Throughout his career, La Fresnaye demonstrated his great admiration for Paul Cézanne. In this early work, the idea to identify the sitter, Georges de Miré—the artist’s first cousin and friend—at the top of the canvas was inspired by the work of Cézanne. The faceted forms and reduced palette of this full-length portrait also reveal La Fresnaye’s awareness of the early Cubism of Georges Braque and Pablo Picasso. Exhibited at the 1910 Salon d’Automne (the annual exhibition held in Paris in the fall), the painting demonstrated— alongside canvases by Albert Gleizes, Jean Metzinger, and Robert Delaunay—the growing interest in a new kind of painting focused on form rather than on color, as was the case with Henri Matisse and the Fauves.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Georges de Miré
Artist:Roger de la Fresnaye (French, Le Mans 1885–1925 Grasse)
Date:1910
Medium:Oil on canvas
Dimensions:51 1/2 × 38 1/2 in. (130.8 × 97.8 cm)
Classification:Paintings
Credit Line:Gift of Mr. and Mrs. Nathan Cummings, 1962
Accession Number:62.261
Inscription: Inscribed (top): GEORGES DE MIRE; signed (lower right): R. DE LA FRESNAYE
the sitter, Paris (from 1910); [Galerie Pierre, Paris, until 1930; sold on May 25, 1930, for Fr 80,000, to René Gimpel, Paris, for the Toledo Museum of Art]; Toledo Museum of Art (1930–55; accession no. 30.210; on consignment 1951–55 to M. Knoedler & Co., Inc., New York, consignment no. CA 3955; sold by Knoedler on April 14, 1955, for $7,000, to Chrysler); Walter P. Chrysler, Jr., New York and Warrenton, Va. (from 1955); [E. and A. Silberman Galleries, Inc., New York, in 1960; sold to Cummings]; Mr. and Mrs. Nathan Cummings, Chicago (until 1962; their gift to MMA)
Paris. Grand Palais des Champs-Élysées. "Salon d'Automne," October 1–November 8, 1910, no. 435 (as "Portrait de M. G. de Miré," lent by M. de Miré).
New York. Buchholz Gallery, Curt Valentin. "Roger de la Fresnaye, 1885–1925," October 23–November 10, 1945, no. 15 (as "Portrait of Georges de Mire," possibly 1917, lent anonymously).
Washington. National Gallery of Art. "Selections from the Nathan Cummings Collection," June 28–September 11, 1970, no. 21.
New York. The Metropolitan Museum of Art. "Summer Loan 1971: Paintings from New York Collections. Nathan Cummings Collection," July 1–September 7, 1971, no. 21 (New York venue, brochure no. 30).
Art Institute of Chicago. "Major Works from the Collection of Nathan Cummings," October 20–December 9, 1973, no. 50.
New York. The Metropolitan Museum of Art. "Selection Three: Twentieth-Century Art," October 22, 1985–January 26, 1986, no catalogue.
Canberra. Australian National Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," March 1–April 27, 1986, unnumbered cat. (p. 11).
Brisbane. Queensland Art Gallery. "20th Century Masters from The Metropolitan Museum of Art, New York," May 7–July 1, 1986, unnumbered cat.
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, unnumbered cat. (p. 28).
André Salmon. "L'Oeuvre de Roger de la Fresnaye." L'Art vivant 2 (December 1, 1926), ill. p. 887, calls it "Portrait de M. de Miré".
Blake-More Godwin. The Toledo Museum of Art: Catalogue of European Paintings. Toledo, 1939, pp. 274–75, ill., calls it "Portrait".
Germain Seligman. Roger de la Fresnaye. New York, 1945, pp. 12, 42, no. 27, pl. XV, calls it "Georges de Miré, Portrait" and tentatively dates it about 1917; erroneously locates it in a private collection.
Burlington Magazine 102 (May 1960), ill. p. xxi (advertisement for E. A. Silberman Galleries).
Germain Seligman. Roger de la Fresnaye, with a Catalogue Raisonné. Greenwich, Conn., 1969, pp. 76, 138, no. 76, ill., calls it "Portrait: Georges de Miré"; reproduces a charcoal study for this painting (location unknown).
Carol Cutler. Selections from the Nathan Cummings Collection. Exh. cat., National Gallery of Art. Washington, 1970, p. 36, no. 21, ill.
Michael Lloyd in20th Century Masters from The Metropolitan Museum of Art, New York. Exh. cat., Australian National Gallery. Canberra, 1986, p. 11, ill. (color), dates it about 1910.
Roger Bevan. "Exhibition Reviews: The Metropolitan Museum: A New Wing for Modern Art." Apollo 127 (January 1988), p. 41.
Roger de la Fresnaye (French, Le Mans 1885–1925 Grasse)
1925
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
