Professional Documents
Culture Documents
www.thenewpress.com
Kwame Anthony Appiah:
We Are All Veblenians Now
Diane Ravitch:
The War on Public Schools
Smart Books for Thoughtful Readers
The Opening of the American Hooked
Mind Art and Attachment
Ten Years of “ The Point” Rita Felski
The Point “Hooked is a marvelous achievement. It is a
With an Introduction by Jon Baskin and Anastasia Berg rousing book that returns to one of the main
“I am so grateful a venue as brilliantly multifaceted questions at the heart of Felski’s scholarship—
and fearless as The Point is celebrating its first how people become attached to particular
decade of intellectual stewardship. The American works of literature or art.”
mind remains open.” —James English, University of Pennsylvania
—Thomas Chatterton Williams, author of Paper $22.50
Self-Portrait in Black and White
Paper $18.00
8
12
Jackson Lears
Susan Tallman
The Saddest Words: William Faulkner’s Civil War by Michael Gorra
Twilight of Democracy: The Seductive Lure of Authoritarianism by Anne Applebaum
Philip Guston: A Life Spent Painting by Robert Storr, with a chronology compiled
AF TERMATH
by Amanda Renshaw
Philip Guston by Musa Mayer
Philip Guston Now by Harry Cooper, Mark Godfrey, Alison de Lima Greene, and Kate Nesin
and a chronology by Jennifer Roberts and Harry Cooper
Poor Richard by Philip Guston, with an afterword by Harry Cooper
Resilience: Philip Guston in 1971 an exhibition at Hauser and Wirth, Los Angeles,
September 14, 2019–January 5, 2020
Catalog of the exhibition by Musa Mayer
15 Claire Messud Alison Lurie (1926–2020)
16 Stephen Greenblatt Hamnet by Maggie O’Farrell
18 Jenny Uglow Planting the World: Joseph Banks and His Collectors: An Adventurous History of Botany
by Jordan Goodman
21 J. Hoberman Mank a film written by Jack Fincher and directed by David Fincher
The Brothers Mankiewicz: Hope, Heartbreak, and Hollywood Classics by Sydney Ladensohn Stern
23 Geoffrey O’Brien The Hitler Conspiracies by Richard J. Evans
26 Gavin Francis Mind Fixers: Psychiatry’s Troubled Search for the Biology of Mental Illness by Anne Harrington
This Book Will Change Your Mind About Mental Health: A Journey into the Heartland of Psychiatry
by Nathan Filer
27 Ishion Hutchinson Poem
29 Louise Glück The Poet and the Reader: Nobel Lecture 2020
30 Cass R. Sunstein Narrative Economics: How Stories Go Viral and Drive Major Economic Events by Robert J. Shiller
PA U L B E T T S
33 Lynn Emanuel Poem
34 Adam Kirsch The Aesthetics of Resistance, Volume 1 by Peter Weiss, translated from the German
by Joachim Neugroschel, with a foreword by Fredric Jameson and a glossary by Robert Cohen
The Aesthetics of Resistance, Volume 2 by Peter Weiss, translated from the German
RUIN AND
36 Diane Ravitch
by Joel Scott, with an afterword by Jürgen Schutte
The Power Worshippers: Inside the Dangerous Rise of Religious Nationalism by Katherine Stewart
RENE WAL
Overturning Brown: The Segregationist Legacy of the Modern School Choice Movement by Steve Suitts
Schoolhouse Burning: Public Education and the Assault on American Democracy by Derek W. Black Civilizing Europe After
39 Emmanuel Ordóñez Angulo Hurricane Season by Fernanda Melchor, translated from the Spanish by Sophie Hughes
41 James Romm A History of the Jewish War, AD 66 –74 by Steve Mason
World War II
Masada: From Jewish Revolt to Modern Myth by Jodi Magness
43 Gillian White Memory by Bernadette Mayer
Piece of Cake by Bernadette Mayer and Lewis Warsh
48 Ferdinand Mount Men on Horseback: The Power of Charisma in the Age of Revolution by David A. Bell
“Ruin and Renewal is an
51 Kwame Anthony Appiah Veblen: The Making of an Economist Who Unmade Economics by Charles Camic erudite, rigorously researched,
54 Letters from Tim Brennan and Andrew Delbanco
and elegantly written account
CONTRIBUTORS of the postwar remaking of
KWAME ANTHONY APPIAH teaches philosophy at NYU. His lat- CLAIRE MESSUD’s latest book is Kant’s Little Prussian Head and
est books are As If: Idealization and Ideals and The Lies That Bind:
Rethinking Identity.
Other Reasons Why I Write: An Autobiography in Essays. Europe. . . . A masterpiece.”
FERDINAND MOUNT is the former Editor of the Times Literary
LYNN EMANUEL’s most recent collection, The Nerve of It: Poems Supplement. His most recent book is Kiss Myself Goodbye: The Many — D AV I D M O TA D E L,
New and Selected, won the Lenore Marshall Award from the Academy Lives of Aunt Munca.
of American Poets. Her forthcoming collection is Transcript of the Dis- London School of Economics
GEOFFREY O’BRIEN’s most recent books are Where Did Poetry
appearance, Exact and Diminishing.
Come From and the poetry collection Who Goes There.
GAVIN FRANCIS is a physician in Edinburgh. He has won several
awards for his books, which include Empire Antarctica and Adventures EMMANUEL ORDÓÑEZ ANGULO is a Ph.D. candidate in phi-
losophy at Oxford.
in Human Being. His latest book, Intensive Care, about his experience “Ruin and Renewal is
during the Covid-19 pandemic, will be published in the UK in January. DIANE RAVITCH is a historian of American education. Her most
LOUISE GLÜCK’s most recent poetry collection is Faithful and Vir- recent book is Slaying Goliath: The Passionate Resistance to Privatiza- a marvelously subtle and
tuous Night, which won the National Book Award. A new collection, tion and the Fight to Save America’s Public Schools.
Winter Recipes from the Collective, will be published in the fall of 2021. JAMES ROMM is the James H. Ottaway Jr. Professor of Classics at wide-ranging exploration of the
She is the 2020 Nobel Laureate in Literature. Bard. His book The Sacred Band: Three Hundred Theban Lovers
STEPHEN GREENBLATT is the Cogan University Professor of the Fighting to Save Greek Freedom will be published in June. ways in which Europe rebuilt
Humanities at Harvard. He is the author of Will in the World: How
Shakespeare Became Shakespeare and Tyrant: Shakespeare on Politics,
CASS R. SUNSTEIN is the Robert Walmsley University Professor at itself materially and morally
Harvard. His latest book, Too Much Information, was published this
among other books.
J. HOBERMAN’s most recent book is Make My Day: Movie Culture
fall. after the Second World War.
SUSAN TALLMAN is an art historian living in Massachusetts and
in the Age of Reagan.
Berlin. She is currently working on a book about the prints of Kerry . . . Essential reading for anyone
ISHION HUTCHINSON is the author of two books of poems, Far James Marshall.
District and House of Lords and Commons.
JENNY UGLOW is the author of In These Times: Living in Britain
who wants to understand
ADAM KIRSCH is an Editor at The Wall Street Journal’s weekend
Review section and the author, most recently, of The Blessing and the
Through Napoleon’s Wars, 1793–1815 and Nature’s Engraver: A Life of
Thomas Bewick, among other books.
the world of today.”
Curse: The Jewish People and Their Books in the 20th Century.
JACKSON LEARS is Board of Governors Distinguished Profes- GILLIAN WHITE is the author of Lyric Shame. She teaches English — M A R G A R E T M A C M I L L A N,
sor of History at Rutgers, Editor in Chief of Raritan, and the author at the University of Michigan at Ann Arbor.
University of Oxford
of Rebirth of a Nation: The Making of Modern America, 1877–1920, BRENDA WINEAPPLE is the author of The Impeachers: The Trial of
among other books. Andrew Johnson and the Dream of a Just Nation, among other books.
Editors: Emily Greenhouse, Gabriel Winslow-Yost Founding Editors: Robert B. Silvers (1929–2017)
Deputy Editor: Michael Shae Barbara Epstein (1928–2006) “This book succeeds in
Senior Editors: Eve Bowen, Prudence Crowther, Publisher: Rea S. Hederman
Julie Just, Andrew Katzenstein Advertising Director: Lara Frohlich Andersen casting new light on a critical
Senior Editor, Poetry: Jana Prikryl
Editor-at-Large: Daniel Mendelsohn European legacy of liberal and
Maya Chung, Nawal Arjini, and Willa Glickman, Editorial Assistants; Aurora Ferrer and Jose Nieves Herrera, Editorial Interns; Sylvia Lonergan, Researcher;
Katie Jefferis, Daniel Drake, and Will Simpson, Type Production; Kazue Soma Jensen, Production; Maryanne Chaney, Web Production Coordinator; Michael moderate values, one that may
King, Technical Director; Sharmaine Ong, Advertising Associate; Nicholas During, Publicity; Nancy Ng, Design Director; Janice Fellegara, Director of
Marketing and Planning; Andrea Moore, Assistant Circulation Manager; Matthew Howard, Editorial Director, Digital; Angela Hederman, Special Projects;
Diane R. Seltzer, Office Manager; Patrick Hederman, Rights; Max Margenau, Comptroller; Teddy Wright, Receptionist; Microfilm and Microcard Services:
again be in danger today.”
NAPC , 300 North Zeeb Rd., Ann Arbor, MI 48106.
nybooks.com: Matt Seaton, Editor; Lucy McKeon, Associate Editor.
— A N D R E W M O R AV C S I K,
Foreign Affairs
Ŷ Batya Ungar-Sargon: A Lost Era of Popular Journalism Ŷ Menaka Guruswamy: India’s ‘Love Jihad’ Myth Made Law
What’s new on
Ŷ Dan Chiasson: College Cuts Wound the Liberal Arts Ŷ Shannon Pufahl: The Trouble with Lesbian Cinema
nybooks.com Plus, David Salle and Sarah French on Robert Rauschenberg’s photographic inspiration, and more . . .
basicbooks.com
On the cover: Philip Guston, Kettle (detail), 1978 (Estate of Philip Guston/Hauser and Wirth/Philadelphia Museum of Art).
The New York Review of Books (ISSN 0028-7504), published 20 times a year, monthly in January, June, August, and September; semi-monthly in February, March, April,
May, July, October, November, and December. NYREV, Inc., 435 Hudson Street, Suite 300, New York, NY 10014-3994. Periodicals postage paid at New York, NY 10001
and at additional offices. Canada Post Corp. Sales Agreement #40031306. Postmaster: Send address changes to The New York Review of Books, P.O. Box 9310, Big Sandy,
TX 75755-9310. Subscription services: www.nybooks.com/customer-service, or e-mail nyrsub@nybooks.info, or call 800-354-0050 in the US, 903-636-1101 elsewhere.
3
‘A Land Where the Dead Past Walks’
Brenda Wineapple
The Life of William Faulkner: less, no refuse save the printed books.”
Magnum Photos
The Past Is Never Dead, 1897–1934 No such luck.
by Carl Rollyson. For a good reason. He shirked noth-
University of Virginia Press, ing. He set his infuriating gradualism
476 pp., $34.95 and his belief that the South should
work out its own salvation alongside
The Life of William Faulkner: his scorching denunciation of the white
This Alarming Paradox, 1935–1962 South, of slavery, of snobbery, and of
by Carl Rollyson. greed. He severely judged those white
University of Virginia Press, people who, he wrote in Absalom, Ab-
622 pp., $34.95 salom! (1936), “erected its economic
edifice not on the rock of stern mo-
The Saddest Words: rality but on the shifting sands of op-
William Faulkner’s Civil War portunism and moral brigandage.” He
by Michael Gorra. exposed the provincialism, sentimen-
Liveright, 433 pp., $29.95 tality, paternalism—and nostalgia—
that to him represented the shame and
Last spring, after the world saw the failure and, yes, even the so-called
video of the murder of George Floyd, dignity of the white South. It’s not
few Americans could turn an oblivious too hard to see him in the apparently
eye to the racism and violence that are mixed-race character Joe Christmas of
part of the brutal, inhuman legacy of Light in August (1932): “He carried his
slavery. Coincidentally, as protesters knowledge with him always as though it
demanding justice packed the streets, were a banner, with a quality ruthless,
William Faulkner rode into town, lonely, and almost proud.”
the subject of two major studies: Carl Famously, Faulkner had also said in
Rollyson’s massive, well-researched his Nobel speech that “the problems
two-volume biography and Michael of the human heart in conflict with it-
Gorra’s eloquent analysis of how the self . . . alone can make good writing.”
Civil War ricochets throughout his Certainly he was ambivalent and op-
best-known novels. positional, even with himself, about
Of course, Faulkner hasn’t been the South, which is to say about white
neglected: there are at least a dozen supremacy, racial injustice, the planter
major biographies and countless schol- culture, and women, both Black and
arly studies, essays, and dissertations. white. Ambivalence endowed his in-
He’s a veritable cottage industry. ventive prose with its haunting reso-
But these new books remind us that nance: the iteration and reiteration
we seem always to be trying to solve of points of view, perspectives, and
Faulkner, as if he were a riddle. For restive narrative voices that push his
there are competing and not always novels forward and inward at the same
compatible Faulkners: the modern- time.
ist Faulkner is an experimentalist re- Early on, Faulkner converted disori-
spected internationally by filmmakers entation and uncertainty into tools of
like Jean-Luc Godard and writers like inquiry, for he didn’t intend to write a
Gabriel García Márquez and Edouard foursquare novel verité or protest liter-
Glissant who admire his lush, long sen- ature. Instead, he reconstructed history
tences, accumulating modifiers and from the perspectives of those living in
self- correcting syntax—all the ways William Faulkner, Oxford, Mississippi, 1947; photograph by Henri Cartier-Bresson it and trying, like him, to puzzle out
he conveys consciousness in dialogue its meaning. “Memory believes before
with itself. In 1945 Jean-Paul Sartre which had taken up Lucy’s case, to “go lic debate to be held on the steps of knowing remembers,” he observed in
said that for young people in France, slow now.” As he further explained the Tallahatchie County Courthouse, Light in August, one of his greatest
“Faulkner c’est un dieu.” to Russell Warren Howe of the Lon- where the men who had killed the novels. There, the Reverend Gail High-
Then there’s the humanistic Faulk- don Sunday Times, “as long as there’s fourteen-year-old Emmett Till in 1955 tower, whose life “had already ceased
ner who declared, when accepting the a middle road, all right, I’ll be on it.” had been immediately acquitted by an before it began,” cannot relinquish the
Nobel Prize in literature in 1950, that But if troops were sent to the South to all-white jury. Faulkner declined. “We life before him, hearing over and over
we possess “a spirit capable of compas- integrate the schools and “it came to both agree in advance that the position “the troops galloping past toward the
sion and sacrifice and endurance,” that fighting,” he continued, “I’d fight for you will take is right morally legally rallying bugles.” Four years later, in the
we will not and cannot perish because of Mississippi against the United States and ethically,” he wired Du Bois. He dazzling Absalom, Absalom!, through
that spirit, and that “the poet’s, the writ- even if it meant going out into the street insisted he was just being practical; he overlapping narrators who speak in
er’s, duty is to write about these things.” and shooting Negroes.” was concerned for Autherine Lucy’s long, sinuous sentences about the near
Critics nodded approvingly, calling him life. “If we in America have reached and faraway past, Faulkner replies to
an American Balzac who created a that point in our desperate culture the question he posed to himself: “Tell
human comedy out of the hamlets and His remarks stunned his admirers. when we must murder children,” he had about the South,” a college student
backwoods of Mississippi, the Amer- “Faulkner has delusions of grandeur,” declared after Till was murdered, “no from Canada asks his southern room-
ican who had absorbed John Donne Ralph Ellison wrote to Albert Mur- matter for what reason or what color, mate. “What’s it like there. What do
and Dickens as well as Cervantes and ray. “Sad, pitiful and stupid thing for a we don’t deserve to survive, and prob- they do there. Why do they live there.
Conrad and the Bible. “With Faulkner, writer like that to do,” Murray replied. ably won’t.” In a letter to the Memphis Why do they live at all.”
the big picture is everything,” Edmund Langston Hughes sardonically wondered Commercial Appeal, he was mocked as
Wilson praised him. “He went out on if the great white writer would soon have “Weeping Willie.”
every limb,” Eudora Welty said, “that his passport confiscated; after all, Paul The Faulkner chronicler, then, has to Carl Rollyson, professor emeritus of
he knew was there.” Robeson had lost his for remarks far less tackle the novelist’s various and often journalism at Baruch College, takes
There’s also the compromised, mor- treasonous. The noted Black journalist unpleasant, if not downright repellent, up these questions, introducing him-
ally suspect Faulkner who, in 1956, Ethel Payne reported that Martin Lu- political positions in light of the ex- self as an unabashed Faulkner enthu-
announced he was as opposed to com- ther King Jr. had warned Faulkner that traordinary meditations on race, rac- siast: “I believe he is a great writer,
pulsory integration as he had been to “the cancer of segregation cannot be ism, violence, and cruelty in his fiction. and all of his work fascinates me and
compulsory segregation. The occasion cured with the vaseline of gradualism.” How to separate the dancer from the has done so for more than fifty years.”
was the attempt of Autherine Lucy, a Faulkner quickly backpedaled, claiming dance; how to understand a high mod- A self-proclaimed “serial biographer”
young Black woman, to enroll at the he’d been drunk when he’d made his re- ernist writer who said that he hoped his whose subjects have included Amy
University of Alabama. Riots broke marks, “statements,” he claimed, “which epitaph would simply read, “He made Lowell, Sylvia Plath, Walter Brennan,
out and she was asked to leave the no sober man would make and, it seems the books, and he died”? He told Mal- Dana Andrews, Marilyn Monroe,
school; later she was expelled. But to me, no sane man believe.” colm Cowley, “It is my ambition to be, and Norman Mailer—to name just a
Faulkner said that on the matter of in- The eighty-eight-year-old W. E. B. as a private individual, abolished and few—Rollyson wrote his first book on
tegration he would advise the NAACP, Du Bois challenged Faulkner to a pub- voided from history, leaving it mark- Faulkner in 1984 and now returns to
1 (detail), negative 1969; print 2008, Robert Kinmont. Gelatin silver print. The J. Paul Getty Museum, Los Angeles, Gift of Robert Kinmont and
Alexander and Bonin, New York. © Robert Kinmont. Text and design: © J. Paul Getty Trust
info@hirambutler.com
Andrea Artz/laif/Redux
“even controlling in a statistical model democratic fellow feeling—their ten- miration for Vladimir Putin, the
for many other alternative explana- dency to sanctify the successful few Russian dictator, using a classic
tions, we find that there is a significant and disparage the struggling many. form of “whataboutism.” “But he’s
and meaningful relationship between a Yet for Applebaum, the notion of a killer,” said O’Reilly. “There
community’s rate of military sacrifice meritocracy simply means rule by the are a lot of killers. You think our
and its support for Trump.” Many of talented; any departure from it means country’s so innocent?” Trump
those communities, moreover, voted for government by losers. The cronyism replied. . . .
Obama in the two previous elections. practiced by the Law and Justice Party This way of speaking . . . is an
This inattention to detail weakens “represents the end of the hateful no- argument for moral equivalence,
Applebaum’s interpretation. She re- tions of meritocracy, political compe- an argument that undermines
duces a complex populist ferment in tition, and the free market, principles faith, hope, and the belief that we
the United States especially, but also that, by definition, have never benefited can live up to the language of our
in Britain and France, to a creation the less successful.” The successful are Constitution.
of conniving politicians manipulating successful because the principles they
an illiberal population. How does one live by benefit the successful: there is It is also an argument, she charges, that
explain the center-right clercs’ turn to some truth here, but there is also the allows Trump to believe that he can do
right-wing nationalism? she asks. Were meritocratic fantasy common to the en- whatever he wants, “just like everyone
they “always closet authoritarians”? Or titled, the faith that competition always else.”
did they “somehow” change during the rewards the most “fit.” Still, Apple- Trump’s amoral embrace of pure
first decades of the new century? Avoid- baum concedes, competition is not for power politics is indeed a menace. But
ing “grand theory,” she offers “a theme: everyone: “A rigged and uncompeti- his nihilism is not the only possible con-
Given the right conditions, any society tive system sounds bad if you want to sequence of an honest reckoning with
can turn against democracy. Indeed, if Anne Applebaum, London, 2017 live in a society run by the talented. the murderous and antidemocratic his-
history is anything to go by, all of our so- But if that isn’t your primary interest, tory of American foreign policy since
cieties eventually will.” But Applebaum carceral state that polices the shambles what’s wrong with it?” To describe 1945. The list of democratically elected
does not specify what the “right condi- created by those policies. pre-Trump America—say, during the governments overthrown and leaders
tions” are or might be; instead, she turns Bush- Cheney years—as “a society run assassinated by the CIA, not to men-
to a discussion of the universal, timeless by the talented” is to descend to ab- tion its failed attempts to accomplish
habits of mind that ensure that “the ap- T his blind spot becomes apparent in surdist farce. those goals, is long—consider Iran,
peal of authoritarianism is eternal.” So Applebaum’s misinterpretation of the But ultimately Applebaum is less in- Guatemala, Cuba, Congo, Vietnam,
we are back at 35,000 feet, maybe higher. gilets jaunes in France. Originally an terested in talent than she is in ideol- Chile, Nicaragua, El Salvador, Iraq,
Our guide on this celestial journey is outbreak of popular protest against a ogy. She pines for the “idealism” that Venezuela. Then there is a shorter but
Karen Stenner, a behavioral economist regressive fuel-tax hike, the yellow-vest inspired the “young conservatives” still impressive list of countries that the
whose term “authoritarian predisposi- movement widened its platform to urge who were preparing for power in the US has reduced to rubble and social
tion” does a lot of interpretive work for the revival of a tax on large fortunes, to US in the 1990s: chaos—North Korea, Vietnam (again),
Applebaum. Ideological differences, in oppose the privatization of flourishing Iraq, Libya. Everybody does not do
Stenner’s view, are merely reflections of public institutions, including hospitals, This wasn’t the nostalgic conser- this; the United States does, which is
varying cognitive styles. “Authoritar- and in general to put questions of fiscal, vatism of the English; this was why global surveys repeatedly have
ianism appeals, simply, to people who social, and environmental justice onto something more buoyant, more shown that the US is widely believed to
cannot tolerate complexity,” Apple- the public agenda. It also provoked American, an optimistic conserva- be the greatest threat to world peace.
baum writes; “there is nothing intrin- violent repression by the police and tism that wasn’t backward-looking To recognize the bloody history of
sically ‘left-wing’ or ‘right-wing’ about crude oversimplification by the media, at all. Although there were darker US foreign policy is not to equate this
this instinct at all.” This is the rarefied which characterized it as homophobic, versions, at its best it was energetic, nation with amoral oligarchies but to
atmosphere of the meritocratic elite, anti- Semitic, racist, and fascistic— reformist, and generous, predi- call it to account for violating its own
where political disagreements evapo- even while the yellow vests continued cated on faith in the United States, professed ideals and aspirations. If
rate into elusive distinctions between to win the support of well over half the belief in the greatness of American “American democracy is good,” as Ap-
those who can tolerate complexity and population. democracy, and ambition to share plebaum believes, if its public figures
those who cannot. Applebaum sees the social ferment that democracy with the rest of the truly aspire “to be a model among na-
For Applebaum, the bland formula- in France as an episode in intellectual world. tions,” then they should be willing to
tions of behavioral economics justify history, casting the technocrat Emman- grapple with the significance of their
contemptuous dismissal of the sup- uel Macron as a defender “of a Repub- Yet the “optimistic conservatism” of own history, including the many crimes
posed authoritarian social type. As in lican France that still stands for a set of the fin de siècle was the outlook that committed in the name of American
the upbeat narrative of globalization, abstract values, among them impartial brought us the invasion of Iraq, the le- democracy. That would be a funda-
for her left and right have been dis- justice and the rule of law,” and pitting gitimation of torture, and the unprec- mental departure from the exception-
placed by open and closed—but not him against the xenophobic nationalist edented, unconstitutional expansion alist faith in America’s unique virtue, a
quite. The authoritarian disposition is Marine Le Pen, the social conservative of executive power under Bush and heresy unthinkable to the foreign pol-
“not exactly the same thing as closed- Marion Maréchal, and the gilets jaunes. Cheney. In league with liberal inter- icy establishment and the intellectuals
mindedness. It is better described as “Sometimes the struggle becomes vi- ventionists, these “energetic, reformist, who legitimate it. Deliverance from
simple-mindedness,” she says. Au- olent,” Applebaum writes. “When the and generous” conservatives ushered exceptionalism is not likely to happen
thoritarians “dislike divisiveness. They gilets jaunes—yellow-jacketed, anti- in the calamitous policy of regime anytime soon, but it is crucial to keep
prefer unity. A sudden onslaught of di- establishment anarchists—rioted in change—a euphemism that conflates imagining it—if only to sustain the idea
versity—diversity of opinions, diversity Paris in the spring of 2019, they smashed imperial ambition with the “ambition of international cooperation required
of experiences—therefore makes them a statue of Marianne, the female sym- to share [American] democracy with by climate change, pandemics, and nu-
angry.” So it should come as no surprise, bol of the Republic, the embodiment the rest of the world.” In this con- clear proliferation. For American de-
she says, that immigrants and refugees of the abstract state.” Apparently the text, sharing is a bad joke. The regime mocracy to survive, its clercs are going
inflame the authoritarian impulse. violence done to the protesters was less changers are in effect saying, You know to have to disengage from orthodoxy,
But in her view neither hostility to- significant than the “violence” done to you want to be like us, and if you don’t, stop talking only to one another, and
ward immigrants nor increasing eco- a symbol of republican France. we have the guns to persuade you. start listening to heretics. Q
January 14, 2021 11
Philip Guston’s Discomfort Zone
Susan Tallman
Philip Guston
by Musa Mayer.
Laurence King, 119 pp., $19.99 (paper;
to be published in February)
Poor Richard
by Philip Guston,
with an afterword by Harry Cooper.
National Gallery of Art/ DAP,
87 pp., $14.95 (paper)
Philip Guston: Studio Landscape, 1975
Resilience: Philip Guston in 1971
an exhibition at Hauser and Wirth, the game, because a lot of people are Museum of Fine Arts, Boston, and the letter, while the National Gallery di-
Los Angeles, September 14, going to hate these things.” Museum of Fine Arts, Houston. rector Kaywin Feldman (who inherited
2019–January 5, 2020. And they did, publicly and privately. Stretching the full length of Gus- the show when she took over in 2019)
Catalog of the exhibition Guston retreated to his home and stu- ton’s career and sporting dozens of asserted that “Guston appropriated
by Musa Mayer. dio in Woodstock, New York, returned rarely seen works, the “Philip Guston images of Black trauma” and likened
Hauser and Wirth, 187 pp., $50.00 to teaching, and spent his last, enor- Now” exhibition should have been a the show’s supporters to conservatives
mously productive decade churning victory lap. But its June 2020 opening kicking up a fuss over Yale’s expansion
If a century and a half of avant-garde out mad, masterful, largely unsalable was delayed because of Covid-19, and of non-Western art history options: “It’s
art has taught us anything, it is that paintings of people and things behav- then in late September the museum di- that fear of this changing moment.” The
transgression comes with a time stamp. ing badly. He died in 1980, just as his rectors announced they were shelving Tate’s leadership passed the buck back
Stylistic innovations that once re- odd storytelling began to look less it “until a time at which we think that across the Atlantic, explaining that they
pelled grow pretty (Monet), subjects like an embarrassment and more like the powerful message of social and ra- were acceding to American concerns,
that scandalized get dismissed with a liberation. cial justice that is at the center of Philip and stated, “Tate does not self-censor,”
shrug (Manet). Whistler’s Nocturne in Today those late, querulous paintings Guston’s work can be more clearly in- then suspended Godfrey, apparently for
Black and Gold may have looked like are counted among the most influential terpreted.” They planned to “rebuild having gone public with his concerns.
a pot of paint flung in the public’s face, American artworks of the twentieth the retrospective” and “present a re- The curator and former Venice Biennale
as John Ruskin griped in 1877, but by century. The artist, critic, and curator considered Guston exhibition in 2024.” director Francesco Bonami, noting that
1905, when Camille Mauclair lodged Robert Storr describes the “revelation” Their statement did not mention Black the directors’ decision might prompt the
the same complaint against the Fauves, of seeing Guston reproductions as a Lives Matter or the Ku Klux Klan, but general public to think the art was actu-
Whistler seemed a model of gentility. graduate student during the aesthetic its fuzzy PR-speak had the whiff of po- ally racist, said, “If I were in the Guston
So how is it that Philip Guston, dead asperity of the 1970s: “They found the litical panic, and they soon confirmed Foundation’s shoes, I would have sued
these forty years, is still pushing our cracks in my secondhand ideas about that the problem lay with two dozen pic- the four museums for defamation.”
buttons? Until a few months ago, he art . . . and flooded my porous imag- tures that included, or could be thought
seemed to conform to the anticipated ination.” Often tagged a “painter’s to include, white hoods.
arc—early show of talent, challenging painter” (a way of saying he is more The art world was stunned. To change Then, in November, the museums
departure from status quo, posthumous cherished in the studio than in the sales “Philip Guston Now” to “Philip Gus- announced a new opening date, two
popularity. An eminent Abstract Ex- room), Guston is also a writer’s painter ton Sometime Later” was one thing, years earlier, in 2022, though denied it
pressionist, he had flummoxed the art and has inspired a wealth of thoughtful but a four-year “rebuilding” sounded was a response to the backlash.1 It now
world in 1970 with a late- career tack criticism and personal accounts. Night like a gut rehab. Storr, Mayer (who had appears the show will proceed without
into figuration, nudging paint into the Studio (1983) by his daughter, Musa been closely involved in the show’s de- dramatic changes to its contents. A sig-
shapes of bottles and bricks and com- Mayer, and Guston in Time (2003) by velopment), and the Tate curator Mark natory to the Brooklyn Rail letter, the
ical, conical white hoods with over- Ross Feld should be required reading Godfrey swiftly posted objections. An artist-gallerist David Dixon, floated the
sized hands and the creepy softness for any aspiring memoirist in the orbit open letter in The Brooklyn Rail de- idea that what looked like tone-deaf flip-
of the Pillsbury Doughboy. Between of a self- consciously great artist. Poets manding the show’s reinstatement was flopping might be strategic brilliance:
lovely painterly passages, the patched cherished him; Philip Roth dedicated signed by an intergenerational, inter-
and dowdy hoods smoked cigars, drove Zuckerman Unbound to him. racial array of artists, critics, curators, By closing the Guston show before
around town, worked at easels, and and dealers. The museum directors opening due to the Klan imagery,
beat themselves up, in both senses. were accused of cowardice (opinion di- the outcry is now focused on the
When first exhibited at Marlborough The fiftieth anniversary of the Marl- vided as to whether the nightmare they
Gallery in New York, these paintings borough show has brought a fresh feared was BLM protests or boogaloo
1
were so unprecedented people found bounty of research: an online catalogue bois selfies), of condescending to the According to Feldman, the 2024 date
it hard to describe them, never mind raisonné, a portable paperback survey public, and of scapegoating the Guston had been “pulled out of the air in haste.”
make sense of them. “It’s as if De Chir- by Mayer (to be published in February), show to distract from their own failures The new schedule is: the Museum of
Fine Arts, Boston, May 1–September
ico went to bed with a hangover and Storr’s monumental Philip Guston: to diversify their collections, profes-
11, 2022; the Museum of Fine Arts,
had a Krazy Kat dream about America A Life Spent Painting (eight flab-free sional staff, and social circles. Houston, October 23, 2022–January
falling apart,” the Village Voice critic pounds), and the multi-author catalog Each side accused the other of in- 15, 2023; the National Gallery of Art,
John Perrault wrote in one of the few of the sweeping “Philip Guston Now” sufficient wokeness: “Rarely has there Washington, D.C., February 26–August
conciliatory reviews, adding, “It really retrospective organized by the National been a better illustration of ‘white’ cul- 27, 2023; Tate Modern, London, Octo-
took guts to make this shift this late in Gallery of Art with Tate Modern, the pability,” averred the Brooklyn Rail ber 3, 2023–February 4, 2024.
Dominique Nabokov
children’s literature scholar Alison false terms. Or, in a restaurant, note
Lurie, who died on December 3 at the that a dish was poorly prepared, and in
age of ninety-four, contributed a review what way. Having deflated pretension
of Anthony Powell’s What’s Become of and bombast, she would then sit back
Waring? to the second issue of The New again in her chair and listen.
York Review, in June 1963; her sixty- London was a place that Lurie
third and last review in these pages—of adored, and although it was never her
Edmund Gordon’s biography of Angela primary home, she had a flat there.
Carter—appeared in March 2017. This Knowing that she often rented it out, I
amounts to more than half a century of suggested that my sister, who’d moved
witty and illuminating explorations of to the UK, get in touch with her about
subjects as diverse as fairy tales, fash- it. Thus my sister became Lurie’s tenant
ion, philosophy, and literature. Always for several years and eventually bought
mordantly funny, she was also erudite, the flat, a light-filled top-floor aerie in
compassionate, and a superlative stylist. Maida Vale, not far from the Regent’s
In the tradition of twentieth- century Canal. Lurie left many things when
British social satirists such as Powell, she sold it, including her books on the
and David Lodge, she had a piercing shelves—volumes of James, Kafka,
eye for the foibles, aspirations, and mis- Joyce, Moravia; those of contemporar-
demeanors of the intellectual classes. ies and friends, such as Antonia Fra-
Her best-known works, The War Be- Alison Lurie, New York City, 1985; photograph by Dominique Nabokov ser, Alice Thomas Ellis, Jane Gardam,
tween the Tates (1974) and Foreign Af- Diana Melly; various editions, includ-
fairs (winner of the 1985 Pulitzer Prize lows: “You have an impulse to interfere In the classic fairy tale there are ing foreign ones, of her own novels.
for Fiction), are campus novels. The in people’s lives, but you don’t want to four principal roles for women: the There is something especially intimate
latter is about the sabbatical romances interfere in the lives of your family and princess, the poor girl who marries about a writer’s library. My sister kept
of American professors in London; its friends because that’s not right, so you the prince, the fairy godmother or all Lurie’s books, and it has felt like a
female protagonist—Vinnie (Virginia) interfere in the lives of imaginary peo- wise woman, and the wicked step- gift for our family to share them.
Miner, a professor at Corinth Univer- ple.” As a professor of creative writing mother or witch.
sity—is, at fifty-four, neither young nor at Cornell (where she was also a spe-
beautiful, making her a radical choice cialist in children’s literature; she coed- Over time, she herself took on the role My husband and I last saw Alison
for a romantic heroine. At one point ited the seventy-three-volume Garland of fairy godmother or wisewoman to Lurie a year ago in Key West, where I
Vinnie thinks to herself, as she sits Library of Children’s Classics), Lurie those she cared about—knitting at was teaching for a week, and she and
alone on a bench at the zoo: found that she could potentially af- Gilmore’s bedside when she was hospi- Edward invited us to their house. We
fect the directions of young writers’ talized with a serious illness or, as Rose sat in the courtyard in the shade of the
In most novels it is taken for lives by interfering in the lives of their remembers her, “making potholders, or splendid, peeling gumbo limbo trees
granted that people over fifty are imaginary people. The writer Jennifer sewing new elastic into the waistbands and ate delicate finger sandwiches
as set in their ways as elderly apple Gilmore, who studied with her in the of old skirts . . . endlessly curious, hands with our tea. We talked about London,
trees, and as permanently shaped MFA program, told me that Lurie said, always busy.” about my sister and the flat, and about
and scarred by the years they have “You will not be a story writer. What Lurie could be formidable. When I Anthony Powell, her good friend there.
weathered. The literary convention you have to do is connect that old lady first met her in the 1990s, at a New York We also discussed passages from Vasily
is that nothing major can happen to in your story and that young destruc- Review–related evening, she seemed Grossman, Tolstoy, and Dostoevsky;
them except through subtraction. tive girl in the other story, and then you rather frightening: her downturned my husband’s essay collection, which
They may be struck by lightning have a novel.” “I fought this,” Gilmore mouth (caused by a forceps injury at she had been reading; and her own book
or pruned by the hand of man; said, “but of course she was right.” birth) lent her a superficially stern as- of essays, Words and Worlds: From Au-
they may grow weak or hollow; Another writer, Ann Beattie—like pect that made her wit seem more tobiography to Zippers (2019).
their sparse fruit may become mis- Rose a friend from Key West, where waspish. My impression was that she This past year seemed so long in
shapen, spotted, or sourly crabbed. Lurie spent part of each winter for did not suffer fools. When I next saw many ways, but in others, so short: our
They may endure these changes nearly fifty years—described Lurie in her and her husband, Edward Hower, marvelous conversation last January—
nobly or meanly. But they cannot, an e-mail as “generous in all ways”: some years later at the Sewanee Writ- the sort of eager but informal literary
even under the best of conditions, ers’ Conference, I didn’t expect that she conversation that you think life will
put out new growth or burst into She always hoped other people would remember me, but she did, and be filled with but isn’t—was, in social
lush and unexpected bloom. would be happy, or happier—even engaged warmly in conversation. (Won- terms, a recent event, and it’s hard to
in terms of things that might ulti- derfully, they had rented for the week a believe that such an inspiring person
As Lurie—who was in her late fif- mately seem a bit silly, like win- crimson Dodge Charger, a muscle car, has left us for good. Phyllis Rose of-
ties when Foreign Affairs was pub- ning a prize, or if someone moved and we delighted at the incongruity.) fered me Lurie’s own advice for coping
lished—demonstrated again and again to a place more agreeable to them Whenever we met, I was impressed with this loss:
throughout her long career, the very act (she liked that word, “agreeable”), by her frankness and sometimes un-
of noticing this convention can allow or got a dog. settled. What didn’t she notice? Rather What I feel about her death she
for its transcendence. like the television detective Columbo, taught me to feel, talking about
Lurie believed that the profound and she could seem in groups abstracted, James Merrill, who was one of her
the everyday could not be separated, even dotty, in retreat from the gen- most treasured friends: “I don’t
When I heard about Lurie’s death, in literature as in life. In her essay eral conversation with her eyes on the really think of him as dead. I think
I immediately started corresponding “Witches and Fairies: Fitzgerald to Up- ceiling or the floor. Then suddenly he has just decided to move to
with friends who knew her. The essay- dike,” published in these pages in 1971, she would lean forward and interject Australia and is vexingly out of my
ist and biographer Phyllis Rose told me she analyzed the female archetypes a rapier-sharp opinion or observation. life for the moment.”
that Lurie had described one of her of fairy tales and their appearance in She might say that a writer didn’t ex-
motivations for writing novels as fol- twentieth- century fiction, observing: press himself lucidly. Or point out that Q
January 14, 2021 15
A Wisewoman in Stratford
Stephen Greenblatt
Hamnet and flesh’s rage,
by Maggie O’Farrell. And if no other misery, yet age?
Knopf, 305 pp., $26.95 Rest in soft peace, and, asked,
say, “Here doth lie
Maggie O’Farrell’s moving historical Ben Jonson his best piece of
novel Hamnet is a story of deep loss— poetry.”
the death of a child, struck down by an For whose sake henceforth all his
incomprehensibly virulent epidemic— vows be such,
and its impact upon a marriage that was As what he loves may never like
already buckling under almost intoler- too much.
able strain. The story’s surprise turn
is that, though the grief-stricken wife It is striking that Shakespeare, as far as
succumbs for years to crippling depres- we know, left nothing comparable to so
sion and though the husband absconds direct an expression of parental grief.
and disappears into his work, the mar- Though this is the same author who
riage miraculously survives, recovers, wrote startlingly intimate poems to
and becomes stronger. The wife and the young man and the dark lady and,
husband in question are Anne Hatha- in the words of a contemporary, circu-
way (or Agnes, as she was named in her lated these “sugared sonnets among his
father’s will and as O’Farrell calls her) private friends,” Shakespeare seems
and William Shakespeare. to have drawn an impenetrable cur-
The novel begins in the provincial tain around his feelings, whatever they
market town Stratford-upon-Avon, were, for his family.
where the eleven-year- old Hamnet, the In 1616, as he lay dying at the age
Shakespeares’ only son, is alarmed by of fifty-two, Shakespeare signed, in a
the sudden eruption of strange symp- shaky hand, a will that made many be-
toms on the body of his twin sister, quests, sentimental and otherwise. To
Judith: “He stares at them. A pair of his younger sister Joan he bequeathed
quail’s eggs, under Judith’s skin. Pale, £20 “and all my wearing apparrell,”
ovoid, nestled there, as if waiting to along with the right to live in part
hatch. One at her neck, one at her of the house on Henley Street—the
shoulder.” The swollen lymph nodes, house in which she and her brother
or buboes—the dread signs of bubonic had grown up—for a nominal rent. To
plague—seem to have come from no- John Heminges, Henry Condell, and
where, but in a tour de force of contact- Richard Burbage, fellow actors and
tracing O’Farrell reconstructs the shareholders in the Globe Theater,
chain of random events and haphazard he bequeathed twenty-six shillings
encounters that could have led the fatal and eightpence each to buy mourning
bacterium Yersinia pestis to the Shake- Illustration by Joanna Neborsky rings, and he gave the same sum to
speare house on Henley Street: his lifelong friend Hamnet Sadler “to
married a woman eight years older when his eleven-year- old son Hamnet buy him a ringe.” To Thomas Combe,
The flea that came from the Alex- than he, and by the time he reached fell gravely ill from unknown causes, the twenty-seven-year- old relative of
andrian monkey—which has, for twenty- one, he had fathered three chil- but even that is by no means certain. a business associate, he left the sword
the last week or so, been living on a dren. This much is clear. And then he The boy died in August and Stratford that likely would have gone to his son
rat, and before that the cook, who evidently abandoned them, leaving was a two- day ride from London, so it Hamnet, had he lived.
died near Aleppo—leaps from the them in Stratford, where he was born, is possible that when word reached the These provisions—including the sum
boy [in Murano] to the sleeve of and heading off to the capital to write playwright it was already too late. Had of £10 to “the poore of Stratford”—are
the master glassmaker, whereupon or to act or to do whatever it was that there been any warning signs? Did he the record of a thoughtful man who has
it makes its way up to his left ear, he imagined he was going to do. True, get the news by letter? Or did someone accumulated a great deal of property to
and it bites him there, behind the as the years passed, he returned from speak some such words as are heard in dispose of, from the “broad silver gilt”
lobe. London from time to time, presumably a brief exchange in The Winter’s Tale: bowl in his grand house to the “barnes,
to visit his wife; his eldest daughter, Su- “Your son . . . is gone.” “How, ‘gone’?” stables, orchardes, gardens, landes,
And so it goes, on and on along trade sanna; the twins Judith and Hamnet; “Is dead.” tenementes” that he owned through-
routes by land and by sea, until it and his aging parents. And, as his If these words from a late play are out Stratford-upon-Avon and its sur-
reaches Warwickshire in 1596. wealth increased, he sent money back somehow linked to what Shakespeare rounding villages. He was explicitly
To readers living in the shadow of a to Stratford, resettled his family in a actually experienced in 1596, they are concerned to keep Thomas Quiney, the
virus that made its way from a wet mar- very large brick-and-timber house, and displaced from autobiography and husband of his daughter Judith, from
ket in Hubei province to the nursing made a succession of local real estate absorbed into someone else’s story; getting his hands on the money she
home around the corner, the story has and commodity investments. this is how the terrible news reaches would inherit. And he was equally ex-
a ghastly timeliness, though it is some To that extent he remained con- a character named Leontes. There plicitly concerned to settle most of his
consolation to note that the bubonic nected. But it is telling that there were was no general inhibition in this pe- substantial estate on his elder daughter,
plague that struck Europe repeatedly no more children born to Agnes and riod from writing directly from per- Susanna, married to Dr. John Hall, and
from the fourteenth century onward Will, and there is no evidence that the sonal experience; quite the contrary. on her male heirs.
was far more lethal than what we have busy playwright shared his rich inner When an outbreak of bubonic plague What is famously notable is the ap-
been experiencing, and that, unlike world with his wife or that he involved took his seven-year- old son Benja- parent absence of any significant be-
Covid-19, it attacked the young and the himself in the daily lives of his offspring. min, Shakespeare’s friend and rival quest to his wife of thirty-four years.
old with equal ferocity. Archival records suggest that actors Ben Jonson gave voice in an exquisite Various explanations have been of-
O’Farrell brilliantly conveys the hor- who came from the provinces more typ- twelve-line poem to his bitterly painful fered, most plausibly that by custom and
ror and devastation the plague brought ically brought their families to London leave-taking: perhaps by law she would, as his widow,
to individual households—such as and settled them there. And if the son- have been entitled during her lifetime
Shakespeare’s, as she imagines it—and nets have any autobiographical truth to Farewell, thou child of my right to enjoy a portion of his estate. Still, a
to entire communities. There is no ev- them, his most intense emotional and hand, and joy; glance at comparable wills drawn up
idence of what actually killed Shake- sexual interests lay outside the bounds My sin was too much hope of by people in Shakespeare’s milieu calls
speare’s son in 1596, but plague is a of his marriage. Between the family in thee, loved boy. attention to what seems to be miss-
reasonable hypothesis. An outbreak the house on Henley Street in Strat- Seven years thou wert lent to me, ing. From the will of his friend Henry
in Stratford in 1564, the year of Shake- ford and the poet in his rented rooms and I thee pay, Condell: “I give devise and bequeath
speare’s birth, took the lives of around on Silver Street in London, there seems Exacted by thy fate, on the just all & singuler my freehold Messuages
a fifth of the population, and the dis- to have been an almost unbridgeable day. landes Tenementes and heredita-
ease recurred throughout the century distance. O, could I lose all father now! For mentes whatsoever . . . unto Elizabeth
with nightmarish frequency. why my welbeloved wife.” From the great
The surviving records of Shake- Will man lament the state he actor Richard Burbage: “He the said
speare’s life are scanty; those of his wife Biographers presume that Shake- should envy? Richard, did nominate and appoint his
still scantier. At the age of eighteen he speare must have rushed home in 1596 To have so soon ’scaped world’s welbeloved wife Winifride Burbage, to
Hitler in Antarctica
Geoffrey O’Brien
West Coast Print Fair Marlborough Gallery Blue Mountain Gallery, 547 West 27th Street, New York, NY 10001
(617) 610-7173 545 West 25th Street bluemountaingallery.org; (646) 486-4730; Tuesday–Saturday, 11AM –6PM
www.westcoastprintfair.com New York, NY 10001
8AM EST–3PM EST (212) 541-4900 %OXH 0RXQWDLQ *DOOHU\ ZLOO FHOHEUDWH WKH RSHQLQJ RI LWV QHZ VSDFH LQ
January 22–February 9, 2021 www.marlboroughnewyork.com &KHOVHDZLWKDQH[KLELWRIJDOOHU\DUWLVWV%OXH0RXQWDLQLVRQHRI1HZ
Tuesday–Saturday, <RUN·VORQJHVWUXQQLQJFRRSHUDWLYHVLWVORQJHYLW\LQWKHHYHUFKDQJLQJ
3ULQW)DLUV86$ SUHVHQWV WKH :HVW 10AM–6PM ZRUOGRI1HZ<RUNJDOOHULHVDWWHVWVWRLWVYDOXHDQGUHVLOLHQFHDVDIRUXP
Coast Print Fair, a virtual show to be IRUFRQWHPSRUDU\SDLQWLQJ
held in lieu of the Portland (OR) Fine
3ULQW )DLU WKH %D\ $UHD )LQH 3ULQW Gina Sawin·VVHULHVRIELUGSDLQWLQJVUHIHUWRWKHWKHPHRIPLJUDWLRQDV
Brassaï
)DLU %HUNHOH\ &$ DQG WKH /RV DQLQHYLWDEOHDQGXQLYHUVDOPHDQVRIVXUYLYDO
$UPRLUHjJODFHGDQVXQK{WHOGH
$QJHOHV )LQH 3ULQW )DLU 3DVDGHQD SDVVHUXH4XLQFDPSRL[, 1932,
&$DOOFDQFHOHGWKLV\HDU gelatin silver print on
double weight paper
Image: 13" x 10 13/16"
GHDOHUV IURP WKH 86 (XURSH Sheet: 16" x 12"
-DSDQDQG$XVWUDOLDZLOOH[KLELWDQG © ESTATE BRASSAÏ—
Kawase Hasui, =2-2-,6+,%$, 1925, RMN-Grand Palais.
VHOO ÀQH SULQWV DQG GUDZLQJV IURP woodblock print,
the time of the old masters through 14 1/4" X 9 1/2"
WR FRQWHPSRUDU\ ZRUNV UDQJLQJ
WKURXJK DOO VW\OHV DQG DUWLVWLF SHUL
RGV0RUHLQIRUPDWLRQIRUFROOHFWRUV
LQVWLWXWLRQVDQGWKHSXEOLFLVDWZZZ
ZHVWFRDVWSULQWIDLUFRP
Gina Sawin, Tern Flock: Gray Morning, 28" x 54"
LewAllen Galleries, Railyard Arts District, 1613 Paseo de Peralta, Cole Pratt Gallery, 3800 Magazine Street, New Orleans, LA 70115
Santa Fe, NM 87501; (505) 988-3250; contact@lewallengalleries.com, www.coleprattgallery.com; (504) 891-6789; Tuesday–Saturday, 10AM–5PM
www.lewallengalleries.com
Joan Griswold, Recent Work
Ynez Johnston & Leonard Edmondson December 31, 2020–February 13, 2021
December 11, 2020–January 23, 2021
7ZRLPSRUWDQW$PHULFDQPRGHUQLVWVDQGOLIHORQJIULHQGV
Paintings of the everyday: bookstores, bedside tables, a sink full of
GLVKHVFDXJKWLQDPRPHQW·VSOD\RIOLJKW
AND
A collection of notable art and
exhibitions from around the world.
HELLO
hello to the unimaginative and dim ways of my kin, hello
to the bad lot we are, to the women mean and plucked, and to the men
on the broken steps who beat down the roses with their hosings,
to the nights that rose black as an inked plate, into which an acid bit stars—
the ugly couture of the thrifty, to the limp of bad goods, of old
furniture, the repeated wince of the creaky rocker, and to the grandmothers
dying in its clutch, and hello to rage which like an axis can move the world.
—Lynn Emanuel
James Mollison
the Assault on American structionism movement:
Democracy
by Derek W. Black. Let us be blunt about it: we
PublicAffairs, 309 pp., $28.00 must use the doctrine of reli-
gious liberty to gain indepen-
During her tenure as secretary of dence for Christian schools
education, Betsy DeVos repeat- until we train up a generation
edly asked Congress to allocate of people who know that there
billions of dollars for vouchers is no religious neutrality, no
for religious and private schools. neutral law, no neutral educa-
She was repeatedly rebuffed. tion, and no neutral civil gov-
Even Republican members of ernment. Then they will get
Congress were unwilling to use busy in constructing a Bible-
the federal education budget to based social, political, and
pay for vouchers. After all, most religious order which finally
of their constituents’ children denies the religious liberty of
attend public schools. the enemies of God.
After the pandemic struck,
DeVos tried again. Late last A number of charter school
March, Congress passed a $2.2 chains, including Heritage
trillion relief bill called the Academy in Arizona and New-
Coronavirus Aid, Relief, and man International Academies
Economic Security (CARES) in Texas, were started in recent
Act, which allocated $13.2 bil- years by Christian national-
lion for K–12 education. Con- ists, who use their tax-funded
gress expected that the money schools to teach their religious
would be shared, as federal values. By allying themselves
education funds typically are, with secular education reform-
among the nation’s nearly St. Mary of the Assumption Elementary School, Brookline, Massachusetts; composite photograph ers, the Christian nationalists
100,000 public and 7,000 char- by James Mollison from his book Playground, published by Aperture in 2015 have been able to make “re-
ter schools, as well as private markable progress,” Stewart
schools based on the number of low- for nonpublic and religious schools, at up in response to Brown were affiliated writes, toward their goal of converting
income students they enroll. DeVos a time when most public schools lacked with conservative religious groups that “America’s public schools into conser-
instead directed states to share the the funding to pay for social distancing, believed that racial segregation was or- vative Christian academies.”
money allotted to public schools with health measures, and personal protec- dained by God. But their leaders knew
private and religious schools that en- tive equipment for students and staff. that they could not build a national
rolled middle-income and affluent stu- movement around the issue of protect- The project of turning America’s pub-
dents. The NAACP and several states ing the tax advantages of racist schools. lic schools into privately managed char-
responded with lawsuits, arguing that D eVos has spent the past three de- Not until 1979, six years after Roe v. ters with minimal regulation has been
her order was illegal. Three federal cades leading a campaign against pub- Wade, did the religious right settle on advanced with funding not only from
judges in different parts of the country lic schools and personally subsidizing abortion as its unifying cause. the DeVos and Koch families, but also
ruled against DeVos, and she backed political candidates who favor private Stewart traces the roots of the ha- from billionaire charter school sup-
down. alternatives. Trump’s decision to ap- tred of public schools to Robert Lewis porters like Bill Gates, Reed Hastings
But the Trump administration found point her as secretary of education was Dabney, a Presbyterian pastor. Born (a graduate of Buckingham Browne &
another way to enrich charter and pri- a reward to right-wing Christian groups in Virginia in 1820, Dabney was a de- Nichols), Eli Broad, the Walton fam-
vate schools. The Paycheck Protection that share her extremist views. In The fender of slavery and critic of the the- ily, Michael Bloomberg, and the Wall
Program (PPP), also part of the CARES Power Worshippers, Katherine Stewart ory of evolution. He complained about Street hedge fund managers who are
Act, was supposed to rescue small documents these groups’ long-standing “having to pay taxes to support a ‘pre- part of a privatization group called
businesses. Lobbyists for the charter crusade against public schools. They tended education to the brats of black Democrats for Education Reform.
industry, however, encouraged char- are “the New Right,” the Moral Ma- paupers.’” After the Civil War—during These individuals and groups con-
ter schools to apply as nonprofits, thus jority, Christian nationalists, and the which he served as a Confederate army tribute to state and local school board
double-dipping into both the public Christian Coalition: angry crusaders chaplain—Dabney tried to undermine candidates who favor school choice, as
school and PPP funds (public schools against secularism, liberalism, abor- Reconstruction by attacking “the Yan- well as directly funding school choice
were ineligible for PPP funding). Pri- tion, feminism, gay rights, and public kee theory of popular state education.” organizations.
vate and religious schools also qualified schools. They include groups like Capi- He proclaimed that public education Throughout much of the twentieth
for PPP funds as nonprofits. Therefore, tol Ministries, Focus on the Family, the was “pagan” and “connected by reg- century, US public schools typically
through a bill supposed to aid small busi- Family Research Council, Concerned ular, logical sequence with legalized enrolled 90 percent or more of the na-
nesses at risk of bankruptcy, thousands Women for America, the American prostitution and the dissolution of the tion’s students; since the introduction of
of charter, private, and religious schools Family Association, the Alliance De- conjugal tie.” charter schools in the early 1990s, that
received an average of about $855,000 fending Freedom, the Council for Na- In the twentieth century Dabney’s share has dropped to 85 percent. The
each, compared to about $134,500 per tional Policy, and the World Congress ideological descendants denounced charter sector has increased to seven
public school through CARES. Reli- of Families. At least eleven members of the New Deal and welfare programs thousand schools, which enroll 5 per-
gious schools of every denomination, the Trump cabinet met weekly for Bible as theft from the rich, which was con- cent of the country’s 56.4 million stu-
elite private schools, and more than study with Ralph Drollinger, the leader trary to God’s word. These right-wing dents, though its expansion has slowed
one thousand charter schools received of Capitol Ministries, who argues that theologians claimed that public schools over the past five years in part because
anywhere from $150,000 to $10 million God favors private property owners were anti- Christian, amoral, atheistic of the high rate of failure of charter
each according to a database compiled and that social welfare programs “have “government schools” determined to schools. (Approximately 10 percent of
Human Values: and 5.5 percent in voucher schools shall forever be encouraged.” the executive branch acted in concert
The Dynamics of (which are mostly religious). In Ohio, Black writes in detail about the to protect Brown and its order to de-
where Republicans have prioritized effects of the Civil War and Recon- segregate the nation’s public schools.
Decaying Civilizations from
school choice, about 2 percent of the struction on the progress of public ed- But after the election of Richard
Ancient Greece to America state’s 1.7 million students use vouch- ucation. Before the war, the South had Nixon in 1968, executive support for
ers and 6 percent are enrolled in char- rudimentary schools for white children desegregation withered, and his four
ter schools, most of which are rated D and none at all for black children. Sev- appointees to the Supreme Court—
or F by the state. Michigan, DeVos’s eral southern states forbade teaching Warren Burger, Harry Blackmun,
home state, has many charters (most enslaved people to read, for fear that Lewis Powell Jr., and William Rehn-
operated by for-profit corporations), they might be exposed to abolition- quist—backed off as well. Their most
America is but only 10 percent of families enroll ist literature. Near the end of the war, consequential education decision may
Self-Destructing: their children in them. Voters have Congress recognized the urgent need have been San Antonio Independent
Wealth, Greed, and Ideology overwhelmingly rejected vouchers in for education for freed blacks by cre- School District v. Rodriguez (1973),
Trump Social Justice and Utah, Michigan, California, Colorado, ating the Freedmen’s Bureau to supply an appeal for equitable school funding
Oregon, Florida, Oklahoma, and, most teachers, books, and schools to them. in Texas, which provided half as much
the Common Good
recently, Arizona. Yet the new conser- African-American leaders saw that money to poor and minority school dis-
vative majority on the Supreme Court their quest for freedom and equality tricts as to other districts. The Court
seems almost certain to sweep away depended on their access to education ruled that education is not a funda-
the provisions in state constitutions that and urged legislation to open public mental right, a ruling that has been
prohibit public funding of religious and schools to children of both races. used since then to deny federal lawsuits
private schools. When the former Confederate states for equal protection of students, and it
America’s Continuum applied for readmission to the Union, backed away from cases seeking rem-
of Racial Democracy Congress required that their state con- edies for segregated schools. As a re-
and Injustice: How did public schools retain this po- stitutions include a guarantee to provide sult, segregation in the nation’s schools
sition of public esteem despite nearly education to all their citizens. Black began to reverse course, reaching levels
From the Plantation to
four decades of bipartisan denuncia- notes that “almost all of [the new state not seen since the early 1960s.
the Urban Ghetto
tions? Derek W. Black’s Schoolhouse constitutions] used the phrase ‘system’ As the federal courts abandoned
Burning: Public Education and the of schools, making statewide and con- educational equity and desegregation,
Assault on American Democracy ex- sistent access to public education clear.” litigants looked to state courts, where
plores the privileged place that they Florida mandated “a uniform system they often found justices prepared to
hold in our country’s history. Black, of Common Schools” and made it “the agree that all children have a right to
a professor of law at the University of paramount duty of the State to make a sound, adequately funded education.
These three books by South Carolina and a civil rights law- ample provision” for these schools. Black asserts that education has a spe-
Thomas P. Wallace yer, makes clear that public education South Carolina asserted in its consti- cial place in what he calls our demo-
can be found at was central to the Founding Fathers’ tution that its public schools would be cratic ideology:
HumanRightsValuesAnd vision of a new kind of democracy that open to all “without distinction of race.”
SocialJustice.com rests on the consent of the governed. Louisiana’s constitution provided that Education is the means by which
They knew that consent required an ed- citizens preserve their other rights.
ucated citizenry. Thomas Jefferson and all children of this State between Education gives citizens the tools
John Adams were particularly outspo- the ages of six and twenty- one they need to hold their leaders ac-
ken in their belief that the state should shall be admitted to the public countable. Education allows chil-
/RQJDZDLWHGWKLUGERRN bear the expense of education, and that schools or other institutions of dren from all stations of life a fair
it should not be left to private or reli- learning sustained or established shot at the American dream. . . .
gious interests. Adams wrote the Mas- by the State in common without Democracy simply does not work
683(532:(56 sachusetts Constitution of 1780, which distinction of race, color or previ- well without educated citizens.
DQRYHOE\ contained this powerful endorsement ous condition. There shall be no
/$85(1 of public schools: separate schools or institutions of The question today, as Stewart,
learning established exclusively for Suitts, and Black agree, is whether pub-
)$,5%$1.6 Wisdom and knowledge . . . dif- any race by the State of Louisiana. lic education can survive the attacks by
fused generally among the body amply funded free-market ideologues,
of the people [are] necessary for And this was in 1868! religious zealots, and others who hate
the preservation of their rights and the very idea of it. Public schools have
liberties. . . . It shall be the duty of always had their critics and their flaws,
UHG¿HQGSXEFRP 5) 5('),(1'
38%/,6+,1* legislatures and magistrates, in all The contested presidential election of but—with the singular exception of the
future periods of this common- 1876 brought Reconstruction and the segregationist movement of the late
wealth, to cherish the . . . public days of idealism to an end. The Dem- 1950s and 1960s—never before has
schools. ocratic candidate, Samuel J. Tilden, there been a sustained effort to replace
won the popular vote, but the Repub- them with privately managed charter
Jefferson proposed a tax-supported lican candidate, Rutherford B. Hayes, schools, vouchers, tuition tax credits,
school system for Virginia, though it and his allies brokered a deal to get the online learning, home schooling, and
was rejected by the state legislature due electoral votes of the southern states in for-profit schooling.
to its cost. exchange for a vow to withdraw Union Access to education does not belong
What Black considers the strongest troops and end Reconstruction. When in the marketplace. Like police and fire
endorsement of public schools pre- the military forces left, southern whites protection, public parks, public high-
ceded the Constitution; included in systematically withdrew the hard-won ways, and clean air and water, public
the Northwest Ordinances of 1785 and rights of African-Americans to vot- schools are public goods, funded by and
1787 was language specifying how the ing and schooling. An important re- belonging to the public. Public schools
new territories should be organized in sidual benefit of Reconstruction was are democratic. That may be why the
order to join the nation as new states, that whites had gained access to public families of most children have ignored
THE LIBRARY 1000-PIECE PUZZLE rather than as expansions of existing schools and did not want to abandon the billionaires, hedge fund managers,
Children and animals spend a peaceful time states. According to the Northwest Or- it. But once they were back in control religious sectarians, and entrepreneurs
enjoying the library in this illustration by dinance of 1785, Black writes, in the South, they established a dual who have been wooing them for the
American artist Emily Winfield Martin. school system in which black education past three decades. The school choice
Martin’s work is inspired by fairy tales, film, every new town had to set aside was sparse and underfunded. And they movement hastens the resegregation of
music, myths, and the natural world; ele- one-ninth of its land and one- withdrew African-Americans’ access society along lines of race, class, and
ments of all of those influences are found in third of its natural resources for to the ballot box by introducing literacy religion at the same time that it diverts
this whimsical image. Made in USA. Ages the financial support of public ed- tests and other means of denying them funding from the public schools, mak-
7 and up. ucation. And every town had to the right to vote. ing it harder for them to meet the needs
#05-M2030 • 26 5/8"x 19 1/4" • $24.95 reserve one of its lots for the oper- Black describes the woeful state of of children, families, and communities.
Price above does not include shipping and handling. ation of a public school. schools provided to African-American As our society grows more diverse, and
Due to Covid-19, please allow extra time for shipping. students and the careful legal strategy as our democracy grows more strained
TO ORDER, go to shop.nybooks.com, call Each town was to be divided into thirty- devised by lawyers for the NAACP that by divisiveness, the need for genuine
646-215-2500 or email orders@nybooks.com. six squares of equal size; lot sixteen eventually led to Brown. That land- community-based public schools grows
was to be set aside for a public school. mark decision provoked a vigorous and stronger. Q
38 The New York Review
Deadly Myths
Emmanuel Ordóñez Angulo
Ritta Trejo
Hurricane Season because we see her spying on them
by Fernanda Melchor, translated from the other side of the cane fields.
from the Spanish by Sophie Hughes. We know she doesn’t lack for money
New Directions, 210 pp., because she refuses payment on the
$22.95; $16.95 (paper) only occasion one of the villagers re-
quests a potion from her (from this, we
In Fernanda Melchor’s story “La Casa also know that she’s familiar with her
del Estero,” from her collection Aquí mother’s trade). Most perplexingly, we
no es Miami (2018), a group of friends are tantalized with the prospect that
spend the night in “la casa del diablo” she might be a man, because we hear
(the devil’s house), an abandoned locals whispering about her stature, her
property near their hometown in the voice, and her strong, claw-like hands.
state of Veracruz that the locals believe But the obscurity of the Witch’s gender
to be haunted. Toward the end of the is not the only plausible explanation
night, one of the women in the group for the ostracism; this is a society with
appears to succumb to a demonic pos- as much of a place for the concept of
session. Her eyes go blank, she hits her transgender women as for the concept
friends with astonishing strength, and of women who can live without a man.
she speaks in tongues. Her friends take Either way, we also learn that the
her to a healer for an exorcism, which Witch is not all that alone. Late at
doesn’t work. During the process, the night, when the women of the town are
spirit—clearly a male force—claims he sleeping, the men who disparage her
is entitled to the woman’s body because during the day attend the booze- and
she chose to enter the house herself: drug-filled parties she hosts in her base-
“She sought me, she went looking for ment. And we learn that one of them is
me!” it says through her transformed Luismi, her killer; the young man has
voice. “This bitch is mine!” a seemingly romantic relationship with
It would be easy to read the story the Witch but only allows himself to
as an allegory. Male violence against be seen with her at these clandestine
women is rampant in Mexico. There Fernanda Melchor, Mexico City, 2017 parties.
were 1,006 registered murders of The novel’s themes—poverty (and
women in 2019, a 137 percent increase Mexican writers have long been fas- universe; we are nothing. What we all that comes with it: dire working
since 2014. Veracruz, Melchor’s home cinated by this blend of dark myth and know is nothing compared to what conditions, educational deprivation),
state, on the eastern coast of Mexico, dark reality. An early and influential we do not know, to what we cannot repressed sexuality, political corrup-
has the highest number of femicides in example is the journalist and novel- control.” tion, and the opium of religion—all
the country. But to read the story in this ist Jorge Ibargüengoitia’s The Dead point to its main subject, which is vio-
way would be to ignore the presence of Girls (1977), a novel about killings at lence. But to list these as elements of a
magic in Mexican life. Veracruz is also a brothel written to resemble a police There is much that remains unknown Mexican story is to assert a platitude,
the center of Mexico’s witchcraft indus- report, and based on real events. (One in Melchor’s Hurricane Season. Pub- and Melchor’s novel is not a catalog
try, which peaked in the 1950s when a of the epigraphs to Melchor’s newly lished originally in Spanish in 2017, of the country’s troubles. Hurricane
local warlock, Gonzalo Aguirre Pech, translated novel, Hurricane Season, is the novel tells the story of a femicide Season is, first and foremost, a horror
became famous enough to add politi- from Dead Girls: “Some of the events that occurs in an inhospitably hot, story—its horror coming from rather
cians and film stars to his usual clien- described here are real. All of the char- God-forsaken town in a region that is than contrasting with the lyricism of
tele of farmers. acters are invented.”) unnamed but is revealed by the plan- Melchor’s prose. Instead of supplying
The brujo’s success was partly the re- Similar themes can be found in the tations of sugar cane, the presence of a welcome breeze in the heat, the local
sult of a shift in the trade itself. Though work of Roberto Bolaño, that writer an oil company, and the effects of in- river is where the children who find
most brujos until then were sought for who himself turned into a myth. His dustrial development to be a fictional- the Witch’s body “finally recognized
“white” services, mainly herbal heal- 2666 (2004) includes exhaustive ac- ized Veracruz. The victim is a social what was peeping out from the yellow
ing, Aguirre Pech claimed to have counts—crónicas—of the murders of outcast whom everybody calls “the foam on the water’s surface: the rotten
ascended Cerro Mono Blanco, a hill women and girls in the town of Santa Witch.” Her mother had been the local face of a corpse.” This face appears to
near Lake Catemaco, and bartered his Teresa on the Mexican-American bor- sorceress (“the Old Witch”) to whom the children as a “dark mask seething
soul with the devil for dark powers. der, a barely veiled fictionalization of people used to turn when they needed under a myriad of black snakes.” The
Ever since, the town by the lake—also Ciudad Juárez. The element of mysti- supernatural help. Most often, the cli- air itself is suddenly thick with “a ter-
named Catemaco—has been known for cism is less evident in Bolaño than in ents were women; most often, their rible smell that hit them harder than a
the black magic practiced by Aguirre Melchor, but one senses it in the mo- requests involved men: “Potions to pin fistful of sand in the face, a stench that
Pech’s apprentices. Although many pa- tives of a poet in Distant Star (1996) down the men, to really knock them off made them want to hawk it up before it
trons still request limpias, or cleansings who goes on a killing spree (including their feet, and indeed potions to ward reached their guts.”
of evil spirits, most have become more of former lovers), in the improbable the bastards off for good.” (Also, it is
interested in spells concerning sex and luck that guides a pair of writers to an revealed later, potions to get rid of the
love—or, rather, sex and hate. People encounter with their elusive literary creatures “growing inside” the women T he lush imagery gives way to the ka-
go for amarres (love spells) as much as hero in the desert, in The Savage De- as a result of the efficacy of the first leidoscope of stories that converge in
they go for vengeance. tectives (1998), and in the threatening potion.) the Witch’s murder. There is the story
Belief in the existence of evil spirits atmosphere pervading every event in After learning of the Witch’s murder, of the Old Witch, who was rumored
has long flourished in Mexico. As with 2666, from the inexplicable presence in we are told about her mother’s earlier to be sleeping with the devil. There is
many aspects of its culture, Mexican Mexico of a murderous German writer, death in a hurricane that devastated the story of a family whose matriarch,
spirituality is a combination of Cath- in the book’s opening pages, to the om- La Matosa, the village where the Old Doña Tina, enforces a system of racist
olic faith, pre-Columbian rituals, and, inous smile of a female politician to- Witch and her fatherless child lived. and sexist beliefs that benefit only her
on the eastern coast, the heritage of ward the end. After the village is rebuilt, presumably son, Maurilio, and her grandson, Lu-
African slaves. The invisible is as much The mysterious forces at play in many years later (how long exactly is ismi, at the expense of every woman in
a part of the Mexican world as the vis- Melchor’s stories are so palpable that not clear), only the child begins to ap- the family, including Doña Tina her-
ible, so to write about these matters one hardly questions their reality. In pear in the streets again, now grown: a self. There is the story of Chabela and
means to engage with fiction less than “La Casa del Estero,” Melchor asks her tall, thin spectral figure, always clothed Munra, a married couple supported
it might elsewhere. Melchor is a trained date, one of the men who had been at in black, as if in permanent mourning. by Chabela’s sex work. (Chabela jus-
journalist, and Aquí no es Miami was the devil’s house that night, “So you re- Most of the novel is recounted in tifies the burden by saying, ruefully,
advertised as a collection not of short ally believe in the devil?” flashback: the Witch inherits the Old that while no longer “a real handsome
stories—although that is, deliciously, Witch’s house on the outskirts of the fucker,” her husband can still “do things
how they read—but of literary jour- “I can’t tell you it doesn’t exist,” he village but not her place among the with his tongue you wouldn’t believe.”)
nalism. (The Spanish term to describe answered me. It had started to rain locals, who respected and feared her. Then there is Norma, a thirteen-
them, crónica, has a wider scope than again. “It would be selfish to say We only ever learn about the Witch year- old girl who runs away from an
the English “memoir” or “report,” both no: the universe is vast; there must through the eyes of the villagers; her abusive home and ends up in La Ma-
accepted translations; whatever the be incomprehensible, immeasur- own perspective is unknown to us, as it tosa by chance, interrupting her origi-
pieces in this book are, most of them able energies at work in it. We hu- is to them. We know that she lusts after nal plan to reach a coastal town farther
are narrated in Melchor’s own voice.) mans are microscopic shits in this the workers who are laying new roads south, where she hoped to find a cliff
Lamnas/Alamy
A bas-relief depicting the sack of Jerusalem on the Arch of Titus in the Roman Forum, constructed in 82 CE
A History of the Jewish War, as told by Josephus, took on new mean- general appointed by the emperor Nero bear out that charge: it was much to
AD 66–74 ings during the Holocaust and subse- to crush the revolt. According to Jose- the advantage of Vespasian, the first
by Steve Mason. quent struggles for Israeli statehood. In phus’s account in The Jewish War, he Roman emperor to come from outside
Cambridge University Press, the mid-1960s the archaeologist Yigael prophesied to his countrymen that the the Julio- Claudian line, to appear fore-
689 pp., $163.99; $39.99 (paper) Yadin, the first large-scale excavator town would fall on the forty-seventh ordained or divinely favored, and the
of Masada (and former chief of staff of day, and it did, after Vespasian com- Middle East was at this time rife with
Masada: the Israel Defense Forces), publicized pleted a ramp that allowed his troops messianic murmurs about a world ruler
From Jewish Revolt to Modern Myth what he considered to be vivid evidence to surmount its walls. arising there (some later claimed that
by Jodi Magness. proving Josephus’s account, though his What happened next is described these referred to Christ, whose gospel
Princeton University Press, claims have since been challenged. The in The Jewish War in surprisingly dis- was just beginning to spread). Did Jo-
265 pp., $29.95 controversy over what happened at Ma- passionate tones. With forty followers, sephus invent the tale of his prophecy
sada, and what various scenarios might Yosef took refuge in a cistern from to give Vespasian a gift of legitimacy,
The historian Steve Mason has called mean for modern Jews, has only grown which no escape was possible. In an ep- or perhaps even conspire with the Fla-
The Jewish War by Flavius Josephus since. isode that eerily prefigures his account vians to craft it? Or had he actually
“perhaps the most influential non- Beneath the mystery of Masada lies of Masada, he and his men decided to made one of history’s luckiest guesses,
biblical text of Western history.”* This the enigma of Josephus, a figure whose kill themselves rather than submit, and with his life and freedom on the line?
may seem a surprising choice. Written shifting identities make his authorial they drew lots to determine the order in After impressing the Romans with
in Greek around 75 AD, the war it de- motives hard to discern. Born into a which one would slay the next; the last his seeming prophetic powers at Io-
scribes—the Judaean revolt against Jewish family of priestly descent, Yosef would commit suicide. Yosef, “whether tapata, Josephus went on to become
Roman rule that began in 66 and largely ben Matityahu, as he was then known, by chance or the foresight of God,” a member of Titus’s staff during the
ended in 70 after huge losses, including spent his late teens in study and ascetic drew one of the last two lots. After subsequent siege of Jerusalem. As a
the destruction of much of Jerusalem practice, including (by his own report) watching thirty-nine men die by the go-between who could speak Hebrew,
and the tearing down of its Temple— three years at the side of Bannus, an sword, he abandoned his resolve and he sought, in a speech he records (or in-
hardly seems today to be “the greatest eremite Jew who lived by foraging and convinced his remaining comrade that vents) in The Jewish War, to persuade
not only of wars of our own times, but of dressed in palm fronds. How he went they both should surrender and live. the city’s defenders to end their rebel-
all those we have ever heard of,” as Jose- from this spare existence to become Brought before Vespasian, Yosef, in a lion. His mission failed. The siege came
phus claims in his opening words. Yet the Flavius Josephus—a wealthy Roman second prophetic moment, addressed to a brutal conclusion with the sack of
work continues to fascinate, especially citizen with land and income and a the commanding general as the future the city and the destruction—acci-
now that thorny questions have emerged name that marked him as a protégé of emperor of Rome. Vespasian was in- dental, according to Josephus—of its
concerning its account of the war’s coda the Flavian emperors—is a remarkable trigued and kept the young Jew in his Temple, tragedies remembered by Jews
in the year 74: the mass murder-suicide story of elevation at the hands of the retinue rather than shipping him off today with the fast of Tisha B’Av. Jose-
of nearly a thousand Jews who resided reigning superpower, recalling the rags- to Nero as planned. Within two years, phus accompanied the victorious Titus
on the fortified hill of Masada, just be- to-riches progress of his namesake, the after Nero’s ouster and a bloody fight back to Rome, where he ultimately
fore it was captured by the Romans. biblical Joseph, in pharaonic Egypt. among the generals seeking the throne, received land and income from his im-
Masada, which overlooks the Dead The transformation of Yosef into Jo- Vespasian was installed as emperor. By perial sponsors. Vespasian meanwhile
Sea, has, over the past century, be- sephus came in 67 AD, the second year that time Yosef was an adjutant to his used his son’s success in the Jewish War
come a symbol of Jewish self-assertion of the Jewish revolt. For years, corrupt son Titus, whom Vespasian had left in to prop up his own authority, staging an
and resistance to domination. Its well- Roman officials governing the region command of his troops, and was well on enormous triumphal procession in 71,
preserved ruins became a pilgrimage had treated the Jews and their Tem- his way to becoming the Judeo-Roman the first such spectacle Rome had seen
site for Zionist youth in the 1920s and ple with disdain; Jewish leaders had grandee Titus Flavius Josephus. in decades. Later, the Flavian amphi-
1930s, and Yitzhak Lamdan’s poem finally chosen to resist and in 66 had Josephus went on to write The Jew- theater, now known as the Colosseum,
“Masada” (1927) made a rallying cry of destroyed a Roman force sent to bring ish War, with its account of the Iotapata bore an inscription declaring that it
the words “Never again shall Masada them in line. Despite his doubts about episode, at the courts of Vespasian and was paid for out of war spoils, and the
fall!” The story of Masada’s last days, the wisdom of rebellion, Yosef, then a Titus (who succeeded his father in 79 Arch of Titus in the Forum presented
talented leader aged twenty-nine, ac- AD), and this calls his reliability into bas-relief scenes—still visible today—
*“Josephus’s Judean War,” the first cepted command of Galilee, the region question. The nineteenth- century Jew- of the sack of Jerusalem.
chapter of A Companion to Josephus, most directly in the path of Roman ish historian Heinrich Graetz labeled
edited by Honora Howell Chapman retribution. There, in the fortified Josephus a Römling, or “little Roman,”
and Zuleika Rodgers (Wiley Black- town of Iotapata (modern Yodfat), he a tool of imperial power. The tale of Josephus’s Jewish War, itself a monu-
well, 2016), p. 13. withstood a siege led by Vespasian, the the prophecy spoken at Iotapata helps ment to Flavian power, was composed
Siglio
to shoot a roll of 35mm color film every
day in the month of July. At the time she
was living in SoHo with the filmmaker
Ed Bowes (with the Twin Towers not
yet finished and an era of financializa-
tion only just stirring, poets were still
living in SoHo) and traveling with him
back and forth between the city and the
Berkshires to work on “visual effects”
for Terrence McNally’s play Where Has
Tommy Flowers Gone, soon to appear
at the Berkshire Theatre Festival.
That month she also kept daily hand-
written notes. The intention was to
record as much “data” as possible—
whatever was happening to her—in
order to replicate her experience in text
and on film: “It was a month of my life.”
Mayer noted the day’s plans, places she
went, telephone numbers of people she
called, car colors, ads heard or seen,
feelings, the weather, things glimpsed
in magazines, seen on the television,
heard on the car radio, and a lot else.
She developed the film at night—a
complex, multistep process perhaps
difficult for today’s Instagrammer to
fathom.
Eventually she projected slides in se-
quence in her Grand Street loft as a vi-
sual aid by which to “revise and refine
her textual record” of the month. (One
A page from the July 26, 1971, entry of Memory by Bernadette Mayer
wonders if the “revision” largely in-
volved transforming journal notes into
prose poetry.) She then recorded her-
Memory the literary parents for whom she had a She wrote almost all of Midwinter Day self reading this text. For the installa-
by Bernadette Mayer. “mystical” affinity. (1982), her brilliant long poem about tion, Solomon paid to have 3-by-5-inch
Siglio, 335 pp., $45.00 Mayer, who grew up in the Ridge- a day in the life of a writing mother, prints of the slides developed and
wood neighborhood of Queens in New on December 22, 1978; asked in an mounted in sequence on boards with
Piece of Cake York City, lost her mother and father interview what she thinks of revision, handwritten cards indicating their
by Bernadette Mayer by the age of fourteen. Her father, a Mayer replied, “I disapprove.” The place in the sequence. The complete in-
and Lewis Warsh. former wallpaper designer who worked artist Adrian Piper has called May- stallation was fifty-two inches high and
Station Hill, 323 pp., as an electrician, died of an aneurysm er’s early prose-poetic experiments thirty-six feet long, while the six hours
$24.00 (paper) when she was twelve; as her mother, a “space-filling poetry” that, in aim- of Mayer reading her text played con-
secretary, was dying of breast cancer ing to capture the experience of con- tinuously in the installation space. The
Just after Frank O’Hara’s untimely two years later, she begged Mayer to sciousness, tends toward maximalist idea was to place the viewer-listener in
death in 1966, John Ashbery made a join a convent. Mayer’s legal guardian, abstraction. a position to be Mayer, to experience
case for the poet’s enduring signifi- an uncle, died when she was eighteen. something like her consciousness.
cance. In spite of only modest success She began her studies at a Catholic A few years later, Mayer reworked
during his lifetime, O’Hara was “the college instructed by nuns, but fled to Although Mayer’s early work did and printed the text of the installation
first modern poet” to pose a vital ques- Barnard as soon as her uncle died, fi- not find many readers—most of it was as a book, Memory (1975)—a rework-
tion: “Can art do this?” O’Hara’s and nally settling on the New School two self-published or published by small ing that suggests she did not disapprove
Ashbery’s different ways of answer- weeks later. After college she spent sev- presses, and many of her books are out of all forms of revision. When exactly
ing that question have changed what eral years in Lower Manhattan writing of print—it is now having a renaissance. she did the revising is a question the
counts as poetry in the US, which may and collaborating with conceptual art- Studying Hunger Journals, a 460-page text itself raises with references to his-
be why the New York School—the ists, including her then brother-in-law, book made up of prose journals Mayer torical events (the destruction of the
circle of poets and artists who the performance artist Vito Acconci, kept from 1972 to 1974 at her analyst’s Watergate tapes, for instance) that
worked and socialized in Manhat- with whom she edited 0 to 9, an influen- suggestion, was republished in its en- occurred well after July 1971. For fi-
tan in the 1950s and 1960s—remains tial mimeographed journal of experi- tirety in 2011 by Station Hill Press. It is nancial reasons, this textual version
a powerful category, in spite of the mental art and poetry. She has said that radically experimental in its aspiration included just a few images reprinted
varied styles and stances toward in spite of their differences, she agreed to find “a workable code, or shorthand, in black and white for the book’s front
poetry-making taken by the poets as- with Acconci “that you don’t see poems for the transcription of every event, and back covers; it is long out of print.
sociated with it. as this thing that’s surrounded by white every motion, every transition of . . . This latest iteration of Memory, pub-
Bernadette Mayer belongs to the space and is a precious object.” mind.” In 2019 Station Hill brought out lished in an appealing color edition, is
second generation of that school, those Across nearly thirty books—mostly the previously unpublished 1976 prose- another thing altogether: a modestly
who were writing in the late 1960s and poetry and what gets called literary poetry experiment Piece of Cake, oversized art book printed on matte,
1970s. Her poems’ unapologetic self- nonfiction—Mayer’s work takes on which Mayer had written with her coated stock, it pairs the 1975 text’s
centeredness and uninhibited liveliness the “anti-literary” idea that, as Ash- then partner, the poet and artist Lewis dated entries with new, small scans
recall Ashbery’s praise of O’Hara and bery put it, “here everything ‘belongs’: Warsh, who died in November. And (1 3/4 by 2 1/2 inches) of the almost
embody O’Hara’s faux-blithe claim that unrefined autobiographical frag- twice in the last few years her multi- 1,150 images, painstakingly color-
“you just go on your nerve.” (He once ments, names of movie stars and op- media installation “Memory,” which corrected from the original slides.
compared poetry to someone “chas- eras, obscene interjections, quotations was first exhibited in 1972 at Holly Sol- In its installation forms, Memory
ing you down the street with a knife.”) from letters.” From her earliest self- omon’s art space in New York City, has placed emphasis on the photographs
Mayer came of age around the time published volumes, Ceremony Latin been remounted: in 2016 at the Poetry (the text existed only as transient sound
O’Hara died, graduating from the New (1964) and Story (1968), to her most Foundation in Chicago and in 2017 at in the gallery). The 1975 book drew
School in 1967, where her teacher Bill recent, exhilarating book of poems, CANADA gallery in Manhattan. The attention almost entirely to Mayer’s
Berkson—O’Hara’s student, friend, Works and Days (2016), Mayer has project has now been reconceived— printed text. The new edition allows the
and collaborator—compared her early challenged the conventions of poetry brilliantly—as a book combining prose text and images to share space, work-
poems to the work of Gertrude Stein, by incorporating, even foregrounding, and photographs. ing in counterpoint to each other. Each
whom she’d never read. Stein later other written genres—letters, diary en- The publication by Siglio of this new day’s entry includes roughly thirty-six
came to mean a lot to Mayer; in an in- tries, psalms, detective stories—and by edition of Memory marks the third images, parceled out every few pages
terview from the late 1970s she identi- advocating for process (often limited major version of the project since it in rebus-like grids of nine shots (bring-
fies Stein and Nathaniel Hawthorne as by arbitrary constraints) over product. began in 1971, when Mayer undertook ing to mind Hilla and Bernd Becher’s
Lawrence Schwartzwald
brain can possibly make conscious use sist, enjoy, or manage the experience. the vision of myself peering into the
of. They linger and haunt. On the cover, Is it very easy or very hard? Is Mayer book, poring over it to connect images,
Mayer’s face, with dark open eyes and looking in or out? What are we to do words, history.
the camera visible (a self-portrait made with the text? One acclimates oneself
in a mirror), stares out at us like an im- to its logics, moods, and movements
passive ghost. as it goes along, recognizing repeated The perhaps more readable qualities
That inward/outward gaze is central names and places and themes; nar- of the work Mayer wrote after Mem-
to the project. Even as a fan of May- rative fragments begin to cohere and ory and Studying Hunger brought her a
er’s writing I felt self- conscious about throughlines of plot glimmer. larger audience and rankled her avant-
getting through the whole of Memo- And today Google gives us special garde supporters. In 1976 she wrote to
ry’s text; Mayer frequently calls it and access to Memory, allowing a profound the poet Jackson Mac Low:
Studying Hunger “unreadable,” a word change from the reader’s original rela-
that has a hold over Stein’s legacy as tionship to the text: whereas for the first I’m teaching myself how to write
well. It depends, of course, on what one decades of its life, Memory’s borrowed a direct sentence, simple commu-
wants reading (and writing) to do or to language might have been mistaken as nication. Sometimes it’s boring but
be—a question that Mayer, like many Mayer’s personal speech, some of its mostly to me it’s as much an exper-
avant-garde writers of her era, has details remaining resolutely obscure, iment as anything I’ve ever done. I
thought about as a function of the econ- now it can serve (for better and worse, wish for feedback about my books,
omies of time, labor, and leisure. The perhaps) as a hypertext by which to lo- money and fame. So what?
text doesn’t make it explicit, but Mayer cate Mayer’s lived experience, to pin it
and Ed are working hard through down. For a while as I read I tried to Mayer was at the time writing Piece
much of Memory, and the book takes locate Mayer and her crew on the map of Cake, a prose-poetry journal writ-
transcription to a kind of extreme, in- of the city and of history—Third Ave- ten with Warsh. It was published for
tentionally blurring the line between nue movie houses and their screenings the first time in 2019, and its stylistic
life and art. It riffs on what’s “worth” for early July 1971 (the Coronet: Ba- Bernadette Mayer, New York City, 2011 difference from Memory could not be
remembering and writing down, as well nanas, though the moviegoers end up sharper. It both does and doesn’t bring
as what’s worth reading and remember- at Carnal Knowledge), anti-police riots pop song titles and lyrics weave into us closer to Mayer, whose “So what?”
ing of a text that’s all about a person at the Jersey Shore, the Mod Squad on personal anecdotes; advertising copy suggests she knew she’d need to defend
who never quite speaks to us. the cover of that week’s TV Guide, the for a Manhattan dial-a-steak service her desire to find an audience. (A poem
history of the construction of the World pops up and takes over Mayer’s prose titled “James Schuyler’s Road Show” in
Trade Center. (that day’s entry ends, “Goodnight, her recent book Works and Days fea-
Aside from an opening twelve-page When I started reading reviews of a meat”). tures a party- dream- space including
section in long lines of verse that vex- book Mayer was reading—The Future Memory’s many shifts in tone and some of the poets who criticized her
ingly wind two different semantic of the Future—I feared I might never diction raise a couple of questions: work of this era. Let’s just say there are
threads around each other, Memory’s emerge. Possible plot lines seemed to When isn’t Mayer citing or collaging a lot of pens, phalluses, and revived
days and pages pass in lengthy, unpara- form: Ed and Bernadette record am- a received text, and what counts as corpses in it.)
graphed prose blocks, its information bient sounds in a city market; they and “real”? Long passages of transcribed Mayer and Warsh decided to write
presented without hierarchy or formal K. spend July 4 driving downtown and conversations (separated by slashes or Piece of Cake in July 1976, around the
coherence. watching fireworks at a pier (stunning not), driftings into letters written and time they signed a lease on an apart-
Each day offers loose but striking photographs show the Twin Towers received, incorporations of other peo- ment at 100 Main Street in Lenox,
sentences—a mixture of chronicle (ar- nearing completion); they drive up ple’s poems, twice including (as does where they settled in part because
rivals and departures, trips taken, work the Taconic Parkway to the country; Studying Hunger) altered lines from Hawthorne had lived there. Their first
done, weather observed) and dizzying, they take an affecting trip back to the Jerome Rothenberg’s “Portrait of a Jew child, Marie, was eight months old at
dense, and rhythmic blather. Here’s city to clean out Mayer’s childhood Old Country Style”: “I deny autobiog- the time. Over the month of August,
July 7: home in Ridgewood; they spend a day raphy or that the life of a man matters they wrote alternate chapters (Warsh
sailing at a boating club that won’t more or less. . . .” Like Rothenberg, took odd days of the month, Mayer
Between the thumb & forefinger allow Jews to join, in Lenox, Massa- Mayer is focused on the way language, even) and did not read each other’s en-
of my right hand, between those a chusetts, a village in the Berkshires; and memory, come at once from in- tries. They also agreed that, as Mayer
splinter zooms in quick & the taste there’s a bat in the house; Ed stays side and outside what we may want to puts it in the book’s introduction, when
waste of a room—I’m a schoolboy out all night; Mayer is in a terrible think of as the mind’s or self’s privacy. one of them “mentioned a name, like
in watercolors, look around, its mood, driving around to local radio Memory in this sense does “deny auto- Clark [Coolidge, Mayer’s friend and
mountains in merica zoom, what stations to find a recording of “That biography,” if by “autobiography” we collaborator], we would describe a bit
the fuck’s the moon we’re in an Old Black Magic” (for the McNally mean a story of the past anchored by a who that person is, a little about her
insulated room we take our time play at the Berkshire festival, Goo- sovereign self. Dreams and the writing or him”—in this decision, and in the
runnin round we zoom no moon, gle tells me). And so on. Finally July, of them are often her way of denying relatively conventional syntax and nar-
we make, monster, the greatest preparations for the play, and maybe the personal, and Memory, in all its it- rative cast of the book’s prose, it can
milk of all time, like this. . . . the relationship with Ed are coming erations, seems made to immerse the seem a counterpoint to Memory, an ex-
to an end—but how much of this have viewer and reader in a kind of dream, a periment in “clarity.”
Prose speeds up to keep pace with I invented? And do such speculations wash of “vagueness,” one of Ashbery’s I use scare quotes because it’s clear
thought or mood—as if writing were mar what Memory originally intended words for O’Hara. Mayer doesn’t think “simple commu-
squeezed in between errands—or to to do? Mayer seems to have experienced her nication” is more true or natural than
keep a rhythmic groove going. (Mayer Like O’Hara, Mayer is pushing contact sheets as we do—foreign, hard the “intransigent prose . . . communicat-
complains on July 13 that her “hand al- against the mainstream taste for first- to parse, and ripe for projection. In ing in great waves like an apparition”
ways hurts always hurts still does when person confessions, but she does so the entry for July 4 she writes, maybe that, she tells us in her August 4 entry,
I write in this book.”) July 6: precisely by writing her experience talking with someone else: she admires in Coolidge (and toward
with no interest in whether we under- which her writing strives, both before
Down the road roses to the fork at stand her feelings or even really what wow/you know what street that and after Piece of Cake). In the midst
the T, there’s money buried there happened. The entry for July 14 seems is? you wont believe it/i’ll figure of their narrating small details of daily
with David Rubinfine. cal.” Fruits and vegetables do this her focus.” —Michael Prodger, The
In this passage late in the book (Au- to me. Sunday Times ’s ‘Books of the Year’
gust 26) one sees that its readability Available from booksellers or nyrb.com
really doesn’t imply Mayer’s faith in ei- Q
January 14, 2021 45
Please order books by using the contact information listed under each press’s name, or visit your local bookstore or online retailer.
To advertise your books, email ipress@nybooks.com, call (212) 293-1630, or see www.nybooks.com/ipl.
To advertise your books, email ipress@nybooks.com, call (212) 293-1630, or see www.nybooks.com/ipl.
Sarin Images/Granger
The Power of Charisma new nation, was intrinsic to the
in the Age of Revolution modern world.
by David A. Bell. In fact, one might argue, it is
Farrar, Straus and Giroux, only in our own time that we
335 pp., $30.00 can see most clearly how it all
works. The leader’s rallies, his
In 1917, when Europe seemed to broadcasts, his photo opportu-
lie in ruins, Max Weber wrote an nities, his tweets—these do not
influential essay with the mislead- simply decorate the serious busi-
ingly dull title “Parliament and ness of governing; they are part
Government in a Reconstructed and parcel of it. True, in the past
Germany.” In it he drew attention and perhaps in the present too,
to the outbreak of “Caesarism” charismatic leaders have often
in nineteenth-century Europe, threatened constitutional orders,
taking Otto von Bismarck as but they were crucial to the ini-
the prime example of a modern tial creation of those orders, not
Caesar for Germany (and indeed only by engineering the rupture
for the entire continent). How with the ancien régime but also
brilliantly, according to Weber, by bonding the public to this
the old Junker had reduced Par- strange new world. The char-
liament to a rubber stamp, what ismatic leader breaks the rules
devastating use he had made of not just because, he claims, the
emergency legislation and popu- rules are harmful to the people,
lar appeals, how ruthlessly he had but because breaking the rules
expanded the power of Germany shows that he has charisma; he
and consolidated his own. is beyond good and evil, and be-
You might think that Weber yond a lot of other boring stuff
goes on to tell us what a harmful too.
thing this modern Caesarism is As Weber writes elsewhere:
and how Parliament and the rule
of law must be strengthened as In order to do justice to their
bulwarks against its perils. And mission, the holders of cha-
he does, but then he starts off on risma, the master as well as
a new and more disquieting tack. his disciples and followers,
Isn’t it possible, he muses, that must stand outside the ties
demagoguery is actually inher- of this world, outside of rou-
ent in modern democratic suf- tine occupations, as well as
frage, just as it was in Periclean outside the routine obliga-
Athens? Apart from demagogos, tions of family life.
ancient Greek had a dozen other
words to describe “people- Charisma is both revolutionary
flattery” of one sort or another. and unstable: “It can only toler-
Surely mass democracy had a ate, with an attitude of complete
tendency to Caesarism: emotional indifference, irregular,
unsystematic, acquisitive acts.”
Every kind of direct popular Simon Bolívar Crossing the Andes, after a painting by Arayo Gómez, 1857; it is based on The charismatic can often be
election of the supreme ruler Jacques-Louis David’s Napoleon Crossing the Alps identified by the absence of a cer-
and, beyond that, every kind tain normal human pulse. After a
of political power that rests on the Curiously then, Weber, this infinitely to witness Mussolini’s March on Rome, fractious meeting with Winston Chur-
confidence of the masses and not thoughtful and skeptical observer of he would have been uneasier still. chill in 1914, Henry James said to Vio-
of parliament . . . lies on the road human affairs, had come to agree with let Asquith that “it had brought home
to these “pure” forms of Caesarist the mountebank Napoleon III—who to me—very forcibly, very vividly—the
acclamation. In particular, this is named himself emperor of France in In Men on Horseback, David A. Bell, limitations by which men of genius ob-
true of the position of the President 1852—that “the nature of democracy a professor of history at Princeton, tain their ascendancy over mankind.”
of the United States, whose superi- is to personify itself in a man.” When takes Weber’s conjecture a stage fur-
ority over parliament derives from he was consulted about the writing of ther. Democracies, he points out, are
his (formally) democratic nomina- the Weimar Constitution in 1918–1919, particularly suspicious of charismatic To demonstrate his thesis, Bell takes
tion and election. he proposed the direct election of the leaders: five of the most memorable leaders from
German president. Charismatic lead- the revolutionary period: Pasquale
When traveling the United States in the ership by a single man, he maintained, Yet, paradoxically, the longing for Paoli of Corsica, George Washing-
election year of 1904, Weber had been was essential to cement the people’s such leaders acquired new impor- ton, Napoleon Bonaparte, Toussaint
much impressed by Teddy Roosevelt’s loyalty and persuade them to accept tance, and a distinct new shape, Louverture—liberator of Haiti and
boisterous campaigning style. the dull impersonal weight of modern during the very same period that leader of the greatest slave revolt in his-
The miracle ingredient by which the bureaucracy, which was both universal witnessed the first stirrings of tory after Spartacus—and Simón Bolí-
demagogos acquires and retains power and inescapable. Yes, there must also modern democracy: the eighteenth var, who led the northern half of South
is what Weber calls “charisma.” It is be vigorous political parties and ac- and early nineteenth centuries. America to liberation from its Spanish
Weber who first borrowed from the countability to Parliament. But a dol- masters. Four fifths of the book is given
Epistles of Saint Paul the Greek word lop of charisma was indispensable. It was during that period of extraordi- over to beguiling portraits of this ex-
for “the gift of God’s grace” and gave This might be described as the nary intellectual ferment and then traordinary quintet, whose reputations
it a new, entirely secular twist. But even Weber Wobble, and an apparent excep- in the great revolutions that washed were to become entangled in a glittery
his use of the term retains a heaven- tion to the general thesis for which he across much of the Western world web of global hero worship: Louver-
sent aura. The man with charisma is is celebrated: that the modern world is between 1775 and 1820 that the pow- ture, for example, being known both
“meant to be.” He comes to fulfill the characterized by a turning away from erful forms of political charisma we as the Black Napoleon and the Wash-
destiny of the nation; he is the Man on magical ways of thinking, the once- are familiar with today emerged. The ington of the Antilles, Bolívar delight-
the White Horse in the Book of Rev- for-all Entzauberung, or disenchant- coming of democracy transformed the ing in being called the Washington of
elation. Hegel wrote, when he caught ment. He recognized the necessity of relationship between the people and South America. Bell constantly stresses
sight of Napoleon riding through Jena charisma, but he remained uneasy and their leaders, and the personal mag- that the cultural setting in which these
the day before the great battle against suspicious of it. He died a year later, netism of the leader electrified that heroes operated was distinctly modern.
the Prussian army in 1806, that he had in 1920, of the Spanish flu during the relationship. Far from representing a The panegyrists of old-style monarchs
just seen “this World- Soul riding out of great pandemic, aged only fifty-six. If backsliding toward older forms of gov- would never have portrayed them as in-
town.” That’s charisma. he had lived a couple of years longer, ernment, the new Caesar, adored by teracting with the public in the intimate
E!
2021
LA W
BL
with the servicing of needs but with Veblen improved them through hard then, however, her health was in de-
AI NO
the satisfying of wants, a distinction
between productive and nonproduc-
bargaining. “I cannot afford to accept
any academic rank lower than the
cline. Veblen was a bit creaky himself,
probably the lingering effects of the New York
AV
tive labor was hardly tenable. Any
activity that produced something peo-
highest assigned to any member of the
Department, or any salary less than
calomel he had been given for a case of
pneumonia.
Review
ple were willing to pay for (a shovel, a
tidy house, a night at the theater, a silk
the highest paid to any member of the
Department,” he wrote Jordan. “My
Still, he resumed an interrupted ca-
reer; The Instinct of Workmanship and
Calendar
cravat) created wealth. Was Veblen’s acceptance of an inferior grade would the State of the Industrial Arts, planned
nonproductivity theory a useful re- be looked on by my friends in science long before, appeared in 1914. In our
placement? Certainly the task of trying as something in the nature of a reduc- evolutionary past, he conjectured, a
to say what is and isn’t “serviceable” tion to the ranks” and “contribute to tropism toward workmanship—what
is not an enviable one. That heirloom my discomfort.” It would, in short, be a he variously called “a proclivity for
tomato on your plate is nutritious, de- blow to his status. taking pains” and as “a disposition to
licious, and status-signaling: you would Thorstein and Ellen arrived together do the next thing and do it as well as
have to have a very sharp knife to sepa- in Palo Alto—he picked her up from a may be”—enabled our ancestors to
rate out those parts. remote timber claim in Oregon—and survive. Alas, this salubrious instinct
Then there’s the question of whether she had hopes that she would finally was readily overridden or distorted,
the model of marginal utility, whatever share in the ineffable delights of ac- especially by “the proprieties of the pe-
2021 David Levine Calendar:
its uses and abuses, was necessarily ademic social life in a college town. cuniary culture.”
blind to distributive malignities: Once again, however, it became plain It’s telling that Veblen, always best Storms, Whirlwinds, Earthquakes
that Veblen’s heart belonged to an- known for his theory of the “leisure This handsomely printed calendar in-
The greater the differences in other: this time to Mrs. Ann Bradley class,” seldom used that term in his cludes 13 David Levine caricatures
wealth, the more striking will be Bevans, known as “Babe,” a Eugene later writing. In part, it’s because he drawn exclusively for the Review. The
the anomalies of production. It Debs–adoring socialist and suffragist. had shifted his focus from consumption 11" x 11" wall format with large date
will furnish luxuries for the wan- Once again, Ellen threw herself into to production. He had come to notice, blocks makes it ideal for recording notes
ton and the glutton, while it is construction, putting up a two-story too, that “leisure” was something of a
and appointments. $12.95
deaf to the wants of the misera- house on Sand Hill Road, parts of red herring. “No class of men have ever
ble and the poor. It is therefore which she built with her own hands. bent more unremittingly to their work “For it is not light that is needed,
the distribution of wealth which Meanwhile, Babe, recently divorced, than the modern business community,” but fire; it is not the gentle shower,
decides how production is set to wrote repeatedly to Ellen, asking her to he wrote in The Instinct of Workman- but thunder. We need the storm,
work, and induces consumption of set her husband free. The attempt mis- ship. “Within the business community the whirlwind, and the earthquake.
the most uneconomic kind: a con- fired. In the spring of 1909 Ellen wrote there is properly speaking no leisure
The feeling of the nation must be
sumption which wastes upon un- to Jordan of her concerns, and he asked class, or at least no idle class”—its
necessary and culpable enjoyment for more information. Ellen evidently besuited members took pride in their quickened; the conscience of the nation
what might have served to heal the forwarded letters from her husband, strenuous labors, displaying the in- must be roused; the propriety of the
wounds of poverty. and probably some from Bevans. In stinct for workmanship in a perverted nation must be startled; the hypocrisy
October Jordan wrote his counterpart form. Being a successful parasite, it ap- of the nation must be exposed; and
The sentiment could be Veblen’s; the at the University of Chicago: peared, was no job for loafers. its crimes against God and
words, published a decade before A Camic notes that Veblen, ousted man must be denounced.”
Theory of the Leisure Class appeared, I have been able, with the help of from “the research hothouses of Chi-
—Frederick Douglass, Speech
are from Wieser, the very person who Mrs. Veblen, to find out the truth cago and Stanford,” largely ceased aim-
introduced the term “marginal utility” in detail as to Professor Veblen’s ing his work at his professional peers. July 4, 1852 delivered in Rochester, NY
(as his coinage Grenznutzen was trans- relations. He seems unable to re- By 1918 he had moved to New York and Shipping is FREE within the US!
lated), along with the concept of oppor- sist the femme mécomprise. . . . joined the staff of The Dial, then a bi- Why not order one for yourself
tunity costs. The university cannot condone weekly in a political phase. If the irony and several for your friends?
In taking on the marginalists, Veb- these matters. of his earlier work arose from an artful
Go to: shop.nybooks.com
len had skewered the model of Homo tension between implicit polemic and
economicus—an atomistic, ahistorical A few days later, Jordan assured Ellen professed dispassion, he was now more
concept of man as a “lightning calcula- that “we have accepted Dr. Veblen’s apt to call a spade a spade, and to re-
tor of pleasures and pains.” Yet Wieser resignation.” vile the schemers who didn’t know how Name
was perfectly aware that, as he wrote, Camic writes of “a stigma of shame to use one. The wit grew sparser, small
“the appraisal of even the purely in- that Ellen Veblen kept fresh by her re- gemstones that were set in large cinder- Address
dividual need” is in fact “influenced lentless efforts to incriminate Veblen in blocks but could still catch the light.
by society,” such that someone “may academic circles,” efforts that perma- Writing, at one point, about the “very
plunge into excessive disbursements nently scotched his prospects for a ca- reputable fortunes” made in the slave
to maintain outer show . . . for fear of reer at a major research university. The trade, Veblen suggests that it was City/State/Zip
Mr. Marginal Utility, then, had no pursuit of Holmes.” But we can regret ican business enterprise learned J Check enclosed*
problem reconciling his models with the damage done to Mr. Veblen with- how not to let its right hand know Charge my: J AMEX J Visa J MasterCard
talk of processes, social forces, insti- out losing sympathy for Mrs. Veblen. what its left hand is doing; and
tutions, wasteful display. And gov- She might have had a very different there is always something to be
Credit Card Number
ernment interventions: Wieser was life had medicine been more advanced, done that is best done with the left
especially proud of having supplied since she suffered from something hand.
Expiration Date
theoretical support for progressive like Graves’ disease (and probably
taxation. (Friedrich Hayek later com- from misguided attempts to treat it).
plained that he was “slightly tainted Her life certainly would have been dif- Among members of the educated Signature
with Fabian socialist sympathies.”) ferent had gender equality been more public, Veblen remained a name to Item Qty Price Total
You didn’t need to think that indus- advanced, since she suffered, finally, conjure with. H. L. Mencken, writ- 2021 Calendar X $12.95 = $
trial work is the only productive kind from being in a world less than eager ing in 1919, claimed that he had lately PLUS POSTAGE & HANDLING
in order to see fault in the distribution to develop a woman’s intellect and “dominated the American scene”— within US per item FREE!
X $4.00 = $ 0.00
of rewards. All theories idealize: all talent. that “there were Veblenists, Veblen OR Canada per item X $10.00 = $
stipulate counterfactual conditions or Veblen, who had so recently insisted clubs, Veblen remedies for all the sor- OR Rest of World per item X $14.00 = $
invoke ideal types (as with Veblen’s on the perquisites of his rank, now knew rows of the world.” Hostile hyperbole Orders to New York– add local Sales Tax =$
sharp contrast between the productive he’d be lucky to find any academic post was Mencken’s specialty, of course, but
and the nonproductive). Precisely be- at all. He took one—poorly paid, and when the New School was established GRAND TOTAL $
cause we live in a world of highly im- on an annual contract—at the business that year—as a scantily funded assem- * Check or US money order must be made payable to The
perfect information, we need an array school at the University of Missouri, blage of illustrious leftists, including New York Review of Books in US dollars, drawn on a US bank
of models; we also need to know when which was then a far cry from the re- Charles Beard and John Dewey—it account. We cannot accept international money orders.
to remodel them. search institutions he had been accus- happily welcomed Veblen to its ranks. Please allow 1–2 weeks for delivery within the US and
2–3 weeks for delivery outside the US.
tomed to, and put down stakes in what The offer was well timed because
he called “a woodpecker hole of a town he was being discarded by The Dial, Return this coupon to: Order Department,
Veblen, shown the door at Chicago, in a rotten stump called Missouri.” He now under new, more literary-minded
435 Hudson Street, Suite 300, New York, NY 10014,
soon found himself engaged in no lit- would make do. Ellen, perhaps molli- management.
or for credit card orders only, call (646) 215-2500 or
tle higgling himself. In 1906 he secured fied by his reversal of fortunes, finally While all this was going on, it was visit shop.nybooks.com
a job offer from Stanford’s ambitious granted him a divorce; Babe, as his weighing on his mind that his wife was
ing remedies, aptly enough for someone tus (most notably, game theory) created first wife, at a considerable markup.
debilitated less by the diseases he con- an intellectual Schengen Zone between The place lacked the fine craftsman- PERSONALS
tracted than by the medications he was these realms, eased by a shared formal ship of the house where he grew up
HOPING TO BRIGHTEN 2021 by getting to know a kind,
given for them. Yet he was drawn to a language. Veblen’s notion of “conspic- but had its ramshackle charms. It was smart, active Jewish man, 70–80 years old with a sense of
technocratic vision in which entrepre- uous consumption” found a powerful amid Ellen’s handiwork that he died, humor and healthy lifestyle. I am a family-oriented, semi-
retired female MD. I have broad cultural interests, love
neurs were replaced by engineers. In his heritor in the handicap principle, which of a heart attack, on August 3, 1929, nature and travel, and have a zest for life. nyoptimist2021@
next-to-last book, The Engineers and emerged in evolutionary theory in the weeks before a crash that made his gmail.com.
the Price System (1921), he sketched 1970s and applied his explanation for holdings worthless and his writings
GREAT WARMTH, OPTIMISM, AND DELICIOUS WIT
out a long- odds solution to what ailed the appeal of “cumbrous” apparel to invaluable. from a guy (68–83) would be cherished by a slender, spir-
us, and proposed having industry run the biological world. According to this In 2004 a grandson of the second ited gal with a passion for classical music, kids, and rich
companionship. Tri-state area. a.raphael222@gmail.com.
by “a soviet of technicians,” set up as a hypothesis, the deer’s uselessly massive Mrs. Veblen put the house on the
“self- directing General Staff.” (Those antlers or the peacock’s extravagant market as a teardown. The property, DATE SMART. Join the introduction network for single
who grew up in the planned economies tail, precisely because they are wasteful across the street from the Stanford golf graduates and faculty of the Ivies, Stanford, and other ex-
cellent schools. www.rightstuffdating.com.
of the mid-twentieth century may see and costly, signal that the creature has course, brought in a seven-figure offer.
some misplaced confidence here.) If fitness to burn. “Signaling” theory— “Build Your Own Dream Home!” was
our productive industries were orga- concerned with the ways economic ac- the realtor’s pitch, and someone did. A Individual fueled by intellectual curiosity,
cultural hedonist, Grecian Urn enthusiast,
nized into a whole and then tors seek to convey information about former communications exec at Visa allergic to online dating and no stranger to
themselves—arrived in economics lives there now. Veblen would have conversation, candlelight, or tight elections—
managed by competent technicians around the same time, and the ultimate taken a mordant satisfaction in this. He If the above describes you or the person you hope to
with an eye single to maximum result was an interdisciplinary wedding took a dim view of both credit and cor- meet, then place a personal ad in
The New York Review of Books’s February 25, 2021,
production of goods and services; at which Veblen was brought back to porate communications, but he always Valentine’s Day issue.
instead of, as now, being manhan- officiate. relished irony. Q Submit by January 15, 2021. We will run the most
inventive personal ad free of charge, and runners-up
will be offered 50% off regular rates.
MWM ERROR THEORIST still looking for compatible COMPOSITION MISCELLANEOUS AWARDS
) WR KHOS ÀJXUH RXW ZKDW·V LPSRUWDQW &DPEULGJH DUHD
tlph644@gmail.com. A CHARISMATIC, AGING FRENCH ROCK STAR will PHILANTHROPIC FUNDING SOUGHT, for pursuing ideas
compose and record an original song for you, your mom, and strategies, that I believe, in aggregate, represent our
NEW YORK CITY ATTORNEY, well read and well traveled, \RXUORYHURU\RXUSHWLQ)UHQFK(QJOLVKRU)UDQJODLVUHF best hope for saving the planet. www.ecoideaman.com. " " ' #"
vigorous, eclectic, good listener. But life is more. Seeks ommended). US$200. Contact: lodbrogsagent@gmail.com; (%!()$##$*#),##'(
woman to share the adventure. Femmes francophones ap-
préciées. NYR Box 68070.
www.imrelodbrog.com.
THERAPEUTIC SERVICES $)(.'4('/(
#)(*)'($'#-).'
AIRBRUSH
%+
!6
GIFTS %,!)+''"
),2!-$#3)5)3)%2.&3(%!+8!-.4-$!3).-
!/#
$*#)$# , ( #)'#)$#!
# ')' # ($% )( $#)!. )'$* ),$
)RXQGDWLRQVRQHXQGHU,WDOLDQMXULVGLFWLRQDQGWKH
Eye Refining Treatment $)'*#',((*'()$#
!!&& "!'&(
Airbrush Eye Cream reduces ZLWK D UHJLVWHUHG RFH LQ 0LODQ KDV WKH DLP WR
%'$"$) )'$*$*) ) ,$'! *!)*' (#
puffiness right away, especially when # ) "$() "')$'$*( #))+( # ) *(
$*"#).%#')'#)."$#%$%!(
cold. Promotes new collagen which ''!(( $ #)$#!). ' $' ' ( "
())#)'$*)##*!,'#$%'/(
reduces fine lines and wrinkles. Reduces # ) (#( *"#)( # ($! (#(
$"#)$#( $' )( %'/( ' '+ ) )
dark circles, is soothing, hydrating and
$*#)$#4( '&*() '$" ) ,$'!4( !#
!'# ($)( #)( ' (!) . )
promotes a youthful healthy glow!
& !! $"%$( $ "##)
Reg $68 Hypo-allergenic and natural containing
*'$%# ($!'( # (#)()( ) #)'+!( $
#$) !(( )# )' .'( )
!/#
$*#)$#
Now only $54.40 emu oil serum, green tea extract, aloe vera,
!($ ,'( 2'/ $' *"#). #
')'#)."$#$%!(3