Master Works on Paper from Five Centuries

Master Works on Paper from Five Centuries

View full screen - View 1 of Lot 31. Portrait of the artist's son, Auguste-Joseph Ducreux (1770-1771).

The Art of Pastel: A Swiss Private Collection

Joseph Ducreux

Portrait of the artist's son, Auguste-Joseph Ducreux (1770-1771)

Auction Closed

January 25, 04:44 PM GMT

Estimate

6,000 - 8,000 USD

Lot Details

Description

The Art of Pastel: A Swiss Private Collection

Joseph Ducreux

Nancy 1735 - 1802 Paris

Portrait of the artist's son, Auguste-Joseph Ducreux (1770-1771)


Pastel;

bears inscription in pen and brown ink on the back of the frame: Portrait d'un enfant de Ducreux / pastel de Ducreux provenant / de la famille de l'artiste / pte du 18 November 1917 / Baudoin C.P. / Feral expert

440 by 360 mm; 17 ⅜ by 14 ¼ in.

Possibly Mlle Gendron Collection, no. 34 (Tete d'enfant (étude);
Possibly sale, Ducreux, 16 January 1865;
sale, M.C..., Paris, 17 November 1917, lot 15 (with two other pastels by Ducreux);
with Jean Cailleux, Paris 1982,
where acquired by Jacques-Louis Isoz
G. Lyon, Joseph Ducreux (1735-1802) Premier peintre de Marie-Antoinette: sa vie et son oeuvre, Paris 1958, p. 124 and 206;
J.M. Marquis, 'Fréquence Pastel. Une Collection de Pastels du XVIIIe siècle', in Connaissance des Arts, Supplément Suisse, March 1990, p. XIII, reproduced;
N. Jeffares, Dictionary of pastellists before 1800, London 2006, p. 166, reproduced / online edition, no. J.285.316 

Ducreux was a succesful portraitist at the Court of King Louis XVI of France and is often referred to as Maurice Quentin de La Tour's only pupil, however, there is little evidence to substantiate this.  Ducreux had a natural ability to capture the likeness of his sitter and many of his unsigned works have been attributed to La Tour.


Ducreux's pastel technique is described by Neil Jeffares, who notes that the artist had established a particular style as early as 1767, portraying flesh tones by 'alternating layers of white chalk, scumbled on, with browns and ochres, giving a distinctive, slightly muddy effect. He combines stumped, smooth areas with others where bold strokes are left exposed.'1


This pastel is a memorial portrait in commemoration of Ducreux's son, who passed away in early infancy.  


1. N. Jeffares, online edition, op.cit., under Essay on Ducreux, p. 2