1. La lecture (1924). Jean Puy (French, 1876-1960). Oil on canvas.

    His brother Michel – an art-critic who, in 1907 in La Phalange, wrote the first study paper on the Fauvists – publishes a monograph on Jean Puy at the NRF in 1920, where he writes: “One would think this man joyful but he is tormented. (…) His subjects, as captured from reality as they seem, enter in a composition that has been meditated at great length. He never stops at the outside of an object or model, but penetrates their inner emotion.”

     
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