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Persecution and the Art of Writing

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The essays collected in Persecution and the Art of Writing all deal with one problem—the relation between philosophy and politics. Here, Strauss sets forth the thesis that many philosophers, especially political philosophers, have reacted to the threat of persecution by disguising their most controversial and heterodox ideas.

204 pages, Paperback

First published January 1, 1952

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About the author

Leo Strauss

149 books312 followers
Leo Strauss was a 20th century German-American scholar of political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
Trained in the neo-Kantian tradition with Ernst Cassirer and immersed in the work of the phenomenologists Edmund Husserl and Martin Heidegger, Strauss authored books on Baruch Spinoza and Thomas Hobbes, and articles on Maimonides and Al-Farabi. In the late 1930s, his research focused on the texts of Plato and Aristotle, retracing their interpretation through medieval Islamic and Jewish philosophy, and encouraging the application of those ideas to contemporary political theory.

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Displaying 1 - 22 of 22 reviews
Profile Image for Murtaza .
680 reviews3,391 followers
June 28, 2020
Across most of history people have been constrained by politics from expressing the full totality of their views and beliefs. For the overwhelming majority of people this posed no problem: their views were either in line with prevailing sentiment, or at minimum they felt no pressing need to contradict it. For a small number of thinkers however there was a serious problem. They felt prevailing beliefs to be in some sense incorrect, perhaps even founded on total falsehood, but also knew that it was politically impossible to express this openly. Rather than drinking hemlock as Socrates was forced to for refusing to disown his beliefs, they wrote the truth as they saw it in a form of code. Overtly, their writing reaffirmed the prevailing order. But those who could read between the lines were able to understand the true meaning of their words. These were often literally unspeakable critiques of orthodoxy, secretly published for those who in all times genuinely seek truth.

Strauss was a scholar of medieval Jewish and Islamic scholars. This study leans heavily upon analysis of al-Farabi and Maimonides. He takes what you could call an elitist view of intellectual history: Most people cannot understand any subversive truth. If they heard one, they'd probably be livid and dire consequences would ensue. At the same time there are always a small number of people who are able to comprehend things and who carry the torch of knowledge forward even under oppression. It is to those people whom these writers, and others like Spinoza, wrote their works, or at least part of them. The truth of reality as they saw it was woven into critiques, or expressed through subtle contradictions. In other words they wrote both esoterically and exoterically. The exoteric meanings paid obeisance to the politics of their time. The esoteric meanings spoke to the elite, who, if they read exactingly enough, could unseal the locks concealing the true meanings of texts. The messages were different but as Strauss describes they tended to convey either a message of what we would call rationalism or spirituality, depending on the context.

Strauss's analysis really brought home to me the great similarities between Judaic and Islamic exegesis, both being jurisprudential religions. I imagine that the similarities struck him too, even down to the shared terminology like fiqh and kalam. Someone versed in understanding of the Torah would be more able to comprehend the idea of layered meanings of the Quran than a modern secularist and potentially even a Christian whose holy text is (as far as I know) written largely exoterically. We take it for granted that people in the past generally believed one thing, or at least believed what they seemed to say that they believed. The reality is indeed quite different and some of them tried to tell us about it.

Reading this book can be a salve for people who feel the press of truths that run against the fashions of the time that they live in. While it can feel crazy, many people in history have in fact confronted this dilemma. Strauss himself was an interesting writer about whom I am interested in learning more, particularly in light of his popularity among some contemporary Americans.
Profile Image for David M.
464 reviews380 followers
December 20, 2016
It's easy to understand the influence of Hayek or Milton Friedman, but Leo Strauss is an entirely more perplexing case. What is it about this Spinoza expert and painstaking scholar of medieval philosophy that makes him an intellectual godfather to the modern GOP?

Let's try asking Peter Thiel (one of my all-time least favorite bay area tech billionaires, but still a fairly articulate man, I'll grant).

http://www.the-american-interest.com/...

(see last question)


I’ve been interested in Strauss for a long time. I think Strauss was a very important and profound thinker. His essay “Persecution and the Art of Writing” shows how in all societies certain ideas are not allowed to be discussed. Properly understood, political correctness is our greatest political problem. We always have this question of how to build a society in which important problems can be thought through and tackled. It’s a mistake to simply fixate on the problem of political correctness in its narrow incarnation of campus speech codes; it’s a much more pervasive problem. For instance, part of what fuels the education bubble is that we’re not allowed to articulate certain truths about the inequality of abilities. Many of our destructive bubbles are linked to political correctness, and that’s why Strauss is so important today.


Emphasis added. This makes me wonder if it's just a case of elites finding the right books to read to flatter themselves. Do billionaires feel oppressed by social norms that keep them from just coming out and saying they really are that much better than everyone else?

I actually think Strauss probably deserves better than this. His erudition and intellect are formidable. He may have developed an elitist hermeneutics, but unlike his odious pupil Alan Bloom (subject of Saul Bellow's horrendous last novel) he wasn't interested in merely handing out intellectual baubles to snobs.

*
It's all too easy to read Nietzsche and come away with the discovery that you in fact are one of the ubermenschen. But then maybe this is just the exoteric reading. It's also possible that, read esoterically, Nietzsche teaches an egalitarianism that is far too radical for most intellectuals to fathom.

*
Leo Strauss versus Paul Ricoeur...

While acknowledging that there may be gradations, Strauss's whole hermeneutics depends on dividing humanity between the vulgar masses on the one hand and a small band of philosophical wise men on the other. In interpreting a great author, then, the primary task is to distinguish the part written in the language of the vulgar (the 'exoteric') from the subtext written for a small elite (the 'esoteric').

The dominant trope here is the parable or code. The surface language of the text can be decoded, or translated in a determinate way, into a secret, true meaning which only the wise posses.

By contrast, with Ricoeur the dominant trope is the symbol. The symbol gives rise to thought... What this means is that its solicitations are always irreducibly multiple and ambiguous. Though he would not deny differences in learning and ability between individuals, nonetheless his hermeneutics can be called egalitarian in that he is describing a universal condition. The wise philosopher no more possesses the secret meaning of the symbol than does the plebeian. For them both interpretation is an infinite and never-finished task.

*
For the Christian, the sacred doctrine is revealed theology; for the Jew and the Muslim, the sacred doctrine is, at least primarily, the legal interpretation of the Divine Law (talmud or fiqh). The sacred doctrine in the latter sense has, to say the least, much less in common with philosophy than the sacred doctrine in the former sense. It is ultimately for this reason that the status of philosophy was, as a matter of principle, much more precarious in Judaism and in Islam than in Christianity - pp 19


This seems to suggest that it was not merely a coincidence that modern, empirical science emerged in the Christian west and nowhere else. In its emphasis on revelation, over and above the law, Christianity incubated a deep concern with the world as it actually exists.

This also may account for much of the bitterness in the break between science and religion in the Christian world. As science grew and became more autonomous, it no longer needed the soil of religion in which it was originally planted. Religion, however, could not accept that it had been demoted. Christianity had traditionally thought of itself as much more than just a moral teaching; it was a total cosmogony. This conflict continues to this day.
Profile Image for Alice Nilsson.
45 reviews20 followers
May 3, 2019
The title essay sets the thesis for the following readings/encounters with Maimonides, the Kuzari + Spinoza. The encounters with texts are far more interesting than the title essay.
Profile Image for Del Herman.
131 reviews14 followers
August 20, 2016
I learned quite quickly from engaging great texts that there was more to them than just plot and surface symbolism. My Literature teacher in high school inculcated in us this means of analyzing, of digging deeper into text and reading in between the lines. When I began doing that, the things I could see in a given text were remarkable. The first work I read under this lens was the assigned work at the beginning of Senior year Literature: Macbeth. The things we found in Macbeth were incredible. Of course, these interpretations could not be found on Sparknotes and they could not be found on the play's Wikipedia page. Most of those interpretations were superficial: that Shakespeare meant exactly what he wrote or better yet, they came from a certain philosophical outlook on how to read: they were deconstructive and attempted to defile any traditional interpretation of the text or they were by-products of historicism, the view that there are no eternal questions and each thinker is merely a representative of the prejudices of his own day.

When Leo Strauss left his Neo-Kantian and phenomenological training in favor of studying Jewish and Islamic philosophy in the Medieval period, these types of reading (albeit deconstructionism was not on the scene yet) were the most common. The Hegelian idea that there are no permanent truths or questions but only truths or questions reacting to the dialectic of history had corrupted how philosophers read the Ancient and Medieval thinkers. These thinkers were to be understood historically and not philosophically. They were answering to a prejudice of their times, not an eternal question.

However, Strauss rejected this. He rejected the Hegelian understanding of history and gave the Ancients their footing. What he discovered in the Ancients was nothing short of a revolution. He re-discovered the art of esoteric writing.

What esoteric writing is, is exactly what my Literature teacher made us find in Shakespeare, the message in between the lines. The exoteric message was instead the lines themselves and their literal meaning.

Of course, many folks take issue with this. Why would Ancient thinkers do this? How do we know we're not reading our own prejudices into the text? The answer to the first question is because philosophers of the pre-modern era understood something which was lost in the Enlightenment optimistic understanding of man: that there should always be a dichotomy between philosophy and society. The two should intertwine, for sure, but they should never become one organism.

The reasoning behind that for the Ancients was simple: philosophy concerns itself with the permanent questions and contemplates them always with a reserve, a methodological skepticism. However, no society that wishes to function, can run on pure skepticism alone. Every society must have agreement about common sense beliefs, what the good generally is, and what it means to be human. It has no time for permanent questions, because society (unlike philosophy) needs its answers and cannot question forever. Therefore, the political mindset of society and the skeptical mindset of the philosopher should always be separate, for the good of society and for the safety of the philosopher living in a society dominated by a somewhat necessary dogmatism.

To prove his theory, Strauss analyzes three texts of Jewish philosophy: Maimonides' Guide for the Perplexed, Judah Halevi's Kuzari, and Baruch Spinoza's Theologico-Political Treatise, each of which he finds esoteric writing in. The justifications and methodology differ by author: Maimonides' esotericism was birthed from Rabbinic teaching that the true teaching of the Torah should not be written haphazardly, for it could be misunderstood and misappropriated by the vulgar and so the best way to write candidly about The Torah was to create a message that could be understood and used appropriately by the vulgar (the surface thinker) and could be dissected by the wise (read esoterically). Maimonides seems to imply many things, when read esoterically, that question the status quo of Judaism in the 13th Century. Halevi, on the other hand, seems to claim many things about the relation between theology and philosophy that would have been uncomfortable for the Medieval man. Similarly, Spinoza writes the deeper messages of his naturalism into what may seem pious writing, but which underneath imply an even deeper materialism than his pantheism understood proper.

When the Great Books are understood this way, as layered, as possessing writing between the lines, as being testing grounds for the minds of their readers, they inevitably become more important for us. In a time when Great Books are often devalued as being the senseless by-products of history or the pious renderings of a dogmatic age or as being irrelevant in the eyes of modern science, Strauss's understanding of how to read properly can be of great insight for maturating thinkers and a great source of the debates of the Western tradition. The old phrase that "God is in the details" certainly comes true when it comes down to serious intellectual inquiry.
Profile Image for Ryan.
1,053 reviews
January 25, 2021
My understanding of this book goes something like this: philosophy questions and it is therefore a threat to any established order; therefore, philosophers are incentivized to clothe their philosophy in status quo language while expressing, between the lines, their true ideas. Our job as readers is to read between the lines when reading philosophy--and perhaps more broadly.

This actually makes reading still more fun as it's difficult to not almost immediately begin reading against every text's explicit meaning. In fact, this is what I immediately began to do when reading Symposium at a book club last month. I suspect the easiest way to see this idea in action is to visit any X Did Nothing Wrong subreddit.

The danger of this philosophy is that also encourages readers to disregard any explicitly stated message and instead interpret a contrary message hidden "between the lines."

Though not a danger, I'll admit that I began to worry that I was missing the Straussian message in this work. Because I have almost no familiarity with the Medieval texts Strauss discusses in many of these essays, it seems safe to conclude my worries were correct. Who knows.

Update 2021-Tweet storm overview of Strauss's ideas: https://twitter.com/ZoharAtkins/statu...
209 reviews15 followers
October 26, 2007
another must-read. eye-opening account of how authors write a book for a second, hidden audience. did you ever find yourself reading an author that is normally very meticulous and find yourself confused by what appears to be an egregious error? this "stepping out of character" may be a hidden signpost for the hidden audience.
Profile Image for Jeffra Hays.
Author 12 books6 followers
December 30, 2011
One does not read this while attending to anything else. I read it twice, and a third reading would do me good. Using several famous texts as examples, Strauss explains why each writer presented his material as he did, and how to understand that some writing is not intended for immediate consumption. What is apparent on the page is not the writer's message. Difficult, yes, and fascinating.
Profile Image for Will Spohn.
170 reviews2 followers
January 9, 2023
All of the essays were great, and were helpful in clarifying the approach one has to take with esoteric texts. I found the Spinoza essay probably the most difficult. Also, it is funny that Strauss makes the Introduction the first part, so that there are five parts and thus a central essay. Clever.
Profile Image for Jeremiah John.
57 reviews5 followers
July 20, 2017
I only read Strauss' essay "Persecution and the Art of Writing." The other essays were about Islamic historians and were not of interest to me, so I skimmed or skipped.

I really enjoyed the essay I did read. His essential premise is that authors under persecution write "between the lines" to the deep student, burying hidden gems of their actual thought among dense and specifically misleading ideas. They do this to hide their thoughts from the persecution of censors but to leave behind a legacy.

It makes you question the way we as modern people read history: most of us haven't experienced persecution, and we tend to take a person at their word, not considering the pressure to keep one's neck from the gallows.

I feel this work adds a dimension that is normally lacking from a reading of historical texts, and the short essay in this book is well worth the read.
180 reviews9 followers
April 29, 2023
There are four essays in this book, 3 of which are examples of the idea set forth in the first essay that writers throughout history have been forced by religious and moral traditions of their times to hide what they are saying in plain sight. How do writers transmit their true thoughts through censorship? Strauss suggests that we read between the lines. He advocates slow reading, really digging into a text, looking for patterns, phrases which stick out, inaccuracies, mistakes, and contradictions. It reads like a map to hidden treasure. If you know what the clues are, you'll be in on the spoils.
Profile Image for noblethumos.
606 reviews42 followers
March 26, 2023
"Persecution and the Art of Writing" is a book by German-American philosopher Leo Strauss, first published in 1952. The book is a critical analysis of the relationship between politics and philosophy, and argues that the history of philosophy is marked by a tension between the pursuit of truth and the need to navigate political constraints.

Strauss suggests that philosophers have often had to conceal their true beliefs and ideas in order to avoid persecution or censorship by political authorities. He argues that this has led to the development of an "art of writing," in which philosophers use irony, allegory, and other rhetorical devices to convey their ideas in a way that is palatable to the ruling powers.

Strauss also critiques the idea of moral relativism, suggesting that it is based on a flawed understanding of human nature and the nature of reality. He argues that the pursuit of truth and the good is a fundamental human impulse, and that the role of philosophy is to provide a framework for this pursuit.

Overall, "Persecution and the Art of Writing" is an important contribution to the study of philosophy and its relationship to politics. The book has been widely read by scholars of political theory and intellectual history, and has contributed to ongoing debates about the nature of philosophy and its role in shaping human experience.

GPT
Profile Image for Jeff.
60 reviews
January 10, 2009
While not Strauss' most controversial work, this is probably his most misunderstood and dismissed work. In Persecution and the Art of Writing, Strauss states his belief that great philosophers have offered both an "exoteric" or salutary teaching and an "esoteric" or true teaching, which has been concealed from the general reader. For maintaining this distinction, Strauss is often accused of having written esoterically himself, which strikes me as incorrect if no other reason than that Strauss did not consider himself a philosopher.
1 review
September 4, 2014
It would be difficult to understand the Western tradition of political philosophy without reading this book. Particularly interesting is Strauss's account of the two caves: the natural cave and the artificial cave we have constructed - the pit beneath the cave, so to speak. This makes access to the natural cave increasingly difficult. (see the essay on Spinoza). The phenomenon Strauss is talking about seems much like Heidegger's argument that we are no longer able to think, meaning to reflect as opposed to calculate. (Memorial Address and What is Called Thinking)
Profile Image for Ian.
20 reviews5 followers
April 14, 2014
I really like Leo Strauss' s thinking especially when he channels what he knows of classics. This book I don't feel demonstrates this. I was hoping he justified esotericism deeper and was let down by the essay In particular. Strauss is a serious thinker on classics and I recomended the Leo Strauss Center which has some of his courses recorded and free to listen. You really see Strauss' s intellect and understanding there.
Author 7 books11 followers
September 16, 2010
Certain books contain a secret book, hidden within what overtly seem like contradictions. An interesting recovery of hermeneutics for the goals of conservative political philosophy.
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