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Max Bruch: His Life and Works Paperback – Illustrated, July 15, 2005
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Max Bruch (1838-1920), the German composer best known for his Violin Concerto in G minor, was in his day, a famous conductor and teacher as well as a prolific composer; yet he has been sadly neglected, perhaps in comparison to hiscontemporary Brahms. In this book - the only full-length study of Bruch - the author provides a richly documented account of Bruch's career as music director and composer, including a spell with the Liverpool Philharmonic Societyfrom 1880-1883, and as a teacher at the Royal Academy of Arts in Berlin from 1892 until his retirement in 1911, where Vaughan Williams was one his pupils; he paints a picture of a proud and sensitive man, whose talents were perhaps left behind at a time of rapid musical development. The book also offers a musical analysis of his one hundred published works, including three operas.
CHRISTOPHER FIFIELD is foremost a conductor, but also a writeron music history (Grove, DNB, Viking Opera Guide, Oxford Companion to Music), the author of a biography of Hans Richter, the editor of the letters and diaries of Kathleen Ferrier, and a recent history of the music agents Ibbs and Tillett.
- Print length408 pages
- LanguageEnglish
- PublisherBoydell Press
- Publication dateJuly 15, 2005
- Dimensions5.76 x 1 x 8.75 inches
- ISBN-101843831368
- ISBN-13978-1843831365
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Review
Bruch deserves a full-scale study and this is what he and his music gets...This is the work on Bruch but its merit lies not only in being the only book but in the detail, pacing and presentation of Bruch's life. The humanising communicative faculty that Mr Fifield brings to bear lifts the book from mere gap-filling as does its evident determination to lift Bruch from the slough of one-work composers. In all these ways the book and its author bears the laurels of victory. ― MUSIC WEB INTERNATIONAL
Richly documented account of Bruch's career. ― TIMES LITERARY SUPPLEMENT
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Product details
- Publisher : Boydell Press (July 15, 2005)
- Language : English
- Paperback : 408 pages
- ISBN-10 : 1843831368
- ISBN-13 : 978-1843831365
- Item Weight : 1.51 pounds
- Dimensions : 5.76 x 1 x 8.75 inches
- Best Sellers Rank: #5,618,728 in Books (See Top 100 in Books)
- #3,223 in Theatre Biographies
- #13,467 in Music History & Criticism (Books)
- #146,145 in Memoirs (Books)
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Max Bruch (1838-1920) was not so lucky, but he kept the faith: that music was fundamentally about music. The price he paid for this attitude was that for some time his work has been largely overlooked. It is positively amazing that to this day Christopher Fifield's biography is still "the only full-length study of Bruch."
Many are familiar with Bruch's beautiful Violin Concerto in G minor, often the first major concerto attempted by young violinists. Less well known, but just as musical, is his "Scottish Fantasy" for violin and orchestra. And, of course, the great arrangement of "Kol Nidrei," for cello, and any number of other instruments.
That is just a small part of Bruch's output. He composed three violin concertos, three symphonies, oratorios, chamber music, choral music, etc. Fortunately, much of this has been recorded and is available through Amazon.com.
Fifield's book may seem a little pricey, but it is thorough, well-documented, well-written -- and there are no alternatives. So your decision is easy.
paper back book in as new condition
A lesser known German Romantic composer
There can be few music lovers who do not know the Violin Concerto No.1 in g minor by Max Bruch. But, somewhat to the composer's frustration, this is almost the only composition of his that is heard regularly in the concert hall or over the airways - either now or even during his lifetime. It is in fact only one of three violin concertos Bruch composed and its greater popularity is probably due to its use of lovely, long-breathed melodies to a greater extent than the other two concertos. But Bruch composed music in other forms too - much choral music, three symphonies, a concerto for two pianos, a Serenade and a Scottish Fantasy for violin and orchestra, and an Adagio and the quite lovely Kol Nidrei for cello and orchestra. This last piece was composed to accompany the declaration in the synagogue at the start of Yom Kippur, the Day of Atonement; and Bruch also composed an oratorio on the subject of Moses. Probably as a result of these compositions, especially the former, he was thought to be Jewish, but that was not the case.
Bruch also wrote some lovely chamber music - two string quartets, two string quintets, a piano quintet and a string octet, all currently available on CD. Musical examples are used sparingly in this book, which works chronologically through the life of this composer and conductor, bringing in the compositions at the appropriate time of his life when they were written. However, descriptive musical analyses as well as his social interactions are given in sufficient detail to give the reader a real sense of involvement in the life of the man and his music. When this book was originally written (1980s) there existed no other biography of Max Bruch, even in German. The book ends with a list of his compositions and those who were significant figures in his life, and a general index. For this second edition, there is also an interesting 35-page Appendix listing works that Bruch conducted for the three years that he was Court Music Director in the town of Sondershausen.
Bruch: Piano Quintet/String Quintet/Octet
Bruch: 2 String Quartets
Bruch: The Complete Symphonies
Top reviews from other countries
Fifield writes fascinatingly and is knowledgeable.
I love Max Bruch's music, which is unfairly underplayed.
I enjoy reading the biography on the couch with appropriate music in the background.
Reviewed in Germany on March 28, 2024
Fifield writes fascinatingly and is knowledgeable.
I love Max Bruch's music, which is unfairly underplayed.
I enjoy reading the biography on the couch with appropriate music in the background.
Pardi , notre compositeur avait une famille de quatre enfants à nourrir ,ce qui n'incite sans doute pas à se montrer trop aventureux .
Chers amis mélomanes , ne laissez pas les Grands Inquisiteurs de la musique vous dicter ce que vous devez écouter .
Jugez vous même sur pièces .
Ce livre vous donnera peut-être envie de découvrir d'autres oeuvres de notre cher compositeur .Dommage qu'il n'existe qu'en Anglais ,alors lançons un appel aux éditeurs pour que soit ils traduisent le bouquin en Français , soit demandent à une bonne plume Française d'écrire une belle monographie .