Reading Lanes: Henry Valentine Miller

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Henry Valentine Miller (December 26, 1891 – June 7, 1980) was an American writer. He was known for breaking with existing literary forms, developing a new sort of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, explicit language, sex, surrealist free association and mysticism. His most characteristic works are based on his experiences in New York and Paris, and all of which were banned in the United States until 1961. He also wrote travel memoirs and literary criticism and painted as well.

To get a feel of his work do go through the following.

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Tropic of Cancer

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Now hailed as an American classic, Tropic of Cancer, Henry Miller’s masterpiece, was banned as obscene in this country for twenty-seven years after its first publication in Paris in 1934. Only a historic court ruling that changed American censorship standards, ushering in a new era of freedom and frankness in modern literature, permitted the publication of this first volume of Miller’s famed mixture of memoir and fiction, which chronicles with unapologetic gusto the bawdy adventures of a young expatriate writer, his friends, and the characters they meet in Paris in the 1930s. Tropic of Cancer is now considered, as Norman Mailer said, one of the ten or twenty great novels of our century.

Tropic of Capricorn

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Banned in America for almost thirty years because of its explicit sexual content, this companion volume to Miller’s Tropic of Cancer chronicles his life in 1920s New York City. Famous for its frank portrayal of life in Brooklyn’s ethnic neighbourhoods and Miller’s outrageous sexual exploits, The Tropic of Capricorn is now considered a cornerstone of modern literature.

Black Spring

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Continuing the subversive self-revelation begun in Tropic of Cancer and Tropic of Capricorn, Henry Miller takes readers along a mad, free-associating journey from the damp grime of his Brooklyn youth to the sun-splashed cafes and squalid flats of Paris. With incomparable glee, Miller shifts effortlessly from Virgil to venereal disease, from Rabelais to Roquefort. In this seductive Technicolor swirl of Paris and New York, he captures like no one else the blending of people and the cities they inhabit.

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