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<strong>WALLACE</strong> <strong>STEVENS</strong><br />

<strong>Wallace</strong> <strong>Stevens</strong>, <strong>The</strong> <strong>Collected</strong> <strong>Poems</strong>, (London, 2nd impression, 1959).<br />

<strong>Wallace</strong> <strong>Stevens</strong>, <strong>Collected</strong> Poetry and Prose, sel. and ed. Frank Kermode and<br />

Joan Richardson (Library of America; New York, 1997).<br />

<strong>Wallace</strong> <strong>Stevens</strong>, Harmonium (London, 1975) [exact reprint of the New York<br />

1923 edition]; see also Harmonium, ed. Frank Kermode (Penguin Books,<br />

New York, 1999), and Buttel (Robert), <strong>Wallace</strong> <strong>Stevens</strong>; <strong>The</strong> Making of<br />

'Harmonium' (Princeton, 1967).<br />

<strong>Wallace</strong> <strong>Stevens</strong>, <strong>The</strong> Necessary Angel; Essays on Reality and the Imagination<br />

(New York, 1951).<br />

<strong>Wallace</strong> <strong>Stevens</strong>, Opus Posthumous, ed. Milton J. Bates (London, rev. and enl.<br />

ed., 1990).<br />

<strong>Wallace</strong> <strong>Stevens</strong>, <strong>The</strong> Letters, ed. Holly <strong>Stevens</strong> (London, 1967).<br />

Sur Plusieurs Beaux Sujets: <strong>Wallace</strong> <strong>Stevens</strong>' Commonplace Book, ed. Milton J.<br />

Bates (Stanford and San Marino, 1989).<br />

<strong>Stevens</strong> (Holly), Souvenirs and Prophecies; <strong>The</strong> Young <strong>Wallace</strong> <strong>Stevens</strong> (New<br />

York, 19077).<br />

Brazeau (P.), Parts of a World: <strong>Wallace</strong> <strong>Stevens</strong> Remembered (New York, 1983).<br />

Richardson (Joan), <strong>Wallace</strong> <strong>Stevens</strong>, the Early Years, 1879-1923 (New York,<br />

c.1986)<br />

Richardson (Joan), <strong>Wallace</strong> <strong>Stevens</strong>, the Later Years, 1923-1955 (New York,<br />

1988)<br />

Sharpe (Tony), <strong>Wallace</strong> <strong>Stevens</strong>; A Literary Life (Basingstoke, 2000).<br />

Edelstein (J.M.), <strong>Wallace</strong> <strong>Stevens</strong>: A Descriptive Bibliography (Pitsburgh,<br />

1973).<br />

Serio (John N.), <strong>Wallace</strong> <strong>Stevens</strong>: An Annotated Secondary Bibliography<br />

(Pittsburg, 1994).<br />

Bates (Milton J.), '<strong>Stevens</strong>' Books at the Huntington: An Annotated Checklist',<br />

<strong>Wallace</strong> <strong>Stevens</strong> Journal, 2 (1978), 45-61; 3 (1979), 70; see also 20<br />

(1996), 76-103.<br />

Edelstein (J.M.), '<strong>The</strong> Poet as Reader: <strong>Wallace</strong> <strong>Stevens</strong> and His Books', <strong>The</strong><br />

Book Collector, 23 (1974), 53-68.<br />

Martz (Louis L.), 'Manuscripts of <strong>Wallace</strong> <strong>Stevens</strong>', <strong>The</strong> Yale University Library<br />

Gazette, 34 (1979), 65.


2<br />

Arensberg (Mary), 'Introduction: <strong>The</strong> American Sublime', in <strong>The</strong> American<br />

Sublime, ed. M. Arensberg (Albany, N.Y., 1986); see also Wilson (Rob),<br />

American Sublime; <strong>The</strong> Genealogy of a Poetic Genre (Madison, Wis.,<br />

1991).<br />

Altieri (Charles), 'Motives in Metaphor: John Ashbery and the Modernist Long<br />

Poem', Genre, 11 (1978).<br />

Altieri (Charles), 'Why <strong>Stevens</strong> Must Be Abstract or What Poets Can Learn<br />

from Painting', in <strong>Wallace</strong> <strong>Stevens</strong>; the Poetics of Modernism, ed. A.<br />

Guelpi (Cambridge, 1985).<br />

Altieri (Charles), Painterly Abstraction in Modernist American Poetry; <strong>The</strong><br />

Contemporaneity of Modernism (Cambridge, 1989).<br />

Altieri (Charles), '<strong>The</strong> Pound/<strong>Stevens</strong> Era', <strong>Wallace</strong> <strong>Stevens</strong> Journal, 26 (2002),<br />

228-50.<br />

Beehler (Michael T.), 'Inversion/Subversion: Strategy in <strong>Stevens</strong>' '<strong>The</strong> Auroras<br />

of Autum', Genre 11 (1978).<br />

Berger (Charles), Forms of Farewell; <strong>The</strong> Late Poetry of <strong>Wallace</strong> <strong>Stevens</strong><br />

(Madison, Wis., 1985).<br />

Bevis (William W.), Mind of Winter; <strong>Wallace</strong> <strong>Stevens</strong>, Meditation, and Literature<br />

(Pittsburg, 1988).<br />

Blackmur (R.P.), Language as Gesture; Essays in Poetry (London, c.1954).<br />

Bloom (H.), 'Notes Towards a Supreme Fiction: A Commentary', in M. Borroff<br />

(ed.), <strong>Wallace</strong> <strong>Stevens</strong>: A Collection of Critical Essays (Englewood Cliffs,<br />

N.J., 1963), pp. 76-95.<br />

Bloom (H.), <strong>Wallace</strong> <strong>Stevens</strong>; <strong>The</strong> <strong>Poems</strong> of our Climate (Ithaca and London,<br />

1977).<br />

Brun (Gerald L.) '<strong>Stevens</strong> without Epistemology', in <strong>Wallace</strong> <strong>Stevens</strong>: <strong>The</strong><br />

Poetics of Modernism, ed. Albert Gelpi (Cambridge, 1985).<br />

Caldwell (Price) '"Sunday Morning": <strong>Stevens</strong>' Makeshift Romantic Lyric',<br />

Southern Review 15 (1979), 933-52.<br />

Carroll (Joseph), <strong>Wallace</strong> <strong>Stevens</strong>'s Supreme Fiction; A New Romanticism<br />

(Baton Rouge, La, 1987).<br />

Cleghorn (Angus), 'Questioning the Composition of Romance in "<strong>The</strong> Idea of<br />

Order at Key West"', <strong>Wallace</strong> Steverns Journal, 22 (1998), 23-38.<br />

Cook (Eleanor), Poetry, Word-Play, and Word-War in <strong>Wallace</strong> <strong>Stevens</strong><br />

(Princeton, N.J., 1988).<br />

Davidson (Michael), '<strong>Wallace</strong> <strong>Stevens</strong> and Contemporary Poetics', in <strong>Wallace</strong><br />

<strong>Stevens</strong>; the Poetics of Modernism, ed. A. Gelpi (Cambridge, 1985).<br />

DeMaria (Robert, Jr), '<strong>The</strong> Thinker as Reader: <strong>The</strong> Figure of the Reader in the<br />

Writing of <strong>Wallace</strong> <strong>Stevens</strong>', Genre 12 (1979).<br />

Dickie (Margaret) '<strong>Wallace</strong> <strong>Stevens</strong> and the Inverted Dramatic Monologue',<br />

<strong>Wallace</strong> <strong>Stevens</strong> Journal, 16 (1992), 22-36.


3<br />

Doggett (Frank), <strong>Wallace</strong> <strong>Stevens</strong>; <strong>The</strong> Making of the Poem (Baltimore and<br />

London, 1980).<br />

Doggett (Frank) and Buttel (Robert) (eds), <strong>Wallace</strong> <strong>Stevens</strong>; A Celebration<br />

(Princeton, 1980).<br />

Donoghue (Denis) 'Nuances of a <strong>The</strong>me by <strong>Wallace</strong> <strong>Stevens</strong>', in <strong>The</strong> Act of the<br />

Mind: Essays on the Poetry of <strong>Wallace</strong> <strong>Stevens</strong>, ed. J. Hillis Miller and<br />

Roy Harvey Pearce (Baltimore, 1965).<br />

Feshbach (Sidney), 'A Pretext for <strong>Wallace</strong> <strong>Stevens</strong>' "Sunday Morning"', Journal<br />

of Modern Lit., 23 (1999), 59-78.<br />

Filreis (Alan), <strong>Wallace</strong> <strong>Stevens</strong> and the Actual World (Princeton, N.J., 1991).<br />

Filreis (Alan), Modernism from Right to Left: <strong>Wallace</strong> <strong>Stevens</strong>, the Thirties and<br />

Literary Radicalism (Cambridge, 1994).<br />

Frye (Northrop), '<strong>The</strong> Realistic Oriole; A Study of <strong>Wallace</strong> <strong>Stevens</strong>', in his<br />

Fables of Identity; Studies in Poetic Mythology (New York, 1963), pp.<br />

238-55.<br />

Frye (Northrop), '<strong>Wallace</strong> <strong>Stevens</strong> and the Variation Form', in his Spiritus<br />

Mundi: Essays on Literature, Myth and Society (Bloomington, Ind.,<br />

1976).<br />

Gelpi (Albert) (ed.), <strong>Wallace</strong> <strong>Stevens</strong>; <strong>The</strong> Poetics of Modernism (Cambridge,<br />

1985).<br />

Gelpi (Albert), A Coherent Splendor; <strong>The</strong> American Poetic Renaissance, 1910-<br />

1950 (Cambridge, 1987), Chap. 2.<br />

Heller (Michael), 'Oppen and <strong>Stevens</strong>: Reflections on the Lyrical and the<br />

Philosophical', Sagetrieb, 12 (1993), 13-22.<br />

Hertz (David Michael), Angels of Reality; Emersonian Unfoldings in Wright,<br />

<strong>Stevens</strong> and Ives (Carbondale, Ill., 1993).<br />

Jarrell (Randall), 'Reflections on <strong>Wallace</strong> <strong>Stevens</strong>', Partisan Review, 18 (1951),<br />

335-44.<br />

Kenner (Hugh), A Homemade World; <strong>The</strong> American Modernist Writers (New<br />

York, 1975).<br />

Kermode (Frank), <strong>Wallace</strong> <strong>Stevens</strong> (reprinted, with a new preface by the<br />

author, New York, 1979); see also 'Afterthoughts on <strong>Wallace</strong> <strong>Stevens</strong>'<br />

(1966-7) reprinted in his Modern Essays (2nd ed., London, 1990).<br />

Kermode (Frank), '"Notes Towards a Supreme Fiction": A Commentary', Annali<br />

dell'Instituto Universitario Orientale: Sezione Germanica, 4 (Naples,<br />

1961), 173-201.<br />

Lawler (Justus George), Celestial Pantomime; Poetic Structures of Transcendence<br />

(New Haven and London, 1979).<br />

Leggett (B.J.), <strong>Wallace</strong> <strong>Stevens</strong> and Poetic <strong>The</strong>ory (Chapel Hill, 1987).<br />

Lensing (George), <strong>Wallace</strong> <strong>Stevens</strong>: A Poet's Growth (London, 1986).<br />

Lentricchia (Frank), Modernist Quartet (Cambridge 1994).


4<br />

Levenson (Michael H.) A Genealogy of Modernism; A Study of English Literary<br />

Doctrine 1908-1922 (Cambridge, 1984).<br />

Litz (A. Walton), 'Williams and <strong>Stevens</strong>: the Quest for a Native American<br />

Modernism', in R.P. Draper (ed.), <strong>The</strong> Literature of Region and Nation<br />

(Basingstoke, 1989).<br />

Longenbach (James), <strong>Wallace</strong> <strong>Stevens</strong>: <strong>The</strong> Plain Sense of Things (Oxford,<br />

1991).<br />

Lowell (Robert), '<strong>Wallace</strong> <strong>Stevens</strong>' (1947), in his <strong>Collected</strong> Prose, ed. Robert<br />

Giroux (London, 1987), pp. 12-16.<br />

MacLeod (Glen G.), <strong>Wallace</strong> <strong>Stevens</strong> and Company; <strong>The</strong> Harmonium Years,<br />

1913-1923 (Epping, c.1983).<br />

MacLeod (Glen G.), <strong>Wallace</strong> <strong>Stevens</strong> and Modern Art; From the Armory Show to<br />

Abstract Expressionism (New Haven, 1993).<br />

Magnus (Laury), '"And Things Beyond Resemblance": On <strong>Stevens</strong>' Embedded<br />

Similes', <strong>Wallace</strong> <strong>Stevens</strong> Journal, 11 (1987), 12-20.<br />

Magnus (Laury), <strong>The</strong> Track of the Repetend; Syntactic and Lexical Repetition in<br />

Modern Poetry (New York, 1989).<br />

Martz (Louis) '<strong>Wallace</strong> <strong>Stevens</strong>: <strong>The</strong> World as Meditation', Yale Review, 47<br />

(1958), 517-36.<br />

Marx (Leo), <strong>The</strong> Machine in the Garden (Oxford, 1964).<br />

Mazur (Krystyna), Poetry and Repetition; Walt Whitman, <strong>Wallace</strong> <strong>Stevens</strong>, John<br />

Ashbery (New York, 2005).<br />

Miller (J. Hillis), '<strong>Stevens</strong>' Rock and Criticism as Cure', Georgia Review, 30<br />

(1976), 5-31, 330-48.<br />

Miller (J. Hillis), '<strong>Wallace</strong> <strong>Stevens</strong>' Poetry of Being' (revised from appearance in<br />

<strong>The</strong> Act of the Mind, see below), and 'When is a Primitive like an Orb'<br />

(1986), in his Tropes, Parables, Performatives; Essays on Twentieth-<br />

Century Literature (New York, 1990), pp. 33-49, 227-44.<br />

Morris (Tim), <strong>Wallace</strong> <strong>Stevens</strong>; Poetry amnd Criticism (Cambridge, 2006) [with<br />

very full up-to-date bibliography].<br />

Oliphant (Dave) and Zigal (Thomas) (eds), WCW & Others; Essays on William<br />

Carlos Williams and his Association with Ezra Pound, Hilda Doolittle,<br />

Marcel Duchamp, Marianne Moore, Emanuel Romano, <strong>Wallace</strong> <strong>Stevens</strong><br />

and Louis Zukofsky (Austin, Tex., c.1985).<br />

Pearce (Roy Harvey) and Miller (J. Hillis) (eds), <strong>The</strong> Act of the Mind; Essays on<br />

the Poetry of <strong>Wallace</strong> <strong>Stevens</strong> (Baltimore, Md., 1965).<br />

Perloff (Marjorie), 'Pound/<strong>Stevens</strong>: Whose Era', in her <strong>The</strong> Dance of the<br />

Intellect; Studies in the Pound Tradition (Cambridge, 1985).<br />

Perloff (Marjorie), 'Revolving in Crystal: <strong>The</strong> Supreme Fiction and the Impasse<br />

of Modernist Lyric', in <strong>Wallace</strong> <strong>Stevens</strong>; <strong>The</strong> Poetics of Modernism, ed.<br />

Albert Gelpi (Cambridge, 1985).<br />

Rehder (Robert M.), <strong>The</strong> Poetry of <strong>Wallace</strong> <strong>Stevens</strong> (Basingstoke, 1988).


5<br />

Rehder (Robert), <strong>Stevens</strong>, Williams, Crane, and the Motive for Metaphor<br />

(Basingstoke, 2004).<br />

Riddel (Joseph N.), <strong>The</strong> Clairvoyant Eye; <strong>The</strong> Poetry and Poetics of <strong>Wallace</strong><br />

<strong>Stevens</strong> (Baton Rouge, 1965).<br />

Riddel (Joseph), 'Interpreting <strong>Stevens</strong>: An Essay on Poetry and Thinking',<br />

Boundary 2, 1 (1972), 79-97.<br />

Riddel (Joseph), '<strong>The</strong> Climate of Our Poem', <strong>Wallace</strong> <strong>Stevens</strong> Journal, 7 (1983),<br />

59-75.<br />

Santayana (George), Interpretations of Poetry and Religion (New York, 1900,<br />

reprinted, Cambridge, Mass., 1990).<br />

Schwarz (Daniel Roger), Narrative and Representation in the Poetry of <strong>Wallace</strong><br />

<strong>Stevens</strong>; A Tune Beyond Us, Yet Ourselves (Basingstoke, 1993).<br />

Simons (Hi), '<strong>The</strong> Comedian as the Letter C: Its Sense and Significance',<br />

Southern Review, V (1940), 453-68.<br />

Springer (Mary Doyle), 'Closure in a Half Light: <strong>Wallace</strong> <strong>Stevens</strong>' Endings',<br />

<strong>Wallace</strong> <strong>Stevens</strong> Journal, 16 (1992), 161-181.<br />

Strom (Martha), '<strong>Wallace</strong> <strong>Stevens</strong>'s Revisions of Crispin's Journal: A Reaction<br />

Against the Local', American Literature, 54 (1982), 258-76.<br />

Vendler (Helen), On Extended Wings; <strong>Wallace</strong> <strong>Stevens</strong>' Longer <strong>Poems</strong> (Cambridge,<br />

Mass., 1969).<br />

Vendler (Helen), <strong>Wallace</strong> <strong>Stevens</strong>; Words Chosen Out of Desire (Knoxville,<br />

Tenn., 1984).<br />

Vendler (Helen), '<strong>Wallace</strong> <strong>Stevens</strong>: Hypotheses and Contradictions', Proceedings<br />

of the British Academy, CXI (2000), 225-44.<br />

Walker (David), <strong>The</strong> Transparent Lyric; Reading and Meaning in the Poetry of<br />

<strong>Stevens</strong> and Williams (Princeton, c.1984).<br />

Whiting (Anthony), <strong>The</strong> Never-Resting Mind; <strong>Wallace</strong> <strong>Stevens</strong>' Romantic Irony<br />

(Ann Arbor, Mich, c.1996).<br />

Winters (Yvor), '<strong>Wallace</strong> <strong>Stevens</strong>, or the Hedonist's Progress', in <strong>The</strong> Anatomy<br />

of Nonsense (Norfolk, Conn., 1943), reprinted with a postscript in Yvor<br />

Winters on Modern Poets (New York, 1959).<br />

J.H. Prynne, April 2006<br />

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