage Theme. <strong>Score</strong> no: CPN5805. FS,RS. Format: MS,OZM,OZC. From show<br />
no.7618; Courage, Alexander. Stars in the Air Theme. <strong>Score</strong> no: CPN5806. FS,RS.<br />
Format: MS,OZM,OZC. From show no.7622; Herrmann, Bernard. Twilight Zone.<br />
Lonely (ep). TV Series. 08/05/59. <strong>Score</strong> no: CPN5808. PT. Format: OZC.; Goldsmith,<br />
Jerry. Line Up Theme. <strong>Score</strong> no: CPN5810. PT. Format: MS,OZM,OZC.; Gold, Ernest.<br />
Line Up Theme. <strong>Score</strong> no: CPN5810. PT. Format: MS,OZM,OZC. ;Tiomkin, Dimitri.<br />
Hotel de Paris Theme. TV Series. 1959 . <strong>Score</strong> no: CPN5800. RS. Format: OZM,OZC.”<br />
[NOTE: I worked on this box at least to work on Herrmann’s Twilight Zone theme]<br />
-Twilight Zone, “Lonely” (instrumental Parts only). Bernard Herrmann<br />
-#1561 “Twilight Zone Theme” (B. Herrmann). <strong>CBS</strong> 10-58-D-3<br />
-#1561 A “Twilight Zone Credits” (B. Herrmann) “ “ [Note: Both cues are full<br />
autograph cues. Moreover, these two cues are the only surviving full score versions of the<br />
pilot episode score for “Where Is Everybody?” The rest of the music for that episode was<br />
not located in this box, and I could not find it in any of the other boxes I researched.<br />
Perhaps those full cues are located in a box that I did not personally inspect, but I looked<br />
into the majority of relevant or likely boxes]<br />
[Box # 96] “Van Cleave, Nathan. Twilight Zone. Perchance to Dream (ep). TV<br />
Series. 11/05/59. <strong>Score</strong> no: CPN5837. FS. Format: MS.; Garriguenc, Rene. Gunsmoke.<br />
Miguel's Daughter (ep). TV Series. <strong>Score</strong> no: CPN5834. Reel cue no: M10. FS. Format:<br />
MS.; Stevens, Leith. Twilight Zone. Time Enough At Last (ep). TV Series. 11/02/59.<br />
Show no: 0173-3614. <strong>Score</strong> no: CPN5835. FS. Format: MS. Also includes copy of<br />
orchestra sheet (2094-2105) ;Moraweck, Lucien. Hotel de Paris. Monique's Return (ep).<br />
TV Series. 10/21/59. <strong>Score</strong> no: CPN5829. FS. Format: MS. Also includes copy of<br />
orchestra sheet; Goldsmith, Jerry. Fortina, Carl (a). Perry Mason. Paul Drake's<br />
Dilemma (ep). TV Series. <strong>Score</strong> no: CPN5830. FS. Format: MS.; Leshay, . Fortina, Carl<br />
(a). Perry Mason. Paul Drake's Dilemma (ep). TV Series. <strong>Score</strong> no: CPN5830. FS.<br />
Format: MS.; Barr, . Fortina, Carl (a). Perry Mason. Paul Drake's Dilemma (ep). TV<br />
Series. <strong>Score</strong> no: CPN5830. FS. Format: MS. ;Murray, Lyn. Millionaire, The. Tom<br />
Hampton (ep). TV Series. 11/02/59. <strong>Score</strong> no: CPN5832. FS. Format: OZC.; Moraweck,<br />
Lucien. Have Gun Will Travel. Billy Banjo (ep). TV Series. <strong>Score</strong> no: CPN5828. FS.<br />
Format: MS. Also includes copy of orchestra sheet” [NOTE: I pulled this box at least<br />
once, the date of which I neglected to insert on my research page]<br />
-Twilight Zone, “Perchance to Dream” Van Cleave, score dated 11-5-59<br />
47
-Perry Mason, “Paul Drake’s Dilemma” Goldsmith, score dated 10-21-59. Airdate 11-14-<br />
59 (third season).Sample cues {note: the cue numbers are not the official <strong>CBS</strong> Music<br />
Library sequences for the following series of cues since they are too high]:<br />
-#8812 (1922) “The Key” 8 bars, 35 seconds. 2 clarinets, oboe, bassoon, 2<br />
trumpets, 2 Pos, bass.<br />
-#8813 (1923) “The Drink” 19 bars, 1:27 duration.<br />
-#8814 (1924) “The Killing” 8 bars, :28. 4 clarinets, 3 trumpets, 3 Pos, bass,<br />
piano, timp, xylophone.<br />
-#8815 (1925) “New Boss” 2 bars, :09 � duration.<br />
-#8816 “The Payoff” 8 bars, :44.<br />
-#8817-21 “The Visit” 9 bars, 21 seconds.<br />
-#8822 “Old Alex” 14 bars, 1: 20 �.<br />
-#8823 “The Lobby” 4 bars, :19.<br />
-#8825 “The Fight” 7 bars, :15. Flute, 3 clarinets, 2 trumpets, 3 Pos, bass, piano,<br />
timp. Allegro in C time.<br />
-#8843 & 28 “Courthouse” 1 bar, :06.<br />
ETC.<br />
-Gunsmoke, “Miguel’s Daughter” Rene Garriguenc. Airdate 11-28-59.<br />
-Twilight Zone, “Time Enough at Last” Leith Stevens<br />
-Hotel de Paree, “Monique’s Return” Moraweck, score dated 10-59. Airdate 10-30-59<br />
-Millionaire, “Tom Hampton” Lyn Murray, score dated 11-2-59. Airdate 11-18-59 (6 th<br />
season).<br />
[Box # 97] “Dunlop, Paul. Have Gun Will Travel. Charles Red Dog (ep). TV Series.<br />
<strong>Score</strong> no: CPN5833. FS. Format: MS. Also includes copy of music editorial and orch.<br />
sheet; Dunlop, Paul. Gunsmoke. Brother Whelp (ep). TV Series. <strong>Score</strong> no: CPN5821.<br />
FS. Format: MS. Also includes copy of orchestra sheet; Courage, Alexander. Hotel de<br />
Paris. Gold Fever (ep). TV Series. 09/29/59. <strong>Score</strong> no: CPN5822. FS. Format: MSS.<br />
Target for Three. TV Series. 09/29/59. <strong>Score</strong> no: CPN5822. FS. Format: MS.<br />
;Goldsmith, Jerry. G.E. Theater. Last Dance (ep). TV Series. 10/03/59. <strong>Score</strong> no:<br />
CPN5824. FS. Format: MS.” [NOTE: I looked in this box at least once on July 12, 1995]<br />
-HGWT, “Charles Red Dog” Paul Dunlop. CPN 5833. Starts with cue # 2311.<br />
-Gunsmoke, “Brother Whelp” Dunlop. Cues # 2896-2905. Airdate Nov 7, 1959 (5 th<br />
season).<br />
-Hotel de Paree, “Gold Fever” A. Courage. CPN 5822.<br />
-Playhouse 90, “Target for Three” Bob Drasnin. Airdate 10-1-59 (4 th season opener)<br />
starring George C. Scott and Ricardo Montalban.<br />
-G. E. Theater, “Last Dance” Jerry Goldsmith. CPN 5824. The first cue is “Newlyweds”<br />
(strings), then “Problems” and then “Burnt Shirt” and then “New Dress,” etc.<br />
[Box # 98] “Hatch, Wilbur. Have Gun Will Travel. Fragile (ep). TV Series.<br />
09/14/59. <strong>Score</strong> no: CPN5815. FS. Format: MS.;Alexander, Jeff. Man From the Riviera.<br />
Gold and Gold (ep). TV Series. 09/14/59. <strong>Score</strong> no: CPN5817. FS. Format: OZC.;<br />
Tiomkin, Dimitri. Moraweck, Lucien (o). Hotel de Paris. Sundance Comes Home (ep).<br />
48
TV Series. <strong>Score</strong> no: CPN5818. FS. Format: MS. (2426-2439) ;Tiomkin, Dimitri.<br />
Garriguenc, Rene (o). Hotel de Paris. Sundance Comes Home (ep). TV Series. <strong>Score</strong> no:<br />
CPN5818. FS. Format: MS. (2426-2439) ;Goldsmith, Jerry. G.E. Theater. Hilter's<br />
Secret (ep). TV Series. <strong>Score</strong> no: CPN5820. FS. Format: MS.” [NOTE: I pulled this box<br />
on July 12, 1995]<br />
-Hotel De Paree Tiomkin. Orchestrated L. Moraweck. Sample cues: “Prologue” (cue #<br />
2426) “Come Home,” “To Rent A Room,” “Upstairs,” “Annette Pleads—Comes Home,”<br />
“Trouble Ahead,” “Monique Waits # 1 (#2431, M-16 A), etc. CPN 5818. Series of cues<br />
#2426-2439.<br />
-HGWT “Fragile” W. Hatch. CPN 5815.<br />
-Man From Riviera Jeff Alexander (pilot) CPN 5817<br />
-G.E. Theater, “Hitler’s Secret” Jerry Goldsmith CPN 5820. Horns, trombones, tuba,<br />
percussion.<br />
[Box # 99] “Suckman, Harry. Dog Face. TV Pilot. <strong>Score</strong> no: CPN5813. FS,PT.<br />
Format: MS,OZM,OZC.” [NOTE: I pulled this box on July 12, 1995]<br />
-Dog Face Harry Sukman (pilot show) dated 4-22-59.<br />
[Box # 100] “Van Cleave, Nathan. Twilight Zone. World of Difference (ep). TV<br />
Series. Show no: 0173-3624. <strong>Score</strong> no: CPN5879. FS. Format: MS. Also includes copy<br />
of breakdown; Hatch, Wilbur. Have Gun Will Travel. Search, The (ep). TV Series.<br />
<strong>Score</strong> no: CPN5876. FS. Format: MS.; Murray, Lyn. Have Gun Will Travel. Hatchet<br />
Man (ep). TV Series. <strong>Score</strong> no: CPN5870. FS. Format: OZM,OZC. Also includes copy of<br />
breakdown; Lava, William. Have Gun Will Travel. Misguided Father (ep). TV Series.<br />
01/60 . Show no: 0155-0108. <strong>Score</strong> no: CPN5867. FS. Format: MS. Also includes copy<br />
of breakdown; Hatch, Wilbur. Hotel de Paris. Sundance and the Boat Soldier (ep). TV<br />
Series. 01/12/60. <strong>Score</strong> no: CPN5865. FS. Format: MS. Also includes copy of orchestra<br />
sheet” [NOTE: I pulled this box on July 12, 1995]<br />
-Twilight Zone, “World of Difference” Van Cleave<br />
-HGWT, “The Search” Bill Hatch<br />
-HGWT, “Hatchet Man” Lyn Murray. CPN 5870. Note: I delineated a cue or two of this<br />
cue on one of my Potpourri rundowns, I believe. Sample cues:<br />
-#2297 (M-1011) “Crotalis”<br />
-#2298 (M-1013) “Have Gun Theme”<br />
-HGWT, “Misguided Father” Wm. Lava CPN 5867.<br />
-Hotel de Paree, “Sundance & the Best Soldier” Wilbur Hatch CPN 5865. Airdate 2-5-<br />
60.<br />
101 Rosenman, Leonard. Twilight Zone. Sky Was Open (ep). TV Series. <strong>Score</strong> no:<br />
CPN5846. FS. Format: MS. Foreign Library : folders 2101-2110; Moraweck, Lucien.<br />
Twilight Zone. Billy Banjo (ep). TV Series. <strong>Score</strong> no: CPN5846. FS. Format: MS.<br />
Foreign Library : folders 2121-2130; Stevens, Leith. Have Gun Will Travel. Champaigne<br />
Safari (ep). TV Series. <strong>Score</strong> no: CPN5839. FS. Format: MS. Foreign Library : folders<br />
49
2131-2150; Moraweck, Lucien. Have Gun Will Travel. Black Sheep (ep). TV Series.<br />
<strong>Score</strong> no: CPN5898. FS. Format: MS. Foreign Library : folders 2151-2160 ;Murray,<br />
Lyn. Have Gun Will Travel. Have Gun Card (ep). TV Series. <strong>Score</strong> no: CPN5843. FS.<br />
Format: MS. Foreign Library : folders 2161-2170 ;Murray, Lyn. Have Gun Will Travel.<br />
Laredo (ep). TV Series. <strong>Score</strong> no: CPN5843. FS. Format: MS. Foreign Library : folders<br />
2161-2170 ;Moraweck, Lucien. Have Gun Will Travel. Black Sheep (ep). TV Series.<br />
<strong>Score</strong> no: CPN5898. FS. Format: MS. Foreign Library : folders 2161-2170; Murray,<br />
Lyn. Have Gun Will Travel. Laredo (ep). TV Series. <strong>Score</strong> no: CPN5843. FS. Format:<br />
MS. Foreign Library : folders 2171-2180; Stevens, Leith. Have Gun Will Travel. Lady-<br />
Wall (ep). TV Series. <strong>Score</strong> no: CPN5864. FS. Format: MS. Foreign Library : folders<br />
2211-2230; Lava, William. Have Gun Will Travel. Misguided Father (ep). TV Series.<br />
<strong>Score</strong> no: CPN5867. FS. Format: MS. Foreign Library : folders 2231-2250; Garriguenc,<br />
Rene. Have Gun Will Travel. Stagecoach, The (ep). TV Series. <strong>Score</strong> no: CPN5855. FS.<br />
Format: MS. Foreign Library : folders 2241-2260; Scott, Nathan. Have Gun Will Travel.<br />
Love of a Bad Woman (ep). TV Series. <strong>Score</strong> no: CPN5889. FS. Format: MS. Foreign<br />
Library : folders 2261-2270<br />
102 Scott, Nathan. Have Gun Will Travel. Love of a Bad Woman (ep). TV Series. <strong>Score</strong><br />
no: CPN5889. FS. Format: MS. Foreign Library : folders 2271-2280; Scott, Nathan.<br />
Twilight Zone. Stop at Willoby (ep). TV Series. <strong>Score</strong> no: CPN5901. FS. Format: MS.<br />
Foreign Library : folders 2341-2370; Van Cleave, Nathan. Twilight Zone. Perchance to<br />
Dream (ep). TV Series. <strong>Score</strong> no: CPN5831. FS. Format: OZM. Foreign Library : folders<br />
2371-2382; Van Cleave, Nathan. Twilight Zone. What You Need (ep). TV Series. <strong>Score</strong><br />
no: CPN5856. FS. Format: MS. Foreign Library : folders 2381-2400; Van Cleave,<br />
Nathan. Twilight Zone. Elegy (ep). TV Series. <strong>Score</strong> no: CPN5869. FS. Format: MS.<br />
Foreign Library : folders 2401-2420; Van Cleave, Nathan. Tune for a Beauty Contest.<br />
FS. Format: MS. Foreign Library : folders 2401-2410. <strong>CBS</strong> Library<br />
103 Hatch, Wilbur. For the Love of Pete. <strong>Score</strong> no: CPN5892. FS. Format: MS. Foreign<br />
Library : folders 2431-2450; Steiner, Fred. G.E. Theater. Mr. Preach (ep). TV Series.<br />
<strong>Score</strong> no: CPN5900. FS. Format: MS. Foreign Library : folders 2451-2470; May, Billy.<br />
Man on the Beach. TV Series. <strong>Score</strong> no: CPN5858. FS. Format: MS. Foreign Library :<br />
folders 2471-2480; Moraweck, Lucien. Mountain Man. <strong>Score</strong> no: CPN5903. FS.<br />
Format: MS. Foreign Library : folders 2471-2480; Stevens, Leith. Mountain Man. <strong>Score</strong><br />
no: CPN5903. FS. Format: MS. Foreign Library : folders 2471-2480 ;Steiner, Fred. G.E.<br />
Theater. Mr. Preach (ep). <strong>Score</strong> no: CPN5900. FS. Format: MS. Foreign Library : folders<br />
2471-2480 ;May, Billy. Man on the Beach. TV Series. <strong>Score</strong> no: CPN5858. FS. Format:<br />
MS. Foreign Library : folders 2481-2490; Goldsmith, Jerry. Twilight Zone. Four of Us<br />
Are Dying, The (ep). TV Series. <strong>Score</strong> no: CPN5850. FS. Format: MS. Foreign Library :<br />
folders 2364-2370; Goldsmith, Jerry. Twilight Zone. Big Tall Wish (ep). TV Series.<br />
<strong>Score</strong> no: CPN5896. FS. Format: MS. Foreign Library : folders 2322-2331<br />
[Box # 104] “Moraweck, Lucien. Hotel de Paris. Blood Money (ep). TV Series.<br />
<strong>Score</strong> no: CPN5860. FS. Format: MS. Foreign Library : folders 2543-2552; Garriguenc,<br />
Rene. Hotel de Paris. Hero of Bloody Blue Creek (ep). TV Series. <strong>Score</strong> no: CPN5874.<br />
FS. Format: MS. Foreign Library : folders 2574-2585; Steiner, Fred. Hotel de Paris.<br />
50
Black Widow, A (ep). TV Series. <strong>Score</strong> no: CPN5894. FS. Format: MS. Foreign Library :<br />
folders 2611-2624; Garriguenc, Rene. Gunsmoke. Odd Men Out (ep). TV Series. <strong>Score</strong><br />
no: CPN5814. FS. Format: MS. Foreign Library : folders 2739-2747; Garriguenc, Rene.<br />
Hotel de Paris. Kid From Nowhere (ep). TV Series. <strong>Score</strong> no: CPN5862. FS. Format:<br />
MS. Foreign Library : folders 2586-2594 ;Lava, William. Hotel de Paris. Marshall of<br />
Water End (ep). TV Series. <strong>Score</strong> no: CPN5883. FS. Format: MS. Foreign Library :<br />
folders 2681-2689; Stevens, Leith. Hotel de Paris. Cost of Justice (ep). TV Series. <strong>Score</strong><br />
no: CPN5827. FS. Format: MS. Foreign Library : folders 2638-2647; Garriguenc, Rene.<br />
Twilight Zone. Monster of Maple Street (ep). TV Series. <strong>Score</strong> no: CPN5882. FS.<br />
Format: MS. Foreign Library : folders 2500-2512” [NOTE: I pulled this box at least once<br />
to hand-copy a small portion of the Steiner score]<br />
-Hotel de Paree, “Black Widow” Fred Steiner. Airdate for “Sundance & the Black<br />
Widow” was April 1, 1960 starring Patricia Medina. <strong>Score</strong> date March 1960. Sample cue:<br />
-#2622 (M-2732) “Death Duel” Flute, clarinet, bassoon, 2 horns, trumpet,<br />
trombone, tuba, timp, piano, strings (including 3 VC).<br />
[Box # 105] “Herrmann, Bernard. Suspense Theme. <strong>Score</strong> no: CPN5914. FS.<br />
Format: MS,CPY.; North, Alex. Nero Wolfe. TV Series. <strong>Score</strong> no: CPN5912. RS.<br />
Format: OZC. ;Steiner, Fred. Buick-Electra Show. Gambler, the Nun and the Radio, The<br />
(ep). TV Series. 05/18/60. <strong>Score</strong> no: CPN5911. FS. Format: MS. Includes copy of<br />
orchestra sheet ;Hatch, Wilbur. Millionaire, The. Maggie Dalton (ep). TV Series.<br />
05/15/60. <strong>Score</strong> no: CPN5910. FS. Format: MS,CPY.; Goldsmith, Jerry. Playhouse 90.<br />
Shape of the River (ep). TV Series. 05/60 . <strong>Score</strong> no: CPN5908. FS. Format: MS.;<br />
Murray, Lyn. Twilight Zone. TV Series. 04/27/60. <strong>Score</strong> no: CPN5907. FS. Format:<br />
MS,OZC.”<br />
-“Suspense” Opening and Closing sketches penned by Bernard Herrmann. CPN 5914<br />
-“New Suspense Opening and Closing” by Lucien Moraweck<br />
-Nero Wolfe Alex North. CPN 5912<br />
-Buick-Electric “Gambler, Nun & Radio” by Fred Steiner, dated May ’60. CPN 5911.<br />
Sample cues:<br />
-#3007 “Mexi-Western”<br />
-#3008 “The Gambler”<br />
-Playhouse 90, “Shape of the River” Jerry Goldsmith. CPN 5908. Sample cues:<br />
-#2906 “Hartford # 1”<br />
-#2907 “Bend of the River”<br />
Millionaire, “Maggie Dalton” Wilbur Hatch<br />
[Box # 106] “Stevens, Leith. Mountain Man. TV Pilot. 04/11/60. <strong>Score</strong> no:<br />
CPN5903. FS,PT. Format: MS. ;Paxton, George. Mr. Preach. Promised Land, The (ep).<br />
TV Pilot. 04/11/60. Show no: 0200-0548. <strong>Score</strong> no: CPN5900. OZC of lead sheet. Music<br />
by Lyn Murray, words by Paxton ;Murray, Lyn. Mr. Preach. Promised Land, The (ep).<br />
TV Pilot. 04/11/60. Show no: 0200-0548. <strong>Score</strong> no: CPN5900. OZC of lead sheet. Words<br />
by George Paxton, music by Murray Steiner, Fred (a). Mr. Preach. Wayfarer (ep). TV<br />
Pilot. 04/11/60. Show no: 0200-0548. <strong>Score</strong> no: CPN5900.; Herrmann, Bernard. On a<br />
51
Note of Triumph (Victory Show). <strong>Score</strong> no: CPN3636. RS. Format: MS. Frontier<br />
Gentlemen. <strong>Score</strong> no: CPN5735. FS. Format: MS.; Steiner, Fred. Buick Show. Snows of<br />
Kilimanjaro (ep). TV Series. <strong>Score</strong> no: CPN5897. FS. Format: MS.; Alexander, Jeff.<br />
Millionaire, The. Susan Johnson (ep). TV Series. <strong>Score</strong> no: CPN5895. FS. Format: CPY.<br />
Includes breakdown; Camarata, Tutti. Unidentified. <strong>Score</strong> no: CPN5902. FS. Format:<br />
MS.; Koury, Rex. Steiner, Fred (a). Gunsmoke. TV Series. <strong>Score</strong> no: CPN5313. FS.<br />
Format: MS.” [Note: I worked on this box at least a few times, including June 6, 1995]<br />
-Mountain Man” pilot score by Leith Stevens, CPN 5903. Sketch score of seven<br />
staves.<br />
-On A Note of Triumph by Bernard Herrmann, dated 5/8/45. CPN3636. Conductor<br />
score.<br />
-Buick episode “Snows of Kilimanjaro” by Fred Steiner<br />
-Millionaire episode “Susan Johnson” by Jeff Alexander<br />
-Gunsmoke “Closing Theme” and “Opening Signature” CPN 5313<br />
Box # 107]Van Cleave, Nathan. Gunsmoke. Lacey (ep). TV Series. <strong>Score</strong> no:<br />
CPN6011.; Garriguenc, Rene. Gunsmoke. He Learned About Women (ep). TV Series.<br />
<strong>Score</strong> no: CPN6012.; Hatch, Wilbur. Pete & Gladys. Christmas Shopping (ep). TV<br />
Series. <strong>Score</strong> no: CPN6010.; Lava, William. Have Gun Will Travel. Jonah and the Trout<br />
(ep). TV Series. <strong>Score</strong> no: CPN6009 [I pulled this box at least once because I handcopied<br />
a cue or two of the “Jonah & the Trout” score episode of HGWT]<br />
-HGWT “Jonah & the Trout” William Lava. Sample cues:<br />
-M-6711 “That’s A Boat?” Modto in 4/4 time. HGWT 30967. CPN 6009.<br />
-M-6712 “Gold Card” Andte in � time.<br />
-M-6713 “Trout Fisherman”<br />
-M-6714 “Gold River”<br />
-M-6721 “First Attempt” Andante in 2/4 time initially.<br />
[Box # 108] “Hatch, Wilbur. Gunsmoke. Old Dan (ep). TV Series. <strong>Score</strong> no:<br />
CPN6016.; Moraweck, Lucien. Have Gun Will Travel. Coming of the Tiger (ep). TV<br />
Series. <strong>Score</strong> no: CPN6015. ;Steiner, Fred. Gunsmoke. Wagon Girls (ep). TV Series.<br />
<strong>Score</strong> no: CPN6014. ;Scott, Nathan. Rawhide. Pitch Wagon (ep). TV Series. <strong>Score</strong> no:<br />
CPN6013.” [NOTE: I worked on this box 3-19-99, and I believe I hand-copied some of<br />
the cues]<br />
-Gunsmoke, “Wagon Girls” Fred Steiner. Sample cues:<br />
-#4097 (M-1810/11) “Western Girls” Modto in 4/4 time. Key sig of 2 flats.<br />
-#4098 (M-1812) “Bad Boys” 14 bars. 4 violins, 2 violas, etc. Concert score.<br />
-#4099 (M-1813) “Doc’s Tune” 11 bars<br />
-#4100 “Easy Galop” 28 bars. Concert score. Allto in � time, 28 bars, 1:18.7<br />
duration. Flute, oboe, 2 clarinets, bassoon, 2 muted horns, muted trumpet, trombone,<br />
timp, 4 violins, 2 violas, 1 cello, and 1 contrabass.<br />
-#4101 “Meet Polly” 11 bars<br />
-#4102 “Polly Pouts: Andante in C time, 4 bars.<br />
-#4103 (M-1824) “Girl’s Camp” 5 bars<br />
-#4104 (M-1825) “Meet Florida” 5 bars<br />
52
-#4105 (M-1831) “More Bad Boys” 9 bars (copy M-1812)<br />
-#4106 (M-1832) “Wagon Girls Pt I, 38 bars.<br />
-#4108 (M-1833) “Injun Chase” Bass clarinet, bassoon, 2 horns, trumpet,<br />
trombone, timp, 4 violins, 2 violas, 1 VC, 1 CB.<br />
ETC.<br />
109 Pete & Gladys. Tabor, Please Stand Up (ep). TV Series. <strong>Score</strong> no: CPN6028.; Van<br />
Cleave, Nathan. Have Gun Will Travel. Hobson's Choice (ep). TV Series. <strong>Score</strong> no:<br />
CPN6027.; Moraweck, Lucien. Have Gun Will Travel. Bandit, The (ep). TV Series.<br />
<strong>Score</strong> no: CPN6026.; Stevens, Leith. Have Gun Will Travel. Dreamgirl (ep). TV Series.<br />
<strong>Score</strong> no: CPN6025.; Steiner, Fred. Have Gun Will Travel. Hunt, The (ep). TV Series.<br />
<strong>Score</strong> no: CPN6023.<br />
110 Murray, Lyn. Amy. TV Pilot. <strong>Score</strong> no: CPN6022. Hatch, Wilbur. Pete & Gladys.<br />
TV Series. <strong>Score</strong> no: CPN6021.; Garriguenc, Rene. Have Gun Will Travel. Mark of<br />
Cain (ep). TV Series. <strong>Score</strong> no: CPN6020. ;Morgan, Tommy. Twilight Zone. Last Rights<br />
- Jeff Myrtlebank (ep). TV Series. <strong>Score</strong> no: CPN6019. ;Hatch, Wilbur. Pete & Gladys.<br />
Lover Go Away (ep). TV Series. <strong>Score</strong> no: CPN6018.<br />
[Box # 111] “Moraweck, Lucien. Gunsmoke. No Chip (ep). TV Series. <strong>Score</strong> no:<br />
CPN5930.; Murray, Lyn. Gunsmoke. Unloaded Gun (ep). TV Series. <strong>Score</strong> no:<br />
CPN5927.; Herrmann, Bernard. Twilight Zone. Eyes of the Beholder (ep). TV Series.<br />
<strong>Score</strong> no: CPN5926. ;Goldsmith, Jerry. Have Gun Will Travel. Head of Hair (ep). TV<br />
Series. <strong>Score</strong> no: CPN5923.; Alexander, Jeff. Grand Central City. <strong>Score</strong> no: CPN5922.”<br />
[NOTE: I definitely pulled this box quite early in 1989 because of the Herrmann<br />
material]<br />
-#3055 “<strong>CBS</strong> Fanfares” Bernard Herrmann dated August 1960. <strong>CBS</strong> 11-61-D.<br />
-#3056 “New Twilight Zone Theme. Herrmann. <strong>CBS</strong> 11-58-D.<br />
-#3056 A “Twilight Zone Themes (2 nd revision) Opening” Herrmann<br />
-#3056 B “New Twilight Zone Theme (Closing)” Herrmann dated Aug 26, 1960.<br />
-#3057 Twilight Zone, “Eyes of the Beholder” Herrmann, dated August 1960. Cues #<br />
3057-1 thru 11.<br />
-Gunsmoke, “Head of Hair” Goldsmith. Sample cues:<br />
-#3163 “The Hotel”<br />
-#3165 “The Fort”<br />
-#3166 “The Proposition”<br />
-#3167 “The Watchers”<br />
Note: This music is available as a transcription disc (11 7/7 diameter) as Side B<br />
along with the HGWT “Long Way Home” cues (Side A).<br />
-Gunsmoke, “Unloaded Gun” by Lyn Murray. Sample cues:<br />
-#3732 (M-13) “Blood Fever-I” Two clarinets, 4 horns, piano, 4 celli.<br />
-#3736 (M-24) “Slowest Gun in Dodge”<br />
[Box # 112] “Goldsmith, Jerry. Gunsmoke. Love Thy Neighbor (ep). TV Series.<br />
<strong>Score</strong> no: CPN5942.; Murray, Lyn. Roy Coots Theme. <strong>Score</strong> no: CPN5940. Words by<br />
53
Friedburg & Simon, music by Murray; Friedburg, . Roy Coots Theme. <strong>Score</strong> no:<br />
CPN5940. Words by Friedburg & Simon, music by Lyn Murray Simon, . Roy Coots<br />
Theme. <strong>Score</strong> no: CPN5940. Words by Friedburg & Simon, music by Lyn Murray;<br />
Kuller, Sid. Drumbeater Theme. <strong>Score</strong> no: CPN5939. Written by Kuller and Lyn<br />
Murray, Lyn. Drumbeater Theme. <strong>Score</strong> no: CPN5939. Written by Murray and Sid<br />
Kuller ;Steiner, Fred. Gunsmoke. Long Hours, Short Pay (ep). TV Series. <strong>Score</strong> no:<br />
CPN5937. ;Garriguenc, Rene. Have Gun Will Travel. Monte Bank (ep). TV Series.<br />
<strong>Score</strong> no: CPN5936.; Herrmann, Bernard. Gunsmoke. Harriet (ep). TV Series. <strong>Score</strong><br />
no: CPN5934. FS,PT. Format: MS.; Herrmann, Bernard. Gunsmoke. Kitty Shot (ep).<br />
TV Series. <strong>Score</strong> no: CPN5933. PT. Format: MS. Includes breakdown” [NOTE: I pulled<br />
this box in 1989 and xeroxed the Herrmann scores]<br />
-Gunsmoke, “Kitty Shot” Bernard Herrmann, dated October 3, 1960. Cues # 3754 thru<br />
3765. Note: I believe the Parts are contained here as well.<br />
-Gunsmoke, “Harriet” Bernard Herrmann, dated Oct 24, 1960. Cues # 3766 thru 3778.<br />
Another copy is Box # 112.<br />
[Box # 113] “Steiner, Fred. Gunsmoke. Minnie (ep). TV Series. <strong>Score</strong> no: CPN5957.<br />
;Brandt, Carl. Pete & Gladys Theme. TV Series. <strong>Score</strong> no: CPN5954. ;Goldsmith,<br />
Jerry. Mr. Doc. TV Pilot. <strong>Score</strong> no: CPN5953. ;Steiner, Fred. Have Gun Will Travel.<br />
Quiet Night in Town (ep). TV Series. <strong>Score</strong> no: CPN5951.; Steiner, Fred. Have Gun<br />
Will Travel. Long Way Home (ep). TV Series. <strong>Score</strong> no: CPN5946. ;Steiner, Fred. Have<br />
Gun Will Travel. Fog Bound (ep). TV Series. <strong>Score</strong> no: CPN5944.; Herrmann,<br />
Bernard. Gunsmoke. Tall Trapper (ep). TV Series. <strong>Score</strong> no: CPN5945.” [NOTE: I<br />
looked in this box at least a few times, once in 1989 when I xeroxed the Herrmann score]<br />
-Gunsmoke, “Tall Trapper” Bernard Herrmann, dated November 20, 1960. Cues # 3806<br />
thru 3819.<br />
114 Lava, William. Gunsmoke. Little Girl (ep). TV Series. <strong>Score</strong> no: CPN5964.;<br />
Moross, Jerome. Gunsmoke. Stolen Horses (ep). TV Series. <strong>Score</strong> no: CPN5963.;<br />
Moraweck, Lucien. Have Gun Will Travel. Every Man (ep). TV Series. <strong>Score</strong> no:<br />
CPN5962.; Williams, John. Gunslinger Main Title. TV Series. <strong>Score</strong> no: CPN5960.<br />
115 “Hatch, Wilbur. For Pete's Sake. TV Pilot. <strong>Score</strong> no: CPN5892.; Goldsmith,<br />
Jerry. Playhouse 90. Tomorrow (ep). TV Series. <strong>Score</strong> no: CPN5891. ;Murray, Lyn.<br />
Have Gun Will Travel. International Affair (ep). TV Series. <strong>Score</strong> no: CPN5888.;<br />
Goldsmith, Jerry. Playhouse 90. Cruel Day (ep). TV Series. <strong>Score</strong> no: CPN5887.;<br />
Hatch, Wilbur. Have Gun Will Travel. Gladiators (ep). TV Series. <strong>Score</strong> no: CPN5885.;<br />
Lava, William. Hotel de Paris. Marshall of Waters End (ep). TV Series. <strong>Score</strong> no:<br />
CPN5883.” [NOTE: According to red binder # 46, the Playhouse 90 “Tomorrow” cues<br />
encompass #1839 thru 1860. <strong>CBS</strong> 11-78-D-8.<br />
116 Marshall, Jack. Have Gun Will Travel. Proof of Love (ep). TV Series. <strong>Score</strong> no:<br />
CPN5996.; Lava, William. Have Gun Will Travel. Race, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5990.; Scott, Nathan. Have Gun Will Travel. Odds for Big Red (ep). TV Series.<br />
54
<strong>Score</strong> no: CPN5988.; Van Cleave, Nathan. Gunsmoke. Apprentice Doc (ep). TV Series.<br />
<strong>Score</strong> no: CPN5993. ;Steiner, Fred. Gunsmoke. Squaw, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5989.; Hatch, Wilbur. Pete & Gladys. Crosswires (ep). TV Series. <strong>Score</strong> no:<br />
CPN5991. ;Van Cleave, Nathan. Twilight Zone. Two (ep). TV Series. <strong>Score</strong> no:<br />
CPN5987.<br />
[Box # 117] “Alexander, Jeff. Have Gun Will Travel. Cure, The (ep). TV Series.<br />
<strong>Score</strong> no: CPN5965.; Moraweck, Lucien. Have Gun Will Travel. Brother's Keeper (ep).<br />
TV Series. <strong>Score</strong> no: CPN5967. ;Rosenman, Leonard. Have Gun Will Travel. Last<br />
Judgment (ep). TV Series. <strong>Score</strong> no: CPN5970.; Steiner, Fred. Gunsmoke. Chester's<br />
Dilemma (ep). TV Series. <strong>Score</strong> no: CPN5971.; Moross, Jerome. Have Gun Will Travel.<br />
Bear Bait (ep). TV Series. <strong>Score</strong> no: CPN5972.; Moraweck, Lucien. Twilight Zone.<br />
Purple Testament (ep). TV Series. <strong>Score</strong> no: CPN5868.” [NOTE: I worked on this box on<br />
a date I forgot to annotate on my sheet]<br />
-HGWT, “Last Judgment” Airdate March 11, 1961. Music by Leonard Rosenman. CPN<br />
5970. Specific cues as follows:<br />
-#3316 “Enter Paladin” 12 bars, 1:25 duration. <strong>CBS</strong> XII E master # 24.<br />
-#3317 “Mistreated Prisoner” 11 bars<br />
-#3318 “Summons Help” 4 bars<br />
-#3319 “Convening Jury” 7 bars<br />
-#3320 “Jury Drinks” 7 bars.<br />
-#3322 “Paladin Shot” Clarinet, bass clarinet, horn, 2 “C” trumpets, 2 Pos, timp,<br />
celli.<br />
Etc.<br />
-HGWT “Bear Bait” Jerome Moross. Airdate 5-13-61. CPN 5972, dated Feb 1961.<br />
Complete cues:<br />
-#3327 (M-11) “San Francisco” Bright in 4/4 time, 53 bars, 13 pages. Flute, oboe<br />
(to E.H.), 2 clarinets, bassoon, 2 horns, timp, piano, 4 celli, CB.<br />
-#3328 (M-12) “Riding” Bright in 4/4 time, 7 bars.<br />
-#3329 (M-13) “Sally” fast in � time.<br />
-#3330 “The Café”<br />
-#3331 “The Boys”<br />
-#3332 (M-21) “The Restaurant”<br />
-#3333 (M-22) “The Goulash”<br />
-#3334 “The Hotel Room”<br />
-#3335 “Let’s Run Away”<br />
-#3336 (M-31) “Up in Sally’s Room”<br />
-#3337 “The Tell”<br />
-#3338 “The Trial”<br />
-#3339 “The Ending”<br />
-Gunsmoke, “Chester’s Dilemma” by Fred Steiner dated Feb 1961. Airdate 5-20-61<br />
-cue # 3875x (M-3211) “Ground Bass” <strong>CBS</strong> XII E master 18. 8 violins, 2 violas,<br />
2 VC, 1 CB, guitar.<br />
-ends on cue # 3890z (M-3234A) “Coda”<br />
-HGWT, “My Brother’s Keeper” by L. Moraweck<br />
55
-1 st cue #3380 (M-11) “The Chess Board” <strong>CBS</strong> XII E master # 24<br />
-#3381 “Injured Rider”<br />
-#3382 “Small Town”<br />
-final cue #3392 (M-34) “Topaz Regrets”<br />
[Box # 118] “Steiner, Fred. Have Gun Will Travel. Education of Sarah Jane (ep). TV<br />
Series. <strong>Score</strong> no: CPN5983. Defenders Theme. TV Series. <strong>Score</strong> no: CPN5982. Twentieth<br />
Century Theme. TV Series. <strong>Score</strong> no: CPN5982. Eyewitness to History Theme. TV<br />
Series. <strong>Score</strong> no: CPN5982. U.S. Steel Hour Theme. TV Series. <strong>Score</strong> no: CPN5982.<br />
Candid Camera Theme. TV Series. <strong>Score</strong> no: CPN5982. Checkmate Theme. TV Series.<br />
<strong>Score</strong> no: CPN5982. Andy Griffith Theme. TV Series. <strong>Score</strong> no: CPN5982. Hennessy<br />
Theme. TV Series. <strong>Score</strong> no: CPN5982.; Steiner, Fred. Rawhide. Night on the Town<br />
(ep). TV Series. <strong>Score</strong> no: CPN5981.; Hopkins, Kenyon. Beachfront Theme. TV Series.<br />
<strong>Score</strong> no: CPN5979. ;Rosenman, Leonard. Gunsmoke. Imposter (ep). TV Series. <strong>Score</strong><br />
no: CPN5977.” [NOTE: I pulled this box and hand-copied a few cues on 3/17/95]<br />
-The Defenders “Main Title” Leonard Rosenman. Flute, clarinet, bassoon, horn, 2<br />
trumpets, trombone, piano, bass drum, 4 violins, cello, D.B. (contrabass).<br />
-“Dick Van Dyke Theme” Earl H. Hagen. Shuffle style in 4/4 time, key signature of two<br />
flats. One stave conductor reduction, 26 bars. 1961.<br />
-“The Theme from the Andy Griffith Show (The Fishin’ Hole)” Earle Hagen & Herbert<br />
Spencer. Modto with a Beat in Cut time. Two-stave reduction.<br />
-“Checkmate Song” Jonny Williams, CPN 5982, Revue Studios, Universal City, Hawaii<br />
Music Co, Inc. Two-stave reduction.<br />
[Box # 119] “Moraweck, Lucien. Gunsmoke. Perce (ep). TV Series. <strong>Score</strong> no:<br />
CPN5986.; Hatch, Wilbur. Gunsmoke. Old Yellow Boots (ep). TV Series. <strong>Score</strong> no:<br />
CPN5985.; Murray, Lyn. Have Gun Will Travel. Knight to Remember (ep). TV Series.<br />
<strong>Score</strong> no: CPN5984.” [NOTE: I worked on this box at least once on an undisclosed date]<br />
-Gunsmoke, “Perce” by L. Moraweck CPN 5986. Original airdate September 30, 1961.<br />
This was the opening episode of the seventh season (now an hour format still in B/W).<br />
Production # 31004.<br />
-HGWT “Knight To Remember” by Lyn Murray dated July 1961 (original airdate not<br />
until December 9, 1961). CPN 5984. Sample cue:<br />
-#4345 “The Fencer”<br />
120 Morgan, Tommy. Twilight Zone. Garrity and the Graves (ep). TV Series. <strong>Score</strong> no:<br />
CPN6144. ;Steiner, Fred. Gunsmoke. Cale (ep). TV Series. <strong>Score</strong> no: CPN6043.; Hatch,<br />
Wilbur. Pete & Gladys. Top Banana (ep). TV Series. <strong>Score</strong> no: CPN6040.; Hatch,<br />
Wilbur. Pete & Gladys. Go Help Friends (ep). TV Series. <strong>Score</strong> no: CPN6042.<br />
[Box # 121] “Hatch, Wilbur. Pete & Gladys. Maternity House (ep). TV Series.<br />
<strong>Score</strong> no: CPN6038. ;Herrmann, Bernard. Twilight Zone Theme & End Titles. TV<br />
Series. <strong>Score</strong> no: CPN6035. Herrmann, Bernard. Twilight Zone. Little Girl Lost (ep).<br />
56
TV Series. <strong>Score</strong> no: CPN6036. ;Almeida, Laurindo. Twilight Zone. Gift, The (ep). TV<br />
Series. <strong>Score</strong> no: CPN6041. ;Morgan, Tommy. Twilight Zone. Hocus-Pokus & Frisby<br />
(ep). TV Series. <strong>Score</strong> no: CPN6039.; Steiner, Fred. Gunsmoke. Summons, The (ep). TV<br />
Series. <strong>Score</strong> no: CPN6037.” [NOTE: I pulled this box several times, once in 1989 when<br />
xeroxing was allowed, and another time on 5-24-95. I also looked in this box on August<br />
1, 2003. It was also at this session that I pulled from the General Music Corp. Collection<br />
Box 8 that held Malcolm Arnold’s Cowboy in Africa score (what cues were available,<br />
that is). Cue 1-M-1 has 4 flutes, 2 oboes, bass clarinet, 4 horns, 3 trumpets, 3 trombones,<br />
1 violas, 1 cello, 1 CB, 2 guitars, 4 percussion, piano, celeste.<br />
-Twilight Zone, “Little Girl Lost” Herrmann (copy, not actual autograph). Dated Feb ’62.<br />
Cues # 3988 thru 3998.<br />
-“Twilight Zone End Title” Herrmann<br />
-“Twilight Zone Main & End Titles” Constant. CPN 6035, dated 3-6-62.<br />
-Gunsmoke, “The Summons” Fred Steiner. Airdate April 21, 1962 (7 th season—first hour<br />
long B/W season).<br />
-Twilight Zone, “Hocus-Pokus & Frisby” by Tommy Morgan<br />
-Pete & Gladys :Maternity House” by Wilbur Hatch dated 3-20-62<br />
-Twilight Zone, “The Gift” by Laurindo Almeida, dated 4-2-62. Two guitars are<br />
highlighted. Examples of cues:<br />
-“The Ravens” Marcato in C time.<br />
-“Footprints”<br />
-“This Is Pedro”<br />
-“The Stranger”<br />
-“Blood & Wine”<br />
-“Look at Stars”<br />
-“Waiting for Gift”<br />
-“For Good & All”<br />
-“The Search for Stranger”<br />
-“Destroy the Gift”<br />
Twilight Zone, “Little Girl Lost” by Bernard Herrmann dated 3-6-62 (score in ink). Cues<br />
# 3988-3998.<br />
[Box # 122] “May, Billy. Young Man in a Hurry. TV Pilot. <strong>Score</strong> no: CPN6033.<br />
;Hatch, Wilbur. Pete & Gladys Theme. TV Series. <strong>Score</strong> no: CPN6032.; Hatch,<br />
Wilbur. Pete & Gladys. Never Forget a Friend (ep). TV Series. <strong>Score</strong> no: CPN6031.;<br />
Hatch, Wilbur. Have Gun Will Travel. Don't Shoot the Piano Player (ep). TV Series.<br />
<strong>Score</strong> no: CPN6029. ;Garriguenc, Rene. Gunsmoke. Gallows (ep). TV Series. <strong>Score</strong> no:<br />
CPN6030.”[NOTE: I worked on this box 11-11-97]<br />
-Young Man In A Hurry by Billy May, dated 2-16-62.<br />
-Pete & Gladys Theme by Wilbur Hatch, dated 2-15-62<br />
-Pete & Gladys, “Never Forget A Friend” by Hatch, dated 2-15-62.<br />
-HGWT “Don’t Shoot the Piano Player” by Hatch, dated 2-9-62.<br />
-Gunsmoke, “The Gallows” by Rene Garriguenc, dated 2-19-62.<br />
57
[Box # 123] “Hatch, Wilbur. Twilight Zone. Still Valley (ep). TV Series. <strong>Score</strong> no:<br />
CPN5997.; Kessel, Barney. Perry Mason. Missing Melody (ep). TV Series. <strong>Score</strong> no:<br />
CPN5995.; Hatch, Wilbur. Have Gun Will Travel. Kid, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5992.” [NOTE: I worked on this cue 11-11-63]<br />
-Perry Mason, “Missing Melody” by Barney Kessel dated September 1961.<br />
-Twilight Zone, “Still Valley” by Hatch, dated October 1961.<br />
-HGWT, “The Kid” by Hatch, dated September 1961. Airdate Dec 23, 1961.<br />
124 “Van Cleave, Nathan. Twilight Zone. Midnight Sun (ep). TV Series. <strong>Score</strong> no:<br />
CPN6001.; Hatch, Wilbur. Have Gun Will Travel. Piano, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN6002. ;Moraweck, Lucien. Have Gun Will Travel. Blind Circle (ep). TV Series.<br />
<strong>Score</strong> no: CPN6000. ;Steiner, Fred. Gunsmoke. All That (ep). TV Series. <strong>Score</strong> no:<br />
CPN5998.”<br />
125 “Hatch, Wilbur. Pete & Gladys. Three Loves of Gladys (ep). TV Series. <strong>Score</strong> no:<br />
CPN6008.; Van Cleave, Nathan. Star Witness. TV Pilot. <strong>Score</strong> no: CPN6007.; Stevens,<br />
Leith. Gunsmoke. Do-badder (ep). TV Series. <strong>Score</strong> no: CPN6005.; Steiner, Fred.<br />
Rawhide. Peddler, The (ep). TV Series. <strong>Score</strong> no: CPN6004.; Scott, Nathan. Twilight<br />
Zone. Young Man's Family (ep). TV Series. <strong>Score</strong> no: CPN6003.”<br />
[Box # 126] “Garriguenc, Rene. Have Gun Will Travel. Caged at MacNaab (ep). TV<br />
Series. <strong>Score</strong> no: CPN6068.; Hatch, Wilbur. Have Gun Will Travel. Bob Wire (ep). TV<br />
Series. <strong>Score</strong> no: CPN6066.; Moraweck, Lucien. Have Gun Will Travel. Unforgiving<br />
Minutes (ep). TV Series. <strong>Score</strong> no: CPN6067.” [I worked on this box 1-6-98]<br />
-HGWT episode, “Caged at MacNab” (airdate 2-16-63). <strong>Score</strong> by Rene Garriguenc, dated<br />
11-26-62.<br />
-cue # 4682 (M-7911) “Paladin’s Hands”<br />
-cue # 4697 “The Answer” [etc]<br />
-HGWT episode, “Bob Wire” (airdate January 12, 1963). Music by W. Hatch, dated 11-<br />
12-62.<br />
-cue # 4723 “Extra Cards”<br />
-cue # 4736 “Wired for Romance” [etc]<br />
-HGWT episode, “Unforgiving Minutes” (airdate January 26, 1963). Music by L.<br />
Moraweck, dated 11-19-62.<br />
[Box # 127] “Steiner, Fred. Rawhide. Reluctant Bridegroom (ep). TV Series. <strong>Score</strong><br />
no: CPN6065.; Steiner, Fred. Have Gun Will Travel. Black Bull (ep). TV Series. <strong>Score</strong><br />
no: CPN6064. ;Van Cleave, Nathan. Have Gun Will Travel. Debutatne (ep). TV Series.<br />
<strong>Score</strong> no: CPN6063.” [NOTE: I worked on this box 1-6-98]<br />
-Rawhide episode, “Reluctant Bridegroom”(airdate November 30, 1962). Music by Fred<br />
Steiner, dated 11-7-62.<br />
-cue # 4954 (M-1211) “Stage Coach” (1 st cue)<br />
-cue # 4977 “Honest Sam” (last cue)<br />
-HGWT episode, “Black Bull” (airdate April 13, 1963). Music by Fred Steiner, dated 10-<br />
30-62.<br />
58
-cue # 4908 (6511) “Paladin Dines” (1 st cue)<br />
-cue # 4925 “Elena’s Love” (final cue)<br />
-HGWT episode, “Debutante” (airdate January 19, 1963). Music by Van Cleave<br />
-cue # 4784 (6911) “Hometown Music”<br />
-thru #4797<br />
128 “Garriguenc, Rene. Have Gun Will Travel. Burning Tree (ep). TV Series. <strong>Score</strong> no:<br />
CPN6061.; Scott, Nathan. Have Gun Will Travel. Treasure (ep). TV Series. <strong>Score</strong> no:<br />
CPN6062.;Moraweck, Lucien. Have Gun Will Travel. Marshall of Sweetwater (ep). TV<br />
Series. <strong>Score</strong> no: CPN6060. ;Morgan, Tommy. Have Gun Will Travel. Be Not Forgetful<br />
of Strangers (ep). TV Series. <strong>Score</strong> no: CPN6059.; Shores, Richard. Have Gun Will<br />
Travel. Predators (ep). TV Series. <strong>Score</strong> no: CPN6058.”<br />
[Box # 129] “Steiner, Fred. Rawhide. Incident of the Four Horseman (ep). TV<br />
Series. <strong>Score</strong> no: CPN6057.; Van Cleave, Nathan. Perry Mason. Dodging Dominoes<br />
(ep). TV Series. <strong>Score</strong> no: CPN6056.; Garriguenc, Rene. Have Gun Will Travel.<br />
Caravan, The (ep). TV Series. <strong>Score</strong> no: CPN6055.” [NOTE: I worked on this box at<br />
least once on January 6, 1998]<br />
-Rawhide episode “Incident of the 4 Horsemen” scored by Fred Steiner, dated 10-10-62.<br />
-cue # 4951 “Kerran Goes” 2 flutes, bass oboe, bass clarinet, bassoon, 3 horns, 2<br />
trumpets, trombones, tuba, marimba, harp, VC/CB.<br />
-cue # 4952 “Good Old Dad” [etc]<br />
Perry Mason episode, “Dodging Dominoes” scored by Van Cleave, dated 10-5-62.<br />
-cue # 4823 “Hiya Brucie” [etc]<br />
Have Gun Will Travel episode, “The Caravan” scored by Rene Garriguenc, dated 9-28-62<br />
-cue # 4601 “Paladin’s Hotel”<br />
-cue # 4603 “Tooth Back”<br />
-cue # 4604 “Show Me the Way”<br />
-cue # 4605 “Don’t Disturb Her” [etc]<br />
130 “Scott, Nathan. Have Gun Will Travel. Man in the Hour Glass (ep). TV Series.<br />
<strong>Score</strong> no: CPN6054. Hatch, Wilbur. Have Gun Will Travel. Miracle of St. Francis (ep).<br />
TV Series. <strong>Score</strong> no: CPN6053. Moraweck, Lucien. Have Gun Will Travel. Brotherhood<br />
(ep). TV Series. <strong>Score</strong> no: CPN6052. Van Cleave, Nathan. Have Gun Will Travel. Bird<br />
of Time (ep). TV Series. <strong>Score</strong> no: CPN6051. Garriguenc, Rene. Have Gun Will Travel.<br />
Face of a Shadow (ep). TV Series. <strong>Score</strong> no: CPN6050.”<br />
[Box # 131] “Van Cleave, Nathan. Have Gun Will Travel. Genesis Story (ep). TV<br />
Series. <strong>Score</strong> no: CPN6048.; Stevens, Leith. Gunsmoke. Search (ep). TV Series. <strong>Score</strong><br />
no: CPN6049.; Steiner, Fred. Gunsmoke. Call Me Dodie (ep). TV Series. <strong>Score</strong> no:<br />
CPN6047.; Hatch, Wilbur. Pete & Gladys. Continental Dinner (ep). TV Series. <strong>Score</strong><br />
no: CPN6046. ;Hatch, Wilbur. Pete & Gladys. Arrival (ep). TV Series. <strong>Score</strong> no:<br />
CPN6045.” [I worked on this box May 1, 1998 and I believe also on January 30, 1998,<br />
and on another undisclosed date]<br />
-HGWT “Genesis Story” score by Van Cleave. CPN 6048. Dated 8-16-62<br />
-Gunsmoke “Search” composed by Leith Stevens. Dated 8-20-62<br />
59
-Pete & Gladys episode “Continental Dinner” score by W. Hatch. Dated 5-18-62<br />
-Pete & Gladys episode “Arrival” score by Hatch. Dated 5-10-62<br />
-Gunsmoke, “Call Me Dodie” by Fred Steiner. I actually hand-copied various cues<br />
but won’t get into it here. Sample cues:<br />
-#4864 (M-0610) “Pleasant Valley” 4 bars, :10 duration. Dated 8-15-62. Key sig<br />
of 5 flats. Concert pitch score. 2 horns, 6 violins, 2 violas, 2 VC< 1 CB, timp. <strong>CBS</strong> XIV-<br />
E-#16.<br />
-#4865 (M-0611) “The Kite” Moderato in C time, key sig of 5 flats. MM = 90.<br />
-#4866 (M-0612) “Dodie’s Tune” Andte in � time, key sig of 4 sharps. Vibe,<br />
glock, celeste, piano, 6 violins, 2 violas, 2 celli, then horns later on.<br />
-#4867 (M-0613) “Dodie’s Pain”<br />
-#4870 (M-0623) “Doc’s Buggy” 3/4 time, key sig of two sharps. Two horns play<br />
the Doc’s buggy theme.<br />
[Box # 132] “Scott, Nathan. Gunsmoke. Far Places (ep). TV Series. <strong>Score</strong> no:<br />
CPN6088.; Steiner, Fred. Twilight Zone. I Dream of Jeanie (ep). TV Series. <strong>Score</strong> no:<br />
CPN6085A.; Klatzkin, Leon. Rawhide. Married Widow (ep). TV Series. <strong>Score</strong> no:<br />
CPN6085.” [NOTE: I worked on this box at least once on 1-6-96]<br />
-Gunsmoke episode, “The Far Places” Music by Nathan Scott who, incidentally, just<br />
passed away late February, 2010. He was 94 years old and died of “age-related” causes.<br />
The obituary was in the LA Times dated Friday, March 5, 2010.This score was dated 3-<br />
25-63<br />
-cue # 4617 (M2910-11) “Kiss on Dodge Street” [etc]<br />
-Twilight Zone episode, “I Dream of Jeannie” Music by Fred Steiner, dated 3-6-63. <strong>Score</strong><br />
in “C”<br />
-cue # 5117 (M-6011) “Bottles” 14 E #19 & 20 [etc]<br />
-Rawhide episode, “Married Widow” by Leon Klatzkin.<br />
-cue # 4737 “Our Town” [etc]<br />
[Box # 133] Scott, Nathan. Rawhide. Pale Rider (ep). TV Series. <strong>Score</strong> no:<br />
CPN6081.; Klatzkin, Leon. Have Gun Will Travel. Lady of the 5th Moon (ep). TV<br />
Series. <strong>Score</strong> no: CPN6082.; Hatch, Wilbur. Have Gun Will Travel. Walking Years (ep).<br />
TV Series. <strong>Score</strong> no: CPN6079. [NOTE: I worked on this box January 6, 1998]<br />
-Rawhide episode, “Pale Rider” by Nathan Scott, dated 2-12-63.<br />
-cue # 4661 “The Title Card”<br />
-cue # 4662 “Herd Them Up” [etc]<br />
-HGWT episode, “Lady of the 5 th Moon” (airdate March 30, 1963). <strong>Score</strong> by Leon<br />
Klatzkin, dated 2-14-63.<br />
-cue # 4700 “Waiting” [etc]<br />
-HGWT episode, “Walking Years” (airdate March 2, 1963). Music by W. Hatch, dated 1-<br />
128-63.<br />
134 Steiner, Fred. Rawhide. Crooked Hat (ep). TV Series. <strong>Score</strong> no: CPN6078.; Steiner,<br />
Fred. Twilight Zone. Bard, The (ep). TV Series. <strong>Score</strong> no: CPN6083. ;Van Cleave,<br />
Nathan. Twilight Zone. Jess Belle (ep). TV Series. <strong>Score</strong> no: CPN6077.<br />
60
[Box # 135] “Steiner, Fred. Twilight Zone. Miniature (ep). TV Series. <strong>Score</strong> no:<br />
CPN6080.; Van Cleave, Nathan. Perry Mason. Surplus Suitors (ep). TV Series. <strong>Score</strong><br />
no: CPN6084.; Klatzkin, Leon. Have Gun Will Travel. Two Plus One (ep). TV Series.<br />
<strong>Score</strong> no: CPN6074.; Garriguenc, Rene. Have Gun Will Travel. Eve of St. Elmo (ep).<br />
TV Series. <strong>Score</strong> no: CPN6075.; Steiner, Fred. Gunsmoke. Cotter's Girl (ep). TV Series.<br />
<strong>Score</strong> no: CPN6076.” [NOTE: I worked on this box 11-11-97]<br />
-Twilight Zone, “Miniature” by Fred Steiner dated 1-29-63. Airdate Feb 21, 1963.<br />
-Perry Mason, “Surplus Suitors” by Van Cleave dated 2-15-63.<br />
-HGWT, “Two Plus One” by Leon Klatzkin dated 12-11-62. Airdate April 6, 1963.<br />
-HGWT “Eve of St. Elmo” by Rene Garriguenc, dated 12-21-62. Airdate 3-23-63.<br />
-Gunsmoke, “Cotter’s Girl” music by Fred Steiner, dated 12-20-62. Airdate 1-19-63<br />
starring Mariette Hartley.<br />
136 Van Cleave, Nathan. Wizard of Oz. <strong>Score</strong> no: CPN6071.; Scott, Nathan. Have Gun<br />
Will Travel. American Primitive (ep). TV Series. <strong>Score</strong> no: CPN6073.; Morgan,<br />
Tommy. Gunsmoke. Uncle Sunday (ep). TV Series. <strong>Score</strong> no: CPN6<strong>072</strong>.; Van Cleave,<br />
Nathan. Gunsmoke. Way It Is (ep). TV Series. <strong>Score</strong> no: CPN6069.; Steiner, Fred.<br />
Twilight Zone. Mute, The (ep). TV Series. <strong>Score</strong> no: CPN6070.<br />
[Box # 137] “Van Cleave, Nathan. Twilight Zone. Kind of Stopwatch, A (ep). TV<br />
Series. <strong>Score</strong> no: CPN6103.; Herrmann, Bernard. Twilight Zone. Living Doll (ep). TV<br />
Series. <strong>Score</strong> no: CPN6104. ;Garriguenc, Rene. Twilight Zone. In Praise of Pip (ep). TV<br />
Series. <strong>Score</strong> no: CPN6099. ;Van Cleave, Nathan. Perry Mason. Nervous Nephew (ep).<br />
TV Series. <strong>Score</strong> no: CPN6102.; Steiner, Fred. Gunsmoke. Lover Boy (ep). TV Series.<br />
<strong>Score</strong> no: CPN6101.” [NOTE: I pulled this box several times, especially since a<br />
Herrmann score is contained therein.]<br />
-Twilight Zone, “Living Doll” Herrmann (no date on score).<br />
138 Klatzkin, Leon. Rawhide. Redwing (ep). TV Series. <strong>Score</strong> no: CPN6098.; Scott,<br />
Nathan. Rawhide. El Crusero (ep). TV Series. <strong>Score</strong> no: CPN6097.<br />
[Box # 139] “Scott, Nathan. Rawhide. Alkalie Sink (ep). TV Series. <strong>Score</strong> no:<br />
CPN6092. ;Herrmann, Bernard. Twilight Zone. 90 Years Without Slumber (ep). TV<br />
Series. <strong>Score</strong> no: CPN6113.; Steiner, Fred. Gunsmoke. Kate Heller (ep). TV Series.<br />
<strong>Score</strong> no: CPN6096.” [NOTE: I pulled this box several times, especially since a<br />
Herrmann score is contained therein]<br />
-Twilight Zone, “90 Years Without Slumber”<br />
[Box # 140] “Garriguenc, Rene. Twilight Zone. Passage on Lady Ann (ep). TV<br />
Series. <strong>Score</strong> no: CPN6091.; Van Cleave, Nathan. Twilight Zone. Steel (ep). TV Series.<br />
<strong>Score</strong> no: CPN6095.; Hatch, Wilbur. Gunsmoke. Tell Chester (ep). TV Series. <strong>Score</strong> no:<br />
CPN6090.” [Note: I worked on this score 10-27-98 at <strong>UCLA</strong> to handcopy some of<br />
61
Garriguenc’s score to the Twilight Zone hour-length episode, “Passage on the Lady<br />
Anne.” ]<br />
141 Van Cleave, Nathan. Gunsmoke. I Called Him Wonder (ep). TV Series. <strong>Score</strong> no:<br />
CPN6086.; Steiner, Fred. Rawhide. Black Ace (ep). TV Series. <strong>Score</strong> no: CPN6089.;<br />
Van Cleave, Nathan. Perry Mason. Lover's Leap (ep). TV Series. <strong>Score</strong> no: CPN6087.<br />
142 Jones, Quincy. City by Night. <strong>Score</strong> no: CTV0135-0157. Schifrin, Lalo. Johnny<br />
Came Home. <strong>Score</strong> no: CTV0160-0198. Hunters. TV Series. <strong>Score</strong> no: HU0021-0051.<br />
143 Goodman, Miles. Table For Five.; Mancini, Henry. Back Roads. ;Nietzsche, Jack.<br />
All the Sad Young Men.<br />
144 Morris, John. Hayes, Jack (o). Table For Five. <strong>Score</strong> no: CTF9003.<br />
145 Goldsmith, Jerry. Morton, Arthur (o). Equals, The.<br />
146 Fielding, Jerry. “Hunters Are For Killing. <strong>Score</strong> no: CTV0001-0037.” [NOTE: This<br />
score is dated 2-25-70 Studio City]<br />
[Box # 147] “Rosenthal, Laurence. Night Chase. <strong>Score</strong> no: CTV0097-0116.;<br />
Schifrin, Lalo. Hunters. <strong>Score</strong> no: HU0021-0051. ;North, Alex. Playhouse 90 Main<br />
Title. TV Series. <strong>Score</strong> no: CPN5640. ;Goldsmith, Jerry. Fraternity. <strong>Score</strong> no:<br />
CTV0070-0090.” [NOTE: According to the old Binder # 31, Fraternity has a recording<br />
date of 6-8-70 in Studio City. The orchestra size was 34 (30 strings). Cue # 1 is “The<br />
Bell.”<br />
148 Stevens, Morton. <strong>Score</strong> no: CTN0376-0442.; Goldenberg, Billy. <strong>Score</strong> no:<br />
CTN0376-0442.<br />
149 Stevens, Morton. <strong>Score</strong> no: CTN0300-0375.<br />
[Box # 150] “Foreign Library : folders 0001-0999. Misc. TV series” [NOTE: I<br />
looked in this box fortunately on 10-25-96. I say “fortunately” because a missing Western<br />
Saga cue (“Street Music”) was in this box. It is possible it may now be in Box 5 now but<br />
I am not sure.<br />
-wjwj<br />
-#374 “Street Music” Herrmann. <strong>CBS</strong> 8-51-D-1<br />
-#387 series, Dauber Bernard Herrmann (autograph full score), 44 pages.<br />
Instrumentation: flute, oboe, 2 clarinets, bassoon, 2 Bb trumpets, 2 horns, trombone,<br />
timp, harp, celeste, piano, strings.<br />
-Brave New World Bernard Herrmann, dated 1/27/56. Autograph full score in pencil.<br />
151 Foreign Library : folders 1000-1999. Misc. TV series<br />
152 Foreign Library : folders 1000-1999. Misc. TV series<br />
62
[Box # 153] “Foreign Library : folders 1000-1999. Misc. TV series” [NOTE: I pulled<br />
this box several times because I discovered a Herrmann score therein! I hand-copied the<br />
score in December 1994]<br />
-House on K Street (pilot show) Bernard Herrmann, dated April 1959. Cues # 1596 thru #<br />
1610. <strong>CBS</strong> X-11-D. The score is 11 pages in length and in ink.<br />
[Box # 154] “Foreign Library : folders 2000-2999. Misc. TV series” [NOTE: I pulled<br />
this box several times because I discovered several Herrmann-scored Crime Classics<br />
therein!]<br />
-Crime Classics, “The Seven Layered Arsenic Cake of Madame LaFarge” Herrmann,<br />
dated 10/14/53<br />
-Crime Classics, “Billy Bonny Bloodletter: Also Know As the Kid” Herrmann, dated<br />
10/21/53.<br />
-Crime Classics, “Robby-Boy Balfour: How He Wrecked A Big Prison’s Reputation”<br />
Herrmann, dated 3/31/54.<br />
-Crime Classics, “Cesare Borgia: His Most Difficult Murder” Herrmann, dated 4/21/53.<br />
155 Foreign Library : folders 1-12. Misc. TV series<br />
156 Foreign Library : folders 13-45. Misc. TV series<br />
157 Foreign Library : folders 46-69. Misc. TV series<br />
158 Foreign Library : folders 70-186. Misc. TV series<br />
[Box # 159] “Foreign Library : folders 200-299. Misc. TV series” [NOTE: I looked<br />
in this box at least once in December 1994, but probably a few times since I hand-copied<br />
the score]<br />
-Walt Whitman Bernard Herrmann. Dated 6/20/44. Cues # 298-1 thru 15. Note: This is<br />
the third part of the Corwin series, American Trilogy, but later rerecorded here for <strong>CBS</strong><br />
Television. Sample cue:<br />
-#298-I “Emotional Suspense # 1” 5 bars. Strings, vibe, harp. <strong>CBS</strong> VIII-34-D-<br />
One, recorded London August 1957.<br />
[Box # 160] “Foreign Library : folders 300-999. Misc. TV series” [NOTE: I pulled<br />
this box also so that I can look for possible Herrmann cues. I found two Have Gun Will<br />
Travel cues.<br />
-HGWT two cues in this box at least. One is “Travel” M-17 & 22, <strong>CBS</strong> VIII 56-C, 45<br />
bars, 2:56 duration. The other is “The Knife” M-22, <strong>CBS</strong> VIII 44-C. One bar. The Pos<br />
play small octave Ab/middle Cb/Eb (Ab min) whole notes sff > and held fermata. Muted<br />
63
trumpets play Line 1 G/B/Line 2 D [written A/Line 2 C#/E] whole notes sff decrescendo<br />
hairpin and held fermata. That’s it.<br />
-Moat Farm Murder Bernard Herrmann. Cues # 390-1 thru 14. <strong>CBS</strong> 11-78-E. <strong>Score</strong><br />
originally dated July 18, 1944.<br />
161 Foreign Library : folders 4000-4199. Misc. TV series<br />
162 Foreign Library : folders 4200-4399. Misc. TV series<br />
163 Foreign Library : folders 4400-4499. Misc. TV series<br />
164 Foreign Library : folders 4500-4599. Misc. TV series<br />
165 Foreign Library : folders 4600-4899. Misc. TV series<br />
166 Foreign Library : folders 3000's. Misc. TV series<br />
167 Foreign Library : folders 3000's. Misc. TV series<br />
[Box # 168] “Foreign Library : folders 3000's. Misc. TV series” [NOTE: I pulled this<br />
box at least once to see if Herrmann music was contained therein (there was)]<br />
-Gunsmoke, “Tall Trapper” (duplicate copy).<br />
169 Foreign Library : folders 3500-3900. Misc. TV series<br />
170 Foreign Library : folders 3101-3570. Misc. TV series<br />
171 Foreign Library : folders 3841-3990. Misc. TV series<br />
172 Format: OZM. Foreign Library : folders 3100-3600. Misc. TV series<br />
173 1978 Emmy Awards. TV Special.<br />
[Box #174] “Foreign Library : folders 5000's. Misc. TV series” [NOTE: I believe I<br />
looked in this box on 1-30-98 but have not notes on my findings then but do below on<br />
another date:]<br />
-Raksin’s LineUp “New Main Title” and “New End Title” cues, <strong>CBS</strong> X 58-D<br />
-Far Horizon Robert Drasnin start cue # 5397 I believe<br />
-Great Adventure “Indians” R. Rodgers (2 pages).<br />
-“Restless” #5321 Richard Shores<br />
-#5223 “The Island” R. Shores<br />
-“Power Play” “ “<br />
-Twilight Zone, “Lady Ann” Rene Garriguenc, CPN 6091. Start cue # 5168.<br />
64
[Box # 175] “Foreign Library : folders 5317-5398. Misc. TV series “ [NOTE: I<br />
pulled this box on 8-16-95]<br />
-cue # 5379 :Lonesome Tunes” Fred Steiner dated May 1963<br />
-cue # 5376 “Perry’s Pulse” by F. Steiner<br />
-cue # 5332 “The Federalist” by Steiner<br />
[Box # 176] “Foreign Library : folders 5000's. Misc. TV series” [NOTE: This short<br />
one-liner is all that was given originally by <strong>UCLA</strong> in describing the contents of this box.<br />
I worked on the box at least once (date not annotated)]<br />
-A Perry Mason score by Fred Steiner<br />
-Gunsmoke episode, “Jeb” by Fred Steiner. CPN 6093. Start cue # 5290. Original airdate<br />
was May 25,1963. Production #31235 from the Eight season B/W one-hour format.<br />
-Twilight Zone episode, “The Bard” music by Fred Steiner, start cue # 5091. Original<br />
airdate May 23, 1963.<br />
-Twilight Zone episode, “I Dream of Genie” by Fred Steiner, start cue # 5117. Original<br />
airdate March 21, 1963.<br />
[Box # 177] A Man Called Horse by Leonard Rosenman. Cue # 3677 is “Big City.”<br />
-#3863 “Theme # 2” Van Cleave<br />
Gunsmoke, “Chester’s Dilemma” Fred Steiner. Start cue # 3875. <strong>CBS</strong> XII 78-E-Nine.<br />
Airdate May 20, 1961 (sixth season, final half-hour format).<br />
-HGWT, “Fogg Bound” Fred Steiner. Start cue # 3205. <strong>CBS</strong> XII 78-E-Two. Airdate 12-<br />
3-60. Sample cues:<br />
-#3205 “Western Hotel”<br />
-#3207 “Phileas Fogg”<br />
-#3208 “Aouda Rides”<br />
-#3209 “River Crossing”<br />
Note: The music of this episode and also “Sanctuary” are on a transcription disc<br />
available at the Gene Autry Western Museum.<br />
-Gunsmoke, “Minnie” Fred Steiner. <strong>CBS</strong> XII E master # 16. Airdate April 15, 1961.<br />
-“<strong>CBS</strong> Eye # 2” (and # 3) Jerry Goldsmith. #3060-II. <strong>CBS</strong> Eye # 2 is 2 bars in length<br />
using 3 trumpets, 2 horns, 3 Pos, 2 tubas, timp.<br />
-Twilight Zone episode scored by Jeff Alexander.<br />
[Box # 178] [NOTE: I worked on this box at least once along with Box # 176:]<br />
-Twilight Zone, “Nightmare As A Child” Goldsmith. Start cue #2332. Original airdate<br />
April 29, 1960 (First Season).<br />
-Twilight Zone, “Back There” Goldsmith. CPN 5935. Start cue # 3416 “The Club.”<br />
Airdate January 13, 1961 (Season 2).<br />
-Twilight Zone, “The Invaders” Goldsmith. Airdate January 27, 1961 (Season 2).<br />
-Twilight Zone episode “Nervous Man” Goldsmith. Cues “Jitters,” “New Man,” “Image,”<br />
“Appointment,” etc. Alto flute, guitars, piano, etc. This I believe is a copy of the same<br />
score held in Box 82.<br />
65
-cue # 3662-1“Big City Moods” by Fred Steiner<br />
-cue # 3863 “Love Theme # 2” by Van Cleave<br />
-cue # 3865 “Love Theme # 4” Van Cleave<br />
[etc]<br />
179 Foreign Library : folders 6062-6161. Misc. TV series<br />
180 Foreign Library : folders 6166-6221. Misc. TV series<br />
181 Foreign Library : folders 6000-6022;6235-6239. Misc. TV<br />
182 Foreign Library : folders 6050-6253. Misc. TV series<br />
183 Foreign Library : folders 6039-6049;6254-6271. Misc. TV<br />
184 Cara Williams. Foreign Library : folders 32000-32100<br />
185 Cara Williams. Foreign Library : folders 32101-32200 186 Foreign Library : folders<br />
6023-6036;8067-9158<br />
[Box # 187] “Herrmann, Bernard. Foreign Library : folders 6162-6165;6181-<br />
6182;6222-6234” {NOTE: Obviously I would immediately pull this box that highlights<br />
“Bernard Herrmann” as the contents!]<br />
-Have Gun Will Travel composed by Bernard Herrmann (pilot score, “Three Bells To<br />
Perdido”).<br />
-An Incident of the Cosmos/Last Citation (Bernard Herrmann). Columbia Workshop<br />
radio score dated 8/8/37.<br />
-Ethan Allen (Herrmann). <strong>Score</strong> for a pilot that never became a series.<br />
-Carl Sandburg (Herrmann), part of Corwin’s “American Trilogy” dated 6/6/44.<br />
-We Hold These Truths (Bill of Rights Program) by Herrmann, dated 12/15/41.<br />
-Four Freedoms by Herrmann, dated 1/30/43.<br />
[Box # 188] Garriguenc, Rene. Twilight Zone. Spur of the Moment (ep). TV Series.<br />
12/12/63. <strong>Score</strong> no: CPN6120. FS. Format: MS,OZM.; Shores, Richard. Perry Mason.<br />
Nervous Nude (ep). TV Series. 12/11/63. <strong>Score</strong> no: CPN6119. FS. Format: MS,OZM.;<br />
Steiner, Fred. Gunsmoke. Extradition, Pt.II (ep). TV Series. 11/11/63. <strong>Score</strong> no:<br />
CPN6115. FS. Format: MS,OZM.[NOTE: I looked at this box on 6-20-95 but did not<br />
make notes of the contents]<br />
[Box # 189] Steiner, Fred. Gunsmoke. Extradition, Pt.I (ep). TV Series. 11/11/63.<br />
<strong>Score</strong> no: CPN6115. FS. Format: MS,OZM.; Steiner, Fred. Great Adventure. Great<br />
Diamond Mountain (ep). 10/25/63. <strong>Score</strong> no: CPN6111. FS. Format: MS,OZM.;<br />
Moraweck, Lucien. Perry Mason. Floating Stone (ep). 10/29/63. <strong>Score</strong> no: CPN6112.<br />
FS. Format: MS,OZM. [NOTE: I worked on this box at least once on 6-20-95}<br />
66
-Perry Mason episode “Case of the Floating Stone” music by L. Moraweck, dated 10-29-<br />
63. CPN 6112<br />
-Great Adventure episode, “Great Diamond Mountain” music by Fred Steiner, dated 10-<br />
25-63. CPN 6111.<br />
-Gunsmoke episode, “Extradition, Part I” music by Fred Steiner, dated 11-11-63. CPN<br />
6115.<br />
[Box # 190] “Rogers, R. Great Adventure Themes. TV Series. 10/63 . <strong>Score</strong> no:<br />
CPN6110. FS. Format: MS,OZM.; Moraweck, Lucien. Great Adventure Themes. TV<br />
Series. 10/63 . <strong>Score</strong> no: CPN6110. FS. Format: MS,OZM.; Hatch, Wilbur. Great<br />
Adventure. Outlaw and Nun (ep). TV Series. 11/22/63. <strong>Score</strong> no: CPN6118. FS. Format:<br />
MS,OZM. ;Herrmann, Bernard. Great Adventure. Nathan Hale (Moment of Crisis)<br />
(ep). TV Series. 10/14/63. <strong>Score</strong> no: CPN6108. FS. Format: MS,OZM.; Steiner, Fred.<br />
Great Adventure. My Sister's Keeper (ep). TV Series. <strong>Score</strong> no: CPN6107. FS. Format:<br />
MS,OZM.” [NOTE: I worked on this box May 16, 2003. There is an error in the <strong>UCLA</strong><br />
description; namely, Fred Steiner’s score (“My Sister’s Keeper”) is not for The Great<br />
Adventure but for Gunsmoke]<br />
-Great Adventure episode, “The Story of Nathan Hale” (later billboarded as “The<br />
Secret”). Bernard Herrmann, dated 10/25/63.<br />
-Gunsmoke, “My Sister’s Keeper” (CPN 6107) episode. Dated October 1963. Sample<br />
cues:<br />
-M1010-11 “The Cemetery” 12 bars, 3 pages :58.7 duration. Andte in � time, key sig of<br />
four sharps. 2 horns, harp, 6 violins, 2 violas, 1 CB.<br />
-M1013 “Mary’s Grave” 24 bars, 6 pages 01:53.3 duration.<br />
-M1021 “Pete’s Trouble” [Note: this is a sketch cue, not a full orchestration as the others]<br />
15 bars, 2 pages 00:54.5 duration<br />
-M1022 “Hard Luck Pete” 3 bars, 00:09 2/3 duration<br />
-M1024 “Good Advice” 10 bars, 2 pages 00:38 duration<br />
-M1025 “Pete’s Chance”<br />
ETC.<br />
-Great Adventure, “The Outlaw & the Nun” W. Hatch, CPN 6118. Sample cue:<br />
-M-11. Allegro Mod in Cut time. Flute, oboe, clarinet, bassoon, 3 horns, 2 Pos,<br />
violins A-B-C, violas,VC/CB, harp. The Narrator speaks at the very beginning. The horns<br />
starting in Bar 3 play the Great Adventure theme by Rodgers. In Bar 12 inserted is the<br />
description, “Sister Leads Herd.”<br />
-Great Adventure Theme (“Intro to The Great Adventure”) composed by R. Rodgers,<br />
arranged Hershey Kay (in ink). 56 bars. Piccolo, flute, oboe, 2 clarinets, bassoon, 4 horns,<br />
2 trumpets, 2 Pos, tuba, cymbal, timp, harp, 12 violins A-B-C, 4 violas, 4 VC, 2 CB.<br />
191 Klatzkin, Leon. Rawhide. Two Graves (ep). TV Series. <strong>Score</strong> no: CPN6106. FS.<br />
Format: MS,OZM.; Klatzkin, Leon. Great Adventure. Six Wagons to the Sea (ep). TV<br />
Series. <strong>Score</strong> no: CPN6105. FS. Format: MS,OZM.<br />
67
192 Hatch, Wilbur. Gunsmoke. Comanche is Soft (ep). TV Series. <strong>Score</strong> no: CPN6131.<br />
FS. Format: MS,OZM.; Garriguenc, Rene. Perry Mason. 50,000,000 Frenchmen (ep).<br />
TV Series. <strong>Score</strong> no: CPN6129. FS. Format: MS,OZM.<br />
193 Shores, Richard. Gunsmoke. Kite, The (ep). TV Series. <strong>Score</strong> no: CPN6130. FS.<br />
Format: MS,OZM. Morgan, Tommy. Gunsmoke. May Blossom (ep). TV Series. <strong>Score</strong><br />
no: CPN6127. FS. Format: MS,OZM.; Moraweck, Lucien. Twilight Zone. Queen of the<br />
Nile (ep). TV Series. <strong>Score</strong> no: CPN6124. FS. Format: MS,OZM.<br />
194 Scott, Nathan. Great Adventure. Tooth of the Lion (ep). TV Series. <strong>Score</strong> no:<br />
CPN6121. FS. Format: MS,OZM.; Klatzkin, Leon. Rawhide. Midnight Came (ep). TV<br />
Series. <strong>Score</strong> no: CPN6122. FS. Format: MS,OZM.<br />
[Box # 195] “Scott, Nathan. Gunsmoke. Bad Seed (ep). TV Series. <strong>Score</strong> no:<br />
CPN5950. FS. Format: MS,OZM.; Goldsmith, Jerry. Gunsmoke. Middle of Nowhere<br />
(ep). TV Series. <strong>Score</strong> no: CPN5932. FS. Format: MS,OZM.” [NOTE: I looked in this<br />
box on 10-20-95 when Stephen and Celene were there]<br />
-Rawhide episode “Middle of Nowhere”, music by Goldsmith, dated Oct ‘60<br />
-Gunsmoke episode “Bad Seed” music by Nathan Scott, dated Dec ‘60<br />
-HGWT episode “Soledad” music by Rene Garriguenc, dated Jan 1961<br />
[Box 196] “Scott, Nathan. Have Gun Will Travel. Princess and the Gunfighters (ep).<br />
TV Series. <strong>Score</strong> no: CPN5952. FS. Format: MS,OZM.; Steiner, Fred. Have Gun Will<br />
Travel. Gold Bar (ep). TV Series. <strong>Score</strong> no: CPN5961. FS. Format: MS,OZM.;<br />
Garriguenc, Rene. Have Gun Will Travel. Road, The (ep). TV Series. <strong>Score</strong> no:<br />
CPN5966. FS. Format: MS,OZM.; Garriguenc, Rene. Have Gun Will Travel. Seige (ep).<br />
TV Series. <strong>Score</strong> no: CPN5974. FS. Format: MS,OZM.” [NOTE: I worked on this box on<br />
Sept 1, 1995 and also on January 30, 1998 when I especially focused on Garriguenc’s<br />
“The Road” score for Have Gun Will Travel, CPN 5966, Prod. 155-130. I also looked<br />
into the box on 10-20-95]<br />
-“The Road” episode (HGWT) Cues are as follows:<br />
-#3288 “Mountain Country” 5 pages, 17 bars<br />
-#3289 “Menace” 2 pages, 8 bars<br />
-#3290 “Travel (I)” 8 pages, 31 bars, 1:28. Piccolo, 2 flutes, oboe, 2 clarinets, 2 horns, 2<br />
trumpets, 2 Pos, tuba, timp.<br />
-#3291 “Travel (II)” 2 pages, 8 bars.<br />
-#3291x “The Phony Map” 1 page, 3 bars<br />
-#3292 “Paladin Clubbed” 2 pages, 6 bars<br />
-#3293 “The Scavengers” 3 pages, 11 bars 00:30 1/2 duration<br />
-#3294 “The Card” 3 pages, 9 bars<br />
-#3295 “Paladin & the Scavengers” 6 pages, 21 bars 1:04 � duration<br />
-#3296 “Tension at Night” 3 pages, 10 bars 00:27 bars<br />
-#3297 “The Struggle” 4 pages, 14 bars 00:42 2/3 duration<br />
-#3298 “The Spear—Paladin Nursing Revenge” 3 pages, 10 bars :34 duration<br />
-#3299 “The Prospectors & Paladin” 5 pages, 17 bars 00:52 duration<br />
68
-#3300 “The Prospectors & Paladin (continued)” 3 pages, 12 bars 00:42 2/3 duration<br />
-#3301 “The Heavys-Suspicion” 2 pages, 5 bars 00:10 2/3 duration<br />
-#3302 “Gunfight” 4 pages, 16 bars 00:39 2/3 duration<br />
-#3303 “Request Granted” 1 page, 4 bars 00:16 1/3 duration<br />
-HGWT episode “Gunfighter” music by Nathan Scott, dated Dec ’60. Airdate for this<br />
episode (“Princess & the Gunfighter”) is 1-21-61 (4 th season) starring Arline Sax..<br />
Instrumentation: flute, clarinet, bassoon, 2 horns, 3 violas, 3 celli, 3 CB.<br />
-HGWT episode “Gold Bar” music by Fred Steiner, dated Feb ’61. Airdate 3-18-61.<br />
Flute, 2 clarinets, bassoon, 3 horns, timp, piano, 3 VC, 3 CB.<br />
-HGWT episode “The Siege” music by Rene Garriguenc, score dated Feb 1961. Airdate<br />
4-1-61.<br />
-HGWT, “The Road” Rene Garriguenc, dated Feb ’61. Airdate 5-27-61 starring George<br />
Kennedy. 3 horns, 2 trumpets, 2 trombones, tuba, timp.<br />
[Box # 197] “Moraweck, Lucien. Have Gun Will Travel. Uneasy Grave (ep). TV<br />
Series. <strong>Score</strong> no: CPN5975. FS. Format: MS,OZM.; Van Cleave, Nathan. End Title.<br />
<strong>Score</strong> no: CPN6148. FS. Format: MS,OZM.; Lava, William. Twilight Zone. Once Upon<br />
a Time (ep). TV Series. <strong>Score</strong> no: CPN6017. FS. Format: MS,OZM. ;Van Cleave,<br />
Nathan. Twilight Zone. Leather Jacket (ep). TV Series. <strong>Score</strong> no: CPN6125. FS. Format:<br />
MS,OZM.” [NOTE: I looked in this box on 9-1-95 and 10-20-95]<br />
-HGWT episode “Uneasy Grave” music by L. Moraweck, dated Feb ’61. Airdate 6-3-61.<br />
-Twilight Zone episode “Once Upon a Time” music by Wm. Lava, dated 12-4-61.<br />
-Twilight Zone episode “Leather Jacket” music by Van Cleave, dated 1-15-64<br />
-Perry Mason Prod. # 1219, “Nervous Neighbor” music by Van Cleave, dated 1-27-64.<br />
Airdate 2-13-64.<br />
198 Buttolph, David. Great Adventure. This Was a Giant (ep). TV Series. <strong>Score</strong> no:<br />
CPN6126. FS. Format: MS,OZM.; Sawtell, Paul. Rawhide. Prophecy (ep). TV Series.<br />
<strong>Score</strong> no: CPN6100. FS. Format: MS,OZM.<br />
[Box # 199] “Van Cleave, Nathan. Gunsmoke. Quest for Asa Janin (ep). TV Series.<br />
<strong>Score</strong> no: CPN6094. FS. Format: MS,OZM.; Steiner, Fred. Gunsmoke. Jeb (ep). TV<br />
Series. <strong>Score</strong> no: CPN6093. FS. Format: MS,OZM.” [NOTE: I looked in this box on 9-<br />
1-95 and also 10-20-95]<br />
-Gunsmoke episode “Jeb” music by Fred Steiner, dated 5-9-63. CPN 6093. Airdate May<br />
25, 1963 (second from last episode of the eight season). Sample cue:<br />
-#5290 (M-3510/11) “Appaloosa” Flute, oboe, 2 clarinets, bassoon, 2 horns, 2<br />
trumpets, 2 trombones, 3 violins, 1 bass, timp.<br />
-Gunsmoke episode “Quest for Asa Janin” music by Van Cleave<br />
200 <strong>Score</strong> no: CTN500-570. FS. Format: MS,OZM. Misc. TV series<br />
201 <strong>Score</strong> no: CTN445-499. FS. Format: MS,OZM. Misc. TV series<br />
69
[Box # 202] “Klatzkin, Leon. Rawhide. Dead Horse (Pt.I) (ep). TV Series. <strong>Score</strong> no:<br />
CPN6141. FS. Format: MS,OZM.; Garriguenc, Rene. Perry Mason. Careless Kidnapper<br />
(ep). TV Series. <strong>Score</strong> no: CPN6142. FS. Format: MS,OZM. ;Scott, Nathan. Gunsmoke.<br />
Kitty Corner (ep). TV Series. <strong>Score</strong> no: CPN6140. FS. Format: MS,OZM.” [NOTE: I<br />
pulled this box at least once on 8-16-95]<br />
-Rawhide, “Dead Horse” Part I. Leon Klatzkin, dated 4-1-64. CPN 6141. Original airdate<br />
for “Incident at Deadhorse” [Part I] was 4-16-64 starring Broderick Crawford and<br />
Burgess Meredith. Instrumentation: bass flute, 2 clarinets, bassoon, bass clarinet, 3 horns,<br />
2 trombones, percussion, CB, accordion.<br />
-Perry Mason, “Careless Kidnapper” Rene Garriguenc, dated 4-14-64. Airdate 4-30-64.<br />
-Gunsmoke, “Kitty Corner” Nathan Scott. <strong>Score</strong>d dated 3-27-64. Airdate for “Kitty<br />
Cornered” is April 18, 1964 (9 th season) starring Jacqueline Scott.<br />
203 Klatzkin, Leon. Rawhide. Seven Fingers (ep). TV Series. <strong>Score</strong> no: CPN6143. FS.<br />
Format: MS,OZM.; Shores, Richard. Twilight Zone. Ceaser and Me (ep). TV Series.<br />
<strong>Score</strong> no: CPN6139. FS. Format: MS,OZM.; Harline, Leigh. Great Adventure. Daniel<br />
Boone (Pt.I) (ep). TV Series. <strong>Score</strong> no: CPN6137. FS. Format: MS,OZM.<br />
204 Harline, Leigh. Great Adventure. Daniel Boone (Pt.II) (ep). TV Series. <strong>Score</strong> no:<br />
CPN6137. FS. Format: MS,OZM.; Scott, Nathan. Rawhide. Odyssey (ep). TV Series.<br />
<strong>Score</strong> no: CPN6136. FS. Format: MS,OZM.<br />
205 Morgan, Tommy. Gunsmoke. Promoters, The (ep). TV Series. <strong>Score</strong> no: CPN6138.<br />
FS. Format: MS,OZM.; Shores, Richard. Perry Mason. Garrulous (ep). TV Series.<br />
<strong>Score</strong> no: CPN6135. FS. Format: MS,OZM. ;Drasnin, Robert. Great Adventure.<br />
President Vanishes (ep). TV Series. <strong>Score</strong> no: CPN6134. FS. Format: MS,OZM.;<br />
Klatzkin, Leon. Rawhide. Wanderer, The (ep). TV Series. <strong>Score</strong> no: CPN6132. FS.<br />
Format: MS,OZM.<br />
[Box # 206] “Table for 5. “<br />
[Box # 207] “Goldsmith, Jerry. Suspense. Strange Prophecy of Bertha Abbott (ep).<br />
TV Series. <strong>Score</strong> no: CPN5826.” [NOTE: I worked on this box 8-16-95 & 1-7-98]<br />
-Table for 5 John Morris NOTE: I believe this is in this box but especially in Box 206…<br />
-“Strange Prophecy of Bertha Abbott” I hand-copied part of this old television score by<br />
Goldsmith for Suspense, score dated 10-15-56. CPN 5826.<br />
208 Hunters. <strong>Score</strong> no: CTV001-117. Format: CPY. In binder Goldsmith, Jerry. <strong>Score</strong><br />
no: CTV117-134. Format: CPY. In binder<br />
[Box # 209] “Tunick, Jonathan. Brotherly Love.; Holdridge, Lee. Running Out.”<br />
[NOTE: I looked into this box on January 7, 1998]<br />
70
-Wicked Wicked Ways by Jonathan Turnick<br />
-Brotherly Love<br />
-Running Out<br />
210 Stevens, Morton. <strong>Score</strong> no: CTN0207-0297.<br />
211 Selinsky, Wladimir. <strong>Score</strong> no: CTN0005-0097.; Stevens, Morton. <strong>Score</strong> no:<br />
CTN0005-0097. <strong>Score</strong> no: CTN0789-0791.<br />
212 Drasnin, Robert. Fabulous February (#1-5). <strong>Score</strong> no: P0001-0005.; Shire, David.<br />
Harpy. <strong>Score</strong> no: CTV0040-0067.<br />
213 Fielding, Jerry. Good Guys. TV Series. Format: CPY. Pages stuck together<br />
214 Bernstein, Charles. Thaddeus Rose. <strong>Score</strong> no: CTN 0750-0816.<br />
215 Hatch, Wilbur. <strong>Score</strong> no: DBTV0508-0744.<br />
[Box # 216] “Byers, Bill. Misc. music.; Goldsmith, Jerry. Perry Mason Opening &<br />
End Titles. TV Series. <strong>Score</strong> no: CPN5768. ;Horner, James. Huck Finn. <strong>Score</strong> no:<br />
CED0186-0217.” {I pulled this box to look at the Horner score. <strong>Score</strong> dated 1-7-82 SC<br />
(Studio City recording).<br />
217 Misc. music. <strong>Score</strong> no: CTN0600-0639. Various composers Misc. music. <strong>Score</strong> no:<br />
CTN0694. Various composers Misc. music. <strong>Score</strong> no: CTN0697-0749. Various<br />
composers<br />
218 Tipton, George Aliceson. <strong>Score</strong> no: CTN0640-0691.; Cacavas, John. <strong>Score</strong> no:<br />
CTN0640-0691.<br />
219 Stevens, Morton. <strong>Score</strong> no: CTN0265-0282. Burning, The. <strong>Score</strong> no: CTN0571-<br />
0574. Calamity Jane. <strong>Score</strong> no: CTN0571-0574.<br />
220 Stevens, Morton. Fine, S (o). <strong>Score</strong> no: CTN0101-0181.; Selinsky, Wladimir. Fine,<br />
S (o). <strong>Score</strong> no: CTN0101-0181.<br />
221 Goldsmith, Jerry. Gunsmoke. Blacksmith (ep). TV Series. ;Di Pasquale, James.<br />
Change of Heart. TV Movie.; Morley, Angela. <strong>Score</strong> no: CED1125-1135.<br />
222 Wilkinson, Marc. Royal Hunt of the Sun. <strong>Score</strong> no: CTV.; Merrick, Mahlon. Jack<br />
Benny Themes. <strong>Score</strong> no: CPN6147.; Van Cleave, Nathan. Perry Mason. Ugly Duckling<br />
(ep). TV Series. <strong>Score</strong> no: CPN6146.; Shores, Richard. Rawhide. Dead Horse (ep). TV<br />
Series. <strong>Score</strong> no: CPN6141.<br />
[Box # 223] “Goldsmith, Jerry. Playhouse 90. Misalliance (ep). TV Series. <strong>Score</strong><br />
no: CPN5831.; Gold, Ernest. Hotel de Paris. Violent Siege (ep). TV Series. <strong>Score</strong> no:<br />
71
CPN5848.; Lava, William. Millionaire, The. Elizabeth Tender (ep). TV Series. <strong>Score</strong> no:<br />
CPN5861.; Goldsmith, Jerry. Playhouse 90. Dream of Treason (ep). TV Series. <strong>Score</strong><br />
no: CPN5866.; Garriguenc, Rene. Gunsmoke. Drummer Boy (ep). TV Series. <strong>Score</strong> no:<br />
CPN5925.” [NOTE: I pulled this box at once on July 12, 1995]<br />
-Playhouse 90, “Misalliance” Jerry Goldsmith. Airdate 10-29-59 (final fourth season)<br />
starring Rod Taylor and Claire Bloom.<br />
-Hotel de Paree, “Violent Seize” Ernest Gold. CPN 5848.<br />
-Millionaire, “Elizabeth Tander” Wm. Lava. CPN 5861. Airdate 1-6-1960.<br />
-Playhouse 90, “Dream of Treason” Jerry Goldsmith. CPN 5866. Airdate 1-21-60<br />
starring Richard Basehart.<br />
-“Gunsmoke Opening” CPN 5313.<br />
-Gunsmoke, “Drummer Boy” Rene Garriguenc. [Note: May be a cue title instead of an<br />
episode title that I cannot find for that general period]<br />
224 Van Cleave, Nathan. Perry Mason. Arrogant Arsonist (ep). TV Series. <strong>Score</strong> no:<br />
CPN6133.; Hatch, Wilbur. Gunsmoke. Hard Virtue (ep). TV Series. <strong>Score</strong> no:<br />
CPN5955.; Stevens, Morton. Gunsmoke. Hard Virtue (ep). TV Series. <strong>Score</strong> no:<br />
CPN5955.; Van Cleave, Nathan. Gunsmoke. Hard Virtue (ep). TV Series. <strong>Score</strong> no:<br />
CPN5955.; Levene, Gus. Gunsmoke. Hard Virtue (ep). TV Series. <strong>Score</strong> no: CPN5955.<br />
[Box # 225] “Gilligan's Island. <strong>Score</strong> no: GIL0409. Set #1, #1625” [NOTE: I glanced<br />
inside this box on 4-28-95]<br />
-Don Ray score. Also I noted that Stevens is indicated in this box.<br />
226 Gilligan's Island. <strong>Score</strong> no: GIL0247-0408. Set #1, #1625<br />
227 Gilligan's Island. <strong>Score</strong> no: GIL0001-0126. Set #1, #1625<br />
228 Gilligan's Island. 1964-65 season<br />
229 Gilligan's Island. 1964-65 season<br />
230 Gunsmoke. Kitty Waltz (ep). <strong>Score</strong> no: GS0466. Gunsmoke. Misc. Alexander, Jeff.<br />
Wild Wild West Revisited. TV Movie.<br />
231 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0300-0353.; Shores, Richard.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0300-0353.; Zimmerman, Tucker. Gunsmoke. TV<br />
Series. <strong>Score</strong> no: GS0300-0353.; Schaefer, Will. Gunsmoke. TV Series. <strong>Score</strong> no:<br />
GS0300-0353.<br />
[Box # 232] “Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0353-0400.;<br />
Goldsmith, Jerry. Gunsmoke. TV Series. <strong>Score</strong> no: GS0353-0400.” [NOTE: I worked<br />
on this box at least once on 10-20-95]<br />
72
-Gunsmoke episode “The Mission” (12 th season first season color, airdate 10-8-66), music<br />
by Fred Steiner dated June 1966<br />
-Gunsmoke episode (not titled) music by Goldsmith. I believe this may be “The<br />
Whispering Tree” (airdate Nov 12, 1966) but I’ll check…Yes it is according to:<br />
http://www.imdb.com/title/tt0594539/combined<br />
[Box # 233] “Gunsmoke. TV Series. <strong>Score</strong> no: GS0001-0076. 1965-66 season” [I<br />
worked on this box June 9, 1995 and also 4-30-99]<br />
-#1615 “Gunsmoke Opening Cast Credits” 1965/1966<br />
-“Gunsmoke End Cast Credits”<br />
-“Gunsmoke Main Title” (Stevens, Steiner, Koury) Dated 7/28/68<br />
[Box # 234] “Steiner, Fred. Gunsmoke. TV Series. <strong>Score</strong> no: GS0003-0100. 1965-66<br />
season; Murray, Lyn. Gunsmoke. TV Series. <strong>Score</strong> no: GS0003-0100. 1965-66 season “<br />
[NOTE: I worked on this box May 16, 2003]<br />
-Gunsmoke “Ten Lil Injuns” Fred Steiner dated June 1965. “Ten Little Indians” was<br />
broadcast October 9, 1965 (11 th final B/W season). A copy of this score is also in Box #<br />
287. Which one is the autograph score (if any) I do not know. Also another copy is in<br />
Box # 244—maybe part of “ten lil identical scores.”<br />
-Gunsmoke, “Kioga” Lyn Murray. Airdate Oct 23, 1965. Sample cues:<br />
-M-5342 “Attacca”<br />
-M-5343 “Flute Song III” alto flute here.<br />
-M-5344 “Breakfast at Delmonicos”<br />
-Billboard ’66-’67 arranged by Morton Stevens<br />
[Box # 235] “Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1300-1345.;<br />
Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1300-1345.” [I pulled this box on<br />
6/9/96 but apparently I was not very impressed with the contents since I made no notes<br />
on them!]<br />
236 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1345-1399.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1345-1399.<br />
237 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0601-0645.; Springer, Philip.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0601-0645.<br />
238 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0646-0699.<br />
239 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1400-1436.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1400-1436.<br />
240 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1437-1499. ;Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1437-1499.<br />
73
241 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1900-1950.<br />
242 Immel, Jerrold. Gunsmoke. TV Series. <strong>Score</strong> no: GS1950-1999. Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1950-1999.<br />
243 Klein, Martin L.. Gunsmoke. TV Series. <strong>Score</strong> no: GS2000-2099. ;Broughton,<br />
William. Gunsmoke. TV Series. <strong>Score</strong> no: GS2000-2099.; Parker, John Carl.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS2000-2099.<br />
[Box # 244] “Steiner, Fred. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66<br />
season ;North, Alex. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season;<br />
Davis, Joel. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season; Shores,<br />
Richard. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season; Geller, Harry.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season; Koury, Rex.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66 season” [NOTE: I worked on<br />
this box at least once]<br />
-Gunsmoke, “Ten Lil Injuns” Fred Steiner, dated June 1965. Note: This score is also in<br />
Boxes # 234 & 287. Perhaps they are in seven other boxes, hence ten lil identical scores!<br />
-Gunsmoke, “Bad Sam” Richard Shores, dated 7/20/65. Note: I believe the episode in<br />
question is officially titled “Clayton Thaddeus Greenwood” airdate Oct 2, 1965 starring<br />
Jack Elam as Sam Band.<br />
-Gunsmoke episode scored by Leon Klatzkin dated 7/25/65. Either it is “The Storm”<br />
(airdate Sept 25, 1965) or “Taps for Old Jeb” (airdate Oct 16, 1965).<br />
-Gunsmoke, “The Hostage” Harry Geller, dated 8/18/65. Airdate was Dec 4, 1965.<br />
[Box # 245] “Geller, Harry. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-<br />
66 season; Morgan, Tommy. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66<br />
season; Waxman, Franz. Gunsmoke. TV Series. <strong>Score</strong> no: GS0100-0200. 1965-66<br />
season “ [NOTE: I worked on this box November 11, 1997]<br />
-Gunsmoke, “The Hostage” music by Harry Geller, dated 8-16-65. Original airdate<br />
December 4, 1965 (11 th season) starring Darren McGiven and Simon Oakland.<br />
-Gunsmoke episode (not titled) but I’m confident it is the “South Wind” episode, airdate<br />
November 27, 1965 starring Bruce Dern (the episode just before :”The Hostage”).<br />
-Gunsmoke, “The Raid” music by Franz Waxman, dated 9-6-65.Airdate January 22,<br />
1966 and (as a two-parter) January 29. Specific cues are as follows:<br />
-#5911 (187) “The Holdup” 74 bars, 3:54 duration. Dated 9-6-65. Arranged<br />
Leonid Raab. 2 flutes, oboe, 2 clarinets, 2 bassoons, 3 horns, 2 trumpets, 3 Pos, snare<br />
drum, timp, piano, harp, 9 violins, viola, bass. I hand-copied the first eight bars of this<br />
cue.<br />
-#5913 (188) “McConnell” 3 bars, 00:07 2/3 duration<br />
-#5921 (189) “The Gang” 20 bars, 2:02 2/3 duration. Slow. Bassoon, Contra<br />
bassoon, flute, clarinet, piano<br />
74
-#5912 (190) “The Getaway” 11 bars, :23 2/3 duration. Allegro in 4/4 time. Dated<br />
9-16-65. Piccolo, flute, oboe, 2 clarinets, bassoon, 3 horns, 2 trumpets, 3 Pos, tuba,<br />
xylophone, snare drum, timp, piano, 9 violins, viola, bass.<br />
-#5941 (191) “The Challenge” 53 bars, 3:00.<br />
-#5922 (192) “McClain’s Leg” 3 bars, 00:11 duration.<br />
-#5932 (193) “The Set-Up” 14 bars, :45 duration.<br />
-(194) “Fade-In” 3 bars, :10 duration.<br />
-#5951 (195) “McConnell’s Surprise” 12 bars, :53.<br />
-(196) “The New Plan” 19 bars, 1:33 2/3 duration.<br />
-(197) “Guns for Sale” 86 bars<br />
-(198) “Matt & Group” 8 bars, :29.<br />
-(199) “All is Clear” 21 bars, :58.<br />
ETC<br />
[Box # 246] “Waxman, Franz. Gunsmoke. TV Series. <strong>Score</strong> no: GS0200-0265.<br />
Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0200-0265.; Stevens, Morton.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0200-0265.” [I pulled this box on 6-9-96 and 11-11-<br />
97]<br />
-Gunsmoke episode “The Raid”(GS 206) composed by Franz Waxman. Dated<br />
9/17/65. Continuation from Box # 245:<br />
-(200) “The Posse” 11 bars, :30<br />
-(201) “Matt & Festus” 11 bars, :30<br />
-(202) “No Rest” 15 bars, :40<br />
-(204) “Riding On” 7 bars, :17<br />
-(205) “On the Prairie” 12 bars, :42 and 2/3 duration<br />
-(206) “Sleepless Night” 15 bars, :58 & 1/3<br />
-(207) “The Hideout” 31 bars, 1:54 & 1/3<br />
-(208) “Five Minutes” 15 bars, :42 & 2/3<br />
-(209) “On the Trail” 36 bars 2:34<br />
-(210) “More Dead Outlaws” 1:07<br />
-(211) “The Last Two” 12 bars :59<br />
-(212) “Between the Rocks” 31 bars, :59<br />
-(213) “Finale” 1:34<br />
247 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0266-0300.; Geller, Harry.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0266-0300.<br />
[Box # 248] “Steiner, Fred. Gunsmoke. TV Series. <strong>Score</strong> no: GS0400-0445.;<br />
Shores, Richard. Gunsmoke. TV Series. <strong>Score</strong> no: GS0400-0445.; Stevens, Morton.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0400-0445.” [NOTE: I worked on this box at least on<br />
5-16-2003]<br />
-Gunsmoke, “Mission” Fred Steiner Dated June 1966. Airdate October 8, 1966 (12 th<br />
season now in color).<br />
75
-Gunsmoke episode (not sure of the title). Richard Shores, dated 6-11-66. I believe the<br />
first cue is “No Trick.”<br />
-Gunsmoke episode (not sure of the title but I believe it is “The Jailer” with the original<br />
airdate of Oct 1, 1966). I believe the first cue is “Enter Lou, Mike & Jack.”<br />
249 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0446-0500.; Holdridge, Lee.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0446-0500.<br />
250 Kostal, Irwin. Gunsmoke. TV Series. <strong>Score</strong> no: GS0501-0544.; Gold, Ernest.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0501-0544.; Klatzkin, Leon. Gunsmoke. TV Series.<br />
<strong>Score</strong> no: GS0501-0544.<br />
251 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0545-0600.; Stevens, Morton.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS0545-0600.; Geller, Harry. Gunsmoke. TV Series.<br />
<strong>Score</strong> no: GS0545-0600.; Springer, Philip. Gunsmoke. TV Series. <strong>Score</strong> no: GS0545-<br />
0600.<br />
252 Shuken, Leo. Gunsmoke. TV Series. <strong>Score</strong> no: GS1700-1739.; Hayes, Jack.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS1700-1739.; Shores, Richard. Gunsmoke. TV<br />
Series. <strong>Score</strong> no: GS1700-1739.<br />
253 Shores, Richard. Gunsmoke. TV Series. <strong>Score</strong> no: GS1740-. Parker, John Carl.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS1740-.<br />
254 Geller, Harry. Gunsmoke. TV Series. <strong>Score</strong> no: GS1600-1645.; Parker, John Carl.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS1600-1645.; Stevens, Morton. Gunsmoke. TV<br />
Series. <strong>Score</strong> no: GS1600-1645. ;Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no:<br />
GS1600-1645.<br />
255 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1646-1699.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1646-1699.; Shuken, Leo. Gunsmoke. TV<br />
Series. <strong>Score</strong> no: GS1646-1699.; Hayes, Jack. Gunsmoke. TV Series. <strong>Score</strong> no: GS1646-<br />
1699.<br />
256 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS2200-2250.; Immel,<br />
Jerrold. Gunsmoke. TV Series. <strong>Score</strong> no: GS2200-2250.; Klein, Martin L.. Gunsmoke.<br />
TV Series. <strong>Score</strong> no: GS2200-2250.<br />
257 Klein, Martin L.. Gunsmoke. TV Series. <strong>Score</strong> no: GS2251-2299. Immel, Jerrold.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS2251-2299.<br />
258 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS2100-2159.; Immel,<br />
Jerrold. Gunsmoke. TV Series. <strong>Score</strong> no: GS2100-2159.<br />
259 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS2160-2199.; Immel,<br />
Jerrold. Gunsmoke. TV Series. <strong>Score</strong> no: GS2160-2199.<br />
76
260 Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0001-0043. FS,PT.<br />
261 Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0048-0099. FS.<br />
262 Geller, Harry. Gunsmoke. TV Series. <strong>Score</strong> no: GS0700-0799. 1967/68 season<br />
Stevens, Morton. Gunsmoke. TV Series. <strong>Score</strong> no: GS0700-0799. 1967/68 season<br />
Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0700-0799. 1967/68 season<br />
Ferguson, Allyn. Gunsmoke. TV Series. <strong>Score</strong> no: GS0700-0799. 1967/68 season<br />
263 Ferguson, Allyn. Gunsmoke. TV Series. <strong>Score</strong> no: GS0800-0875.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS0800-0875.; Klatzkin, Leon. Gunsmoke. TV<br />
Series. <strong>Score</strong> no: GS0800-0875.<br />
264 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS0876-0899.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0876-0899.<br />
265 Shores, Richard. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0600-0699.<br />
266 Ray, Don. Two Doves. ;Stevens, Morton. Two Doves. Unidentified.<br />
267 Immel, Jerrold. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0800-0859.; Stevens,<br />
Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0800-0859.; Rugolo, Pete. Hawaii 5-0.<br />
TV Series. <strong>Score</strong> no: HA0800-0859.<br />
268 Shores, Richard. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0860-0999.; Ray, Don.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0860-0999.; Broughton, Bruce. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA0860-0999.<br />
269 Shores, Richard. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0400-0499. ;Peter, Igor.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0400-0499.; Davidson, Miles. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA0400-0499.; Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no:<br />
HA0400-0499.; Ray, Don. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0400-0499.; Romanis,<br />
George. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0400-0499.<br />
270 Broughton, Bruce. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1100-1184.; Stevens,<br />
Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1100-1184. ;Shores, Richard. Hawaii 5-<br />
0. TV Series. <strong>Score</strong> no: HA1100-1184.<br />
271 Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1185-1194.; Ray, Don.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1185-1194.; Shores, Richard. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA1185-1194.<br />
272 Ray, Don. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1300-1399.; Immel, Jerrold.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1300-1399.; Broughton, Bruce. Hawaii 5-0. TV<br />
77
Series. <strong>Score</strong> no: HA1300-1399.; Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no:<br />
HA1300-1399.<br />
273 Ray, Don. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1000-1099.; Stevens, Morton.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1000-1099.; Shores, Richard. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA1000-1099.<br />
274 Ray, Don. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1600-1649.; Stevens, Morton.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1600-1649.<br />
275 Geller, Harry. Gunsmoke. TV Series. <strong>Score</strong> no: GS1500-1541.; Parker, John Carl.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS1500-1541.<br />
276 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1542-1599.; Geller, Harry.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS1542-1599.<br />
277 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1800-1845.<br />
278 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1846-1899.<br />
279 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS0000-0039.<br />
280 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1040-1099.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1040-1099.<br />
281 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1100-1168.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1100-1168.<br />
282 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1169-1199.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1169-1199.<br />
283 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0900-0939.; Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS0900-0939.<br />
284 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS0941-0999.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS0941-0999.<br />
285 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS2401-2463. ;Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS2401-2463.<br />
286 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS2464-2499.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS2464-2499.<br />
[Box # 287] “Misc. 288 Gunsmoke. TV Series. <strong>Score</strong> no: GS2500-2579.” [NOTE: I<br />
looked into this box at least once on 4-28-95]<br />
78
-“The Sheep” L. Moraweck dated 12/28/64. If it is an episode title for a series it cannot<br />
be for HGWT at that late date, and it’s not an episode title for Gunsmoke. I’ll try to<br />
identify the series later perhaps…<br />
-Gunsmoke, “Ten Little Indians” Fred Steiner. Airdate Oct 9, 1965 (11 th season).Two<br />
other copies of this score are in separate boxes (#234 & 244)<br />
-Gunsmoke Theme, Rex Koury dated 1954.<br />
289 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA0100-0139.<br />
290 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA0140-0199.; Geller, Harry.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA0140-0199.; Shores, Richard. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA0140-0199.<br />
291 Immel, Jerrold. Gunsmoke. TV Series. <strong>Score</strong> no: GS2300-2399.; Broughton,<br />
William. Gunsmoke. TV Series. <strong>Score</strong> no: GS2300-2399.; Parker, John Carl.<br />
Gunsmoke. TV Series. <strong>Score</strong> no: GS2300-2399.<br />
292 Parker, John Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1200-1252.; Klatzkin,<br />
Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1200-1252.<br />
293 Klatzkin, Leon. Gunsmoke. TV Series. <strong>Score</strong> no: GS1253-1299. ;Parker, John<br />
Carl. Gunsmoke. TV Series. <strong>Score</strong> no: GS1253-1299.<br />
294 Geller, Harry. Hawaii-50. TV Series. <strong>Score</strong> no: HA0700-0799.; Stevens, M..<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA0700-0799. ;Broughton, William. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA0700-0799.<br />
295 Shores, Richard. Hawaii-50. TV Series. <strong>Score</strong> no: HA0500-0531. Romanis,<br />
George. Hawaii-50. TV Series. <strong>Score</strong> no: HA0500-0531.<br />
296 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA0532-0575.<br />
297 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA0200-0275.; Shores, Richard.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA0200-0275.<br />
298 Carpenter, John. Hawaii-50. TV Series. <strong>Score</strong> no: HA0200-0299. Oversize;<br />
Shores, Richard. Hawaii-50. TV Series. <strong>Score</strong> no: HA0200-0299. Oversize; Ray, Don.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA0200-0299. Oversize<br />
299 Geller, Harry. Hawaii-50. TV Series. <strong>Score</strong> no: HA1200-1299. Stevens, M..<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1200-1299. Shores, Richard. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA1200-1299.<br />
[Box # 300] “Hawaii-50. TV Series. <strong>Score</strong> no: HA1200-1299. Photocopy of "The<br />
Equals"; HA scores. Oversize.” [NOTE: I looked into this box on 4-28-95]<br />
79
-The Equals<br />
-Hawaii 5-0, “We Hang Our Own” Richard Shores<br />
-Hawaii 5-0 “This Killing Is Free” Don B. Ray.<br />
-Also a Geller score (concert score).<br />
301 Shores, Richard. Hawaii-50. TV Series. <strong>Score</strong> no: HA0300-0399.; Ray, Don.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA0300-0399. ;Geller, Harry. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA0300-0399.<br />
302 Broughton, William. Hawaii-50. TV Series. <strong>Score</strong> no: HA1500-1553.; Stevens, M..<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1500-1553.; Geller, Harry. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA1500-1553.<br />
303 Geller, Harry. Hawaii-50. TV Series. <strong>Score</strong> no: HA1554-1599.; Stevens, M..<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1554-1599.; Broughton, William. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA1554-1599.<br />
304 Ray, Don. Hawaii-50. TV Series. <strong>Score</strong> no: HA1424-1499.; Romanis, George.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1424-1499.; Broughton, William. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA1424-1499. ;Geller, Harry. Hawaii-50. TV Series. <strong>Score</strong> no:<br />
HA1424-1499.<br />
305 Ray, Don. Hawaii-50. TV Series. <strong>Score</strong> no: HA1700-1750.;Broughton, William.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1700-1750.; Stevens, M.. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA1700-1750.<br />
306 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA1750-1799.; Immel, Jerrold.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA1750-1799.<br />
307 Stevens, M. Hawaii-50. TV Series. <strong>Score</strong> no: HA1800-1849.<br />
308 Broughton, William. Hawaii-50. TV Series. <strong>Score</strong> no: HA1850-1899.<br />
309 Ray, Don. Hawaii-50. TV Series. <strong>Score</strong> no: HA1900-1999. ;Stevens, M. Hawaii-50.<br />
TV Series. <strong>Score</strong> no: HA1900-1999. ;Broughton, William. Hawaii-50. TV Series. <strong>Score</strong><br />
no: HA1900-1999.<br />
310 Broughton, William. Hawaii-50. TV Series. <strong>Score</strong> no: HA2001-2099. Stevens, M..<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA2001-2099.<br />
311 Stevens, M.. Hawaii-50. TV Series. <strong>Score</strong> no: HA2200-2218.<br />
312 Markowitz, Richard. Hawaii-50. TV Series. <strong>Score</strong> no: HA2219-2299.; Broughton,<br />
William. Hawaii-50. TV Series. <strong>Score</strong> no: HA2219-2299.; Stevens, M.. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA2219-2299. ;Ray, Don. Hawaii-50. TV Series. <strong>Score</strong> no: HA2219-<br />
2299.<br />
80
313 Cacavas, John. Hawaii-50. TV Series. <strong>Score</strong> no: HA2300-2331. Ray, Don. Hawaii-<br />
50. TV Series. <strong>Score</strong> no: HA2300-2331.<br />
314 Gold, Ernest. Hawaii-50. TV Series. <strong>Score</strong> no: HA2332-2399.<br />
315 Gold, Ernest. Hawaii-50. TV Series. <strong>Score</strong> no: HA2401-2499.; Scharf, Walter.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA2401-2499.; Steiner, Fred. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA2401-2499.<br />
316 Drasnin, Robert. Hawaii-50. TV Series. <strong>Score</strong> no: HA2500-2557.; Cacavas, John.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA2500-2557.<br />
317 Cacavas, John. Hawaii-50. TV Series. <strong>Score</strong> no: HA2558-2599.<br />
318 Cacavas, John. Hawaii-50. TV Series. <strong>Score</strong> no: HA2700-2799.; Kaproff, Dana.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA2700-2799.; Steiner, Fred. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA2700-2799.<br />
319 Cacavas, John. Hawaii-50. TV Series. <strong>Score</strong> no: HA2900-2960. ;Steiner, Fred.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA2900-2960.<br />
320 De Benedictis, Richard. Hawaii-50. TV Series. <strong>Score</strong> no: HA2961-2999. ;Cacavas,<br />
John. Hawaii-50. TV Series. <strong>Score</strong> no: HA2961-2999.<br />
321 Ray, Don. Hawaii-50. TV Series. <strong>Score</strong> no: HA3115-3199.; Stevens, M.. Hawaii-<br />
50. TV Series. <strong>Score</strong> no: HA3115-3199.; Broughton, William. Hawaii-50. TV Series.<br />
<strong>Score</strong> no: HA3115-3199.<br />
322 Broughton, William. Hawaii-50. TV Series. <strong>Score</strong> no: HA3200-3246.; Stevens, M.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA3200-3246.; Ray, Don. Hawaii-50. TV Series. <strong>Score</strong><br />
no: HA3200-3246.<br />
323 Broughton, William. Hawaii-50. TV Series. <strong>Score</strong> no: HA3247-3299.; Ray, Don.<br />
Hawaii-50. TV Series. <strong>Score</strong> no: HA3247-3299. ;Stevens, Morton. Hawaii-50. TV<br />
Series. <strong>Score</strong> no: HA3247-3299.<br />
324 Tatro, . Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3200-3257.; Stevens, Maurice.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3200-3257.<br />
325 Fielding, Jerry. He & She. TV Series. <strong>Score</strong> no: HS0001-0128.<br />
326 Fielding, Jerry. Governor & JJ, The. TV Series. <strong>Score</strong> no: JJ0001-0144.<br />
[Box # 327] “Fielding, Jerry. Man in the Middle. TV Series. <strong>Score</strong> no: MM0001-<br />
0035. ;Williams, John. Who Goes There. <strong>Score</strong> no: 5200-5238.; Stevens, Morton.<br />
81
Generation. <strong>Score</strong> no: GN0001-0026. ;Mizzy, Vic. Vernon's Volunteers. <strong>Score</strong> no:<br />
M2311-2336.” [NOTE: I believe I pulled this box at once to check on the Williams score]<br />
-#5201 Main Title Who Goes There Pilot show dated 1-21-65.<br />
[Box # 328] Broughton, William. Men at Law. TV Series.; Williams, John.<br />
Nightwatch.; Barnum, . Big Daddy. Shepard's Flock. [Note: I looked at Williams’ score<br />
once, and I believe I hand-copied a cue]<br />
329 Steiner, Fred. Perry Mason. TV Series. <strong>Score</strong> no: PM0001-0111. 1965-66 series<br />
330 Shores, Richard. Perry Mason. TV Series. <strong>Score</strong> no: PM0091-0250. 1965-66 series<br />
331 Shores, Richard. Perry Mason. TV Series. <strong>Score</strong> no: PM0001-0150.; Romanis,<br />
George. Crime Club. TV Series. <strong>Score</strong> no: CC0001-0028. FS. Format: MS.<br />
332 Parker, John Carl. Cutter's Trail.<br />
333 Parker, John Carl. Cutter's Trail. Format: OZM.; Rugolo, Pete. ... War On?.<br />
Format: OZM.<br />
334 Garcia, Russ. Rawhide. TV Series. ;Shores, Richard. Rawhide. TV Series.<br />
335 Parker, John Carl. Dirty Sally. TV Series. <strong>Score</strong> no: SA0001-0069.; Immel,<br />
Jerrold. Dirty Sally. TV Series. <strong>Score</strong> no: SA0071-0099.<br />
336 Shores, Richard. Rawhide. TV Series. <strong>Score</strong> no: RH0001-0034. Shores, Richard.<br />
Rawhide. TV Series. <strong>Score</strong> no: RH0182-0208.<br />
337 Storefront Lawyers. TV Series. <strong>Score</strong> no: SFL0001-0064. [Morton Stevens]<br />
338 Romanis, George. Storefront Lawyers. TV Series. <strong>Score</strong> no: SFL0039-0155.<br />
Stevens, Morton. Storefront Lawyers. TV Series. <strong>Score</strong> no: SFL0039-0155.; Shores,<br />
Richard. Storefront Lawyers. TV Series. <strong>Score</strong> no: SFL0039-0155.<br />
[Box # 339] “Murray, Lyn. Rawhide. TV Series. <strong>Score</strong> no: RH27251-27300.<br />
Garriguenc, Rene. Rawhide. TV Series. <strong>Score</strong> no: RH27251-27300.; Fried, Gerald.<br />
Rawhide. TV Series. <strong>Score</strong> no: RH27251-27300.” [NOTE: I looked into this box on 1-30-<br />
98]<br />
-#2751 (M-3041) “Invitation” music by G. Fried, dated 2-22-65.<br />
-#2752 (M-3044-A) “Wood-Gathering” by Fried<br />
-#2753 (M-3045) “Miss Ellie” by Fried<br />
-#2754 “Rich Father” “<br />
-#27261 (also originally # 218) “Climax Closing” by Bernard Herrmann. The rerecording<br />
is dated 3-6-65. Also Climax “Middle Lead-In” and “Middle Close” were<br />
rerecorded and are in this box (copies).<br />
82
-#27266 “Quietness to Dramatic Punct.” By Rene Garriguenc. Apparently this cue also<br />
was rerecorded, dated 3-22-65<br />
-#27267 “Suspense Motion to Sting (Mood 17) by Rene Garriguenc. 4 bars. 2 flutes, 2<br />
clarinets, bass clarinet, 2 trumpets, 2 Pos, vibe, electric guitar, 4 celli, bass.<br />
etc.<br />
[Box # 340] “Schrager, Rudy. Rawhide. TV Series. <strong>Score</strong> no: RH27101-27150”<br />
[NOTE: I looked into this box also on January 30, 1998]<br />
-Indeed they are all Schrager cues #27101 thru 27200, dated initially 10/14/64.<br />
[Box # 341] “Pleis, Jack. Wild Wild West. TV Series. <strong>Score</strong> no: WW0786-0847.;<br />
Lowe, Mundell. Wild Wild West. TV Series. <strong>Score</strong> no: WW0786-0847.; Steiner, Fred.<br />
Wild Wild West. TV Series. <strong>Score</strong> no: WW0786-0847.” [NOTE: I pulled this box on May<br />
16, 2003]<br />
342 Klein, Martin L.. Wild Wild West. TV Series. <strong>Score</strong> no: WW0743-0785.; Pleis,<br />
Jack. Wild Wild West. TV Series. <strong>Score</strong> no: WW0743-0785.<br />
343 Drasnin, Robert. Wild Wild West. TV Series. <strong>Score</strong> no: WW0001-0133.<br />
344 Prince, Robert. Wild Wild West. TV Series. <strong>Score</strong> no: WW0926-1050.; Parker,<br />
John Carl. Wild Wild West. TV Series. <strong>Score</strong> no: WW0926-1050.; Shores, Richard.<br />
Wild Wild West. TV Series. <strong>Score</strong> no: WW0926-1050.<br />
345 Markowitz, Richard. Wild Wild West. TV Series. <strong>Score</strong> no: WW0361-0435.;<br />
Drasnin, Robert. Wild Wild West. TV Series. <strong>Score</strong> no: WW0361-0435.<br />
346 Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1648-1699.; Geller, Harry.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1648-1699.<br />
347 Prince, Robert. Violation of Sarah McDavid. Show no: 3211-0756. FS. Format:<br />
CPY.<br />
348 Ray, Don. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2100-2150.; Broughton, William.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2100-2150. ;Broughton, Bruce. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA2100-2150.<br />
[Box # 349] “Broughton, Bruce. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2153-2199.;<br />
Robbins, Marty. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2153-2199. ;Ray, Don. Hawaii 5-<br />
0. TV Series. <strong>Score</strong> no: HA2153-2199.; Harrison, Ken. Hawaii 5-0. TV Series. <strong>Score</strong><br />
no: HA2153-2199.;Stevens, Morton. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2153-2199.”<br />
[NOTE: I looked into this box on 4-18-95]<br />
-Elegy in a Rain Forest” by Bruce Broughton & Marty Robbins<br />
350 Cacavas, John. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2600-2642.<br />
83
351 Cacavas, John. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2643-2699.; Steiner, Fred.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2643-2699.; Kaproff, Dana. Hawaii 5-0. TV<br />
Series. <strong>Score</strong> no: HA2643-2699.<br />
352 De Benedictus, Richard. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2800-2899.;<br />
Cacavas, John. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2800-2899.; Manilow, Barry.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2800-2899. Sussman, . Hawaii 5-0. TV Series.<br />
<strong>Score</strong> no: HA2800-2899. ;Feldman, . Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2800-2899.<br />
353 Cacavas, John. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3000-3099.; De Benedictus,<br />
Richard. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3000-3099.; Stevens, Morton. Hawaii 5-<br />
0. TV Series. <strong>Score</strong> no: HA3000-3099.; De Pasquale, James. Hawaii 5-0. TV Series.<br />
<strong>Score</strong> no: HA3000-3099.<br />
354 Cacavas, John. Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3300-3399.; Ray, Don.<br />
Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3300-3399.<br />
355 Fried, Gerald. It's About Time. TV Series. <strong>Score</strong> no: IAT0001-0150. Format: OZC.<br />
356 Cacavas, John. Kahn. TV Series. <strong>Score</strong> no: KN0001-0125. Part I; Stevens, Morton.<br />
Kahn. TV Series. <strong>Score</strong> no: KN0001-0125. Part I<br />
357 Stevens, Morton. Kahn. TV Series. <strong>Score</strong> no: KN0001-0125. Part II; Broughton,<br />
Bruce. Kahn. TV Series. <strong>Score</strong> no: KN0001-0125. Part II; Cacavas, John. Kahn. TV<br />
Series. <strong>Score</strong> no: KN0001-0125. Part II<br />
[Box # 358] “Stevens, Morton. Two's Company. TV Pilot. FS. Format: MS,CPY.<br />
Ted Bessell Pilot. TV Pilot. FS. Format: MS,CPY.; Williams, Johnny. Franklyn, Robert<br />
(o). Who Goes There. TV Pilot. Show no: 5200-5137. ;Gilbert, Herschel. Who Goes<br />
There. TV Pilot. Show no: 5200-5137.; Kasha, Al. Geller, Harry (a). Another April. TV<br />
Pilot. <strong>Score</strong> no: AA0001. FS. Format: MS. Words and music by Kasha and Joel<br />
Hirshhorn; Hirshhorn, Joel. Geller, Harry (a). Another April. TV Pilot. <strong>Score</strong> no:<br />
AA0001. FS. Format: MS. Words and music by Hirshhorn and Al Kasha; Geller, Harry.<br />
Stanley. ;Stevens, Morton. Stanley. “ [NOTE: I pulled this box on Sept 1, 1995]<br />
-Who Goes There #5201 “Main Title” See also Box # 327.<br />
-Who Goes There?” John Williams, dated 1/22/65. Pilot show. Instrumentation: 2 flutes,<br />
oboes, clarinets, 2 horns, 3 trumpets, 3 trombones, Indian Tom Tom, xylophone, piano,<br />
banjo, harp, accordion, harmonica, bass.<br />
-Two’s Company Morton Stevens, dated Feb 9, 1973 at 9 am. Pilot show. Instrumentation<br />
for the Main Title: 2 piccolos, 2 clarinets, 3 flugelhorns, dance drums, triangle,<br />
tambourine, electric guitar, fender bass, Hammond organ.<br />
-Ted Bessel Show Feb 6, 1973 at 2 pm. I believe M. Stevens did this one.<br />
84
359 Parker, Johnny. Out of the Blue.; Stevens, Morton. Call to Danger. TV Pilot.<br />
FS,PT. Format: MS.; Shores, Richard. Perry Mason. TV Series. Show no: 2244. <strong>Score</strong><br />
no: PM0112. 1965/66 season. Set #1; Klein, Martin L.. Perry Mason. TV Series. Show<br />
no: 2244. <strong>Score</strong> no: PM0112. 1965/66 season. Set #1; Ray, Don. Perry Mason. TV<br />
Series. Show no: 2244. <strong>Score</strong> no: PM0112. 1965/66 season. Set #1;Elliott, Dean.<br />
Stevens, Morton (a). Perry Mason. TV Series. Show no: 2244. <strong>Score</strong> no: PM0112.<br />
1965/66 season. Set #1 ;Hampton, Orville. Stevens, Morton (a). Perry Mason. TV<br />
Series. Show no: 2244. <strong>Score</strong> no: PM0112. 1965/66 season. Set #1<br />
[Box # 361] “Schrager, Rudy. Rawhide. TV Series. <strong>Score</strong> no: RH27151-27200.<br />
;Klein, Martin L.. Rawhide. TV Series. <strong>Score</strong> no: RH27151-27200.; Fried, Gerald.<br />
Rawhide. TV Series. <strong>Score</strong> no: RH27151-27200.; Green, John. Rawhide. TV Series.<br />
Show no: 2704-0960. 1965/66 season” [NOTE: I pulled this box at least once on Sept 1,<br />
1995, pulled along with five other boxes (363, 358, 199, 196, 197)]<br />
-Rawhide, “Hostage for Hanging” John Green, dated Sept 24, 1965. Airdate 10-19-65<br />
(fifth episode of the 12 episodes in the final Eight season).<br />
[Box # 362] “Tiomkin, Dimitri. Gilbert, Herschel (a). Rawhide. TV Series. Show<br />
no: 2704-0960. <strong>Score</strong> no: RH27000-27100. ;Schrager, Rudy. Rawhide. TV Series. Show<br />
no: 2704-0960. <strong>Score</strong> no: RH27000-27100. ;Steiner, Fred. Rawhide. TV Series. Show<br />
no: 2704-0960. <strong>Score</strong> no: RH27000-27100.” [NOTE: I pulled this box on 9/1/95. I<br />
figured Herrmann’s score for “Encounter at Boot Hill” that premiered the seventh season<br />
might be in one of these two boxes (#361 & 362) but it wasn’t, unfortunately!]<br />
-Rawhide, “The Enormous Fist” Fred Steiner, dated August 1964. Airdate Oct 2, 1964<br />
(second episode of the seventh season starring Brenda Scott). Accordion, 3 horns, timp, 8<br />
violins, 2 violas, 2 VC, 1 CB.<br />
363 Stevens, Morton. Spencer's Pilots. TV Series. <strong>Score</strong> no: SP0001-0099.; Geller,<br />
Harry. Spencer's Pilots. TV Series. <strong>Score</strong> no: SP0001-0099.; Immel, Jerrold. Spencer's<br />
Pilots. TV Series. <strong>Score</strong> no: SP0001-0099.<br />
364 De Benedictus, Richard. Spencer's Pilots. TV Series. <strong>Score</strong> no: SP0100-0199.;<br />
Stevens, Morton. Spencer's Pilots. TV Series. <strong>Score</strong> no: SP0100-0199.; Broughton,<br />
Bruce. Spencer's Pilots. TV Series. <strong>Score</strong> no: SP0100-0199.<br />
365 Niehaus, Lennie. Tim Conway. <strong>Score</strong> no: TC0001.; Stevens, Morton. Wild Wild<br />
West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0436-0514. 1966/67 season. Set #1;<br />
Geller, Harry. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0436-0514.<br />
1966/67 season. Set #1; Shores, Richard. Wild Wild West. TV Series. Show no: 3224.<br />
<strong>Score</strong> no: WW0436-0514. 1966/67 season. Set #1; Markowitz, Richard. Wild Wild<br />
West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0436-0514. 1966/67 season. Set #1;<br />
Drasnin, Robert. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0436-0514.<br />
1966/67 season. Set #1; Davis, Joel. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong><br />
no: WW0436-0514. 1966/67 season. Set #1<br />
85
366 Fried, Gerald. Rawhide. TV Series. <strong>Score</strong> no: RH27201-27250.; Scott, Nathan.<br />
Rawhide. TV Series. <strong>Score</strong> no: RH27201-27250.; Garcia, Russ. Rawhide. TV Series.<br />
<strong>Score</strong> no: RH27201-27250.; Garriguenc, Rene. Rawhide. TV Series. <strong>Score</strong> no:<br />
RH27201-27250.; Routh, Ed. Rawhide. TV Series. <strong>Score</strong> no: RH27201-27250.<br />
367 Markowitz, Richard. Jones, W. W. (a). Penelope Beware.; Murrayitz, Lyn.<br />
Levene, Gus (o). Stevens, Morton (a). Missy's Men. ;Moore, Thomas. Shoestring Safari.;<br />
Geller, Harry. Shoestring Safari.; Comstock, Frank. Phil Silvers. TV Pilot.<br />
368 Van Cleave, Nathan. Unidentified.; Markowitz, Richard. Jones, W. W. (a). Wild<br />
Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0136-0248. 1965/66 season ;Davis,<br />
Joel. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0136-0248. 1965/66<br />
season; Stevens, Morton. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no:<br />
WW0136-0248. 1965/66 season<br />
369 Geller, Harry. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0515-<br />
0650. 1966/67 season; Markowitz, Richard. Wild Wild West. TV Series. Show no: 3224.<br />
<strong>Score</strong> no: WW0515-0650. 1966/67 season; Garcia, Russ. Davis, Joel (a). Wild Wild<br />
West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0515-0650. 1966/67 season ;Stevens,<br />
Morton. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0515-0650. 1966/67<br />
season; Pleis, Jack. Wild Wild West. TV Series. Show no: 3224. <strong>Score</strong> no: WW0515-<br />
0650. 1966/67 season<br />
370 Lowe, Mundell. Wild Wild West 2. <strong>Score</strong> no: WW0806. Pt. I ;Strauss, Johann.<br />
Davis, Joel (a). Wild Wild West 2. <strong>Score</strong> no: WW0806. Pt. I ;Drasnin, Robert. Wild Wild<br />
West 2. <strong>Score</strong> no: WW0806. Pt. I; Prince, Robert. Wild Wild West 2. <strong>Score</strong> no:<br />
WW0806. Pt. I; Klein, Martin L.. Wild Wild West 2. <strong>Score</strong> no: WW0806. Pt. I; Stevens,<br />
Morton. Wild Wild West 2. <strong>Score</strong> no: WW0806. Pt. I<br />
371 Geller, Harry. Wild Wild West 2. <strong>Score</strong> no: WW0851. Pt. II; Shores, Richard. Wild<br />
Wild West 2. <strong>Score</strong> no: WW0851. Pt. II; Pleis, Jack. Wild Wild West 2. <strong>Score</strong> no:<br />
WW0851. Pt. II<br />
372 Pleis, Jack. Wild Wild West 2. <strong>Score</strong> no: WW08510-0925.; Markowitz, Richard.<br />
Wild Wild West 2. <strong>Score</strong> no: WW08510-0925.; Prince, Robert. Wild Wild West 2. <strong>Score</strong><br />
no: WW08510-0925.; Klein, Martin L.. Wild Wild West 2. <strong>Score</strong> no: WW08510-0925.<br />
373 Hamlisch, Marvin. Van Cleave, Nathan (o). April Fools. PT,FS. Format:<br />
OZM,OZC.<br />
374 Thank You Very Much. PT. 3 folders Scrooge. PT. 3 folders<br />
375 Scrooge. PT,FS. Pt. I<br />
376 Scrooge. 02/24/70. PT. Pt. II<br />
86
377 Scrooge. PT. Pt. III 3<br />
378 Wild Wild West. PT. 3 folders Scrooge. PT.<br />
379 Misc. parts. PT.<br />
[Box # 380] “Misc. parts. PT.” [NOTE: I glanced into this box on 1-7-98. All I<br />
entered on my sheet was “N/A.”<br />
[Box # 381] “Max, Peter. Drop Out Father. Show no: 3211-0805. <strong>Score</strong> no:<br />
CED0316-0323. 11 envelopes; Max, Peter. Drop Out Father. Show no: 3211-0805.<br />
<strong>Score</strong> no: CED0343-0345. 11 envelopes” [NOTE: I looked into this box on 1-7-98]<br />
-Drop Out Father by Peter Matz<br />
382 PT. 1966/67 season effects; Goldsmith, Jerry. Playhouse 90. Sound of Trumpets<br />
(ep). TV Series.; Goldsmith, Jerry. Lonesome at Midnight.<br />
383 Misc. parts. Perito, Nick (a). Daytime Special. Library XIV recording notes?<br />
;Steiner, Fred. Perry Mason. TV Series. First Step.; Tunick, Jonathon. Brotherly Love.<br />
Byers, Bill. FS. Burns, Ralph. All That Jazz.<br />
384 Scrooge. PT. Part I<br />
385 Scrooge. PT. Part II<br />
386 Scrooge. PT. Part I<br />
387 Stevens, Morton. Scrooge. PT. Part II and head sheets<br />
388 Scrooge. 05/08/70. PT. Pursuit opening and overture. Pt. II<br />
389 Scrooge. 01/06/70. PT. Finale. Pt.III<br />
[Box # 390] “Duck Montage. PT. Table for Five. 01/25/83. Recording/library notes,<br />
dubbing log ;Garriguenc, Rene. PT. ;Carlton, Maurice. Human Robot. <strong>Score</strong> no: 2962.<br />
PT.; Steiner, Fred. Gunsmoke Closing Theme. TV Series. <strong>Score</strong> no: 2952. PT.; Koury,<br />
Rex. Gunsmoke Closing Theme. TV Series. <strong>Score</strong> no: 2952. PT.; Steiner, Fred. PM<br />
Strangers. <strong>Score</strong> no: 2959. PT. Shadow of a Dream. FS.” [NOTE: I pulled this box at<br />
least once when I pulled five other boxes, including # 391, 425, 244, 418, and 419.]<br />
-Parts for Gunsmoke Closing Theme.<br />
87
[Box # 391] “Garriguenc, Rene. Generic No.4 (The Cold War). FS. Foreign Library<br />
: folder 4497.; Garriguenc, Rene. Generic No.5. FS. Foreign Library : folder 4498;<br />
Garriguenc, Rene. Generic No.6. FS. Foreign Library : folder 4499; Garriguenc, Rene.<br />
Generic No.3 (At Home and Abroad). FS. Foreign Library : folder 4496; Murray, Lyn.<br />
Anthology Theme. Format: OZC,OZM. Foreign Library : folder 4485; Garriguenc,<br />
Rene. Generic No.1 (For a Free World). Foreign Library : folder 4494; Moraweck,<br />
Lucien. Sans Souci. Foreign Library : folder 4493; Moraweck, Lucien. Lonely Man.<br />
Foreign Library : folder 4492; Buttolph, David. Suspense. Format: CPY. Foreign<br />
Library : folder 4491 Buttolph, David. Documentary. Foreign Library : folder 4490<br />
Buttolph, David. Serious Moment. Foreign Library : folder 4489; Buttolph, David.<br />
Mirage, The. Foreign Library : folder 4488; Steiner, Fred. Near East. Foreign Library :<br />
folder 4484 Pete & Gladys. Various documents ;Moraweck, Lucien. Misc. parts. PT.<br />
Foreign Library : folders 1173-1176; Garriguenc, Rene. Misc. parts. PT. Foreign<br />
Library : folders 1195-1197 Misc.” [NOTE: I looked into this box on 1-30-98 and also<br />
earlier on 5-16-95, plus one other time undisclosed]<br />
-#4484 “Near East” by Fred Steiner :40<br />
-#4485 “Anthology Theme” by Lyn Murray, <strong>CBS</strong> XIII B # 7.<br />
-#4487 “A Study for Credit” Buttolph 1:56<br />
-#4488 “The Mirage” David Buttolph 1:01<br />
-#4489 “Serious Moment” “ 1:08<br />
-#4490 “Documentary” “ 1:40<br />
-#4491 “Suspense” by David Buttolph. There is a note stating that Lud Gluskin was in<br />
the Hotel Goorke 32, Paris., and also Park Hotel in Stuttgart. So obviously the “Foreign<br />
Library” reference applies here!<br />
-#4492 “Lonely Man” by L. Moraweck. <strong>CBS</strong> 8-E-31. Horn solo.<br />
-#4494 “Generic No. 1: For a Free World” by Rene Garriguenc, 7 pages.<br />
-#4496 “Generic No. 3: At Home & Abroad” by Garriguenc, 5 pages.<br />
-#4497 “Generic No. 4:The Cold War” by Rene Garriguenc, 12 pages. <strong>CBS</strong> XIII E-27<br />
-#4498 “Generic No. 5: “Official Business, Good Neighbor Policies” by Garriguenc, 7<br />
pages.<br />
-#4499 “Generic No. 6: “Astronauts, Science, etc.” Garriguenc, 4 pages.<br />
392 Morris, John. Table for Five. 10/26/82. Show no: 1316-9003. PT,FS. Format: CPY.<br />
Includes recording notes; Goodman, Miles. Table for Five. 10/26/82. Show no: 1316-<br />
9003. PT,FS. Format: CPY. Includes recording notes<br />
393 Table for Five. Show no: 1316-9003. PT,FS. Format: CPY.<br />
394 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0004-0009. PT.<br />
395 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0010-0016. PT.<br />
396 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0017-0022. PT.<br />
397 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0023-0030. PT.<br />
88
398 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0031-0034. PT.<br />
399 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0035-0038. PT.<br />
400 Table for Five. Show no: 1316-9003. <strong>Score</strong> no: CTF0041-0044. PT.<br />
401 Equals, The. Reel cue no: M-21. PT.<br />
402 Equals, The. Reel cue no: M-31. PT.<br />
403 Equals, The. Reel cue no: M-41. PT.<br />
404 Equals, The. Reel cue no: M-51. PT.<br />
405 Equals, The. Reel cue no: M-71. PT.<br />
406 Perito, Nick (a). Daytime Special. PT.<br />
407 Perito, Nick (a). Daytime Special. PT.<br />
[Box # 408] “Misc.. Recording notes - Library XIV Perito, Nick (o). Daytime<br />
Special. PT. Includes misc. parts, sheet music “[NOTE: I looked into this box on 10-20-<br />
95 but the only note I made was “Library XIV pages 44-70”]<br />
409 Parker, John Carl. Cutter's Trail. TV Pilot. 01/13/69. PT. Nos.61-90<br />
410 Parker, John Carl. Cutter's Trail. TV Pilot. 01/13/69. PT. Nos.91-104<br />
411 Julian, Arthur. Son-in-Law, The. PT. Scripts; Davenport, Bill. Son-in-Law, The.<br />
PT. Scripts<br />
412 Million Dollar Infield. PT. Reel Cue Nos. M11-M50<br />
413 Million Dollar Infield. PT. Reel Cue Nos. M51-M102 and Showcards 1-2<br />
414 Two's Company. Show no: 1310-5617. PT. Includes cue sheets. 14 folders<br />
[Box # 415] “Ted Bessell. PT. 8 folders Big Daddy. PT. 3 folders. Misc..; Moraweck,<br />
Lucien. Misc. parts. PT. Foreign Library : folders 454-455,481-484,488” [NOTE: I<br />
glanced into this box on 5-24-95]<br />
-verified Moraweck parts.<br />
416 Moraweck, Lucien. Misc. parts. PT. Foreign Library : folders 489-492,591-592A<br />
Misc. parts. PT. Foreign Library : folder 232; Misc. parts. PT. Foreign Library : folder<br />
1442. Johann Strauss medley Misc. parts. PT. Foreign Library : folder 1406 Misc. parts.<br />
89
PT. Foreign Library : folder 1743 Misc. parts. PT. Foreign Library : folder 1742 Misc.<br />
parts. PT. Foreign Library : folder 5891 Misc. parts. PT. Foreign Library : folder 322A-C<br />
417 Snow, Mark. Scrooge. PT. Includes chorus and vocal parts<br />
[Box # 418] “My Favorite Husband. PT. Hotel de Paris. TV Series. PT. Grip of the<br />
Law. PT. Foreign Library folder : 1439; Take Two. PT.; No Time at All. PT. ; It's Never<br />
June. PT. Beverly Hills. PT. Defile Triomphal. PT.” [NOTE: I looked into this box once<br />
at least on 5-16-95]<br />
-Fanfares of various <strong>CBS</strong> series such as Hotel deParee (Tiomkin), HGWT (Herrmann),<br />
Rawhide (Tiomkin), Gunsmoke, Perry Mason, Line-Up. Usually seven staves. Examples<br />
are:<br />
-#1784 Have Gun, Will Travel. We see four horns (each horn with a separate<br />
staff), 2 Pos in hat, and timp (optional). So the trombones in 2/4 time sound forte small<br />
octave D/F rinforzando quarter notes to C#/F rinforzando quarter notes to (Bar 2), after a<br />
quarter rest, D/D rinforzando quarter notes to (end Bar 3) C#/F rinforzando quarter notes<br />
(followed by a quarter rest held fermata). Etc.<br />
-#1785 The Line-Up. Once again 4 horns and 2 Pos. Pos I plays forte Line 1 Eb-<br />
Eb-Eb rinforzando quarter notes to C rinforzando quarter note to (Bar 2), after an 8 th rest,<br />
Eb sforzando stand-alone 8 th to Eb-Eb sforzando 8ths (connected by a crossbeam) to C 8 th<br />
(followed by an 8 th and quarter rest).<br />
-#1780 Hotel deParee Same 4 horns and two Pos (in hats) and timp. For example,<br />
Pos I sounds f in Cut time Line 1 C quarter note up to Eb dotted half note down to (Bar 2)<br />
small octave F quarter note to same F dotted half note crescendo and tied to 8 th note next<br />
bar (followed by rests).<br />
-#1781 Rawhide. Pos play forte (and in hats) small octave D/F up to F/A quarter<br />
notes back to D/F to F/A quarter notes to (end Bar 2) D/F quarter notes (all are<br />
rinforzando-marked) to F/A dotted half note decrescendo hairpin.<br />
-#1782 Gunsmoke<br />
-1783 Perry Mason.<br />
[Box # 419] “Doreen. PT. 1st Overture. PT. Wild Wild West Revisited. Cue sheets<br />
Granada. PT. Dear Heart. Cue sheet, commercials; Bumpers (?). Reel cue no: M11. FS.<br />
Format: CPY.; Misc. parts. 9 folders Misc. sheets. 9 folders “ [NOTE: I worked on this<br />
box at least once]<br />
-Far Shore, music by Goldenberg. Full score.<br />
[Box # 420] “Matz, Peter. Drop-out Father. Show no: 3211-0805. PT.; Snow,<br />
Mark. Games. Show no: 3211-0873. PT. 9 folders” [NOTE: I pulled this box on Aug 18,<br />
1995]<br />
-Drop Out Father Peter Matz (parts only)<br />
-Games Mark Snow (parts only)<br />
90
421 Scrooge. FS,PT. Includes production score, Finale Pts.1-2<br />
422 Scrooge. PT. 14 folders Beautiful Day, The. PT. Misc. parts. PT.<br />
423 Scrooge. PT. 2 folders Misc. parts. PT. 11 folders<br />
[Box # 424] “Tiomkin, Dimitri. Gunslinger. PT. Games Mother Never Taught Me.<br />
FS. Includes cue sheets, recording notes Misc. music.; Moraweck, Lucien. PT. Foreign<br />
Library folders : 1119,1123,1124; Lava, William. Goodbye Keith.” [Note: Fortunately I<br />
pulled this box at least once (date unknown now) because two Collectors Item cues<br />
(copies) were found in this box. So far I have not discovered the other cues.<br />
-#1290 “The Glass” <strong>CBS</strong> 9-44 Herrmann<br />
-#1293 “The Discovery” <strong>CBS</strong> 9-56-1 Herrmann<br />
Note: Herrmann signed the contract for this score on Dec 21, 1957.<br />
[Box # 425] “Games. PT.; Goldenberg, Billy. Gift of Life. RS. Includes recording<br />
notes Misc. parts. PT.” [NOTE: I looked in this box on an undisclosed date (not noted)]<br />
-Verified “Gift of Life” by Billy Goldenberg dated Feb 18, 1982. Full score.<br />
426 Gift of Life. PT. Includes showcards & M11-M53<br />
427 Gift of Life. PT. M54-M104<br />
428 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0010-0017.<br />
429 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0020-0027.<br />
430 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0028-0039.<br />
431 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0040-0052.<br />
432 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0053-0068.<br />
433 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0069-0080.<br />
434 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0081-0096.<br />
435 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0097-0109.<br />
436 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0110-0121.<br />
437 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0122-0137.<br />
438 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0139-0149.<br />
91
439 Spencer's Pilot. TV Series. <strong>Score</strong> no: SP0150-0162.<br />
440 Dirty Sally. TV Series. <strong>Score</strong> no: SA0001-0037.<br />
441 Dirty Sally. TV Series. <strong>Score</strong> no: SA0038-0069.<br />
442 Dirty Sally. TV Series. <strong>Score</strong> no: SA0071-0108.<br />
443 Dirty Sally. TV Series. <strong>Score</strong> no: SA0109-0133.<br />
444 Andros Target. TV Series. <strong>Score</strong> no: AT0014-0030.<br />
445 Andros Target. TV Series. <strong>Score</strong> no: AT0031-0044.<br />
446 Andros Target. TV Series. <strong>Score</strong> no: AT0043-0075.<br />
447 Andros Target. TV Series. <strong>Score</strong> no: AT0076-0101.<br />
448 Andros Target. TV Series. <strong>Score</strong> no: AT0001-0013.<br />
449 Andros Target. TV Series. <strong>Score</strong> no: AT0102-0119.<br />
450 Andros Target. TV Series. <strong>Score</strong> no: AT0120-0140.<br />
451 Andros Target. TV Series. <strong>Score</strong> no: AT0141-0162.<br />
452 Andros Target. TV Series. <strong>Score</strong> no: AT0163-0185.<br />
453 M Station Hawaii. PT. Box 1<br />
454 M Station Hawaii. PT. Box 2<br />
455 M Station Hawaii. PT. Box 3 456 Untitled. FS. Format: MS. Box 4<br />
457 Fugitive. TV Series. PT. Box 1<br />
458 Fugitive. TV Series. PT. Box 2<br />
[Box # 459] “Fugitive. TV Series. FS. Format: MS. Box 3” [NOTE: I believe I pulled<br />
this box on May 16, 2003 but did not make any notes]<br />
460 Strange Possession of Mrs. Oliver. PT. Part I<br />
461 Strange Possession of Mrs. Oliver. PT. Part II Coming of Age. PT,FS. Format: CPY.<br />
92
462 Flight 412. PT. Box 1<br />
463 Flight 412. PT. Box 2<br />
464 Strange Possession of Mrs. Oliver, The. FS. Format: MS. Jerico. FS. Format: MS.<br />
465 Coming of Age. FS. Format: MS. Wonder Of It All, The. FS. Format: MS. Storefront<br />
Lawyers. FS,PT. Format: MS. 35th Annual Academy Awards. FS. Overture<br />
466 Misc. parts. PT.<br />
467 Misc. parts. PT.<br />
468 Peter Lundy. FS. Format: MS.<br />
469 Lucy Show, The. TV Series. FS. Format: MS.<br />
470 Broughton, William. Sports Playon #1-4. FS,PT. Format: MS.<br />
471 Gold, Ernest. Runner Stumbles, The. PT.<br />
472 Gold, Ernest. Runner Stumbles, The. PT.<br />
473 Gold, Ernest. Runner Stumbles, The. FS. Format: MS.<br />
474 Lucy Show, The. TV Series. RS. Box 1<br />
475 Lucy Show, The. TV Series. RS. Box 2<br />
476 Lucy Show, The. TV Series. RS. Box 3<br />
[Box # 477] “Misc. parts. <strong>Score</strong> no: CTN0485-0509. PT. Box 1” [NOTE: I looked in<br />
this box out of curiosity because the only description from the <strong>UCLA</strong> site was this<br />
“miscellaneous” one-liner. My only note was that the contents had Boston Blockade.<br />
Composer not noted]<br />
478 Misc. parts. <strong>Score</strong> no: CTN0510-0531. PT. Box 2<br />
479 Misc. parts. <strong>Score</strong> no: CTN0532-0543. PT. Box 3<br />
480 Misc. parts. <strong>Score</strong> no: CTN0544-0557. PT. Box 4<br />
481 Misc. parts. <strong>Score</strong> no: CTN0558-0571. PT. Box 5<br />
482 Misc. parts. <strong>Score</strong> no: CTN0572-0580. PT. Box 6<br />
93
483 Misc. parts. <strong>Score</strong> no: CTN0581-0591. PT. Box 7<br />
484 Misc. parts. <strong>Score</strong> no: CTN0592-0614. PT. Box 8<br />
485 Misc. parts. <strong>Score</strong> no: CTN0615-0633. PT. Box 9<br />
486 Misc. parts. <strong>Score</strong> no: CTN0634-0646. PT. Box 10<br />
487 Misc. parts. <strong>Score</strong> no: CTN0647-0663. PT. Box 11<br />
488 Misc. parts. <strong>Score</strong> no: CTN0664-0674. PT. Box 12<br />
489 Misc. parts. <strong>Score</strong> no: CTN0675-0682. PT. Box 13<br />
490 Misc. parts. <strong>Score</strong> no: CTN0683-0692. PT. Box 14<br />
491 Misc. parts. <strong>Score</strong> no: CTN0693-0717. PT. Box 15<br />
492 Misc. parts. <strong>Score</strong> no: CTN0718-0732. PT. Box 16<br />
493 Misc. parts. <strong>Score</strong> no: CTN0733-0741. PT. Box 17<br />
494 Misc. parts. <strong>Score</strong> no: CTN0742-0750. PT. Box 18<br />
495 Misc. parts. <strong>Score</strong> no: CTN0751-0775. PT. Box 19<br />
496 Misc. parts. <strong>Score</strong> no: CTN0776-0793. PT. Box 20<br />
497 Misc. parts. <strong>Score</strong> no: CTN0794-0808. PT. Box 21<br />
498 Misc. parts. <strong>Score</strong> no: CTN0809-0816. PT. Box 22<br />
499 Goodman, Miles. Blind Justice. TV Movie. <strong>Score</strong> no: CED1911-1930. FS,RS.;<br />
Hagen, Earle. North Beach & Rawhide. TV Movie. <strong>Score</strong> no: CED1385-1388. FS,PT.<br />
500 Kempel, Arthur. Twilight Zone. Personal Demons (ep). TV Series. <strong>Score</strong> no:<br />
TZ0390-0399.<br />
501 Geller, Harry. Wild Wild West. TV Series. <strong>Score</strong> no: WW0249-0357.; Markowitz,<br />
Richard. Wild Wild West. TV Series. <strong>Score</strong> no: WW0249-0357.; Shores, Richard. Wild<br />
Wild West. TV Series. <strong>Score</strong> no: WW0249-0357.; Lowe, Mundell. Wild Wild West. TV<br />
Series. <strong>Score</strong> no: WW0249-0357.<br />
502 Scharf, Walter. Wild Wild West. TV Series. <strong>Score</strong> no: WW0711-0742.; Pleis, Jack.<br />
Wild Wild West. TV Series. <strong>Score</strong> no: WW0711-0742.<br />
94
503 Geller, Harry. Wild Wild West. TV Series. <strong>Score</strong> no: WW0651-0710.; Markowitz,<br />
Richard. Wild Wild West. TV Series. <strong>Score</strong> no: WW0651-0710.; Shores, Richard. Wild<br />
Wild West. TV Series. <strong>Score</strong> no: WW0651-0710.<br />
504 Broughton, William. Specer's Pilot. TV Series. <strong>Score</strong> no: SP0162. ;Stevens,<br />
Morton. Run Buddy Run. TV Series. <strong>Score</strong> no: RBR0017-0054. It's About Time. TV<br />
Series. <strong>Score</strong> no: IAT0153-0207.<br />
505 Hamlisch, Marvin. April Fool's. PT. Part I<br />
506 Hamlisch, Marvin. April Fool's. PT. Part II<br />
507 Hamlisch, Marvin. April Fool's. PT. Part III<br />
508 Hamlisch, Marvin. April Fool's. PT. Part IV<br />
509 Scrooge. PT. Part I<br />
510 Scrooge. PT. Part II<br />
511 Scrooge. PT. Part III<br />
512 Scrooge. PT. Part IV<br />
513 Me, Natalie. PT. Box I<br />
514 Me, Natalie. PT. Box II<br />
515 Violation of Sarah McDavid, The. PT.<br />
516 Scrooge. PT. Box V<br />
517 Scrooge. PT. Box VI<br />
518 Scrooge. PT. Box VII<br />
519 Me, Natalie. PT. Box III<br />
520 Me, Natalie. PT. Box IV<br />
521 Broughton, William. Hawaii 5-0. <strong>Score</strong> no: HA0001-0022. PT.<br />
522 Hamlisch, Marvin. April Fool's. PT. Box V<br />
523 Hamlisch, Marvin. April Fool's. PT. Box VI<br />
95
524 Emmys. PT. Box I<br />
525 Emmys. PT. Box II<br />
526 Emmys. PT. Box III<br />
527 Emmys. PT. Box IV<br />
528 Emmys. PT. Box V<br />
529 After Hours. PT,FS. Daytime musical. Box I<br />
530 After Hours. PT,FS. Daytime musical. Box II<br />
531 Unidentified. Seven folders Crime Club. TV Series. <strong>Score</strong> no: CC0018-0023. PT.<br />
Box I<br />
532 Crime Club. TV Series. <strong>Score</strong> no: CC0024-0030. PT. Box II<br />
533 Scrooge. PT. Box VIII<br />
534 Hell's Gate. PT. Box I<br />
535 Hell's Gate. PT. Box II<br />
536 Equals, The. PT. Box I<br />
537 Equals, The. PT. Box II<br />
538 Equals, The. PT. Box III<br />
539 Scrooge. FS. Box IX<br />
540 Scrooge. PT. Box X<br />
541 Emmys. PT. 1969. Box I<br />
542 Emmys. 1969. Box II. Dubbing work orders<br />
543 Emmys. 1969. Box III. Dubbing work orders<br />
544 Emmys. PT. 1969. Box IV<br />
545 Emmys. PT. 1969. Box V<br />
546 Emmys. PT. 1969. Box VI<br />
96
547 Emmys. PT. 1969. Box VII<br />
548 Emmys. PT. 1969. Box VIII<br />
549 Affiliates Show. PT. Box I. 2 folders. Parts.<br />
550 Affiliates Show. PT. Box II. 1 folder. Parts.<br />
551 Drasnin, Robert. Muggable Mary. FS.<br />
552 Misc. scores. FS. Format: CPY.<br />
553 Goldsmith, Jerry. Pursuit. PT.; Van Cleave, Nathan. Tarzan. Elegy (ep). TV<br />
Series. PT.<br />
[Box # 554] “Herrmann, Bernard. Drink of Water. Radio Show. PT.; Herrmann,<br />
Bernard. Moat Farm Murder. Radio Show. PT.; Goldsmith, Jerry. Autumn Love. PT.<br />
Evergreen. PT. RS. Format: OZM.” [NOTE: Of course I pulled this box because of the<br />
Herrmann reference]<br />
-Drink of Water (Herrmann). Parts only. #392- thru 10. <strong>Score</strong> dated Nov 10, 1938.<br />
-Moat Farm Murder (Herrmann) Parts only.<br />
555 Misc. parts. <strong>Score</strong> no: CPN6148. PT. Scrooge.<br />
556 Levene, Gus. Gomer Pyle. TV Series. PT. Misc. parts. PT,RS.<br />
557 Scrooge. PT,RS. Box X<br />
558 Scrooge. PT. Box XI<br />
559 Scrooge. Box XII ;Frank, David. Maid in America. FS. Format: CPY.; Horn, K.<br />
Raging River. FS. Format: CPY. [NOTE: Maid In America is dated 6/9/82 Studio City<br />
(recording). The composer is David Michael Frank.<br />
560 Misc. parts. FS.<br />
561 Cutter's Trail. PT.<br />
562 Cutter's Trail. PT.<br />
563 Tom Sawyer - Huck Finn. PT.<br />
564 Untitled. <strong>Score</strong> no: CCF0273-0309. FS. Tom Sawyer. PT.<br />
97
565 Van Cleave, Nathan. Overture. FS. Format: MS. Untitled. <strong>Score</strong> no: CPN6148. FS.<br />
Format: OZM. Untitled. PT.<br />
566 Equals, The. PT.<br />
567 <strong>CBS</strong> 50th Anniversary Program. RS. Box 1<br />
568 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 2<br />
569 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 3<br />
570 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 4<br />
571 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 5<br />
572 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 6<br />
573 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 7<br />
574 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 8<br />
575 <strong>CBS</strong> 50th Anniversary Program. PT. Box 9<br />
576 <strong>CBS</strong> 50th Anniversary Program. PT. Box 10<br />
577 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 11<br />
578 <strong>CBS</strong> 50th Anniversary Program. FS,PT. Box 12<br />
579 Emmys. PT. Box 1<br />
580 Emmys. PT,FS. Box 2<br />
581 Emmys. PT,FS. Box 3<br />
582 Emmys. PT,FS. Box 4<br />
583 Emmys. PT,FS. Box 5<br />
584 Tim Conway Show. TV Series. <strong>Score</strong> no: CPN6151. PT. <strong>CBS</strong> 50th Anniversary<br />
Program (?). PT. Craft Music. PT. Format: OZM.<br />
585 Scrooge. FS. Format: CPY. Includes editor-booth copies<br />
586 Scrooge. FS. Format: CPY.<br />
98
587 Scrooge. PT. Chorus parts Scrooge. FS. Format: CPY.<br />
588 Table for 5. PT.<br />
589 Drasnin, Robert. Muggable Mary. PT.<br />
590 Drasnin, Robert. Muggable Mary. PT.<br />
591 Misc. parts. PT.<br />
592 Misc. score and parts. RS,PT.<br />
593 Tom Sawyer. PT.<br />
594 Misc. parts. PT. Crime Club. TV Series. <strong>Score</strong> no: CC0001-0006. PT. Crime Club.<br />
TV Series. <strong>Score</strong> no: CC0016-0017. PT.<br />
595 Crime Club. TV Series. <strong>Score</strong> no: CC0007-0015. PT.<br />
596 My Wicked Wicked Ways. FS. Format: CPY.; Parker, John Carl. Cannon. TV<br />
Series. <strong>Score</strong> no: CAN0021-0070. FS. Format: CPY. Recording logs and breakdowns<br />
[Box # 597] Herrmann, Bernard. Dauber. PT.; Moraweck, Lucien. PT. Various<br />
parts Misc. parts. PT. [NOTE: I pulled this box at least once to at least verify these parts<br />
and to also re-insert Horn I that somehow was misplaced in Box # 5]<br />
598 Misc. parts. PT.<br />
599 Misc. parts. PT;. Garriguenc, Rene. Unidentified. PT.<br />
600 Misc. parts. PT.<br />
601 Moraweck, Lucien. Misc. score and parts. FS,PT.<br />
602 Garriguenc, Rene. Misc. parts. PT. Misc. parts. PT.<br />
603 Misc. parts. PT.<br />
604 Dropout Father. PT. ;Rosenthal, Laurence. African Elephant, The. <strong>Score</strong> no:<br />
CCF0155-0372. FS. Format: CPY.<br />
605 Misc. parts. PT.<br />
606 Scrooge. PT.<br />
607 Scrooge. PT. Vocal parts<br />
99
608 Scrooge. PT. Format: OZM. Orchestra masters<br />
609 Scrooge. Father Christmas (ep). PT. Remake four Scrooge. I Hate People (ep). PT.<br />
610 <strong>CBS</strong> Affiliates : Overture. <strong>Score</strong> no: CPN6148. PT. Includes notes<br />
611 <strong>CBS</strong> Affiliates : Overture. <strong>Score</strong> no: CPN6148. PT.<br />
612 Scrooge. Father Christmas (ep). PT.; Horner, James. Huck Finn. FS. Format: CPY.<br />
613 Pete & Gladys. TV Series. PT. Scrooge. PT.<br />
614 Scrooge. Phantom's Test (ep). PT. Scrooge. December the 25th (ep). PT. Vocal<br />
arrangement<br />
615 Snow, Mark. Games. PT.<br />
616 Unidentified. RS.; Stevens, Morton. African Elephant Song. RS.; Rosenthal,<br />
Laurence. African Elephant. FS. Format: CPY.<br />
617 Misc. parts. PT.<br />
618 Brotherly Love. PT.<br />
619 Brotherly Love. PT.<br />
620 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0004-0012.<br />
621 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0013-0024.<br />
622 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0025-0033.<br />
623 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0034-0047.<br />
624 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0048-0060.<br />
625 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0061-0073.<br />
626 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0074-0086.<br />
627 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0087-0095.<br />
628 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0096-0114. Missing HA0105-0108<br />
629 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0115-0126.<br />
100
630 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0127-0138.<br />
631 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0597-0603.<br />
632 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0610-0621.<br />
633 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0622-0647.<br />
634 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0648-0660.<br />
635 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0661-0684.<br />
636 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0685-0698.<br />
637 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0699-0710.<br />
638 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA<strong>072</strong>9-0744.<br />
639 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0745-0756.<br />
640 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0757-0768.<br />
641 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0769-0777.<br />
642 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0785-0797.<br />
643 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0798-0813.<br />
644 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0814-0826.<br />
645 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0827-0841.<br />
646 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0842-0856.<br />
647 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0857-0868.<br />
648 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0869-0878.<br />
649 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0879-0880.<br />
650 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0890-0903.<br />
651 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0904-0916.<br />
652 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0917-0928.<br />
101
653 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA0929-1003. Missing HA0943-0992<br />
654 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1004-1012.<br />
655 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1013-1026.<br />
656 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1027-1040.<br />
657 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1041-1056.<br />
658 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1057-1076.<br />
659 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1077-1096.<br />
660 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1097-1112.<br />
661 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1113-1127.<br />
662 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1128-1144.<br />
663 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1145-1159.<br />
664 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1160-1169.<br />
665 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1170-1187.<br />
666 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1188-1201.<br />
667 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1202-1217.<br />
668 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1218-1231.<br />
669 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1232-1247.<br />
670 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1248-1261.<br />
671 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1262-1271.<br />
672 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1272-1284.<br />
673 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1285-1299.<br />
674 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1300-1316.<br />
675 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1317-1329.<br />
102
676 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1335-1347.<br />
677 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1348-1363.<br />
678 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1364-1381.<br />
679 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1382-1429.<br />
680 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1430-1443.<br />
681 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1444-1459.<br />
682 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1460-1471.<br />
683 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1472-1489.<br />
684 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1490-1501.<br />
685 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1502-1516.<br />
686 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1517-1531.<br />
687 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1532-1550.<br />
688 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1551-1563.<br />
689 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1564-1580.<br />
690 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1581-1589.<br />
691 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1590-1593.<br />
692 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1594-1607.<br />
693 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1608-1618.<br />
694 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1619-1627.<br />
695 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1628-1638.<br />
696 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1639-1650.<br />
697 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1651-1705.<br />
698 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1706-1728.<br />
103
699 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1729-1752.<br />
700 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1753-1786.<br />
701 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1787-1800.<br />
702 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1801-1814.<br />
703 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1815-1829.<br />
704 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1831-1863. Missing HA1830<br />
705 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1864-1883.<br />
706 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1884-1931.<br />
707 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1932-1970.<br />
708 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1971-1994. Missing HA1992-1993<br />
709 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA1996-2020. Missing HA1995,2000,2003,2019<br />
710 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2021-2040.<br />
711 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2041-2066. Missing HA2060<br />
712 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2067-2088. Missing HA2070<br />
713 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2089-2109.<br />
714 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2110-2130. Missing HA2115,2128-2129<br />
715 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2131-2150. Missing HA2135,2137-2139<br />
716 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2152-2173. Missing HA2151,2159<br />
717 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2174-2192. Missing HA2176-2177<br />
718 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2193-2212. Missing HA2210<br />
719 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2213-2234.<br />
720 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2235-2255. Missing HA2244,2252<br />
721 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2256-2277. Missing HA2262,2269<br />
104
722 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2278-2298.<br />
723 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2299-2314.<br />
724 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2315-2332.<br />
725 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2333-2350. Missing HA2343<br />
726 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2363-2456. Missing HA2351-2362,2378-<br />
2443,2455<br />
727 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA2457-2479. Missing HA2460<br />
728 <strong>Score</strong> no: CTN0001-0019.<br />
729 <strong>Score</strong> no: CTN0020-0050. Missing CTN0031-0040<br />
730 <strong>Score</strong> no: CTN0051-0079. Missing CTN0065-0070<br />
731 <strong>Score</strong> no: CTN0080-0097.<br />
732 <strong>Score</strong> no: CTN0101-0118. Missing CTN0119-0130<br />
733 <strong>Score</strong> no: CTN0131-0141. Missing CTN0134<br />
734 <strong>Score</strong> no: CTN0142-0159. Missing CTN0147-0150,0152-0154<br />
735 <strong>Score</strong> no: CTN0160-0175. Missing CTN0162-0163,0166,0168<br />
736 <strong>Score</strong> no: CTN0177-0212. Missing CTN0176,0182-0206<br />
737 <strong>Score</strong> no: CTN0213-0225.<br />
738 <strong>Score</strong> no: CTN0226-0238.<br />
739 <strong>Score</strong> no: CTN0241-0254. Missing CTN0239-0240,0244<br />
740 <strong>Score</strong> no: CTN0255-0266. Missing CTN0263-0264<br />
741 <strong>Score</strong> no: CTN0267-0276.<br />
742 <strong>Score</strong> no: CTN0277-0282.<br />
743 <strong>Score</strong> no: CTN0285-0298. Missing CTN0283-0284<br />
105
744 <strong>Score</strong> no: CTN0301-0311. Missing CTN0299,0300<br />
745 <strong>Score</strong> no: CTN0312-0323.<br />
746 <strong>Score</strong> no: CTN0324-0342. Missing CTN0326,0328-0329,0331-0336,0339-0340<br />
747 <strong>Score</strong> no: CTN0344-0358. Missing CTN0345,0349-0350<br />
748 <strong>Score</strong> no: CTN0360-0367. Missing CTN0359<br />
749 <strong>Score</strong> no: CTN0368-0375. Missing CTN0369<br />
750 <strong>Score</strong> no: CTN0378-0387.<br />
751 <strong>Score</strong> no: CTN0388-0402. Missing CTN0394,0396<br />
752 <strong>Score</strong> no: CTN0403-0418.<br />
753 <strong>Score</strong> no: CTN0419-0440. Missing CTN0420-0423,0425<br />
754 <strong>Score</strong> no: CTN0441-0457. Missing CTN0443 755 <strong>Score</strong> no: CTN0458-0470.<br />
756 <strong>Score</strong> no: CTN0471-0484. Missing CTN0476-0479,0483<br />
757 Under Influence. <strong>Score</strong> no: 1893-1901.<br />
758 Under Influence. <strong>Score</strong> no: 1875-1892.<br />
759 Twilight Zone. Night of the Meek (ep). TV Series. <strong>Score</strong> no: TZ0260-0277.<br />
[Box # 760] “Twilight Zone. Healer (ep). TV Series. <strong>Score</strong> no: TZ0025-0035.<br />
Twilight Zone. Beacon (ep). TV Series. <strong>Score</strong> no: TZ0210-0213.” [NOTE: I pulled this<br />
box at l;east once because I really liked the Herrmannesque score for the new Eighties TZ<br />
series, the episode titled “The Beacon.” Also I believe the “Healer” score is there as<br />
well.<br />
761 Stark. <strong>Score</strong> no: 1304-1312.<br />
762 Foley Square. TV Series. <strong>Score</strong> no: FS0001-0019.<br />
763 Have You Tried Talking to Patty. <strong>Score</strong> no: 1581-1615.<br />
764 Twilight Zone. Little People (ep). TV Series. <strong>Score</strong> no: TZ0295-0301.<br />
765 Twilight Zone. Still Life (ep). TV Series. <strong>Score</strong> no: TZ0310-0317.<br />
106
766 Vital Signs. <strong>Score</strong> no: 1634-1659.<br />
767 Vital Signs. <strong>Score</strong> no: 1625-1633.<br />
768 Mama Don't Allow. <strong>Score</strong> no: 1525-1564.<br />
769 Stark. <strong>Score</strong> no: 1297-1303.<br />
770 Stark. <strong>Score</strong> no: 1291-1296.<br />
771 Foley Square. TV Series. <strong>Score</strong> no: FS0035-0060.<br />
772 Adam's Apple. <strong>Score</strong> no: 2015-2022.<br />
773 Adam's Apple. <strong>Score</strong> no: 2023-2030.<br />
774 Blue Skies. <strong>Score</strong> no: 2039-2054.<br />
775 Twilight Zone. Button Button (ep). TV Series. <strong>Score</strong> no: TZ0445-0458.<br />
776 Twilight Zone. Profiles in Silver (ep). TV Series. <strong>Score</strong> no: TZ0470-0478. Twilight<br />
Zone. Need to Know (ep). TV Series. <strong>Score</strong> no: TZ0485-0491.<br />
777 Twilight Zone. After Hours (ep). TV Series. <strong>Score</strong> no: TZ0605-0615.<br />
778 What Happened Hamelin. <strong>Score</strong> no: 1981-1994.<br />
779 What Happened Hamelin. <strong>Score</strong> no: 1995-2004.<br />
780 God, the Universe & Hot Fudge Sundaes. <strong>Score</strong> no: 1955-1970.<br />
781 Sharing Richard. <strong>Score</strong> no: 2281-2304.<br />
782 Twilight Zone. Red Snow (ep). TV Series. <strong>Score</strong> no: TZ0501-0517.<br />
783 Twilight Zone. Leprechaun Artist (ep). TV Series. <strong>Score</strong> no: TZ0425-0436.<br />
784 Twilight Zone. Last Defeat of Camelot (ep). TV Series. <strong>Score</strong> no: TZ0545-0558.<br />
785 Twilight Zone. Day in Beaumont (ep). TV Series. <strong>Score</strong> no: TZ0565-0568.<br />
786 Twilight Zone. Day in Beaumont (ep). TV Series. <strong>Score</strong> no: TZ0569-0575.<br />
787 Zucchini. <strong>Score</strong> no: CED1230-1323.<br />
788 Yeh Shen. <strong>Score</strong> no: CED1255-1268.<br />
107
789 Deadly Deception. <strong>Score</strong> no: 2281-2299.<br />
790 Twilight Zone. One Life Furnished (ep). TV Series. <strong>Score</strong> no: TZ0220-0230<br />
791 Twilight Zone. Her Pilgrim's Soul (ep). TV Series. <strong>Score</strong> no: TZ0235-0252.<br />
792 Twilight Zone. Star, The (ep). TV Series. <strong>Score</strong> no: TZ0285-0289. Twilight Zone.<br />
Small Talent for War (ep). TV Series. <strong>Score</strong> no: TZ0351-0355.<br />
793 It Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
794 Twilight Zone. Uncle Devil (ep). TV Series. <strong>Score</strong> no: TZ0200-0204.<br />
795 Twilight Zone. Opening Day (ep). TV Series. <strong>Score</strong> no: TZ0185-0195.<br />
796 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3385-3396.<br />
797 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
798 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
799 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
800 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
801 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
802 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
803 Misc. parts.<br />
804 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
805 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
806 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
807 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
808 If Tomorrow Comes. Show no: 1813-0101. Various score numbers<br />
809 Vice Queen. <strong>Score</strong> no: 2389-2416.<br />
810 Vice Queen. <strong>Score</strong> no: 2417-2422.<br />
108
811 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3137-3150.<br />
812 Hawaii 5-0. TV Series. <strong>Score</strong> no: HA3290.<br />
813 Red Spider. <strong>Score</strong> no: 2580-2610.<br />
814 Red Spider. <strong>Score</strong> no: 2580-2610. PT.<br />
815 Twilight Zone. Elevator, The (ep). TV Series. <strong>Score</strong> no: TZ0365-0369. North Beach<br />
& Rawhide. <strong>Score</strong> no: 1400-1405.<br />
816 North Beach & Rawhide. <strong>Score</strong> no: 1406-1414.<br />
817 North Beach & Rawhide. <strong>Score</strong> no: 1389-1399.<br />
818 Twilight Zone. Dead Women's Shoes (ep). TV Series. <strong>Score</strong> no: TZ0155-0164.<br />
819 Twilight Zone. Wong's L.&F. Emp. {sic} (ep). TV Series. <strong>Score</strong> no: TZ0170-0180.<br />
820 Twilight Zone. Matter of Minutes (ep). TV Series. <strong>Score</strong> no: TZ0340-0347.<br />
821 Unidentified. Chase. <strong>Score</strong> no: 1570-1575.<br />
822 One Terrific Guy. <strong>Score</strong> no: 1670-1685. Twilight Zone. If She Dies (ep). TV Series.<br />
<strong>Score</strong> no: TZ0060-0069. Twilight Zone. Message From Charity (ep). TV Series. <strong>Score</strong><br />
no: TZ0060-0069.<br />
[Box # 823] “Twilight Zone. Burning Man (ep). TV Series. <strong>Score</strong> no: TZ0141-0146.”<br />
[NOTE: I looked into this box on 1-7-98]<br />
-Twilight Zone (new), “Message from Charity” by Basil Polidorus<br />
-Twilight Zone (new), “Burning Man” Lance Rubin dated 11-11-85 at 2 pm, Evergreen<br />
Studio<br />
[Box # 824] “Love, Mary. <strong>Score</strong> no: 1422-1457. Twilight Zone. Little Boy Lose (ep).<br />
TV Series. <strong>Score</strong> no: TZ0044-0053. Twilight Zone. Grace Note (ep). TV Series. <strong>Score</strong> no:<br />
TZ0543-0551.” [NOTE: I looked into this box also on 1-7-98]<br />
-Twilight Zone (new) “Little Boy Lost” Drasnin. Dated 10-10-85 9 am<br />
Love, Mary (<strong>CBS</strong> TV Movie) Drasnin, Prod 2932-0219 Drasnin<br />
[Box # 825] “Twilight Zone. Hunt, The (ep). TV Series. <strong>Score</strong> no: CPN6006. Great<br />
Adventure. Man Who Stole NY (ep). TV Series. <strong>Score</strong> no: CPN6117. Great Adventure.<br />
Rodger Young (ep). TV Series. <strong>Score</strong> no: CPN6123. Great Adventure. Go Down Moses<br />
(ep). TV Series. <strong>Score</strong> no: CPN6109. Great Adventure. Treasure Train (ep). TV Series.<br />
<strong>Score</strong> no: CPN6114.” [NOTE: I worked on this box on April 18, 1995. It was also this<br />
109
day that I studied the <strong>UCLA</strong> documents in a binder that detailed the Deed of Gifts of<br />
<strong>CBS</strong> to the Regents of <strong>UCLA</strong>. I discussed this at the start of my paper on page 1.]<br />
-Twilight Zone, “The Hunt” music by Drasnin. CPN6006<br />
-The Great Adventure, “The Man Who Stole New York” by Drasnin. CPN 6117, dated<br />
11-18-63. Original airdate 12-13-63 starring James Daly and Carroll O’Connor.<br />
-The Great Adventure, “Rodger Young” music by Drasnin, dated 1-13-64. Original<br />
airdate 1-24-64 starring James MacArthur and George Kennedy.<br />
-The Great Adventure, “Go Down, Moses” by Drasnin, dated 10-17-63. CPN 6109<br />
-The Great Adventure, “Treasure Train of Jefferson Davis” by Drasnin, dated 11-4-63.<br />
Original airdate 11-15-63. CPN 6114<br />
NOTE: Drasnin also did “The President Vanishes” episode but the written score is<br />
not in this box.<br />
[Box # 826] “Twilight Zone. Once & Future King (ep). TV Series. <strong>Score</strong> no: TZ0621-<br />
0631.” [NOTE: I looked into this box on 1-7-98]<br />
-Twilight Zone (new), “Once & Future King” composed by Richard Stone dated 9-15-86<br />
[Box # 827] “Twilight Zone. Saucer of Loneliness (ep). TV Series. <strong>Score</strong> no:<br />
TZ0635-0647.” [NOTE: I looked into this box on 1-7-98]<br />
-Twilight Zone (new), “Saucer of Loneliness” by Robert Folk dated 9-15-86.<br />
828 Gunsmoke : Return to Dodge. <strong>Score</strong> no: CED2535-2539.<br />
829 Gunsmoke : Return to Dodge. <strong>Score</strong> no: CED2540-2550.<br />
830 Gunsmoke : Return to Dodge. <strong>Score</strong> no: CED2551-2559.<br />
831 Gunsmoke : Return to Dodge. <strong>Score</strong> no: CED2560-2566.<br />
832 Gunsmoke : Return to Dodge. <strong>Score</strong> no: CED2567-2568.<br />
833 Alcivar, Bob. Betrayal. Show no: 2932-0306. <strong>Score</strong> no: CED2180-2187.<br />
834 Alcivar, Bob. Betrayal. Show no: 2932-0306. <strong>Score</strong> no: CED2189-2195.<br />
835 Alcivar, Bob. Betrayal. Show no: 2932-0306. <strong>Score</strong> no: CED2196-2200.<br />
836 Alcivar, Bob. Betrayal. Show no: 2932-0306. <strong>Score</strong> no: CED2201-2207.<br />
837 Thorne, Ken. Return of Sherlock Holmes. Show no: 2932-0319. <strong>Score</strong> no:<br />
CED2221-2229.<br />
110
838 Thorne, Ken. Return of Sherlock Holmes. Show no: 2932-0319. <strong>Score</strong> no:<br />
CED2230-2245.<br />
839 Thorne, Ken. Return of Sherlock Holmes. Show no: 2932-0319. <strong>Score</strong> no:<br />
CED2247-2261.<br />
840 Thorne, Ken. Return of Sherlock Holmes. Show no: 2932-0319. <strong>Score</strong> no:<br />
CED2262-2270.<br />
841 Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no: CED1942-1944. FS,PT.<br />
Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no: CED2065-2068. FS,PT.<br />
842 Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no: CED2069-2079. FS,PT.<br />
843 Meyers, Stanley. Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no:<br />
CED2080-2088. FS,PT.<br />
844 Meyers, Stanley. Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no:<br />
CED2090-2092. FS,PT.<br />
845 <strong>Score</strong> no: FR0001-0021.<br />
846 <strong>Score</strong> no: FR0022-0038.<br />
847 <strong>Score</strong> no: FR0039-0055.<br />
848 <strong>Score</strong> no: FR0060-0075.<br />
849 <strong>Score</strong> no: FR0076-0090.<br />
850 <strong>Score</strong> no: FR0091-0106.<br />
851 <strong>Score</strong> no: FR0107-0118.<br />
852 Khan. TV Series. <strong>Score</strong> no: KN0001-0017.<br />
853 Khan. TV Series. <strong>Score</strong> no: KN0018-0032.<br />
854 Khan. TV Series. <strong>Score</strong> no: KN0033-0045.<br />
855 Khan. TV Series. <strong>Score</strong> no: KN0046-0063.<br />
856 Khan. TV Series. <strong>Score</strong> no: KN0064-0<strong>072</strong>.<br />
857 Khan. TV Series. <strong>Score</strong> no: KN0073-0085.<br />
111
858 Khan. TV Series. <strong>Score</strong> no: KN0086-0103.<br />
859 Khan. TV Series. <strong>Score</strong> no: KN0104-0125.<br />
860 Holdridge, Lee. American Parade, The. FS.<br />
861 With Love. PT.<br />
862 With Love. PT.<br />
863 With Love. PT.<br />
864 Broughton, Bruce. 1974 Patsy Awards. FS,PT.<br />
865 With Love. PT.<br />
866 With Love. FS.<br />
867 They Said It With Music. TV Special. PT.<br />
868 They Said It With Music. TV Special. PT.<br />
869 They Said It With Music. TV Special. PT.<br />
870 They Said It With Music. TV Special. PT.<br />
871 They Said It With Music. TV Special. PT.<br />
872 They Said It With Music. TV Special. PT.<br />
873 They Said It With Music. TV Special. PT. Vocal and choir parts<br />
874 They Said It With Music. TV Special. PT. Vocal and choir parts<br />
875 They Said It With Music. TV Special. FS.<br />
876 They Said It With Music. TV Special. FS.<br />
877 Kelly Monteith Show. FS. Gunsmoke Revisited. Show no: 3555-0101. FS. Format:<br />
CPY.<br />
878 Polodouris, Basil. Twilight Zone. Monsters (ep). TV Series. Show no: 2906-0036.<br />
<strong>Score</strong> no: TZ0325-0335.<br />
879 Butler, Artie. Twilight Zone. Cold Reading (ep). TV Series. Show no: 2906-0049.<br />
<strong>Score</strong> no: TZ0405-0418.<br />
112
880 Chihara, Paul. Picking Up the Pieces. TV Movie. Show no: 2952-0200. <strong>Score</strong> no:<br />
CED1345-1365. Box 1<br />
881 Chihara, Paul. Picking Up the Pieces. TV Movie. Show no: 2952-0200. <strong>Score</strong> no:<br />
CED1366-1380. Box 2<br />
882 Klein, Martin L.. Patsy Awards 1973. <strong>Score</strong> no: CXT0001-0022. PT.<br />
883 Stevens, Morton. <strong>CBS</strong> Affiliates <strong>Film</strong> 1966. <strong>Score</strong> no: CPN6150. PT.<br />
884 Stevens, Morton. <strong>CBS</strong> Affiliates <strong>Film</strong> 1966. <strong>Score</strong> no: CPN6150. PT.<br />
885 Stevens, Morton. <strong>CBS</strong> Affiliates <strong>Film</strong> 1966. <strong>Score</strong> no: CPN6152. PT.<br />
886 Stevens, Morton. <strong>CBS</strong> Affiliates <strong>Film</strong> 1966. <strong>Score</strong> no: CPN6152. PT. Unidentified.<br />
<strong>Score</strong> no: CPN6183-6186. PT.<br />
887 <strong>CBS</strong> Affiliates <strong>Film</strong> 1970. <strong>Score</strong> no: CPN6155-6160.<br />
888 <strong>CBS</strong> Affiliates <strong>Film</strong> 1970. <strong>Score</strong> no: CPN6161-6170.<br />
889 <strong>CBS</strong> Affiliates <strong>Film</strong> 1970. <strong>Score</strong> no: CPN6172-6181.<br />
890 Folk, Robert. My Dissident Mom. TV Movie. Show no: 1220-2690. <strong>Score</strong> no:<br />
CED2110-2124.<br />
891 McCarthy, Dennis. Twilight Zone. Library, The (ep). TV Series. Show no: 2906-<br />
0058. <strong>Score</strong> no: TZ0525-0535.<br />
892 McCarthy, Dennis. Twilight Zone. Quarantine (ep). TV Series. Show no: 2906-<br />
0038. <strong>Score</strong> no: TZ0375-0382.<br />
893 Ober, Arlon. Zucchini. TV Movie. Show no: 0143-8406. <strong>Score</strong> no: CED1324-1331.<br />
894 Ober, Arlon. Zucchini. TV Movie. Show no: 0143-8406. <strong>Score</strong> no: CED1332-1338.<br />
895 Safan, Craig. Twilight Zone. Teacher's Aide (ep). TV Series. Show no: 2906-0004.<br />
<strong>Score</strong> no: TZ0100-0107.<br />
896 Rubin, Lance. Twilight Zone. Art Break (ep). TV Series. Show no: 2906-0009.<br />
<strong>Score</strong> no: TZ0135-0140.<br />
897 Poledouris, Basil. Twilight Zone. Message From Charity (ep). TV Series. Show no:<br />
2906-0025. <strong>Score</strong> no: TZ0075-0083.; Ober, Arlon. Yeh Shen. TV Movie. <strong>Score</strong> no:<br />
CED1269-1278.<br />
113
898 Drasnin, Robert. Crisis in Mid Air. TV Movie. Show no: 3211-0527. <strong>Score</strong> no:<br />
CED0001-0084.<br />
899 Drasnin, Robert. Hobson's Choice. TV Movie. Show no: 3211-0914. <strong>Score</strong> no:<br />
CED0768-0808.; Drasnin, Robert. Who is Julia. TV Movie. Show no: 2932-0315. <strong>Score</strong><br />
no: CED2152-2164.<br />
900 Twilight Zone. Road Less Travelled (ep). TV Series. Show no: 2906-0117. <strong>Score</strong> no:<br />
TZ0730-0743. FS,PT.<br />
901 Twilight Zone. Private Channel (ep). TV Series. Show no: 2906-0112. <strong>Score</strong> no:<br />
TZ0751-0763. FS,PT.<br />
902 Blue Skies. Show no: 5100-7100. <strong>Score</strong> no: CED2311-2327. FS,PT.<br />
903 Twilight Zone. Song of Younger World (ep). TV Series. Show no: 2906-0113. <strong>Score</strong><br />
no: TZ0801-0810. FS,PT.<br />
904 Redford, J.A.C.. Twilight Zone. What Are Friends For (ep). TV Series. Show no:<br />
2906-0108. <strong>Score</strong> no: TZ0655-0665. FS,PT.<br />
905 Schifrin, Lalo. Vice Queen. Show no: 3556-0101. <strong>Score</strong> no: CED2371-2388. 906;<br />
Schifrin, Lalo. Vice Queen. Show no: 3556-0101. <strong>Score</strong> no: CED2392-2424.<br />
907 McCarthy, Dennis. Twilight Zone. Voices in Earth (ep). TV Series. Show no: 2906-<br />
0107. <strong>Score</strong> no: TZ0785-0794.; Goldstein, William. Twilight Zone. Time & Teresa G.<br />
(ep). TV Series. Show no: 2906-0111. <strong>Score</strong> no: TZ0716-<strong>072</strong>5.<br />
908 Kane, Artie. Twilight Zone. Convict's Piano (ep). TV Series. Show no: 2906-0115.<br />
<strong>Score</strong> no: TZ0771-0777.; Debney, John. Twilight Zone. Nightsong (ep). TV Series.<br />
Show no: 2906-0114. <strong>Score</strong> no: TZ0687-0691.; Wetherwax, Michael. Twilight Zone.<br />
Nightsong (ep). TV Series. Show no: 2906-0114. <strong>Score</strong> no: TZ0687-0691.<br />
909 Ramin, Ron. Twilight Zone. Storyteller (ep). TV Series. Show no: 2906-0109. <strong>Score</strong><br />
no: TZ0670-0678.<br />
910 Goldstein, William. Twilight Zone. Card, The (ep). TV Series. Show no: 2906-0116.<br />
<strong>Score</strong> no: TZ0701-0709.<br />
911 Deadly Harvest. Unidentified. <strong>Score</strong> no: CPN6187. Store Front Lawyers. <strong>Score</strong> no:<br />
SFL0143.<br />
912 Meyers, Stanley. Stark II : Mirror Image. Show no: 2932-0286. <strong>Score</strong> no:<br />
CED2093-2094. FS,PT.; Meyers, Stanley. Stark II : Mirror Image. Show no: 2932-0286.<br />
<strong>Score</strong> no: CED2089. FS,PT.<br />
114
913 Classified Love. Show no: 2932-0250. <strong>Score</strong> no: CED1847-1857. FS,PT.<br />
914 Classified Love. Show no: 2932-0250. <strong>Score</strong> no: CED1858-1865. FS,PT.<br />
915 Classified Love. Show no: 2932-0250. <strong>Score</strong> no: CED1833-1854. FS,PT.<br />
916 Classified Love. Show no: 2932-0250. <strong>Score</strong> no: CED1834-1846. FS,PT.<br />
917 Taking a Chance. Show no: 2932-0286. <strong>Score</strong> no: CED1944. FS,PT. Includes proof<br />
sheet<br />
918 Harry, Fat Bear Spy. Show no: 1208-0202. <strong>Score</strong> no: CED1475-1517. FS,PT.<br />
919 Harry, Fat Bear Spy. Show no: 1208-0202. <strong>Score</strong> no: CED1475-1494. FS,PT.<br />
920 Small, Michael. Target. FS,PT.<br />
921 Small, Michael. Target. FS,PT.<br />
922 Wicked Wicked Ways. PT.<br />
923 Meyers, Stanley. Lightship, The. FS,PT.<br />
924 Wicked Wicked Ways. PT.<br />
925 Wicked Wicked Ways. PT.<br />
926 Conti, Bill. <strong>CBS</strong> Logo Theme. FS,PT. Format: OZM,OZC.<br />
927 Williams, Patrick. Andros Target. TV Series. <strong>Score</strong> no: AT0001-0091.; Stevens,<br />
Maurice. Niehaus, Lennie (o). Andros Target. TV Series. <strong>Score</strong> no: AT0001-0091.<br />
Immel, Jerrold. Andros Target. TV Series. <strong>Score</strong> no: AT0001-0091.; Broughton, B..<br />
Andros Target. TV Series. <strong>Score</strong> no: AT0001-0091.; Geller, Harry. Andros Target. TV<br />
Series. <strong>Score</strong> no: AT0100-0199.; Broughton, B.. Andros Target. TV Series. <strong>Score</strong> no:<br />
AT0100-0199.; Poledouris, Basil. Andros Target. TV Series. <strong>Score</strong> no: AT0100-0199.;<br />
Marvell, Joe. Andros Target. TV Series. <strong>Score</strong> no: AT0100-0199.; Albertine, Charles.<br />
Andros Target. TV Series. <strong>Score</strong> no: AT0100-0199.<br />
[Box # 928] “Bernstein, Elmer. H, S (o). Big Jake. <strong>Score</strong> no: CCF0205-0240.<br />
FS,RS. Format: CPY.” [NOTE: I did indeed work on this box and in fact made xeroxes<br />
of many cues (and did a filmscore rundown on the score)]<br />
929 Little Ark. <strong>Score</strong> no: CCF0310-0349. FS. Format: CPY.<br />
115
[Box # 930] Unidentified. <strong>Score</strong> no: GN0023-00269. PT. Format: OZC,OZM.<br />
[NOTE: I glanced inside this box once (considering it was the very last box in Deed of<br />
Gift # 1). Some sort of pilot show.]<br />
*************************************<br />
*************************************<br />
<strong>UCLA</strong> Music Library Special Collections<br />
Collection 72<br />
<strong>CBS</strong> Inc. Collection<br />
Name/Title Index<br />
Names include composers, orchestrators and arrangers of musical scores. Only titles of<br />
films and television series appear in this index; for episode titles refer to the title index<br />
A<br />
Albertine, Charles<br />
Andros Target 927<br />
Alcivar, Bob<br />
Betrayal 833, 834, 835, 836<br />
Alexander, Jeff<br />
Grand Central City 111<br />
Have Gun Will Travel 117<br />
Man From the Riviera 98<br />
Millionaire, The 89, 106<br />
More Wild Wild West 66<br />
Twilight Zone 83<br />
Wild Wild West Revisited 66, 230<br />
Alexander, Van 14<br />
Almeida, Laurindo<br />
116
Twilight Zone 121<br />
Antonini, Alfredo<br />
Morning Frolic 83<br />
B<br />
Bacharach, Burt<br />
April Fools 33<br />
Barnett, William A. 86<br />
Perry Mason 18, 74<br />
Barnum<br />
Big Daddy 328<br />
Barr<br />
Perry Mason 96<br />
Bell, David<br />
Killing at Hell's Gate (?) 69<br />
Bernstein, Charles<br />
Thaddeus Rose 214<br />
Bernstein, Elmer<br />
Big Jake 928<br />
Brandt, Carl<br />
Pete & Gladys Theme 113<br />
Bricusse, Leslie<br />
Scrooge 51, 55, 56, 64<br />
Brighton, Bruce<br />
Stormin' Home 91<br />
Bristow<br />
Beverly Hills 19<br />
Broughton, B.<br />
Andros Target 927<br />
Broughton, Bruce<br />
1974 Patsy Awards 864<br />
Hawaii 5-0 268, 270, 272, 348, 349<br />
Kahn 357<br />
Spencer's Pilots 364<br />
Broughton, William<br />
Gunsmoke 243, 291<br />
Hawaii 5-0 348, 521<br />
Hawaii-50 294, 302, 303, 304, 305, 308, 309, 310, 312, 321, 322, 323<br />
Men at Law 328<br />
Spencer's Pilot 504<br />
Sports Playon #1-4 470<br />
Burns, Ralph<br />
All That Jazz 383<br />
Butler, Arnie<br />
Misc. scores 41<br />
117
Butler, Artie 44<br />
Misc. scores 40<br />
Twilight Zone 879<br />
Buttolph, David<br />
Documentary 391<br />
Great Adventure 198<br />
Mirage, The 391<br />
Serious Moment 391<br />
Suspense 391<br />
Byers, Bill 383<br />
Misc. music 216<br />
C<br />
Cacavas, John 218<br />
Hawaii 5-0 350, 351, 352, 353, 354<br />
Hawaii-50 313, 316, 317, 318, 319, 320<br />
Kahn 356, 357<br />
Camarata, Tutti 10<br />
Oh Those Bells 71<br />
Unidentified 106<br />
Campbell, Bruce 10<br />
It's Never June 19<br />
Take Two 19<br />
Carlton, Maurice 1, 7, 9, 74<br />
Human Robot 390<br />
Carpenter, John<br />
Hawaii-50 298<br />
Carpenter, P.<br />
Misc. scores 42<br />
Chihara, Paul<br />
Picking Up the Pieces 880, 881<br />
Clausen, Alf<br />
Concert <strong>Score</strong> (?) 65<br />
Quarterback Princess 70, 94<br />
Comstock, Frank<br />
Phil Silvers 367<br />
Constant, 13<br />
Constant, Maurice 10<br />
Conti, Bill<br />
<strong>CBS</strong> Logo Theme 926<br />
Cook, Eric 10, 12, 15<br />
Dodger, The 19<br />
Threat 19<br />
Courage, Alexander<br />
Hollywood Sound Stage Theme 95<br />
118
Hotel de Paris 97<br />
Stars in the Air Theme 95<br />
Crawford, Robert 15<br />
D<br />
Dankworth, John 10<br />
Davenport, Bill<br />
Son-in-Law, The 411<br />
Davidson, Miles<br />
Hawaii 5-0 269<br />
Davis, Joel<br />
Gunsmoke 244<br />
Wild Wild West 365, 368, 369<br />
Wild Wild West 2 370<br />
De Benedictis, Richard<br />
Hawaii-50 320<br />
De Benedictus, Richard<br />
Hawaii 5-0 352, 353<br />
Spencer's Pilots 364<br />
De Pasquale, James<br />
Hawaii 5-0 353<br />
Debney, John<br />
Twilight Zone 908<br />
Di Pasquale, James<br />
Change of Heart 221<br />
Concert <strong>Score</strong> (?) 65<br />
Quarterback Princess 70, 94<br />
Drasnin, Robert<br />
Crisis in Mid Air 898<br />
Fabulous February (#1-5) 212<br />
Great Adventure 205<br />
Hawaii-50 316<br />
Hobson's Choice 899<br />
Muggable Mary 551<br />
Raging Rivers 39<br />
Who is Julia 899<br />
Wild Wild West 343, 345, 365<br />
Wild Wild West 2 370<br />
Drasnin, Robert<br />
Muggable Mary 589, 590<br />
Dunlop, Paul<br />
Gunsmoke 97<br />
Have Gun Will Travel 97<br />
E<br />
119
Elliott, Dean<br />
Perry Mason 359<br />
F<br />
Feldman<br />
Hawaii 5-0 352<br />
Ferguson, Allyn<br />
Gunsmoke 262, 263<br />
Fielding, Jerry<br />
Goldie Theme 49<br />
Good Guys 213<br />
Governor & JJ, The 326<br />
He & She 325<br />
Hunters Are For Killing 146<br />
Man in the Middle 327<br />
Fine, S 220<br />
Folk, Robert<br />
My Dissident Mom 890<br />
Fortina, Carl<br />
Perry Mason 96<br />
Fox, Charles<br />
Easy With You 44<br />
He's Not Your Son 65, 67<br />
Frank, David<br />
Maid in America 559<br />
Maid in America? 90<br />
Franklyn, Robert<br />
Who Goes There 358<br />
Fraser, Ian<br />
Scrooge 64<br />
Fried, Gerald<br />
It's About Time 355<br />
Rawhide 339, 361, 366<br />
Friedburg<br />
Roy Coots Theme 112<br />
Frontiere, Dominic<br />
Passing Through Country 79, 84<br />
Riviera Beach City 84<br />
G<br />
Garcia, Russ 14<br />
Rawhide 12, 334, 366<br />
Wild Wild West 369<br />
Garriguenc, Rene 13<br />
120
Garriguenc, Rene 2, 5, 7, 12, 14, 16, 17, 75, 80, 86, 88, 390<br />
Barren Soil 71<br />
Chisholme Trail 82<br />
Cues (Library?) 79<br />
Generic Cues 86<br />
Generic No.1 (For a Free World) 391<br />
Generic No.3 (At Home and Abroad) 391<br />
Generic No.4 (The Cold War) 391<br />
Generic No.5 391<br />
Generic No.6 391<br />
Gunsmoke 18, 71, 96, 104, 107, 122, 223<br />
Have Gun Will Travel 19, 87, 101, 110, 112, 126, 128, 129, 130, 135, 196<br />
Hotel de Paris 98, 104<br />
Misc. parts 391, 602<br />
Perry Mason 192, 202<br />
Rawhide 339, 366<br />
Romance in Capri 81<br />
Sailing Cues 87<br />
Sneaks & Punctuation 86<br />
Threatening Angle 79<br />
Twilight Zone 104, 137, 140, 188<br />
Unidentified 599<br />
Geller, H.<br />
Pay-Off 42<br />
Geller, Harry<br />
Andros Target 927<br />
Another April 358<br />
Baileys of Balboa 23, 24<br />
Cimarron Strip 43<br />
Crown & Dulcey 45<br />
Gunsmoke 244, 245, 247, 251, 254, 262, 275, 276<br />
Hawaii 5-0 346<br />
Hawaii-50 290, 294, 299, 301, 302, 303, 304<br />
Shoestring Safari 367<br />
Spencer's Pilots 363<br />
Stanley 358<br />
Wild Wild West 365, 369, 501, 503<br />
Wild Wild West 2 371<br />
Gilbert, Herschel<br />
Rawhide 362<br />
Who Goes There 358<br />
Glass, Paul<br />
Sole Survivor 37, 44<br />
Gold, Ernest 19<br />
Gunsmoke 250<br />
Hawaii-50 314, 315<br />
121
Hotel de Paris 223<br />
Line Up Theme 95<br />
Runner Stumbles, The 471, 472, 473<br />
Goldenberg, Billy 148<br />
Ben Franklin 21, 22<br />
Country Gold 38<br />
Far Shore 94<br />
Gift of Life 69, 425<br />
Goldsmith, Jerry 5, 19, 20, 74, 208<br />
Autumn Love 18, 554<br />
Bouncer, The 19<br />
Dodger, The 19<br />
Equals, The 145<br />
Fair Hair 16<br />
Fanfares 19<br />
Fraternity 147<br />
G.E. Theater 49, 97, 98<br />
Gunsmoke 73, 74, 77, 83, 112, 195, 221, 232<br />
Have Gun Will Travel 50<br />
Have Gun Will Travel 80, 111<br />
Jackson Gentry 20<br />
Line Up Theme 95<br />
Lonesome as Midnight 89<br />
Lonesome at Midnight 382<br />
Man On The Beach 18<br />
Mr. Doc 113<br />
Mysterious Storm 74<br />
Perry Mason 20, 96<br />
Perry Mason Opening & End Titles 216<br />
Playhouse 90 49, 95, 105, 115, 223, 382<br />
Pursuit 553<br />
Rio Lobo 57, 58<br />
Sergeant and the Lady, The 14<br />
Summer Love 15<br />
Suspense 207<br />
Twilight Zone 76, 82, 103<br />
Goldstein, William<br />
Twilight Zone 907, 910<br />
Goodman, Miles<br />
Blind Justice 499<br />
Table For Five 143<br />
Table for Five 392<br />
Green, Bernard 9, 10<br />
3 Brothers 80<br />
Metropolis 78<br />
Green, John<br />
122
H<br />
Comedy Pantomime 77<br />
Good Morning To You 76<br />
Rawhide 361<br />
H, S<br />
Big Jake 928<br />
Hagen, Deane<br />
Muggable Mary 92<br />
Hagen, Earle<br />
Muggable Mary 92<br />
North Beach & Rawhide 499<br />
Hamlisch, Marvin<br />
April Fool's 505, 506, 507, 508, 522, 523<br />
April Fools 373<br />
Junior Frisbee 31<br />
War Between Men and Women, The 57<br />
Hamlish, Marvin<br />
April Fools 33<br />
Hampton, Orville<br />
Perry Mason 359<br />
Harline, Leigh<br />
Great Adventure 203, 204<br />
Harrison, Ken<br />
Hawaii 5-0 349<br />
Hatch, Wilbur 1, 6, 18, 74, 215<br />
Bridges 75<br />
For Pete's Sake 115<br />
For the Love of Pete 103<br />
Great Adventure 190<br />
Gunsmoke 50, 108, 119, 140, 192, 224<br />
Have Gun Will Travel 50<br />
Have Gun Will Travel 98, 100, 115, 122, 123, 124, 126, 130, 133<br />
Hotel de Paris 100<br />
Millionaire, The 105<br />
Pete & Gladys 50, 83, 107, 110, 116, 120, 121, 122, 125, 131<br />
Pete & Gladys Theme 122<br />
Rocket Roll 16<br />
Scherzo 82<br />
Twilight Zone 123<br />
Untitled 75, 83<br />
Hayes, Jack<br />
Gunsmoke 252, 255<br />
Table For Five 144<br />
Hazard, Richard<br />
123
Reivers, The 28<br />
Herrmann, Bernard 187<br />
Brave New World 14<br />
Dauber 597<br />
Drink of Water 554<br />
Great Adventure 190<br />
Gunsmoke 77, 113<br />
Knife in the Darkness, A 43<br />
Moat Farm Murder 554<br />
On a Note of Triumph (Victory Show) 106<br />
Pursuit 16<br />
Suspense Theme 105<br />
Twilight Zone 11, 17, 74, 89, 95, 111, 121, 137, 139<br />
Twilight Zone Theme & End Titles 121<br />
Herrmann, Bernard<br />
Gunsmoke 112<br />
Hirshhorn, Joel<br />
Another April 358<br />
Holdridge, Lee<br />
American Parade, The 860<br />
Gunsmoke 249<br />
Paper Castles 39<br />
Running Out 94, 209<br />
Hopkins, Kenyon<br />
Beachfront Theme 77 118<br />
Horn, K<br />
Raging River 559<br />
Horner, James<br />
Huck Finn 216, 612<br />
I<br />
Immel, Jerrold<br />
Andros Target 927<br />
Dirty Sally 335<br />
Gunsmoke 242, 256, 257, 258, 259, 291<br />
Hawaii 5-0 267, 272<br />
Hawaii-50 306<br />
Spencer's Pilot 363<br />
J<br />
Jarre, Maurice<br />
Cimarron Strip 45<br />
Jeanjean, Faustian<br />
De File Triomphal 74<br />
124
Jeanjean, Faustin 10<br />
Jones, Quincy<br />
City by Night 142<br />
Jones, W. W.<br />
Penelope Beware 367<br />
Wild Wild West 368<br />
Julian, Arthur<br />
Son-in-Law, The 411<br />
K<br />
Kane, Artie<br />
Million Dollar Infield 67, 68<br />
Twilight Zone 908<br />
Kaproff, Dana<br />
Hawaii 5-0 351<br />
Hawaii-50 318<br />
Karlin, Fred<br />
Little Ark, The 62<br />
Kasha, Al<br />
Another April 358<br />
Kempel, Arthur<br />
Twilight Zone 500<br />
Kessel, Barney<br />
Perry Mason 123<br />
Klatzkin, Leon<br />
Rawhide 205<br />
Klatzkin, Leon 86<br />
Great Adventure 191<br />
Gunsmoke 231, 232, 235, 236, 237, 238, 239, 240, 244, 246, 247, 249, 250, 251,<br />
254, 255, 262, 263, 264, 280, 281, 282, 283, 284, 285, 286, 292, 293<br />
Have Gun Will Travel 133, 135<br />
Rawhide 132, 138, 191, 194, 202, 203<br />
Klein, Martin L.<br />
Gunsmoke 243, 256, 257<br />
Patsy Awards 1973 882<br />
Perry Mason 359<br />
Rawhide 361<br />
Wild Wild West 342<br />
Wild Wild West 2 370, 372<br />
Kostal, Irwin<br />
Gunsmoke 250<br />
Koury, Rex<br />
Gunsmoke 106, 244<br />
Gunsmoke Closing Theme 390<br />
Kuller, Sid<br />
125
L<br />
Drumbeater Theme 112<br />
L, D.C.<br />
Codas 79<br />
La Salle, Richard<br />
Concerto Theme 86<br />
Lava, William<br />
Busy Big Town 78<br />
Country Wayside 79, 84<br />
Cute Capers 78<br />
Goodbye Keith 424<br />
Gunsmoke 78, 114<br />
Have Gun Will Travel 100, 101, 107, 116<br />
Hotel de Paris 104, 115<br />
Millionaire, The 71, 223<br />
Suburbia USA 79, 84<br />
Twilight Zone 197<br />
Yuman Indian Legend 79<br />
Legrand, Michel<br />
Le Mans 61<br />
Leshay<br />
Perry Mason 96<br />
Levene, Gus<br />
Gomer Pyle 556<br />
Gunsmoke 224<br />
Missy's Men 367<br />
Lightfoot, Gordon<br />
Hail Hero 25<br />
Lowe, Mundell<br />
Wild Wild West 341, 501<br />
Wild Wild West 2 370<br />
Luypaertz, Guy 11<br />
M<br />
Mancini, Henry (See also: Henry Mancini Collection<br />
Back Roads 143<br />
Me, Natalie 52, 63<br />
Me, Natalie Theme 31<br />
Manilow, Barry<br />
Hawaii 5-0 352<br />
Marinuzzi, Gino<br />
Misterioso 19<br />
126
Markowitz, Richard<br />
Hawaii-50 312<br />
Penelope Beware 367<br />
Wild Wild West 345, 365, 368, 369, 501, 503<br />
Wild Wild West 2 372<br />
Marshall, Jack<br />
Have Gun Will Travel 116<br />
Marvell, Joe<br />
Andros Target 927<br />
Matz, Peter<br />
Drop Out Father 41<br />
Drop-out Father 420<br />
Max, Peter<br />
Drop Out Father 381<br />
May, Billy<br />
Man on the Beach 49, 103<br />
Young Man in a Hurry 122<br />
McCarthy, Dennis<br />
Twilight Zone 891, 892, 907<br />
Mercer, Johnny<br />
Tomorrow Never Comes 45<br />
Merrick, Mahlon<br />
Jack Benny Themes 222<br />
Mersey, Robert<br />
With Six You Get Eggroll 54<br />
Meyers, Stanley<br />
Lightship, The 923<br />
Stark II : Mirror Image 843, 844, 912<br />
Mizzy, Vic<br />
Vernon's Volunteers 327<br />
Mockridge, Cyril<br />
Cimarron Strip 43<br />
Moore, Thomas<br />
Shoestring Safari 367<br />
Moraweck, Lucien 1, 11, 13, 15, 17, 74, 85, 86, 424, 597<br />
Anchors Aweigh 74<br />
Blow the Man Down 87<br />
Chisholm Trail 84<br />
Chisholme Trail 82<br />
Chord Montage 78<br />
Great Adventure Themes 190<br />
Gunsmoke 12, 111, 119<br />
Have Gun Will Travel 75, 81, 87, 88, 96, 101, 108, 109, 114, 117, 124, 126, 128,<br />
130, 197<br />
Hotel de Paris 49, 96, 98, 104<br />
J. Strauss Medley 80<br />
127
Lonely Man 391<br />
Misc. parts 391, 415, 416<br />
Misc. score and parts 601<br />
Mountain Man 103<br />
Perry Mason 189<br />
Sans Souci 391<br />
Streets of Laredo 87<br />
Sweet Betsy 87<br />
Twilight Zone 101, 117, 193<br />
Witness Chords 78<br />
Morgan, Tommy<br />
Gunsmoke 136, 193, 205, 245<br />
Have Gun Will Travel 128<br />
Twilight Zone 110, 120, 121<br />
Western Cues 86<br />
Morley, Angela 221<br />
Threesome 70<br />
Moross, Jerome 15<br />
Gunsmoke 78, 114<br />
Hail Hero 53, 59<br />
Have Gun Will Travel 81, 117<br />
Wherefor of Why 25<br />
Morris, John<br />
Table For Five 144<br />
Table for Five 392<br />
Morton, Arthur<br />
Equals, The 145<br />
Mowareck, Lucien<br />
Lost Love 81<br />
Mowaweck, Lucien<br />
Chords Montage 84<br />
Murray, Lyn 85<br />
Amy 110<br />
Anthology Theme 391<br />
Drumbeater Theme 112<br />
G.E. Theater 49<br />
Gunsmoke 50, 77, 111, 234<br />
Have Gun Will Travel 71, 100, 101, 115, 119<br />
Millionaire, The 96<br />
Mr. Preach 106<br />
Rawhide 339<br />
Roy Coots Theme 112<br />
Twilight Zone 105<br />
Murrayitz, Lyn<br />
Missy's Men 367<br />
128
N<br />
Nestico, Sammy<br />
Million Dollar Infield 68<br />
Newman, Lionel<br />
Dobie Gillis Theme 49<br />
Niehaus, Lennie<br />
Andros Target 927<br />
Tim Conway 365<br />
Nietzsche, Jack<br />
All the Sad Young Men 143<br />
North, Alex<br />
Gunsmoke 244<br />
I Am a Lawyer 16<br />
Nero Wolfe 105<br />
Playhouse 90 Main Title 147<br />
O<br />
Ober, Arlon<br />
Yeh Shen 897<br />
Zucchini 893, 894<br />
Parker, John Carl<br />
Amber 32<br />
Cannon 596<br />
Cutter's Trail 332, 333, 409, 410<br />
Dirty Sally 335<br />
Gunsmoke 235, 236, 239, 240, 241, 242, 243, 253, 254, 255, 256, 258, 259, 263,<br />
264, 275, 276, 277, 278, 279, 280, 281, 282, 283, 284, 285, 286, 291, 292, 293<br />
Spanish Portrait 36<br />
Wild Wild West 344<br />
Parker, Johnny<br />
Out of the Blue 359<br />
Paxton, George<br />
Mr. Preach 106<br />
Perito, Nick<br />
Daytime Special 383, 406, 407, 408<br />
Perkins, Frank 11<br />
Peter, Igor<br />
Hawaii 5-0 269<br />
Pleis, Jack<br />
Wild Wild West 341, 342, 369, 502<br />
Wild Wild West 2 371, 372<br />
Poledouris, Basil<br />
Andros Target 927<br />
129
Twilight Zone 897<br />
Polodouris, Basil<br />
Twilight Zone 878<br />
Prince, Robert<br />
Violation of Asarah McDavid 67<br />
Violation of Sarah McDavid 347<br />
Wild Wild West 344<br />
Wild Wild West 2 370, 372<br />
R<br />
Rackin, Martin<br />
Revengers, The 41<br />
Ramin, Ron<br />
Twilight Zone 909<br />
Ray, D. B.<br />
Misc. scores 42<br />
Ray, Don<br />
Aftermath 83<br />
Hawaii 5-0 268, 269, 271, 272, 273, 274, 348, 349, 354<br />
Hawaii-50 298, 301, 304, 305, 309, 312, 313, 321, 322, 323<br />
Perry Mason 359<br />
Two Doves 266<br />
Redford, J.A.C.<br />
Twilight Zone 904<br />
Robbins, Marty<br />
Hawaii 5-0 349<br />
Rogers, R<br />
Great Adventure Themes 190<br />
Romanis, George<br />
Crime Club 331<br />
Hawaii 5-0 269<br />
Hawaii-50 295, 304<br />
Storefront Lawyers 338<br />
Rosenman, Leonard<br />
Big City 84<br />
First Steps 65, 93<br />
Gunsmoke 118<br />
Have Gun Will Travel 81, 117<br />
Indian 83, 84<br />
Lonely Man 84<br />
Man Called Horse, A 52<br />
Man Called Horse, A 30, 37, 44<br />
Tags & Inserts 84<br />
Twilight Zone 101<br />
Rosenthal, Laurence<br />
130
African Elephant 616<br />
African Elephant, The 604<br />
Night Chase 147<br />
Rosenthal, Leonard<br />
African Elephant 34, 35<br />
Routh, Ed<br />
Rawhide 366<br />
Rubin, Lance<br />
Twilight Zone 896<br />
Rugolo, Pete<br />
... War On? 333<br />
Hawaii 5-0 267<br />
S<br />
Safan, Craig<br />
Twilight Zone 895<br />
Sawtell, Paul<br />
Rawhide 198<br />
Schaefer, Will<br />
Gunsmoke 231<br />
Scharf, Walter<br />
Hawaii-50 315<br />
Wild Wild West 502<br />
Schifrin, Lalo<br />
Hunters 147<br />
Johnny Came Home 142<br />
Reivers, The 28<br />
Vice Queen 905, 906<br />
Schrager, Rudy 6<br />
Rawhide 340, 361, 362<br />
Schulman, Max<br />
Dobie Gillis Theme 49<br />
Scott, Kay<br />
Revengers, The 30<br />
Scott, Nathan<br />
Great Adventure 19<br />
Gunsmoke 73, 132, 195, 202<br />
Have Gun Will Travel 101, 102, 116, 128, 130, 136, 196<br />
Millionaire, The 75<br />
Rawhide 108, 133, 138, 139, 204, 366<br />
Twilight Zone 102, 125<br />
Selinsky, Wladimir 211, 220<br />
Shifrin, Lalo<br />
Christian Licorice Store 60<br />
Shindo, Tak 14, 15<br />
131
Shire, David<br />
Harpy 212<br />
Shores, Richard 86<br />
Cimarron Strip 42<br />
Gunsmoke 193, 231, 244, 248, 252, 253<br />
Have Gun Will Travel 12<br />
Hawaii 5-0 265, 268, 269, 270, 271, 273<br />
Hawaii-50 290, 295, 297, 298, 299, 301<br />
Perry Mason 188, 205, 330 331, 359<br />
Rawhide 222, 334, 336<br />
Storefront Lawyers 338<br />
Twilight Zone 203<br />
Wild Wild West 344, 365, 501,503<br />
Wild Wild West 2 371<br />
Shuken, Leo<br />
Gunsmoke 252, 255<br />
Simon<br />
Roy Coots Theme 112<br />
Skiles, Marlin 1<br />
Small, Michael<br />
Target 920, 921<br />
Snow, Mark<br />
Anxious Pumpkin 39<br />
Games 420, 615<br />
Games Mother Never Taught You 91<br />
Scrooge 417<br />
Spencer, Herbert<br />
Scrooge 51<br />
Springer, Philip<br />
Gunsmoke 237, 251<br />
Steiner, Fred 11, 74, 75, 85<br />
100 Yards 76<br />
American Gothic 78, 84<br />
Big City Mouse 82<br />
Buick Show 106<br />
Buick-Electra Show 105<br />
Fallen Sparrow 71<br />
Funny Sneaks 78<br />
G.E. Theater 49, 103<br />
Gambler, the Nun and the Radio, The 75<br />
Great Adventure 189, 190<br />
Gunsmoke 49, 73, 74, 77,106, 108, 112, 113, 116, 117, 120, 121, 124, 131, 135,<br />
137, 139, 188, 189, 199, 234, 244, 248<br />
Gunsmoke Closing Theme 390<br />
Have Gun Will Travel 12, 81, 87, 109, 113, 118, 127, 196<br />
Hawaii 5-0 351<br />
132
Hawaii-50 315, 318, 319<br />
Heigh Ho 76<br />
Hotel de Paris 104<br />
King Nine 75<br />
March Galant 85<br />
March Serieuse 85<br />
Millionaire, The 89<br />
Mr. Preach 106<br />
Nancy Pearson 71, 89<br />
Nasty Sneaks 78<br />
Near East 391<br />
New Horizons 85<br />
PM Strangers 390<br />
Perry Mason 329, 383<br />
Pursuit 2 14<br />
Quiet Night in Town 75<br />
Rawhide 118, 125, 127, 129, 134, 141, 362<br />
Relentless Chords 78, 84<br />
Romantic Melodie 80<br />
Sanctuary 75<br />
Shock Harmonies 19<br />
Twilight Zone 132, 134, 135, 136<br />
Western Cues 82<br />
Western Wanderer 84<br />
Whistle While You Work 76<br />
Wild Wild West 341<br />
Stevens, Leith 75<br />
Dancing Death 71<br />
Gunsmoke 73, 74, 125, 131<br />
Have Gun Will Travel 50, 80, 101, 109<br />
Hotel de Paris 71, 104<br />
House of K Street 49<br />
Mountain Man 103, 106<br />
Twilight Zone 96<br />
Stevens, M<br />
Hawaii-50 307, 309, 322<br />
Stevens, M.<br />
Hawaii-50 289, 290, 294, 296, 297, 299, 302, 303, 305, 306, 310, 311, 312, 321<br />
Stevens, Maurice<br />
Andros Target 927<br />
Hawaii 5-0 324<br />
Stevens, Morton 148, 149, 210, 211, 219, 220<br />
African Elephant Song 616<br />
<strong>CBS</strong> Affiliates <strong>Film</strong> 1966 88, 884, 885, 886<br />
Call to Danger 359<br />
Empty Track 45<br />
133
Generation 327<br />
Gunsmoke 224, 246, 248, 251, 254, 262<br />
Hawaii 5-0 260, 261, 267, 269, 270, 271, 272, 273, 274, 346, 349, 353<br />
Hawaii-50 323<br />
Kahn 356, 357<br />
Missy's Men 367<br />
Perry Mason 359<br />
Run Buddy Run 504<br />
Scrooge 387<br />
Spencer's Pilots 363, 364<br />
Stanley 358<br />
Storefront Lawyers 338<br />
Tomorrow Never Comes 45<br />
Two Doves 266<br />
Two's Company 358<br />
Wild Wild West 365, 368, 369<br />
Wild Wild West 2 370<br />
Strauss, Johann<br />
Wild Wild West 2 370<br />
Suckman, Harry<br />
Dog Face 99<br />
Sussman<br />
Hawaii 5-0 352<br />
T<br />
Tatro<br />
Hawaii 5-0 324<br />
Thorne, Ken<br />
Return of Sherlock Holmes 837, 838, 839, 840<br />
Wicked Ways 92<br />
Tiomkin, Dimitri<br />
Hotel de Paris 98<br />
Tiomkin, Dimitri<br />
Fanfares 19<br />
Gunslinger 424<br />
Hotel de Paris 19<br />
Hotel de Paris Theme 95<br />
Rawhide 87, 362<br />
Tipton, George Aliceson 218<br />
Tunick, Jonathan<br />
Brotherly Love 209<br />
Tunick, Jonathon<br />
Brotherly Love 93, 383<br />
V<br />
134
Van Cleave, Nathan 88<br />
April Fools 373<br />
Bridge & Sneaks 79<br />
Dramatic Chords 79<br />
End Title 197<br />
Gunsmoke 107, 116, 136, 141, 199, 224<br />
Have Gun Will Travel 109, 127, 130, 131<br />
Love Themes 78<br />
Overture 565<br />
Perry Mason 129, 135, 137, 141, 222, 224<br />
Quiet Western Scene 78<br />
Short Sneaks 79<br />
Sneaks 84<br />
Sneaks & Bridges 84<br />
Sneaks & Bridges & Cues 84<br />
Sneaks, Tags & Cues 86<br />
Star Witness 125<br />
Tarzan 553<br />
Tune for a Beauty Contest 102<br />
Twelve Keys for Jud Gluskin 75<br />
Twilight Zone 85, 96, 100, 102, 116, 124, 134, 137, 140, 197<br />
Unidentified 368<br />
Western - Man Alone 78, 84<br />
Wizard of Oz 136<br />
World of Difference 71<br />
Yuman Indian Legend 84<br />
W<br />
Waxman, Franz<br />
16mm Shrine 71<br />
Gunsmoke 245, 246<br />
Open Windows 18<br />
Twilight Zone 89<br />
Wetherwax, Michael<br />
Twilight Zone 908<br />
Wilkinson, Marc<br />
Royal Hunt of the Sun 222<br />
Williams, John<br />
Gunslinger Main Title 114<br />
Nightwatch 328<br />
Reivers, The 29<br />
Who Goes There 327<br />
Williams, Johnny<br />
Who Goes There 358<br />
Williams, Patrick<br />
135
Z<br />
Andros Target 927<br />
Zimmerman, Tucker<br />
Gunsmoke 231<br />
Last <strong>UCLA</strong> update: 03/18/96<br />
********************************************<br />
[Back to April 2010:]<br />
As discussed briefly above at the start of this paper, <strong>UCLA</strong> Music Library Special<br />
Collections Reading Room B-425 also had stacked a series of <strong>CBS</strong> Music Library<br />
binders. I referred to them constantly, especially the (then) black binders and companion<br />
red binders for the various television seasons. As given, the black binder # 38 started this<br />
particular series thru Binder 51. The black binders were always much thicker with<br />
information than the companion red binders. I made a partial inventory of the earlier<br />
binders on March 10, 1995.<br />
Binder # 8 had Lost in Space material, dated 9/27/65. I don’t remember if an<br />
actual score was contained but I do not believe so (otherwise I would’ve hand-copied<br />
some of the cues and had them in my collection now).<br />
Binder # 9 had descriptions of old series such as Gunsmoke, Perry Mason,<br />
Storefront Lawyers, and so on.<br />
Binder # 21 had TV Features such as the 1970 Goldsmith movie, Brotherhood<br />
of the Bell.<br />
Binder # 23 had Sole Survivor by Paul Glass and Morton Stevens (at least). I<br />
believe it was <strong>CBS</strong>’s first made-for-tv movie. It starred Richard Basehart & Vince<br />
Edwards. Cost of musicians = $22,182.63. Copying = $3,993.64. Arranging = $1,122.50.<br />
etc. total cost = $29,412.77.<br />
Binder # 29 contained CCF features, The Reivers from 1969, featuring the<br />
music of John Williams, Henry Mancini, and Lalo Schifrin. Also there was A Man Called<br />
Horse by Leonard Rosenman form 1969. The Schrifrin contribution was dated 9-27-68;<br />
Williams’ contribution was dated 10-1-69. Also included in this binder is Hail Hero<br />
dated 8-14-69.<br />
Binder # 30 contained more CCF features: Little Big Man from 1969; Scrooge<br />
from 1970; Monte Walsh (1970 John Barry); Rio Lobo (dated 8-10-1970 Goldsmith); Big<br />
136
Jake score (dated 5-12-1971 Elmer Bernstein). Here are sample cues from Monte Walsh,<br />
Production # 5044:<br />
-#M-11 “The Good Times Are Comin’” John Barry, lyric by Hal David. Dated 4-<br />
17-70 S.C. (Studio City recording date). Lin # 69-CCF075. Orchestra: 36 players + 1<br />
female vocal. 24 strings, harmonica, 2 guitars, fender, etc.<br />
-M-12 “Monte at the Table” Dated 4-16-70<br />
Binder # 31 had Goldsmith’s Fraternity dated 6-8-70 Studio City. 34 orchestra<br />
size (30 strings). Cue 1 was titled “The Bell” Lib # 70-CTV-070 Also included is<br />
Goldsmith’s Step Out of Line dated 11-19-70 Studio City. The orchestra size is 37 (31<br />
strings). The Main Title is 70-CTV-117. The musicians cost was $16,732.30. I believe<br />
also included is December Bride composed by Eliot Daniel, <strong>CBS</strong> 9-60-D.<br />
Binder # 35 had the score for Tom Sawyer & Huck Finn (dated 1-7-1982 Studio<br />
City, James Horner).<br />
Binder # 37 had the pilot score for Hawaii 5-0. Sample cues of this transposed<br />
score:<br />
-M-6911 “Cocoon I” 4 bass flutes, gong, timp, piano. :17 � duration.<br />
-#021 “King Nam’s Pad” 1:27 duration<br />
-#022 “Floater” Eb Sax, CB. 1:27 duration<br />
-#023 “Ashes” piano, etc. :20 duration<br />
-#024 “Pensive” woodwinds<br />
-#025 “Tail”<br />
-#026 “Clandestine Meeting”<br />
-#028 “Dinner at 8” :32<br />
-#029 “Green Car Chase” 3:35<br />
-#030 “Book Him!” :24<br />
-#031 “Champagne Boss-Frug” {???]<br />
-#032 “The Kiss” :33<br />
-#033 “Search” 3:51<br />
-#034 “Enter Big Fuzz” :29<br />
-#035 “No Fat Way” :55<br />
-#036 “Cocoon II” 1:52<br />
-#037 “Hallucinating” organ 3:20<br />
-#038 :Coo-Moo” 4:48<br />
-#039 “Operation Smash” piccolo, etc. 2:23<br />
-#040 “No Fat in Fire” 3”06<br />
-#041 “All’s Well That Ends” 1:47<br />
ETC. I had researched Binder 37 on 4-18-95 at least because I had hand-copied<br />
the revised Main Title of the series. The first four bars had the dance drum, tambourine,<br />
vibra-slap, and timp. Then in Bar 5 we have the Eb C.C. Sax, 3 horns, 4 trumpets, 4 Pos,<br />
dance drum, tambourine, vibra-slap, timp, electric guitar, bass guitar, fender bass, tuba,<br />
and electric harpsichord. Then the timbales show up in Bar 12, and two piccolos, flute, 2<br />
clarinets.<br />
137
Binder # 38 Black binder that started the short series of <strong>CBS</strong> Music Library cue<br />
classifications. This one corresponded, as given earlier, to the 1956-1957 season (<strong>CBS</strong><br />
VII).<br />
Binder # 39 Red binder for <strong>CBS</strong>-TV season 1956-57 that is the companion to<br />
Binder # 38.<br />
Binder # 40 Black binder for <strong>CBS</strong>-TV season 1957-58 (<strong>CBS</strong> VIII). This binder<br />
was an important year since several new series began on <strong>CBS</strong> including Have Gun ill<br />
Travel and Perry Mason. This year’s black binder is definitely larger than Binder # 38.<br />
Binder # 41 Red binder companion for <strong>CBS</strong>-TV season 1957-58.<br />
Binder # 42 Black binder for <strong>CBS</strong>-TV season 1958-59 (<strong>CBS</strong> IX).<br />
Binder # 43 Red binder companion for <strong>CBS</strong>-TV season 1958-59.<br />
Binder # 44 Black binder for <strong>CBS</strong>-TV season 1959-60 (<strong>CBS</strong> X). This was also<br />
an important and expanded year since Twilight Zone and Rawhide started this season.<br />
Binder # 45 Red binder companion for <strong>CBS</strong>-TV season 1959-60.<br />
Binder # 46 Black binder for <strong>CBS</strong>-TV season 1960-61 (<strong>CBS</strong> XI).<br />
Binder # 47 Red binder companion for <strong>CBS</strong>-TV season 1960-61.<br />
Binder # 48 Black binder for <strong>CBS</strong>-TV season 1961-62 (<strong>CBS</strong> XII).<br />
Binder # 49 Red binder companion for <strong>CBS</strong>-TV season 1961-62.<br />
Binder # 50 Black binder for <strong>CBS</strong>-TV season 1962-63 (<strong>CBS</strong> XIII).<br />
Binder # 51 Red binder companion for <strong>CBS</strong>-TV season 1962-63.<br />
Note: Why there were not similar dual binders for later seasons (such as 1963-64<br />
<strong>CBS</strong> XIV) I do not know. Probably it was not necessary since enough material could be<br />
culled from the tapes and transcription discs of the previous seven seasons. Also there<br />
may have been other approaches now arranged for “stock music” usage such as the <strong>CBS</strong><br />
EZ cue system that perhaps was used for The Fugitive series that started in the fall of<br />
1963. I do not know at this minute when the <strong>CBS</strong> Records EZ Cue Library first came into<br />
usage but it used the exact same old black binder descriptions from the earlier seasons<br />
and then perhaps added some new ones. For example, EZQ 1-5 is “Comedy<br />
Backgrounds & Bridges” EZQ 107 is “Dramatic & Anthology Main Titles” (previously<br />
Reel 58 material in the original <strong>CBS</strong> Library system). EZQ 114 is “City Backgrounds”<br />
138
(formerly Reel 45 material in the old <strong>CBS</strong> Library classification). I’ll give a full page<br />
example from the EZ Cue Library Catalog at the end of this paper.<br />
Binder #52 had information on a Gilligan’s Island score by John Williams for<br />
20 th Century, dated 4/1/64. There is a cue # list including:<br />
-#1714 “Gilligan’s Flight”<br />
-#1715 “To the Woods”<br />
-#1716 “Gilligan’s Climb”<br />
-#1717 “Wild Flips”<br />
-#1718 “Down the Tree”<br />
-#1719 “Zoomsville”<br />
-#1720 “Rolling on the Surf”<br />
-#1721 “Who Goes There?”<br />
-#1722 “Skipper’s Stake”<br />
-#1723 “Skipper’s Snub”<br />
-#1724 “Gabby Girls”<br />
-#1725 “Slidin’ & Fishin’”<br />
-#1726 “Fishing Montage”<br />
-#1727 “Long Distance”<br />
-#1728 “Radio Insert”<br />
-#1729 “Help”<br />
-#1730 “End Credits”<br />
-#1732 “The Marina”<br />
Binder # 56 had recording information that including the re-recording of various<br />
<strong>CBS</strong> Music Library cues conducted by Herschel Burke Gilbert on Feb 17, 1965. For<br />
instance, Herrmann’s “The Glass” cue was recorded again for a Gunsmoke episode (Prod<br />
# 1615). The rehearsal was at 4:46 pm, then the print two minutes later. “The Discovery”<br />
cue by Herrmann (both from the Collector’s Item pilot score) was re-recorded. On<br />
another date (March 5, 1965), Herrmann’s “Climatic Close” was re-recorded (the cue was<br />
originally composed in 1957). It was used for a Rawhide episode (Prod # 2704).<br />
Rehearsal was at 3:56 pm. Then Herrmann’s “Climatic Middle Tag” and “The House of<br />
Prentiss” were re-recorded.<br />
Binder # 57 contained <strong>CBS</strong> Recording Log for a Rawhide episode, “Encounter<br />
at Boot Hill,” music by Bernard Herrmann. The recording date at Studio City was 8-26-<br />
65. Lib # 65/RH086. Prod # 2704-0958. Herrmann was also the conductor. The first cue<br />
was M-11 (1:17 duration). The mixer was Ted Keep. The orchestra size was 13: 9<br />
woodwinds (3 english horns, 3 bass clarinets, 3 bassoons) , 3 brass (3 trombones) , 1<br />
percussion. The music was recorded in mono. The rehearsal started at 1:30 pm. The<br />
“comp.” Was at 1:38 for that cue. The “playback” was at 1:42 pm. More was recorded<br />
on this cue. The M-12 (:16 1/3 duration) cue rehearsal started at 1:57 pm. The comp.<br />
Started at 1:59 pm. The M-13 cue (:44 duration) rehearsal started at 2:07. Etc. The last<br />
cue of M-64 (XXII “Finale”) started the rehearsal at 4:30 pm. The session ended at<br />
4:26for this 23 second cue.<br />
139
This binder also included other recording logs such as the Rawhide episode, “Six<br />
Weeks at Bent Fork” music by Hugo Friedhofer but conducted by Morton Stevens (dated<br />
8-24-65). The orchestra size was 21 (5 brass, 7 percussion, 4 strings, etc). The session<br />
started at 9 am, The first cue was M-11 “The New Job” (Lib # 65/RH062). Then M-12<br />
“Spooked” (RH063). Then M-13 “Lucky Piece” and so on. I believe also in this binder<br />
were recording logs for the Rawhide episode, “Clash Broken Bluff” by Billy May. Also<br />
“Escape to Doom” by Richard Shores. Also there is a Gilligan’s Island episode by G.<br />
Fried (I believe “Sweepstakes”). Then there is a Wild Wild West episode, “Wizard Shook<br />
Earth” by Drasnin, and a Gunsmoke episode, “The Raid” of course by Franz Waxman<br />
dated 9/16/65.<br />
Binder 83 had the Recording Log for various Gunsmoke recordings in the<br />
1972/73 season. The dated was 8-1-72. Morton Stevens conducted first the “End Title”<br />
(1 minute duration) for episode Prod # 1615-9276. The session started at 10:17 am and<br />
ended at 10:25 am. Next recording log was the Gunsmoke Opening Cast Credits 1972<br />
dated 8-18-72 Studio City. Duration is 31 seconds. Mono, 8 track. Also included is the<br />
“Hostage” episode composed by Elmer Bernstein dated 11-30-72. The first cue is<br />
“Honky Tonk” (piano only) :43 duration. Next is “Town” (1:15 duration) with the<br />
orchestra size of 19 (6 woodwinds, 5 brass, 2 percussion, 4 strings, and whistling! It’s on<br />
Reel 38, Log # 928.<br />
Binder 103 had information on a Hawaii 5-0 episode, “Hookman.” Cue sheet<br />
#73-35. Dubbing date 8/31/73. First telecast 9/11/73. Total score time 20:02. Music by<br />
Morton Stevens. Cues:<br />
-“Main Title” :57 duration, dated 8-20-73<br />
-“Keoki” 2:30 duration<br />
-“Keoki” 2”04<br />
-“Ookala” 2:00<br />
-“2 nd Rifle” 1:04<br />
-“Motivating Jack” :13<br />
-“McGarrett’s Name Plate” :36<br />
-“Jewelers Store Set-Up” 3:25<br />
-“Billboard I Theme # 56” :04<br />
-“Showcard II # 50” :04<br />
-“Chase” :50<br />
-“Stoner Back Home” :37<br />
-“Secret’s Out” :53<br />
-“Photo” :14<br />
-“Foot Work Montage” 2:11<br />
-“To the Roof” 1:04<br />
-“Finale” :47<br />
-“Short End Credits” :29<br />
I believe also in this binder is information on the Hawaii 5-0 episode. “The<br />
Miracle Man” composed by Fred Steiner, 1 st telecast 12-21-78. Also I believe Morton<br />
Stevens’ Storefront Lawyers (pilot) information was there. Also the Hawaii 5-0 episode<br />
140
info, “The Bark & the Bite” dated January 1979. If I am not mistaken from my old notes,<br />
the actual score is there. But remember that since those years I researched the binders,<br />
am 99% convinced that <strong>UCLA</strong> disposed of many of the physical binders and inserted the<br />
pages in separate boxes in the Deed of Gift # 2 boxes.<br />
For example, I looked at a bunch of these Deed of Gift # 2 boxes:<br />
-Box # 1551 now has the <strong>CBS</strong> VII cue information.<br />
-Box # 1552 has <strong>CBS</strong> IX information.<br />
-Box # 1553 has <strong>CBS</strong> VII and VIII information.<br />
-Box # 1554 Not sure now but I believe this one contains <strong>CBS</strong> IX and part of X.<br />
-Box # 1555 has <strong>CBS</strong> X and XI information.<br />
-Box # 1556 has <strong>CBS</strong> XII information (including Herrmann’s “Harriet” episode<br />
for Gunsmoke).<br />
-Box # 1557 has <strong>CBS</strong> XIII information.<br />
-Box # 1558 has <strong>CBS</strong> XIV information (including Steiner’s “Call Me Dodie”<br />
episode for Gunsmoke).<br />
-Box # 1565 <strong>CBS</strong> season 1979-1980<br />
-Box # 1597 has binders 1 & 2 dated (in part) 1971. I believe info on<br />
Homecoming is in there. Also Hunters are for Killing dated 2-25-70.<br />
-Box # 1598 Binders # 4 & 5. May include Relentless. I noted “Daddy, I Don’t<br />
Like It” (perhaps a cue).<br />
-Box # 1601 1965 materials and info on Gunsmoke(etc.), cues, reels I believe<br />
plus recording logs.<br />
-Box # 1611 Like Mother, Like Me and also Crisis in Mid-Air dated October 17,<br />
1978.<br />
-Box # 1618 Wild Wild West recording logs 1966-67 season.<br />
-Box # 1640 1965 recording logs from Rawhide, Gunsmoke, etc.<br />
-Box # 1769 Wild Wild West recording logs.<br />
-Box 1778 [Note: I pulled this box on Friday, June 20, 2003] This box was<br />
supposed to contain financial documents but instead had reel tapes of a Movie of the<br />
Week by Bill Conti from the mid-Eighties.<br />
-Box # 1788 This contains <strong>CBS</strong> IX and X material. There is yellow paper<br />
binding here so it appears to be different from the old binders I worked on, a duplicate.<br />
For example, in <strong>CBS</strong> IX it has Reel 34-A “Religious Materials”. The first cue listed is #<br />
388 “Thomas Wolfe” :00 - :33 “relaxed reflective BG, strings.” Someone annotated<br />
(unlike the binders I had) “contract June 1, 1957.” Reel 39 is “Nationalistic Music—<br />
Ethnic” such as Tak Shindo. Reel 40-D is Restaurant Music: Foreign, piano, solo piano.<br />
Reel 41-D is Restaurant Music: Cocktail Lounge (small combo). This includes Eric<br />
141
Cook. Reel 43 cues are “Dramatic Bridges.” This includes item 3, “The Arrow” from<br />
Herrmann’s Collector’s Item (# 2—not the one Paul Baron did). Annotated is “Contract<br />
December 21, 1957.” Reel 51 is “Western Bridges & Backgrounds & Western Curtains.”<br />
The first selection listed is “The Mesa” by B. Herrmann (contract June 21, 1957). Reel<br />
58-D-One is “Dramatic and Anthology Main Titles.” Included is item 5, “Landmark<br />
Finale” by Herrmann (contract March 1, 1956). Reel 58-D-3 is “Restricted Thematic<br />
Material.” Included are the “Pursuit Theme” by Herrmann Reel 68-F is “Concrete<br />
Music—Electronic Music”. The first item is “Trartonium # 1” by Oska Sala. Contract<br />
July 25, 1958 (and other dates) (contract Aug 5, 1958) and Perry Mason “Main Title” by<br />
Fred Steiner contract November 2, 1956.<br />
-Box 1790 [I pulled this box on 6-20-03] More detailed “<strong>CBS</strong> TV Music<br />
Editorial” sheets showing timings on scripts, and so forth. Episodes include “The Violent<br />
Land” dated 2/9/65 and “Blood Harvest” (dated 1-29-65) and editorials on Gilligan’s<br />
Island (“St. Gilligan & the Dragon” dated 1-26-65) and Cara Williams Show (“How to<br />
Be happy, Though Married” dated 1-21-65). “Spanish Camp” (dated 4/2/65) is included,<br />
so is “El Hombre Bravo” (dated 12/31/64), “Diedhard” (dated 3/18/65), and so forth. All<br />
are tied to Rawhide (Prod # 2704).<br />
Also I believe in this box were Perry Mason music credits, progress reports,<br />
release schedules in the 1965-66 season. There is a folder on a pilot show, “Did You Ever<br />
Have One of These Days?” dated 9-12-66. Also “Run, Buddy, Run” from ’66-’67. Also<br />
info on a Wild Wild West episode, “Night of the Undead” dated 2/2/68 (original airdate).<br />
But then I also have the date 7-5-68. Guest: H. Hatfield.<br />
-Box # 1805 [Note: I pulled this box on 6-20-2003]. The box includes cue<br />
sheets and other information on various 1958 shows. For example:<br />
-Series Title: Lineup (145). First telecast 3/14/58. Producer: <strong>CBS</strong>-TV. Cue Sheet<br />
# 580312-3. Episodic title: “George Case” The first cue is the Line Up Main Title M-10<br />
by Rene Garriguenc, then “Prisoners” M.T. (M-11) by Garriguenc, then “Norman<br />
Country Scene” (cue # 263) by Garriguenc, and then “Knife Chord to Tail No. 5” by<br />
Moraweck, and so on.<br />
-“Lovie Lawrence Case” Line-Up, dated 1-16-58. Various composers’ cues used<br />
including Garriquenc. Then “The Brothers” dated 10-9-56. Then an Eve Arden Show<br />
episode, “It Gives Me Great Pleasure” dated 9-17-57.<br />
-Box # 1813 [Note: I also pulled this box on June 20, 2003] Contents include<br />
cue sheets for a Studio One episode, “The Left Handed Welcome” dated 6-16-58. It was<br />
supervised by Jerry Goldsmith. The first cue is “After the Senior Prom” by Jimmy<br />
Duncan. Another cue is I-7 # 1 “Homecoming” by Goldsmith ):10 duration). I-10 # 2 is<br />
“Riches” by Goldsmith (:25). I-21 # 3 is “Promise” by Goldsmith (:07). I-21 is<br />
“Westinghouse Short Playoff” by Bernard Herrmann (:06). Etc.<br />
Then there is a Studio One episode, “Trial by Slander” airdate 1-20-58. The first<br />
cue used is “Opening: Studio One in Hollywood” by Bernard Herrmann (1:30 duration).<br />
Another cue is cue #467-R “The Lovers” by Goldsmith (<strong>CBS</strong> VII 57-A).<br />
Then we have the “Image of Fear” episode dated October 1958. The first cue is<br />
M-1, cut 3, “Quartet” by Tchaikovsky. <strong>CBS</strong> IX-E-28 (3:30 duration). The next cue is M-<br />
142
2, cue # 257 “West Indies” by L. Moraweck <strong>CBS</strong> VII 63-A (:08 duration). Then M-2A,<br />
cue # 253, “Religious Processional # 1” by Garriguenc. Etc.<br />
There is also the “Edge of Truth” episode dated 4-28-58. Goldsmith composed the<br />
music. Cue I-1 # 1 “Edge of Truth” followed by I-3 # 2 “The Bribe”, and so on.<br />
There is also the “Brotherhood of the Bell” episode airdate 1/6/58. Scene: 1976.<br />
Various composers, including Outer Space Suite cues by Herrmann.<br />
Also “The Other Place” episode dated 1-13-58. Goldsmith cues here.<br />
Also “Balance of Terror” dated 1-27-58. Germany scene. Includes a script.<br />
Also “The Lady Died at Midnight” dated September 1958 with a live orchestra. I<br />
believe it is all Goldsmith but I’m not completely positive.<br />
Also “No Place To Run” episode airdate 9-15-58. Time: 1938. Various composers<br />
(stock music).<br />
Also “The Laughing Willow” dated 2/3/58. Lots of classical music such as<br />
Strauss waltzes, Schoenberg.<br />
Also “The Tongue of Angels” dated 3/17/58. All Goldsmith music.<br />
Also “Incident in Kurishiki” dated 5-12-58, music by Tak Shindo..<br />
Also “The Funny Looking Kid” dated 5-19-58. The music supervisor was Rudy<br />
Schrager. Various composers, opening with Chopin’s Prelude in A major. The next cue is<br />
“Nostalgia” (cue # 448) by Amphiteatrof (<strong>CBS</strong> 8-57-D), 2: 35 duration. The third cue is<br />
M-3 (# 439) “Romantic Scene” by Rene Garriguenc. Then M-4 (#318) “Rio Branco” by<br />
Garriguenc. Then M-5 (#414) “Pointed” by R. Schrager. Etc.<br />
Also cue sheets for “Enemy Within” dated 5-26-58. Various composers. The first<br />
cue (# 281) is “Alert # 1” by L. Moraweck (:40).<br />
Now: If you want to access the Deed of Gift # 2 (“<strong>CBS</strong> Inc. <strong>Film</strong> & Television<br />
Collection 1955-1883”) Finding Aid, go either to:<br />
http://WWW.oac.cdlib.org/findaid/ark:/13030/kt8x0nd51b/<br />
http://WWW.oac.cdlib.org/view?docId=kt8x0nd51b;query=;style=oac4;doc.view=entire_<br />
text<br />
Note that the Deed of Gift # 1 (the 930 boxes of written scores and other materials<br />
listed above) are not included in this Finding Aid. I find this highly curious. I’ll have to<br />
contact <strong>UCLA</strong> and ask why this is so.wjw Meanwhile you can use the Wayback Machine<br />
(web.archive.org) to access the old <strong>UCLA</strong> index, as given earlier:<br />
http://web.archive.org/web/19970704055624/www.library.ucla.edu/libraries/music/mlsc/<br />
cbs/index.htm<br />
What I also find curious is that most of the boxes I had pulled for me in 2003 are<br />
not mentioned in this Finding Aid (yet at any rate). It’s last update was sometime in 2008<br />
(I am typing this paragraph on Wednesday, April 07, 2010). It states that the Collection<br />
will be updated periodically. Well, I hope in the next update they include Boxes 1551<br />
thru 1558 that I had researched because they are not indicated yet. Boxes 1778, 1788,<br />
1790, 1805, and 1813 that I had personally inspected were indicated in the current<br />
143
Finding Aid. It still states that Box # 1778 has “Musicians’ Payroll” although I expected<br />
the box and found it did not, as indicated earlier (instead it contains Bill Conti material).<br />
It indicates simply that Box 1805 contains “Studio logs & cue sheets 1955?” So there is<br />
not much detailed info here!<br />
I copied the two pages of information HTML of the Finding Aid and converted<br />
the material into my Microsoft Word. There is currently 938 pages of material to sift<br />
through! But a lot of it involves tapes and cassettes. There is very little in terms of written<br />
scores, so that is why I am not that terribly interested in laboriously researching the<br />
boxes. It would take too long and prove expensive. But I may go back there later in the<br />
year when I take a vacation in September and then in October. We’ll see. I am on<br />
vacation now but spent my money to research at UCSB (Herrmann Papers).<br />
Now: Back in 4/30/99 at <strong>UCLA</strong> I copied a lot of cue titles from Red Binder 39<br />
(<strong>CBS</strong> VII). The most cues contained in that binder were by Rene Garriguenc. There area<br />
150 plus cues listed. I will not go thru them all but will offer a great deal of examples.<br />
Note that there are no Bernard Herrmann cues yet for this <strong>CBS</strong> Library VII ( 7 ) but there<br />
are plenty in <strong>CBS</strong> VIII ( 8 )! I have already delineated those in my prior paper<br />
“Television Works.”<br />
Rene Garriguenc:<br />
-“Adam & Eve Tag” cue # 322 <strong>CBS</strong> 7-60-A<br />
- “ “ cue # 319 “ “<br />
- “ “ cue # 320 “ “<br />
-“Adeste Fidelis” (arra.) 17, <strong>CBS</strong> 7-55-C<br />
- “ “ minor mood 17-C, <strong>CBS</strong> 7-55-C<br />
- “ “ neutral mood 17-B, <strong>CBS</strong> 7-55-C<br />
- “ “ paraphrase 17-A “<br />
- “ “ Romantic mood 17-D, “<br />
- “ “ Scherzando 17-F “<br />
- “ “ Sneak & Finale 17-E, “<br />
-“Agitato” cue # 363 <strong>CBS</strong> 7-43-A<br />
-“Agitato # 1” cue # 345 “<br />
-“Agitato # 2” cue # 346 “<br />
-“Agitato Finale” cue # 374 <strong>CBS</strong> 7-47-A<br />
-“Anxiety” cue # 367 <strong>CBS</strong> 7-23-A<br />
-“Anxiety” cue # 367-A “<br />
-“Arrest” cue # 73-A <strong>CBS</strong> 7-43<br />
-“Arest Flareout” cue # 73 <strong>CBS</strong> 7-43<br />
-“Auld Lang Syne” (arra.) Cue # 3, <strong>CBS</strong> 7-55-C (+ other variations)<br />
-“Background for Suspense Theme” cue # 463 <strong>CBS</strong> 7-56-A<br />
-“Car Motion” cue # 332 <strong>CBS</strong> 7-28-A<br />
-“Cassons Go Marching Along” (arra.) cue # 2 <strong>CBS</strong> 7-55-C-1<br />
-“Cassons Neutral Suspense” Cue # 2-B (etc, other variations0<br />
-“Curtain” cue # 183-1 <strong>CBS</strong> 7-48<br />
-“Dark Emotional Suspense Tag” cue # 449 <strong>CBS</strong> 7-47-A<br />
-“Dark Suspense to Tag” cue # 452 <strong>CBS</strong> 7-47-A<br />
144
-“Dramatic Agitato Final” cue # 371 “<br />
-“Dramatic Build to Tag” cue # 454 “<br />
-“Dramatic Heroic” cue # 355 “<br />
-“Dramatic Montage (Punct., Short Bridge) cue # 164 <strong>CBS</strong> 7-44<br />
-“Dramatic Punct.” Cue # 85-A <strong>CBS</strong> 7-44-1<br />
-“Dramatic Sus. Calmato” cue # 354 <strong>CBS</strong> 7-43-A<br />
-“Dramatic Tag” cue # 183 <strong>CBS</strong> 7-48<br />
“Early American” cue # 81 <strong>CBS</strong> 7-46<br />
-“Emotional (Bridge)” cue # 157 <strong>CBS</strong> 7-43<br />
-“Emotional (Neutral Bridge)” cue # 155 <strong>CBS</strong> 7-43<br />
-“Emotional (Suspense Bridge)” cue # 156 “<br />
-“Emotional Bridge to Background” cue # 151 <strong>CBS</strong> 7-46<br />
-“Emotional Dramatic” cue # 356 <strong>CBS</strong> 7-43-A<br />
-“Emotional Finale” cue # 370 <strong>CBS</strong> 7-48-A<br />
-“Emotional Finale” cue # 375 <strong>CBS</strong> 7-47-A<br />
-“Emotional Suspense to Tag” cue # 455 <strong>CBS</strong> 7-47-A<br />
-“First Nail” (arr.) cue # 18 <strong>CBS</strong> 7-55-C<br />
-“Gallop” cue # 331 <strong>CBS</strong> 7-28-A<br />
-“Hail, Hail, the Gang’s All Here” (arra.) cue # 4, <strong>CBS</strong> 7-55-C-1<br />
-“Hall of Justice # 1” cue # 74 <strong>CBS</strong> 7-46<br />
-“Hall of Justice # 2” cue # 71 “<br />
-“Happy Tag” cue # 201 <strong>CBS</strong> 7-54-A<br />
-“He’s A Jolly Good Fellow” (arra.) cue # 4 <strong>CBS</strong> 7-55-C<br />
- “ “ Paraphrased cue # 4-A “<br />
- “ Minor mood cue # 4-B “<br />
-“Hornpipe” 4-x <strong>CBS</strong> 7-55-A<br />
-“Investigating” cue # 337 <strong>CBS</strong> 7-56-A-1<br />
- “ cue # 365 <strong>CBS</strong> 7-46-1<br />
- “ # 1 cue # 78 <strong>CBS</strong> 7-45<br />
- “ # 2 cue # 79 <strong>CBS</strong> 7-45<br />
-“Jingle Bells” (arra.) cue # 19 <strong>CBS</strong> 7-55-C<br />
-“Jingle Bells” (dark mood)’ cue # 19-D, ETC.<br />
-“Lively Tag” cue # 197 <strong>CBS</strong> 7-54<br />
-“Merry Tune” cue # 457 <strong>CBS</strong> 7-60-A<br />
-“Mounting Tension to Tag” cue # 451 <strong>CBS</strong> 7-47-A<br />
-“Neutral # 2” cue # 340 <strong>CBS</strong> 7-43<br />
-“Neutral # 3” cue # 341 “<br />
-“Neutral # 4” cue # 344 “<br />
-“Neutral # 5” cue # 358 “<br />
-“Neutral # 6” cue # 360 <strong>CBS</strong> 7-43-A<br />
-“Neutral (Waiting)” cue # 350 “<br />
-“Neutral Bridge” cue # 339 “<br />
-“Neutral Melodic # 1” cue # 33-B <strong>CBS</strong> 7-57-C<br />
-“Neutral Melodic # 2” cue # 34-A “<br />
-“Neutral Suspense” cue # 349 <strong>CBS</strong> 7-43-A<br />
“ “ cue # 353 “<br />
145
- “ “ B.G cue # 15-x <strong>CBS</strong> 7-56-A-1<br />
- “Neutral to Emotional” cue # 361 <strong>CBS</strong> 7-43-A<br />
-“Noble” cue # 150 <strong>CBS</strong> 7-46<br />
-“Noble (Emotional Bridge)” cue # 160 <strong>CBS</strong> 7-43<br />
-“Noble (Neutral Bridge)” cue # 158 “<br />
-“Noble (Suspense)” cue # 159 “<br />
-“Open Spaces” cue # 343 <strong>CBS</strong> 7-43-A<br />
-“Patriotic” cue # 162 <strong>CBS</strong> 7-46<br />
-“Patriotic Finale” cue # 369 <strong>CBS</strong> 7-18-A<br />
- “ “ cue # 372 <strong>CBS</strong> 7-47<br />
“ “ cue # 373 <strong>CBS</strong> 7-48-A ETC<br />
-“Prisoner’s M.T.” <strong>CBS</strong> 7-49-B<br />
-“Prisoner’s March” cue # 335<br />
-“Red River Valley Panoramic” (arra.) cue # 45 <strong>CBS</strong> 7-55-C-3<br />
- “ “ “ Para. Cue # 45-A “<br />
-“Rescue # 1” <strong>CBS</strong> 7-49<br />
-“Rescue # 2” cue # 336 <strong>CBS</strong> 7-56-A-1<br />
-“Romance” cue # 80 <strong>CBS</strong> 7-46<br />
-“Scherzando” (based on Adam & Eve Theme) cue # 323 <strong>CBS</strong> 7-52-A (six versions)<br />
-ETC.<br />
Lucio Agostini:<br />
-“Multiple Mysterioso” cue # 441-A <strong>CBS</strong> 7-23-A<br />
-“Scherzo Theme” cue # 442 <strong>CBS</strong> 7-60-A<br />
Paul Baron:<br />
-“Canyon Trail # 2” cue # 45 <strong>CBS</strong> 7-51<br />
-“Going West # 1” cue # 43-A <strong>CBS</strong> 7-48<br />
-“Going West # ” cue # 43 <strong>CBS</strong> 7-51<br />
-“Going West # 2” cue # 295 <strong>CBS</strong> 7-53-A<br />
-“Going West # 3” cue # 296 “<br />
-“Let’s Take A Walk” cue # 44 <strong>CBS</strong> 7-51<br />
-“Musical Elements” cue # 48-A <strong>CBS</strong> 7-23<br />
-“P.M. M.T.” cue # 9 <strong>CBS</strong> 7-58-C<br />
“ “ cue # 10 “<br />
[NOTE: This is very interesting. I believe P.M. means Perry Mason. So he was<br />
hired to do a Main title for the new series. I wonder what it sounded like? I never got to<br />
see the written score, although it may be in one of the early boxes.]<br />
-“Piano Improv.” <strong>CBS</strong> 7-40<br />
Maurice Carlton :<br />
-“All We Needed” cue # 113 <strong>CBS</strong> 7-50<br />
-“Apple Polish” cue # 127 <strong>CBS</strong> 7-52<br />
146
-“Bald Hair” cue # 126 “<br />
-“Check” cue # 132 “<br />
-“Corridor” cue # 120 “<br />
-“Crowd, The” cue # 119 “<br />
-“Deject” cue # 130 “<br />
-“Drop the Case” cue # 116 “<br />
-“Eat & Run” cue # 139 “<br />
-ETC.<br />
Anthony Collins:<br />
-“Accent” cue # 57 <strong>CBS</strong> 7-43<br />
-“Emotional Bridge” cue # 56 <strong>CBS</strong> 7-43<br />
Lud Gluskin:<br />
-“Lieberstraumn” (Liszt) arra. Cue # 173 <strong>CBS</strong> 7-55<br />
Jerry Goldsmith:<br />
-“A Clever Trick” cue # 389-R <strong>CBS</strong> 7-52-A<br />
-“At the Fountain” cue # 391-R <strong>CBS</strong> 7-59<br />
-“Attack” cue # 424-R <strong>CBS</strong> 7-62-A-1<br />
-“Autumn M.T.” cue # 408-R <strong>CBS</strong> 7-56-A<br />
-“Autumn’s End” cue # 413-R “<br />
-“Cavalry Montage” cue # 480-R <strong>CBS</strong> 7-62-A-1<br />
-“Cavalry Patrol” cue # 414-R “<br />
-“Dark Room” cue # 382-A <strong>CBS</strong> 7-23-A-1<br />
-“Day Camp” cue # 272 <strong>CBS</strong> 7-62-A<br />
-“Departure in the Fog” cue # 393-R <strong>CBS</strong> 7-56-A<br />
-“Dirge” cue # 412-R <strong>CBS</strong> 7-50-A-1<br />
-“Dragon’s End” cue # 393-R <strong>CBS</strong> 7-56-A-1<br />
-“Drunk at Six” cue # 394-R “<br />
-“Dry View” cue # 416-R <strong>CBS</strong> 7-51-A<br />
-“Essay” cue # 469-R<br />
-“Figures in the Fog” cue # 399-R <strong>CBS</strong> 7-56-A-1<br />
-“Gallop Ho” cue # 417-R <strong>CBS</strong> 7-62-A-1<br />
-“Gone at Last” cue # 396-R “<br />
-“Good Morning” cue # 385-R “<br />
-“Gray [???] cue # 407-R “<br />
-“Hop & A Skip” cue # 388-R <strong>CBS</strong> 7-52-A<br />
-“Indian Ambush” cue # 419-R <strong>CBS</strong> 7-56-A<br />
-“King’s Farewell” cue # 390-R <strong>CBS</strong> 7-37-A<br />
-“Knight’s Entrance” cue # 389-R “<br />
-“Lament” cue # 418-R <strong>CBS</strong> 7-57-A<br />
-“Laramie Hoedown” cue # 422-R <strong>CBS</strong> 7-52-A<br />
147
-“Leap from the Mist” cue # 401-R <strong>CBS</strong> 7-56-A<br />
-“Leaping Sneak” cue # 397-R <strong>CBS</strong> 7-50<br />
-“Lurking Figure” cue # 402-R “<br />
-“Mist Lifts” cue # 400-R CBD 7-56-A-1<br />
-“Moment of Sorrow” cue # 395-R “<br />
-“Night Reflecting” cue # 383-R <strong>CBS</strong> 7-57-A<br />
-“Nocturnal Interlude” cue # 410-R<br />
-“Patrol Montage” cue # 425-R <strong>CBS</strong> 7-62-A-1<br />
-“Peaceful Soul” cue # 466-R <strong>CBS</strong> 7-47-A<br />
-“Quince Winces” cue # 415-R <strong>CBS</strong> 7-51-A<br />
-“Ran Afoul” cue # 404-R <strong>CBS</strong> 7-56-A-1<br />
-“Rapid Flight” cue # 470-R “<br />
-“Released” cue # 405-R <strong>CBS</strong> 7-48-A<br />
-“Run to the Sea” cue # 406-R “<br />
-“Rural Bounce” cue # 384-R <strong>CBS</strong> 7-63-A<br />
-“Sad Departure” cue #423-R <strong>CBS</strong> 7-43-A<br />
-“Saturday Night” cue # 421-R<br />
-“Short Run” cue # 471-R <strong>CBS</strong> 7-43-A<br />
-“Silent Flight” cue # 382 <strong>CBS</strong> 7-23-A<br />
-“Sleeping Creeps” cue # 398-R <strong>CBS</strong> 7-56-A<br />
-“Solemn Finish” cue # 426-R<br />
-“Strange Return” cue # 409-R<br />
-“Summer Sadness” cue # 411-R<br />
-“Thrust in the Dark” cue # 403-R <strong>CBS</strong> 7-56-A-1<br />
-“Up & At Them” cue # 386-R<br />
-“Young Love” cue # 468-R <strong>CBS</strong> 7-47-A<br />
-“Youth Speaks” cue # 467-R <strong>CBS</strong> 7-57-A<br />
Leigh Harline :<br />
-“Bridge # 1” cue # 98 <strong>CBS</strong> 7-52-B<br />
-“Bridge # 2” cue # 99 “<br />
-“Bridge # 3” cue # 100 “<br />
-“Bridge # 4” cue # 101 “<br />
-“Bridge # 5” cue # 102 “<br />
-“Bridge # 6” cue # 103 “<br />
-“Gillie Pantomime” cue # 104 <strong>CBS</strong> 7-54-B<br />
-“Harvey Pantomime” cue # 105 “<br />
“Harvey & Gillie Pantomime” cue # 107<br />
-“Hurry” cue # 108 <strong>CBS</strong> 7-52-B<br />
-“Pantomime-General” cue # 106 <strong>CBS</strong> 7-52-B<br />
-“Punctuation # 1” cue # 92<br />
-“Punctuation # 2” cue # 93 [thru # 6 or cue #107]<br />
-“Tag # 1” cue # 109 <strong>CBS</strong> 7-54-B [thru # 4 or cue # 112]<br />
Wilbur Hatch:<br />
148
-“Abrupt Tag” cue # 53 <strong>CBS</strong> 7-54-A<br />
-“All [???] Tag” cue # 58 “<br />
-“All’s Well” cue # 106 [???] “<br />
-“At Ease” cue # 94 <strong>CBS</strong> 7-52<br />
-“Band Tag” cue # 42 <strong>CBS</strong> 7-54-B<br />
-“Basses Wild Tag” cue # 52<br />
-“Bend the Bow” cue # 102<br />
-“Bongo Punct.” Cue # 57 <strong>CBS</strong> 7-52-B-1<br />
-“Both of ‘em Punct.” Cue # 43 “<br />
-Bothered Brothers Pantomime” cue # 39<br />
-“Bridge # 1” cue # 98 <strong>CBS</strong> 7-52-B [Note: these series of Bridges were earlier assigned<br />
to Leigh Harline so obviously there is a mistake somewhere…]<br />
-“Bright Tag” cue # 88 <strong>CBS</strong> 7-48<br />
-“Brother’s Bridge # 1” cue # 6 <strong>CBS</strong> 7-52-C<br />
‘”Brother’s Bridge # 2” cue # 6 also “<br />
-“Brother’s Pantomime” cue # 7<br />
-“Can’t Say No Punct.# 5” cue # 16 <strong>CBS</strong> 7-52-B<br />
-“Chime Happy Punct.” cue # 6 also<br />
-“Curtain-Latin” cue # 91<br />
-“Daffie Down Gillie Punct.” cue # 10<br />
-”Descending Tuba Bridge # 12” cue # 23<br />
-“Diabolic” cue # 107 <strong>CBS</strong> 7-52<br />
-“Downcat” cue # 108<br />
-“Dirge Pantomime” cue # 36<br />
-“End Title” cue # 2 <strong>CBS</strong> 7-60-B<br />
“End Title A” cue # 3 “<br />
-“Exit Softly Tag” cue # 59 <strong>CBS</strong> 7-54<br />
[ETC Maybe over a hundred more cues listed!]<br />
Bernhardt Kaun:<br />
-“Bridge # 1” <strong>CBS</strong> 7-43-B<br />
-“Bridge # 2” “<br />
-“Classical Scherzo” <strong>CBS</strong> 7-45-B<br />
-“Dramatic Mysterioso # 3” 7-56-D<br />
-“Theme A” <strong>CBS</strong> 7-58-B<br />
-“Theme B” “<br />
Rex Koury:<br />
-“Desert Sunrise (Theme)” cue # 292 <strong>CBS</strong> 7-53-A<br />
-“Gunsmoke Theme” <strong>CBS</strong> 7-53<br />
-“Western Bridge (Trial to Mexico) “Mad Man” cue # 28 <strong>CBS</strong> 7-51-1<br />
Jerry Mengo:<br />
149
“Big Noise at the Plaza” <strong>CBS</strong> 7-42<br />
-“El Morocco”<br />
[ETC]<br />
L. Moraweck:<br />
-“A Killing in Abilene” cue # 43 <strong>CBS</strong> 7-51-C<br />
-“Accent” cue # 57 <strong>CBS</strong> 7-43-1<br />
-“Adversity # 1” cue # 311 <strong>CBS</strong> 7-46-A<br />
-“Alert # 1” cue # 281 <strong>CBS</strong> 7-62-A-1<br />
-“Alert # 2” cue # 280 “<br />
-“Battleground” cue # 270 <strong>CBS</strong> 7-62-A-1<br />
-“Battleground Finale” cue # 271 <strong>CBS</strong> 7-47-A<br />
-“Buildup # 1” cue # 21 <strong>CBS</strong> 7-45-C<br />
-“Buildup Chord” cue # 48 <strong>CBS</strong> 7-44-C<br />
-“Call to Duty # 1” cue # 302 <strong>CBS</strong> 7-46-A<br />
-Call to Duty # 2” cue # 286 “<br />
-“Call to Duty # 3” cue # 287 “<br />
-“Call to Duty # 4” cue # 283 “<br />
-“Call to Duty # 5” cue # 284<br />
-“Call to Duty # 6” cue # 285<br />
-“Canyon Trail # 2” (arra.) cue # 45 <strong>CBS</strong> 7-51<br />
-“Cavalry Punct.” Cue # 273 <strong>CBS</strong> 7-62-A-1<br />
-“Cavalry Punct. # 3” cue # 261 “<br />
-“Cavalry Bridge # 1” cue # 268 “<br />
-“Cavalry Bridge # 2” cue # 269 “<br />
-“Cavalry Ride # 1” cue # 267<br />
-“Cavalry Ride # 2” cue # 276<br />
-“Cavalry Ride # 3” cue # 262<br />
-“Cavalry Ride # 2 Final” cue # 260<br />
-“Cavalry Ride # 3 Final” cue # 263<br />
-“Civil War Cavalry” cue # 338 <strong>CBS</strong> 7-62-A-1<br />
-“Clouds (Fantasy)” cue # 55 <strong>CBS</strong> 7-45<br />
-“Curtain” cue # 183-1 <strong>CBS</strong> 7-47-1<br />
- “ cue # 35 <strong>CBS</strong> 7-47-A<br />
-“Dark Canyon” cue # 253-A <strong>CBS</strong> 7-53-A<br />
-“Dark Cell” cue # 303 <strong>CBS</strong> 7-23-A-1<br />
-“Dark Cell # 2” cue # 305 “<br />
-“Dark Destiny # 1” cue # 289 <strong>CBS</strong> 7-56-A<br />
-“Death March # 2” cue # 294<br />
-“Dejection” cue # 256<br />
-“Desert at Night” cue # 252 <strong>CBS</strong> 7-53-A<br />
-“Desert at Night” cue 8 <strong>CBS</strong> 7-51-1<br />
-“Desert at Sunrise” (arra.) cue # 292 <strong>CBS</strong> 7-53-A<br />
-“Discouragement # 1” cue # 290 <strong>CBS</strong> 7-56-A-1<br />
150
-“Dramatic” cue # 36 <strong>CBS</strong> 7-51-C<br />
-“Dramatic Bridge” cue # 56 <strong>CBS</strong> 7-43<br />
-“Dramatic Curtain” cue # 11 <strong>CBS</strong> 7-47<br />
-“Dramatic Montage” cue # 57 <strong>CBS</strong> 7-43<br />
-“Dramatic Tag” cue # 35 <strong>CBS</strong> 7-47-1<br />
-“Dramatic Tag” cue # 46 <strong>CBS</strong> 7-48<br />
-“Dramatic Tag” cue # 13 “<br />
-“Eerie # 5 (Torment)” cue # 308 <strong>CBS</strong> 7-56-A-1<br />
-“Eerie # 6 (Tension)” cue # 309 “<br />
-“Eerie Dream” cue # 314 <strong>CBS</strong> 7-56<br />
-“Eerie Dream # 2” cue # 313” <strong>CBS</strong> 7-56-A<br />
-Eerie Nightmare # 2” cue # 3130A <strong>CBS</strong> 7-56-A<br />
-“Eerie Nightmare” cue # 304 <strong>CBS</strong> 7-23<br />
-“Emotional Bridge” cue # 56 <strong>CBS</strong> 7-43-<br />
-“Eroica” cue # 259 <strong>CBS</strong> 7-62-A<br />
-“Fanfare # 1” cue # 264 <strong>CBS</strong> 7-37-A<br />
-“Fear # 1” cue # 264 <strong>CBS</strong> 7-23-A<br />
-“Fear # 2” cue # 307<br />
-“Fight, The” cue # 255 <strong>CBS</strong> 7-46-A<br />
-“French Horn & Trombone” cue # 3 <strong>CBS</strong> 7-51-1<br />
-“French Horn Solo (Trial to Mexico)” cue # 2 “<br />
-“Going West # 1” cue # 43-A <strong>CBS</strong> 7-48<br />
-“Going West # 1” (arra.) cue # 43 <strong>CBS</strong> 7-51<br />
-“Going West # 2” cue # 295 <strong>CBS</strong> 7-53-A<br />
-“Going West # 3” cue # 296 “<br />
-“Growing Terror” cue # 300 <strong>CBS</strong> 7-46-A<br />
-“Growing Terror” cue # 299 <strong>CBS</strong> 7-56-A<br />
-“High to Low Punct.” Cue # 47 <strong>CBS</strong> 7-44-C<br />
-“Horseman (Trail to Mexico) Chase” <strong>CBS</strong> 7-51<br />
- “ “ “ # 2 “<br />
-“Impending Doom” cue # 297 <strong>CBS</strong> 7-56-A<br />
-“Indian Flute Suite” cue # 318-H <strong>CBS</strong> 7-39-A<br />
-“Into Darkness” cue # 52 <strong>CBS</strong> 7-46-C<br />
-“Investigating # 1” cue # 31 <strong>CBS</strong> 7-46-1<br />
- “ # 2 cue # 10 “<br />
- “ # 3 cue # 266 “<br />
- “ # 4 cue # 382 “<br />
- “ # 5 cue # 317 “<br />
-“Jeopardy # 1” cue # 310 <strong>CBS</strong> 7-23-A-1<br />
-“Johnny Come Marching Home” (arra.) cue # 143<br />
-“Machine Music” cue # 58 <strong>CBS</strong> 7-46<br />
-“M.T. & Background” cue # 39 <strong>CBS</strong> 7-51-C<br />
- “ “ (Indian Evening)” cue # 38 “<br />
-“Menace” cue # 35-B “<br />
-“Menace Ahead # 1” cue # 51 <strong>CBS</strong> 7-46-C<br />
-“Menace Ahead # 2” cue # 46 “<br />
151
-“Military Buildup” cue # 50 <strong>CBS</strong> 7-62-C<br />
-“Nervous Tension” cue # 316 <strong>CBS</strong> 7-56-A<br />
-“Neutral on Theme” cue # 37 <strong>CBS</strong> 7-51-C<br />
-“Night Watch” cue # 33 <strong>CBS</strong> 7-48-A<br />
-“Night Watch # 1” cue # 33 <strong>CBS</strong> 7-45<br />
-“Night Watch # 2” cue # 39 <strong>CBS</strong> 7-48<br />
-“Night Watch # 2” cue # 301 <strong>CBS</strong> 7-46-A<br />
-“Nobleman # 1” cue # 48 <strong>CBS</strong> 7-46-1<br />
-“Nobleman # 2” cue # 41 “<br />
-“Nobleman # 1 Tag” cue # 48-A “<br />
-“Pastoral Sneak to Curtain” cue # 7-A <strong>CBS</strong> 7-47<br />
-“Pilots (Military)” cue # 59 <strong>CBS</strong> 7-46<br />
-“Police Hunt # 3” cue # 30 <strong>CBS</strong> 7-46-1<br />
-“Punct. # 4 & Fanfare Final” cue # 275 <strong>CBS</strong> 7-62-A-1<br />
-“Pursuit # 1” cue # 274 “<br />
-“Quiet Night” cue # 254 <strong>CBS</strong> 7-56-A-1<br />
-“Return from War” cue # 258 <strong>CBS</strong> 7-62-A-1<br />
-“Rio Grande # 1” cue # 24 <strong>CBS</strong> 7-51-1<br />
-“Rio Grande # 2” cue # 23 “<br />
-“Rush Punct. # 1” cue # 22 <strong>CBS</strong> 7-44-C<br />
- “ “ #2 “ “<br />
-“Sadness # 1” cue # 14 <strong>CBS</strong> 7-45<br />
-“Sadness # 2” cue # 298 <strong>CBS</strong> 7-47-A<br />
-“Shock Curtain # 1” cue # 23 <strong>CBS</strong> 7-47-C [Note: Rio Grande # 2 is also cue 23]<br />
-“Shock Curtain # 2” cue # 24 “<br />
-“Shock Curtain # 3” cue # 25 “<br />
-“Soliloquy # 5” cue # 42 <strong>CBS</strong> 7-45<br />
-“Sneak to Heavy Dramatic Tag” cue # 10 <strong>CBS</strong> 7-47<br />
-“Sneak to Turbulent Curtain” cue # 34 “<br />
-“Somber Appreciation” cue # 292 <strong>CBS</strong> 7-46-A-1<br />
-“Strong Man” cue # 278 “<br />
-“Strong Man Final” cue # 279-A <strong>CBS</strong> 7-48-A<br />
-“Sunrise # 1” cue # 6 <strong>CBS</strong> 7-46-1<br />
-“Sunrise # 1 Curtain” cue # 6-A “<br />
-“Sunrise # 2” Cue # 7 “<br />
-“Sunrise # 2 Tag” cue # 7-A<br />
-“Suspense BG” cue # 72 <strong>CBS</strong> 7-46<br />
-“Suspense # 1 (#2936)” cue # 43 <strong>CBS</strong> 7-51-C<br />
-“Suspense # 2 (#2937)” cue # 42 “<br />
-“Suspense # 5 (#2939)” cue # 41 “<br />
-“Suspense # 9 (#2943)” cue # 40 “<br />
-“Suspense # 14 (#2948)” cue # 44 “<br />
“T.V. Montage # 2” cue # 9 <strong>CBS</strong> 7-43<br />
-“Tension on the Trail” cue # 312 <strong>CBS</strong> 7-51-A<br />
- “ “ # 1 cue # 312 <strong>CBS</strong> 7-53<br />
- “ “ # 2 cue # 288 <strong>CBS</strong> 7-53-A<br />
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-“Train Effect” <strong>CBS</strong> 7-28<br />
-“Trumpet Solo” cue # 27-B <strong>CBS</strong> 7-51-1<br />
-“Waiting # 1” cue # 250 <strong>CBS</strong> 7-56-A<br />
-“Waiting # 2” cue # 251<br />
-“West Indies” cue # 257 <strong>CBS</strong> 7-63-A<br />
-“Western Bridge” cue # 22 <strong>CBS</strong> 7-51-1<br />
-“Western Bridge (Travel to Mexico) “Madman” cue # 28<br />
-“Western Bridge (Stagecoach)” cue # 27<br />
-“Western Bridge (Punct.)” cue # 19<br />
-“Western Bridge (Street)” cue # 291<br />
-“Westerners # 2” cue # 4<br />
-“Westerners (Trail to Mexico)” cue 1 <strong>CBS</strong> 7-51<br />
Lyn Murray:<br />
-“Bridge # 1” cue # 66 <strong>CBS</strong> 7-52-B<br />
-“Bridge # 2” cue # 67 <strong>CBS</strong> 7-52-B<br />
-“Bridge # 3” cue # 68<br />
-“Bridge # 5” cue # 70<br />
-“Bridge # 6” cue # 71<br />
-“Bridge # 7” cue # 72<br />
-“Curtain Latin” cue # 91 <strong>CBS</strong> 7-54-B<br />
-“Finale # 1” cue # 84<br />
-“Gillie Pant. # 2” cue # 88<br />
-“Harvey & Gillie Pant. # 3” cue # 89<br />
“Harvey Pant. # 1” cue # 87<br />
-“Little Chase” cue # 83<br />
-“Pant. # 4-General” cue # 90<br />
-“Pant.#1” cue # 73 [Note: Most likely abbreviated for “Pantomime”]<br />
-“Pant. # 2” cue # 74 [thru # 79]<br />
-“Rock A Bye Baby” (para.) cue # 8 <strong>CBS</strong> 7-55-C-2<br />
-“Sailor’s Hornpipe” cue 5-x <strong>CBS</strong> 7-55-B<br />
-“Scherzo # 1 (woodwinds) cue # 80<br />
-“Scherzo # 2 (strings)” cue # 81<br />
-“Scherzo # 3 (orch.)” cue # 88<br />
-“Tag # 1” cue # 85<br />
-“Tag # 2” cue # 86<br />
David Rose:<br />
-“Adam & Eve Lift” cue # 15 <strong>CBS</strong> 7-52-C<br />
-“Adam & Eve Playoff” cue # 13 <strong>CBS</strong> 7-54-C<br />
-“Adam & Eve Theme” cue # 13 <strong>CBS</strong> 7-60-C<br />
Leonard Rosenthal:<br />
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-“Camp Before Battle” cue # 433 <strong>CBS</strong> 7-62-A<br />
-“Dramatic Bridge” cue # 434 “<br />
-“Horses & Riders” cue # 435 “<br />
-“Intimate Conversation” cue # 436 <strong>CBS</strong> 7-57-A<br />
-“Neutral Military” cue # 437 <strong>CBS</strong> 7-62-A<br />
-“Neutral Opening” cue # 438 “<br />
-“Poignant Moment” cue # 439 “<br />
-“2 nd & 3 rd Act Opening” cue # 440 “<br />
Marlin Skiles:<br />
-“Allen Younf Theme (5081)” cue # 464-A <strong>CBS</strong> 7-60-A<br />
-“Ed Wynn Theme (4736)” cue # 461 “<br />
-“Memo for Molly (4730)” cue # 460 “<br />
Fred Steiner:<br />
-“#9712” cue # 428 <strong>CBS</strong> 7-62-A<br />
-“9713” cue # 429 “<br />
-“9714” cue # 431 “<br />
-“9715” cue # 430 “<br />
-“Billboard Montage” cue # 31 <strong>CBS</strong> 7-61-C<br />
-“Gunsmoke # 9-A” cue # 26 <strong>CBS</strong> 7-51-C<br />
-“Gunsmoke 9-B” cue # 27 “<br />
-“Gunsmoke # 10” cue # 28 “<br />
-“Gunsmoke BG” cue # 20 <strong>CBS</strong> 7-53-C<br />
-“Harp Stings” cue # 32 <strong>CBS</strong> 7-44-C<br />
-“March Montage” cue # 432 <strong>CBS</strong> 7-28-A<br />
-“P.M. Bridge” cue # 10-B <strong>CBS</strong> 7-45-C<br />
-“Shrimp Theme” cue # 459 <strong>CBS</strong> 7-60-A<br />
-“Southern Belle (Dixie)” arra. Cue # 33 <strong>CBS</strong> 7-55-C-2<br />
-“Waltz Theme (5306)” cue # 465 <strong>CBS</strong> 7-60-A<br />
-“Yankee Privateer” M-12 cue # 64 <strong>CBS</strong> 7-45<br />
Leith Stevens:<br />
-“You Are There M.T.” cue M-1 <strong>CBS</strong> 7-58-A<br />
***************************<br />
SPFM & THE <strong>CBS</strong> <strong>COLLECTION</strong><br />
Allow me now to elaborate upon of a certain facet of the <strong>CBS</strong> Collection<br />
that involved the old SPFM (acronym for the Society for the Preservation of <strong>Film</strong> Music),<br />
154
named-changed to the <strong>Film</strong> Music Society in September, 1997. Perhaps at that general<br />
mangement period, this name change was a distinction without a difference. At any rate,<br />
this account is necessary for two reasons: (a) to offer a brief background history of how<br />
the <strong>CBS</strong> Collection got to <strong>UCLA</strong> and, in part, in the hands of SPFM; and (b) how I was<br />
instrumental in getting the audio music from the <strong>CBS</strong> transcription discs (and later Dats)<br />
back to <strong>UCLA</strong>. Note that this presentation occasionally will reveal a rather unfavorable<br />
side of the old SPFM management at the time based on my personal experience. I<br />
certainly do not have issues with the present day Society that morphed from SPFM, and<br />
in fact I am completely uninvolved with it (not a dues-paying Member, for example),<br />
although I notice on the Internet from the <strong>Film</strong> Music Society website that a few of the<br />
Officers/Directors there now were intimately involved way back in the old SPFM. In<br />
other words, it is not completely “new blood” there, not a total makeover. But I did have<br />
issues with management of the old Society largely under different management back in<br />
1997-1998 related to the <strong>CBS</strong> material. Let me explain.<br />
Now: While the written music, log books, reel tapes, cassettes (etc.) were kept in<br />
possession (and ownership) by <strong>UCLA</strong> in the Deed of Gifts # 1 and # 2, the 16”<br />
transcription discs were not. Information on this was initially fuzzy in my investigations.<br />
Either <strong>UCLA</strong> did not want them (which was quite unlikely considering that all the other<br />
sound recordings were accepted) or, most likely in my opinion, there may have been an<br />
overlap of allegiances involved with both <strong>UCLA</strong> Music Library and the old SPFM. A<br />
certain Officer (Trustee) of SPFM then was also a long-time employee of <strong>UCLA</strong> at the<br />
Music Library. He was a central figure instrumental in saving the <strong>CBS</strong> material because<br />
otherwise they would have been trashed. He gave quick action to secure the precious<br />
<strong>CBS</strong> materials that would have otherwise been hauled away as “junk,” thus preventing a<br />
travesty that occurred two decades earlier at MGM when a similar belt-tightening policy<br />
of new management resulted in the literal burial of their scores into a landfill for a golf<br />
course.<br />
Specifically, according to a highly informative letter to me by this gentleman<br />
dated January 7, 1998, Robert Drasnin (a <strong>UCLA</strong> Music Department alumnus) phoned<br />
him about the immediate availability of the first Deed of Gift materials in late November<br />
1988. The <strong>UCLA</strong> Music Librarian (again, who was also an official of SPFM) arranged<br />
for the <strong>UCLA</strong> Library Gifts Section to deliver about a thousand acid-free document<br />
boxes (930 were used) to the <strong>CBS</strong> Studio warehouse on Monday & Tuesday, November<br />
29/29. I believe the location was <strong>CBS</strong>/MTM at 4024 Radford, North Hollywood, 2 nd floor<br />
scoring building. Preprinted labels were affixed to identify boxes by numbers, and sheets<br />
were provided (more on this in the next paragraph) to write down details of the contents<br />
of each box. Four to six <strong>UCLA</strong> staff personnel processed the collection from that<br />
Tuesday thru Friday (12/2/88). The boxes were then delivered to SRLF in <strong>UCLA</strong>-owned<br />
trucks. Once a rough inventory was made of the material a week later, <strong>UCLA</strong> drew up the<br />
Deed of Gift # 1 and <strong>CBS</strong> signed it (“I do hereby irrevocably assign, transfer and give all<br />
our rights, titles, and interests of the above described property to the Regents…” etc.) and<br />
later added addendums (such as the March 7, 1989 permission to photocopy from Harry<br />
Heitzer meant for educational and/or personal research). In the letter I was told that the<br />
estimated 800 transcription discs (his rough estimate) were sent to SPFM for storage only<br />
155
ecause <strong>UCLA</strong> could not handle them at the time (busy and swamped with the 930 boxes<br />
of written scores). Since he was involved with SPFM anyway, it was a simple matter to<br />
have SPFM take possession (not ownership) of the discs as part of the “P” part of the<br />
acronym (“Preservation” of film music). The Deed of Gift # 2 came later in 1991 and was<br />
processed by someone else in charge at <strong>UCLA</strong>.<br />
Regarding those sheets I mentioned in the above paragraph, most of each legal<br />
size page was blank to leave room for hand-written data-input. On the top left was written<br />
“<strong>UCLA</strong> Music Library The <strong>CBS</strong> Collection December 1988.” To its right is<br />
“Composer” (with “Arranger” below that) and then “Orchestrator” On the left side<br />
column is headed “Box/Folder” followed by “Title (Media/Format), Date, Cue Title.”<br />
Next to its right is “Prod.No./Show No; <strong>CBS</strong> <strong>Score</strong> No.” Then “Reel Cue No.” and then<br />
“<strong>Score</strong>/pts,” “Print Format,” “Physical Condition,” and finally in the far right is “Notes.”<br />
For example, one sheet has Boxes 42, 43, 44, 45. Next to “Box 42” it states, “Various full<br />
scores including “Against the Wall,” “Wardrobe,” “Big Jesse,” “Cattle Camp,” “The<br />
Noose,” “Pay-Off,” “Titles,” Cimarron Strip. Under the Notes heading it has written,<br />
“D.B. Ray, P. Carpenter, H. Geller, Richard Shores.” What the staff person looking at the<br />
box didn’t realize was that several of those cues (many not listed here) were composed by<br />
Bernard Herrmann for the Cimarron Strip episode, “A Knife in the Darkness.” Box 43<br />
lists that episode and lists Herrmann as the composer (the first half of the score). The<br />
other half is in Box 42.Under “Title” for Box 43 is written, “Glad to be Home,” CIM<br />
151-200, H. Geller.” Below that is “Cimarron Strip” with “Cyril Mockridge” listed as the<br />
composer. Then “A Knife in the Darkness” with Bernard Herrmann written in as the<br />
composer. Many times there are no specifics. For example, in the sheet that holds<br />
information on Boxes 549 thru 554, we see Box 552 simply listing “Misc. <strong>Score</strong>s, Xerox”<br />
followed by “<strong>Score</strong>s” (no notes on composers, etc.).<br />
So the transcription discs went to SPFM instead of <strong>UCLA</strong>. A high figure of 5,000<br />
discs was initially indicated (such as <strong>Film</strong> Music Collections in the U.S.: A Guide, edited<br />
by H. Stephen Wright). The May-June 1993 Society Newsletter claimed that there were<br />
3,000 transcription discs, while a later issue claimed 4,000 discs. The figure may be<br />
considerably less, perhaps 800 discs (even down to just 200 discs) after I talked with<br />
various people involved. Unfortunately SPFM never did a proper inventory, so we simply<br />
do not know the precise number received.<br />
At any rate, the primary error SPFM held was that it now owned these<br />
transcription discs rather than having mere possession. <strong>UCLA</strong> Regents were given a<br />
Deed of Gift, not SPFM. Because of this faulty belief, SPFM subsequently “donated”<br />
duplicates to the Gene Autry Museum in March 1994, proudly advertised in a SPFM<br />
newsletter (see next paragraph). Since possession does not prove ownership, this was a<br />
major “goof” on the part of SPFM management because the discs were not legally theirs<br />
to give away. The claim in a letter to me dated October 20, 1997 was that the<br />
transcription discs were held in storage by SPFM because <strong>UCLA</strong> did not have the space<br />
or the staff to take care of these materials. If that was so (just holding them in possession<br />
capacity only), this does not justify giving away at least several dozens of these <strong>UCLA</strong>owned<br />
transcription discs to the Gene Autry Western Heritage Museum.<br />
156
According to the Dec '94/Jan '95 edition of the SPFM Newsletter, "It should be<br />
noted that the Society presented duplicate acetate discs from the <strong>CBS</strong> Collection related<br />
to westerns to the Gene Autry Western Heritage Museum at the opening of SPFM's Third<br />
Annual <strong>Film</strong> Music Conference..." held March 17-21, 1994.<br />
I contacted the assistant Director, Research Center at the Autry Museum in<br />
early 1998 to verify this information. Indeed, she sent me computer records for the first<br />
38 discs and contents, the first two listings on the "deed of gift" given by SPFM--which is<br />
curious, as just given above, since SPFM was only in possession of the discs, not<br />
ownership. While it seems appropriate or fitting that Gene Autry would have duplicate<br />
discs of the western music, the discs are useless by themselves. The Museum should<br />
have received a copy of the Dats, in my opinion, so that the music could be heard and<br />
preserved at an alternate site (Gene Autry Museum, a private organization).<br />
Here is an example of the disc holdings at the Gene Autry Western Museum:<br />
-Obj # 94.98.14 Accn # 94.98 Old #s: T94-72-1<br />
Object name: record, transcription<br />
Title: <strong>CBS</strong> XII Reel 78-E-Six/Theme Sets.G.S. "Harriet"[Bernard<br />
Herrmann]; Reel 78-E-Seven/G.S. "Love Thy Neighbor"; G.S. "Long Hours,<br />
Short Pay."<br />
Made by: <strong>CBS</strong><br />
diameter: 11 7/8 IN<br />
revolution: 33.3333 RPM<br />
Black vinyl record. Light blue labels with black print.<br />
As given, SPFM transferred many of the discs to the now “old” DAT (Digital<br />
Audio Tape) format by at least February 1994. In October, and specifically November 3,<br />
1996, I requested to hear them (I was a member at the time) as an integral part of my<br />
Herrmann research, but I was ignored (in effect denied access). I sent a copy of my<br />
request to an official at SPFM, two other Trustees, two officials at <strong>UCLA</strong>, and Elmer<br />
Bernstein (then President of SPFM). No one had the courtesy of responding. I even later<br />
phoned <strong>UCLA</strong> two or three times about progress in contacting SPFM officials but it was<br />
never done. Over time I patiently kept waiting and asking again. By then I received<br />
replies but was given a run around. For example, a SPFM official told me even earlier in<br />
1995 that the discs had not yet been transferred to Dats (but, as I found out later, they<br />
actually were transferred since February 1994). I stated that I could be of invaluable help<br />
when they make the transfer to Dats process because of my exhaustive research at <strong>UCLA</strong><br />
since May 1989. I even made a follow-up phone message to that SPFM official 6 to 8<br />
months later in 1995 that I would volunteer my expertise (offered again long afterward in<br />
a letter dated November 3, 1996) but the official never returned the message until nearly<br />
a year afterward (dated October 20, 1997) when the reply was that my proposal to help<br />
did not make a whole lot of sense. What would any reasonable person make of this?<br />
157
Indifference perhaps or probably more the case of not knowing what they are talking<br />
about. Let me explain.<br />
In that letter dated October 20, 1997, I was told that the transcription discs are<br />
labeled so there had not been any problem identifying the material on these discs. In<br />
actual fact, while the discs may be labeled, only the cue titles and timings and <strong>CBS</strong><br />
Library reel designations (such as “66” for fantasy/outer space music) were given. In<br />
most cases the names of the composers were not identified. So when I received a ninepage<br />
list of Herrmann-only cues from a SPFM preservation official a year earlier of those<br />
discs transferred to Dats, a large percentage of the cues were not actually composed by<br />
Herrmann. I knew that right away based on my extensive research of the <strong>CBS</strong> Collection,<br />
and that is why I offered my help. Examples of mis-identifications by SPFM included:<br />
cue # 190 “Trouble No. 1” (actually composed by Rene Garriguenc, not Herrmann); cue<br />
# 192 “Suspense Mysterioso” (Garriguenc again); cues # 224 thru 236 (L. Rosenthal, not<br />
Herrmann); cue # 293 “Ambush # 2” (Fred Steiner, not Herrmann); cue # 1006<br />
“Brouillard” (M. Constant, not Herrmann); cue # 1005 “Light Rain” (Constant again);<br />
#1090 series of cues (Garriguenc, not Herrmann), and so forth. So helping out with my<br />
expertise would’ve made sense—except for certain members of then SPFM management<br />
who said my original proposal to help “did not make a whole lot of sense to us.”<br />
The same applied to the reel-to-reel tapes that the October 20 letter stated were<br />
clearly marked. Well, sometimes yes, many times no—especially in the lack of naming of<br />
composers. It depended on who was doing the labeling. Also in the letter from SPFM was<br />
the statement that it held the transcription discs all these years (nearly nine) was because<br />
<strong>UCLA</strong> did not have the space nor the staff to take care of the materials and that until<br />
recently they have the state-of-the–art SRLF. Actually SRLF was available even back<br />
then in late 1988 when the Deed of Gift # 1 and then Deed of Gift # 2 in 1991 materials<br />
were stored right there at the SRLF storage facilities. Obviously there had to be a SRLF<br />
to hold the many collections already available at <strong>UCLA</strong> for many years. There was plenty<br />
of room to put those transcriptions discs there, and plenty of time to return the discs to<br />
<strong>UCLA</strong> since many of the discs were already converted to Dats several years earlier. The<br />
conversion work was done long ago, so why keep the discs? So it is logical to contend<br />
that SPFM actually felt the discs were part of their own collection and, as given earlier,<br />
even donated excess copies to the Gene Autry Museum. <strong>UCLA</strong> (the owners of the discs<br />
and all other <strong>CBS</strong> materials) did not donate them to that Museum. And SPFM did not<br />
mention in their press release that <strong>UCLA</strong> gave them special permission to give away<br />
those discs. If <strong>UCLA</strong> had stored the transcription discs in my large garage instead of at<br />
SPFM, I would think more than twice about giving many of them away to someone else!<br />
I would have no legal right to donate property that I held in storage possession only. But<br />
SPFM at the time believed it had the power and right to do exactly that (again, logically,<br />
because management felt it owned the materials).<br />
At any rate, I later submitted my research papers to <strong>Film</strong> <strong>Score</strong> Monthly (more on<br />
this later) for proposed publication. I corrected the Bernard Herrmann nine-page audio<br />
list mentioned above that I received by a Trustee on the Preservation Committee who<br />
initially wanted to help me (but given the thumbs down on me by a higher official and<br />
158
another trustee who uttered slanderous words about me—but more on this later),<br />
notifying them that 28% of the information was incorrect (not actually composed by<br />
Herrmann). So I waited the rest of 1996 and into 1997. I wrote a letter to an <strong>UCLA</strong><br />
librarian/official directly involved with the C BS Collection dated August 15, 1997<br />
asking him to please push the issue with SPFM and resolve the matter of getting those<br />
Dats to <strong>UCLA</strong> so that researchers can finally study them.<br />
An official of SPFM left a phone message to me on October 14, 1997 stating that<br />
SPFM was not authorized to make copies of the Dats to anyone. I replied that this is true<br />
but <strong>UCLA</strong> is not just “anyone,” and that SPFM needs to send at least a copy of the Dats<br />
to <strong>UCLA</strong>, the rightful owner of the transcription discs (<strong>UCLA</strong> Regents were given a<br />
Deed of Gift of all of the <strong>CBS</strong> materials, not SPFM). Then I received that October 20 th<br />
letter. Eventually, with more pushing by a letter campaign later in October, towards the<br />
end of 1997 a copy of the 30 Dats (there was supposed to be 40 Dats according to the<br />
December 1997 <strong>Film</strong> Music Society newsletter—so where are the other 10 Dats?) were<br />
thankfully (and finally) sent to <strong>UCLA</strong>. Incidentally, after my intensive letter campaign in<br />
the fall of 1996, the transcription discs themselves were returned to <strong>UCLA</strong> in January or<br />
February 1997. But what good are transcription discs alone since researchers could not<br />
play them at <strong>UCLA</strong>? <strong>UCLA</strong> needed the Dats or the cassette tape equivalent. I pushed for<br />
that thru 1997. In fact copies of the Dats (just 30) were given or agreed to be given to<br />
<strong>UCLA</strong> by the end of the year, according to pages 4 & 5 of the December 1997 issue of<br />
the <strong>Film</strong> Music Society Newsletter.<br />
Still I was only allowed initially to listen to the music. At that period towards the<br />
very end of 1997, however, a game-changing event happened. I was made aware by an<br />
independent third party-collector that a member (s) of the Society was circulating copies<br />
of the <strong>CBS</strong> music to other members and/or friends for personal enjoyment. I was given a<br />
copy by that third party as proof. Perhaps it was by one lone “bad apple” trustee who had<br />
direct access of the audio. I don’t know. I suspect logically there was sharing amongst<br />
several of them (even if the majority of the Board/directors/advisors would obviously not<br />
sanction it on an official level). The instinct of most people is to share, even if improperly<br />
so, and clandestine activities are only human nature in many cases, but when the<br />
flashlight of discovery spotlights them like scurrying rats, then remedial action must be<br />
taken.<br />
At any rate, I felt that this private sharing of <strong>CBS</strong> material was unfair, especially<br />
since SPFM stated in writing in the <strong>Film</strong> Music Collections Guide (page 3) that it would<br />
make copies available to serious researchers such as me. And I was assured back in at the<br />
end of October 1997 that it would be “impossible” for these SPFM tapes to be<br />
disseminated to collectors. At the end of December 1997 I contacted another trustee of<br />
SPFM who was directly involved with the <strong>CBS</strong> transcription discs transfer, but he<br />
clammed up and refused to give information, instead referring me to a head SPFM<br />
official for information. This dissemination of <strong>CBS</strong> material was a very serious matter.<br />
Perhaps this was a “once-only” infraction that got out of control (copy-generations down<br />
the line) but it is conceivable that there was already a practice of making copies of<br />
various unreleased audio collections and then distributing them amongst fellow trustees<br />
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who in turn made copies to friends and perhaps even to collectors for trades or additions<br />
in personal collections. I don’t know. All I know is that a third party collector who<br />
contacted me (because he knew I was involved with <strong>CBS</strong> Music Library research for<br />
many years) was able to get a copy of the unreleased <strong>CBS</strong> audio that directly came from<br />
the Dat conversion of the transcription discs. Apparently "insiders" shared goodies for<br />
themselves but "outsiders" (such as legitimate researchers as myself) were excluded.<br />
Personally my feeling was that if they wanted to enjoy the fruits of their efforts, fine; but<br />
then don’t turn around and be prejudicial by denying access of the material to serious<br />
researchers (especially if you publicly advertise that you want to make the music<br />
available to serious researchers and Members). I had no axe to grind, but I wanted fair<br />
and equal treatment not only for myself but also for other legitimate researchers.<br />
So now I was really fed up. I obviously could not trust the Society and what they<br />
“said” officially. So on February 16, 1998 I made a big stink about this to <strong>UCLA</strong> Music<br />
Library Special Collections and to Elmer Bernstein, then President of SPFM. I sent<br />
Bernstein an express package that had to be signed for. In it were a no-nonsense letter<br />
and a 60-minute Maxell audiocassette sample of the improper dissemination of <strong>CBS</strong><br />
music to collectors as proof of my accusations. The source of this music was the transfer<br />
work done by SPFM 4-5 years earlier according to the May-June 1993 SPFM Newsletter.<br />
The first example I sent Bernstein was the complete transcription disc transfer of Fred<br />
Steiner’s “Box o’ Rocks” episode of Gunsmoke. It is an exact match with the same<br />
voiced timings and preludes as later duplicated (transferred) in Dat # 12 at <strong>UCLA</strong>. The<br />
next sample in that tape was Waxman’s music to “The Raid” episode of Gunsmoke. It<br />
starts with the voiced Log 1461, September 16, 1965 of cue # 187.<br />
According to the Deed of Gift that I read, all <strong>CBS</strong> music materials were donated<br />
to the Regents of <strong>UCLA</strong>. No exception was mentioned that SPFM would be given a piece<br />
of the pie (such as the transcription discs and 15 cartons of “mag masters”). If so, why<br />
did not SPFM show its own separate Deed of Gift from <strong>CBS</strong>? Simple, because there was<br />
no such separate Deed of Gift. <strong>UCLA</strong> did not need “permission” from SPFM to make<br />
copies of those 30 or 40 Dats. It was unbecoming for an educational charity (given such<br />
tax-exempt status by the IRS) to keep the fruits of these <strong>CBS</strong> materials to themselves.<br />
SPFM was not a private foundation (like the Gene Autry Museum) since it was a not-forprofit<br />
educational charity chartered by the State of California for tax-exempt purposes.<br />
Therefore SPFM was a public charitable entity in which the general public must be the<br />
final beneficiary (not just “in-house” Members of the Society), and collections must be<br />
open, accountable and made accessible to members and others who are serious<br />
researchers of film and TV music. My argument was that I was being given prejudicial<br />
treatment since those recipients of the <strong>CBS</strong> Dats were given tapes because they were<br />
personal friends and/or fellow members of certain Society trustees or members who had<br />
access to the collection (unlike the vast majority of SPFM members)—but I, as a bonafide<br />
researcher and then Member of the Society, was denied such tapes. Indeed, as given<br />
earlier, SPFM had stated in writing, “We would like to make available the DAT tapes of<br />
the <strong>CBS</strong> discs to researchers…”. I’d much rather focus on what is right and constructive<br />
and helpful than on what-is-wrong issues, but, under the circumstances, I had to now<br />
force the issue. Yet I explicitly added at the end of my pointed letter that “All’s well that<br />
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ends well.” In other words, any negative situation can be changed for the better. There is<br />
room for hope.<br />
As hinted earlier, it came to my attention back in the fall of 1996 when all this<br />
started that one high member of SPFM had told a Trustee/Officer there (in charge or<br />
involved with the Dats) that I should not be given research access to the <strong>CBS</strong> music<br />
because I was the kind of character who would then sell those tapes to black market cd<br />
outfits! That trustee (the one who initially really wanted to help me) told me this over a<br />
phone conversation, and was told not to help me anymore. He identified that slanderer to<br />
me. I did not appreciate having my good name slurred like this so underhandedly. Also it<br />
came to my attention by this Trustee/Officer (again the one who initially wanted to help<br />
me) that there were hidden “politics” involved that would make it difficult for me to get<br />
cooperation from SPFM. Because I was associated professionally with an original<br />
Founder of SPFM, this would be construed as a negative association because there was<br />
still a feud or bad blood between these various characters within the SPFM universe<br />
(more on this later). I shook my head in disbelief. Obviously even an “educational<br />
charity” such as SPFM was not above petty politics to the extent that even an innocent<br />
third-party researcher such as me would be made to suffer. In that October 20 th letter I<br />
referenced earlier by a high SPFM official, I was assured that there was no conspiracy to<br />
not help me, and that it had nothing to do with my professional relationship with a<br />
Founder of the Society that current SPFM management had bad feelings towards. Yet, as<br />
given earlier, behind the scenes I was told candidly by another SPFM official that in fact<br />
this was not true, a false assurance. There was a negative association or suspicion going<br />
on that could be a factor why I wasn’t being helped. And having another SPFM official<br />
slandering me behind my back only confirmed this active uncooperative attitude and lack<br />
of the friendly spirit of fellow comradeship in film music research.<br />
Here is another example of small-minded pettiness or even spitefulness to prove<br />
my suspicion: Probably because of my letter campaign and “making waves,” so to speak,<br />
SPFM even returned my postal money order of $35 for the 1998 membership renewal—<br />
just returned with no note, no explanation; opened up, inserted back in my envelope and<br />
returned within a <strong>Film</strong> Music Society envelope. I shook my head in disbelief when I<br />
received it back. I wondered if they were refusing membership to anyone who openly<br />
criticized the Society? Did a public, not-for-profit organization such as SPFM have the<br />
right to refuse anyone membership who had valid criticisms? I returned the money order<br />
back to SPFM but this time certified with a return receipt. I forgot now what happened.<br />
By then I thought to myself with amusement, “Gee, I wonder if SPFM is going to scratch<br />
my name off their Christmas card list?”<br />
Here is another example that supported my suspicions: As given earlier, I was<br />
going to have a few articles published about the <strong>CBS</strong> Collection at <strong>Film</strong> <strong>Score</strong> Monthly<br />
(sent to FSM on 2-13-97) but they were never published as planned. The official there<br />
replied to my inquiries of “what happened?” that a high official of SPFM intimidated him<br />
at a social gathering at the end of December 1997, stating that that official was pretty<br />
“harsh” and that he needed “authorization” from that official (I still have that letter<br />
detailing the encounter). This was quite laughable since SPFM had nothing to do legally<br />
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with the <strong>CBS</strong> material, so no “authorization” was required. Because of the potential<br />
hassles initiated by SPFM, FSM felt disinclined to publish my articles. And the<br />
interesting point is that my first two papers had nothing to do with the issues I had with<br />
the Society regarding the <strong>CBS</strong> Dats—just exclusively focused on Bernard Herrmann<br />
research. One was a fully comprehensive “Cue Inventory” of Herrmann’s music at <strong>CBS</strong>-<br />
Television. Such “politics,” petty power tactics and intimidations are unbecoming of such<br />
people (if only one or two “bad apples”) in an educational charity.<br />
It bears noting that I was informed from various parties involved that there was<br />
perhaps “dirty politics” involved with the ouster of one of the Founders of SPFM years<br />
earlier—a sort of "hostile corporate takeover,” as one central person involved described<br />
it, ousting an original Founder. I would love to read a detailed account of this dismissal<br />
if anyone has the courage to report it honestly. But at this late date, I doubt if that old<br />
dirty laundry will ever see the light (and fresh air) of day. I happened to be professionally<br />
involved with that individual because I was writing a research paper for his journal and,<br />
as given earlier, I was told by a Trustee/Officer of SPFM that such an association was<br />
construed as problematic.<br />
There is an old Soundtrack issue that includes a story titled The Society for the<br />
Preservation of <strong>Film</strong> Music, an interview conversation with that founder of the Society<br />
who was ousted. At least it gives some information and insight into the matter, and I<br />
believe it was the only source of information except perhaps for some old <strong>Film</strong>us-L<br />
archive posts (other posts—such as mine and a SPFM Founder-- were deleted by an<br />
administrator of the site who was also a Board of Director of SPFM). Unfortunately,<br />
however, <strong>Film</strong>us-L ceased to exist a few months ago. The archive is gone too but perhaps<br />
someone will eventually put it back online. At the moment I am writing this, I do not<br />
have the precise Soundtrack issue number, nor can I find a free index to the issues (the<br />
periodical ceased to exist in 2001, I believe). The xerox pages I have did not have the<br />
issue designation on the pages. But the article appears on pages 57 thru 63.<br />
On a side note, I also found it curious, for example, that grant money at the time<br />
was directed to create an “Executive Director” salaried position whose basic function was<br />
to raise money in a public relations fashion (fund-raising dinners, etc.) that smacks more<br />
of profit-making activity instead of being directed to preserve film music materials for<br />
tax-exempt purposes (and, by extension, allowing researchers to study them). The<br />
original articles of the Society had no such paying position titled “Executive Director.”<br />
The only officers were non-paying President, Vice-President, Secretary, and Treasurer<br />
positions. The new full-time “Executive Director” position in that 1990 and/or 1991<br />
period had a yearly salary, I understand, of about $45,000. That is a tremendous expense<br />
for such a relatively small tax-exempt entity. Currently, according to the 2010 FSM site<br />
listing of the Board of Directors, there is a “Producing Director” position. I assume this is<br />
simply a synonymous term for the previously-named “Executive Director” position (and I<br />
assume still a paid management position).<br />
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Commentary: In my opinion, I think it was a big mistake to create this moneydraining<br />
position of Executive Director. I feel that you must find people who love doing<br />
music preservation tasks and have the free time to volunteer (although not necessarily<br />
just one person doing all the work!). It would be fine for the Society to pay for materials<br />
or certain activities to do the job (such as truck rentals to haul away heavy and large<br />
research materials available for the taking such as a Studio wanting to get rid of old<br />
scores because they are, say, a fire hazard in an old studio building). I think also that the<br />
Society should give a detailed inventory of their holdings/collections online. Moreover,<br />
on another matter: Can dues-paying members actually have the power to vote? Can<br />
members vote Trustees/Officers in office and out of office, or is that "power" bestowed<br />
only to Board members? If not, in my opinion, I fear that the Founder (s) of the Society<br />
made a fundamental mistake creating such an involved entity (a sort of Frankenstein’s<br />
monster that could turn against the creator/founder), especially if you end up losing<br />
control of your own creation! So, while SPFM was not a for-profit business entity but a<br />
tax-exempt nonprofit organization, it nevertheless was set up, ironically enough like a<br />
for-profit corporation, to be potentially vulnerable for a “hostile takeover” situation (as it<br />
appears what happened to an original Founder of the organization). Let me explain.<br />
If you step down from the non-paying position of, say, the President in a nonprofit<br />
organization like SPFM and take on the paid position of being Executive Director (day to<br />
day running of the educational charity, effective fundraising to pay for the position and<br />
projects of the organization, etc.), you in effect become an employee of the organization.<br />
You are no longer a Board member but an employee, thereby subject to the rulings of the<br />
Board of Directors (employer). Directors volunteer their services, are not paid, and are<br />
not subject to the will or whims of the Chairman of the Board (usually the President, and<br />
often in the early stages also the or a Founder). If, say, a founder takes this paying non-<br />
Board position as Executive Director, it can be a potential downfall because he risks<br />
being fired (ala Donald Trump!) or voted out if the Board decides in their conception that<br />
he is not doing the “job” satisfactorily. And if people feel that you are rubbing them the<br />
wrong way, they are not likely to vote sympathetically for you. That’s just normal human<br />
nature, especially when power & influence are factored in. It’s best to avoid all those<br />
complications and keep the power in one’s own hands (especially if it’s your own<br />
“baby,” so to speak). Why the By-Laws did not provide a clause or arrangement where<br />
the President and/or Founding Father can also have be a paid official of the Board, and<br />
still retain one’s authority, I don’t know. That oversight may have been a mistake.<br />
Perhaps such a situation is generally frowned upon in not-for-profit organizations like an<br />
educational charity, and hence not recommended or included in most standard setups.<br />
Various people I have communicated with who were members of SPFM strongly<br />
complained about the management moves to oust that founder, and decided not to renew<br />
their membership as a protest. They also felt that the seven laudable goals of the Society<br />
were not being acted upon since then except for informational articles in The Cue Sheet<br />
(the periodical organ of the Society) on the history of film music. They objected to the<br />
hiring of a new Executive Director with a public relations background but (they felt or<br />
heard second hand from others) who had little or no interest in film music (at least at the<br />
time). They objected to the election of a tv composer as President, feeling that the<br />
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position would increasingly serve as a self-aggrandizing platform to promote the<br />
professional careers of composers in the industry instead of on the original goal to<br />
preserve film music. They objected to the primary focus on annual “life achievement”<br />
award dinners that in effect serve as profit-making fund raisers (a curious dichotomy<br />
considering that SPFM was a tax-exempt nonprofit educational charity that was supposed<br />
to rely on contributions (such as members’ dues) and grants (such as the Skaggs<br />
Foundation of Oakland, California). These were their complaints around 1991, not mine,<br />
because I was not really involved in the Society beyond being a passive dues-paying<br />
member. It wasn’t until 1997-1998 that my experiences with SPFM started to become<br />
personally involved due to the <strong>CBS</strong> Collection research ties. Others also have voiced<br />
dissatisfactions with FMS, including those posting in the FSM (<strong>Film</strong> <strong>Score</strong> Monthly)<br />
Discussion Board, such as given in the April thru June 2003 archives. Some described the<br />
Society as being largely dormant, have an adversarial attitude towards collectors, having<br />
a rickety history, but seemed to improve a bit once a new President came on the scene in<br />
2002. But even with this change many complained about the lack of timely<br />
communication & response. The timing of the beginning of the turn of events that<br />
members were disturbed about earlier and that changed the nature of the Society for them<br />
was in 1989 when a founder of the Society stepped down as President (to take the new<br />
Executive Director paid job), and the industry composer took the reins. There was a<br />
“Report on Current Issues & Proposed Plan of Action” (over thirty pages) dated June 30,<br />
1990 that discussed various issues, notably involving that founder. Relatively soon after<br />
that, he was ousted from his own Society that he significantly established.<br />
Now: If a grant requires matching funds (as was the $30,000 Skaggs Foundation<br />
fund) to be raised independently by the Society in order to fully receive the grant, this<br />
conditional provision would further complicate a situation. Ideally, to my mind, a grant<br />
should be “no strings attached” beyond the stated purpose of the grant, say, to physically<br />
preserve film music. A grantor foundation should not interfere with ideals of the grantee<br />
organization. This means strongly influencing it to, say, hire a full-time salaried<br />
Executive Director in order to raise money or to fulfill some sort of matching funds<br />
arrangement if the organization is tempted by the money being waved in front of its face.<br />
If I was the Founder/President of SPFM, I would’ve said (ala Sarah Pailin) to Skaggs or<br />
any other such grantor with such interfering suggestions, “Thanks—but no thanks!” By<br />
the way, the fund-raising dinner benefit for John Williams raised, I believe, about<br />
$20,000.This of course would help to pay for the salaried Executive Director position that<br />
was created in part to foster public relations-style fund-raisers. Although, once again in<br />
an ideal situation, the responsibility for fund-raising should not squarely and solely on the<br />
shoulders of the Executive Director (paid or not). Perhaps there should be a general<br />
Committee in charge of that. Call it the Financial Committee, or the Fund-Raising<br />
Committee, or whatever. The primary focus on SPFM shouldn’t have to be on how to<br />
make more money! Then it begins to sound more & more like a for-profit business<br />
corporation!<br />
And in my personal experiences as delineated above, my complaint was that<br />
current SPFM at the time seemed to practice a standing joke reference circulating<br />
164
amongst members and some forums—that the acronym of SPFM actually now stood for<br />
the Society for the Prevention of <strong>Film</strong> Music preservation and research!<br />
Incidentally, there was a September 16, 1990 Los Angeles Times article on<br />
SPFM. Here’s the link:<br />
http://articles.latimes.com/1990-09-16/entertainment/ca-1032_1_film-music<br />
To conclude my general commentary, I will paste my old 2003 Talking Herrmann<br />
post recording FMS:<br />
TALKING HERRMANN:<br />
http://herrmann.uib.no/talking/view.cgi?forum=thGeneral&topic=1335<br />
“<strong>Film</strong> Music society CD finally arrived”<br />
[Topic #1335]<br />
17 Apr 2003, 01:26 GMT<br />
[Start of extended quote] :<br />
“I posted some of my beefs about even the current incarnation of the Society at:<br />
http://herrmann.uib.no/talking/view.cgi?forum=thGeneral&topic=1209<br />
“I think the intention and ideal is good. However, the implementation of those<br />
ideals leaves me a bit under-whelmed so far at least. I remember I must've tried at least<br />
seven or eight times to get on the Society phone to join up. I had my credit card ready<br />
each time but all I ever got was that annoying tape machine message instead of getting<br />
someone "live." I needed to have some questions answered before I committed my hardearned<br />
money. I remember Ed lamenting about how he never received replies after<br />
several months about his membership (where is the cd? when is it coming out? Etc.)<br />
There is a pronounced lack of timely communication with even this current Society. It is<br />
understandable of course if this is a purely voluntary endeavor (nobody volunteering to<br />
donate time to answer phone calls and reply in a timely manner to emails). But after my<br />
repeated attempts, I simply gave up. Alan just posted above about the same frustration<br />
with the lack of communication.<br />
“Now: On a positive note, I think the Society deserves support for its ideals. I am<br />
willing to give it a chance. I suggest (and I discussed this twice before) quite strongly that<br />
if the Society is serious about getting new blood and support, and is sincere about<br />
wanting to really reach out to people, that they initiate a Society online discussion board<br />
(like Talking Herrmann, or <strong>Film</strong>us-L, or the <strong>Film</strong> <strong>Score</strong> Monthly Message Board). Then<br />
there would be an immediate rush of life and timely information. Of course it would help<br />
is some individuals in the Society would contribute to posts of information, replied to<br />
gripes, etc. The old Society board members never posted on Talking Herrmann, say, and<br />
only a few very rarely (Steve Fry comes to mind) contributed on <strong>Film</strong>us-L……But please<br />
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make it open--a "members only" condition in order to read the posts would be selfdefeating.<br />
There is no need for a "Private Boys Club" in an endeavor like this. Free flow<br />
of information is necessary. I remember how I several times volunteered my services and<br />
research to the old Society regarding the <strong>CBS</strong> Material that I've researched since 1989<br />
but was given a deaf ear. I guess there was a type of a private insiders' club within the old<br />
Society that excluded outsiders. Apparently "insiders" shared goodies for themselves but<br />
"outsiders" were excluded. Try as hard I might to hear some of their material that they<br />
accumulated (and purchased from collectors) thru certain Board members, I was always<br />
given an excuse of why I couldn't access them (although I was a member). This is strange<br />
because by its own nature, the Society was supposed to be an "educational charity" and<br />
make materials available in order for the State of California to grant it tax-exempt status.<br />
So I had to force the old Society to give a copy of their <strong>CBS</strong> dats to <strong>UCLA</strong> for<br />
researchers to study. This really pissed me off about the old Society, so naturally I am not<br />
quite so easily warming up to the new Incarnation (especially since many of the same<br />
Board members are still there) due to the phenomenon of association. So I am wondering<br />
if there will still be petty "politics" involved or excuses, etc. It was a bit of a Private Boys<br />
Club back then, and I would not tolerate that again. And I certainly would not tolerate<br />
any more bad politics that caused a sort of "hostile corporate takeover" from the original<br />
Founder(s).<br />
“That being said, I may be willing to fork over $50 and an extra $20 for the cd<br />
and give it a try. I would be far more enthusiastic if the new Society would drastically<br />
improve on its communication area. And I would be enthusiastic if there was an online<br />
Discussion Board.”<br />
…………….<br />
21 Apr 2003, 04:42 GMT<br />
“<strong>Film</strong>us-L has some posts on the Society, including today:<br />
http://listserv.indiana.edu/cgi-bin/wa?A2=ind0304c&L=filmusl&F=&S=&P=15187<br />
“I would disagree strongly from one post that the <strong>CBS</strong> music is uninteresting.<br />
Quite the contrary. Perhaps television music is not as elite (or interesting) for some<br />
people as feature film music, but these are works from the same composers. The material<br />
is generally quite excellent.<br />
“However I agree that I would like more detailed information as to where the<br />
series is going. Will it be one disc per year? If so, that means the cost of subscription plus<br />
the cd means at least $70 per year for one cd (or even $100). That is a bit steep!<br />
Moreover, I for one (as a film music researcher) would want the Society to give a<br />
detailed inventory of their holdings/collections…… So if I become a member and request<br />
an inventory, will the Society send me the inventory? If not, why not? And can the music<br />
be researched/listened to? And exactly where and when (open hours during the week)? At<br />
any rate, I'd hate to see any such organization become a platform for private or elite<br />
collectors to get goodies and not share them freely or openly to all other members.<br />
166
“Moreover, the December '97 <strong>Film</strong> Music Society Newsletter in pages 4 & 5<br />
discussed the <strong>CBS</strong> Dats. The newsletter refers to 40 dats, yet at <strong>UCLA</strong> there are only 30<br />
that I know of. What are those ten other dats of <strong>CBS</strong> material? That's about 20 hours of<br />
music potentially.<br />
“No offense meant to [the new FMS President] (whom I do not know<br />
personally), but I wonder about the wisdom of letting any film composer being the<br />
President of the Society, especially a busy composer who may have very little time to<br />
devote adequately to Society needs. I would think it better to have a professional<br />
researcher/University professional or dedicated film music preservationist with enough<br />
time to handle daily Society business, detective work, etc. I liked the old name SPFM<br />
(Society for the Preservation of <strong>Film</strong> Music) better because it more clearly described the<br />
true nature of the Society. Why did they really change it to the "<strong>Film</strong> Music Society"?<br />
Was it a legal reason? Are they no longer devoted to preserving music? So is the Society<br />
more a composers' professional association than a wide-based or eclectic membership<br />
with power of voting. And that's another matter: Can dues-paying member actually have<br />
the power to VOTE? Can members vote people in office and out of office, or is that<br />
"power" bestowed only to Board members? I would rather see membership voting power.<br />
“Once again I would strongly like to see a <strong>Film</strong> Music Society Discussion<br />
Forum. If enough paying members really want it, then it should be initiated. Put it to the<br />
vote at least. Are there any Society board members reading this? Hello? Perhaps they can<br />
respond. And let us know when the phone lines will be open for a direct call to a "live"<br />
person answering the phone about membership questions.<br />
hour is!<br />
“If it's only one hour on a certain day of the week, then let us know what that<br />
………………[REPLY to a poster:] …..”As for being a board member--like Grouch<br />
Marx, I wouldn't want to join any organization if it had me as a member! I forgot how the<br />
line exactly went! I also tend to despise "politics." Best to do pure research. And create<br />
art!” [End of quote]<br />
[End of commentary]<br />
As given earlier, SPFM finally did the right thing and agreed to make copies of<br />
the <strong>CBS</strong> Dats to <strong>UCLA</strong> back in late 1997. And because of the improper dissemination of<br />
the Dats music that I made a stink about in my repeated phone calls and letter campaign,<br />
an agreement was made so that I could have cassette audio copies of whatever music I<br />
needed for my research, copied from the Dat machine onto a tape machine there at <strong>UCLA</strong><br />
Room B-425. The Dats were held just down the corridor in storage room B-426. Mainly I<br />
was interested only in the Herrmann material and some Herrmannesque Rene Garriguenc<br />
music. As given before, the transcription discs were returned earlier (somewhere) at<br />
<strong>UCLA</strong>—although it seems nobody knows where they are now! I hope they get their act<br />
together soon over there. I heard from a researcher who visited Paramount Music Library<br />
some years ago that <strong>CBS</strong> materials were actually there for some reason. This is rather<br />
167
curious. I even wonder if now those transcription discs that were returned to <strong>UCLA</strong><br />
somehow ended up at Paramount? SPFM was intimately involved with activities at the<br />
Paramount music department. Perhaps I’ll investigate further. Unfortunately with<br />
changes of personnel at <strong>UCLA</strong>, detailed “hands-on” information gets lost in the process.<br />
The best staff man ever on the job there when I was researching for years and who was<br />
immensely helpful to me and pleasant to know eventually left sometime in the middecade<br />
(he was still there at least in 2003 because that’s when the Deed of Gift #2<br />
materials, in part, were first made available, and he pulled a dozen boxes or so for me).<br />
Right now as I write there is a temporary Reading Room right there at SRLF<br />
(Southern Regional Library Facility) where the <strong>CBS</strong> materials are stored off-site from the<br />
University proper. The address is 305 DeNeve Dr along the corner of Veterans and<br />
Montana (Montana changes to Gayley up the road). I’ve never been there but ideally I<br />
would love to go there and have permission to peruse all of the boxes in storage that I<br />
wanted to research for a week. Maybe in September or October when I take vacations. In<br />
the meantime, I’ll see if that’s possible top make such a spot inventory. If so, then I’ll<br />
update this paper later in the year! I have just posted a message to the Performing Arts<br />
Library to find out:<br />
http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm<br />
*************************************<br />
<strong>CBS</strong> DATS<br />
30 <strong>CBS</strong> DATS at <strong>UCLA</strong> Music Library Special Collections<br />
(initially received from SPFM December 1997)<br />
[Note: SPFM (Society for the Preservation of <strong>Film</strong> Music) hired audio engineer<br />
Chris Lembesis to clean and transfer the <strong>CBS</strong> transcription discs to DAT format around<br />
1993, under the supervision or involvement of at least three members (according to the<br />
May-June 1993 SPFM NEWSLETTER). The discs were in SPFM's possession (not<br />
ownership, since <strong>UCLA</strong> was given ownership of all <strong>CBS</strong> materials under two Deeds of<br />
Gifts in 1989 and 1991). The discs were returned to <strong>UCLA</strong> in December 1997 and a copy<br />
of the DATS were made for <strong>UCLA</strong>]<br />
DAT #1<br />
-DAUBER (B. Herrmann)16 cues<br />
Cue # 387-1 Dauber #1 version 1 (Take 3)<br />
168
387-1 Dauber #1 version 2 (T.1)<br />
387-1 Dauber #1 version 3 (T.1)<br />
387-1 Dauber #1 version 4 (T.1)<br />
387-2 Dauber #2 Take 1<br />
387-2 Dauber #2 T.2<br />
387-3 Dauber #3 T.1<br />
387-4 Dauber #4 T.1<br />
387-4 Dauber #4 T.1<br />
387-5 Dauber #5 T.1<br />
387-7 Dauber #7 T.1<br />
387-7 Dauber #7 version A, T.1<br />
387-9 Dauber #9 T.1<br />
387-10 Dauber #10 T.1<br />
387-11 Dauber #11 T.1<br />
387-12 Dauber #12 T.1<br />
387-8 Dauber #8 T.1<br />
387-13 Dauber #13 T.1<br />
387-14 Dauber #14 T.1<br />
387-14 Dauber #14 T.2<br />
387-15 Dauber #15 T.1(Note: Used in HGWT “Ransom” episode)<br />
387-15 Dauber #15 T.4<br />
387-16 Dauber #16 T.1<br />
387-16 Dauber #16 version A, part 2<br />
-Drink of Water (B. Herrmann)10 cues<br />
Cue #392-1 Drink of Water #1 Take 2<br />
392-1 “ “ “ “ (Bar 1 only). T.3<br />
392-2 Drink of Water #2 Take 1<br />
392-2 “ “ “ “ Take 2<br />
Etc (392-3 thru 392-10)<br />
-Laredo Suite (William Grant Still)<br />
393-8 “Frontier Fort” Take 2<br />
393-1 “Neutral” T.2<br />
393-1 “ (with breaks) T.1<br />
393-5 “Radiant Night” T.2<br />
393-3 “Romance” T.4<br />
393-3 “ T.5<br />
393-2 “Premonition” Take 2<br />
Etc (393-6, 393-11, 393-12, 393-7, 393-9, 393-10).<br />
“Friend’s Payoff” GUNSMOKE (Lyn Murray)<br />
#3693 cue “After Summer Merrily” Take 3 (:35)<br />
#3694 cue “Speechless Lies” Take 3 (1:15)<br />
(last hour not inventoried yet--may include Have Gun Will Travel<br />
Material ("The Street" etc).<br />
Herrmann Library (21 minutes)<br />
169
-some Marius Constant cues (Light Rain, etc)<br />
DAT #2 (not yet inventoried by Bill Wrobel)<br />
-"Governor & JJ" pilot (Jerry Fielding) 0:00:00-0:31:35<br />
-"He and She" pilot (Jerry Fielding) 0:31:50-0:45:30<br />
-"Good Guys" pilot 0:45:45-1:08:35<br />
-"Andros Targets" pilot 1:08:50-1:27:45<br />
-"Manhunt"<br />
-You Are There"<br />
-Playhouse 90 (7 tracks) 1:37:20-1:47:25<br />
-Journey Theme track 139 1:47:35-1:50:05<br />
-Navy Log track 140<br />
-Perry Mason tracks 141-145 1:52:20-1:56:25<br />
-"The Street"(B.H.) 1:56:30-1:59:00<br />
DAT # 3<br />
-Ballad of Paladin composite (song) track [1] 0:00:00-0:01:00<br />
-HAVE GUN WILL TRAVEL Punctuations (Rene Garriquenc)<br />
Track [02] cue # 1089-A Punctuation # 1<br />
Track [03] cue # 1089-B “ # 2 Take 1<br />
Track [04] cue # 1089-B “ “ Take 2<br />
Track [05] cue # 1089-C Punctuation # 3<br />
Track [06] cue # 1089-D Punctuation # 4<br />
ETC.ETC.<br />
Track [24] cue # 1127 HGWT “Suspense Tension” (Garriquenc)<br />
ETC<br />
Track [27] cue # 1130 HGWT “The Prairie” (Garriquenc)<br />
Track [28] cue # 1131 “Emotional Dramatic” “<br />
Track [29] cue # 1132 “Heavy Suspense” “<br />
Track [31] cue # 1133 “Emotional Pathetic” “<br />
Track [32] cue # 1120 “Ghost Town” (sneak to curtain) L. Moraweck<br />
Tracks [33-35] “ “<br />
Track [36] M-22 “The Knife” & “Wild Knife Chord” HGWT (B. Herrmann)<br />
Track [37] M-17 “Travel” Part I, T.2 (HGWT pilot) Herrmann<br />
Track [38] “ “ Part II “ “<br />
Track [39] “ “ Part III “ “<br />
Track [40] M-14 “The Newspaper” “ “<br />
Track [41] M-15 “The Card” (HGWT pilot). B. Herrmann<br />
Track [42] M-16 “The Holster” T.2 “ “<br />
Track [43] M-31 “The Return” “ “<br />
Track [44] M-32 “The River” T.6 “ “<br />
Track [45] M-35 “Capture” T.4 “ “<br />
Track [46] M-37 “End Tag” “ “<br />
Track [47] “ “ T.2 “ “<br />
Track [48] cue # 1741 “Spotted To the Hideout”Pt I (?? Unknown composer)<br />
Track [49] “ “ “ “ Part II<br />
170
ETC ETC<br />
Track [72] cue # 1034 “Suspense Background” Take 2 (???)<br />
ETC ETC<br />
Track [79] cue # 3371 Take 5<br />
ETC ETC<br />
Track [94] cue # 453 “Night Suspense” (Western Suite) Herrmann<br />
Track [95] cue # 454 “Badman” “ “ “<br />
Track [96] “ “ “ (from Letter C) “ “<br />
Track [97] “ “ “ (faster version) “ “<br />
Track [98] cue # 455 “The Ambush” “ “<br />
Track [99] cue # 456 “Travel I: Tranquil Landscape” “” “<br />
Track [100] cue # 457 “Travel II: Dark Valleys” T. 4 “ “<br />
Track [101] cue # 458 “The Meadows” “ “<br />
Track [102] cue # 459 “Shadows” “ “<br />
Track [103] cue #460 “The Waiting” “ “<br />
Track [104] cue # 463 “Dramatic I”<br />
ETC.<br />
DAT # 4 (not yet inventoried)<br />
-Gunsmoke: Unknown Gold(???) Tracks 1-6 16:20<br />
-RIO LOBO tracks 7-76 0:16:30-1:42:05 (Goldsmith)<br />
-Twilight Zone: Whipple Street ???? 77-81 1:42:55-1:46:05<br />
-Unknown <strong>Score</strong> tracks 82-88 1:40:55-1:55:45<br />
DAT # 5 (not yet inventoried)<br />
-Wild Wild West: "Undead" tracks 1-55 :59:40 Fred Steiner<br />
-Wild Wild West: "Samurai" tracks 56-105 1:02:05<br />
DAT # 6 (not yet inventoried)<br />
-cont. WWW: Samurai tracks 106-117 :20:00<br />
-WWW: Puppeteer tracks 12-54<br />
-WWW episode (Drasnin)<br />
-WWW episode (Markowitz)<br />
DAT # 7 (not yet inventoried)<br />
- "Homecoming" tracks 1-56 1:10:30<br />
-Rawhide tracks 57-81 22 mins<br />
-Lineup Montage tracks 82-89<br />
-Lineup Main & Ends tracks 90-109<br />
DAT # 8<br />
-cue # 293 "Ambush" pt 1 take 5 Fred Steiner<br />
- " " pt 2 t.1 & pt3 t. 5<br />
-cue #215 "Climax Prelude" T.5 (Bernard Herrmann)<br />
-cue #217 "Climax Middle Lead-In"(Climatic Lead-In") B.H.<br />
171
-cue #219 "Echo I" T.4 (note: NOT in Cerberus LP's) B. Herrmann<br />
-cue #221 "Echo III" T. 1 & T. 2 “<br />
-cue #554-1 Prelude (The Desert) Pt I T.5 [Desert Suite] “<br />
" " " " " (faster version, Bars 1-21)<br />
" " " Pt II T. 2 (plus faster take)<br />
-554-2 "Mirages" T.1 (note: NOT in Cerberus)& T.1 faster B. Herrmann<br />
-554-3 "North Horizon" 3 takes “<br />
-554-4 "South Horizon" 4 takes “<br />
-554-5 "East Horizon" T.3<br />
-554-7 "Ghost Town" T.7<br />
-554-7 “Ghost Town” last 5 bars, T.1<br />
-554-6 "West Horizon" T.2 (Bar 1-5) (Note: not in Cerberus).<br />
-554-6 “West Horizon” Pt II T.2 (Bars 6-10)<br />
-554-6 “West Horizon” Pt III T.1 (Bars 11-15)<br />
-554-6 “West Horizon” Pt IV T.2 (Bars 16-20)<br />
-554-9 "The Mountains" T.1<br />
-554-11 "The Trail" T.3 and T.1(faster version)<br />
-M-11 "Arrest" T.3 [Ethan Allen]<br />
-M-11 “Arrest” T.1 (muted version)<br />
-M12 "E.A. Main Title" T. 3<br />
-M-13 "Call To Duty" T.5<br />
-M-14 "The Meeting" T.5<br />
-M-15 "To The Rescue" Pt A T.3<br />
-M-15B " " " (The Fight) T.3<br />
-M-16A Ethan Allen tag T.2<br />
-M-16B " " " T.1<br />
-M-16 C " " T.1<br />
-M-16D " " T.1<br />
-M-22 "The Torries" .1<br />
-M-22A "Rural Grotesque" T. 7<br />
-M-22A " " T.1 (muted version)<br />
-M-23 "Albany" T.1<br />
-M-26 "Rule Brittania" T.2<br />
-M-31 "Jail" T.2<br />
-M-32 "The Escape"<br />
-M-33 Ethan Allen tag T.1<br />
-M-34 Ethan Allen End Title T.2<br />
(rest un-inventoried) includes LINEUP and WALT WHITMAN SUITE<br />
DAT # 9<br />
-POLICE FORCE :<br />
-361A Lead-In T.4 (& faster version immediately after this track)<br />
-361B Lead-In T.4<br />
-361B " " T.4 (faster)<br />
-361B " " T.1 (with soft mutes)<br />
-361B " " " " " " faster version<br />
172
-361C Lead-In<br />
-361D, E, F, G various takes<br />
-359A Openings t.7<br />
-359A " pt II T.2 & Pt II T.3<br />
-359B Openings<br />
-359C, D, E, F, G, H various takes<br />
-360A Middle Tags t.4<br />
-360B, D<br />
-"Clues" [from Police Force] T.3 (complete long cue)<br />
-WESTERN SAGA:<br />
-373 Prelude<br />
-374 "Street Music" T.4<br />
-375 "Open Spaces"<br />
-376 "The Hunt"<br />
-377 "The Watching"<br />
-382 "The Canyons"<br />
- Cue #292 "Calvary Ambush" T.2(Fred Steiner)<br />
-#289 "Western Calvary patrol" T. 3 " "<br />
-289A "Gary Owen Paraphrase" T.3 " "<br />
-220 "The Hunt"(Echo II) T. 2(B. Herrmann) not in Cerberus!<br />
-222 "The Chase"(Echo IV) T.3<br />
-224 "Indian Ambush" T.2 "<br />
-225 "Indian Fight" T. 2 "<br />
-228 "Lowering Sky" T. 2(L. Rosenthal)<br />
-229 "On Maneuvers" T.1 "<br />
-230 "To A Dead Soldier" T. 1 "<br />
-231 "Call To Horse" "<br />
-232 "Four O'Clock Watch" "<br />
-233 "Light Summer Trek" T. 1 "<br />
-234 "Encampment at Dawn" T.2 "<br />
-235 "Sound of Danger" T. 2 "<br />
-236 "Night Mood" T. 1 "<br />
Track [85] cue # 384 "Gunsmoke"[Western Saga] T. 4 Herrmann<br />
Track [86] cue # 385 "Gunfight" " "<br />
Track [87] cue # 386 "Victory" " "<br />
-223 "Indian Suspense"[Indian Suite] B. Herrmann<br />
Track [90] cue # 226 "Indian Signals" T.4<br />
Track [91] cue #227 "The Journey" T.4<br />
-192 "Suspense Misterioso" T. 1(Rene Garriguenc)<br />
-190 "Trouble No. 1" T. 1 muted version "<br />
-178 "The Desert No. 1" T. 1 "<br />
-189 "The Desert No. 2" T. 2 "<br />
DAT # 10<br />
-WALT WHITMAN Suite Tracks 1-3 0:06:00 (Herrmann)<br />
Track [01] cue # 298-2 Walt Whitman Part II<br />
173
Track [02] cue # 298-10 “ “ Part Ten (“Indian Gathering”)<br />
Track [03] cue # 298-12 “ “ Part Twelve (“Funeral March”) T.3<br />
-Collector's Item #2 [aka “The Left Fist of David”] tracks 4-49 40:20 (Herrmann)<br />
Track [04] cue # 1283 “House of Prentiss” T.2<br />
Track [05] cue # 1283 “ “ T.3<br />
Track [06] cue # 1284 “The Cane” T.4<br />
Track [07] cue # 1285 “ “ T.5 (some distortion)<br />
Etc Etc<br />
Track [16] cue # 1287 “The Cellar” T.3<br />
Track [17] cue # 1288 “The Shadow”<br />
Track [18] “ “ “ T.3<br />
Track [19] cue # 1289 “The Cat” T.7<br />
Track [20] cue # 1290 “The Glass”<br />
ETC ETC<br />
Track [35] cue # 1297 “Finale” T.5 (Collector’s Item # 2) Herrmann<br />
Track [36] M-22 “The Scare” T.1 composer: ???)<br />
Track [37] “ “ “ T.2<br />
Track [38] M-25 “Neutral Suspense” T. 1 (Garriquenc?)<br />
Track [39] M-25 A “Neutral” T.4<br />
Track [40] M-26 A “Collector’s Item” T. 6 (not Herrmann). Paul Baron??<br />
Track [41] M-26 A “Comedy Entry” T.1<br />
Track [42] “ “ “ “ T.2<br />
Track [43] M-31 “Working on the Railroad (Paraphrase)” T.1<br />
Track [44] M-32 “The Hoax”<br />
Track [45] M-33 “Collector’s Item” T.3 (not Herrmann).<br />
Track [46] “ “ “ Opening, Part I, T.2<br />
Track [47] “ “ “ “ Part II, T.2<br />
Track [48] “ “ Closing T.1<br />
Track [49] “ “ Closing (Longer version) T.2<br />
Track [50] “On A Note of Triumph” (music rehearsal) 21:50 (Herrmann’s voice)<br />
-Max Steiner: Portrait (narrated Tony Thomas) 27 mins<br />
DAT # 11 (not yet thoroughly inventoried)<br />
-"Hunters Are for Killing" tracks 1-46 1:15:00 (J. Fielding)<br />
-<strong>CBS</strong> Fanfares tracks 47-72 10 mins<br />
-Tues Nite at Movies tracks 73-85 9 mins<br />
-NERO WOLFE(Alex North) tracks 86-91<br />
-Perry mason tracks 92-103 13 mins<br />
DAT # 12 (not yet completely inventoried)<br />
-Gunsmoke: "Cotter's Girls"(Fred Steiner) 20 tracks :20:20<br />
-Gunsmoke: "Call Me Dodie" " " 28 minutes (GREAT!) Fred Steiner.<br />
Track [22] cue # 4864 [M0610] “Pleasant Valley” cue<br />
Track [23] cue # 4865 T.3 [M0611] “The Kite” cue<br />
174
-Gunsmoke: "Box o' Rocks" by Fred Steiner. 12 minutes. [Note: Dat tracks 45 thru 57<br />
that were disseminated to collectors by persons in the old SPFM that I got from a private<br />
collector in early 1998. See my explanation above at the start of this paper]<br />
-Gunsmoke: "Jeb" " " 25 minutes<br />
-Friedhofer Library tracks 84-110 33 minutes<br />
DAT # 13<br />
-”Clues” [from Police Force] starting Bar 50. Cue # 363.<br />
-“The Lineup” [from Police Force] 4 tracks :6:40. Cue # 364.<br />
-“The City” (Parts I thru III) [Police Force] Cue # 368.<br />
-Twilight Zone: "Dust" (Jerry Goldsmith) 17 minutes. Sample tracks:<br />
-#3428 T.3 (instrumentation includes harmonica & guitar)<br />
-#3429 T.4<br />
-#3430 T.2<br />
-#3431 T.6 [etc. thru #3436 T.7]<br />
-HGWT: "The Fatalist" Goldsmith 10 minutes. Sample tracks:<br />
-#3124 T.2<br />
-#3126 T.2<br />
-#3127 T.4 [etc. thru #4134]<br />
-HERRMANN tracks 27-33 5 minutes<br />
-HGWT: "Bear Bait" (Jerome Moross) tracks 34-46 16 mins. Sample tracks:<br />
-#3327 T.4<br />
-#3328 T.2 [etc. thru #3339]<br />
-HGWT: "Head of Hair"(J. Goldsmith) tracks 47-61 15 mins<br />
-HERRMANN (tracks 62-81) 32:30<br />
-Goldsmith (GUNSMOKE: “The Blacksmith” episode) 12 mins<br />
Included in this dat.<br />
Herrmann cues #3777 (etc) “Harriet” (Gunsmoke).<br />
DAT # 14 (not yet inventoried)<br />
-Goldsmith Library cues 1:31:30<br />
-Luke Slaughter (Jerry Goldsmith) 7 mins<br />
-Frontier Gentleman " 24 mins<br />
DAT # 15 (not yet inventoried)<br />
-Hawaii 5-0 "Hookman" (Morton Stevens) 1:17:05<br />
-Lineup: "Wake Up to Terror" (Goldsmith) 20 mins<br />
-Playhouse-90: A Marriage to Strangers (Goldsmith) 22 mins<br />
DAT # 16 (not yet inventoried)<br />
-Twilight Zone: "I Dream of Genie"(Fred Steiner) 22:55<br />
-Twilight Zone: "Miniature" (Fred Steiner) 9 mins<br />
-Twilight Zone: "Mute"(Fred Steiner) 32 mins<br />
-Twilight Zone: "Passage of the Lady Anne"(R. Garriguenc)22<br />
-Young Man's Fancy<br />
-What You Need<br />
175
DAT # 17 (not yet inventoried)<br />
-FRATERNITY(Jerry Goldsmith) 59:35<br />
-STEP OUT OF LINE " 55 mins<br />
-Thomas Wolfe (B. Herrmann) 4 mins<br />
DAT # 18<br />
-Friedhofer Library 32 mins<br />
-Brave New World (Herrmann) 21 mins<br />
-Space music tracks 57-81 1:06 mins INCLUDES:<br />
-cue # 1006 “Brouillard” (M. Constant) 1:20<br />
-“ “ “ (faster version, T.2) 1:05<br />
-“ “ “ (short version T.3)<br />
-“ “ “ “ “ T.4<br />
-“ “ “ (shortest version, T.5)<br />
-cue # 1005 “Light Rain” T. 1(M. Constant) 2:06<br />
-cue # 1005 “ “ last chord :04<br />
-cue # 1005 “ “ (from Bars 22-24 & pick-up)<br />
ETC<br />
BRAVE NEW WORLD (Herrmann)<br />
OUTER SPACE SUITE (Herrmann) Includes:<br />
-cue # 1007 “Prelude (Outer Space)”<br />
-cue # 1007 “ “ “ (faster version)<br />
-cue # 1008 “Time Passage”<br />
-cue # 1008 “ “ (faster version)<br />
ETC<br />
-cue # 1001 “Spoutnik # 1” T.4 (Guy Luypaertz)<br />
-cue # 1001 “ “ (faster version) T.5<br />
-cue # 1001 “ “ (last three bars)<br />
-cue #1002 “Spoutnik # 2”<br />
-cue # 1002 “ “ (slower version)<br />
DAT # 19 (not yet completely inventoried)<br />
Perry Mason: "Blushing Pearls" 5:55 (Jerry Goldsmith)<br />
Track [01] cue # 1916 T.3<br />
Track [02] cue # 1917 T.1<br />
Track [03] cue # 1918 T.2<br />
ETC<br />
-Frontier Gentleman (Goldsmith) 11mins<br />
- Constant tracks 14-41 32 mins<br />
Track [44] cue 1815-3<br />
Track [45] cue # 1816-1 “Dax # 1”<br />
ETC<br />
-TWILIGHT ZONE Bridges tracks 42-51 4 mins<br />
176
-Sealing bridges 6 mins<br />
-Twilight Zone(Constant) 6 mins<br />
Track [75] Twilight Zone Theme (M. Constant)<br />
-Twilight Zone tracks 64-73 11:20 (not Herrmann)<br />
Track [87] cue # 3056 T.1 “New Twilight Zone Theme (Opening) Herrmann<br />
Track [91] cue # 3056-A “Twilight Zone Theme (2 nd Revision) Herrmann<br />
Track [92] cue # 3056-B “Twilight Zone Closing Theme” Herrmann<br />
Track [95] 3056-B TZ Showcard (Herrmann)<br />
ETC<br />
-Twilight Zone Jazz score 4 mins<br />
-Twilight Zone New Bridges tracks 75-86 8 mins<br />
-Store Front Lawyers (Morton Stevens) 3 mins<br />
-Hotel De Paree tracks 89-121 33 mins<br />
DAT # 20 Goldsmith 33 mins<br />
Track [01] cue # 1939 T.2 Gunsmoke<br />
ETC<br />
Gunsmoke: "Whispering Tree"(Goldsmith)1:06<br />
Unidentified themes(Waxman) 21 mins<br />
Track [33] cue # 4494 T.5<br />
Track [34] cue # 4497 Part II<br />
ETC<br />
DAT # 21<br />
RAWHIDE: episode “Six Days To Bent Fork” Hugo Friedhofer<br />
Recording sessions Aug 24 ‘65<br />
Approx 1:04 duration.<br />
DAT # 22<br />
Gunsmoke: episode “The Raid” Franz Waxman<br />
DAT # 23<br />
CONT “The Raid”<br />
DAT # 24<br />
WILD WILD WEST cues.<br />
Track [01] Log 2133<br />
Track [02] Log 2134<br />
ETC ETC<br />
Track [59] cue # 1282 “Landmark Finale” T. 3 (Herrmann)<br />
Track [60] cue # 1282 “ “ (coda only)<br />
Track [61] “ “ Take 5<br />
Track [62] cue # 1281 “Landmark Opening” Part I “<br />
Track [63] “ “ “ Part II<br />
Track [64] “ “ “ Take 1<br />
Track [65] “ “ Take 2<br />
177
MOAT FARM MURDER cues (Bernard Herrmann) #390 cue series<br />
Track [66] cue # 390-1 T.3<br />
Track [67] cue # 390-1 T.4<br />
Track [68] cue # 390-1 (faster version)<br />
Track [69] cue # 390-2 T.1 (about 1:09 into dat)<br />
Track [70] cue # 390-3 T.1<br />
Track [71] cue # 390-4 T.2<br />
Track [72] cue # 390-5 T.2<br />
Track [73] cue # 390-6 T.1<br />
Track [74] “ “ T.3<br />
Track [75] cue # 390-7 T.2<br />
Track [76] cue # 390-8 T.1<br />
Track [77] “ “ T.4<br />
Track [78] cue # 390-9 T.2<br />
Track [79] cue # 390-10 T.1<br />
Track [81] cue # 390-11 T.2<br />
Track [82] cue # 390-12 T.2<br />
Track [84] cue # 390-13 T.3<br />
Track [85] cue # 390-14 T.1<br />
DAT # 25<br />
Track [01] cue # 1839 T.2 (harmonica) [I believe these series of cues are from<br />
Goldsmith’s “Tomorrow” score for Playhouse 90]<br />
Track [02] cue # 1840 T.1<br />
Track [03] “ “ Version A T.1<br />
ETC<br />
Track [12] cue # 1847<br />
Track [13] cue # 1854 T.2<br />
Track [14] cue # 1855 T.1<br />
Track [15] cue # 1856 (chord only)<br />
Track [16] cue # 1857 T.2<br />
Track [17] cue # 1857 T.2<br />
Track [18] John Barry cues<br />
ETC<br />
Track [78] Gunsmoke July 1, ’65 Studio City<br />
Track [79] “ “ “<br />
ETC<br />
DAT # 26<br />
<strong>CBS</strong> series HOTEL DE PAREE (composer: Dimitri Tiomkin) thru Track [25]<br />
Track [01] cue # 1745 “Hotel De Paree” Main Title”<br />
Track [02] “ “ “ “ “ “ Take 6<br />
Track [03] cue # 1760 “ “ End Title<br />
Track [04] “ “ “ “ End Title T.3<br />
Track [05] “ “ “ “ End Title T.4<br />
178
Track [06] “ “ “ “ End Title T.1 (from Bar 9)<br />
Track [07] “ “ “ “ “ “ Take 2<br />
Track [08] cue # 1746 “To Rent A Room” cue<br />
Track [09] cue # 1759 “Partnership”<br />
Track [10] “ “ “ Take 4<br />
Track [11] cue # 1751 “Monique Waits”<br />
Track [12] cue # 1754 “Stubborn Sundance”<br />
Track [13] “ “ “ “ Take 3<br />
Track [14] cue # 1755 “Determination”<br />
Track [15] cue # 1748 “Annette Pleads”<br />
Track [16] cue # 1758 “Revenge”<br />
Track [17] “ “ “ (from Bar 21) T.1<br />
Track [18] cue # 1747 “Upstairs”<br />
Track [19] “ “ “ T.6<br />
Track [20] cue # 1750 “Trouble Ahead” T.2<br />
Track [21] cue # 1756 “Preparation” T.4<br />
Track [23] cue # 1749 “Suspicion” T.1<br />
Track [24] “ “ “ T.2<br />
Track [25] cue # 1752 “Monique Runs” T.2<br />
Track [26] cue # 2701 T.2<br />
Track [27] cue # 2702 T.2<br />
Track [28] cue # 2703 T.4<br />
Track [29] cue # 2704 T.2<br />
ETC<br />
I AM A LAWYER series (North and Moross??)<br />
Track [34] cue # 1397 Theme #1 “I Am A Lawyer”<br />
Track [35] “ “ “ “ Take 5<br />
Track [36] “ “ “<br />
Track [37] cue # 1401 Theme V<br />
ETC<br />
Track [47] cue # 1403 “Fight” (I Am A Lawyer)<br />
Track [48] “End Title”<br />
PERRY MASON cues<br />
Track [49] Perry Mason Main Title Part I, T.2<br />
Etc<br />
Track [64] cue # 3970 (Perry Mason)<br />
Track [86] cue # 2959 (Perry Mason)<br />
Etc<br />
DAT # 27<br />
GUNSMOKE: “The Raid” (Waxman)<br />
BIG JAKE (Elmer Bernstein)<br />
179
DAT # 28<br />
RAWHIDE score Aug 24 ’65 recording sessions<br />
GUNSMOKE<br />
Track [14] Gunsmoke M.T.<br />
Track [15] Gunsmoke M.T.<br />
Track [16] cue # 2952 short version<br />
Track [18] cue # 1994 [??]<br />
Track [20] Gunsmoke cue # 1998<br />
ETC<br />
Track [45] #2006<br />
…<br />
[Track 52] #2010<br />
TWILIGHT ZONE episode “Where Is Everybody?” (Bernard Herrmann)<br />
Track [60] cue # 1574 “The <strong>Film</strong>” 1:24<br />
Track [61] “ “ “ “ T.4<br />
Track [63] cue # 1575 “The Bicycle”<br />
Track [64] cue # 1576 “The Breakdown”<br />
Track [66] cue # 1577 “The Button”<br />
ETC<br />
Track [74] cue #545 “Science Fiction Bridge” (not Herrmann).<br />
Etc<br />
Track [78] cue #1563 “The Man” (Where Is Everybody?)<br />
ETC ETC<br />
DAT # 29<br />
TWILIGHT ZONE: “Walking Distance” (Bernard Herrmann)<br />
Track [01] cue # 2070 T.4 “Intro”<br />
ETC<br />
Track [12] Cue # 3851 (not Herrmann)<br />
Track [18] Cue # 3857<br />
ETC<br />
Track [27] cue # 3763 (Gunsmoke)<br />
GUNSMOKE: “Tall Trapper” (B. Herrmann)<br />
Track [49] cue # 3806 (cue I)<br />
Track [50] cue # 3807 (cue II)<br />
Track [51] cue # 3808 (cue III)<br />
Track [52] cue # 3809 (cue IV)<br />
ETC<br />
Track [63] cue # 3819 (cue XV)<br />
Track [64] #3792 Start of Goldsmith’s score for the Gunsmoke episode, “Love Thy<br />
Neighbor”<br />
ETC<br />
Track [95] cue # 4762 T.3<br />
180
DAT # 30<br />
CIMARRON STRIP: “A Knife in the Darkness” prescore music (background source<br />
music). Not Herrmann. Small ensemble (solo violin, guitar, etc).<br />
********<br />
Transcription Discs Examples<br />
Here are a few examples of what was contained in some of those many<br />
transcription discs (oversized records/lps) that were crucial for <strong>CBS</strong> at the period when<br />
they relied on the discs (and also master tapes) when they wanted to fill an episode of a<br />
<strong>CBS</strong> series with “stock” music (no original music commissioned for that<br />
episode).Normally the transcription disc labels did not indicate who the composers were<br />
for the cues presented. It simply first gave the track numbers, the <strong>CBS</strong> cue numbers, the<br />
cue titles, and the durations. I’ll insert the composer’s name in brackets at the far right.<br />
<strong>CBS</strong> VIII – 20 A<br />
(48D: 51 C)<br />
REEl: 48 D<br />
1. 244 Short Tags No. 1 thru 7 7@ circa :02 [R. Garriguenc]<br />
2. 244 Short Tags No. 8 thru 14 7@ circa :02 “<br />
3. 312-A Perry Mason Tags, Major (take 1) :10 � [Fred Steiner]<br />
4. 312-A Perry Mason Tags, Major (take 2) :13 “<br />
5. 312-A Perry Mason Tags, Minor :14 “<br />
6. 532 Cautious Man-Buildup No. 1 (vers. 4) :02<br />
7. 532 Cautious Man-Buildup No. 1<br />
(vers. 4, faster) :01 �<br />
8. 532 Cautious Man-Buildup No. 1 (last 3 bars) :12<br />
9. 532 Cautious Man-Buildup No. 1 (ditto, faster) :10 �<br />
10. 542 Footsteps in the Night<br />
(1 st bar and last note only) :05 [L. Moraweck]<br />
11. 542 Footsteps in the Night (1 st bar with pickup) :03 � “<br />
12. 554-3 North Horizon (Desert Suite)<br />
(last 4 bars) :13 [Herrmann]<br />
13. 554-3 North Horizon (Desert Suite) (ditto, muted) :14<br />
14. 554-3 North Horizon (Desert Suite) (ditto, faster) :08 � “<br />
15. 379-A Heavy Curtains :18 [Herrmann]<br />
16. 379-A Heavy Curtains (muted, faster) :14 � “<br />
17. 379-C Heavy Curtains (take 2) :06 � “<br />
18. 379-C Heavy Curtains (take 1) :04 � “<br />
19. 379-C Heavy Curtains (part 2) :07 � “<br />
181
20. 379-C Heavy Curtains (shorter) :05 “<br />
21. 379-F Heavy Curtains (last 2 bars) : 05 “<br />
22. 379-F Heavy Curtains (ditto, shorter) : 02 �<br />
[Note: There may be more but that is all on the label, at least for one side of the<br />
disc]<br />
**********************************<br />
<strong>CBS</strong> VIII<br />
Reel 32 Miscellaneous Percussion<br />
1. Chime notes C thru A 10 @ :08<br />
2. Chime notes Bb thru F 8 @ :08<br />
3. Glockenspiel notes G thru A# 4 @ :15<br />
4. Glockenspiel notes B thru D 4 @ :15<br />
5. Glockenspiel notes D# thru G 5 @ :15<br />
6. Provencal drum [note: provincial ??] :27<br />
7 “ “ :22<br />
8. Indochinese gong 4 @ :06<br />
9. Indochinese gong 3 @ :06<br />
10. Vibe notes C thru D# 4 @ :15<br />
11. Vibe notes E thru G 4 @ :15<br />
12. Vive notes G# thru B 4 @ :15<br />
13. Celeste notes G thru A# 4 @ :15<br />
14. Celeste notes B thru D 4 @ :15<br />
15. Celeste notes d# thru G 5 @ :15<br />
[ETC.]<br />
***************************<br />
<strong>CBS</strong> X<br />
REEL 48<br />
DRAMATIC TAGS<br />
1. 392-10 Drink of Water No. 10 (take 1) :28 [Herrmann]<br />
2. 392-10 Drink of Water No. 10 (take 3) :24 “<br />
3. 387-16 Dauber No. 16 (Pt. 2) (vers. A) :21<br />
4. Ouragan II :24 [I believe M. Constant]<br />
5. Tramontane II :11 “ “<br />
6. Tramontane IV :12<br />
7. Alise I :07<br />
8. Alise II :11<br />
9. Alise III :07<br />
10. Alise IV :07<br />
11. Alise V :06<br />
12. Alise VI :06<br />
13. Zephyr II :15<br />
14. Zephyr III :13<br />
182
15. Mousson I :10<br />
16. Mousson II :12<br />
17. Mousson III :23<br />
18. Mousson IV :11<br />
19. Mousson V :14<br />
20. Mousson VI :15<br />
21. Kant II :14<br />
22. Kant III :08<br />
. ********************<br />
The following are several examples of cue sheets from the <strong>CBS</strong> series, The<br />
Twilight Zone that used “stock” <strong>CBS</strong> Music Library music for many of its episodes not<br />
commissioned for an original score. I will delete the “BKG INST” designation since it<br />
will take too much room and prevent me from listing information on one line.<br />
CUE SHEET 19,524<br />
(PRODUCER <strong>CBS</strong> TELEVISION NETWORK}<br />
“TWILIGHT ZONE” (Episode Title: “THIRD FROM THE SUN”<br />
183<br />
January 8, 1960<br />
1 TWILIGHT ZONE MAIN TITLE <strong>CBS</strong> 10-14 Bernard Herrmann April Music :40<br />
2 SONGE <strong>CBS</strong> 8-56-2 R. Challan “ “ :18<br />
3. TIME PASSAGE # 2 <strong>CBS</strong> 8-66 Bernard Herrmann “ “ :09<br />
4. TIME PASSAGE # 2 <strong>CBS</strong> 8-66 Bernard Herrmann “ “ :18<br />
5. LIGHT RAIN <strong>CBS</strong> 8-56-2 M. Constant “ “ 1:58<br />
6. TEDDY BLUES <strong>CBS</strong> 9-68-2 Jacques Lasry “ “ :43<br />
7. SPUTNIK # 1 <strong>CBS</strong> 8-66-2 Guy Luypaertz “ “ :36<br />
8. TIME PASSAGE # 2 <strong>CBS</strong> 8-66 Bernard Herrmann “ “ :45<br />
9. LIGHT RAIN <strong>CBS</strong> 8-56-2 M. Constant “ “ :15<br />
10. TIME SUSPENSE <strong>CBS</strong> 8-66-1 Bernard Herrmann “ “ :43<br />
11. TIME PASSAGE # 2 <strong>CBS</strong> 8-66 Bernard Herrmann “ “ 3:40<br />
12. STARLIGHT <strong>CBS</strong> 8-66-1 Bernard Herrmann “ “ :12<br />
13. DANGER <strong>CBS</strong> 8-66-1 Bernard Herrmann “ “ :26<br />
14. LIGHT RAIN <strong>CBS</strong> 8-56-2 M. Constant “ “ :56<br />
15. THE AMBUSH <strong>CBS</strong> 8-56 Bernard Herrmann “ “ :56<br />
16. UTILITY CUES <strong>CBS</strong> 8-44-D Bruce Campbell “ “<br />
:10<br />
17. LIGHT RAIN <strong>CBS</strong> 8-56-2 M. Constant “ “ :18<br />
18. TWILIGHT ZONE END TITLE CBD 10-14 Bernard Herrmann “ “ :39<br />
*************************
CUE SHEET # 18,920<br />
(PRODUCER) <strong>CBS</strong> TELEVISION NETWORK<br />
“TWILIGHT ZONE” (EPISODE TITLE: “ONE FOR THE ANGELS”)<br />
October 9, 1959<br />
1. TWILIGHT ZONE MAIN TITLE <strong>CBS</strong> 10-14 Bernard Herrmann April Music :39<br />
2. MIDDLETOWN <strong>CBS</strong> 8-45-D-1 Willie Schaefer “ 1:06<br />
3. HOUSE ON K STREET: FADE IN <strong>CBS</strong> 10-11 B. Herrmann “ :12<br />
4. MIDDLETOWN <strong>CBS</strong> 8-45-D-1 Willie Scahefer “ :22<br />
5. HOUSE ON K STREET: FADE IN <strong>CBS</strong> 10-11 B. Herrmann “ :12<br />
6. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ 1:08<br />
7. PIANO SWEETENER <strong>CBS</strong> 7-44-C Anonymous <strong>CBS</strong> :08<br />
8. NIGHT SUSPENSE <strong>CBS</strong> 8-56 Bernard Herrmann April Music 1:29<br />
9. HOUSE ON K STREET: FADE IN <strong>CBS</strong> 10-11 “ “ “ :12<br />
10. PRELUDE (I OUTER SPACE) <strong>CBS</strong> 8-66 Bernard Herrmann “ :25<br />
11. “ “ “ “ “ “ “ :10<br />
12. Sputnik # 2 <strong>CBS</strong> 8-66-2 Guy Luypaertz “ :48<br />
13. HOUSE ON K STREET : <strong>CBS</strong> 10-11 Bernard Herrmann “ :12<br />
14. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ :29<br />
15. BAD MAN <strong>CBS</strong> 8-56 Bernard Herrmann “ :10<br />
16. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ :30<br />
17. PRELUDE (I OUTER SPACE) <strong>CBS</strong> 8-66 Bernard Herrmann “ :20<br />
18. HOUSE ON K STREET: FADE IN <strong>CBS</strong> 10-11 B. Herrmann “ :12<br />
19. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ :22<br />
20. TIME SUSPENSE <strong>CBS</strong> 8-66-1 Bernard Herrmann “ 3:32<br />
21. STARLIGHT (7 OUTER SPACE) <strong>CBS</strong> 8-66-1 BernardHerrmann “ 1:08<br />
22. POLICE FORCE OPENING <strong>CBS</strong> 8-46-B Bernard Herrmann “ :05<br />
23. THE AMBUSH <strong>CBS</strong> 8-56 Bernard Herrmann “ :05<br />
24. TWILIGHT ZONE END TITLE <strong>CBS</strong> 10-14 Bernard Herrmann “ 1:00<br />
CUE SHEET 19, 518<br />
******************************<br />
(PRODUCER) <strong>CBS</strong> TELEVISION NETWORK<br />
“TWILIGHT ZONE” (EPISODE TITLE: “JUDGMENT NIGHT”)<br />
184<br />
December 4, 1959<br />
1. T.Z. MAIN TITLE <strong>CBS</strong> 10-14 Bernard Herrmann April Music :45<br />
2. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ 1:08<br />
3. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ :32
4. MOONSCAPE 9 (Outer Space) <strong>CBS</strong> 8-66-1 “ “ :30<br />
5. “ “ “ “ “ “ 1:55<br />
6. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ 3:03<br />
7. SHOCK THERAPY # 3 <strong>CBS</strong> 10-24 Rene Garriguenc “ :12<br />
8. THE BOOK RACK <strong>CBS</strong> 10-56-D-1 Bernard Herrmann “ :04<br />
9. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ :12<br />
10. MOONSCAPE <strong>CBS</strong> 8-66-1 Bernard Herrmann “ 1:25<br />
11. SHOCK THERAPY # 4 <strong>CBS</strong> 10-25 Rene Garriguenc “ :48<br />
12. SHOCK THERAPY # 3 <strong>CBS</strong> 10-24 Rene Garriguenc “ :35<br />
13. “ “ “ “ “ :28<br />
14. SNARE SOLI <strong>CBS</strong> 8-31 Anonymous <strong>CBS</strong> 2:11<br />
15. THE ROCKS <strong>CBS</strong> 8-46-C Bernard Herrmann April Music :32<br />
16. RAIN CLOUDS <strong>CBS</strong> 8-56-1 Bernard Herrmann “ 1:05<br />
17. T.Z. END TITLE <strong>CBS</strong> 10-14 Bernard Herrmann “ :39<br />
CUE SHEET # 24,561<br />
*****************************<br />
(PRODUCER) <strong>CBS</strong>-TV<br />
RELEASED BY <strong>CBS</strong> TELEVISION NETWORK<br />
“TWILIGHT ZONE” (EPISODE TITLE: “THE OLD MAN IN THE CAVE”)<br />
November 8, 1963<br />
1. TWLIGHT ZONE THEME<br />
MAIN TITLE<br />
INCLUDING<br />
(A) ETRANGE # 3 <strong>CBS</strong> 11-58-813-A Constant *April Music :09<br />
(B) MILIEU # 2 <strong>CBS</strong> 11-58-811-16B “ “ * “ :22<br />
2. TO THE RESCUE <strong>CBS</strong> 8-56-M-15 Bernard Herrmann * “ :24<br />
3. MOAT FARM MURDER <strong>CBS</strong> 11-78E-390-2 Bernard Herrmann **Blackwood :42<br />
4. WALT WHITMAN <strong>CBS</strong> 8-340-298-1 Bernard Herrmann *April Music :31<br />
5. RAIN CLOUDS <strong>CBS</strong> 8-56-1-462 Bernard Herrmann * April Music :35<br />
6. HARP CHORDS <strong>CBS</strong> 13-15-24 <strong>CBS</strong> <strong>CBS</strong> :02<br />
7. TO THE RESCUE <strong>CBS</strong> 8-560-M-15 Bernard Herrmann *April Music :24<br />
8. HORN STINGS ON C# <strong>CBS</strong> 8-280-2 <strong>CBS</strong> <strong>CBS</strong> :05<br />
9. BRIDGE & NEUTRAL SUSPICION <strong>CBS</strong> 8-56-3-238 R. Garriguenc *April Mus :30<br />
10. THE SEARCH # 3 <strong>CBS</strong> 8-430-346 Lucien Moraweck “ :15<br />
11. THIRD ACT OPENING <strong>CBS</strong> 11-78E-11-2390 Nathan Van Cleave “ :23<br />
12. MOAT FARM MURDER <strong>CBS</strong> 11-78E-390-2 Bernard Herrmann **Blackwood :24<br />
13. WALT WHITMAN <strong>CBS</strong> 8-340-298-1 Bernard Herrmann *April :49<br />
14. PASSAGE OF TIME # 16 <strong>CBS</strong> 9-43E-1193 Rene Garriguenc * “ :05<br />
15. TO THE RESCUE <strong>CBS</strong> 8-560-M-15 Bernard Herrmann * “ :26<br />
16. NIGHT SUSPENSE <strong>CBS</strong> 8-56-453 Bernard Herrmann * “ :27<br />
17. SECOND NARRATION <strong>CBS</strong> 11-780-3-2107 Leonard Rosenman * “ :12<br />
185
18. FIRST HOSPITAL SCENE <strong>CBS</strong> 11-780-3-2108 “ “ * “ :13<br />
19. BRIDGE & NEUTRAL SUSPENSE <strong>CBS</strong> 8-56 Rene Garriguenc * “ :36<br />
20. TO THE RESCUE <strong>CBS</strong> 8-56-M-15 Bernard Herrmann * “ :25<br />
21. SECOND NARRATION <strong>CBS</strong> 11-780-3-2107 Leonard Rosenman * “ :09<br />
22. FIRST HOSPITAL SCENE <strong>CBS</strong> 11-780-3-2108 “ “ * “ :15<br />
23. MOAT FARM MURDER <strong>CBS</strong> 11-78E-390-2 Bernard Herrmann **Blackwood :22<br />
24. SECOND VISION <strong>CBS</strong> 12-34C-298-9-C Fred Steiner * April Music :14<br />
25. WALT WHITMAN <strong>CBS</strong> 8-340-298-1 Bernard Herrmann * April :12<br />
26. MOAT FARM MURDER <strong>CBS</strong> 11-78E-390-2 Bernard Herrmann** Blackwood :26<br />
27. CELESTIAL # 4 <strong>CBS</strong> 11-780-3-2121 Leonard Rosenman * April :19<br />
28. MOAT FARM MURDER <strong>CBS</strong> 11-78E-390-2 Bernard Herrmann** Blackwood:11<br />
29. SAND <strong>CBS</strong> 12-36-3415 Fred Steiner * April :10<br />
30. WALT WHITMAN <strong>CBS</strong> 8-340-298-1 Bernard Herrmann* April :29<br />
31. LOW BASS NOTES <strong>CBS</strong> 12-23-46 <strong>CBS</strong> <strong>CBS</strong> :02<br />
32. TWILIGHT ZONE THEME<br />
INCLUDING<br />
(A) ETRANGE # 3 <strong>CBS</strong> 11-58-813-A Constant * April Music :09<br />
(B) MILIEU # 2 <strong>CBS</strong> 11-58-811-16B “ “ “ :22<br />
* USA AND CANADA = APRIL MUSIC INC. (ASCAP)<br />
** USA AND CANADA = BLACKWOOD MUSIC, INC. (BMI)<br />
* AND ** BRITISH EMPIRE AND COMMONWEALTH OF NATIONS (EXCEPT<br />
CANADA) AND THE REPUBLICS OF IRELAND AND SOUTH AFRICA.<br />
GERMANY, AUSTRIA AND SWITZERLAND = TELEVISION MUSIC LTD (PRS)<br />
* AND ** AUSTRALASIA = J. ALBERT AND SON PTY, LTD (APRA)<br />
* AND ** ALL OTHER TERRITORIES OF THE WORLD = EDITIONS ESSEX,<br />
S.A.R/L. (SACEM)<br />
******************************************<br />
The following is an example page (page 50) of the <strong>CBS</strong> Records EZ Cue Library<br />
that utilizes the old <strong>CBS</strong> Music Library tracks as shown in the black binders for seven<br />
seasons:<br />
EZ CUE - EZT CATALOG<br />
EZQ 124 - Side 2 EZT 524 B<br />
MOTION - Metropolitan , Chase<br />
1. Tall Trapper IV Dramatic moderato motion bridge to :25<br />
#3809 t.3 tail<br />
186
2. Tall Trapper V Subdued relentless motion 1:03<br />
#3810 t.2<br />
3. Tall Trapper VII “Period” moderato chase-bridge :30<br />
#3812 t.4<br />
- ABOVE COMPOSED BY B. HERRMANN - BMI -<br />
4. Fightlet Intense fast but deliberate motion :48<br />
#4298 t. 2 builds to chase motion to flareout<br />
F. Steiner – BMI<br />
5. Star Gazers Cheerful opening; metropolitan :17<br />
#4335 t. 2<br />
Wm. Lava – ASCAP<br />
6. Battling Jockeys Violent chase to dark chord 1:35<br />
#4343 t. 2, bars 1 to 54<br />
Wm. Lava – ASCAP<br />
7. Bob’s Triumph Fast chase 1:39<br />
#4452 t. 2<br />
Wm. Lava<br />
8. The Kite Cheerful relaxed motion; somewhat 1:36<br />
#4865 t. 3 dreamlike at times<br />
F. Steiner – ASCAP<br />
9. Light Metropolitan Light relaxed metropolitan motion :49<br />
#5168 t. 4<br />
R. Garriguenc – BMI<br />
10. <strong>CBS</strong> Theme # 2 Cheerful metropolitan light-comedy :05<br />
t. 2 tag<br />
B. Guteska – <strong>CBS</strong> Owned<br />
********************************************<br />
Note: You may have noticed that the Herrmann cues above were take from the<br />
“Tall Trapper” episode of Gunsmoke. “The Kite” cue by Fred Steiner was taken from the<br />
“Call Me Dodie” episode of Gunsmoke, cue #4865 (M-0611), Moderato in C time, key<br />
signature of 5 flats. MM = 90.<br />
187
Hank Moore’s GEMM site offers many cds of music from the EZ Cue Library.<br />
This includes disc (converted to cd) # 124 that I just listed above (Side 2). The cd will<br />
include both sides.<br />
http://www1.gemm.com/item/<strong>CBS</strong>--E-d-Z--PRODUCTION--MUSIC--LIBRARY/<strong>CBS</strong>--<br />
E-d-Z--PRODUCTION--MUSIC--LIBRARY/GML700236161/<br />
Here is another available EZQ cd. I will provide Side 2:<br />
EZ CUE - EZT CATALOG<br />
EZQ 148 - Side 2 EZT 548 B<br />
WESTERN BACKGROUNDS<br />
1. Lorene Suite Suspense Cheerful cantering motion 2:20<br />
#5374-G t.3<br />
H. Kay - ASCAP<br />
2. Doc’s Buggy Rural laconic motion (featuring :31<br />
#4870 t.2 solo violin)<br />
F. Steiner – ASCAP<br />
3. Strange Conflict Dark hit to intense chase bridge :50<br />
#4337 t.2 to soft concerned underscore that<br />
Wm. Lava – ASCAP builds to chord of resolution<br />
4. Camp Scene Soft relaxed Western scene; very :53<br />
#4357 t.3 lyric and pastoral<br />
F. Steiner – BMI<br />
5. Mendel Fights Chase or fight :38<br />
#4363 t. 2<br />
F. Steiner<br />
6. Chase Cully Chase or fight; resolves to tail :51<br />
#4216 t.2 at end<br />
F. Steiner – ASCAP<br />
7. Western Street Light cheerful Western-street :25<br />
#4173 t.2 movement<br />
R. Garriguenc – BMI<br />
8. Chase – Gunfight Chase; resolves into dark, slow per- 1:51<br />
#4176 t. 2, bars 7 to cussive mood<br />
188
end<br />
R. Garriguenc – BMI<br />
9. Western Girls Warm lyric Western underscore :35<br />
#4097 t. 2<br />
F. Steiner – ASCAP<br />
10. Catch Them Hoss’s Light cheerful chase to tail :38<br />
#4116 t. 2<br />
Fred Steiner - ASCAP<br />
*************************************************<br />
Completed Friday, June 25, 2010 at 7:12 pm PDT<br />
(C) Copyright 2010 Bill Wrobel<br />
You are welcome to copy, archive, or quote these analyses for non-profit purposes, but<br />
please retain the source and copyright.<br />
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